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The Doug Davidson Interview – The Young and the Restless

Courtesy/CBS

Who doesn’t love to see one of the veterans of daytime getting handed the ball and a great emotional story, and then give it such a heartfelt delivery that it leaves us reaching for the hankies?  Well, in recent weeks on The Young and the Restless, long-time stalwart Doug Davidson (Paul Williams) has been chewing the scenery with some powerful performances that really took off when Paul shot his son Ricky, which sent the evil one crashing through a window to his death!  What has followed has not been good for poor Paul!  Eden, who was about to be sliced to death by Ricky before Paul shot his son, can’t remember what happened.  And, the knife, which is a key piece of evidence, is missing!  Now Paul has been arrested for the murder of his psychotic son, and his ex-wife has come back into the picture to defend him!  And that is only half of the story!

On-Air On-Soaps chatted with Doug Davidson to get his thoughts on taking front and center stage again, and how it has been working with his most recent on-screen offsprings, Peter Porte (Ex-Ricky) and Jennifer Landon (Nu-Heather).  Doug also reveals if he would like to see a rekindling of the Paul and Christine (Lauralee Bell) romance, what he feels about all the actresses who have embodied Heather, and how he managed to rationalize playing the distraught father to an irredeemable character, and the challenges it presented him.

In addition, find out what Doug would like to see happen in the next the arc of the story if he had the opportunity to write it.  We actually loved his suggestion and hope you will too!  One thing is for certain, Doug is that dependable performer who can make us smile or break us down in tears.  It’s always a joy to catch up with him and hear what he has to say about it all.  So with that, here’s Doug!

MICHAEL:

Doug, your performances have been amazing and so moving.  Fans and critics have given you well-deserved kudos and recognition.  When you saw the script that said Paul shoots his son, Ricky in the shoulder who then crashes through a window to his death, what was your initial reaction?

DOUG:

Courtesy/CBS

The first thing I thought was, “OK. I have work to do!” (Laughs)  Because it has been kind of spotty story wise for Paul, for awhile.  Secondly, I thought fear and worry.  If it wasn’t handled properly it could backfire.  So I was kind of nervous.  We had an instance where Chris and Paul had a rather violent lovemaking session, and because it wasn’t explained, did kind of backfire.  I was pretty nervous about it, but once I saw how well crafted it was, then it was just performance anxiety! (Laughs)

MICHAEL:

Peter Porte (Ricky) had pushback from the audience at the beginning of his time on Y&R, but by the end of his run, people loved him and his performance!  How was your experience working with Peter?

DOUG:

My experience with him was outstanding.  I read with him when he got the job, and to his credit, once they gave him something to run with, he certainly was loaded and ready to go.  It is kind of a difficult situation when you are not exactly sure what they want from you, and by the time they figured out the direction, then Peter knew where they were going with it, and he could give it to them.  And he did, in spades.

MICHAEL:

On last Friday’s episode, when you as Paul were talking to Christine and Nina at Ricky’s gravesite talking about the father’s day card, it was so sad.  It was my favorite part of your speech, even more than when Paul was alone in front of Ricky’s grave.  In your portrayal, did you reconcile why Paul was a MIA dad to Ricky?

Courtesy/CBS

DOUG:

They did not write it in, and they did not explain it.  I made the assumption that Paul would make periodic trips to see him, and so I had to have that in my own head to play.   I think Paul, as a responsible father, would have done things like that.  By the same token, once I realized that was not what their past was, you validate it by you saying you own your business, and that it is never a good time to getaway.  Out of sight and out of mind.  You might send an email here and there.  And of course, they aged him to a point to where, in reality, Ricky would be 12.  Faced with that, then I try to validate the fact that I was not as attentive as I might have been.  Even doing it 24/7 with my own kids, you second guess your actions.  Even with my own parents and their aging, I don’t always make the best, or admirable choice, in retrospect.  I would probably push my kids too hard, or not hard enough.  I was angry or not angry enough, and you can second guess it.  So how I validate it in real life is come hell or high water, I did the best of my capabilities.  But there were plenty of areas to play the guilt of Paul with regard to Ricky, because he is not the only kid to be raised by his grandparents.  You know the history of this is not good anyway!  Michael set up Isabella.  She got herself pregnant.  Then we got married.  I think it went something like that! (Laughs)

MICHAEL:

So did Paul truly reconcile he had a psycho son?

