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The David Gregory Interview – One Life to Live & She Walks in Beauty

Courtesy/DavidGregory.com

Courtesy/DavidGregoryOfficialSite

It has been exactly one year since On-Air On-Soaps ventured to New York City to say goodbye to the amazing cast of the beloved One Life to Live.  And as hard as that was, we will treasure it for the rest of our lives.  But as this year has played out many of your favorites have gone on to new projects, new roles, and new endeavors.  One such performer is David Gregory, who as hottie Robert Ford, spent his time in Llanview bedding many of the young ladies, being the big brother to his two younger siblings, dealing with his abusive dad and the issues that caused, and finally finding love and becoming a dad in his own right shortly before his untimely death.

Now the multi-talented Gregory can add writing and directing to his resume, as this weekend (with a show tonight and on Sunday) his new play, She Walks in Beauty, has performances at the prestigious Manhattan Repertory Theatre in New York City.  David does not act in it, but tells On-Air On-Soaps how the play came about, and how he cast some folks with a close connection to Llanview in it.  David also filled us in on some very great news during our conversation that he has been cast in a recurring role on the upcoming NBC primetime soap, Deception!  If you recall, this was the opulent soap announced by the peacock network that was originally titled, Notorious.

Of course, there was so much to discuss about the final days of One Life, and how David felt about the way they chose to wrap up Ford’s story, what he thought of the final juggernaut of an ending to the 43-year-old soap, and his chance meeting post-Llanview with Erika Slezak (Ex-Viki) that put the loss of the series in proper perspective for him. With David, we looked at the past and what he has accomplished, and how important it is to remember to cherish memories, but also to move forward with a passion for life, and to more importantly, keep oneself open to new and exciting things ahead!  And certainly for David, dreams come true!

MICHAEL:

David, what a week for you!  Putting your first New York play on stage that you wrote and directed!  And, this was also the same time last year that we got together with the cast of One Life to Live for the final press junket, which was the last time I saw you in person!  How have things been for you post-One Life?

DAVID:

Courtesy/ABC

It’s been almost a year-to-the-day that we did all of those final One Life to Live exit interviews!  Of recent, I have been extremely busy!  This play that I wrote I submitted it to a festival, basically to have something to do.  This summer was a little slow, and as soon as it got accepted and we started rehearsals, I got another acting job.  It’s been a challenge and joy to juggle these two things, and we are putting the show on its feet this week.

MICHAEL:

But if I understand correctly, this is pretty fantastic for you!  The very highly regarded Manhattan Repertory Theatre chose your play from submissions from hundreds of upcoming playwrights.  How did this all go down?  It’s kind of thrilling, actually!

DAVID:

The Manhattan Repertory Theatre does a play festival each season of the year.  I submitted my play and they picked it, and the best part about it is they provide the space for you to perform it, and you have stock sets you can use.  They provide the lights, and the sound system, and that whole thing.  And, you get about three performances out of it, and more if it does well.  I took a play writing class in January because OLTL had just ended, and I wanted to get into acting class and do things to keep my chops sharp, but I did not want to get too burned out on it, especially because losing One Life was such a loss.  So I thought, “I will take up a playwriting class. That is something different!”  And, it’s something I have always been interested in.  This play I wrote in late August and finished in a decent amount of time.  I submitted it for, for a lack of a better term, “shits and giggles,” and here we are!

MICHAEL:

And … there are some familiar faces connected to the play that One Life to Live  fans will know! 

DAVID:

Photo Credit: Steven Bergman

So, I was able to get Barret Helms (Ex-Baz) from One Life to Live and I needed a middle-aged man to play the sort of father figure, doctor, kind of role.  I thought of Gary Donatelli for that, who was one of our directors at One Life, and it was just a shot in the dark.  I sent him email and said, “Hey, you are really right for this role.  I don’t know if you act, or if you would be interested, but I would love to talk to you about it.”  He sent me back an email that he was really interested, and that he was very flattered.  I had auditions for the lead female role, and Gary showed up to audition as well for his role, like everybody else!  And, you’ve got to give it to this guy.  He rose to the occasion! Gary was man of much power at One Life, and someone who I always admired, and one of the first directors I worked with.  He directed the famous “Ford and the Bucket Scene,” which was one of my first days of work.  We had a great time working together, and when would I have seen him again if not for this play, post One Life?

