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The David Gregory Interview – One Life to Live & She Walks in Beauty

Courtesy/DavidGregory.com

Courtesy/DavidGregoryOfficialSite

It has been exactly one year since On-Air On-Soaps ventured to New York City to say goodbye to the amazing cast of the beloved One Life to Live.  And as hard as that was, we will treasure it for the rest of our lives.  But as this year has played out many of your favorites have gone on to new projects, new roles, and new endeavors.  One such performer is David Gregory, who as hottie Robert Ford, spent his time in Llanview bedding many of the young ladies, being the big brother to his two younger siblings, dealing with his abusive dad and the issues that caused, and finally finding love and becoming a dad in his own right shortly before his untimely death.

Now the multi-talented Gregory can add writing and directing to his resume, as this weekend (with a show tonight and on Sunday) his new play, She Walks in Beauty, has performances at the prestigious Manhattan Repertory Theatre in New York City.  David does not act in it, but tells On-Air On-Soaps how the play came about, and how he cast some folks with a close connection to Llanview in it.  David also filled us in on some very great news during our conversation that he has been cast in a recurring role on the upcoming NBC primetime soap, Deception!  If you recall, this was the opulent soap announced by the peacock network that was originally titled, Notorious.

Of course, there was so much to discuss about the final days of One Life, and how David felt about the way they chose to wrap up Ford’s story, what he thought of the final juggernaut of an ending to the 43-year-old soap, and his chance meeting post-Llanview with Erika Slezak (Ex-Viki) that put the loss of the series in proper perspective for him. With David, we looked at the past and what he has accomplished, and how important it is to remember to cherish memories, but also to move forward with a passion for life, and to more importantly, keep oneself open to new and exciting things ahead!  And certainly for David, dreams come true!

MICHAEL:

David, what a week for you!  Putting your first New York play on stage that you wrote and directed!  And, this was also the same time last year that we got together with the cast of One Life to Live for the final press junket, which was the last time I saw you in person!  How have things been for you post-One Life?

DAVID:

Courtesy/ABC

It’s been almost a year-to-the-day that we did all of those final One Life to Live exit interviews!  Of recent, I have been extremely busy!  This play that I wrote I submitted it to a festival, basically to have something to do.  This summer was a little slow, and as soon as it got accepted and we started rehearsals, I got another acting job.  It’s been a challenge and joy to juggle these two things, and we are putting the show on its feet this week.

MICHAEL:

But if I understand correctly, this is pretty fantastic for you!  The very highly regarded Manhattan Repertory Theatre chose your play from submissions from hundreds of upcoming playwrights.  How did this all go down?  It’s kind of thrilling, actually!

DAVID:

The Manhattan Repertory Theatre does a play festival each season of the year.  I submitted my play and they picked it, and the best part about it is they provide the space for you to perform it, and you have stock sets you can use.  They provide the lights, and the sound system, and that whole thing.  And, you get about three performances out of it, and more if it does well.  I took a play writing class in January because OLTL had just ended, and I wanted to get into acting class and do things to keep my chops sharp, but I did not want to get too burned out on it, especially because losing One Life was such a loss.  So I thought, “I will take up a playwriting class. That is something different!”  And, it’s something I have always been interested in.  This play I wrote in late August and finished in a decent amount of time.  I submitted it for, for a lack of a better term, “shits and giggles,” and here we are!

MICHAEL:

And … there are some familiar faces connected to the play that One Life to Live  fans will know! 

DAVID:

Photo Credit: Steven Bergman

So, I was able to get Barret Helms (Ex-Baz) from One Life to Live and I needed a middle-aged man to play the sort of father figure, doctor, kind of role.  I thought of Gary Donatelli for that, who was one of our directors at One Life, and it was just a shot in the dark.  I sent him email and said, “Hey, you are really right for this role.  I don’t know if you act, or if you would be interested, but I would love to talk to you about it.”  He sent me back an email that he was really interested, and that he was very flattered.  I had auditions for the lead female role, and Gary showed up to audition as well for his role, like everybody else!  And, you’ve got to give it to this guy.  He rose to the occasion! Gary was man of much power at One Life, and someone who I always admired, and one of the first directors I worked with.  He directed the famous “Ford and the Bucket Scene,” which was one of my first days of work.  We had a great time working together, and when would I have seen him again if not for this play, post One Life?

MICHAEL:

Did you know Gary even acted?

DAVID:

No, I did not know he acted, but I went with “type” first.  When I heard him read the part I knew he was exactly right, and my girlfriend Jen, who is an actress as well, sat in with me when I did his audition, just so I could get another perspective as well.  She said, “I think you have got to give it to him.  He is great!”   Not that I did not want to be surprised, but he brought it.

MICHAEL:

When we last talked a year ago, you had informed me that the end of One Life to Live probably would not hit you as much as would some of the long standing veterans of the series who gave decades to their roles.  Looking back now, do you still feel that way?  It must have a very deep emotional connection for you.

DAVID:

Courtesy/ABC

When One Life to Live ended, I had sort of had bits of panic the last week we were shooting.  We were sort of a family and people we going to miss each other a lot. And a lot of times, I wouldn’t remember certain episodes, but I do remember days I had with Bree Williamson (Ex-Jessica) or Brittany Underwood (Ex-Langston) or with my boys on set.  And the longer the show had been off the air, the more of a gap you start to feel from that.  Lenny Platt (Ex-Nate) and I still see each other a lot, and I see Barret obviously, but a lot of people moved to the west coast.  Months later it started to bug me.   You are back to a totally different life style of auditioning and hitting the pavement.   I went to get a hair cut from Wayne Bilotti, who was one of our hair guys on One Life, and he happened to be cutting Erika Slezak’s hair while I was there.  Erika started talking to me, asking how I was doing.  I think this was late January and I did not want to ask her, but I did want to know.  I asked her, “How are you?”  She said, “Great.”  She seemed to say she had time to do things now that she did not have time to do before, and by that she meant having time with her family. You know how she is … she is such a personable person.  I am sure she misses One Life so very deeply. And I do not want to put words in her mouth, but I got the sense from her that if she was OK, then I had to be OK myself, because she was trying to see the silver lining it.  I don’t mean that in a false sense.  I genuinely believed she saw the next step in her life, whatever that may be.  I thought whatever is going on in my head, if Erika Slezak has got her heard on straight, which she does, then I should absolutely too!  For so many years everyone looked to her, and now if she is not panicking, or freaking out, then what choice do I have?  That is also the same way she worked.  She was always prepared, knew her lines better than anyone else, and everyone else’s lines!

MICHAEL:

True that!  Well, Erika knew everybody else’s lines better than them!

DAVID:

She did!  (Laughs)

MICHAEL:

When we last talked, the final episodes of One Life had not aired yet.  What did you think of Ford’s big scenes in Hell with John Wesley Shipp (Ex-Eddie)?

Courtesy/ABC

DAVID:

What a blast! (Laughs) We knew we were shooting out of order.  I knew that Ford was hovering and Frank Valentini (EX EP, OLTL, now EP, GH) came up to me one day out of the blue and said, “You know you’re dying, right?” (Laughs) And I said, “No, I didn’t.”  And he said, “Well, someone had to go!”  And I almost said, “Thank you,” and here’s why:  In a show that has such a huge history, and that has characters on it that deserve a strong ending and deserve to be written for in the last week, I knew that if they were going to kill me off that meant they had to then write a story for it, which meant that I was not going to be twiddling my thumbs the last couple of weeks.  So I thought of it as a blessing in disguise … and great!  Then I got the script that said that John Wesley Shipp was coming back in and that we were going to duke it out in Hell! (Laughs)    They wrote these wonderful scenes, but to sort of cap off what it was about … has Ford changed?  Or, has he not changed?  In addition, Ford got to stick to his old man in the end. Ford has got to throw his father into the burning pit of Hell to survive, but then, Ford sort of runs into Heaven, and we all know how that ended.

