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THE DILLON CASEY INTERVIEW – MVP

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MICHAEL:

In tonight’s episode of “MVP,” the Mustangs hockey team goes on the road and all hell breaks loose when Trevor goes wild with the “ Puckbunnies”! It seems like viewers have slowly been watching Trevor’s turn to the dark side. I actually think it started with him driving the Escalade through the car dealership storefront? Do you think that was the turning point?

DILLON:

After the incident when I drive off in the Escalade, there is a moment in episode six that you don’t really expect of a guy like Trevor, but he does it anyway. He finally hooks up with Molly.

MICHAEL:

But, you enjoyed that episode?

DILLON:

Yes. That was a great episode. The thing about it was, it was all improvised. They didn’t really want me to drive through the window. I did that and they happened to catch it on camera! (He laughs) The thing about Trevor is, in previous episodes, when you watch him; he is getting pulled in all these different directions. He pretty much is letting people take full advantage of him and you don’t understand why. He is just this guy who wants to please everybody, and finally, he has had enough. He is tired of doing what everyone else expects of him, and he finally has enough. They want him to buy a Mustang and he says, “I’m not buying a Mustang.” So, he gets in the car and pulls out of the dealership window, and the sales guy makes a racial slur to him, and that was the icing on the cake.

MICHAEL:

Now, you had highlights in your hair that you were cutting off in the mirror because your character was getting fed up. That was shortly before driving the Escalade through the dealership storefront. It seems Trevor may need some anger-management! But, how did the hair highlights come about in the storyline?

DILLON:

What we did in that episode was my agent wanted to give Trevor a makeover… to give Trevor more of a media friendly image. They had him doing the underwear ad, which he did, and that did not end up turning out so well. Well, I guess it did. (He laughs) Basically, his agent catches him off guard and tells him. “We have a cereal company and it’s going to be great.” You know, Trevor is this kid from Loon Lake, and in the morning he is the kind of guy that throws on whatever is in front of him, and he never has really had to think about how he gels his hair. He has a sort of ‘get up and go’ mentality, and all of a sudden, he has this agent telling him how to dress, how to talk to people, and what to do with his hair. There is a part of him that knows that something is up, especially when he walks into the locker room in a suit. “Team Trevor” put the highlights in his hair. I did not dye my hair in real-life. They put in extensions and blonde clips, and red clips.

MICHAEL:

So you don’t like colorful extensions?

DILLON:

It’s not really my style. That’s kind of the point. They were supposed to look ridiculous. It was funny!

MICHAEL:

Was it fun to take Trevor to the dark side?

DILLON:

I always looked at Trevor as a guy who is between Gabe and Damon. I would look at Peter Miller’s character of Damon and think that is the most fun character to play on the show. The bad guy is always the most fun. When Trevor goes to the dark side I get to be more like Damon Trebuchet. So, the scenes were a lot of fun in episode 7. My favorite scene coming up has Damon and Trevor partying. At this point, Trevor has decided to become Damon. He goes to Lagoon, which is the “MVP” version of the Playboy Mansion, and it’s no holds barred for Trevor. He is just a kid in a candy store. He is a young Damon Trebuchet, by this point.

MICHAEL:

Moving forward, will Trevor Lamonde fans get to see their young hockey superstar redeemed?

DILLON:

Again, I can’t give that all away, but I can tell you there is an arc to the character and he does do a lot of things that he regrets, and it’s a turning point. There is a strong one coming up that is very interesting to see!

MICHAEL:

What are Trevor’s true feelings about the girls in his life, Molly and Tabbi?

DILLON:

Tabbi is the girl that he loved. She is his first love. She is the girl he grew up with in Loon Lake; she was there before all the fame and distraction. When Trevor gets out there into this world, there is all this temptation, and of course, the number one temptation that is out there is Molly. Molly is Trevor’s sort of ‘fatal attraction’.

MICHAEL:

She is so obvious in her seduction of Trevor, though!