DOUG:

Right, but then there was a period of time where Paul knew before anyone else!  So then that discovery is painful too.  You feel it in your heart, and it’s supported by the things you discover with logic.  It’s hard to ignore when people are disappearing or dropping dead.  And, he is acting strangely, and tormenting me, and all these things you pointed out were true as well.

Photo Credit: Kathy Hutchins

MICHAEL:

Then what is interesting is how Y&R is crafting things with Christine back in Paul’s orbit.  Now, she is defending him in his murder rap.  However, then there is that little ditty of Phyllis mowing down Christine years ago in a hit and run.  That has come to light, which then forced Christine to admit to Paul that she kissed Danny on the night of their wedding years ago.  Paul took it quite well, I thought.  What did you think about the way Paul reacted to that bit of news?

DOUG:

It happened so far down the road, and she even admitted it.  Why would she lie? Christine admitted it was a goodbye kiss to Danny, as I recall.  If she really had any hesitation she wouldn’t have gone through with the wedding.  So her actions to Paul at the time suggested that what she was saying was definitely true.  It was a goodbye kiss to her that was misinterpreted by psycho Phyllis.  Whether or not I think it would have made a difference to me if I was the one who was seeing it, and had the visual and been a witness to the kiss, at that period of time, it might have upset Paul more.  But that too would not have derailed it.  Christine had a full-blown relationship and first-love.  It would be hard to imagine that there weren’t’ still residual feelings for Danny as she enters a new relationship.  Certainly, now we are both adults, or I like to think so! (Laughs)

MICHAEL:

Do you remember the details of the hit and run?

DOUG:

Christine and Paul were crossing the street and the car came out of nowhere.  Paul was leaving and Christine was crossing the street, and Paul saw the car coming.  He raced back to Christine and was not able to push her out of the way in time, if I remember this correctly.

MICHAEL:

Paul is in heap of trouble!  He has been arrested because they cannot find the knife Ricky used to attack Eden.  So it looks like Christine will help Paul and save him.  Eventually, would you like to see the two former lovebirds get back together?

Photo Credit: Getty Images

DOUG:

It would certainly be welcome.  I don’t know if Lauralee is going to be around.  She is the middle of her child and family rearing, and I don’t know if it is something that will fit into her schedule.  But I do know she is coming back from her summer vacation, and we have more scenes to come.  I am always open to working with her. We spent over a decade working together side by side.  So when they were calling us during the weeks we were shooting those episodes, they would call our name to the set, “Doug and Lauralee!” and it was just like the old days.  It felt really good, and so of course.  I would be open to it, and then there would be something to play with Tricia Cast (Nina) too.

MICHAEL:

Tricia Cast is such a fantastic actress to work with.  Wasn’t there a romantic relationship going on with Nina and Paul?  It seems it’s not being played that way anymore!  What gives?

DOUG:

They have not been really playing the romantic thing between them at all, recently.  So when people say it would be nice for Nina to have a romantic relationship with Paul, I too forget that I am in one! (Laughs)

MICHAEL:

At the gravesite during Ricky’s funeral, Nina was not holding Paul’s hand, or standing next to him.  It was if their relationship was being played so non-committal!

DOUG:

Photo Credit: Getty Images

Usually the scenes we have we are talking about our offspring.  And way early on, we were going to the movies and stuff like that.  It has not been focused on in our relationship at all as of late, and any of those things that you might find in one.

MICHAEL:

Let’s talk about the “Heathers” in your life.   You had Vail Bloom, then Eden Riegel and now Jennifer Landon play your on-screen daughter Heather Stevens.  I think Jennifer possesses the sexiness of Vail and the acting chops of Eden!  What do you think about my assessment?

