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THE DILLON CASEY INTERVIEW – MVP

Listen to the audio:

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MICHAEL:

In tonight’s episode of “MVP,” the Mustangs hockey team goes on the road and all hell breaks loose when Trevor goes wild with the “ Puckbunnies”! It seems like viewers have slowly been watching Trevor’s turn to the dark side. I actually think it started with him driving the Escalade through the car dealership storefront? Do you think that was the turning point?

DILLON:

After the incident when I drive off in the Escalade, there is a moment in episode six that you don’t really expect of a guy like Trevor, but he does it anyway. He finally hooks up with Molly.

MICHAEL:

But, you enjoyed that episode?

DILLON:

Yes. That was a great episode. The thing about it was, it was all improvised. They didn’t really want me to drive through the window. I did that and they happened to catch it on camera! (He laughs) The thing about Trevor is, in previous episodes, when you watch him; he is getting pulled in all these different directions. He pretty much is letting people take full advantage of him and you don’t understand why. He is just this guy who wants to please everybody, and finally, he has had enough. He is tired of doing what everyone else expects of him, and he finally has enough. They want him to buy a Mustang and he says, “I’m not buying a Mustang.” So, he gets in the car and pulls out of the dealership window, and the sales guy makes a racial slur to him, and that was the icing on the cake.

MICHAEL:

Now, you had highlights in your hair that you were cutting off in the mirror because your character was getting fed up. That was shortly before driving the Escalade through the dealership storefront. It seems Trevor may need some anger-management! But, how did the hair highlights come about in the storyline?

DILLON:

What we did in that episode was my agent wanted to give Trevor a makeover… to give Trevor more of a media friendly image. They had him doing the underwear ad, which he did, and that did not end up turning out so well. Well, I guess it did. (He laughs) Basically, his agent catches him off guard and tells him. “We have a cereal company and it’s going to be great.” You know, Trevor is this kid from Loon Lake, and in the morning he is the kind of guy that throws on whatever is in front of him, and he never has really had to think about how he gels his hair. He has a sort of ‘get up and go’ mentality, and all of a sudden, he has this agent telling him how to dress, how to talk to people, and what to do with his hair. There is a part of him that knows that something is up, especially when he walks into the locker room in a suit. “Team Trevor” put the highlights in his hair. I did not dye my hair in real-life. They put in extensions and blonde clips, and red clips.

MICHAEL:

So you don’t like colorful extensions?

DILLON:

It’s not really my style. That’s kind of the point. They were supposed to look ridiculous. It was funny!

MICHAEL:

Was it fun to take Trevor to the dark side?

DILLON:

I always looked at Trevor as a guy who is between Gabe and Damon. I would look at Peter Miller’s character of Damon and think that is the most fun character to play on the show. The bad guy is always the most fun. When Trevor goes to the dark side I get to be more like Damon Trebuchet. So, the scenes were a lot of fun in episode 7. My favorite scene coming up has Damon and Trevor partying. At this point, Trevor has decided to become Damon. He goes to Lagoon, which is the “MVP” version of the Playboy Mansion, and it’s no holds barred for Trevor. He is just a kid in a candy store. He is a young Damon Trebuchet, by this point.

MICHAEL:

Moving forward, will Trevor Lamonde fans get to see their young hockey superstar redeemed?

DILLON:

Again, I can’t give that all away, but I can tell you there is an arc to the character and he does do a lot of things that he regrets, and it’s a turning point. There is a strong one coming up that is very interesting to see!

MICHAEL:

What are Trevor’s true feelings about the girls in his life, Molly and Tabbi?

DILLON:

Tabbi is the girl that he loved. She is his first love. She is the girl he grew up with in Loon Lake; she was there before all the fame and distraction. When Trevor gets out there into this world, there is all this temptation, and of course, the number one temptation that is out there is Molly. Molly is Trevor’s sort of ‘fatal attraction’.

MICHAEL:

She is so obvious in her seduction of Trevor, though!

DILLON:

She is so obvious, and she is so good-looking, that what guy wouldn’t like being charmed by a girl like Molly. So Trevor is not fighting it. He is also young and naïve about things like that. Then, Tabbi shows up with her Nana. Trevor is just trying to be a young kid experiencing all his success, and his girlfriend shows up with her grandma. He feels it’s preventing him from what he wants to do. There is a backlash to that. However, cheating on Tabbi with Molly was not a good call, by any means. The audience should not let Trevor off the hook for that one. When it comes to Molly, I think it was wrong that she was all over him, and Trevor just didn’t know what to do.

MICHAEL:

How was working with Natalie Krill, who plays Molly, and Anastasia Phillips, who plays Tabbi?

DILLON:

I would always hit on them relentlessly, but they both had boyfriends. It was great! We were all really great friends, and it was funny to know that Anastasia, who played Tabbi, and I found out we had a lot of friends that we both went to university with. So, we had a lot in common with mutual connections. We were immediate friends. Natalie and I had the same sense of humor. We got along really well, and all of it was good. Everybody on the set got along so well, and that is one of the saddest reasons for it being cancelled, because we were all such good friends. It was sad to think that we would not all hang out again.