DILLON:

She is so obvious, and she is so good-looking, that what guy wouldn’t like being charmed by a girl like Molly. So Trevor is not fighting it. He is also young and naïve about things like that. Then, Tabbi shows up with her Nana. Trevor is just trying to be a young kid experiencing all his success, and his girlfriend shows up with her grandma. He feels it’s preventing him from what he wants to do. There is a backlash to that. However, cheating on Tabbi with Molly was not a good call, by any means. The audience should not let Trevor off the hook for that one. When it comes to Molly, I think it was wrong that she was all over him, and Trevor just didn’t know what to do.

MICHAEL:

How was working with Natalie Krill, who plays Molly, and Anastasia Phillips, who plays Tabbi?

DILLON:

I would always hit on them relentlessly, but they both had boyfriends. It was great! We were all really great friends, and it was funny to know that Anastasia, who played Tabbi, and I found out we had a lot of friends that we both went to university with. So, we had a lot in common with mutual connections. We were immediate friends. Natalie and I had the same sense of humor. We got along really well, and all of it was good. Everybody on the set got along so well, and that is one of the saddest reasons for it being cancelled, because we were all such good friends. It was sad to think that we would not all hang out again.

MICHAEL:

Was there a scene or moment when you thought, “I was really good in this,” or one that you’re most fond of?

DILLON:

Literally, my favorite is a minute or two long scene where I silently sit there and stare at women in episode seven. It was my favorite scene and it came very natural for me (He laughs). There was another great scene with Peter Miller, where we are partying really hard, and it was a lot of fun because they did not yell, “cut”. We just finished and improvised for an extra two or three minutes, and it was so funny!

MICHAEL:

We hear you are working and studying with the famed comedy improv group, Second City, up in Toronto. Is that true?

DILLON:

I am doing the Second City conservatory. Comedy is my number one passion, and where I would like to go. I love doing Second City. It’s so much fun! I have been doing it for two years, and so have my brothers. There is a big improv scene in Toronto, and it’s so much fun and such a rush.

MICHAEL:

Was it hard to play the country bumpkin that Trevor was, to turning into the guy seduced by power, women and money?

DILLON:

You know what I found difficult was when I would think, “Why would anybody in their right mind let anybody do this to them, and take advantage of them in this way?” But, I guess for anyone from a small town going to a big city, things start to happen. Pulling off the character was a lot of fun. It was fun having such opposites on the show. The guy coming from the small town, and then having the guy have everything, was not hard to do.

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MICHAEL:

Now, being the half-naked poster boy in Times Square on the billboard, and with all the SOAPnet promos, how is that experience for you? You’re half-naked in your underwear, so what were your thoughts?

DILLON:

First of all, I am way more than half-naked! When we took those pictures I did not know they were going to be on a billboard at all. I got a phone call that said, “We just want to run this by you, that you are going to be on a billboard we are printing and it’s going to be in Times Square. I went, “Oh, oh, well that’s cool. I did not know how to respond. Then, people were calling me asking if I was going to go down and see it. Then my dad really wanted to go, so we went down to New York City, and we told SOAPnet we were going, and they brought the camera out. I did not know how I was going to react. I did not know if I was going to see the billboard and be overly excited and go nuts. It wasn’t really that. I looked at it and I was happy, and it was really cool. It was surreal, if anything.

MICHAEL:

So, I’m sure what’s come out of that is, you are now on “The Sexiest Men list”, all over the world, and a sex symbol to people. How does that feel?

DILLON:

What’s strange is a lot of this has happened so fast. This whole thought of being a celebrity doesn’t exist as powerfully in Toronto, as it does in LA. There is definitely a sense of it. If I am talking to somebody and they are not really saying anything, and there is not a lot of eye contact, they will go, “Why is your friend being such a jerk to me?” And my friends say to me, “Dude, they are nervous talking to you!” I don’t think of myself in that way, but it takes my brothers or my friends to point it out to me. People that recognize me the most are other actors. They will come up to me and say, “Hey, congratulations on the show. I have never seen a show like that come out of Canada.” That’s really good to hear. The billboard itself is also great Second City material, for them to make fun of me. Just like after a class or show, people will want to go to a bar and I will go, “How about this bar?” And they will always joke, “Oh, just because he is on a billboard in Times Square we have to go to that bar!” OK, ‘Mr. Celebrity and Mr. Times Square’. Overall, I would not say my life has changed.