DOUG:

I agree.  I did not have any issues with Vail at all.  I thought she was fabulous, and her dismissal shocked and surprised me, to tell you the truth.  So I can’t really comment on that because I am not on the production side.  I did not have to deal with the fact that she wasn’t on set.  I know she had some serious medical issues that she was dealing with at the time.  Eden, by her own admission, never really attached herself to the role.  I think they liked her so much they wanted to give her a role and that was the one.  But I think they were casting a couple of things at that time, and they gave that role to one and this to the other.  I don’t think it ever jelled there.  I don’t think it’s a talent thing; it’s the wrong part for a talented actress.  And, I have to agree with you, that for me I feel that Jennifer is terrific.  She is funny, she is smart, and she is great to work with.  She is organic and free, and that is the part I connect to.   She also has one degree of separation from me, because she is really good friends with my best friend and his family.  We get along really well. 

MICHAEL:

What is Heather and Paul’s relationship now?  Are they close?

Photo Credit: Kathy Hutchins

DOUG:

The most recent thing with Ricky showed Heather that Paul is committed to being a father.  He is trying to make up for the mistakes he made in the past.  And the first time Paul had a huge run-in with Ricky was in the coffee house, when he found out Ricky was the one who took the pictures of Heather and took advantage of his sister’s position to raise his own.  It was thoughtless and heartless.  I think Heather saw how Paul supported her through it.  She is beginning to understand who Paul is, besides who she thought he was.  The relationship issue there with Heather was that April had decided she would rather raise her with Heather’s step-father and make her believe she was begat out of that relationship.  So that was not Paul’s decision.  Then when the time arose, we had a tearful scene in the coffee house when we were indeed related, and Paul was not just a family friend.  So I think Heather is on board now.  I am sure Heather has residual feelings and hurt, but also beginning to get it now and feel that Paul is a real father to her.

MICHAEL:

You have had some very emotional scenes during your years on Y&R.  Several times you have been Emmy nominated.  You are one of the best male criers on daytime and the tears just flow, and so effortlessly it seems.  Are those big emotional payoff scenes tough for you to do, such as the recent big moments in the aftermath of Paul shooting his son?

DOUG:

The performance anxiety that arose out of that was the changing face of daytime, and that they are going to give me a shot at it.  It was suggested by one of our producers and the network, and then our executive producer and head writer, Maria Arena Bell, jumped at the idea.  Then they told me about it.  So there is always a bit of doubt, when it’s three o’clock in the morning and I am alone where I will say to myself, “I hope this all works out.”  There was no net.  I had new performers and I must say, once it kicked in and I saw the scripts and got into it, it is about the work.  Any performer, when they look at it with their left brain, will be nervous about it until they get into the material.  Doug is different than Paul, and Paul did fine with it. (Laughs)

Courtesy/CBS

MICHAEL:

From the beginning of your time on Y&R till now, you have told me in past interviews you have become a better actor.  When you look at your body of work now, do you ever think, “I am a very fine actor in this medium?”

DOUG:

It is really hard for me to do that.  It’s funny, because when I am doing it, it’s not part of me.  I am trying to connect with what they have written, and who Paul is.  It really is a kind of brainwashing.  You are fooling your own mechanism that this is true, and this is happening, and you are this person.  My technique is so refined; it is not something I think about.  When you look at a concert violinist or a pianist, they are not thinking where their fingers go.  They just go because they have been doing it for so long.  Acting is one of the things that I know how to do.  I think it is part of my personality.  So when I look back, there are so many forces involved.  I just don’t have that ego.  I do remember when Y&R went to number one.  I had the number one TVQ rating and Entertainment Tonight came out to my house!  To take credit for it is not really fair.  That is why when people win awards for their work, there are these long lists of people to thank.  That’s because you really don’t do it on your own, unless you are an author of a book.  I do give credit to all the people in my past from Brett Hadley and Carolyn Conwell, who played my on-screen parents, and the things I learned a long the way.  I hope I do the same thing for young people in this business, and let them know they are not doing this alone.  I am sure not. 

MICHAEL:

What can fans expect coming up in the perils of Paul?

DOUG:

Paul will be out on bail, and Eden is going through hypnosis to help her memory to trigger where the missing knife is.  And being under Bill Bell (Creator, Y&R) all these years, I don’t even question where they take us.  My job is to sell it! 

Courtesy/CBS

MICHAEL:

What would you love to see happen to Paul?