MICHAEL:

Also remember, the original show title of OLTL was Between Heaven and Hell, and you got to play that throughline at the end of the show’s historic run.  You know, I thought maybe they would let Ford pay for being such a dog with women! And I mean more than making him dress up like a hotdog to pay his bills! (Laughs) Anyway, I thought Ford would actually end up in Hell, but in the end, he did get a reprieve, if you will, and he did wind up in Heaven.

DAVID:

I tried to explain this to my family before it aired.  I said, “I am going to sort of be in between worlds.  They are not sure if Ford is going to Heaven or Hell, and they want to show that.”  But I think it worked! They were able to bring back some very familiar faces for the Heaven sequences, and I think they utilized it beautifully.  I was actually in Chicago for an event on the last episode airing of One Life.  The actors in attendance watched it together with the fans in this huge bar area.  And … what a topper!  Having Trevor St. John (Ex-Victor Jr.) show up in the last scene!  I did not know that was coming.  I did not know ‘till it aired.  It was such a blast for us, because we were watching it with fans of the show, and it was such surprise to them as it was for us!  And we were all thinking, “This is the last one, and what a way to go out!”

MICHAEL:

Courtesy/ABC

OK, being the man who clocked the most shirtless scenes in soapdom … what happened with the infamous bucket scene?  Was that always supposed to be the plan?  Was it in the script that way?

DAVID:

It was written that way!  I got the script, and I will never forget this.  I am a big fan of Hugh Jackman, and ever since I was a kid, he has been the guy I want to emulate.  I got the script for the scene and it literally said, “Ford picks up the bucket of water in the barn to cool off.”  And then they wrote as a note, “It should look like Hugh Jackman in Australia!”  I saved that script, because I was so excited that, that is what they wanted me to go for.  There were a few episodes I had prior to that, but when it came to the bucket scene I thought, “Oh, now we are getting into soapy goodness!  This is good and fun!”   We literally shot it as plain as day.  It was supposed to be a little more in slow-motion, but they shot it and that was the first day I met Gary Donatelli.  I had no idea it would cause the tremor that it did.  I am so glad it did!  You know how this goes?  Fans can make you or break you in this soap business.  I was supposed to only be on OLTL for two and half weeks, and I was there instead for two and half years, because these people kept me in my job.  I am reminded of that all the time whenever I go to something someone says, “I miss your character, or we miss the show,” but you know what? “We miss you guys!”  It boils down to that.

MICHAEL:

I will never forget our special BlogTalkRadio OLTL final two-hour finale broadcast, where fans spoke to members of the cast live on-air telling them how much they will miss them and One Life.  It was heartbreaking!

DAVID:

Jerry verDorn (Ex-Clint) had his recent annual charity event, and the year before I attended, fans were saying, “We are so sad the show is going off the air,” and this year, it had been more of, “We really miss it” and some people were talking to me as if One Life had just finished, and I realized it was still that fresh to them.  If you watch a show, for say 25 years, when a year goes by without it, you still feel that void in your life.  I just sat and talked to some people about this for a while, and you get the sense that it was more than just a television show that people would sit down to watch.  It was families who would watch it together.  I talked to a husband who said, “I am not a soap guy, but my wife and I have opposite schedules, and the only time I get to spend with her and do something she likes to do, is watching OLTL with her.”  I thought that was really neat of him as a husband, and the fact that it brought them together.  So when something like that for them ceases to exist, that is a huge void. 

MICHAEL:

Courtesy/ABC

You got a lot of flack for coming on and stealing air time from some of the main characters of the series.  Your family then expanded to bringing on your two brothers, Nate and James.  You must have a special place in your heart for Lenny Platt (Ex-Nate) and Nic Robuck (Ex-James).

DAVID:

Listen, those guys are always going to be important to me, always.  No matter where we go, or what we do from here on out, we are going to remember this is where we started out.  I was raised to believe you never forget how you began and at OLTL, I learned everything that I needed to know.  Now obviously, I want to learn more, but I have done primetime work since, and it is never as stressful.  You are shooting fifty pages a day in three hours on a soap, and it can take its toll on you after awhile, but you can go do a guest spot on a primetime series, and it’s three pages in four hours.  One Life prepared me for anything that I could possibly have to deal with, and I did it with Lenny and Nic, because we often had scenes together, or stunts to do together.  We were all kind of in the same boat.  It sort of helps to have guys who are thinking what you are thinking.

MICHAEL:

Now let’s talk about Bree Williamson (Ex-Jessica)!  I know you two are once again on the same show!  Explain! (Laughs)

DAVID:

Bree is doing Haven on SyFy, and she is going to be on this new show on NBC series called Deception, which they just changed the name of to that.  It’s going to be a mid-season series. I just got hired on there as well!  I am about to shoot my fourth episode.  Bree and I ended up working the same day, and so we got to see each other for a little bit.  What the odds are of that?  Unfortunately, we do not have scenes together as of now, but she plays a very important role in the show.  I think it should start airing in January.  It’s a killer; it’s being billed as primetime soap.  I am playing Kyle, he is sort of a bad guy with a motorcycle, maybe with a heart, but we are not sure.  Does that sound familiar at all?  (Laughs)

MICHAEL:

Courtesy/ABC

You?  Playing that kind of role?  No! (Laughs)

DAVID:

He swoops in … and the show is about this big family, The Bowers, and he has his eye on the youngest daughter.  I think I start airing on the third episode.

MICHAEL:

Now let’s get back to your play, which I found the subject matter quite intriguing.  Tell me the basis of She Walks in Beauty?  What would you tell people is at the core of the story?

DAVID:

The way I have it structured is in the first scene, it’s a husband and a wife, and we get the idea that they haven’t been married very long, but there are problems developing in their relationship, and very soon after that we realize that she is in fact a mechanical human prototype!  Her husband helped invent her and his boss, who they just refer to as “dad”, is the mastermind behind the entire project.  So what I wanted to explore was – are the problems in their relationship because she is a robot?  Or, is it because she is actually starting to have human characteristics, and they are just normal problems everyone experiences, which sort of make this a dark comedy!  It’s what we would laugh at if it was somebody else, and what we would not laugh at if it was.  What ends up happening is, she gets very curious.  So the questions become: Is she capable of having children with her husband?  Can she go to school like everyone else?  One of the things her father says is, “We can input anything into your system? “  She says, “I don’t want to be inputted.  I want to learn.”  And it holds up a mirror to us in a sense, and shows us maybe that we are better off the way we are, because we have all the tools and the abilities and we just have to make that choice.  Without giving the story away too much, it sort of heats up when there are problems where she may have been made faulty, and maybe they should make another one … and so, if they make a 2.0 version of this woman, does this make it the same thing, or something different?  And, the guy ends up having an affair with the 2.0 and it starts riddling him with guilt, and so he actually starts to develop this guilty conscience about it.  The best way to describe it is ….  a sci-fi dark comedy.

MICHAEL:

Who plays the robo-woman?