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MICHAEL:

Is it true that in the audition a lot of guys had to take off their clothes or their shirts, or something?

DILLON:

Well, I don’t know what anybody else had to do. My first audition was a regular audition where I had to do some lines, and felt pretty good about it. Then, I got a call from my agent saying that I needed to go back to the auditions. So, I went back and the directors and the casting directors were there. I did what I did before in the other scene, and then they go, “OK. Now that was great, but now we are going to do another scene where your character is asked to do an underwear ad, and have these pictures taken of him, where he screams like an animal at the end.” So I was like, “OK, that sounds good.” They go, “No, no, you have to take your shirt off. This is an underwear ad.” I go, “OK. I guess I will do that.” I had to for my callback. So, the way I got the part was taking my shirt off and screaming, and they gave me the part.

MICHAEL:

To be in shape like you are, how often do you work out?

DILLON:

I go there five times a week. I grew up in competitive sports. I was a tennis player and quit that when I was 10 years old. I was a member of a gym, and I am a pretty anxious guy. So, I started going to the gym after I stopped playing tennis. With all this extra energy it just became a habit.

MICHAEL:

So, since “MVP” centers around hockey, and Canada is famous for it, are you a hockey buff in real life?

DILLON:

To be honest, I am one of those guys that when the playoffs are on, and if Toronto or Montreal is in the play-offs, I will watch. But, I don’t really care that much and I am not ashamed to admit it. All my friends love it. To be honest, I think there is too much of it up here. I wish Canada would pay attention to some of its other athletes, because there is no reason we should not have amazing tennis and baseball players. I love hockey and I love how Canadians love it, but we are a big country and there should be more variety here.

MICHAEL:

What would people be most surprised to know about you, that they wouldn’t expect from a guy like you?

DILLON:

I think, Second City. I have a production company with my brothers and we have two series in development now in Canada. We are all writers and producers, and also I think what surprises most people is that I have a Masters Degree in Economics. That is surprising to me. (He laughs) So, that is why I think it would surprise most people.

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MICHAEL:

What made you go into acting?

DILLON:

The bigger question is what made me get my Masters in Economics? Acting was actually a fallback if this ‘economics’ thing didn’t’ work out. It was in my third year at the university that I realized I liked acting. I applied for my Masters, and then I went to audition in Toronto. I landed a big job in a show during exam time in April called, “Eleven Cameras” and it was my first big role. Then, that put me in the position that I could audition for anything in Toronto. Right after that, I auditioned for “MVP” and I got the part of Trevor Lamonde. Since then, I have been acting full time as much as I can. There are ups and downs with whether you are working. It’s either a lot or not at all.

MICHAEL:

Would you consider a move to Los Angeles at this point, or are you planning on staying in Canada right now?

DILLON:

I have duel citizenship to the States and Canada. So, I definitely will be moving to Los Angeles at some point. Right now the plan is October. I was planning on going down this year, but there was the writer’s strike and that was pretty bad, and there was an earthquake today in LA, so I knew it wasn’t the right time for it to happen. (He laughs) But October seems like a great time.

Don’t miss episode seven, “the Code, on “MVP” tonight on SOAPnet, Thursday July 31st at 11 PM ET/PT! And keep up with “MVP” by logging onto www.soapnet.com. “He Shoots … She Scores!”

General Hospital

WATCH: The Cast of ‘Studio City’ Talk On the Latest Five Episodes & The Making of the Critically-Acclaimed Digital Drama

It’s one of the most talked about digital dramas out there, with a look and feel all its own, containing smart, witty, and dramatic plots and dialogue, and stellar performances abound.

In Amazon Prime’s Studio City, the story about life on a soap in front of the camera juxtaposed with the often harsh reality of life behind the scenes, will have any fan of the genre getting a kick out of some of the very familiar soap tropes contained within balanced with the five-hankie moments throughout  And now, Studio City has dropped their latest five episodes picking the story back up from where it left off.

