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THE DILLON CASEY INTERVIEW – MVP

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MICHAEL:

In tonight’s episode of “MVP,” the Mustangs hockey team goes on the road and all hell breaks loose when Trevor goes wild with the “ Puckbunnies”! It seems like viewers have slowly been watching Trevor’s turn to the dark side. I actually think it started with him driving the Escalade through the car dealership storefront? Do you think that was the turning point?

DILLON:

After the incident when I drive off in the Escalade, there is a moment in episode six that you don’t really expect of a guy like Trevor, but he does it anyway. He finally hooks up with Molly.

MICHAEL:

But, you enjoyed that episode?

DILLON:

Yes. That was a great episode. The thing about it was, it was all improvised. They didn’t really want me to drive through the window. I did that and they happened to catch it on camera! (He laughs) The thing about Trevor is, in previous episodes, when you watch him; he is getting pulled in all these different directions. He pretty much is letting people take full advantage of him and you don’t understand why. He is just this guy who wants to please everybody, and finally, he has had enough. He is tired of doing what everyone else expects of him, and he finally has enough. They want him to buy a Mustang and he says, “I’m not buying a Mustang.” So, he gets in the car and pulls out of the dealership window, and the sales guy makes a racial slur to him, and that was the icing on the cake.

MICHAEL:

Now, you had highlights in your hair that you were cutting off in the mirror because your character was getting fed up. That was shortly before driving the Escalade through the dealership storefront. It seems Trevor may need some anger-management! But, how did the hair highlights come about in the storyline?

DILLON:

What we did in that episode was my agent wanted to give Trevor a makeover… to give Trevor more of a media friendly image. They had him doing the underwear ad, which he did, and that did not end up turning out so well. Well, I guess it did. (He laughs) Basically, his agent catches him off guard and tells him. “We have a cereal company and it’s going to be great.” You know, Trevor is this kid from Loon Lake, and in the morning he is the kind of guy that throws on whatever is in front of him, and he never has really had to think about how he gels his hair. He has a sort of ‘get up and go’ mentality, and all of a sudden, he has this agent telling him how to dress, how to talk to people, and what to do with his hair. There is a part of him that knows that something is up, especially when he walks into the locker room in a suit. “Team Trevor” put the highlights in his hair. I did not dye my hair in real-life. They put in extensions and blonde clips, and red clips.

MICHAEL:

So you don’t like colorful extensions?

DILLON:

It’s not really my style. That’s kind of the point. They were supposed to look ridiculous. It was funny!

MICHAEL:

Was it fun to take Trevor to the dark side?

DILLON:

I always looked at Trevor as a guy who is between Gabe and Damon. I would look at Peter Miller’s character of Damon and think that is the most fun character to play on the show. The bad guy is always the most fun. When Trevor goes to the dark side I get to be more like Damon Trebuchet. So, the scenes were a lot of fun in episode 7. My favorite scene coming up has Damon and Trevor partying. At this point, Trevor has decided to become Damon. He goes to Lagoon, which is the “MVP” version of the Playboy Mansion, and it’s no holds barred for Trevor. He is just a kid in a candy store. He is a young Damon Trebuchet, by this point.

MICHAEL:

Moving forward, will Trevor Lamonde fans get to see their young hockey superstar redeemed?

DILLON:

Again, I can’t give that all away, but I can tell you there is an arc to the character and he does do a lot of things that he regrets, and it’s a turning point. There is a strong one coming up that is very interesting to see!

MICHAEL:

What are Trevor’s true feelings about the girls in his life, Molly and Tabbi?

DILLON:

Tabbi is the girl that he loved. She is his first love. She is the girl he grew up with in Loon Lake; she was there before all the fame and distraction. When Trevor gets out there into this world, there is all this temptation, and of course, the number one temptation that is out there is Molly. Molly is Trevor’s sort of ‘fatal attraction’.

MICHAEL:

She is so obvious in her seduction of Trevor, though!

DILLON:

She is so obvious, and she is so good-looking, that what guy wouldn’t like being charmed by a girl like Molly. So Trevor is not fighting it. He is also young and naïve about things like that. Then, Tabbi shows up with her Nana. Trevor is just trying to be a young kid experiencing all his success, and his girlfriend shows up with her grandma. He feels it’s preventing him from what he wants to do. There is a backlash to that. However, cheating on Tabbi with Molly was not a good call, by any means. The audience should not let Trevor off the hook for that one. When it comes to Molly, I think it was wrong that she was all over him, and Trevor just didn’t know what to do.