Photo Credit: Steven Bergman

DAVID:

The robot woman is played by Andrea Leach.  She made me laugh when she read for the part and took it places I did not expect.  She reminded me of a Bree Williamson, in that they have a relationship a little like Ford and Jessica – like you get on my nerve, but you really don’t, but I really like you! (Laughs)  I could not stop laughing at Andrea’s reading, because it was like here is someone who found humor in something that maybe was not funny, but she sees the reality of the situation, and she is great.  I needed someone who could hold their own on stage against two very strong men.  She has Barret on one side and Gary on the other.  Gary is like 6’4” (Laughs) He can be a very intimating presence, and I can attest to that when he came in to direct my first scenes years ago saying, “Who’s that Ford kid?  What is a Ford?” (Laughs)

MICHAEL:

Many of your former One Life to Live co-stars are on the west coast, as we have discussed.  Are you content staying on the east coast?

DAVID:

I have definitely thought about it.  As of now, with Deception shooting now in New York, I am staying put.  My heart is in TV and film.  But what I am doing now, and what I had been doing, is exactly what I want to be doing, which is a wonderful thing to be able to say, because I don’t think a lot of people can say that about what they do for a living.  I guess, I would just know if it was the right project, or if the time was right for me to move to L.A.

MICHAEL:

Courtesy/ABC

Have you been auditioning for other daytime soap roles, although that would now bring you to L.A.?

DAVID:

I have not been. You know, I signed for another four years at OLTL before it was canceled.  In my mind, it was sign to stay in New York and see what happens.  I kind of left it at that.  Deception happened, and I felt like it was the right thing at the right time.

MICHAEL:

So, do you get a sense that this role on Deception could turn into something bigger for you?

DAVID:

I was talking to one of the writers today, and they told me they like the character I play and the chemistry they are seeing, so I am just taking each episode as a blessing and seeing what goes on.  I was kind of keeping this low key until I started shooting and got a few episodes under my belt.  Just because I know how quickly things can change, and when I auditioned for it, it wasn’t supposed to be a recurring role, but it was suppose to be an episodic and then done.  They are now getting back in their production offices once we got Hurricane Sandy out of the way.  I feel more confident now that I am really involved in this show in some small way.

MICHAEL:

The big question David … Will you be on Deception with your clothes on?  Or, off?

DAVID:

Courtesy/ManhattanRepTheatre

Believe it, or not?  I am wearing layers of clothing. .. A lot!   I am a motorcycle guy and I have my hoodie and leather jacket.  He is a little rougher around the edges than Ford.  It’s a blast.  I am working with a girl named Ella Rae Peck.  She was heavily recurring on Gossip Girl last year.  When I saw she was attached to it, I was thrilled.  She and I had actually done a Gossip Girl episode earlier in the year.  On Gossip Girl we were playing best friends, and on Deception we are playing lovers.  So, we are playing opposite of what we played before, which is great.

MICHAEL:

In closing, I just want to say kudos to you, David.  Best of luck with putting up your play!  You must be very proud. 

DAVID:

It’s a little nerve-wracking thinking about what you are doing, but my girlfriend told me, “You are creating something in the middle of New York City.  How many people get to do that?”

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Becky Cloutier
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Becky Cloutier

God we all miss our soaps soooo much! And of course all the Actors Too!!

louisa
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louisa

Lots of good information here! Still really missing OLTL…

SharonB
Guest
SharonB

Congratulations to David Gregory and his upcoming projects. I am so glad he is getting new projects. I miss One Life to Live so much as well as everyone that worked on it including the behind the scenes people. I wish great success for all of them. I love OLTL always!!

SharonB
Guest
SharonB

Thank you so much Michael Fairman for keeping us up to date on everything.

Patrick
Guest
Patrick

Yes, Sharon I am so glad Mr. Faiman is keeping us up to date with so many of the actors from cancelled soaps! I still miss OLTL and its been almost a year since it went off the air.

gloria
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gloria

Wow, this brings back so many memories & makes me miss OLTL so much, all over again. I have the official cast portrait framed & hanging on my bedroom wall across from my bed. That is my big, wonderful family who I love & miss so much. Watched the show all my life. I’d give anything to have it back.

steve
Guest
steve

David my warmest congrats on ‘She Walks in Beauty’ I’m sure it will be hit & awesome
Interview You’re still missed on Daytime lol !

MBmomof3
Guest
MBmomof3

Thank you, Mr. Fairman for a great interview. Congrats to David Gregory. Miss OLTL & the cast/characters everyday. Always happy to learn what the actors are up to.

Philip
Guest
Philip

So happy David is staying busy with successful projects. Looking forward to “Deception” and wish him a very great future.
All of us miss OLTL very much and feel ABC should have found a way to keep the show on the air. Hope the other “Ford” boys, Nic and Nate are also doing well.
Had OLTL not been cancelled, I’m sure Barret Helms would have become a fan favorite also. Since his actual screen time turned out so minimal, we didn’t have the opportunity to get to know his character.
Just wish I could have gone to New York to see David’s play.

Robbyrob
Guest
Robbyrob

Thank you for keeping in touch with David Gregory. I was a big fan of his work (and shirtless scenes) on OLTL. I recognized him on the streets of NYC before OLTL was canceled (sniff…sniff). Can I just tell you…how nice and personable he was to me. He spent time chating with me about the show and let me take some photos of us together. He had no problems with guy fans coming up to him and saying hi. I was sad that Ford died at the end but it truly was a memorable run. I wish him the best… Read more »

Interviews

Y&R’s Peter Bergman Talks On Dina’s Death & How It Will Impact Jack, His Final Scenes With Marla Adams & Taping During COVID-19

The Abbott family is reeling from the death of their mother, Dina Mergeron, who passed away from complications from Alzheimer’s disease at the end of last Friday’s episode; signaling the end of an era for Dina’s portrayer, Marla Adams.  In a pivotal and heart-breaking scene, Dina shares one last goodbye with her children: Traci (Beth Maitland), Ashley (Eileen Davidson) and of course, Jack (Peter Bergman).

Today, the drama continues as the Abbott’s grieve Dina’s death and its aftermath while they remember the life of their flawed mother. This puts Jack at the epicenter of the family, and like it, or not, the new head of the clan.  What does the future hold for him now?

Michael Fairman TV chatted with three-time Daytime Emmy winner, Peter Bergman, who has embodied Jack for over 30 years on the top-rated CBS Daytime drama, to get his thoughts on: how Y&R needed to handle Dina’s death within the confines of the coronavirus pandemic and its safety protocols, what he felt about playing those final scenes with Marla Adams and the significance of the ‘teardrop of love’, and a preview of what fans can expect in the coming days as the impact of Dina’s death will be felt by the Abbott children and extended family.

 

An actor’s actor, you can always expect a conversation with Peter to be forthright, candid and enlightening, and this one was no different.  Here’s what one of the genre’s absolute best had to share about the significance of this story and more.

How has it been returning to Y&R during the pandemic?  I bet you never thought in all of your years in daytime, that you would be doing your scenes socially-distanced, sitting or standing, so far apart from your castmates.

Courtesy/CBD

PETER:  Just getting back to work felt great, loved that.  I wasn’t involved really in romantic scenes at this point, so that I didn’t have to do.  So, all in all, I was very happy to be back, and socially-distancing didn’t really bother me at all, and then Dina died.  Doing that from six feet away was just awful.  You saw the limits at a time where not any of us could be within six feet of each other; where you would usually hold a hand, stroke a brow, and talk softly.  So, I think the writers did what they needed to do to make it work for Dina’s exit.  We are in the middle of COVID, in case anybody forgot, and so you have to ask, ‘Does America really want to watch an elderly woman die in the middle of the Abbott living room or anywhere else?’  So, we had to have Dina’s exit without looking at a dead body, out of respect for the times we are living in.  We had to do a strong, powerful, pivotal scene with our hands tied behind our backs.