Michael Fairman chatted with the cast of Studio City in his latest interview for The Michael Fairman Channel on You Tube. Those taking part in this virtual conversation included: Sean Kanan (Sam), Sarah Joy Brown (Laurie), Tristan Rogers (Doc), Carolyn Hennesy (Gloria), Scott Turner Schofield (Max), Anna Maria Horsford (Jolene), and Justin Torkildesn (Jacob).  Ronn Moss, who also appears in the series playing a version of himself, was filming a movie during the scheduling of this chat, but his presence is felt when some hilarious moments featuring him and Sean Kanan were discussed.

Soap fans know these actors very well.  Kanan, Brown, Hennesy and Rogers have all, or are presently appearing, on General Hospital.  B&B fans recognize Torkilden, Horsford, Moss, and Schofield along with Kanan from their work on the CBS Daytime drama.

Getting a show up and running and then taped during the Covid-19 pandemic is no easy task as Kanan shared in the group interview.  As well, Anna Maria Horsford and Sarah Joy Brown share how they came to their parts and the rapid-fire pace in which their scenes were shot.  Tristan Rogers, who won a Daytime Emmy last year for his performance as Doc, gives another heartbreaking turn, and reveals his thoughts on the work he did, plus shares his remembrances of his late friend and GH co-star, John Reilly.

Scott Turner Schofield talks about how Sean and his wife Michele Kanan, two of the creators of the show, have given him and the transgender community a space with Max’s storyline in Studio City.  GH favorite, Carolyn Hennesy shares how she crafted her role of Gloria, the executive producer, after Jill Farren Phelps, and Daytime Emmy winner Justin Torkildsen shares how he wound up with a part in the digital drama and the scenes he shares with Hennesy.

You can check out the full Studio City cast interview below.  Then let us know, have you checked out the series? What have been your favorite moments and performances in it? Let us know in the comment section.

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Interviews

Y&R’s Mishael Morgan Talks Amanda’s Gut-Wrenching Scenes With Her Mother, Romance with Devon & Vice-President Kamala Harris’ Historic Moment

Since Mishael Morgan returned to The Young and the Restless as Hilary’s twin, Amanda Sinclair, it’s been a slow burn for the character.  However, recent revelations of Amanda’s childhood past have exposed the emotional wounds and the inner fight of this legal eagle, who is now poised for a romance with her late sister’s husband, Devon Hamilton (Bryton James)!

And who better to take on the challenge of trying to make Amanda and Devon a couple to root for then the talented Morgan.  In recent scenes, viewers watched as Amanda learned the harsh reality from her biological mother, Naya (Ptosha Storey), that she gave her and her sister up at birth and never really regretted it! Mishael played those scenes as you would expect for all they were worth and then some.

Michael Fairman TV chatted with the Trinidadian-Canadian Morgan, as the United States marked Martin Luther King Day on Monday – a holiday that holds a special place for her – and then the inauguration of Joe Biden and Kamala Harris as President and Vice-President of the United States on Wednesday and its historical significance.

 

While Mishael shares her thoughts on these moments of our time, we also do a deep-dive into how she created a second life in Genoa City and the challenges of playing a twin and making her unique and different, plus what fans should look forward to in the months ahead, which to us looks like it could be a love triangle between Elena (Brytni Sarpy), Devon, and Amanda.  And, as the second anniversary of the death of Kristoff St. John (Neil Winters) is fast approaching, Morgan opens up about the impact her former co-star had on her daytime career.  Here’s what Mishael had to say about it all below.

Photo: AP

Yesterday was such a historic day watching the swearing in ceremony of Kamala Harris, as Vice-President of the United States.  She is the first woman, first Black woman, first Indian woman, so many firsts to hold this office.  I just wanted to get your thoughts from watching it.  What was it like for you?

MISHAEL:  For me it was such a beautiful moment, and such a defining moment because now there is no person in America who can feel like they can’t do it all, that they can’t make it to the highest level of office, or at least one of the highest levels of office.  I think that is going to transform this country and the world in many ways because the rest of the world really does pay attention to American politics, and to what goes on in America.  I think it will really have a ripple effect throughout the entire world.  For me, it was so exciting to see this moment actually come to fruition because I think that the impact is even greater than we all could imagine.  You never know who you’re inspiring.