MICHAEL:

How was working with Natalie Krill, who plays Molly, and Anastasia Phillips, who plays Tabbi?

DILLON:

I would always hit on them relentlessly, but they both had boyfriends. It was great! We were all really great friends, and it was funny to know that Anastasia, who played Tabbi, and I found out we had a lot of friends that we both went to university with. So, we had a lot in common with mutual connections. We were immediate friends. Natalie and I had the same sense of humor. We got along really well, and all of it was good. Everybody on the set got along so well, and that is one of the saddest reasons for it being cancelled, because we were all such good friends. It was sad to think that we would not all hang out again.

MICHAEL:

Was there a scene or moment when you thought, “I was really good in this,” or one that you’re most fond of?

DILLON:

Literally, my favorite is a minute or two long scene where I silently sit there and stare at women in episode seven. It was my favorite scene and it came very natural for me (He laughs). There was another great scene with Peter Miller, where we are partying really hard, and it was a lot of fun because they did not yell, “cut”. We just finished and improvised for an extra two or three minutes, and it was so funny!

MICHAEL:

We hear you are working and studying with the famed comedy improv group, Second City, up in Toronto. Is that true?

DILLON:

I am doing the Second City conservatory. Comedy is my number one passion, and where I would like to go. I love doing Second City. It’s so much fun! I have been doing it for two years, and so have my brothers. There is a big improv scene in Toronto, and it’s so much fun and such a rush.

MICHAEL:

Was it hard to play the country bumpkin that Trevor was, to turning into the guy seduced by power, women and money?

DILLON:

You know what I found difficult was when I would think, “Why would anybody in their right mind let anybody do this to them, and take advantage of them in this way?” But, I guess for anyone from a small town going to a big city, things start to happen. Pulling off the character was a lot of fun. It was fun having such opposites on the show. The guy coming from the small town, and then having the guy have everything, was not hard to do.

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MICHAEL:

Now, being the half-naked poster boy in Times Square on the billboard, and with all the SOAPnet promos, how is that experience for you? You’re half-naked in your underwear, so what were your thoughts?

DILLON:

First of all, I am way more than half-naked! When we took those pictures I did not know they were going to be on a billboard at all. I got a phone call that said, “We just want to run this by you, that you are going to be on a billboard we are printing and it’s going to be in Times Square. I went, “Oh, oh, well that’s cool. I did not know how to respond. Then, people were calling me asking if I was going to go down and see it. Then my dad really wanted to go, so we went down to New York City, and we told SOAPnet we were going, and they brought the camera out. I did not know how I was going to react. I did not know if I was going to see the billboard and be overly excited and go nuts. It wasn’t really that. I looked at it and I was happy, and it was really cool. It was surreal, if anything.

MICHAEL:

So, I’m sure what’s come out of that is, you are now on “The Sexiest Men list”, all over the world, and a sex symbol to people. How does that feel?

DILLON:

What’s strange is a lot of this has happened so fast. This whole thought of being a celebrity doesn’t exist as powerfully in Toronto, as it does in LA. There is definitely a sense of it. If I am talking to somebody and they are not really saying anything, and there is not a lot of eye contact, they will go, “Why is your friend being such a jerk to me?” And my friends say to me, “Dude, they are nervous talking to you!” I don’t think of myself in that way, but it takes my brothers or my friends to point it out to me. People that recognize me the most are other actors. They will come up to me and say, “Hey, congratulations on the show. I have never seen a show like that come out of Canada.” That’s really good to hear. The billboard itself is also great Second City material, for them to make fun of me. Just like after a class or show, people will want to go to a bar and I will go, “How about this bar?” And they will always joke, “Oh, just because he is on a billboard in Times Square we have to go to that bar!” OK, ‘Mr. Celebrity and Mr. Times Square’. Overall, I would not say my life has changed.

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MICHAEL:

Is it true that in the audition a lot of guys had to take off their clothes or their shirts, or something?

DILLON:

Well, I don’t know what anybody else had to do. My first audition was a regular audition where I had to do some lines, and felt pretty good about it. Then, I got a call from my agent saying that I needed to go back to the auditions. So, I went back and the directors and the casting directors were there. I did what I did before in the other scene, and then they go, “OK. Now that was great, but now we are going to do another scene where your character is asked to do an underwear ad, and have these pictures taken of him, where he screams like an animal at the end.” So I was like, “OK, that sounds good.” They go, “No, no, you have to take your shirt off. This is an underwear ad.” I go, “OK. I guess I will do that.” I had to for my callback. So, the way I got the part was taking my shirt off and screaming, and they gave me the part.