Courtesy/CBS

It’s so interesting that you say that because that’s how I felt watching it, knowing what it would have been like, if Jack, Ashley and Traci would have been with Dina at her bedside, up till the end, for instance.  But all of that said, Peter, I got so choked up in your last moments with Marla.  Jack is just sitting there and Dina is telling him how much she loved him and you’re doing the thing that only Peter Bergman can do as the tears well-up in your eyes.  As we have talked about previously, my mom died from complications from Alzheimer’s, so these are always tough types of scenes for me to watch.  I am sure it was also for those in the audience, who have lost a loved one to this disease, many of whom reached out to me on social media following its airing.

PETER:  It’s got to be tough for you to watch.  I get that.

Photo: Ed McGowan/Plain Joe Studios

Yes, so I felt for Jack and Dina in the moment as a son and his mother.  But what did you think about how the scene was written, and what Dina was saying to Jack and his sisters as her final goodbyes to her children and their reactions to it?

PETER:  As written, something in this necklace triggers something in Dina that brings her out of a stupor, brings her out of the murk, the fog for a brief instant to tell the people who she cares the most about that she loves them in slightly different ways.  I have, with everything in me, a struggle to always add in there, “I have a complicated relationship with my mother.”  I’ve added that line in there so many times over the years, you have no idea.  It was a complicated relationship because by the time she dies, there is no kind of straightening that out, there is no kind of Jack looking for answers. The depth of what Ashley is feeling, what Traci is feeling, what Jack is feeling, were kind of lost because of the way we had to do it. The writers had to do it, so I’m not blaming anyone, but because of the way we had to do it, there was no, “Wow, why isn’t Ashley crying?  Why is she just so stoic that this isn’t touching her at all?” because she can’t go there. Traci feeling like she found her place in the family simply by Dina saying, “You’re the beating heart of this family,” and Jack, who is doing the right thing, “She should leave peacefully, she should leave feeling loved, we should all be here, we should give her nothing but love,” damn, this is complicated.  You couldn’t have any of those things.  .  Hopefully, some of that slid in there and we wedged some of those complexities into it, but it was hard to write a complex scene with the situation as it was.  We needed to get it done it one day.  We did not need to drag this out.  Again, were it not COVID time, sure, let’s drag it out.  Let’s spend some time on this.  People die.  Let’s watch the family process a death.

Photo: CBS

I just think of what it all means for Jack moving forward.  Dina basically tells him, “You’re in charge of the family. Look after the family.” That’s kind of where it’s been going for Jack this whole time.  I don’t know if that’s what Jack wanted, but that’s where he is ending up.

PETER:  Right!  That’s where he ends up, and you know, this has been a long time coming.  Dad dies, and it is pretty clear that he’s got to step up, and his mom comes into town, and she’s not just his mother.  She’s Ashley’s mother; she’s Traci’s mother, we’ve got to look out for her and give her the dignity and things like that.  Now, there is just no getting around it.  Jack is the head of the family.  That’s the way it fell.  Twenty-five years ago, was Jack ready to be head of anything?  Absolutely not, but I think enough has happened to Jack now: enough heartache, enough growth, enough introspection, enough losing people, that Jack might just be ready for this job.

Courtesy/CBS

When Marla Adams came back to Y&R 2017, and they started telling the Alzheimer’s storyline, it brought up such abandonment issues for Jack and rightfully so, about how a mother could just leave her family and children,  Throughout all that,  you did such poignant work.

PETER:  I wanted that to be in there at the very end.  One of the powerful parts in this whole thing is that Jack wanted to scream at Dina every bit as much as he wanted to hug her.  That was there for quite a while, and Jack had to kind of come to terms with, “Hey, you’ve been leaning on this excuse for quite a time.  She’s here.  She can’t do you any harm.  She feels bad about what happened.  What do you want, Jack?”

Photo: CBS

One of the highlights of this storyline was when Y&R explored the history and relationship between the siblings, Jack, Ashley and Traci.  We saw their younger versions as the show flash-backed to when Dina left John and the Abbott family.

PETER:  Between the writers and Peter Bergman, we built this story that the night that Dina left, Dad was upstairs with the girls, they were weeping inconsolably, there was no fixing it, there was no telling them that everything was going to be all right.  He didn’t want to lie to them and say she will be right back, he told them, “She’s not coming back,” and he comes downstairs, and Jack is fourteen-years-old, and a little confused, but decided to say to his dad, “Hey, can I help?”  He looks across the room, and his dad is weeping, first time he had ever seen that.  His father is weeping, and he said, “Jack, you’re going to have to help me with the girls.  I can’t do all of this,” and it changed Jack’s life forever.  Jack was a parent to Ashley for a good part of their relationship.  So, all of this stuff with Jack’s identity, all of the fighting with Ashley, all of the Jabot madness is Ashley finally getting to say, “I don’t need a father!  You’re not my father.  Stop talking to me like you’re going to fix things for me!  I’m sick of it.”  All done by Dina … all truly caused by Dina.

Courtesy/CBD

In my interview with Marla, she told me that at the end of her last scene, you and many others came back to the set to pay tribute to her.

PETER:  We did.  The show had arranged it, and Tony Morina, the executive producer, stepped out on the soundstage with a microphone, and Marla sat on the sofa in the Abbott living room. Tony began telling a lovely, lovely story about how far back his relationship with her goes because Marla and Tony wife’s, Sally Sussman (Ex- head writer, Y&R), also had a long-standing relationship.  Tony was just so grand and gracious in saying that there are some people who, if they weren’t an actor, they’d be this or that or the other thing, but that Marla was born to be an actress.  That’s what she is, and it was so generous.  I think she got three and a half years that she didn’t expect to get out of this.  It was supposed to be a six-month storyline, and four years later, she was still there, and it was a good thing for her, and a unique story turn for the rest of us.  It really was.  It was a powerful thing, and now the Abbott family has a new shape.  There are three adults there: Ashley has established her independence, she is not around as much, she is back and forth between Paris, and Genoa City, Traci is trying to be as supportive and kind as she can be, but essentially, Jack is in the big house by himself.

Yep!  Well, now we’ve got to find Jack a good woman.

PETER:  Yes, or a bad woman.

… Or a bad woman!  I’ll take him in a relationship with someone to stir things up.  I also hear coming up, there will be the reading of Dina’s will.  Is there anything you can tease about that?

PETER:  There is a will read, yes.  No one knows what to expect, and Dina … in the end… comes through for almost everybody…

Courtesy/CBS

Well … that ought to be good.

PETER:  Yep… really comes through for almost everybody, and you know, the Abbott children are wealthier, and all three of them are alone, and in no small thanks to Dina for that.  These are three adults who have been very unlucky in love.  Of course, this is the next challenge.  I don’t mean to assume that I have any idea of what you went through in losing your mom, but there is a point at which you also have to let go and say, “Okay, now it is just me, and what do I want to do with this life?  I’ve used this as a reason not to move forward for a good while.  What am I going to do now?”  I think the next turn in the Jack Abbott story comes pretty organically.  Dina’s death frees Jack to be just as alone as he has ever been.