MICHAEL:

Did you know Gary even acted?

DAVID:

No, I did not know he acted, but I went with “type” first.  When I heard him read the part I knew he was exactly right, and my girlfriend Jen, who is an actress as well, sat in with me when I did his audition, just so I could get another perspective as well.  She said, “I think you have got to give it to him.  He is great!”   Not that I did not want to be surprised, but he brought it.

MICHAEL:

When we last talked a year ago, you had informed me that the end of One Life to Live probably would not hit you as much as would some of the long standing veterans of the series who gave decades to their roles.  Looking back now, do you still feel that way?  It must have a very deep emotional connection for you.

DAVID:

Courtesy/ABC

When One Life to Live ended, I had sort of had bits of panic the last week we were shooting.  We were sort of a family and people we going to miss each other a lot. And a lot of times, I wouldn’t remember certain episodes, but I do remember days I had with Bree Williamson (Ex-Jessica) or Brittany Underwood (Ex-Langston) or with my boys on set.  And the longer the show had been off the air, the more of a gap you start to feel from that.  Lenny Platt (Ex-Nate) and I still see each other a lot, and I see Barret obviously, but a lot of people moved to the west coast.  Months later it started to bug me.   You are back to a totally different life style of auditioning and hitting the pavement.   I went to get a hair cut from Wayne Bilotti, who was one of our hair guys on One Life, and he happened to be cutting Erika Slezak’s hair while I was there.  Erika started talking to me, asking how I was doing.  I think this was late January and I did not want to ask her, but I did want to know.  I asked her, “How are you?”  She said, “Great.”  She seemed to say she had time to do things now that she did not have time to do before, and by that she meant having time with her family. You know how she is … she is such a personable person.  I am sure she misses One Life so very deeply. And I do not want to put words in her mouth, but I got the sense from her that if she was OK, then I had to be OK myself, because she was trying to see the silver lining it.  I don’t mean that in a false sense.  I genuinely believed she saw the next step in her life, whatever that may be.  I thought whatever is going on in my head, if Erika Slezak has got her heard on straight, which she does, then I should absolutely too!  For so many years everyone looked to her, and now if she is not panicking, or freaking out, then what choice do I have?  That is also the same way she worked.  She was always prepared, knew her lines better than anyone else, and everyone else’s lines!

MICHAEL:

True that!  Well, Erika knew everybody else’s lines better than them!

DAVID:

She did!  (Laughs)

MICHAEL:

When we last talked, the final episodes of One Life had not aired yet.  What did you think of Ford’s big scenes in Hell with John Wesley Shipp (Ex-Eddie)?

Courtesy/ABC

DAVID:

What a blast! (Laughs) We knew we were shooting out of order.  I knew that Ford was hovering and Frank Valentini (EX EP, OLTL, now EP, GH) came up to me one day out of the blue and said, “You know you’re dying, right?” (Laughs) And I said, “No, I didn’t.”  And he said, “Well, someone had to go!”  And I almost said, “Thank you,” and here’s why:  In a show that has such a huge history, and that has characters on it that deserve a strong ending and deserve to be written for in the last week, I knew that if they were going to kill me off that meant they had to then write a story for it, which meant that I was not going to be twiddling my thumbs the last couple of weeks.  So I thought of it as a blessing in disguise … and great!  Then I got the script that said that John Wesley Shipp was coming back in and that we were going to duke it out in Hell! (Laughs)    They wrote these wonderful scenes, but to sort of cap off what it was about … has Ford changed?  Or, has he not changed?  In addition, Ford got to stick to his old man in the end. Ford has got to throw his father into the burning pit of Hell to survive, but then, Ford sort of runs into Heaven, and we all know how that ended.

MICHAEL:

Also remember, the original show title of OLTL was Between Heaven and Hell, and you got to play that throughline at the end of the show’s historic run.  You know, I thought maybe they would let Ford pay for being such a dog with women! And I mean more than making him dress up like a hotdog to pay his bills! (Laughs) Anyway, I thought Ford would actually end up in Hell, but in the end, he did get a reprieve, if you will, and he did wind up in Heaven.

