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The Don Diamont Interview – The Bold and the Beautiful

Photo Credit: Gilles Toucas

Photo Credit: Kathy Hutchins

The lip-smack heard around the world on The Bold and the Beautiful, had a vulnerable Brooke (Katherine Kelly Lang) and Bill (Don Diamont) giving into their attraction to each other, albeit for a minute.  Soon the reality and the gravity of what they had done would come back to bite them!  You see, just as soon as Bill and Brooke headed home to Los Angeles there was previously MIA Katie (Heather Tom), who had vanished due to her post-partum depression, waiting for her husband!  Now what was Bill going to do?  Or … Brooke for that matter?

On-Air On-Soaps caught up with daytime heartthrob Don Diamont to get his thoughts on this latest wrinkle, which could eventually cause a seismic shift in the relations between the Logan and the Spencer families!  Meanwhile, Dollar Bill had been up to his neck in manipulations in his attempt to keep ex-girl-on-the-side Steffy (Jacqueline MacInnes Wood) happily married to his son, Liam (Scott Clifton), and away from Liam’s true love, Hope (Kim Matula)!  Now that much of his machinations have been exposed and caused havoc for his family including Caroline (Linsey Godfrey), Diamont has been at the story forefront painting a rather complex side of Mr. Spencer!

But while there are big changes on-screen for soap veteran, Diamont, over this past summer, there were big changes in Don’s personal life.  Don married his long time girlfriend, Cindy Ambuehl, in a romantic ceremony outside of Monte Carlo surrounded by his sons, castmates and friends, and as you will read, it was a magical time for his family.  And, family means everything to Mr. Diamont!  Here now is Dandy Don!

MICHAEL:

When you got the scripts that said, “Bill kisses Brooke,” or “Brooke goes to look for an MIA Katie with Bill,” how much of the story did you know?  When Ronn Moss (Ex-Ridge) left the series, did you know that this is what was going to happen?

DON:

Courtesy/CBS

I had an idea that we were going to move in that direction. 

MICHAEL:

The reason I ask, is that the last time we chatted you had said you think Katie and Bill are a great couple, and this new romantic entanglement could lead the viewers now questioning who to root for!

DON:

I do think Katie and Bill are a great couple and I love working with Heather Tom (Katie).  I think it reflects in our work.  Although, if Heather hated me, it would still be as good. (Laughs) But I don’t think that is the case, but having said that, we still went through the Steffy period, and that was challenging for Bill and Katie.  As this story progresses with Brooke, I am sure it will present its share of challenges, as well.  My feeling was that it has to be a real love story that has to develop with Bill and Brooke, as he has a real love story with Katie.  But, it has to be a real love story, and they have to be driven together and not an overly contrived fashion.  It is Bill’s sister-in-law, and Katie is Brooke’s sister.  Given Brooke’s history, that whatever story gets told, it has to be very compelling that would push these two people together that would otherwise not go anywhere near that.

MICHAEL:

The groundwork was laid out very well for Brooke and Bill to share that kiss.  Brooke was frantic to find Stephanie’s engagement ring that she gave to Brooke shortly before she died.  Bill was then the one to find it and hand it to Brooke.  There was symbolism in all of that for the future, for sure, and then … BAM … they kissed!

DON:

They both were in very vulnerable places.  At that point, as far as Bill knew, post-partum depression or not, Katie wanted a divorce.  She did not want to be a mother to their child, and she in her own right, wanted a divorce.

MICHAEL:

Courtesy/CBS

Next, Bill and Brooke head back to the Spencer home after Stephanie’s passing, and lo and behold …. there was Katie!  And your face in the scene was priceless!

DON:

Yes, there she was! (Laughs)  You know, Heather and I had talked about playing this scene.  Bill was and is conflicted.  He would be conflicted even if nothing had happened with Brooke.  Katie was back and like, “Oh, I am back, and everything’s wonderful and it’s all good.”  No it’s not!  You left and put us through a very difficult time.  Bill obviously was not aware of the ordeal Katie was going through, and that made this more difficult as well.  So, add to that, the feelings the Katie helped create – the feelings he now shares with Brooke – and obviously it wasn’t, “Katie’s home and everything is great. Oh, joy!”

MICHAEL:

So is Bill buying the post-partum depression from Katie as the reason for her checking out on him and baby Will?  Is he Ok with that?

DON:

He is many things, and idiot is not one of them.  So yeah, he gets it, but it still makes him feel like he is on unstable ground now.  So here is who I thought she was, and yeah, the post-partum depression was a big part of this.  But, is there more going on here than that that is going to potentially rear its ugly head?  She is not the same person Bill thought he married.  It’s unsettling for him and he is not sure what to do.

MICHAEL:

Photo Credit: Gilles Toucas

He wants to be a father to baby Will, right?  This is his chance to be a dad after missing out on years raising his other son, Liam!

DON:

No question.  He loves this baby.

MICHAEL:

One can assume this will cause conflict with Liam down the road, because he was Bill’s first born son?

DON:

I would imagine once Will is an infant and goes to boarding school and returns as 17 (laughs), I would think down the road that two male Spencer’s would be a great story to tell!  Will would be the golden child, for sure.  I would guess Will probably will be molded more in Bill’s image.  I already suggested putting a sword around his neck! (Laughs)

MICHAEL:

Yes! They need to cast a little Don Diamont who looks like you!  In real life, you are a father to a ton of boys! (Laughs)  There isn’t one person we have ever met who knows you, who does not say you are the best father.

DON:

Photo Credit: Kathy Hutchins

I try.  Being a dad is something I always wanted to be.  When I was a kid, I had valued my relationship with my dad, and I lost that pretty young.  I wanted that and I thought it was very important.

MICHAEL:

You finally got married to your long time sweetheart, Cindy Ambuehl, over the summer.  How was the wedding?

DON:

We went to Rome, Venice, and Monte Carlo.  The wedding took place June 12th in Eze, which is this magical storybook medieval city.  It was perfect.  As I said, because we had waited to get married, the boys were older, and we all had many years together.  So, a lot of our collective life experiences were brought to bear.  It was very much like we all got married.  It was very emotional for everyone.  Cindy walked out, and Luca, my eleven year old, just started crying.  Let me tell you, I was having to hold everyone up at my own wedding! (Laughs) My son Alexander made a speech on behalf of all the boys, and he got emotional and everyone started crying.

MICHAEL:

I remember chatting with you and Cindy on the red carpet at B&B’s silver anniversary party!  She was so funny and charming.

DON:

Photo Credit: Kathy Hutchins

Cindy is hysterical; she has an amazing sense of humor.  She is a very funny.  When she was still acting comedy was her real passion.  She had two sitcoms, and she had guest-starred on every sitcom from the 90’s: Seinfeld, Frasier, Wings, and on and on.  She looks like she does, and is hysterical on top of it.  She often brings me to tears and I beg her to stop because I am laughing so hard that I am doubling over in pain.  And on top of that, she is gorgeous, brilliant, a hard worker, and an amazing mom … and she puts up with me! (Laughs).

MICHAEL:

This role as Dollar Bill Spencer seems to be the defining role in your daytime career.  So many of your peers feel that you really “pop” with this character.  Would you say that you have really immersed yourself in this role, like none other?