No matter what Jack does, including the bad things, you always see the inner-pain that is very palpable within him, as you have portrayed him.

PETER:  Yes, but he really has grown in the last 30 years.  Jack is hungry for more right now, and he couldn’t really be that way with Mom in the house.  He didn’t have time for that.  Now he has all of the time in the world.  So, we’ll see what he does with that.

Courtesy/CBD

I understand there is a funeral for Dina, but it will be off-camera?  I guess, because of COVID, it is better that way.

PETER:  That’s true and it’s off camera, that’s correct.  What’s important at most of these things isn’t what happens at the gravesite, it is what happens at the reception afterwards, and that is also a fun turn.  So, they all agree as a family they are going to do it at Society, and they kind of close the joint and make it their own little party, and someone shows up who isn’t expected, and it throws a really, really different vibe into the whole thing, and everybody has to adapt.  It’s actually fun, what it turns into.  It turns into a memory fest with crazy stories of Dina.

Courtesy/CBS

Do you have a favorite moment, or memory, of a scene you played with Marla?

PETER:  I think I had a day where Jack tried to get through to her and tell her, “Do you realize the damage you did?  Do you realize?” and she wasn’t able to take it in, and he went to Traci, and he said, “I want to shake her.  I want to yell at her… and I want to protect her.”  I thought there was something just so rich about that.  That was my favorite moment, my favorite part of it, when Jack finally said, “She’s going, man.  We’ve got to get this conversation done now.  We’ve got to talk this through,” and he was too late.   She was too far along with Alzheimer’s.  She wasn’t up to it.  She couldn’t do it.

Photo: JPI

And now here is Jack; and his parents are both gone.  There is no Jerry Douglas or Marla Adams on the show as both John and Dina have passed on within the history of The Young and the Restless.

PETER:  Again, you were generous enough to share your own personal experience, but isn’t it amazing?  Wow, you’re the grownup now.  Isn’t it amazing?  That’s what the Abbott’s are going through: just what you went through.  There is no older generation to turn to for anything.  We are the older generation.  It’s powerful stuff, and I’m really, really grateful for anytime that Ashley, Jack, and Traci are together talking about those things, talking about, “Wow, okay, that just happened… where do we go from here?”  It’s going to be really interesting.  If you asked me, “Over the last 30 years that you’ve played Jack Abbott, have there been many times where you’ve thought, ‘I’ve got no idea where this is going!’”  I would say, “Yeah, right now.”  I’ve got no idea where we are going with this.

Courtesy/CBS

There has been much speculation that the “teardrop of love” necklace will lead Jack to a new romance, or some new adventure in his life.  They spent a lot of time mentioning it in short order, that it would seem it’s not just to bring Dina some closure.  What are your thoughts on it?

PETER:  I think it has legs.  I think you’re going to hear about it again. There is something in there, and I don’t know if it’s the teardrop’s magic charm or that its history is not what it was, or it gets stolen.  I don’t know, but I think we have spent enough time saying ‘teardrop of love’, that there could be a story there.

In Dina’s final moments where Jack brings her the ‘teardrop of love’, wasn’t it symbolic to her because it was her acknowledgement of having her family back together and with her at all times? There is a back-story to that piece of jewelry as well.

PETER:  The point of the necklace is, “This was when I was truly happy, when I had this necklace, when it is all back together,” and maybe we are to know something more about the teardrop…?  I don’t know.  So, this was a gift to her before Jack was born.  She wore it home from the hospital when she brought him home, but we don’t know exactly what year she got it, and we don’t know exactly what year she lost it.  It was stolen, and it was on the black market for a while, and Victor (Eric Braeden) was looking into it.  It was clear that it was very important to Dina.  So, Jack, against his own wishes, said, “No, I’ve got to do the right thing.  I’ve got to try to trace this thing down.  It clearly means something to her.  Maybe she is trying to tell us something.  God only knows.”  So, he did the right thing, not because, “I want to make Mommy happy,” but because he forced himself to do the right thing, to find the damn necklace, and to see what this is about.  Then, we saw the affect it had when he gave it to her.

Photo: CBS

It’s always good to chat and check-in with you during these key and historical moments in the life of the character of Jack Abbott.  There have been many throughout your time on Y&R, and it will be interesting to see where this goes from here.

PETER:  It will be, and I’m telling you, this is a real moment.  Normally, we just go from one story into the next, into the next, and this one has been hanging for so long that, “Okay, now that it is over, wow, what is going to happen to Jack?”  I’m just as curious as everybody else.

So, what do you think will happen next for Jack?  Did you reach for the hankies in Peter’s final scenes with Marla Adams?  Share your thoughts via the comment section below.

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Interviews

Marla Adams Talks Her Final Scenes As Dina Mergeron, The Alzheimer’s Storyline, and Her Touching Farewell

Today on The Young and the Restless marks the end of the enduring run of Marla Adams in the role of Dina Mergeron. In story, Dina passes away from complications from Alzheimer’s disease. It’s a storyline that started four years ago when the CBS Daytime drama brought back the character and Adams; and one that has deeply affected many in the viewing audience who have also had their own personal experience of losing a loved one to this dreadful disease.

If you have not seen today’s episode yet, you may not want to read any further, but needless to say, make sure you have the hankies ready for Dina’s final moments with her children and how she leaves this earth, which will be remembered for quite some time to come.

Marla originated the role of the rich and spoiled Abbott matriarch back in 1983 and portrayed the role on and off for what amounts to five decades. Her classic scenes with Jerry Douglas (Ex-John), Eileen Davidson (Ashley) and so many more from the iconic soap, always made for great and complex stories.

 

With this her final airdate on Y&R, it also puts an exclamation point for Marla on an incredible daytime career having also appeared on: The Bold and the Beautiful. Capitol, Days of our Lives, Generations and The Secret Storm

Michael Fairman TV chatted with Adams in this very special conversation where she shared with us how it was to play these heartbreaking last scenes, the importance of the ‘teardrop of love’ necklace to the story, how Y&R gave her the most overwhelming and beautiful send-off, and her ‘thank you’s’ to all of you, who have been her extended family and are sad to see her go. She is one-of-a-kind …and now, here’s Marla.

Photo: Getty

Marla, I am so glad we have the opportunity to chat in this full-circle moment as you have brought the character of Dina to a close.

MARLA:  It’s such a joy to talk to you.  It seems like yesterday and an eternity as well.   I thought of you so much, and I remember talking to you specifically with all of the different interviews over the years, when I was at the studio.  But I will always remember the interview you did with me and Beth Maitland (Traci), my darling soul sister, and you talked to me about your mother who has since passed on from Alzheimer’s.  I’ll never forget what you had to say all those months ago

Photo: HallmarkChannel

Yes, and when as audience members we watch these stories unfold with characters we have loved, or watched on our screens for years, and there is a death, we feel connected to them as well.  And in this case, as a child who has lost a parent to Alzheimer’s, like many in the audience, you ask yourself first, “Can I watch this?” It hits very close to home, but I’m sure when people watch today’s episode of Y&R and see Dina pass away, they will be extraordinarily moved.

MARLA:  Oh, my gosh.  Wait until you people see Friday’s show.  I know they will be moved.  They should be!  I’ve got friends who I’ve already said to, “Get your Kleenex box out.”  It’s so beautiful what happens at the end of the episode.

Courtesy/CBD

How did you feel about playing Dina’s final scenes?