MICHAEL:

Was there a scene or moment when you thought, “I was really good in this,” or one that you’re most fond of?

DILLON:

Literally, my favorite is a minute or two long scene where I silently sit there and stare at women in episode seven. It was my favorite scene and it came very natural for me (He laughs). There was another great scene with Peter Miller, where we are partying really hard, and it was a lot of fun because they did not yell, “cut”. We just finished and improvised for an extra two or three minutes, and it was so funny!

MICHAEL:

We hear you are working and studying with the famed comedy improv group, Second City, up in Toronto. Is that true?

DILLON:

I am doing the Second City conservatory. Comedy is my number one passion, and where I would like to go. I love doing Second City. It’s so much fun! I have been doing it for two years, and so have my brothers. There is a big improv scene in Toronto, and it’s so much fun and such a rush.

MICHAEL:

Was it hard to play the country bumpkin that Trevor was, to turning into the guy seduced by power, women and money?

DILLON:

You know what I found difficult was when I would think, “Why would anybody in their right mind let anybody do this to them, and take advantage of them in this way?” But, I guess for anyone from a small town going to a big city, things start to happen. Pulling off the character was a lot of fun. It was fun having such opposites on the show. The guy coming from the small town, and then having the guy have everything, was not hard to do.

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MICHAEL:

Now, being the half-naked poster boy in Times Square on the billboard, and with all the SOAPnet promos, how is that experience for you? You’re half-naked in your underwear, so what were your thoughts?

DILLON:

First of all, I am way more than half-naked! When we took those pictures I did not know they were going to be on a billboard at all. I got a phone call that said, “We just want to run this by you, that you are going to be on a billboard we are printing and it’s going to be in Times Square. I went, “Oh, oh, well that’s cool. I did not know how to respond. Then, people were calling me asking if I was going to go down and see it. Then my dad really wanted to go, so we went down to New York City, and we told SOAPnet we were going, and they brought the camera out. I did not know how I was going to react. I did not know if I was going to see the billboard and be overly excited and go nuts. It wasn’t really that. I looked at it and I was happy, and it was really cool. It was surreal, if anything.

MICHAEL:

So, I’m sure what’s come out of that is, you are now on “The Sexiest Men list”, all over the world, and a sex symbol to people. How does that feel?

DILLON:

What’s strange is a lot of this has happened so fast. This whole thought of being a celebrity doesn’t exist as powerfully in Toronto, as it does in LA. There is definitely a sense of it. If I am talking to somebody and they are not really saying anything, and there is not a lot of eye contact, they will go, “Why is your friend being such a jerk to me?” And my friends say to me, “Dude, they are nervous talking to you!” I don’t think of myself in that way, but it takes my brothers or my friends to point it out to me. People that recognize me the most are other actors. They will come up to me and say, “Hey, congratulations on the show. I have never seen a show like that come out of Canada.” That’s really good to hear. The billboard itself is also great Second City material, for them to make fun of me. Just like after a class or show, people will want to go to a bar and I will go, “How about this bar?” And they will always joke, “Oh, just because he is on a billboard in Times Square we have to go to that bar!” OK, ‘Mr. Celebrity and Mr. Times Square’. Overall, I would not say my life has changed.

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MICHAEL:

Is it true that in the audition a lot of guys had to take off their clothes or their shirts, or something?

DILLON:

Well, I don’t know what anybody else had to do. My first audition was a regular audition where I had to do some lines, and felt pretty good about it. Then, I got a call from my agent saying that I needed to go back to the auditions. So, I went back and the directors and the casting directors were there. I did what I did before in the other scene, and then they go, “OK. Now that was great, but now we are going to do another scene where your character is asked to do an underwear ad, and have these pictures taken of him, where he screams like an animal at the end.” So I was like, “OK, that sounds good.” They go, “No, no, you have to take your shirt off. This is an underwear ad.” I go, “OK. I guess I will do that.” I had to for my callback. So, the way I got the part was taking my shirt off and screaming, and they gave me the part.

MICHAEL:

To be in shape like you are, how often do you work out?

DILLON:

I go there five times a week. I grew up in competitive sports. I was a tennis player and quit that when I was 10 years old. I was a member of a gym, and I am a pretty anxious guy. So, I started going to the gym after I stopped playing tennis. With all this extra energy it just became a habit.

MICHAEL:

So, since “MVP” centers around hockey, and Canada is famous for it, are you a hockey buff in real life?

DILLON:

To be honest, I am one of those guys that when the playoffs are on, and if Toronto or Montreal is in the play-offs, I will watch. But, I don’t really care that much and I am not ashamed to admit it. All my friends love it. To be honest, I think there is too much of it up here. I wish Canada would pay attention to some of its other athletes, because there is no reason we should not have amazing tennis and baseball players. I love hockey and I love how Canadians love it, but we are a big country and there should be more variety here.

MICHAEL:

What would people be most surprised to know about you, that they wouldn’t expect from a guy like you?