DON:

What happened on Y&R and the way it happened was difficult, and when Brad Bell (B&B’s executive producer and head writer) called it was a job, so that was great.  So when he described the character to me it was over the phone, but then we later sat down and he told me he had created this character for me.  I just immediately understood and knew Bill Spencer.  I was able to create a life experience in my head for him, and had just a great give-and-take collaboration with Brad.  He gave me the outline for this guy, and he gave me the “ball” and the freedom and trusted me.  I felt that from him.  Brad expressed to me that he had very high hopes for the character and that he created other leading male roles over the years for this show that were not so successful.  I promised him that I would not let him down.  In creating Bill, I was able to bring some elements to me that are right there and other elements that we all have that are smaller parts of who we are, and parts of your personality that you handle; like Bill is quick to temper.  I, Don, am not so quick to temper, so you bring that, but it’s there and you bring it more to the forefront.  I relished the opportunity to bring Bill to life.  I thought this is an opportunity to bring a unique and dynamic character to the show.  It is my job to make him complex, contradictory, and a Type-A person.

MICHAEL:

When I talked recently with Katherine Kelly Lang (Brooke) she was saying, “Oh God, I don’t want Brooke to be paired with another man so soon after Ridge.”  And … here Brooke was kissing Bill!  Did the two of you have any talks about that and address any concerns?

DON:

Photo Credit: Kathy Hutchins

No.  We did not really talk about it.  (Laughs)  I think her concerns were the same as mine and Heather’s; that the integrity of all concerned not be comprised.  We will see how this plays out as we move forward.

MICHAEL:

What are your thoughts on this situation?  Do you think Katie and Bill can come back from anything and endure it as couple?  Or, do you think Brooke is a real spoiler and threat to their relationship?

DON:

I think where Katie is at now is not good, especially if they can’t come to a meeting of the minds.  Bill feels this is not the Katie that he married.  This is a person living in fear, as opposed to this wallflower of a person that had all this stuff within her that he saw and yanked out of her.  Bill made her more in his own image.  Then, Katie became more of a powerhouse and a go-getter.  That is not who she is right now.  She is strong in other ways, but not that person.  We will see how it unfolds.  I think it’s great story.

MICHAEL:

There will probably be at least 327 episodes to come now of Brooke and Bill looking longingly at each other, with nothing advancing! (Laughs)

DON:

I don’t read facebook, or the blogs, or Twitter, just because I don’t want to know what people’s opinions are, or what the reactions out there are.  I just like to do my work and do my thing, and not let it be colored by opinion … everyone else can do all that.  I don’t really know what the reaction of Bill and Brooke is at this point.

MICHAEL:

Photo Credit: Kathy Hutchins

From the reactions we have seen, the fans are more disappointed in Brooke because she just apologized to Stephanie for her behavior with all the Forrester men and taking them from her.  Then she kissed Bill, and to many it made her look bad.

DON:

She thinks Katie is gone at that point, and that Katie wants a divorce.  Brooke is dealing with her own vulnerability of the Ridge situation and losing Stephanie, her best friend.  I think moving forward it’s important that Brooke fights against whatever feelings clearly she has for Bill, and genuinely tries to make Bill and Katie work things out in their marriage.

MICHAEL:

B&B’s first on-screen same sex couple: Joanna Johnson (Karen) and Crystal Chappell (Dani) were back for a short-arc after Caroline’s “accident”.   What did you think about the way Bill handled the reveal of his sister’s sexuality?

DON:

Who would have expected that Bill would respond that way, and be OK with his sister’s sexuality?  I was glad that he responded in that way.  It was very important.  I said from the very beginning, “Bill is probably very Republican with his wallet, but he is very liberal in his social views.”   He does not care who sleeps with whom.  Bill is not about that … Jewish, Gentile, Muslim, Gay, Straight… he doesn’t care.  If you mess with him, no matter what you are, you are in trouble! (Laughs)

MICHAEL:

Photo Credits: L Bohm & K. Hutchins

Would you like to see the show delve more into Karen and Bill’s brother-sister relationship and dynamic?

DON:

I like our scenes, and I like our dynamic.  Crystal is great, too.   I liked the scenes with Crystal where he is thinking, “Oh, yeah. She is into me. C’mon! You’re telling me, I don’t know when a woman is interested in me?”  I thought it would be kind of funny, if Crystal’s character was finding herself into Bill! (Laughs)  That would have created a riff between Bill and his sister, Karen.

MICHAEL:

What do you think of Bill’s sudden alcohol “problem”? And is it really a problem? Or, do you think he will get this under control?

DON:

He doesn’t have anything to get under control. It’s not a problem. Bill is not drinking any more or any less than he ever was. Bill really sees it more as Katie having a heightened sensitivity since having gone through her recent near death experience, almost losing the baby and her post partum depression.

MICHAEL:

Courtesy/CBS

Everyone in town is furious with him: from Hope, Caroline, Liam etc.  How was it to play all of those heavy confrontational scenes?  Bill even got so upset that he “stabbed” himself with Liam’s little dagger charm on his necklace! Is he unraveling?

DON:

Confrontation plays right into Bill’s wheel house so that is a non-issue.  There are certain things that Bill certainly doesn’t like being challenged about but he is always up to the task. I relish the opportunities to play those scenes. Those kinds of scenes get your juices flowing. Lastly, as the audience found out, Bill did not actually stab himself.

MICHAEL:

One day Bill will get shot by any number of suspects, and they can do a “Who Shot Bill?” whodunit!  Of course, Bill lives though it! (Laughs)

DON:

You mean like Dallas’ “Who Shot J.R.?”   This would then be “Who Shot B.S?” (Laughs)

MICHAEL:

Well … Bill did have a part in the machinations that ruined Hope and Liam’s chance at happiness that inevitably pushed Liam into the arms of Steffy!

DON:

Courtesy/CBS

Bill got Deacon out of prison to throw an emotional wrench in Hope’s world, and then that would hopefully stop the wedding from happening.  Deacon showed up in Hope’s hotel room while she was getting ready for the wedding.  However, Hope and Liam did get married, as Bill had made clear.  Hope showed some emotional fortitude and Bill respected that.  He did welcome her into the family, and he meant that.  It’s not his fault that the wedding wasn’t legal, and that they neglected to take care of the paperwork.  It was really on Rick.  Rick was the one who created the problem, and that has been Bill’s position this whole time.

MICHAEL:

Were you on set for Susan Flannery’s (Ex-Stephanie) farewell party day?

DON:

As I said to Susan, my first episode was with her and that meant a lot to me.  Bill being introduced in scenes with Stephanie brought gravitas to Bill right off the bat.  It was an honor for me to work with her, and to start out what I hoped would be a nice long run here.  I valued my scenes with Susan.  The first eight weeks I was on the show that story arc revolved around Stephanie.  I worked with her quite a bit.  I have so much respect for her as an actress and as person, and it was really wonderful for me.  I was glad I got the time with her that I did.  The entire send-off was beyond well deserved.  If anyone deserved that kind of send-off, both in story and in terms of the party we had here, it is Susan. My hats are off to Brad Bell for all of that.  I give Susan a lot of credit too for giving Brad the opportunity to send her and the character off in the manner in which she he and Susan deserved. 

MICHAEL:

Photo Credit: Gilles Toucas

In closing, do you want the audience to like Bill, hate Bill, or ultimately both?