MARLA:  It was wonderful because it showed her lifetime of sorrow and regret, and what was so wonderful was the fact that the hero of the whole thing is the kindness and respect that she really did have for her whole family.  They had the most beautiful sendoff for me.  They sent me a limo!  I went to the studio, and dear Patti Denney (Make-up artist, Y&R) was there, of course with all kinds of makeup and everything else, and she looked like she was entering the ER room for Covid-19, because of all the safety protocols we must have.  It was unbelievable, the kindness that was served to me.  After we finished taping my final scenes, I came back to the soundstage and they totally surprised me.  Dear Tony Morina (executive producer, Y&R) and Sally Sussman (Ex-head writer, Y&R) were there, and Tony spoke about me, and so did my Y&R extended family and on-screen children: Peter Bergman (Jack), and Beth Maitland, and Eileen Davidson, and much of it was put on tape (see excerpts in video below).  Afterwards, Tony gave me beautiful flowers.  I was driven back home after this, and I felt really special, and it was just amazing to me. I had written Josh Griffith (Current head-writer and co-executive producer, Y&R) a ‘thank you’ for writing the show with his wonderful people, but I never heard back, but when I walked in my apartment, the phone was ringing.  Guess who?  It’s Josh!  He said, “I waited until I knew you would be home to thank you,” and I felt so lovey-doved up, I couldn’t believe it.  I want to read something to you that I received in the wonderful flowers that came the next day from CBS Daytime executive Margot Wain and others.  The flowers were so big that they didn’t fit on the bar!  The card read: “Thank you for bringing the amazing force that is Abbott matriarch, Dina Mergeron to countless fans of The Young and the Restless.  Your vast contribution to Y&R and CBS for more than five decades is unparalleled.  We are forever grateful for all you’ve brought to Y&R as both a consummate professional and a cherished co-worker.  All our best wishes.”  I was just so touched by the sentiments.

Photo: CBS

I also want to share something with you.  When it was revealed in the promo that came out last week that this would be your last show, I received so many notifications on social media, saying, “Oh, my God!  We love Marla!  You have to interview her!”  You are loved by the Y&R fans.  I hope you know that!  They’re sad to see you go, because you’re a legacy character to them, and soap fans have deep connections to characters that have been on their favorite soaps for decades.

MARLA:  Five decades!  My God!  I’m eighty-freaking-two.  I can’t believe it.

Courtesy/CBS

In story, Jack was on a mission to get the ‘teardrop of love’ necklace back to Dina before she died, hoping that she would have one last moment of lucidity and would recall it and it would hopefully make her happy.   He moves heaven on earth to get it, and does, and brings it to her and viewers saw her reaction. 

MARLA:  The necklace had never been anywhere before in story except recently, but I said to myself that I would play it ‘quietly and graciously’, because it made for such a beautiful moment for Dina with her children.

Courtesy/CBS

For Dina, the necklace was a symbol of remaining connected to her family and her children, even when she was not with them all of those years.  In your final scenes, Dina had these moments to say goodbye to each of your children.  Do you remember looking at Eileen, Traci, and Peter taping those highly emotional beats?

MARLA:  Yes, they were so there for me.  They are an extended family that is so precious to me, and playing this iconic character has been, too.  I remember when Sally Sussman told me a few years ago, “ I’m going to bring you back on The Young and the Restless, but you’ve got Alzheimer’s,” and I said, ‘What!?  You’re bringing me back so you can kill me off?’ and she said, “Oh no, it’ll be about a year.”  That dissolved into four years, and now five decades had passed and I was still on Y&R.  I am beyond grateful.

Courtesy/CBD

As an actress, was it hard to play Dina’s final moments when she goes to the light to join her beloved, John?

MARLA:  It was heart-wrenching for me.  In the story, Dina died when she went outside and to the front door of the Abbott home.  They did not tell me before-hand, and that’s why it was so wonderful.  I hope they came in for a closeup of that because I had no makeup on, it was beautiful, and then, Dina said, “Oh, John.”  I’ve done everything from movies, to daytime, to nighttime, to Broadway, but that was the iconic moment for me, to do this gig with wonderful, wonderful actors and friends, and to do this particular storyline.

Photo: CBS

It was 1983 when you first appeared on Y&R.  And through the years, Dina did not do such great things! She had an affair with Brent Davis who was the biological father of Ashley that caused such a rift between mother and daughter for years.  She abandoned the Abbott children and walked out on them and her marriage to John, and that’s just for starters! Dina was a complicated character. Did you love the fact that she could be very selfish at times?

MARLA:  You think?  That’s why I loved her.  Of course!  I can be very selfish, too.  You have to be selfish if you’re an actor, good God. (Laughs).

Courtesy/CBS

It was great that The Young and the Restless brought you back four years ago so that through the telling of the Alzheimer’s storyline that Dina was able to somewhat repair her relationships with her children.  Obviously, over the last many months the audience could not witness the more day to day progression and toll the disease took on Dina and her family in its final stages, but unfortunately with the way COVID-19 has affected shooting daytime soap operas, and all of our lives, including safety protocols, I am sure plans had to be altered,

MARLA:  Of course.  As an actress, this was the most important role of my life, and to have her final moments spread out in one day really is because of all of the fans who have been writing in and wanting to see Dina again,

Photo: CBS

People were rooting for you to win the Daytime Emmy back in 2018 when you were nominated for Outstanding Supporting Actress in a Drama Series. That must be a nice moment to carry with you from playing Dina’s final storyline.

MARLA:  Yes, and I should have won!  Eric Braeden (Victor, Y&R) was furious. (Laughs)  He said, “What do you mean, darling, you should have won!  Goddammit!” He’s a wonderful man and a good friend.  He came to pick me up several times to go to the studio for my last few shows, and that’s the kind of mensch he is. So, I feel just so blessed and I feel great love and loss.  I would like Dina to come back as a ghost, but I have no idea, if that will happen or not. But if the fans would be interested in seeing Dina as a ghost … make sure to write in to the show and tell them!

Courtesy/CBS

Speaking of the fans that have followed you for decades on Y&R, what would you want to say to them now that Dina has passed on?

MARLA:  Thank you, from the bottom of my heart for all of the love, the support, and the chance to play Dina out… and I’m thankful that you cared, and loved her, up till the end.

So what did you think about Dina’s final moments on today’s Y&R? Will you miss Marla Adams?  Share your thoughts via the comment section below.  But first check out the special behind the scenes tribute for Marla, followed by The Michael Fairman Channel’s interview with Marla and Beth Maitland from Y&R’s 45th anniversary celebration referred to during the above conversation.

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Interviews

B&B’s Jacqueline MacInnes Wood Talks Steffy’s Opioid Addiction Storyline, The Emotional Scenes & Adjustments Made Due To COVID-19

If you have been watching CBS’ The Bold and the Beautiful over the last two weeks, you have witnessed the compelling and important storyline unfold with Steffy Forrester (Jacqueline MacInnes Wood) at its epicenter.  In a harrowing tale of opioid addiction that can so easily happen to anyone given the circumstances, the daytime drama took on a social issue prevalent and rising in our society today.

This story gave Daytime Emmy-winner, Jacqueline MacInnes Wood another chance to shine in some of the most deeply affecting episodes and scenes in soaps of 2020.  In story, after Bill Spencer (Don Diamont) accidently hit Steffy with his car while she was on her motorcycle; she became hospitalized to treat her injuries. Once there, she met new love interest, Dr. Finnegan or as the show calls him “Finn” played by newcomer, Tanner Novlan. Finn prescribes pain medication for her. But before you know it, once Steffy is out of the hospital and back at home she struggles with the pain and the isolation of her life, and the losses she has experienced over the last many months, and before you know it, she is addicted, and no longer getting the pills from her doctor, but by any means possible.