Photo: Hustory.com

It was really amazing, and this was also right after Martin Luther King Day and I know you produced your “I Have a Dream” Project.  How was the holiday for you?

MISHAEL:  It was funny because even though I did the MLK project, I didn’t really think that it was something I could really explain to my son.  Then, yesterday my son really wanted to know: “What was Martin Luther King Day about?  Why was it a holiday?”  It was so interesting because I had to come up with a way to explain it to a five-year-old, and what I came up with was so basic but so true.  I just said, “This was a day when Martin Luther King, a very famous man, who was famous because he stood up for everybody’s rights, and he marched to make sure that everybody can do the same things in this country as everyone else no matter how they look,” and that’s what he was.  He wasn’t just a champion for just Black lives.  I think he is a champion for equality, and he is a champion for making sure that we always remember to see each other the same.

Is that what inspired you originally to do your project?

MISHAEL:  Yes.  100%.  I remember being inspired by Martin Luther King as a child when I was learning about him for Black History Month and stuff like that, and then when all of the social unrest happened, I just remembered him again, and it was something that I wanted to explore.  When I started reading about him again, I just became so inspired by him all over again that I wanted to do something, and that’s what really inspired me to do the “I Have a Dream” Project.

Photo: Getty

I just hope that we will make strides in our country in stomping out systemic racism – it’s such a deeply-entrenched issue in our society.  A lot of people talk, but we need action to bring change to the system.

MISHAEL:  That’s the thing, I think that this moment, you can’t stop – like the moment when Kamala Harris got sworn in as our Vice-President – you can’t stop the train now because strides will be made that the next generation will look at as normal, and of what it means to be a Black woman or a woman in this country is going to change forever.  It’s the next generation that is really going to continue to move it forward.  So, I think that at the end of the day.  This will always be something that’s remembered.

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Now on to Y&R, I wanted to tell you that these performances that you gave that recently aired were just great.  I always love it when they give you the ball.  How did you feel about the scenes and the storyline, where we learn the deep pain and hurt of Amanda’s childhood and the truth from her mother?

MISHAEL:  I was so excited to play it because for me, I really love telling human stories.  I love diving into that part of myself, and I really know that a huge part of why I am an actor is because I just have this outpouring level of empathy for every life that’s lived.  When I talk to people, and they tell me their stories, I want to take it on because I want to show that beautiful side of humanity.  So being given this story, I wanted to be very careful with it, because I knew that this is a reality for a lot of people.  I also thought about the fact that twin stories have always been done before, paternity stories have been done before, but I have to make sure that it comes from a truly honest place inside of me and a truly empathetic place.  I was excited to take on the challenge to be true to myself, and be true to my artist, and just find the beauty and the honesty in this real human story.

Courtesy/CBS

Ptosha Storey, who played your on-screen mother, Naya, was amazing in the scenes with you.  What was it like working with her and the gravity of it, where this woman is basically unapologetic that she didn’t want her children and she gave them up, and she did not sugar-coat it.

MISHAEL:  Ptosha was amazing.  I loved working with her.  We really got to kind of know each other a little bit.  She has such an interesting story about coming to LA to pursue acting, taking a break from it, (and I don’t want to speak for her), but then really going full-throttle right now when Black, female characters are being played, and she’s getting an opportunity to get back out there and do what she loves to do.  Just listening to her story was so inspiring to me. We had a true respect for each other when we got on the stage, and I think we made some art.

Photo: JPI

It was almost like watching a two-person play in those scenes.  What did Amanda feel at this point?  Was she hoping that her mother would say, “I loved you.  I wanted you?”  Was she hoping for a different outcome in her head?

MISHAEL:  I think anybody who goes into a search for their parents is hoping for a positive outcome.  I think for her, it was heartbreaking to hear that if Naya could go back and do it all over again, she would have made the same choices, and also knowing that those choices really impacted Amanda’s life in an incredible way.  I don’t think that all of it has come out yet.  I think a lot of the pain and hurt that she had to go through as a child, and the loneliness that she had to go through as a child, and hearing from a mother that she would put you back in that situation because it was more comfortable for her, and the level of selfishness is hard to take. Then there is the anger and everything that would come out of hearing that from your biological mother.  It’s funny because the way that those scenes were scripted, there was no stage direction, which to me, I love, because a lot times it will say like, “in this moment she is going to get a little angry,” or, “in that moment she is going to be sad,” but for those scenes, for some reason (and they were really juicy scenes) they really didn’t give much direction. I appreciated that because then it really allowed me to really just make the scene what I thought it was and just really live in the moment.  I know this was a roundabout way to answer the question, but yes, it was very heartbreaking because nobody expects that somebody would say that to them.