DON:

Interesting question and nobody has ever asked that.  I think that both are the answer.  I think Bill is very entertaining and a likeable hard-ass.  Even though he gets in his own way, genuinely he believes he is doing the right thing.  The commitment to his family is clear.  I think there are some people out there who love to hate him, and some who love him, and some who want to be Bill!  It’s all of that.  But overall, I think he is very entertaining, and coming up he will be smack dab in the middle of a huge firestorm with the women in his life.

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annesha
Guest
annesha

I would love for you and Steffy to fid your way back to each other, what do you think about that?

kimmie
Guest
kimmie

cause they truely deserve each other, thats why bill fights so hard to keep steffy near, he wants her but is with katie so next best thing give er to his son, just keep it in the fam right dolla bill

Dee Bickford
Guest
Dee Bickford

I love Don. When he was on YR, and love him on BB more! His character is basically good.. But he is all man! So good to look at too, so that sure doesn’t hurt. 🙂 I can see lots of chemistry with Brooke. In spite of her history. That’s life in the soaps! I agree with Bill about Hope too! I don’t like her with Liam! It actually surprises me how much I dislike her character. I am sure she is a lovely person. So credit for my dislike is given to the writers. 🙂

Jeffery
Guest
Jeffery

It’s so refreshing to see Don so vibrant on B&B after his Brad seemed to diminish over many years on Y&R. B&B is like daytime’s answer to Greek mythology, and Bill Spencer is a formidable god. Of course, we can love and hate him at the same time. His sexiness counterbalances the absolute jerk that he is. He’s both bold and beautiful! Without Don in the role, I don’t think we’d get that complexity. It’s compelling, to say the least. So glad to see this talented guy not going to waste.

carla
Guest
carla

we want Bill & steffy together!

Lee
Guest
Lee

I absolutely LOVE Bill and Steffy as a couple. Those two were so hot!!!!!!!!! What were the writers thinking breaking them up!

Jane
Guest
Jane

I soo love the Bill Spencer character, when he appears on screen i find im holding my breath just waiting to see what will happen next. Don – you are wonderful to watch, keep it up!

sam
Guest
sam

Love Brooke and Bill together

Joanna Maria
Guest
Joanna Maria

Bill’s heart belongs to Katie, Brooke or Steffy won’t change. Bill always “has” feelings for another woman when feels hurt, abandon or betrayed by Katie. Does Anyone See a Pattern Here?

Joanna Maria
Guest
Joanna Maria

I meant Steffy and Brooke won’t change this!

beth garvin
Guest
beth garvin

I have been watching b&b and y&r for 20yrs. I think bill and steffy looked good together! hope and liam should have 1 more chance without anyone messing with em. steffys plane should crash and she would lose the baby.

lori
Guest
lori

i totally agree

Christine
Guest
Christine

There are other less dramatic ways to lose a baby then a plane crash. Most pregnancies don’t make it through the first trimester because the baby isn’t meant to be in the first place.

Sheila E. Hollingsworth
Guest
Sheila E. Hollingsworth

I love to see you on B&B Don, you are so goodlooking!!!!! You also have a very beautiful wife & family, so proud of you!! Keep on doing your thing we love YOU!!!

anothercc
Guest
anothercc

I would love to see Bill, Karen & Dani in a storyline. The possibilities are endless. Dani could go nose to nose with Bill in business and be all protective of her family at the same time. $Bill & Dani Warfare will be an opportunity missed if it is not explored.

Hillary
Guest
Hillary

I love Don & Bill. However, the Steffy/Liam/Hope triangle is soooo tired. Stop. Please. I honestly don’t even care who Liam is with anymore. They can all go fly a kite for all I care. Is he the only hot, rich, available guy in LA? C’mon, B&B you’re killing me with this!

Wanda
Guest
Wanda

I loved Brad on Y & R. I despise Bill. The only woman on B & B that deserves him is Steffy. They are both just a like and deserve each other.

Shari
Guest
Shari

I love DD and loved Bill until he decided to change his thinking of Brooke. Not only is Brooke the sister of Katie, she just turned Bill into all the other men (cough) on the show. I’m not a huge fan of Katie’s nor do I want Bill with Steffy (prefer her with a new hot guy) but Bill was the man you loved to watch because he meant business. Sorry, but Brooke brings him down and I don’t think we’ll see the man that Bill was when he originally showed up. Next thing, he’ll be giving Brooke his FC… Read more »

erica
Guest
erica

disagree, finally an exiting storyline with the Bill and Brooke forbidden romance instead of everydays of the old Hope/Liam/Steffy triangle, so so played out, they try to recreate Brooke/Ridge/Taylor triangle we get it but it is not the same..Steffy although a dynamic character is not tornado Brooke Logan and Ridge had far more sex-appeal, charisma than Liam back in the day..i would say Hope is less dull than Taylor but Taylor was particularly gorgeous back in the day, Hope is just pretty..so not the same..i am not sure it can endure years like old school Brooke, Ridge, Taylor were able… Read more »

Lily
Guest
Lily

Sorry, but there is nothing exciting about seeing Brooke act like a hoe who can’t keep her hands off her relatives significant others once again. Not looking forward to another boring triangle.

k/kay
Guest
k/kay

Lily I agree Don Diamont’s statement about the character of Brooke keeping integrity. What a joke and just for the record KKL wants to be front and center all the time the show has and still is a snoozefest.

Cris
Guest
Cris

Love Don As $ Bill

ZALINA GOSINE
Guest
ZALINA GOSINE

BILL IS HOT,BROOK IS HOT,LET;S SEE SOME FIREWORKS WITH THEM….

julie
Guest
julie

yep finally an exiting story, makes me want to watch ! Yep scandalous, soapy, forbidden, sexy, they have chemistry so go go Brooke and Bill, write this story Bold and Beautiful, we want to be entertained !

jessica hutson
Guest
jessica hutson

Am I mistaken? Isn’t the actress who plays Carolines mother , the same actress who was Ridges wife/lover years ago ? I think she died of cancer? Im sure its the same woman! and her name was Caroline, too! Help me please, figure this out!!!

Betty
Guest
Betty

Yes, the actress is the same one. And yes, Caroline of years ago did die. The actress is playing Caroline’s twin sister Karen.

Ridge had married Caroline many yrs ago, she was his one and only. Then she got leukemia and she died. I don’t recall if we (audience) knew she had a twin sister at that time, but she did appear a few times through the years as Karen after Caroline died.

Sherrigoree21
Guest
Sherrigoree21

I want to see real drama! I want to see Bill and Steffy and Liam team up Hope! I want Hope to wigged out! I also want to see Bill tell Katie that he don’t want to be her no more because she not woman enought and Bill and Brooke go on vaction I want to see it all.

lulu
Guest
lulu

Bill and Brooke : exiting !!! We want to see that Brad Bell, don’t stop this story for pete’s sake, i began to watch again this soap with this direction, hep you want triangle alright..write a Katie/Bill/Brooke triangle and give us a break from Hope/Liam/Steffy triangle.

michelle
Guest
michelle

I wish the story line with Liam , Hope, and Steffy woul change up Liam can never make up his mind who he wants, Hope is so immature. I hope Steffy just leaves him standing.