DILLON:

I think, Second City. I have a production company with my brothers and we have two series in development now in Canada. We are all writers and producers, and also I think what surprises most people is that I have a Masters Degree in Economics. That is surprising to me. (He laughs) So, that is why I think it would surprise most people.

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MICHAEL:

What made you go into acting?

DILLON:

The bigger question is what made me get my Masters in Economics? Acting was actually a fallback if this ‘economics’ thing didn’t’ work out. It was in my third year at the university that I realized I liked acting. I applied for my Masters, and then I went to audition in Toronto. I landed a big job in a show during exam time in April called, “Eleven Cameras” and it was my first big role. Then, that put me in the position that I could audition for anything in Toronto. Right after that, I auditioned for “MVP” and I got the part of Trevor Lamonde. Since then, I have been acting full time as much as I can. There are ups and downs with whether you are working. It’s either a lot or not at all.

MICHAEL:

Would you consider a move to Los Angeles at this point, or are you planning on staying in Canada right now?

DILLON:

I have duel citizenship to the States and Canada. So, I definitely will be moving to Los Angeles at some point. Right now the plan is October. I was planning on going down this year, but there was the writer’s strike and that was pretty bad, and there was an earthquake today in LA, so I knew it wasn’t the right time for it to happen. (He laughs) But October seems like a great time.

Don’t miss episode seven, “the Code, on “MVP” tonight on SOAPnet, Thursday July 31st at 11 PM ET/PT! And keep up with “MVP” by logging onto www.soapnet.com. “He Shoots … She Scores!”

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General Hospital

GH’s Tamara Braun Talks On: Kim’s Plight With Her Son Oscar, Her Relationships With Julian and Drew & Coming Home To Port Charles

When Tamara Braun stepped back on to the canvas of General Hospital back in November of last year, the one-time and wildly popular Carly Corinthos #2 was now taking on the role of Dr, Kim Nero – a single mom of a teenage son (who is very protective of him), top-notch gynecologist in the medical profession, and a woman with a past with Drew Cain (Billy Miller). It was eventually revealed that Drew is her son Oscar’s (Garren Stitt) biological father.

Now as viewers have seen on recent episodes of the ABC soap opera, Oscar’s life looks like it could very well be cut short after the story shocker that now has the young teen diagnosed with an inoperable brain tumor from cancer.  Kim had kept the truth from her son until he confronted her upon learning the news on his own (with an assist from Cameron) and putting two and two together.  This sets the stage for some difficult and heartbreaking moments ahead.

As for Braun, she rose to the top as one of soap operas most critically-acclaimed actresses after having the challenging task of taking over the role of Carly #1 in 2001 from three-time Daytime Emmy winner, Sarah Brown.  Tamara not only met this challenge, but made Carly her own scoring an Emmy nod along the way.  After departing GH in 2005, Tamara returned to daytime in 2008 in the role of Ava Vitali on Days of our Lives, which indeed earned her an Emmy.   Next, she headed to Pine Valley and All My Children to take on the role of Reese Williams, the love interest to Bianca Montgomery (Eden Riegel), who eventually married from 2008-2009.  Tamara even came back to DAYS for awhile in the role of Taylor in 2011, and later reprised the role of Ava in 2015-2016.  With an impressive resume, GH is lucky to have her back and Braun finally felt the time was right to take on a new role on her first soap home  upon her return in 2017.  Viewers hope that they get to see more of those emotionally raw, honest performances that Braun is known for as more layers of Kim are revealed,

Michael Fairman TV caught up with Tamara to get her take on: the latest storyline involving Kim, Oscar and Drew, where Kim’s relationship with Julian Jerome stands, and how she feels it’s important to shed light on causes of the day needing our help and how we can all ultimately live in a kinder, more thoughtful world.  Here’s what Tamara had to shared below.

In the episodes we saw last week, Kim had no choice but to tell Oscar the truth. What have you thought about this whole story where now Oscar is hating his mother, and upset with her, when she did not come forward with the truth about his medical condition to him, because in her mind she was protecting him?

Courtesy/ABC

TAMARA:  Yes, that was reasoning.  She did all of this to protect him so that he could have a normal teenage life without all of that hanging over his head.  What do I think of it?  I think that it has been hard for me, Tamara, to play.  It has been hard for me to wrap my head around why a physician would not tell her son that he’s ill.  It’s also been hard for me to wrap my head around because the way the writers have made Oscar and Kim’s relationship such a beautiful one that has been seemingly full of honesty and openness, that they can really talk to each other, which is one of the things that I really like.  In terms of the storyline, what it does do is create conflict which is what’s needed in shows.  Things can’t be ‘happy, happy, joy, joy’ all of the time, so it’s created conflict for Oscar and Kim and now Drew, because Kim dragged him into keeping the secret too for a little bit. 

Courtesy/ABC

We just also learned that Kim’s reasoning to come to Port Charles in the first place was indeed because of Oscar.