DOUG:

I think it would be incredibly hard to come to terms with what happened, even if it is true.  There are so many ‘what ifs.’  It would be a dark place for the rest of Paul’s life when he thinks of Ricky.  It’s like a war veteran.  It’s like a part of your life that you have to deal with and go on.  So there are some interesting stories there.  I thought it would be nice to have Ricky come to Paul and Paul find a kid who is orphaned or homeless who has the same name, and is 10 or 12 years old. and does not have a dad.  Paul then becomes a big brother to the kid, and tries to make up for the errors of the past with someone who still does need attention and help.  I think it would be fun to bring Peter Porte back and redeem his character as a ghost or a spirit, and maybe Paul does not see him.  But Ricky sees so much of his spirit working, and through the young kid who comes to Paul.  Paul asks the kid his name, and he says, “Ricky”!   Then it’s about how his relationship with his son and what happened changed him permanently.

MICHAEL:

Do you still like being the P.I.?

DOUG:

Photo Credit: Denice Duff

Yeah, but they don’t always write it.  In the old days, Paul had cases he worked on without any need for the police department.  For instance, the Cassandra storyline had the duality of having a case and a mysterious woman that happened to be part of the case, unbeknownst to Paul at the beginning.  Things like that.  But that is when we had isolated stories per character, and it was a completely different format than what we have today!

MICHAEL:

I was glad to see Paul had a scene with Phyllis where he lets her have it for running over Christine eons ago!

DOUG:

Yes, but it’s very short.  But yes, we have one scene in the hallway at the police department where he does confront her.

MICHAEL:

I really wanted Paul to have a few choice words for her!  (Laughs)

DOUG:

(Laughs) There is a bit of confrontation, and working with Michelle Stafford (Phyllis) is wonderful.  I have nothing but superlatives for her.  She brings it.  She is great and fabulous.

MICHAEL:

Photo Credit: Kathy Hutchins

In closing Doug, I just want to tell you it has been wonderful to see you being given some very heavy material and you have done an amazing job with it.  Have you seen or felt the feedback from the fans and the longtime viewers of Y&R?

DOUG:

I am so flattered.  I loved doing this story and it was a pleasure.  I have to tell you the response has been so positive and overwhelming … and even on the message boards, which is unheard of.  I cannot express the thanks and the gratitude I have for the fans and the people who have watched, and who have been supportive all along, and the new folks.  And, the ratings went up!

 

 

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Debra
Debra

Just wanted to say that the Paul/Ricky showdown has easily been the best part of Y&R this year. Doug & Peter deserve some major props from making yet another psycho story actually matter to the audience.

Kristen
Kristen

Doug soooo brought it in this story line! I wept. I have missed you. You are still very hot btw : )

MBmomof3
MBmomof3

Doug Davidson was simpy amazing in this story. Emmy worthy material. I think all the players brought their A game.

Thanks for another great interview Mr. Fairman.

kay/kay
kay/kay

My man Doug Davidson is and always has been one of the reasons I watched Y&R. He is a sweetheart like I said before give us a good story and we will come back MAB. Mr Fairman thank you for this interview this guy is so overlooked. I would have liked to have seen more scenes of Doug with his son before we went down this road but I will take anything I can get of DD, now lets keep him out of mothballs and on the front burner where he has always belonged. As Jeanne Cooper said when he had the storyline with Nina Arvenson who played Cassandra Rawlins in the 80’s they had the best chemistry of anyone on the show ever. And she was right!!

kay/kay
kay/kay

I also forgot to add his comments about the actresses who played Heather were spot on. What a true gentleman the only comment about JL I have is tone the harir down otherwise I am warming up to her portrayal it was definitely not the role for Eden Riegel.

Sally D
Sally D

I’ve enjoyed Doug Davidson as Paul from the very beginning when he started,
hanging out with Nikki. I can’t always catch Y & R, but whenever I see that
Paul is on, I know that I will enjoy DD’s performance–he is always very natural
and believable, no matter what kind of storyline is going on! And I like how he
can do both heavy and more fun material with equal skill. Glad Y & R is using
Davidson more now, and I hope that continues! I also like him having some
storyline with Tricia Cast, who always is a gem to watch, as well.