DAVID:

I tried to explain this to my family before it aired.  I said, “I am going to sort of be in between worlds.  They are not sure if Ford is going to Heaven or Hell, and they want to show that.”  But I think it worked! They were able to bring back some very familiar faces for the Heaven sequences, and I think they utilized it beautifully.  I was actually in Chicago for an event on the last episode airing of One Life.  The actors in attendance watched it together with the fans in this huge bar area.  And … what a topper!  Having Trevor St. John (Ex-Victor Jr.) show up in the last scene!  I did not know that was coming.  I did not know ‘till it aired.  It was such a blast for us, because we were watching it with fans of the show, and it was such surprise to them as it was for us!  And we were all thinking, “This is the last one, and what a way to go out!”

MICHAEL:

Courtesy/ABC

OK, being the man who clocked the most shirtless scenes in soapdom … what happened with the infamous bucket scene?  Was that always supposed to be the plan?  Was it in the script that way?

DAVID:

It was written that way!  I got the script, and I will never forget this.  I am a big fan of Hugh Jackman, and ever since I was a kid, he has been the guy I want to emulate.  I got the script for the scene and it literally said, “Ford picks up the bucket of water in the barn to cool off.”  And then they wrote as a note, “It should look like Hugh Jackman in Australia!”  I saved that script, because I was so excited that, that is what they wanted me to go for.  There were a few episodes I had prior to that, but when it came to the bucket scene I thought, “Oh, now we are getting into soapy goodness!  This is good and fun!”   We literally shot it as plain as day.  It was supposed to be a little more in slow-motion, but they shot it and that was the first day I met Gary Donatelli.  I had no idea it would cause the tremor that it did.  I am so glad it did!  You know how this goes?  Fans can make you or break you in this soap business.  I was supposed to only be on OLTL for two and half weeks, and I was there instead for two and half years, because these people kept me in my job.  I am reminded of that all the time whenever I go to something someone says, “I miss your character, or we miss the show,” but you know what? “We miss you guys!”  It boils down to that.

MICHAEL:

I will never forget our special BlogTalkRadio OLTL final two-hour finale broadcast, where fans spoke to members of the cast live on-air telling them how much they will miss them and One Life.  It was heartbreaking!

DAVID:

Jerry verDorn (Ex-Clint) had his recent annual charity event, and the year before I attended, fans were saying, “We are so sad the show is going off the air,” and this year, it had been more of, “We really miss it” and some people were talking to me as if One Life had just finished, and I realized it was still that fresh to them.  If you watch a show, for say 25 years, when a year goes by without it, you still feel that void in your life.  I just sat and talked to some people about this for a while, and you get the sense that it was more than just a television show that people would sit down to watch.  It was families who would watch it together.  I talked to a husband who said, “I am not a soap guy, but my wife and I have opposite schedules, and the only time I get to spend with her and do something she likes to do, is watching OLTL with her.”  I thought that was really neat of him as a husband, and the fact that it brought them together.  So when something like that for them ceases to exist, that is a huge void. 

MICHAEL:

Courtesy/ABC

You got a lot of flack for coming on and stealing air time from some of the main characters of the series.  Your family then expanded to bringing on your two brothers, Nate and James.  You must have a special place in your heart for Lenny Platt (Ex-Nate) and Nic Robuck (Ex-James).

DAVID:

Listen, those guys are always going to be important to me, always.  No matter where we go, or what we do from here on out, we are going to remember this is where we started out.  I was raised to believe you never forget how you began and at OLTL, I learned everything that I needed to know.  Now obviously, I want to learn more, but I have done primetime work since, and it is never as stressful.  You are shooting fifty pages a day in three hours on a soap, and it can take its toll on you after awhile, but you can go do a guest spot on a primetime series, and it’s three pages in four hours.  One Life prepared me for anything that I could possibly have to deal with, and I did it with Lenny and Nic, because we often had scenes together, or stunts to do together.  We were all kind of in the same boat.  It sort of helps to have guys who are thinking what you are thinking.