TAMARA:  Like Kim said, she came because she did an ancestry report, and it turned out that he has relatives in Port Charles.  So, she wanted for them to get the opportunity to know him and him to get the opportunity to get to know them.  I’m sure we will learn something about Kim’s past which would explain why in her mind she felt this was the right thing to do.  We know that it seems like a very controlling thing.  As a mother, take the physician out of it, I still think that Kim would have shared his diagnosis with him, but I don’t think one ever knows what they would do in that situation.  You think you know what you would do, but perhaps she felt that she could control it; she could figure it out.  Perhaps, Kim felt that because she is a physician she’ll find some answer, and she’ll be able to fix it.  These are the questions, and these are the things that as an actor, I have to put in my head because it’s not what I believe I would do.  It’s not even what I believe the character of Kim as I knew her would have done, but it’s what the writers have written.  So, they have to have a reason, and I think that it has got to be more than just to create conflict.  That’s what stories rely on.  It’s soap, and a lot of people on soaps have to do crazy things and find out ways to justify them when they seem out of character.

You’re right.  Kim and Oscar had a very open relationship.  Yes, she was a “controlling mother,” if you want to say that, but they were honest with each other.  Garren Stitt has been very endearing in the role.  What can you say about working with him?

TAMARA:  I just adore Garren. I have adored him from the minute I met him.  I think he’s a lovely, sweet, kind person, and I feel so fortunate to get to play his mom.  I really do.  I think he’s wonderful, and I’m lucky.

Photo Credit: JPI Studios

Now as to the situation with Drew, Kim truly did not know he was in town when she got to Port Charles, right?

TAMARA:  Correct.

What does she feel towards Drew now, and does this situation ultimately draw them closer together?

TAMARA:  I think it absolutely draws them closer together, because now they have to deal with Oscar.  Because once Kim accepted Drew back into their lives (she thought he was dead long ago), she opened up her arms to him in the capacity of being a father for Oscar.  Kim has had to deal with everything with her child all on her own for fifteen years.  It’s just been the two of them.  So, I think that at some point it has got to be difficult to allow someone else in to help make decisions, and to lean on, and to co-parent with.  I think it was difficult at first, but I think now she is grateful to have him to share it with, even though they may not see things eye-to-eye all of the time.

Photo Credit: JPI Studios

Do you foresee Kim and Drew, at any point, growing closer romantically?

TAMARA:  I don’t know.  It’s not looking like that.  It’s looking like a nice friendship and one that is very caring and understanding, but as of now, I don’t see hints of it.  You never know.  As you know, it’s a soap.  Anything could happen.

How has it been working with Billy Miller? He has also done some wonderful work as the devastated father.

TAMARA:  It’s been great.  The last few scenes that we had to do, there have been those special moments you get as an actor where the angels are just with you.  It all just kind of connects and flows together.   I think we’ve been lucky to have gotten a few of those as of late, and that’s been really nice.

Courtesy/ABC

In story, it was revealed that Oscar could enter an experimental trial that could help his tumor and the cancer, is that what Kim wants her son to do?

TAMARA:  Absolutely, because she feels anything that could possibly save his life or give him more time, she wants for him.

I also like that they made Dr. Terry Randolph (Cassandra James), Oscar’s pediatric oncologist.

TAMARA:  Yes.  Cassandra is really lovely to work with, and she’s just a lovely human being as well.  I’m fortunate right now.  I get to work with some lovely people.

Courtesy/ABC

Do you think Kim’s going to let Julian (Will deVry) know about what she is dealing with?

TAMARA:  Julian does not know.  Oscar doesn’t want anyone to know and especially Julian.  He wants his mom and dad together, so he’s decided not to let Julian know.  I think only for those reasons.  Kim really didn’t honor Oscar by keeping this news of him being ill from him, so she has to honor him in his request not to share this with Julian.

Is Kim aware of how Cameron (William Lipton) is trying to maneuver himself into a relationship with Josslyn (Eden McCoy)?  Does she understand what’s going on there? 

TAMARA:  Kim doesn’t know anything about it.

Photo: ABC

Does Kim want Josslyn to be with Oscar?

TAMARA:  She does, because she knows that Josslyn makes Oscar happy, and to be happy, is what’s most important right now, because that also can help any type of recovery.  When we are happy, or are doing things that make us joyful, or raise our endorphin levels in a positive way, that’s good for health.  That’s good for recovery, and she wants her son to be happy.  What mother doesn’t want her son to be happy?  Especially now, with everything going on.

Kim was having an issue that Elizabeth (Rebecca Herbst) and Franco (Roger Howarth) knew about Oscar’s prognosis.  Do you think she’ll be more lax about that now, or do you think she’ll be more even intense about people not finding out?

TAMARA:  I think she doesn’t want people to know because Oscar now knows, and he doesn’t want people to know.  I think that she wants to keep his confidence.  I think she doesn’t want anyone else to know because she needs to respect Oscar’s wishes.

Courtesy/ABC

Do you think that it’s possible that Drew’s twin, Jason (Steve Burton) is somehow the bio-dad of Oscar, and not Drew?  The character of Jason has a history of brain injuries and trauma.

