Interviews
THE DILLON CASEY INTERVIEW – MVP
Listen to the audio:
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MICHAEL:
In tonight’s episode of “MVP,” the Mustangs hockey team goes on the road and all hell breaks loose when Trevor goes wild with the “ Puckbunnies”! It seems like viewers have slowly been watching Trevor’s turn to the dark side. I actually think it started with him driving the Escalade through the car dealership storefront? Do you think that was the turning point?
DILLON:
After the incident when I drive off in the Escalade, there is a moment in episode six that you don’t really expect of a guy like Trevor, but he does it anyway. He finally hooks up with Molly.
MICHAEL:
But, you enjoyed that episode?
DILLON:
Yes. That was a great episode. The thing about it was, it was all improvised. They didn’t really want me to drive through the window. I did that and they happened to catch it on camera! (He laughs) The thing about Trevor is, in previous episodes, when you watch him; he is getting pulled in all these different directions. He pretty much is letting people take full advantage of him and you don’t understand why. He is just this guy who wants to please everybody, and finally, he has had enough. He is tired of doing what everyone else expects of him, and he finally has enough. They want him to buy a Mustang and he says, “I’m not buying a Mustang.” So, he gets in the car and pulls out of the dealership window, and the sales guy makes a racial slur to him, and that was the icing on the cake.
MICHAEL:
Now, you had highlights in your hair that you were cutting off in the mirror because your character was getting fed up. That was shortly before driving the Escalade through the dealership storefront. It seems Trevor may need some anger-management! But, how did the hair highlights come about in the storyline?
DILLON:
What we did in that episode was my agent wanted to give Trevor a makeover… to give Trevor more of a media friendly image. They had him doing the underwear ad, which he did, and that did not end up turning out so well. Well, I guess it did. (He laughs) Basically, his agent catches him off guard and tells him. “We have a cereal company and it’s going to be great.” You know, Trevor is this kid from Loon Lake, and in the morning he is the kind of guy that throws on whatever is in front of him, and he never has really had to think about how he gels his hair. He has a sort of ‘get up and go’ mentality, and all of a sudden, he has this agent telling him how to dress, how to talk to people, and what to do with his hair. There is a part of him that knows that something is up, especially when he walks into the locker room in a suit. “Team Trevor” put the highlights in his hair. I did not dye my hair in real-life. They put in extensions and blonde clips, and red clips.
MICHAEL:
So you don’t like colorful extensions?
DILLON:
It’s not really my style. That’s kind of the point. They were supposed to look ridiculous. It was funny!
MICHAEL:
Was it fun to take Trevor to the dark side?
DILLON:
I always looked at Trevor as a guy who is between Gabe and Damon. I would look at Peter Miller’s character of Damon and think that is the most fun character to play on the show. The bad guy is always the most fun. When Trevor goes to the dark side I get to be more like Damon Trebuchet. So, the scenes were a lot of fun in episode 7. My favorite scene coming up has Damon and Trevor partying. At this point, Trevor has decided to become Damon. He goes to Lagoon, which is the “MVP” version of the Playboy Mansion, and it’s no holds barred for Trevor. He is just a kid in a candy store. He is a young Damon Trebuchet, by this point.
MICHAEL:
Moving forward, will Trevor Lamonde fans get to see their young hockey superstar redeemed?
DILLON:
Again, I can’t give that all away, but I can tell you there is an arc to the character and he does do a lot of things that he regrets, and it’s a turning point. There is a strong one coming up that is very interesting to see!
MICHAEL:
What are Trevor’s true feelings about the girls in his life, Molly and Tabbi?
DILLON:
Tabbi is the girl that he loved. She is his first love. She is the girl he grew up with in Loon Lake; she was there before all the fame and distraction. When Trevor gets out there into this world, there is all this temptation, and of course, the number one temptation that is out there is Molly. Molly is Trevor’s sort of ‘fatal attraction’.