MICHAEL:

To be in shape like you are, how often do you work out?

DILLON:

I go there five times a week. I grew up in competitive sports. I was a tennis player and quit that when I was 10 years old. I was a member of a gym, and I am a pretty anxious guy. So, I started going to the gym after I stopped playing tennis. With all this extra energy it just became a habit.

MICHAEL:

So, since “MVP” centers around hockey, and Canada is famous for it, are you a hockey buff in real life?

DILLON:

To be honest, I am one of those guys that when the playoffs are on, and if Toronto or Montreal is in the play-offs, I will watch. But, I don’t really care that much and I am not ashamed to admit it. All my friends love it. To be honest, I think there is too much of it up here. I wish Canada would pay attention to some of its other athletes, because there is no reason we should not have amazing tennis and baseball players. I love hockey and I love how Canadians love it, but we are a big country and there should be more variety here.

MICHAEL:

What would people be most surprised to know about you, that they wouldn’t expect from a guy like you?

DILLON:

I think, Second City. I have a production company with my brothers and we have two series in development now in Canada. We are all writers and producers, and also I think what surprises most people is that I have a Masters Degree in Economics. That is surprising to me. (He laughs) So, that is why I think it would surprise most people.

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MICHAEL:

What made you go into acting?

DILLON:

The bigger question is what made me get my Masters in Economics? Acting was actually a fallback if this ‘economics’ thing didn’t’ work out. It was in my third year at the university that I realized I liked acting. I applied for my Masters, and then I went to audition in Toronto. I landed a big job in a show during exam time in April called, “Eleven Cameras” and it was my first big role. Then, that put me in the position that I could audition for anything in Toronto. Right after that, I auditioned for “MVP” and I got the part of Trevor Lamonde. Since then, I have been acting full time as much as I can. There are ups and downs with whether you are working. It’s either a lot or not at all.

MICHAEL:

Would you consider a move to Los Angeles at this point, or are you planning on staying in Canada right now?

DILLON:

I have duel citizenship to the States and Canada. So, I definitely will be moving to Los Angeles at some point. Right now the plan is October. I was planning on going down this year, but there was the writer’s strike and that was pretty bad, and there was an earthquake today in LA, so I knew it wasn’t the right time for it to happen. (He laughs) But October seems like a great time.

Don’t miss episode seven, “the Code, on “MVP” tonight on SOAPnet, Thursday July 31st at 11 PM ET/PT! And keep up with “MVP” by logging onto www.soapnet.com. “He Shoots … She Scores!”

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Interviews

Y&R’s Newman Kids Talk 48th Anniversary, Storylines, Camaraderie, and Take the Trivia Challenge

On Friday, to celebrate the 48th anniversary of The Young and the Restless (which premiered back on March 26th,1973) Michael Fairman chatted virtually with the actors who comprise the adult Newman family children; Joshua Morrow (Nick), Amelia Heinle (Victoria), Mark Grossman (Adam), Hunter King (Summer) and Melissa Ordway (Abby).

During the conversation, on You Tube’s the Michael Fairman Channel, the actors discussed what it was like coming into the iconic Newman clan when they first debuted, behind-the-scenes moments and laughs they share working with each other, and what it has been like for them to share scenes with their iconic TV father, Eric Braeden (Victor) and for some of the kids, their on-screen mother, Melody Thomas Scott (Nikki).

In addition, each touch upon their current Y&R storyline where:Nick is involved with Phyllis again, Adam is on to Chelsea, Victoria is trying to be in the woman in charge of the company and she finds herself boyfriend-less, Summer has her hands full with the arrival of Tara Locke and Sally Spectra who may all destroy her relationship with Kyle, and Abby wanting to have a baby via surrogacy with the sperm donor being Devon.

Later, Michael plays a round of “Stump the Newman” trivia where the actors are put to the test to see just who knows the history of the Newman clan best. Watch what happens when the mention of the notorious and ill-fated reliquary storyline is brought up!

Joshua, Amelia, Mark, Hunter, and Melissa also express what it has meant to them to be a part of the legacy of The Young and the Restless, and still later Joshua’s daughter, Charlie, even makes a special guest appearance.

Now watch the conversation in full with the Newman kids below. 

Then let us know, what was your favorite moment of the interview? How do you hope their current storylines resolve? What was your favorite and least favorite storyline of all-time for Nick, Victoria, Adam, Abby, and Summer? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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