Last week, we named Jacqui’s work the ‘Power Performance of the Week’, but we are also giving it to her again this week for her masterful performance on Tuesday’s episode, where Steffy breaks down after being confronted by Finn, Liam (Scott Clifton) and her father, Ridge (Thorsten Kaye) and finally coming to the stark realization that she is an addict.

Michael Fairman TV caught up with Jacqueline MacInnes Wood after all the key scenes had aired to: get the inside Intel on what went down taping those moments, and how the show made some important decisions amid the coronavirus pandemic about the telling of this storyline. Here is what Jacqui had to say about: her co-stars, herself, and what she learned about those who struggle with addiction.

Courtesy/CBS

How did you feel about being handed the ball to tell this important story, and how much were you told ahead of time?

JACQUELINE: Originally, I was told that we were going to tell this story, and that was before Covid-19.  So, it was literally the week before we went into lockdown, and we were about to dive into this story. Obviously, I am so grateful to be able to tell this story because traditionally The Bold and the Beautiful has a long list of social stories that we are known for telling.  It is something that that we need to talk about because it is happening, and it is happening everywhere.  Someone knows somebody – it is in our family, or our friends are dealing with this, and I didn’t realize how close to home it was for so many people.  I think that with our show, the way we balance drama, and romance, and real social issues that really touch people, is special.  I noticed that throughout this week with so many people reaching out to me.  People who are police officers, to people who actually work with people who are addicted, people who were addicted have reached out to me.  There have been a lot, but I’m very honored, again, to dive into this story.

A lot of fans and viewers remarked along the lines of “Wow, Steffy got addicted very fast,” because it felt like the story kind of accelerated itself, and some people are like, “Well, they just told it too fast.”  I wondered how you felt about that, knowing what you know about soap operas and research you may have done on addictions.

JACQUELINE:  I did some research on YouTube on opioid addiction from first-hand accounts of addicts and the effect on just them, but also on the grief it had caused their families. I originally had mistakenly thought, “It must take years to become addicted,” and I was very surprised by how quickly and easily one can be trapped in pain management, and many cases are heartbreaking.  You always think, with opioids, “Oh, this can’t happen to a lot of people,” but it’s not just, “Oh, the ‘crackhead’ down the street…”  It could be a mom, or these people who have a surgery, or an accident, and then they just get on these pills, and it happens so quickly.  Yes, the storyline happened extremely fast, but there is truth to it because addiction does happen very quickly in this world.  The other thing I have to say, I think what Brad Bell (executive producer and head writer, B&B) did so elegantly, is that we were going to tell this story, and we were going to tell this story for a very long time.  I love that he was very perceptive to this – that we are in a dark time right now.  It’s a dark world, and I think that it is important, again, to shed some light on this, but we didn’t want to necessarily drag it on too long because it’s like, you watch every news outlet, and it’s depressing, and it’s depressing everywhere.  Before Covid-19, this story would have been a lot longer, and I think it was kind of realizing, “Let’s take it back.  But, let’s dive into this.” I think we were also being mindful of the viewers because we are shedding light on this, but also, opioid addiction had now skyrocketed through this pandemic, and this quarantine.  I think, again, it’s important to tell this story, but we didn’t want to be another show that is just so depressing right now during such a depressing time.

Photo: JPI

Right, so the story won’t be as elongated , but obviously, she will always have this addiction now, which is always great as a character, to delve back into, that Steffy will have in her physical and emotional make-up now.

JACQUELINE:  Absolutely.  She will always have that.  She will always have to be mindful of it.

What did you think about Dr. Finn in all of this?  Do you think that he should have caught on earlier that this was happening to Steffy?

JACQUELINE:  (Laughs) Yes, absolutely.  I think, Steffy was pretty good at hiding it from him, especially the last time when she invited him over, and she said she didn’t need the pills.  However, on Tuesday’s episode when there was that huge explosion, and he really got to see that visceral side of Steffy as defiant and angry, that was a lot for him to take in.  Tanner has been doing such an incredible job of diving into this and telling this story, but yeah, you wonder if Finn noticed, but again, I do think Steffy was pretty good at hiding it.

She was pretty slick, but when she got the pills from Vinny, I kept thinking, “What did he give her?”, because they seemed awfully strong, or laced obviously with another drug. 

JACQUELINE:  When Steffy got the pills from Vinny, that was the first thing I said, “Is this just opioids?” Now, she’s getting it off the street, and we just don’t know.  It’s laced with God-knows-what.  She has no idea because she’s not getting it from an actual doctor; she’s getting it from Vinny.

Courtesy/CBS

So, when Tanner came to the show, did you read screen-test with him?  What was your initial thought of him and Steffy finally having a potential new relationship?

JACQUELINE:  He is absolutely wonderful.  It’s funny because we have a lot of friends in common, and he is a fellow Canadian, and we bonded over that.  He originally screen-tested, I think, a few days before we went into lockdown.  So, who knew that we were not going to be able to work with each other for months and months and months, but he has been completely added to the group, and it is a different world that we are navigating, especially with how we are filming on set and the 8 feet apart rules, and you have these emotional scenes, and you feel like you just want to grab someone, and hold them, and cry.  I have so many fans going, “My God, I just wanted one of the characters to hold you!” and then you’re like, “COVID,” and nobody can really touch me, so…

Photo: JPI

Isn’t he kissing his wife though as your stand-in?  B&B alum, Kayla Ewell?

JACQUELINE: Yes, yes he is!  I just thought it was priceless that, how long have I been on the show, that Steffy has just been pining away for Liam for years, and years, and years, and finally gets the go-ahead, and she’s going to get a new love interest, and I’m like, “Woo-hoo!” and then, COVID happened, and I find out, “Your love interest is going to be a doll!”  So, he gets his wife, which is great.  My husband has been completely supportive, but my husband has not come in.  I don’t think it would work playing opposite him as Tanner, but his wife actually has a very similar look to me, which is great.  So, she’s been in a few times, which has been amazing!  I get the foam doll. (Laughs)

Photo: JPI

I was just thinking it’s so funny, too.  Steffy FINALLY gets a new man, but she is with a doll! 

JACQUELINE:  I know, I know.

Photo: JPI

What’s great about when you get to play these kinds of emotional levels in an addiction storyline … or anything that kind of flips the character’s mental state, is that you get to see the anguish.  You know, we’ve never seen Steffy discuss or really say anything about having Beth taken from her, whom she raised her as ‘Phoebe’, and then losing Liam to Hope, and this is kind of addressing her pain through this story arc, which I thought was really good, that it wasn’t just swept under the table.  The characters, the audience, and Steffy were realizing that she had emotional baggage and distress over those losses.  How did you feel when taping those scenes with the confrontation where she pulls out a switchblade on Brooke (Katherine Kelly Lang), Ridge, Liam and Hope (Annika Noelle)? Those were great scenes. 

JACQUELINE:  Thank you, thank you.  We didn’t know how we were going to be able to do these scenes.

Because of the social distancing?

JACQUELINE:  Well, yeah, social distancing!  We did it in one take.  It was a long 10-12 page scene.