MICHAEL:

Now let’s talk about Bree Williamson (Ex-Jessica)!  I know you two are once again on the same show!  Explain! (Laughs)

DAVID:

Bree is doing Haven on SyFy, and she is going to be on this new show on NBC series called Deception, which they just changed the name of to that.  It’s going to be a mid-season series. I just got hired on there as well!  I am about to shoot my fourth episode.  Bree and I ended up working the same day, and so we got to see each other for a little bit.  What the odds are of that?  Unfortunately, we do not have scenes together as of now, but she plays a very important role in the show.  I think it should start airing in January.  It’s a killer; it’s being billed as primetime soap.  I am playing Kyle, he is sort of a bad guy with a motorcycle, maybe with a heart, but we are not sure.  Does that sound familiar at all?  (Laughs)

MICHAEL:

Courtesy/ABC

You?  Playing that kind of role?  No! (Laughs)

DAVID:

He swoops in … and the show is about this big family, The Bowers, and he has his eye on the youngest daughter.  I think I start airing on the third episode.

MICHAEL:

Now let’s get back to your play, which I found the subject matter quite intriguing.  Tell me the basis of She Walks in Beauty?  What would you tell people is at the core of the story?

DAVID:

The way I have it structured is in the first scene, it’s a husband and a wife, and we get the idea that they haven’t been married very long, but there are problems developing in their relationship, and very soon after that we realize that she is in fact a mechanical human prototype!  Her husband helped invent her and his boss, who they just refer to as “dad”, is the mastermind behind the entire project.  So what I wanted to explore was – are the problems in their relationship because she is a robot?  Or, is it because she is actually starting to have human characteristics, and they are just normal problems everyone experiences, which sort of make this a dark comedy!  It’s what we would laugh at if it was somebody else, and what we would not laugh at if it was.  What ends up happening is, she gets very curious.  So the questions become: Is she capable of having children with her husband?  Can she go to school like everyone else?  One of the things her father says is, “We can input anything into your system? “  She says, “I don’t want to be inputted.  I want to learn.”  And it holds up a mirror to us in a sense, and shows us maybe that we are better off the way we are, because we have all the tools and the abilities and we just have to make that choice.  Without giving the story away too much, it sort of heats up when there are problems where she may have been made faulty, and maybe they should make another one … and so, if they make a 2.0 version of this woman, does this make it the same thing, or something different?  And, the guy ends up having an affair with the 2.0 and it starts riddling him with guilt, and so he actually starts to develop this guilty conscience about it.  The best way to describe it is ….  a sci-fi dark comedy.

MICHAEL:

Who plays the robo-woman?

Photo Credit: Steven Bergman

DAVID:

The robot woman is played by Andrea Leach.  She made me laugh when she read for the part and took it places I did not expect.  She reminded me of a Bree Williamson, in that they have a relationship a little like Ford and Jessica – like you get on my nerve, but you really don’t, but I really like you! (Laughs)  I could not stop laughing at Andrea’s reading, because it was like here is someone who found humor in something that maybe was not funny, but she sees the reality of the situation, and she is great.  I needed someone who could hold their own on stage against two very strong men.  She has Barret on one side and Gary on the other.  Gary is like 6’4” (Laughs) He can be a very intimating presence, and I can attest to that when he came in to direct my first scenes years ago saying, “Who’s that Ford kid?  What is a Ford?” (Laughs)

MICHAEL:

Many of your former One Life to Live co-stars are on the west coast, as we have discussed.  Are you content staying on the east coast?

DAVID:

I have definitely thought about it.  As of now, with Deception shooting now in New York, I am staying put.  My heart is in TV and film.  But what I am doing now, and what I had been doing, is exactly what I want to be doing, which is a wonderful thing to be able to say, because I don’t think a lot of people can say that about what they do for a living.  I guess, I would just know if it was the right project, or if the time was right for me to move to L.A.

MICHAEL:

Courtesy/ABC

Have you been auditioning for other daytime soap roles, although that would now bring you to L.A.?