Christine
Guest
Christine

Ugh. So many comments complaining about storyline … to Don Diamont mostly … especially after he said he does NOT read these comments. Thank you, Michael, for another amazing interview. I have really grown to admire Don Diamont from his Y&R days. It is just a shame how poorly things went there after all those years, but he must have a little bronze statute of Brad Bell on his mantel because that man has really given him something! He is about as front burner as you can get for a half-hour show. I’m so happy for him. I’m also happy… Read more »

kelly-ann jones
Guest
kelly-ann jones

DD pimps which ever storyline than can keep him front burner

jaybird369
Guest
jaybird369

More and more, as Dollar Bill Spencer on B&&, Don Diamont TRULY ROCKS!!!!! Also, more and more, the Brooke/Bill/Katie love triangle has been so wonderfully well-written and all…so far. And, Dollar Bill himself is so wonderfully BAD-ASS…LOL!!!!! Looking back on it now, I now realize and understand as to why Bill tried to break up Liam and Hope (and more than once, too). Liam acts like such a whiny and lovesick MORON and Hope’s wholesome and Puritan-like behavior is BEYOND ANNOYING!!!!! And don’t even get me started on Taylor…who is WAY TOO MUCH of an annoying and meddling busybody!!!!! One… Read more »

shidda
Guest
shidda

I love Don always!! I dont care who he be with as long its not with NASTY BROOKE!! i LOVE THAT MAN EVERYTIME i SEE B&B

Alice Croom
Guest
Alice Croom

I love bill&brooke together this is the only reason I watch.katie treated bill like a child telling him what he can do and what to do.now she is using his son to control him and I don’t like that, too many woman today are doing that, do what or you can not see your child.i want to see bill and brooke grow old together.i would like to see more passion with bill and like I did with brooke and ridge I loved to see them make love it was so hot.

Interviews

Y&R’s Mishael Morgan Talks Amanda’s Gut-Wrenching Scenes With Her Mother, Romance with Devon & Vice-President Kamala Harris’ Historic Moment

Since Mishael Morgan returned to The Young and the Restless as Hilary’s twin, Amanda Sinclair, it’s been a slow burn for the character.  However, recent revelations of Amanda’s childhood past have exposed the emotional wounds and the inner fight of this legal eagle, who is now poised for a romance with her late sister’s husband, Devon Hamilton (Bryton James)!

And who better to take on the challenge of trying to make Amanda and Devon a couple to root for then the talented Morgan.  In recent scenes, viewers watched as Amanda learned the harsh reality from her biological mother, Naya (Ptosha Storey), that she gave her and her sister up at birth and never really regretted it! Mishael played those scenes as you would expect for all they were worth and then some.

Michael Fairman TV chatted with the Trinidadian-Canadian Morgan, as the United States marked Martin Luther King Day on Monday – a holiday that holds a special place for her – and then the inauguration of Joe Biden and Kamala Harris as President and Vice-President of the United States on Wednesday and its historical significance.

 

While Mishael shares her thoughts on these moments of our time, we also do a deep-dive into how she created a second life in Genoa City and the challenges of playing a twin and making her unique and different, plus what fans should look forward to in the months ahead, which to us looks like it could be a love triangle between Elena (Brytni Sarpy), Devon, and Amanda.  And, as the second anniversary of the death of Kristoff St. John (Neil Winters) is fast approaching, Morgan opens up about the impact her former co-star had on her daytime career.  Here’s what Mishael had to say about it all below.

Photo: AP

Yesterday was such a historic day watching the swearing in ceremony of Kamala Harris, as Vice-President of the United States.  She is the first woman, first Black woman, first Indian woman, so many firsts to hold this office.  I just wanted to get your thoughts from watching it.  What was it like for you?

MISHAEL:  For me it was such a beautiful moment, and such a defining moment because now there is no person in America who can feel like they can’t do it all, that they can’t make it to the highest level of office, or at least one of the highest levels of office.  I think that is going to transform this country and the world in many ways because the rest of the world really does pay attention to American politics, and to what goes on in America.  I think it will really have a ripple effect throughout the entire world.  For me, it was so exciting to see this moment actually come to fruition because I think that the impact is even greater than we all could imagine.  You never know who you’re inspiring.

Photo: Hustory.com

It was really amazing, and this was also right after Martin Luther King Day and I know you produced your “I Have a Dream” Project.  How was the holiday for you?

MISHAEL:  It was funny because even though I did the MLK project, I didn’t really think that it was something I could really explain to my son.  Then, yesterday my son really wanted to know: “What was Martin Luther King Day about?  Why was it a holiday?”  It was so interesting because I had to come up with a way to explain it to a five-year-old, and what I came up with was so basic but so true.  I just said, “This was a day when Martin Luther King, a very famous man, who was famous because he stood up for everybody’s rights, and he marched to make sure that everybody can do the same things in this country as everyone else no matter how they look,” and that’s what he was.  He wasn’t just a champion for just Black lives.  I think he is a champion for equality, and he is a champion for making sure that we always remember to see each other the same.

Is that what inspired you originally to do your project?

MISHAEL:  Yes.  100%.  I remember being inspired by Martin Luther King as a child when I was learning about him for Black History Month and stuff like that, and then when all of the social unrest happened, I just remembered him again, and it was something that I wanted to explore.  When I started reading about him again, I just became so inspired by him all over again that I wanted to do something, and that’s what really inspired me to do the “I Have a Dream” Project.

Photo: Getty

I just hope that we will make strides in our country in stomping out systemic racism – it’s such a deeply-entrenched issue in our society.  A lot of people talk, but we need action to bring change to the system.

MISHAEL:  That’s the thing, I think that this moment, you can’t stop – like the moment when Kamala Harris got sworn in as our Vice-President – you can’t stop the train now because strides will be made that the next generation will look at as normal, and of what it means to be a Black woman or a woman in this country is going to change forever.  It’s the next generation that is really going to continue to move it forward.  So, I think that at the end of the day.  This will always be something that’s remembered.

Courtesy/CBS

Now on to Y&R, I wanted to tell you that these performances that you gave that recently aired were just great.  I always love it when they give you the ball.  How did you feel about the scenes and the storyline, where we learn the deep pain and hurt of Amanda’s childhood and the truth from her mother?

MISHAEL:  I was so excited to play it because for me, I really love telling human stories.  I love diving into that part of myself, and I really know that a huge part of why I am an actor is because I just have this outpouring level of empathy for every life that’s lived.  When I talk to people, and they tell me their stories, I want to take it on because I want to show that beautiful side of humanity.  So being given this story, I wanted to be very careful with it, because I knew that this is a reality for a lot of people.  I also thought about the fact that twin stories have always been done before, paternity stories have been done before, but I have to make sure that it comes from a truly honest place inside of me and a truly empathetic place.  I was excited to take on the challenge to be true to myself, and be true to my artist, and just find the beauty and the honesty in this real human story.

Courtesy/CBS

Ptosha Storey, who played your on-screen mother, Naya, was amazing in the scenes with you.  What was it like working with her and the gravity of it, where this woman is basically unapologetic that she didn’t want her children and she gave them up, and she did not sugar-coat it.

MISHAEL:  Ptosha was amazing.  I loved working with her.  We really got to kind of know each other a little bit.  She has such an interesting story about coming to LA to pursue acting, taking a break from it, (and I don’t want to speak for her), but then really going full-throttle right now when Black, female characters are being played, and she’s getting an opportunity to get back out there and do what she loves to do.  Just listening to her story was so inspiring to me. We had a true respect for each other when we got on the stage, and I think we made some art.