Photo: JPI

It was just so heartbreaking.  I kept thinking, “Maybe she’ll…” but no, Naya just stood her ground on it even though Amanda grew up in a foster home.  She wasn’t the “chosen” twin either!

MIHAEL:  No, and she was never chosen, and I think that’s an interesting thing that you said because she was never chosen, and I then even to this day, as a grown woman, she still isn’t chosen, and that I think is heartbreaking.  It’s an interesting thing because I do happen to have a bit of a personal experience with this.  My father wasn’t in the foster system, but he was raised… kind of farmed out to two aunts as a young child and didn’t really get to have a relationship with his parents until he was older, and with his mother, until he was in his 20s.  So, it was so fascinating watching my father.  I just remember always looking up to him and thinking he was so strong, and so powerful, and never cared about what anybody thought, and because of his upbringing, it made him a very driven person, very much like Amanda, but there was a weird sense of wanting to be good enough when his father was around, or when people talked about his father.  It was very fascinating for me to watch that.  It was like I would see my father almost turn into a child again, just wanting that love.  I think it’s because that is so organic to who we are as human beings that it just never goes away, that need to know that your parents love you, that there are two people in this world who no matter what will be there for you, and they will love you.  That’s a hard reality to come to when you realize that’s not true.  I think that’s something that’s really hard for the human spirit to let go of.

Photo: MMorganIG

Yes, and I think what you are saying is also true that you realize as an adult that we are so deeply affected by our childhood and how it plays into our choices, or how we perceive things that happen in our lives.  So, when you think of that, and because you’re a mom, doesn’t it make you feel even more that you want to do right by your kids? That you don’t want to do anything to screw them up in their later years?

MISHAEL:  Yes, it’s true.  It does make you want to be the best person for them and the best example, especially the best example for love.  You want them to feel accepted, and appreciated, and proud, and you want them to know that you’re proud of them.  You want to do everything you can because you think of every single person you may have met who felt like their parents didn’t love them enough, and you want to do every single thing to make sure that your child doesn’t feel that way.  I talked to one of my friends, and they’re like, “My parents never told me that they were proud of me,” and I’m like, “Alright!  Well, Niam, I am so proud of you!” Every day, “I am proud of you!  I am proud!”  It’s like every day I better make sure to tell my kids that I am proud of them, and that I love them.  I was talking to Bryton James about this because I had a disciplinary moment with my son, and you wonder if they are going to take it the way that you take it, but at the end of the day, that might get burned into his memory as “the worst thing that my mom ever did to me,” and meanwhile I thought it was a life lesson that I think he learned.  You kind of have to get rid of that fear that you are going to screw them up because I think it doesn’t matter.  You’re either going to love them too much, or you’re not going to love them enough, and you just have to do the best that you can, and you just hope that it’s good enough.

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Now, you were brilliant as Hilary on Y&R and had this amazing story send-off, and then you came back to the show as Amanda, a new character.  How has it been to try to define Amanda as her own character without the ‘Hilary-isms’, or does it not matter anymore?  Do you feel you have made the distinction for yourself that they are two very different characters?

MISHAEL:  I feel like now they just are different.  It was active choices that I was making in the beginning, and it was important for me in the beginning.  That’s why, for me, when I was bringing Amanda in, I was trying to stay very steady in my tone and how I spoke because Hilary was very, very up and down, and everything was all over the place.  So, for me, that was my beginning moment, just really focusing on how Amanda spoke and how she conducted herself. I can’t change the way that I look, but I feel that the way that I speak and the way that I carry myself will naturally start to define the character.  After a while, when that becomes more second nature, I feel like more of the character comes through … more of how she is and how she takes things in.  That’s just sort of explaining a bit of my process. It’s just the weirdest situation that I never thought I would ever be in, but I definitely feel like a different character for sure!  I do feel like I know who Amanda is now.  In the beginning, when I read the script, all I heard was Hilary.  I really had to think about how I was going to say things because I didn’t want it to sound like Hilary, and now when I read the script, I see Amanda.  I don’t hear Hilary anymore.  It’s become easier for me now to lean more into the role and get more comfortable with it.