MICHAEL:
She is so obvious in her seduction of Trevor, though!
DILLON:
She is so obvious, and she is so good-looking, that what guy wouldn’t like being charmed by a girl like Molly. So Trevor is not fighting it. He is also young and naïve about things like that. Then, Tabbi shows up with her Nana. Trevor is just trying to be a young kid experiencing all his success, and his girlfriend shows up with her grandma. He feels it’s preventing him from what he wants to do. There is a backlash to that. However, cheating on Tabbi with Molly was not a good call, by any means. The audience should not let Trevor off the hook for that one. When it comes to Molly, I think it was wrong that she was all over him, and Trevor just didn’t know what to do.
MICHAEL:
How was working with Natalie Krill, who plays Molly, and Anastasia Phillips, who plays Tabbi?
DILLON:
I would always hit on them relentlessly, but they both had boyfriends. It was great! We were all really great friends, and it was funny to know that Anastasia, who played Tabbi, and I found out we had a lot of friends that we both went to university with. So, we had a lot in common with mutual connections. We were immediate friends. Natalie and I had the same sense of humor. We got along really well, and all of it was good. Everybody on the set got along so well, and that is one of the saddest reasons for it being cancelled, because we were all such good friends. It was sad to think that we would not all hang out again.
MICHAEL:
Was there a scene or moment when you thought, “I was really good in this,” or one that you’re most fond of?
DILLON:
Literally, my favorite is a minute or two long scene where I silently sit there and stare at women in episode seven. It was my favorite scene and it came very natural for me (He laughs). There was another great scene with Peter Miller, where we are partying really hard, and it was a lot of fun because they did not yell, “cut”. We just finished and improvised for an extra two or three minutes, and it was so funny!
MICHAEL:
We hear you are working and studying with the famed comedy improv group, Second City, up in Toronto. Is that true?
DILLON:
I am doing the Second City conservatory. Comedy is my number one passion, and where I would like to go. I love doing Second City. It’s so much fun! I have been doing it for two years, and so have my brothers. There is a big improv scene in Toronto, and it’s so much fun and such a rush.
MICHAEL:
Was it hard to play the country bumpkin that Trevor was, to turning into the guy seduced by power, women and money?
DILLON:
You know what I found difficult was when I would think, “Why would anybody in their right mind let anybody do this to them, and take advantage of them in this way?” But, I guess for anyone from a small town going to a big city, things start to happen. Pulling off the character was a lot of fun. It was fun having such opposites on the show. The guy coming from the small town, and then having the guy have everything, was not hard to do.
MICHAEL:
Now, being the half-naked poster boy in Times Square on the billboard, and with all the SOAPnet promos, how is that experience for you? You’re half-naked in your underwear, so what were your thoughts?
DILLON:
First of all, I am way more than half-naked! When we took those pictures I did not know they were going to be on a billboard at all. I got a phone call that said, “We just want to run this by you, that you are going to be on a billboard we are printing and it’s going to be in Times Square. I went, “Oh, oh, well that’s cool. I did not know how to respond. Then, people were calling me asking if I was going to go down and see it. Then my dad really wanted to go, so we went down to New York City, and we told SOAPnet we were going, and they brought the camera out. I did not know how I was going to react. I did not know if I was going to see the billboard and be overly excited and go nuts. It wasn’t really that. I looked at it and I was happy, and it was really cool. It was surreal, if anything.
MICHAEL:
So, I’m sure what’s come out of that is, you are now on “The Sexiest Men list”, all over the world, and a sex symbol to people. How does that feel?