DAVID:

I have not been. You know, I signed for another four years at OLTL before it was canceled.  In my mind, it was sign to stay in New York and see what happens.  I kind of left it at that.  Deception happened, and I felt like it was the right thing at the right time.

MICHAEL:

So, do you get a sense that this role on Deception could turn into something bigger for you?

DAVID:

I was talking to one of the writers today, and they told me they like the character I play and the chemistry they are seeing, so I am just taking each episode as a blessing and seeing what goes on.  I was kind of keeping this low key until I started shooting and got a few episodes under my belt.  Just because I know how quickly things can change, and when I auditioned for it, it wasn’t supposed to be a recurring role, but it was suppose to be an episodic and then done.  They are now getting back in their production offices once we got Hurricane Sandy out of the way.  I feel more confident now that I am really involved in this show in some small way.

MICHAEL:

The big question David … Will you be on Deception with your clothes on?  Or, off?

DAVID:

Courtesy/ManhattanRepTheatre

Believe it, or not?  I am wearing layers of clothing. .. A lot!   I am a motorcycle guy and I have my hoodie and leather jacket.  He is a little rougher around the edges than Ford.  It’s a blast.  I am working with a girl named Ella Rae Peck.  She was heavily recurring on Gossip Girl last year.  When I saw she was attached to it, I was thrilled.  She and I had actually done a Gossip Girl episode earlier in the year.  On Gossip Girl we were playing best friends, and on Deception we are playing lovers.  So, we are playing opposite of what we played before, which is great.

MICHAEL:

In closing, I just want to say kudos to you, David.  Best of luck with putting up your play!  You must be very proud. 

DAVID:

It’s a little nerve-wracking thinking about what you are doing, but my girlfriend told me, “You are creating something in the middle of New York City.  How many people get to do that?”

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RobbyrobPhilipPatrickMBmomof3steve Recent comment authors
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Becky Cloutier
Becky Cloutier

God we all miss our soaps soooo much! And of course all the Actors Too!!

louisa
louisa

Lots of good information here! Still really missing OLTL…

SharonB
SharonB

Congratulations to David Gregory and his upcoming projects. I am so glad he is getting new projects. I miss One Life to Live so much as well as everyone that worked on it including the behind the scenes people. I wish great success for all of them. I love OLTL always!!

SharonB
SharonB

Thank you so much Michael Fairman for keeping us up to date on everything.

Patrick
Patrick

Yes, Sharon I am so glad Mr. Faiman is keeping us up to date with so many of the actors from cancelled soaps! I still miss OLTL and its been almost a year since it went off the air.

gloria
gloria

Wow, this brings back so many memories & makes me miss OLTL so much, all over again. I have the official cast portrait framed & hanging on my bedroom wall across from my bed. That is my big, wonderful family who I love & miss so much. Watched the show all my life. I’d give anything to have it back.

steve
steve

David my warmest congrats on ‘She Walks in Beauty’ I’m sure it will be hit & awesome
Interview You’re still missed on Daytime lol !

MBmomof3
MBmomof3

Thank you, Mr. Fairman for a great interview. Congrats to David Gregory. Miss OLTL & the cast/characters everyday. Always happy to learn what the actors are up to.

Philip
Philip

So happy David is staying busy with successful projects. Looking forward to “Deception” and wish him a very great future.
All of us miss OLTL very much and feel ABC should have found a way to keep the show on the air. Hope the other “Ford” boys, Nic and Nate are also doing well.
Had OLTL not been cancelled, I’m sure Barret Helms would have become a fan favorite also. Since his actual screen time turned out so minimal, we didn’t have the opportunity to get to know his character.
Just wish I could have gone to New York to see David’s play.

Robbyrob
Robbyrob

Thank you for keeping in touch with David Gregory. I was a big fan of his work (and shirtless scenes) on OLTL. I recognized him on the streets of NYC before OLTL was canceled (sniff…sniff). Can I just tell you…how nice and personable he was to me. He spent time chating with me about the show and let me take some photos of us together. He had no problems with guy fans coming up to him and saying hi. I was sad that Ford died at the end but it truly was a memorable run. I wish him the best of luck and hopefully I’ll run into him again and say hi. Keep up the great work Michael!

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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