Photo: JPI

It was almost like watching a two-person play in those scenes.  What did Amanda feel at this point?  Was she hoping that her mother would say, “I loved you.  I wanted you?”  Was she hoping for a different outcome in her head?

MISHAEL:  I think anybody who goes into a search for their parents is hoping for a positive outcome.  I think for her, it was heartbreaking to hear that if Naya could go back and do it all over again, she would have made the same choices, and also knowing that those choices really impacted Amanda’s life in an incredible way.  I don’t think that all of it has come out yet.  I think a lot of the pain and hurt that she had to go through as a child, and the loneliness that she had to go through as a child, and hearing from a mother that she would put you back in that situation because it was more comfortable for her, and the level of selfishness is hard to take. Then there is the anger and everything that would come out of hearing that from your biological mother.  It’s funny because the way that those scenes were scripted, there was no stage direction, which to me, I love, because a lot times it will say like, “in this moment she is going to get a little angry,” or, “in that moment she is going to be sad,” but for those scenes, for some reason (and they were really juicy scenes) they really didn’t give much direction. I appreciated that because then it really allowed me to really just make the scene what I thought it was and just really live in the moment.  I know this was a roundabout way to answer the question, but yes, it was very heartbreaking because nobody expects that somebody would say that to them.

Photo: JPI

It was just so heartbreaking.  I kept thinking, “Maybe she’ll…” but no, Naya just stood her ground on it even though Amanda grew up in a foster home.  She wasn’t the “chosen” twin either!

MIHAEL:  No, and she was never chosen, and I think that’s an interesting thing that you said because she was never chosen, and I then even to this day, as a grown woman, she still isn’t chosen, and that I think is heartbreaking.  It’s an interesting thing because I do happen to have a bit of a personal experience with this.  My father wasn’t in the foster system, but he was raised… kind of farmed out to two aunts as a young child and didn’t really get to have a relationship with his parents until he was older, and with his mother, until he was in his 20s.  So, it was so fascinating watching my father.  I just remember always looking up to him and thinking he was so strong, and so powerful, and never cared about what anybody thought, and because of his upbringing, it made him a very driven person, very much like Amanda, but there was a weird sense of wanting to be good enough when his father was around, or when people talked about his father.  It was very fascinating for me to watch that.  It was like I would see my father almost turn into a child again, just wanting that love.  I think it’s because that is so organic to who we are as human beings that it just never goes away, that need to know that your parents love you, that there are two people in this world who no matter what will be there for you, and they will love you.  That’s a hard reality to come to when you realize that’s not true.  I think that’s something that’s really hard for the human spirit to let go of.

Photo: MMorganIG

Yes, and I think what you are saying is also true that you realize as an adult that we are so deeply affected by our childhood and how it plays into our choices, or how we perceive things that happen in our lives.  So, when you think of that, and because you’re a mom, doesn’t it make you feel even more that you want to do right by your kids? That you don’t want to do anything to screw them up in their later years?

MISHAEL:  Yes, it’s true.  It does make you want to be the best person for them and the best example, especially the best example for love.  You want them to feel accepted, and appreciated, and proud, and you want them to know that you’re proud of them.  You want to do everything you can because you think of every single person you may have met who felt like their parents didn’t love them enough, and you want to do every single thing to make sure that your child doesn’t feel that way.  I talked to one of my friends, and they’re like, “My parents never told me that they were proud of me,” and I’m like, “Alright!  Well, Niam, I am so proud of you!” Every day, “I am proud of you!  I am proud!”  It’s like every day I better make sure to tell my kids that I am proud of them, and that I love them.  I was talking to Bryton James about this because I had a disciplinary moment with my son, and you wonder if they are going to take it the way that you take it, but at the end of the day, that might get burned into his memory as “the worst thing that my mom ever did to me,” and meanwhile I thought it was a life lesson that I think he learned.  You kind of have to get rid of that fear that you are going to screw them up because I think it doesn’t matter.  You’re either going to love them too much, or you’re not going to love them enough, and you just have to do the best that you can, and you just hope that it’s good enough.

Photo:JPI

Now, you were brilliant as Hilary on Y&R and had this amazing story send-off, and then you came back to the show as Amanda, a new character.  How has it been to try to define Amanda as her own character without the ‘Hilary-isms’, or does it not matter anymore?  Do you feel you have made the distinction for yourself that they are two very different characters?

MISHAEL:  I feel like now they just are different.  It was active choices that I was making in the beginning, and it was important for me in the beginning.  That’s why, for me, when I was bringing Amanda in, I was trying to stay very steady in my tone and how I spoke because Hilary was very, very up and down, and everything was all over the place.  So, for me, that was my beginning moment, just really focusing on how Amanda spoke and how she conducted herself. I can’t change the way that I look, but I feel that the way that I speak and the way that I carry myself will naturally start to define the character.  After a while, when that becomes more second nature, I feel like more of the character comes through … more of how she is and how she takes things in.  That’s just sort of explaining a bit of my process. It’s just the weirdest situation that I never thought I would ever be in, but I definitely feel like a different character for sure!  I do feel like I know who Amanda is now.  In the beginning, when I read the script, all I heard was Hilary.  I really had to think about how I was going to say things because I didn’t want it to sound like Hilary, and now when I read the script, I see Amanda.  I don’t hear Hilary anymore.  It’s become easier for me now to lean more into the role and get more comfortable with it.

Photo:JPI

Amanda had said to her mother that she was also robbed of her sister.  How does that play into her whole psyche?  She does know that Devon was deeply in love with her sister, and now she has feelings for him too.  Did she want to meet her sister?  Does she feel robbed of that?

MISHAEL:  She feels very much robbed of that.  For me, it was very important that the time when she discovered that Hilary was her sister and that Hilary was gone, that I’m playing that loss properly.  It was important for me because if you couldn’t believe that Amanda’s heart is truly breaking for her sister, then you can’t believe anything else that’s coming afterwards.  This is a really defining moment for me as an actor playing two characters on the show.  It was really important, leaning into the fact that I had a twin, and I’ll have a connection to a person who doesn’t exist anymore, and really letting that break my heart, and break Amanda’s heart.  Once the audience believes that, then they can really believe that Amanda is a different character.  Then, our amazing fans will start to just buy into it, and they will figure it out, and they will work it out, and they will wrap their heads around it, but for me, it was that they had to believe that Amanda’s heart is truly broken for Hilary, otherwise we can’t hook them.  Amanda and Hilary have to become two separate characters in people’s minds.

Right.  So, after the confrontation with her mother, she runs to Devon, and she is torn up, and he consoles her.  This week he asked her out on a date.  She likes this guy, right? 

MISHAEL:  Yeah, I think she does!  He’s the first person that she met when she came to town, and I think she’s always been impressed by how he treated her even when he hated her, and the more that she learned of him, the more she became impressed by who Devon was, and his patience with all of this. In seeing his vulnerability with Hilary, and everything that he went through, and then seeing his heart being broken because of Elena and Nate, I think all of it together is starting to give these two characters reasons to be okay with exploring something that may seem strange to other people, but you can’t control who you love sometimes.

Photo: JPI

Hilary and Devon were such a hugely popular couple.  Do you feel pressure to hit lighting in a bottle, twice?