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Amanda had said to her mother that she was also robbed of her sister.  How does that play into her whole psyche?  She does know that Devon was deeply in love with her sister, and now she has feelings for him too.  Did she want to meet her sister?  Does she feel robbed of that?

MISHAEL:  She feels very much robbed of that.  For me, it was very important that the time when she discovered that Hilary was her sister and that Hilary was gone, that I’m playing that loss properly.  It was important for me because if you couldn’t believe that Amanda’s heart is truly breaking for her sister, then you can’t believe anything else that’s coming afterwards.  This is a really defining moment for me as an actor playing two characters on the show.  It was really important, leaning into the fact that I had a twin, and I’ll have a connection to a person who doesn’t exist anymore, and really letting that break my heart, and break Amanda’s heart.  Once the audience believes that, then they can really believe that Amanda is a different character.  Then, our amazing fans will start to just buy into it, and they will figure it out, and they will work it out, and they will wrap their heads around it, but for me, it was that they had to believe that Amanda’s heart is truly broken for Hilary, otherwise we can’t hook them.  Amanda and Hilary have to become two separate characters in people’s minds.

Right.  So, after the confrontation with her mother, she runs to Devon, and she is torn up, and he consoles her.  This week he asked her out on a date.  She likes this guy, right? 

MISHAEL:  Yeah, I think she does!  He’s the first person that she met when she came to town, and I think she’s always been impressed by how he treated her even when he hated her, and the more that she learned of him, the more she became impressed by who Devon was, and his patience with all of this. In seeing his vulnerability with Hilary, and everything that he went through, and then seeing his heart being broken because of Elena and Nate, I think all of it together is starting to give these two characters reasons to be okay with exploring something that may seem strange to other people, but you can’t control who you love sometimes.

Photo: JPI

Hilary and Devon were such a hugely popular couple.  Do you feel pressure to hit lighting in a bottle, twice?

MISHAEL:  It’s really hilarious because we’re the same people!  Yeah, there is a little bit of pressure because you do wonder if you’re going to be able to create the same magic, especially because Bryton and I have known each other for so long, and we know each other so well now.  Looking back at some of the Hilary and Devon scenes, there is something that is so interesting about it and fun about it because I think Bryton and I were just getting to know each other at the same time.  So, wondering if we are going to be able to recreate that and just make it feel fun and fresh, I think is the worry or the challenge.  I think we will figure it out.  Bryton and I were talking, and the one thing that is missing, or the one thing that we have to get to in terms of the underbelly of Amanda and Devon’s attraction is that Amanda is more like Devon than Hilary ever was.  It’s almost like Devon realizing that the whole journey with Hilary was meant to happen just so that he could meet Amanda.

Isn’t Amanda going to be kind of worried that he was so in love with Hilary and the way that she looked…

MISHAEL:  Well, she doesn’t need to worry because Hilary is dead anyway.  It’s not like she’s coming back!  (Laughs)

Photo: JPI

Since the last time you played an on-screen relationship, Bryton is with Brytni Sarpy in real-life, and Brytni is on the show now, and there is all of that.  What has that been like working with Brytni?

MISHAEL:  Oh, I’m so Canadian!  As soon as I got back to the show, I was like, “I’m so sorry,” and she was like, “Why are you sorry?”  I said, “I just feel very sorry that I’m here.  You guys have your real-life love thing going on, and your on-screen love… I feel weird.  I’m happy to be back on the show, but I’m like breaking up the party!”  She’s like, “No!  It’s fun!  It’s fine!  Maybe we’ll be rivals!”  I’m like, “Yeah, okay it’ll be fun!”

I can see a classic soap bitch-fight on the horizon on Y&R!