TAMARA:  I never thought of that! (Laughs)  That would be a fun kind of plot twist!  I don’t think so because there have been lines a couple of times when Kim is with Jason and she says, “You know, you look exactly like him.  It’s kind of hard to wrap my head around that, but you act so differently.”   You know what?  Even if Jason did have a brain tumor, he is Drew’s twin, and Drew is Oscar’s father, so that does still genetically match and run in the family.  It’s an interesting twist there that you bring up!

I remember watching the episode where the audience learned Oscar was dying and I was completely shocked!   I had no idea where the writers were going with it after the seizure.  When the powers-that-be filled you in on what was going on, what was your reaction to that part of the story?

Photo Credit: ABC

TAMARA:  Illness in any form on a soap gives you something to play.  So, that’s good.  When they start saying in the dialogue, “terminal,” you’re like, “What!?” But then you also have people saying, “There’s always hope,” so, you never know where it’s actually going to go, or how the story lines will play.  I understand how people keep saying that it came out of the blue and they didn’t even hint at that.  So, I will say they did write a scene the day that Michael (Chad Duell) lost the baby, and I believe Sonny (Maurice Benard) and Michael were in the church. There was a scene that I was ready to shoot that day, and it was a monologue in the church.  It was after Nelle’s (Chloe Lanier) baby had died and after Kim and Nelle had scenes.  Kim goes to the chapel and she has a monologue talking to God, and it was a bit of a hint, but they had to cut the scene because the tape day ran long.  I didn’t even shoot it.  I think that had they had left it in; people would have been like, “Oh, that’s what that meant.”  I think now that I see the reaction of viewers and you’re bringing it up, that would have been the moment you could have gone to and said. “Oh!  That’s the moment.  That’s what she meant,” or when it happened, the audience have been like, “What’s going on?  What don’t we know?”  I think had that scene been in there, people wouldn’t have been taken aback so much.

Photo Credit: JPI Studios

So, what would you say the audience can look forward to with Kim coming up?  Are we going to see her with a lot of stress on her relationship with her son?  Do you see her holding it together, or falling apart? 

TAMARA:  I think probably all of the above… trying to pull it together, falling apart, a rift between them, trying to bring it back together, making mistakes, doing the right thing … I think it’s everything.  I think reality just smacked Kim in the head, and her son… but when you’re so closed and tight about something in life, and when you no longer have control over it… you’ve got your best-laid plans, and you know what they say about your best-laid plans.  (Laughs).  It explodes, and then you have to deal with the aftermath.  So, hopefully we will see some nuance in there.  I’m hoping for it.  Hopefully, we will see Kim and Oscar work through stuff because people make mistakes; people do the wrong things for what they think are the right reasons all the time.  If Oscar is dealing with an inoperable, terminal brain tumor here, then time is of the essence for them to get it together and come together.

Well, I hope that it’s hankie-inducing, poignant and does have those beats for you to play, and they don’t kind of skip story beats.  As you said, time is of the essence for them and there is, usually no matter what, an unbreakable bond between mother and son.

TAMARA:  I hope so, too!  We can keep our fingers crossed for that!

Photo Credit: ABC

What attributes of Kim do you like playing?

TAMARA:  Kim’s no pushover, which I do like about her.  She’s strong, but she’s a quiet strong.  She doesn’t come at somebody charging, blazing, knocking things down or with a baseball bat like Carly does.  She has strength as a woman, and it’s in a very different way.

Do you think Kim is in love with “Charlie” AKA Julian? 

TAMARA:  I think she loves him.  It’s been a long time since she’s been in a relationship.  Her primary relationship, for better or for worse, has been her son all these years.  She’s made him her number one and didn’t feel she had time or that there was anyone who was worth that time.  So, I think that with Charlie, or Julian, whoever the hell he is (laughs)…

… Wait! She knows he’s Julian, right? (Laughs)

TAMARA:  Yes, she knows, but she likes to call him, “Charlie” because of the bar.  It was a cute little thing from the beginning.  I think that he doesn’t pressure her.  It’s easy, it’s fun, it’s light, and that’s what I think she can handle right now.

How has it been playing the mother of a teenager?  Is that odd for you?  It seems like a bit of a jump.

TAMARA:  It seems like a jump from what people have seen me do for a long time.  If you think about it, the last time people saw me on General Hospital with a kid, it was Michael (formerly Dylan Cash), and I mean, not in soap terms, but in real life terms, he was playing I think 6 when he was 8, and now he’s 23 so he would have been playing 21 if he had stayed.

Courtesy: TBraunTwitter

Is it ever odd for you that you aren’t the character of Carly anymore when you see Michael and characters that you have shared and played emotional attachments with your first go-round on GH?  I would suppose as an actress you can switch that on and off, but what about as a person?

TAMARA:  Yes, as an actress you switch it off, but as a person Michael is not the same Michael.  I think if he had been the same because we were so close, and we were so connected it might have been more difficult.  If it were him on set playing him every day, I’d be like, “Hi honey!   Hi my son!”   He was so in my heart.  I think because it’s Chad Duell now playing the part, who is lovely and wonderful, there’s no history with us, and that made it really okay.   I loved Dylan as a little boy.  I still love him.  He stopped in at my fan event, which was wonderful!