MISHAEL:  It’s really hilarious because we’re the same people!  Yeah, there is a little bit of pressure because you do wonder if you’re going to be able to create the same magic, especially because Bryton and I have known each other for so long, and we know each other so well now.  Looking back at some of the Hilary and Devon scenes, there is something that is so interesting about it and fun about it because I think Bryton and I were just getting to know each other at the same time.  So, wondering if we are going to be able to recreate that and just make it feel fun and fresh, I think is the worry or the challenge.  I think we will figure it out.  Bryton and I were talking, and the one thing that is missing, or the one thing that we have to get to in terms of the underbelly of Amanda and Devon’s attraction is that Amanda is more like Devon than Hilary ever was.  It’s almost like Devon realizing that the whole journey with Hilary was meant to happen just so that he could meet Amanda.

Isn’t Amanda going to be kind of worried that he was so in love with Hilary and the way that she looked…

MISHAEL:  Well, she doesn’t need to worry because Hilary is dead anyway.  It’s not like she’s coming back!  (Laughs)

Photo: JPI

Since the last time you played an on-screen relationship, Bryton is with Brytni Sarpy in real-life, and Brytni is on the show now, and there is all of that.  What has that been like working with Brytni?

MISHAEL:  Oh, I’m so Canadian!  As soon as I got back to the show, I was like, “I’m so sorry,” and she was like, “Why are you sorry?”  I said, “I just feel very sorry that I’m here.  You guys have your real-life love thing going on, and your on-screen love… I feel weird.  I’m happy to be back on the show, but I’m like breaking up the party!”  She’s like, “No!  It’s fun!  It’s fine!  Maybe we’ll be rivals!”  I’m like, “Yeah, okay it’ll be fun!”

I can see a classic soap bitch-fight on the horizon on Y&R!

MISHAEL:  Brytni has been awesome about it.  That’s been great.  We don’t know where it’s going to go, but it’s going to be fun.  They’re also playing with Devon’s love for Elena still.  They still have a pull.  Devon is still looking at Elena.  So, I think it’s going to be interesting either way.

Photo: JPI

We are going to have the fan wars again for the couples!

MISHAEL:  That’s even more fun!  I always said I’d rather people be fighting for me to be with this person and that person as opposed to just always with one person because then to me, I kind of wonder, “Is it just this one actor who makes me better?”  I want to be an actor who makes everyone better!  That I can work off of anybody and get that chemistry or that thing that audiences are looking for, that’s what I really challenge myself to do.

Photo: JPI

On February 3rd, it’ll be the second anniversary of Kristoff  St. John’s death, which is hard to believe that it will have been 2 years already.  I keep remembering when I first met you.  Kristoff and you were on The Price is Right, but it was also a crossover for your characters, and you were the new girl on Y&R.  Do you still feel his presence at Y&R?

MISHAEL:  A few days ago, I had asked Bryton, who is s actually in Kristoff’s old dressing room, “Do you ever feel Kristoff in there?  In your dressing room?” and he’s like, “No, not really.  Definitely not in my dressing room, but on set sometimes.”  Even though he’s not here, it’s like he’s still with us because you still see him in pictures and sometimes that happens while you are on set doing a scene.  One time, I was on set doing a scene with Christel Khalil (Lily), and I saw a picture of Kristoff in the background, and it’s just kind of a reminder that I think he is always going to be here in terms of his impact on me and my time on the show.  He means a lot to me because I think I am the artist I am largely because of his influence, and how he really took me under his wing and made me feel so comfortable.  He was such a light, and he made acting so fun, but he always had your back as an acting partner and as friend, and I miss him a lot.

Me too.  He was just a wonderful actor too, when you look back on some of the work.

MISHAEL:  Oh my gosh, yes.

Photo:JPI

What does Amanda think of Naya’s other daughter, Imani (Leigh Ann Rose)?

MISHAEL:  She’s just irritated by Imani because she basically got to live the life that Amanda should have had essentially. To watch her be up on her high horse to Amanda, it’s laughable because the amount of hoops and obstacles that Amanda has had to go through to get to where she is standing today, somebody like Imani is just a complete joke to her! In Amanda’s mind, she is who she is just because of the opportunities that she was given and because of the family that she was born into.  It was complete luck, and it had nothing to do with hard work.  In Amanda’s eyes, everything that she is and every ounce of who she is, is because of her determination, and the choices that she made, and the obstacles that she overcame.  So, the way that Amanda looks at Imani is like she is just a person who she doesn’t even think could fathom how insignificant Amanda thinks that she is.  There is a deep-rooted resentment for Imani because I just think that Amanda has been through so much.

Would you like to have more scenes between Amanda and Naya and Imani?

MISHAEL:  Yes.I want more scenes with both of them!  Both of them are so amazing.  So, I’d love to work with both Imani/Leigh-Ann and Naya/Ptosha again.

Photo:JPI

What can you say to the fans to look forward to?

MISHAEL:  I think I would say that Amanda coming to Genoa City was a really big surprise, and I think that those surprises will continue … ff we want to be as vague as possible! I think there are a lot of things to look forward to because this relationship with Devon is definitely going, and I think it will be interesting to watch how Bryton and I figure that out, which will be fun!

Photo: JPI

Big surprises? Hmm.  Are you going to tell me that there are four of you? That Naya really gave birth to quadruplets … and you are about to take on two more roles?

MISHAEL:  Well, you never know!  That’s all I’ll say!

So, what did you think of Mishael’s recent performances where Amanda met her birth mother? Are you rooting for Amanda and Devon to wind up together, or Devon and Elena? What have you thought of Amanda Sinclair vs. Hilary Curtis Hamilton?  Share your thoughts via the comment section below.

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Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. https://members.sagfoundation.org/donate 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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General Hospital

GH Co-Head Writers Chris Van Etten and Dan O’ Connor Interview – “Soapmakers of the Year” Honors 2020

In a year which saw production of your favorite soaps shutdown for several months due to the coronavirus pandemic, everyone in daytime had to pivot.  As original episodes aired, they eventually ran out, giving way to rebroadcasts, while the audience eagerly awaited the return of the current stories.

At General Hospital, once production resumed over the summer, head writers, Chris Van Etten and Dan O’ Connor had teed-up: surprising homecomings (Dante, Britt) shocking twists and revelations, the conclusion of what will become an all-time soap classic, the Alzheimer’s storyline, dipping into the rich 57-year history of the iconic soap to tie story to the present (Laura, Cyrus, Martin), and crafting stories for its A-list cast which gave 2020 some of its finest on-screen moments.  GH became can’t-miss television again, coming back even stronger than its pre-pandemic self; which also kicked the year off in high-style with the reveal of Nikolas to his family, alive and well, and the long-awaited truth about baby Wiley.

Chris and Dan’s depiction of Mike’s heartbreaking battle with Alzheimer’s gave viewers many tears through its unrelenting and realistic storytelling, plus their commitment to air the standalone episode to honor the passing of the 19th amendment of the women’s right to vote in November.  Both were noteworthy, and illustrated what daytime can do best.

 

Each year, Michael Fairman TV gives our highest honor to a creative or creatives who most delivered to its audience and whose quality of work continues to keep us engaged, on the edge of our seats, or reaching for the hankies. That is why this year’s Soapmkers of the Year honor goes to GH scribes: Chris Van Etten and Dan O’Connor.  Shortly after receiving their acknowledgement, the duo spoke to us about some of the 2020 highlights in Port Charles, and how they work so well together to bring their stories to life.  Here’s what they shared.