Thanks for posting this interview. It was a real treat!

LisaZee
LisaZee

Doug is a wonderful actor. Those scenes proved he has what it takes and I wish TPTB hadn’t waited so long to showcase his talent again. He is doing an awesome job! He also has always, in real life, seemed like a great guy, which is nice to know too!

Mel
Mel

Doug has been amazing in this storyline and definitely deserves an Emmy next year! I started watching Y&R 25 years ago and Paul has always been one of my favorite characters so it’s wonderful to finally see Doug Davidson on the frontburner again where he belongs. He makes everything feel so real and believable. I just love him!

Bart
Bart

While I have always liked Doug Davidson as Paul, his character’s “Juicy story” rings as very hollow and phony, which is pretty much everything as crafted by Maria Arena Bell. Paul has knowingly admitted not knowing his SORAS’ed son Ricky and never ever being there for him yet, so his graveside scenes didn’t produce any emotions for this long-time viewer.

The SORAS’ing of his son (and of MANY MANY “Y & R” offspring have ruined many past timelines as created by the late great William J. Bell and his staff. By SORAS’ing Ricky to a 20-something young man negates everything that Phyllis did to Paul & Christine back in 1994 – 18 years ago – yet, Ricky was born AFTER Phyllis’ “joyride” – thereby retcon’ing and destroying Bill Bell’s story structure.

Doug Davidson deserves better – so does the viewer.

Chaz
Chaz

Doug Davidson has deserved story for so long that I am thrilled he has finally gotten one that proves what an asset he is to Y&R. My partner, who is not a Y&R viewer, came in while I was watching the show on DVR and commented what a powerhouse performance Doug Davidson was giving.

Beef up Doug & Nina’s story….it is nice to see older couples having a relationship. Plus, Tricia Cast is a gem.

mjlynn
mjlynn

Chaz, any relation to Cher? Seriously, I totally agree. It’s about time Y&R writers are writing OUR DOUGIE back into the scripts. He’s been the MAIN reason I’ve been a dedicated viewer for 34 years! I loved his old story-lines, back when he dated April and impregnated her with Heather, and then when he went undercover into the mafia to trip up and take down the bad guys. His parents were always a huge part of the plot and I miss them both. Also, the original Patty, the blond teenager gal, cannot recall her name, anyone know, she was an excellent actress. I often think that the writers re-use so many of the old plots, such as there are two Pattys… and two Cathryn Chancellor’s… and how Victor took a prisoner in his basement in the Seventies and Paul was paid to go down to this dungeon and feed the guy, like caged animal, and then they had Daisy lock up Jana and Lauren in outdoor cage, similar to old Victor story-line. Ah, the similarities… I LOVE Y& R!!!

DDfan4life
DDfan4life

Doug’s portrayal of Paul Williams was the reason I started watching over 30 yrs. ago. I never stopped and think he is an incredible actor. I would love to see him front and center more often. When an actor can make me cry when they cry, laugh when they laugh, and smile just by their presence on a tv screen… they’ve got something special, that’s for sure! Now, Doug… have Paul go out there and investigate this hit and run from so long ago!

Mandy
Mandy

I love that you now have a good story line and wish more for you and Nena, as I like to see the older players return with a few new ones. I have watched this story since the first of Y&R when the Brooks family was on. That has been many moons ago. Love it and if they take off the two stories left, I will stop watching CBS daytime . We do not need another game show or talk show. You are a great actor, and I love the show.

nan williams
nan williams

Doug u r a fantastic actor…ur fans all behind u n support u in whatever story line ur given ….best of luck to u in whatever u do.God Bless u n urs. The writers should get this knife found

mjlynn
mjlynn

Agreed! Where could have a huge knife like the one missing have gone? Some homeless guy walks by and picks it up to shave off his matted hair>? LOL. Certainly, it will be the KEY to SOLVE the issue and set Paul free! Then again, I think Paul should get his PI office back and have his story-line multiplied to what it once was! Also, Jennifer Landon is a great actress, she’s the daughter of Michael Landon, correct???

