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THE DANIEL GODDARD INTERVIEW – THE YOUNG AND THE RESTLESS

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By Michael Fairman

Listen to the audio:

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TV SOAP:

How do you feel about the whole Cane/ Lily, and Chloe pregnancy story angle?

DANIEL:

I am kind of curious to see what happens. I was wondering which way they were going to go with it. I have to say at this point, I am extraordinarily impressed with the storylines that are coming out. There is a very solid morale on the set at the moment, because all the storylines are intersecting now. Everyone has this new vigor!

TV SOAP:

So, do you attribute the changes to the new writing regime at “Y&R”?

DANIEL:

Definitely! When I found out where it was going I was so impressed. I went and phoned Maria Arena Bell, our co-head writer, and said, “I think its genius, because generally with anything to do with paternity suits or babies, and love triangles, it’s kind of been done. I was so impressed to make it new and fresh and to have a pay off, and I am excited to play it.” I have fear in my heart at work though, that all good things must come to an end as far as Cane and Lily, but at the same time I hope they will prevail.

TV SOAP:

How is working with Elizabeth Hendrickson (Chloe) on “Y&R”?

DANIEL:

She is awesome! What I love about Liz is we have a very solid rapport with what we want to do in scenes. Chloe is such an interesting character. You thought she was this put-together stylist. Then, she took a dive off the deep end. To not let her be a complete nut-bag, I think Liz is working the character so well. Honestly, you don’t think she’s crazy. If you put yourself in Chloe’s shoes, she is not crazy.

dan-ChristelTV SOAP:

What do you have to say about the whole older man, Cane, and younger woman, Lily storyline point?

DANIEL:

I never thought of it that way.

TV SOAP:

Well, I do!

DANIEL:

Well, some people do, but I never thought about it that way for the dynamics of the relationship. It’s always going to be a point in storyline. It was a point in storyline to break us up when I knew how old she was. Cane then decided he can’t be without her, so he tells her we will make this work. Because of the age difference between Christel Khalil (Lily) and myself, I think it allows Cane to play a sweet and tender side to his character. I think if Lily were the same age as Cane, it would be a different dynamic. And even if she were the same person, it would have to be different.

TV SOAP:

But, Cane has another new story coming down the pike, correct?

DANIEL:

Now Cane is going to have a business storyline, because he just got promoted as the CEO of Jabot, to everybody’s chagrin, due to his lack of experience.

TV SOAP:

How do you justify Cane’s suspending belief that he could have gotten Chloe pregnant when he doesn’t remember a thing?

DANIEL:

It’s difficult. When you have a moment of blackout, and even knowing he couldn’t get an erection, all things being equal, assuming he is this super potent guy from the outback…. He woke up and didn’t know what happened. It is tearing him apart at the moment. It plagues him to know it, but at the same time, I try to play it like the baby’s not mine. But Cane certainly must have his doubts.

TV SOAP:

I hate when they dummy-down leading men on soaps!

DANIEL:

I remember when Cane was with Amber. I looked back on it and it was pretty obvious something was going on. You find yourself having to make a choice. When Amber was entered in the “Face of Jabot” contest, I played it from day one that Cane knew it was Amber. I always try to justify things, if they do things that make the character look like not the sharpest tool in the shed. You have to be very careful. You are walking a fine line. If you’re not careful, you will make your character look like a manipulator, unless they are going to do a Nick and Phyllis type of story where they start off hating each other, but Cane comes to realize that he really likes Chloe.

Dan Goddard profileTV SOAP:

But do you really think they would really break up Cane and Lily?

DANIEL:

We are so popular at the moment. We are up to number 2 in “Soaps in Depth” magazine as actors and as a couple. Would they run it? That’s the question I don’t know the answer to!

TV SOAP:

So, what do you think the chances are that the baby is ultimately going to turn out to be Cane’s?

DANIEL:

The DNA test comes back. Chloe has not manipulated the DNA test. It comes back that Cane could be a possible match for the baby. So what ends up happening is Lily tells Cane to marry Chloe.

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TV SOAP:

There were so many reports online about the shock over the letting go of Raya Meddine (Ex-Sabrina) while the new writers were coming in. Were your cast mates afraid for their own jobs, as well? Were people truly shocked by her exit?

DANIEL:

When I thought about it my jaw-dropped! I was in shock; it did come out of left field. But, when you look at it logically, it makes sense. Victor and Nikki will always be together. I think the problem is when you put yourself in a position where you’re going to be Victor’s new wife; you are basically a storyline waiting to happen. But if the audience totally falls head over heels in love with you and they break up Nikki and Victor, they will put you with someone else. I feel within the confines of logic, if you have characters that work very well, and storylines with other characters that work well, and when you introduce an unknown factor and a new character, people will always come and go as a service of storytelling.

TV SOAP:

How is working with Christel?

DANIEL:

I love it. I love everything about her.

TV SOAP:

Your road to “Y&R” and the role of Cane came after numerous younger leading man role auditions for the soaps, right?