Courtesy/ABC

First, and foremost, I want to commend you for the Alzheimer’s storyline  As I’ve shared publicly, my mother died of Alzheimer’s, and I have seen the progression of this disease and the effects it has on a family and loved ones, and the person afflicted with it.  You did a beautiful job of telling every beat of the story within the context of what you could do within a soap opera.  What can you tell me about crafting that and seeing it through to the end?  You never abandoned the story, which at times, can happen on daytime.

CHRISNo, we didn’t abandon it.  Soap operas have a power that I am sure we have acknowledged before, to allow audiences to really get to know characters in a deeper and more profound way than I think most other mediums do.  We get to see characters’ lives day in and day out.  For us to tell a story about Alzheimer’s, which is a disease that is devastating in so many ways, not the least of which is the fact that it can take years to develop and years to finally claim a life, we felt that among our audience, there had to be many people who had experienced this in an up-close and personal way.  So that to tell the story too expeditiously would really deny their experience and would take away from their appreciation of the show as a reflection of reality.  Of course, soap operas don’t do that in every sense on every episode, but when you’re telling a story about a disease that people experience every day, you have an obligation to reflect the real-world experience.  So, by bringing it to a close too fast and by doing it in a way that didn’t honor what at times is the horror of the disease, felt like it would be a cop-out.  We wanted to do our best within the constrictions of the medium to depict that; while at the same time, of course, not wanting to leave people so depressed as to not want to tune back in.  It was a really delicate dance.  We are very grateful to have had the support of the network and Frank Valentini’s (executive producer, GH) ingenious production team as well as a great repertory of actors who were willing and able to give their all to this story.

Courtesy/ABC

Maurice Benard (Sonny) did some of his finest work of his career in this story, and you gave him the ball to do it, and Max Gail (Mike) was amazing.  Two standout episodes included: when Mike passed and was taken to heaven by Courtney (Alicia Leigh Willis) and Mike’s funeral episode.  Did you realize when you were writing it, the impact it would have on the audience?

DANAs for the funeral, I’d say that we knew as we were writing it that not only did we want to give the characters and the audience a chance to say goodbye to Mike, but we also wanted to give the performers a chance to say a goodbye to their relationship with the actor, Max Gail as well.  Max is a fantastic, phenomenal actor, and he formed close relationships with many of our performers.  So, when we wrote the episode, yes, we did want to give the audience a chance to say goodbye to the character, but we also knew that because of the close relationships that these performers have made with each other that the actors were going to bring their all, and it was going to provide the audience with some powerhouse performances.

Did you get emotional seeing it? 

CHRIS:  Oh, personally, I cried.

Courtesy/ABC

I know you both love and appreciate the soap genre and understand that the audience often wants a good cry and is invested in these characters.  So because of that; what’s it like for you when you see these emotional moments play out that start in your mind, go to the page, then to the stage, and now are out in the world for people to see and experience?

CHRIS:  I can’t speak for any of the other writers, but I’m not crying when I’m writing it, but I’m crying when I see it realized and how the actors, and the producers, and the directors realize it.  I personally am always surprised by the nuance and the beats that they find that we, in our first draft kind-of-lifestyle that we have as soap opera writers; where we are writing six or seven episodes per week, we don’t have the time or the luxury to really sit with an episode and mine it for every single beat and every emotion. That’s why we have great directors and great actors who take these scripts and find these extra moments.  So, it is really gratifying to watch – yes, to see something that we’ve imagined be produced and personified, but then to see how the production then takes it in other directions, that’s the best.  I think that’s the most gratifying part of writing for a show, not seeing what you’ve written produced, but seeing how it was parented into life.  When you have a baby, I think you have all sorts of ideas about what the baby will be, and then the baby becomes something else as the result of its environment and of the people who are influencing and guiding it along and that may be a bit of a stretched metaphor, but it kind of feels relative.

As co-head writers of General Hospital, how do you work together to come up with long-term story?  What is your process?

DAN:  Chris and I will meet regularly and discuss the long-term stories that we are telling, and plan to tell, and maybe some adjustments that we have to make along the way.  We get to meet with our writers several days every week as we figure out the best way to tell that story in the form of however many episodes we write a week.  Chris and I also write episodes along with our great breakdown script team, and every week we figure out the best way to either stay on the path of the story we are intending to tell, or find new opportunities or new twists and turns we can take along the way.

Photo: ABC

Do you get into friendly, creative disagreements? Is one of you more protective of a certain character than the other? 

DAN:  Chris and I have known each other for close to 15 years at this point, and we are not just colleagues, we are also friends.  There is a certain amount of shorthand that we have with each other which is just invaluable in telling story.  What’s great is that we sometimes come at the story from different angles or we have a different point of view, much like any two fans of the show wouldn’t agree on necessarily everything, but in our discussions about the show’s needs, wants, and haves, and the story trajectory, we ultimately get somewhere better than where either of us could have come up with on our own.  At the same time, there are those moments where we both come to the same idea at the same moment, and that’s definitely when we go, “Okay, we’re onto something good.”

CHRIS:  I can add as a partial translation that I can get really snippy, and Dan has the patience of a saint.  So, often times, I need 24 hours to go away, and sleep on something, and wake up, and say, “Oh Dan, you were totally right about that.  I’m so sorry I was snippy the other day,” and he doesn’t seem to hold it against me.

Do you ever get a writer’s block; as has to happen often with scribes in the unrelenting medium of daytime drama, and if so, I would think having a writing partner would be an asset during those times?

DAN:  I think it’s the nature of the beast.  At a certain point, you might hit a roadblock somewhere, but that’s why having a partner is so valuable that there is somebody else that you can bounce ideas along with, and just as, if not more importantly, our team of writers are always there to sometimes give us even better ideas than what we would have come up with on our own.

Courtesy/ABC

This year you utilized and delved back into a lot of GH history.  How did the idea come about to bring back the character of Jackie Templeton and have former All My Children and NYPD Blue favorite, Kim Delaney, take on the role?

DAN:  Jackie Templeton is a character who has been an Easter egg on the show for many years now.  Whenever we needed to namedrop a famous journalist, she was always our go-to.  It always felt like the character was in the ether of Port Charles for awhile, and we were excited to bring this take-no-prisoners character back and explore her history with Robert (Tristan Rogers), and at the same time, we were finally teed up to tell the story of Finn’s (Michael Easton) falling out with his father and step-mother, and we realized we had a great opportunity to have the character serve both stories and collide with not just Anna (Finola Hughes) and Finn, but Robert as well. Those three played wonderfully with each other. When we heard that Kim Delaney was interested in playing with us, we were just over the moon.  .

Courtesy/ABC

You have also been delving back into Laura’s childhood past and her history. I love that you brought up the death of David Hamilton and her teenage years, which hasn’t been discussed for a very long time on the show while tying it into the present.

DAN:  We were always aware of the story just because we love General Hospital and we love the character of Laura, and there is nothing else like daytime drama, and one of the great things about it is that you can reach decades into the past and expand on stories and themes that the audience actually witnessed. Long reaching history is a tool in our toolbox that not many other series have.  Chris and I love honoring and using our characters’ histories to propel the show into the future with some serious momentum.