Linda Lou Boehl
Linda Lou Boehl

Paul has always been a great actor, glad to see him doing more of it, always been a favorite of mine, keep up the great work my friend… love ya Y&R is the very Best!!!
All are such great actors on there….. from Linda Lou

Gayle Trent
Gayle Trent

Great interview!

Donna
Donna

Doug Davidson was simpy amazing in this story. Emmy worthy material. I think all the writer team is doing best wrting in a long time and hope they keep it up. I hope to see more of Chris and him month head too they are best time and Nina too all three of them .keep of the good work doug as paul williams

DEANNA JO KNIGHT
DEANNA JO KNIGHT

IT DOES MY HEART GOOD, TO KNOW THAT I AM NOT THE ONLY ONE THAT LOVES DD & PAUL. HE HAS BEEN MY FAVORITE ACTOR FROM THE BEGINNING AND ALWAYS WANTED MORE STORY LINES FOR HIM. THIS STORY LINE IS GREAT, BUT IT SEEMS TO BE GOING TO FAST. SLOW DOWN SO DD/PAUL CAN REMAIN ON THE FRONT BURNER LONGER.
I TOO LIKE HAVING CHRIS & NINA BACK. INFACT, I HOPE THEY BRING MORE OF THE OLD CAST BACK. MAKES FOR GOOD STORY LINES.
THIS WAS SUCH AN ENJOYABLE INTERVIEW HOPE TO SEE MANY MORE OF THESE.
WE NEED TO DO EVERYTHING POSSIBLE TO KEEP Y&R IN THE SPOT LIGHT.
I DON’T WANT IT TO BE CANCELED. I LOOK FORWARD TO WATCHING EVERY DAY.

Jane
Jane

Doug,There are not enough words in Websters dictionary to tell you what a fantastic actor you are. I have followed you for years.

I totally missed you when my husband and I were stationed in Germany,that I didn’t see you. It was like loosing my best friend. I did get newspaper cli[ppings of The Young And Restless. It was during the winter of 1989 up to Nov.of 1991.

I used to brag to my sister’s whenever I would get a new postcard or letter from you. I always had your picture hanging on my hutch in the kitchen. Now I send them the emails that you send me. I know they love the Young and Restless also.

You keep up the fabulous acting and I will keep watching . Sometimes I feel like I am right there. If you cry, I cry. When you laugh I do too. I love you, Doug Davidson,for making such wonderful daytime acting. Jane Salles

Delores
Delores

Every now and then on Y & R, we are blessed with a story that just knocks it out of the park and that’s what happened with Doug when Paul shot his son. I rarely cry at stories (even when I’m supposed to feel sad) but Doug’s performance was so real that I found myself sobbing. He rarely gets “meaty” stories so I’m grateful for this one; it reminded me what an amazing actor he is.

Laura
Laura

Awesome interview! I love that Paul finally has a storyline 🙂

Jeanne Curnow
Jeanne Curnow

Love the interview! Always enjoy seeing Doug perform on Y&R [awesome story line these days].Sure wish you the best always !

CONI
CONI

doug is a fantastic actor and i’ve watched him on y & r since day one. had the chance to meet him personally a couple of times and he’s so wonderful to talk to. his warm kindness and that smile just melts anyones heart. he has a great personality that out shines his talent. the best storyline he’s ever done and deserves an emmy for was the ricky & paul storyline. that storyline really touched my heart and yes brought tears to my eyes also. all the years he’s acted on y & r can’t ever be replaced by anyone else. great job doug! bravo, bravo, bravo—your the best. i love you DOUG DAVIDSON!!!

Joanne
Joanne

I have watched Doug play Paul Williams from the very beginning. So many great story lines over the years but I honestly think this is one of his best. I was kinda losing faith a bit in Y&R lately because I was seeing less and less of Paul and some of the other veteran actors. So happy to see he has another great story line his character can really sink his teeth into! Hope this leads to another Emmy nomination. Way to go Doug! Keep up the exceptional work and we will keep watching!!

mjlynn
mjlynn

I want to laugh because I’ve loved this guy since his entrance onto Y&R in ’78, when my pal Rick Springfield told me Doug was going to star on show! These new fans who’ve started liking him because of the RS cruises, behave as if they’re his biggest fans… and then there’s those, like me, who have loved this guy since his face was youthful and rounded, and his long blond hair was thick and…made fans long to run their fingers through it… Now I’m like, “I’m an original fan” and some of these young girls didn’t even know who the guy was until the past several RS cruises. This interview is funny because it seems as if the interviewer was one of those ‘newbie’ fans…causes happy crinkle laughter… a GOOD thing!! All in all, quite cutely done. I love you, Dougie!