DILLON:
What’s strange is a lot of this has happened so fast. This whole thought of being a celebrity doesn’t exist as powerfully in Toronto, as it does in LA. There is definitely a sense of it. If I am talking to somebody and they are not really saying anything, and there is not a lot of eye contact, they will go, “Why is your friend being such a jerk to me?” And my friends say to me, “Dude, they are nervous talking to you!” I don’t think of myself in that way, but it takes my brothers or my friends to point it out to me. People that recognize me the most are other actors. They will come up to me and say, “Hey, congratulations on the show. I have never seen a show like that come out of Canada.” That’s really good to hear. The billboard itself is also great Second City material, for them to make fun of me. Just like after a class or show, people will want to go to a bar and I will go, “How about this bar?” And they will always joke, “Oh, just because he is on a billboard in Times Square we have to go to that bar!” OK, ‘Mr. Celebrity and Mr. Times Square’. Overall, I would not say my life has changed.
MICHAEL:
Is it true that in the audition a lot of guys had to take off their clothes or their shirts, or something?
DILLON:
Well, I don’t know what anybody else had to do. My first audition was a regular audition where I had to do some lines, and felt pretty good about it. Then, I got a call from my agent saying that I needed to go back to the auditions. So, I went back and the directors and the casting directors were there. I did what I did before in the other scene, and then they go, “OK. Now that was great, but now we are going to do another scene where your character is asked to do an underwear ad, and have these pictures taken of him, where he screams like an animal at the end.” So I was like, “OK, that sounds good.” They go, “No, no, you have to take your shirt off. This is an underwear ad.” I go, “OK. I guess I will do that.” I had to for my callback. So, the way I got the part was taking my shirt off and screaming, and they gave me the part.
MICHAEL:
To be in shape like you are, how often do you work out?
DILLON:
I go there five times a week. I grew up in competitive sports. I was a tennis player and quit that when I was 10 years old. I was a member of a gym, and I am a pretty anxious guy. So, I started going to the gym after I stopped playing tennis. With all this extra energy it just became a habit.
MICHAEL:
So, since “MVP” centers around hockey, and Canada is famous for it, are you a hockey buff in real life?
DILLON:
To be honest, I am one of those guys that when the playoffs are on, and if Toronto or Montreal is in the play-offs, I will watch. But, I don’t really care that much and I am not ashamed to admit it. All my friends love it. To be honest, I think there is too much of it up here. I wish Canada would pay attention to some of its other athletes, because there is no reason we should not have amazing tennis and baseball players. I love hockey and I love how Canadians love it, but we are a big country and there should be more variety here.
MICHAEL:
What would people be most surprised to know about you, that they wouldn’t expect from a guy like you?
DILLON:
I think, Second City. I have a production company with my brothers and we have two series in development now in Canada. We are all writers and producers, and also I think what surprises most people is that I have a Masters Degree in Economics. That is surprising to me. (He laughs) So, that is why I think it would surprise most people.
MICHAEL:
What made you go into acting?
DILLON:
The bigger question is what made me get my Masters in Economics? Acting was actually a fallback if this ‘economics’ thing didn’t’ work out. It was in my third year at the university that I realized I liked acting. I applied for my Masters, and then I went to audition in Toronto. I landed a big job in a show during exam time in April called, “Eleven Cameras” and it was my first big role. Then, that put me in the position that I could audition for anything in Toronto. Right after that, I auditioned for “MVP” and I got the part of Trevor Lamonde. Since then, I have been acting full time as much as I can. There are ups and downs with whether you are working. It’s either a lot or not at all.
MICHAEL:
Would you consider a move to Los Angeles at this point, or are you planning on staying in Canada right now?
DILLON:
I have duel citizenship to the States and Canada. So, I definitely will be moving to Los Angeles at some point. Right now the plan is October. I was planning on going down this year, but there was the writer’s strike and that was pretty bad, and there was an earthquake today in LA, so I knew it wasn’t the right time for it to happen. (He laughs) But October seems like a great time.
Don’t miss episode seven, “the Code, on “MVP” tonight on SOAPnet, Thursday July 31st at 11 PM ET/PT! And keep up with “MVP” by logging onto www.soapnet.com. “He Shoots … She Scores!”
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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