Photo: ABC

You created and brought the character of  Cyrus Renault (Jeff Kober) on to the canvas. Was it originally a case of, “We need an uber-villain to come and shake things up,” and then you decided to connect him to Laura?  It’s been an intriguing shocker for viewers.  Jeff is playing the multi-levels of Cyrus with great finesse, and whenever you give Genie something, the fans go nuts, and she, in turn, delivers every time.

CHRIS:  The story of Cyrus has a couple of phases to it.  We wanted to bring on a villain who would not only be an adversary to Sonny, but someone who we could use to really test Jordan (Briana Nicole Henry) and Curtis (Donnell Turner), and we knew going in that the first phase of this story would really hit the Corinthos family and also the Ashfords, and as we developed it, we thought about what the act two would be, and we knew that we had an opportunity to really engage Genie Francis and to expand her sphere and expand her footprint on the show, and by connecting her to Cyrus, who is not your typical face or presence for a soap, but is also not your typical person who I think Laura would encounter in her daily life.  So, we knew, as we really developed Cyrus as a villain, that for Laura to find out that this man is her brother, would really allow us to play with Laura in a different context and in a different light and really give Genie a new kind of challenge.

Speaking of Genie, what did you think when you watched back her performance in the episode where you wrote that Laura has to say goodbye to her comatose daughter, Lulu (Emme Rylan), before she was sent off the canvas to a long-term care facility?

CHRIS:  I mean to me, that’s vintage Laura.  I came to General Hospital personally in the late 80s to early 90s, so my experience of Laura really only begins with her, and Luke (Tony Geary), and Lucky (Jonathan Jackson) at the Triple L Diner.  I think that what we’ve gotten to see with Genie is really reflective of the high emotion that she is capable of delivering.  At the same time as the high emotion, you’re also seeing really small human moments that she really breathes a lot of life into.  I can speak for Dan and myself when we say that we are just really thrilled with what she has been able to bring to the screen.  Thrilled, but I guess not surprised.

Coutesy/ABC

Nelle (Chloe Lanier) was such a great interloper and threat throughout the year in story; whether it’s hatching plots to gain custody of baby Wiley, or her “death” scene and confrontations with Carly (Laura Wright).  However, through all of this, when was it decided to make Nina (Cynthia Watros), Nelle’s biological mother?

DAN:  There are very few things that are as exciting on a soap as a character that makes you wonder what they are going to do next, and Chloe and Nelle provided that role with just gusto.  The truth is, the idea that Nelle was Nina’s daughter has been a part of the conception of that character, and over the last few years, the story evolved, and we ultimately got to reveal the truth to the audience.

Courtesy/ABC

As writers, there has to be characters that are just so delicious and treacherous to write for that you have to get a kick out of it! Chloe Lanier is so good that she makes the audience want to slap Nelle when she takes the dialog and then brings it to the screen.  

CHRIS:  It is tremendous fun.  Yes, yes, we love writing for these characters who are willing to do and say anything to get what they want.  We are constrained when writing for characters who have morality.  It takes a moral character a lot of really difficult circumstances for them to make a decision that might go against the grain, but when you have a character like Nelle, who is not shackled by certain societal norms, then you really get to live out the worst impulses that a person could have, and it’s really fun, especially when you take a really great performer like Chloe and see her as Nelle unleash all of the poison that she’s capable of.  At the same time, she can turn on a dime and rip your heart out a little bit when she turns on the water works.

Photo :ABC

Ava Jerome’s (Maura West) story this year had her moving into a relationship with Nikolas (Marcus Coloma).  We, the audience, didn’t know how that was going to go – if they were just going to use each other, or ultimately fall in love.  Was that the plan all along … that they would develop deep feelings for each other, or did you want to see how it progressed and played out on-screen, and then make that determination?

CHRIS:  I think that once we saw the chemistry between the two actors, we knew we had gold. So, we wanted to take our time, especially the way that it was constructed.  These were two people who had little use for each other emotionally, and in fact, probably wanted to see one another’s downfall, and that’s what makes it so great to write – that these are people who, in a similar vein as Nelle, don’t live by the same rules as most of the rest of us, and therefore, they might do things to each other that the rest of us would not do to anyone let alone whether we like them or not.  That’s what makes Ava and Nikolas so delicious is that from one moment to the next, you don’t know if they’re going to hatch a plot against each other or fall into bed and ravish each other. That’s what I think we hope to continue to play as we go forward because they certainly have very strong, passionate feelings for one another.  When you’re talking about Ava and Nikolas, these are two people who do not have a lot of fans necessarily in Port Charles, and there are a lot of people who don’t necessarily want to see them achieve happily ever after.  Knowing that there was so much initial mistrust and suspicion between the two of them could really provide the foundation for their own undoing or their undoing from someone who does not want to see them happy.

Photo: ABC

Back in November, GH made good use of a standalone episode spotlighting the history of the women’s right to vote and the suffrage movement; just as the presidential election was happening.  What made you decide to write this special show, and how do you feel it turned out as it also spotlighted the female cast?

CHRIS:  We had long intended to honor the one hundred years of American women’s suffrage with a special episode to air on the anniversary of the 19th amendment’s passage, but we missed the date due to the pause in production.  We realized we had a second chance as the election neared.  Going forward was a no-brainer. The biggest challenge was in distilling such an epic story into one episode. We think ABC would do well to consider a spinoff: “Port Charles, 1920”

Courtesy/ABC

You have such a powerhouse cast to write for.  It’s loaded.  It’s got to be a challenge for you to construct the story for GH when you’ve got to front burner people and back burner people, and then you’ve got these huge daytime stars all in one show.

DAN:  It’s an embarrassment of riches to have a cast as talented as we do quite frankly.  We are fortunate enough that we know that we have these amazing performers that we can trust with whatever stories that we throw their way.

CHRIS:  I will say that we do have a great cast.  They’re all wonderful, and when you have a show that is only approximately 35 minutes of airtime on any day, it’s a real balancing act to make sure that everybody gets a story that really is worthy of their talents, and we’ve got one for everybody.  Sometimes it’s just a matter of which story takes precedence in which moment, which is why occasionally some characters aren’t featured on a daily basis, but you can bet your bottom dollar that they will be.  If you were to ask me, “Who are the standouts?”  I would say all of them.  You saw this year: Maurice Benard, Nancy Lee Grahn (Alexis), Maura West, Genie Francis, and Laura Wright (Carly) to name but just a few.  They’ve all done such fantastic work, and we can’t wait to give them more material to give them more moments to shine.

DAN:  A priority of ours is every week, we meet up and look (well, it’s virtual now during Covid-19) at the big board of our cast photos and we go through each character and always make sure that they have some story percolating even if it’s not on the air at the moment.

Photo: ABC

As we close out 2020, and look forward to 2021, any parting thoughts, and perhaps a tease of what GH fans can look forward to in the New Year?

CHRIS:  In general, I would just say that despite all of the challenges of the year, we are really grateful to our cast and the crew back in Los Angeles for realizing and improving the show that we imagined, and we are so excited for everything that is coming in 2021.  We hope to continue to throw a lot of surprises at the audience, and at the same time give them a lot of moments and stories of heart and love and excitement.

So, what did you think of the year in story on General Hospital in 2020? Share your thoughts on Chris and Dan’s comments and their year-end honors via the comment section below.

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