When you think back on all of your soap roles, it’s pretty amazing what you’ve done. Although we hated the end of the Reese/Bianca wedding on All My Children, it was the first same-sex wedding, and was a landmark moment.  You were a part of it.  Forget what happened afterwards, but that moment was key.  When you were on General Hospital, you received a Daytime Emmy nomination for your performance as Carly.  And then there was Days of our Lives’ Ava Vitali!  You got to play the psycho.  You won the Supporting Actress Emmy for your performance.  Do you think Ava is somehow still alive? 

TAMARA:  I think she may be alive.   I mean, no one really saw.  They put a sheet over her and rolled her out.  You didn’t see her dead.  I mean, come on now.  Joey (James Lastovic, Ex-DAYS) can strangle, but I don’t know that he’s that strong.  Ava’s got some fire in her.

Photo Credit: JPI Studios

Such a great role!

TAMARA:  I have been really, really blessed to play very strong or pivotal or interesting, dynamic roles on daytime.  I have been very fortunate to do that, and I have been very fortunate to work with people who allow me to do my thing.  They don’t hamper it.  They say, “Go.  Go for it.”

I love your Instagram posts, and I love when you talk about social issues and things that are important to you.  Could you talk a little bit about how you’re using that platform to make a difference?

TAMARA:  I just like to post things that are important to me. There are a lot of people who are using social media for brand identity.  I’m glad that I don’t even know what that is.  I mean, maybe I should know.  (Laughs)  It probably would be better for me, but –

Photo Credit: JPI Studios

You realize on Instagram; if you post a shirtless pic along with a quote from something unrelated and are a guy, or are a very sexy woman, you’re going to get millions of likes.

TAMARA:  Yeah, and that’s not my brand.  (Laughs) I guess if I had to say what my brand is; it would be “Truth. Real. Honest.”  You know, here’s the real deal from me.  I think it’s important to bring awareness to what’s going on that touches your heart.  I think that if you can shed light on issues in a positive way, to make people think, to make people feel; that is important.  I have always wanted to do good things in the world, and you can do that at any place and time in your life as a human being, but when you have a bit of a platform, I believe it is a responsibility to use that to share things of importance to the world for humanity.  We’re given this one life.  Whether you come back, or whatever you believe this is the one life we have, if we don’t do something good with it, what’s the point?   I think there’s too much, “Me, me, me, me, me.”  I mean, that’s what this business is, right?  But we need to step back, and we need to remember that there is a real world going on out there where people are dealing with issues, and we need to be kind.  That being said, I do post stuff of myself, and people want to see it, so I want to give them what makes them happy, but I think that as long as I’m doing that too, I think it also makes people happy to see things good going on in the world, bring light to issues that need light brought on them.  I really just feel that we need more kindness.  We need more positivity because right now is a really hard time in our world, in America especially. It’s important to be more generous and kind-spirited than what we’re so often seeing these days.

So, what have you thought about the way Kim handled telling Oscar of his cancer diagnosis?  Do you hope Kim continues to stay in Julian’s orbit, or would you want her to become involved with Drew?   What do you think will happen next in the story … will Oscar survive?  What has been your most favorite performance of Tamara Braun of all her soap roles through the years? Comment below.

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Interviews

Y&R’s Hunter King Talks Summer’s Clash With Phyllis, Seducing Billy, ‘Life In Pieces’ & Being Newly Engaged

On The Young and the Restless viewers just watched the summer of …  Summer!  When the top-rated soap brought back two-time Daytime Emmy winner, Hunter King to the canvas, you knew it was going to be to stir up some major drama.  But, little did viewers know that Summer came back a vixen, ready to steal her mother’s man!

Last month, it became game on between mother and daughter after their epic showdown, where Phyllis (Gina Tognoni) got wind of Summer’s attempts to put the moves on Billy (Jason Thompson) and her plans to meet up with him in Philly! (And that spelled trouble for the couple known as “Philly” too)  Oh yes, and there was that well-deserved bitch-slap!  So, where will it all go from here?

Michael Fairman TV caught up with King where we discussed: Summer’s new attitude, if Summer will get her wish and have sex with Billy, her real-life engagement, and her upcoming return to the CBS sitcom Life in Pieces, and more. Check out what Hunter had to say below.

Summer is so pursuing Billy! When you came back to Y&R, did they tell you we need her to be really vampy and this seductress?  What has happened to her? (Laughs)

HUNTER:  Yes.  I understood where it was coming from, and I was excited to play the same character, but being able to play it totally different.  I get to sort of reinvent her.   I think when Summer went away she discovered herself, and kind of grew into Phyllis’ daughter … maybe.  But I will say, it has been very vampy, and you don’t even know yet what’s to come!

Photo Credit: JPI Studios

How is working with Jason Thompson?