DANIEL:

I tested for Austin Peck’s role on “As the World Turns”. I tested for the Nash Brennan role on “One Life to Live”, and ironically, I recall I met the producers of “General Hospital” for Jason Thompson’s role of Patrick. It’s one of the things I forgot about it. I saw Brandon Beemer (Owen, “B&B”) today, and we talked about how he left “DAYS” and ended up on “B&B”. I said, “See, everything works out. You are on a bigger show that has fewer people in your demographic and you have people to work with, plus Susan Flannery (Stephanie) and John McCook (Eric)! It’s crazy how things work out. I think I was meant to end up on”Y&R”. I did not want to relocate to New York. It worked out perfectly and it could not be any better.

TV SOAP:

How are your parents enjoying your success, back home in Australia?

Dan Goddard and wifeDANIEL:

They are great parents, and they enjoy my success and following the journey of my career. I probably won’t go back to Australia till next year because I am heavy in story, and my wife Rachel and I have another baby on the way! She is four months pregnant, and we will find out the sex in a week. I am excited! I already have Ford, my two and half year old son. I am excited to have this new baby, with what I learned from my first time experience with raising Ford.

TV SOAP:

What do you miss most about Australia?

DANIEL:

I miss everything about it. There is a sensibility about Australians. When I first moved to America, I had to reprocess how I interpreted what I heard, because it was different than the speed and tempos of Australia.

TV SOAP:

Many have said, that the hiring of Australians, Daniel Goddard and Tammin Sursok (Colleen) to “Y&R” was a direct attempt to raise the ratings of the show in the Australian market. Do you think that was the partly the reason you both were hired?

DANIEL:

I was told when I tested for “Y&R”…”Oh, you’re Australian?” I walked in with an American accent, and they said, “So, where are you from?” The concept of Cane was that he was given away at birth. So he could have been from Mongolia. It just worked out luckily for me that I was the right person for the job. As far as Tammin, I think it’s just the way it worked out.

TV SOAP:

Do you and Tammin hang-out as “Aussies” on the set?

DANIEL:

What I like about Tammin is that we have a flow of conversation that’s at a different level than anyone else, because there is a nicety that doesn’t have to be there. We speak so fast together, and chop our sentences down so much, that people look at us and go, “We can’t understand a single word you are saying!” I enjoy that because I don’t have another single Australian out here other than my family. The problem is after I speak to Tammin so much, I go on set and they go, “Daniel we don’t understand what you are saying! Slow it down and annunciate!”

TV SOAP:

What do you make of all the success of Australian actors on the soaps? First there was Ingo Rademacher (Jax) on “GH”, and currently we have you, and Murray Bartlett (Cyrus) from “GL”!

DANIEL:

I think when Ingo came out here, I am sure it was very difficult for him to get a job. No one wanted to hire anybody with an Australian accent. You could be English, Irish, Scottish, or Canadian, but no Australians. I truly think that Mel Gibson pioneered for every Australian in the industry to come over to the States to get a job.

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Dan-JeanneTV SOAP:

How did you feel about your on-screen grandmother, Jeanne Cooper (Katherine) winning the Emmy?

DANIEL:

Oh, I was so excited! I was jumping up and down. When I found it was the first time she won, it dumbed me down to the point where I didn’t know what to say. I think she would have had five or six or seven in the bag already. I am so proud to be part of a storyline that Jeanne is in and to be part of that family. I am proud to say that Jeanne Cooper and Peter Bergman are my mentors on that show. There is nothing I cannot go to them about. I can talk to Jeanne about life, and she will say, “Sweetheart, what is happening with the baby, and how do you feel?”

TV SOAP:

We wish for more storyline for your incredible on-screen mom, Jill, played by the amazing Jess Walton!

DANIEL:

She is getting a great storyline at the moment and so is everyone else. Cane and Jill have a very different relationship than most men who are 31 and women who are in their 50’s. Whenever I see I have scenes with Jess, I am so excited.

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TV SOAP:

So what is the best part of being a leading man, and the worst part?

DANIEL:

The best part has to be you get to do what you love. I love to act.

Dan WorkoutTV SOAP:

But you know what I mean; to be the guy that gets the girl that everyone lusts after.

DANIEL:

It’s funny. “TV Guide” just ran “The Soaps Sexiest…

http://www.tvguide.com/

TV SOAP:

… And weren’t you number one? Congratulations Daniel! How do you feel about that? It’s cool!

DANIEL:

It’s a testament to the fans…

TV SOAP:

…. But you keep yourself in shape. Right?

DANIEL:

Well yeah, but if it wasn’t for the fans… I am extraordinarily flattered! What I love is when I get a smart piece of dialog that allows me to show something that has cutting-edge intellect or mother/son, Cane/Lily. I try to play everything in a different way, so the character becomes complex. I know a lot of people who say to me, “I don’t trust Cane” because there is something going on. That’s great for me, and it shows me that they are seeing that he is different with everybody, which allows me to become a more complicated person.