Photo: Gilles Toucas/Bell-Phillip Television

Well, the final 7 minutes of that episode were just a riveting; which included that knife scene, which in itself was gut-wrenching to watch, as I assume it must have been to play?

JACQUELINE:  It was a big scene, and it was a big, emotional week for all of us, obviously, and I couldn’t have done it without my cast.  They were so phenomenal as well.  We were trying to think, “How are we going to do this?”  Thorsten Kaye came up with this idea that Steffy should have a knife because Ridge would want to go to her and grab her, and the only thing that would maybe keep him away.  She is so angry, and she does have so much emotional baggage, and yes, she is in pain from her motorcycle accident, but I think that a lot of people saw in that phone call from Hope, where Hope said, “Oh, Kelly wants to spend another night,” that was that whole mental shift of, “Oh, my God, this is my worst fear.  It’s finally happening.  My daughter doesn’t want to stay here.  I am truly alone.  I don’t have anybody.”  Her life up to now has been about raising Kelly, and then that was that whole baggage unload – the pain of all of the years of what the Logans had done to the Forresters – it was just a domino effect. She obviously is not dealing with the pain in a pragmatic way.  I think Steffy was using the pills to mitigate her misery, physically and emotionally.

Courtesy/CBS

I think there were two turning points … after the switchblade incident, when she finally realized, “Oh, my God, what am I doing?  I’ve got this knife,” and she gets rid of it.  She does seem to have these moments (in that episode and the one that aired Tuesday) where she realizes, “Oh, my God, I’m messed up,” which were heartbreaking moments.  Do you remember playing that moment of, “Oh, my God, I’m an addict,” where Steffy admitted it out loud?

JACQUELINE:  Yeah!  It was extremely difficult.  I’m really good at being able to work on set and being able to leave it behind.  That’s the one thing that people will say to me, “What is it like off of set?  It must be so emotional for you!”  Once we say cut, I’m done.  I don’t mentally check out from the scenes, but I’m just able to let go because we just have so many episodes and so many emotional scenes, but I have to say this took a little while to shake.  I had to get into my car, and I was still emotional, and I had to put some good music on, and blare it, and drive home.  To know that these things are happening in the world and it is happening to so many people, it just breaks my heart, and I still get emotional about it.  It is gut-wrenching to know that this happens.  When I have those emotional scenes, (especially like that) I can’t fake it.  That’s just not who I am.  I can’t just fake cry to get through it.  Yeah, I’m an actor, but even though we film so quickly, even though it’s usually just one take, even though we are crying all day with all of these scenes, I really like to emotionally get there.  Obviously, over the years, I’ve learned to get there quicker, and I am really proud of myself for that, but what you see is what you get.  Those are real emotions.  I am just as present as I possibly can be in that scene and just listening to Ridge, and Liam, and Finn and just taking it all in – then Steffy realizes that she is addicted, just that moment of everything breaking down; her whole world was falling apart.  I think it was an important moment, but we were just really there for one another in that scene.

 

Scott Clifton, I just really want to say, throughout that week, had to play annoyingly holier-than-thou with you as Steffy.  People were annoyed with Liam.  He was the perfect annoyance to get her really pissed off!

JACQUELINE:  Yeah, I know!  It was actually funny at one point because so many fans were like, “Steffy was out of her mind!  She was clearly on drugs!”  I love the Steffy fans who were like, “Liam is so wrong!”  You could see how loyal the fans were.

Courtesy/CBS

They were!  It was great, but Liam was super annoying. That being said; did you watch back last Friday’s episode where after Steffy runs out, the camera pans to Scott, and Liam breaks down and cries?  So good. 

JACQUELINE:  Yep, yep.  I know, it was so good, and that was him!  That’s what I find so beautiful is that when you are in that scene, you don’t know what the reactions are going to be, and I know that was so true and authentic of Scott.  It was a genuine emotion that came out of him. I hadn’t seen him break down in a long time, but it was so unexpected, but I was glad to see it, really glad.

Photo: JPI

We haven’t seen Bill Spencer come to Steffy yet.  How does she feel about that?

JACQUELINE:  That’s a good question.  I don’t know how Steffy is going to feel about that.  I think, obviously before the addiction happened, she would blame him for hitting her on her motorcycle, but you never know, things could change coming up with Bill and Steffy.

Well, he will probably blame himself now for the addiction, I would think, because he hit her.

JACQUELINE:  I think so, too.  That’s one of the things he may be playing in those scenes.  So, we shall see.

Courtesy./CBS

Talk to me about Thorsten Kaye in those scene with you as the dad, because in the episode we saw Tuesday, there was a powerful moment when he just sat beside Steffy, but not holding her at the very end.  I thought that was a very nice touch given also Covid-19 protocols.  At that point they weren’t dragging Steffy out into a rehab facility.  We just watched him sitting there quietly while Steffy had this reckoning to herself. 

JACQUELINE:  I really liked it.  I liked that we had a lot of those chill moments of taking each other in. Thorsten and I get along so well.  We’ve just always had a bond, and I love working with him because in rehearsal, we do something one way, and then, again, when you’re filming, it’s always so unexpected, you don’t know what he is going to throw at you, which makes you be even more present.  It’s a tough scene.  I was feeding off of him and vice versa, and I’m sure he was putting himself in that situation of God-forbid if his daughters were in this situation, and you know, I’m looking at him in that father-daughter moment and seeing him become emotional for his daughter.  It just kills you, it really does, but it was a heartbreaking moment, but I like how we ended the scene: with something as very simple as sitting beside each other.

Courtesy/CBS

Your fans and the soap pundits are saying that obviously you have your Emmy reel for next year, it’s done.  It’s right there.  This may just make you a two-time Lead Actress Daytime Emmy winner.

JACQUELINE:  Aw, that’s so sweet.

It is great for you because you have an arc of a story there to tell, and we’ve talked about this before – an arc of a story for a submission in Emmy competition seems what many of the judges like to see and can understand because they watch the performer in scenes from the progression of a story.   

JACQUELINE:  Definitely, and it was nice to know that I was going to do this story and that we were going to tell this story, but once we came back months later, I didn’t know that we were still going to dive into opioid addiction with Steffy, because again, with our show, and with a lot of soaps, storylines change all of the time. I am very grateful for it.

 

So, what can we tease?  Will Steffy get Kelly back, or will she be estranged from her for a little bit?  What do you think?

JACQUELINE: I think that Steffy is a strong woman, and I think she will come back stronger than ever, and I think she will get her daughter.

Courtesy/CBS

You should be very, very proud of this work, Jacqui!

JACQUELINE:  Thank you.  I am.  During the week, when we had all of the dialogue to do, and it’s a different world now when you’re taking care of a toddler, and then with the Covid-19 protocols, and then you get the story, (and again, so grateful for it), but it was so much dialogue, and going back and forth, and making sure you’re bringing it emotionally, and it was extremely challenging, to say the least,  But, I am really proud of myself that come that Friday I was like, “Oh, my God, we did it.  We did it!”

What have you thought of Jacqueline’s performances in the opioid addiction storyline? Were you glad to hear the show decided not to drag out the story due to the times we are all in? Do you feel this storyline was powerful and could help those in need of help? Share your thoughts on the interview with Jacqui and more via the comment section below.

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B&B’s Jacqueline MacInnes Wood deliver the Power Performance of the Week as Steffy’s drug addiction leads to a confrontation and intervention by her loved ones with dire consequences.  Here is the last seven minutes that featured Emmy-winner Wood at her best. Leave A Comment

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Airdate: 10-08-2020

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