HUNTER:   Working with Jason is great.  He is always so professional and prepared and always willing to collaborate on scenes.  Jason is just so creative, and so in it, and loves to work so much that he just exudes that the scenes.

Let’s just say when Summer and Billy “finally” hit the sheets … (Laughs)

HUNTER:   We don’t yet … we shall see.  The way this whole storyline unfolds you think it’s going one way and then there is a twist, and then twists on top of twists.  The more layers that come into play you start to understand why everything is happening the way it is.

Now, Summer had no idea that Billy had a gambling addiction, which put this whole spiral of his in motion?

HUNTER:  I guess not?  (Laughs)  It’s hard to know. I would say she evidently did not know about his gambling.

Photo Credit: JPI Studios

Viewers saw Phyllis slap her daughter in the face as the fight between them escalated; when Summer admitted she was going after her mother’s boyfriend!  How was it taping that scene, and working with Gina Tognoni?

HUNTER:  She’s amazing! Gina didn’t really slap me, but I will say afterwards they wanted to put red blush on my cheeks, and I said, “Oh, just pinch my cheek instead, and I wound up bruising my cheek.”  So Gina goes, “I really didn’t hit her!”  It was the funniest banter on set.  Gina was scary in those scenes, like a good scary.  I went, “Damn!”

On August 18th, you got engaged to your beau, Nico Svoboda.  Were you expecting him to propose when he did?

HUNTER:   I was so shocked, even though I had wanted it to happen, very much.  But, I had no idea when it was coming. It was amazing, and the best day of my life and, we are engaged!

Photo : HKingInstagram

And he got down on one knee for the proposal!

HUNTER:  Yes!  I thought it was sweet.  It’s something you dream about when you are a little girl.

What it is about Nico that makes him the guy for you?

HUNTER:  Besides the amazing qualities he has as a person – he’s compassionate, he’s caring, he’s driven, he’s loving, and just cares for others so much – I love the way that he loves me.  I have never felt so loved before, and so accepted, and he is very supportive of my career.

Courtesy/CBS

Are you excited to go back to your role as Clementine on the sitcom, Life in Pieces?  It is slated for a midseason premiere.

HUNTER:  I am super excited to be back.  We are back taping again   I am excited to do the sitcom and Y&R   As an actress, it’s so exciting to get to do different things:  a sitcom and soaps … why not?! (As noted in the press: King took a three-episode break from Y&R to film some episodes of the sitcom due to a scheduling conflict.)

Then speaking of “All in the Family,” it was just announced, your sister, Joey is coming onto Life in Pieces.

HUNTER:  Yes!  How crazy. She will be on for a few episodes, and it will be fun.  I think we will interact a little bit on the show, and we have never had the chance to work together before.

Photo: HKingInstagram

You and your sister have the funniest Instagram videos.  Do you plan those out?

HUNTER:  Joey is so funny.  It kind of just happens when we get together.  Sometimes we film something and sometimes we don’t.  But Joey is so much fun and my best friend. She is the funniest person in the entire world, and so it’s just easy to laugh when I am with her.

So, what did you think of the showdown between Summer and Phyllis?  Are you glad Phyllis slapped her daughter, or was it a mistake?  What do you think will happen next?  Will Summer ultimately sleep with Billy? Do you want Summer to end up with Kyle (Michael Mealor)? Will you be checking out Hunter on Life in Pieces? Share your thoughts via the comment section below.

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General Hospital

General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives

“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other.  At least this way I could leave some good feelings, instead of disappearing before your eyes.”  Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home.  These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).

When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect.  What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major.  Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.

In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.

Gail has been a revelation in this role.  A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.

On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s.  So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.

Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.

You’re portraying a person suffering from Alzheimer’s and play the progression of the disease.  Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?

Courtesy/ABC

MAX:  It’s more like an urge, or a calling to find some kind of truth in it that I can connect with.  One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else.  “Where am I going?”  This has happened to me many times in life.  For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it.  I knew I’d gotten home somehow.  So, it’s not out of my realm.  I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function.  We are kind of on the cusp of that in story at GH.  I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working.  Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.

The story has been so effective.  You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey.  It’ll be interesting to see how far they will take this with Mike.  Will we actually see him not being able to communicate anymore?  How far will the writers go to show the horrific aspects of Alzheimer’s? 

MAX:  I’m not sure.  You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it.  Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level.  I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember.  They’re trying to find a place for Mike within all of the interwoven drama of General Hospital.  I, frankly, had no idea how complex the range of storylines was.  Mike doesn’t really have control over his story.  I don’t want that as an actor.  Mike has some intentions that are really important to him.  I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed.  I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father.  Sonny’s formative experiences growing up were then with his abusive stepdad.  Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s.   It’s a wonderful challenge to be presented with.

Courtesy/CBS

You brought up that Mike is seemingly very sweet in his demeanor now.  My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman.  As the disease took hold of her, she became very sweet.   She became almost childlike.  The fire had gone out of her eyes.  You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son.  In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc.  Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof.  However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore.  That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son. 