MISHAEL:  Brytni has been awesome about it.  That’s been great.  We don’t know where it’s going to go, but it’s going to be fun.  They’re also playing with Devon’s love for Elena still.  They still have a pull.  Devon is still looking at Elena.  So, I think it’s going to be interesting either way.

Photo: JPI

We are going to have the fan wars again for the couples!

MISHAEL:  That’s even more fun!  I always said I’d rather people be fighting for me to be with this person and that person as opposed to just always with one person because then to me, I kind of wonder, “Is it just this one actor who makes me better?”  I want to be an actor who makes everyone better!  That I can work off of anybody and get that chemistry or that thing that audiences are looking for, that’s what I really challenge myself to do.

Photo: JPI

On February 3rd, it’ll be the second anniversary of Kristoff  St. John’s death, which is hard to believe that it will have been 2 years already.  I keep remembering when I first met you.  Kristoff and you were on The Price is Right, but it was also a crossover for your characters, and you were the new girl on Y&R.  Do you still feel his presence at Y&R?

MISHAEL:  A few days ago, I had asked Bryton, who is s actually in Kristoff’s old dressing room, “Do you ever feel Kristoff in there?  In your dressing room?” and he’s like, “No, not really.  Definitely not in my dressing room, but on set sometimes.”  Even though he’s not here, it’s like he’s still with us because you still see him in pictures and sometimes that happens while you are on set doing a scene.  One time, I was on set doing a scene with Christel Khalil (Lily), and I saw a picture of Kristoff in the background, and it’s just kind of a reminder that I think he is always going to be here in terms of his impact on me and my time on the show.  He means a lot to me because I think I am the artist I am largely because of his influence, and how he really took me under his wing and made me feel so comfortable.  He was such a light, and he made acting so fun, but he always had your back as an acting partner and as friend, and I miss him a lot.

Me too.  He was just a wonderful actor too, when you look back on some of the work.

MISHAEL:  Oh my gosh, yes.

Photo:JPI

What does Amanda think of Naya’s other daughter, Imani (Leigh Ann Rose)?

MISHAEL:  She’s just irritated by Imani because she basically got to live the life that Amanda should have had essentially. To watch her be up on her high horse to Amanda, it’s laughable because the amount of hoops and obstacles that Amanda has had to go through to get to where she is standing today, somebody like Imani is just a complete joke to her! In Amanda’s mind, she is who she is just because of the opportunities that she was given and because of the family that she was born into.  It was complete luck, and it had nothing to do with hard work.  In Amanda’s eyes, everything that she is and every ounce of who she is, is because of her determination, and the choices that she made, and the obstacles that she overcame.  So, the way that Amanda looks at Imani is like she is just a person who she doesn’t even think could fathom how insignificant Amanda thinks that she is.  There is a deep-rooted resentment for Imani because I just think that Amanda has been through so much.

Would you like to have more scenes between Amanda and Naya and Imani?

MISHAEL:  Yes.I want more scenes with both of them!  Both of them are so amazing.  So, I’d love to work with both Imani/Leigh-Ann and Naya/Ptosha again.

Photo:JPI

What can you say to the fans to look forward to?

MISHAEL:  I think I would say that Amanda coming to Genoa City was a really big surprise, and I think that those surprises will continue … ff we want to be as vague as possible! I think there are a lot of things to look forward to because this relationship with Devon is definitely going, and I think it will be interesting to watch how Bryton and I figure that out, which will be fun!

Photo: JPI

Big surprises? Hmm.  Are you going to tell me that there are four of you? That Naya really gave birth to quadruplets … and you are about to take on two more roles?

MISHAEL:  Well, you never know!  That’s all I’ll say!

So, what did you think of Mishael’s recent performances where Amanda met her birth mother? Are you rooting for Amanda and Devon to wind up together, or Devon and Elena? What have you thought of Amanda Sinclair vs. Hilary Curtis Hamilton?  Share your thoughts via the comment section below.

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Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. https://members.sagfoundation.org/donate 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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B&B’s Matthew Atkinson chats with Michael Fairman about the wild ride of the Thomas/Hope Mamnequin storyline currently on The Bold and the Beautiful.Leave A Comment

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