TV SOAP:

But being a good–looking guy or woman, when somebody compliments you on your looks, how do you handle that? Do you say “thank you” or do you get shy about it?

DANIEL:

I get shy about it… always. At the end of the day, when you get cast in a role that’s based upon your physicality…. and I use to play against my type all the time. I would try to audition for roles where I wasn’t the leading man. I was going nowhere. I was banging my head against the wall. My wife said to me once, “Daniel, when are you going to understand they are not going to cast you as the serial killer or the evil guy, because against him is the guy who is the leading man… and when you look at him, he looks like you!” I finally embraced it. Ironically, after that I booked this. It has become the greatest acting experience, and one of the most wonderful periods of my life. Looking back, in “Beastmaster” I ran around for three years in a loincloth and looked ripped, with hair blowing in the wind and saying, “I want to do these other types of roles.” My wife, said, “I am telling you that you’re going to get really frustrated by it!” So, I decided to try and go the other way and not try to fight against type and see what becomes of it. Now I am glad I made that choice.

TV SOAP:

What can we tease our fans to look forward to in the coming months?

Dan and JessDANIEL:

I think you are going to see an emotional unraveling of someone that had the ability to put everything they have neatly packaged in a box, because that is what they have done for so long. You’ve seen a person who drops his guard after it was up for so long, and now all of a sudden, he is put in a position where he asks himself: should he put it back up? That, plus Cane is going to become a corporate powerhouse who puts all his angst into something he can control. He knows he can control the business side of things.

TV SOAP:

But will he lose his integrity?

DANIEL:

No. I would not allow him to lose his integrity. Eric Braeden is notorious for not allowing Victor to do non ‘Victoresque’ things. I am a firm believer that you are who you are at the core, and your morale compass dictates this is the direction you should head.

TV SOAP:

Should Cane and Lily fans be very worried?

DANIEL:

I think they will always root for the couple, but I don’t think they will always enjoy the ride. I think it’s hard, when you are a fan of a character or a couple, to sit back and watch everything fall apart. Especially, when you know that guy didn’t do what he is accused of doing, because the fans are on the inside.

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TV SOAP:

As an actor, what did you think about the recent Christian Bale incident involving some form of abuse to his mother and sister?

DANIEL:

I don’t know what happened, but to be honest with you, nothing surprises me. Here is the thing: I remember watching a documentary called “Spielberg on Spielberg,” and he was talking about doing “Empire of the Sun” with Christian when he was 8. Christian had an orange on the table and he was asked a question from the press, and he did not know how to answer it, so he picked up a pencil and stabbed the orange and got up and walked away. I was like, “If you are 8 years old, and that is your reaction to something, there is something going on.” You look at the films, “The Machinist” and “American Psycho,” which I have to say, is one of the top five roles I would want to play. That being said, I am not surprised when you have an innate ability to play such a dark character, within you something must be lurking. I can’t judge whether or not, it’s the mother and the sister trying to cash in. I can’t judge, but I am not surprised by anything.

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Interviews

Y&R’s Newman Kids Talk 48th Anniversary, Storylines, Camaraderie, and Take the Trivia Challenge

On Friday, to celebrate the 48th anniversary of The Young and the Restless (which premiered back on March 26th,1973) Michael Fairman chatted virtually with the actors who comprise the adult Newman family children; Joshua Morrow (Nick), Amelia Heinle (Victoria), Mark Grossman (Adam), Hunter King (Summer) and Melissa Ordway (Abby).

During the conversation, on You Tube’s the Michael Fairman Channel, the actors discussed what it was like coming into the iconic Newman clan when they first debuted, behind-the-scenes moments and laughs they share working with each other, and what it has been like for them to share scenes with their iconic TV father, Eric Braeden (Victor) and for some of the kids, their on-screen mother, Melody Thomas Scott (Nikki).

In addition, each touch upon their current Y&R storyline where:Nick is involved with Phyllis again, Adam is on to Chelsea, Victoria is trying to be in the woman in charge of the company and she finds herself boyfriend-less, Summer has her hands full with the arrival of Tara Locke and Sally Spectra who may all destroy her relationship with Kyle, and Abby wanting to have a baby via surrogacy with the sperm donor being Devon.

Later, Michael plays a round of “Stump the Newman” trivia where the actors are put to the test to see just who knows the history of the Newman clan best. Watch what happens when the mention of the notorious and ill-fated reliquary storyline is brought up!

Joshua, Amelia, Mark, Hunter, and Melissa also express what it has meant to them to be a part of the legacy of The Young and the Restless, and still later Joshua’s daughter, Charlie, even makes a special guest appearance.

Now watch the conversation in full with the Newman kids below. 

Then let us know, what was your favorite moment of the interview? How do you hope their current storylines resolve? What was your favorite and least favorite storyline of all-time for Nick, Victoria, Adam, Abby, and Summer? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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