MAX:  Right and he doesn’t know if he’s around friends or around enemies.  This can be true of Alzheimer’s patients.

I had that happen with my mother when she came out to Los Angeles to see me for the last time.  She was out of her element, she was confused, and she broke down and cried in the hotel room.  She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.”  It was heartbreaking.   Later, she had a moment of clarity and realized more of what was going on.  I think it’s those in-and -out moments that you portray so well on-screen.  I feel that they are very realistic to what I, and others, have experienced.

Courtesy/ABC

MAX:  I appreciate that and sharing that with me, because you never know as an actor.  That place of “Where am I?  What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed.  I don’t remember the words.”  It was, “I don’t know where the f**k I am.  I thought there was a band there, but there’s not.”  So, in a way, I just had to be there on this big soundstage and just feel this big space around me.  I could barely see that there were people out there.  It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this.  He doesn’t have to freak out and get accusatory.

Courtesy/ABC

What has it been like working with Maurice Benard as your on-screen son?  Do you watch back your scenes together and ever go, “Oh, that was great!?”

MAX:  Yes, there have been a lot of those!  There are some scenes that are so emotionally focused, and we get a lot of delight in each other.  He has been playing this character in this situation for so long, so it’s just kind of in him.  Maurice has presence.  I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots.  I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway.  When this part came up, a soap hadn’t really been on my radar.  I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB.  One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character.  I thought, “Wow, that’s really interesting.  This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.”  I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.

Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.

MAX:  It’s mutual.  We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment.  Although, I would love for Mike to have a moment of self-observation where he goes, “Gee.  I cry a lot more than I used to.”  I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.

Courtesy/ABC

There was a part of my mom that knew something was wrong.  She’d go, “Why am I crying?  I don’t know why I’m crying.”  She got confused as to why she was feeling that.  She couldn’t connect it all, and at times she kept saying, “I don’t understand.  I don’t understand.”  Those were the things she would try to express.

MAX:  I have a feeling that Mike has those moments too, but he finds a way for it to be okay.  There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.

Photo Credit: JPI Studios

Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera.  While now being at GH, have you found any commonality within the experience?

MAX:  If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years.  One of the things that really resonates is that when we started shooting the studio audience laughed too easily.  We would end up retaking the scenes.  Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script.  Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own.  Frank has a really wonderful eye.  He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment.  I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.

Courtesy/ABC

Vernee Watson has been amazing as Stella, who is also Mike’s social worker.  Does Mike have romantic feelings toward Stella?

MAX:  Vernee is wonderful.  I didn’t know Vernee had been on the show when I came on board.  She won an Emmy, and I’m not surprised.   She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection.  For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white.  I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American.  So, in my world that is not a big deal.   I think there’s an affinity there between Mike and Stella.  You know, he’s alive.  He’s old, but he’s not dead.  There’s an ease with women he likes.  I think there are a whole lot of reasons for them to not get involved.  One is just professional, and she’s a social worker.  We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.

 

What do you think about how Mike knows about who was buried at Charlie’s Pub?  He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar!  This storyline ties in to Sonny’s mobster dealings as well.

MAX:  Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny.  Of course, it reveals certain things about Mike that he’s never revealed to anybody before.  So, that’s kind of cool.  I think when he knows what and how much sometimes is not clear.  That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story.  They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions.  So, we knew elements going into it and that sometimes I  didn’t know what the writers are really intending.  In terms of Mike, he’s kind of back and forth in certain moments.  I have to resist the idea that they trap me by just being careless.  I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.

Courtesy/GoodDayLA

You appeared on the morning show Good Day LA  a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement.  What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?

MAX:  It was great to do.  Maria had sent out a tweet that is was wonderful what was going on, on General Hospital.  On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men.  So, then Laura and I sat down and did an interview alongside Maria.  We actually had a nice conversation before.  They did a web interview also as a follow-up.  That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing.  Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject.  I’d love to see an ongoing conversation online amongst people who can share their stories with each other.  That’s a lot of what they’re doing.  They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver.  Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist.  I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time.  There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.

Courtesy/ABC

You were my favorite character on Barney Miller as Detective Wojciehowicz!  I think for many who watched the show you were, too!

MAX:  I think “Wojo” ended up being the heart of the show.

Max, you’re helping people through your beautiful performances including me.  Congratulations on that.   I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.

Photo: IMDB

MAX:  Well, I really appreciate your questions.  I’m just planting that seed.  That is really what I would like to do after talking to you and so many people.  That’s something I’d like to put out there.   We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again.  I’m looking to help people out there in the world who are watching and are looking to share in the conversation.

So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny?  What have you thought of Max Gail’s performance throughout his GH run?  Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s?  Share your thoughts via the comment below.

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Video du Jour

This weekend we mourn the loss of General Hospital’s beloved Susan Brown who played Gail Baldwin. Here is her final scene from 2004 when Gail and her husband Lee (the late Peter Hansen) showed up at Lila’s funeral and had an exchange with Alan and Monica. Share your thoughts on Susan’s passing via the link below. Leave A Comment

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