Cheryl Pederson
Cheryl Pederson

Well, of course the ratings went up! How long have people waited for a story for Paul? I do like the idea, in moving forward, of this being a “war wound” for Paul — and that is takes some time for the understanding and a measure of peace in the soul. Doug has learned so much over the years, but he has always been great — and I really do miss a great PI story because I love the adventure! So here’s hoping,
Love to Paul and Doug!
Cheryl P

lori
lori

hi
an excellent interview. love lori

Phyllis
Phyllis

FINALLY the recognition he deserves! Long time in the waiting .. Doug has always been the greatest actor.. Never changes in looks, still as handsome as ever. These last few months you have done an awesome job. Thank you wrighters for giving Doug more and more in the story. He does deserve another emmy. Wow fantastic father an son acting. Keep it up Doug! Armenian hugs an kisses:)

Diane
Diane

Why does Phyllis get out a jail free card and forgiven by everybody except Paul and Cricket? Phyllis is just like Daisy and Ricky(demented). She needs to pay for all of her dirt. Didn’t she kill the nurse named Sasha back in the day because the nurse knew about her dirty deeds involving the baby and Danny situation? Also, Michael and Ronan should be taken off the case. They are warning the killer and sticking up for her.

David-Edwsard
David-Edwsard

Doug,

I would like to see your performance with Ricky. I would love to see you in action now to find out that Ricky isn’t actually dead. Your are an amazing character. You need to stop hidding behind your shield and let Christine (Lauralee Bell) know that she needs to focus on your case and attempt to prosecute Phyllis later. The writers need to allow you and Ricky’s mother unite and then allow her to go off the deep end after seeing you with Christine. The storyline is great and you do well at it.

lisa
lisa

I have always loved Paul, his amazing way of turning on and off those tears are incredible.. When he cries I cry because of the realness of it. He truely makes the show. I would love to see him and Cricket back together.. but poor Nina would be distraught.. Hopefully they will find her a good man in the future she sure needs it. I never liked Ricky..Not happy about the ex- returning- definitely hoping he dos not rekindle with her.

Laura
Laura

I am so glad that Doug has such a great role to play. He is an awesome actor and it’s great that he has a meaty storyline to portray. Very excited for him & the show.

Cilla
Cilla

Great interview! Thank you Micheal! Doug is the unsung hero of this show. Those of us who have watched him over the years know he can completely knock it out of the park whenever the writers give him a chance. His acting in the Ricky story line was mesmerizing. I just wish he would be featured in front burner stories more often.
Doug is the one who puts the heart and soul back into Y & R with his amazing ability to convey deep and totally genuine emotion. That’s the essence of soap operas for me. I really hope Paul’s story of emotional healing continues – I like the idea Doug came up with about mentoring a young boy as part of his healing process.
I started watching this show years ago because of Paul Williams and will continue to do so as long as he is on my screen!

Ginger
Ginger

Doug Davidson is a tremendous talent and a sweet person. He is hilarious in person. This interview was terrific and I hope to see more. I am glad the ratings went up for Y&R. Paul DESERVES it! Paul is effortlessly emotional and it does come naturally, like riding a bike. To Doug, never question yourself, you are right about just letting Paulie steer! ***I just want to see more Paul on Y & R!!! You deserve a very Special EMMY award! 🙂 Great Q & A. Thanks!!!!

Joy Mathys
Joy Mathys

Thanks for this great interview. Doug Davidson is the heart and the soul of the show. I love his suggestion about a young kid coming to Paul. How about this boy being Maggie Sullivan’s son and asking Paul to find his mother who just vanished (like Carl Williams years ago)? Paul would bond with the boy who could even be his son.

Tammy Ross
Tammy Ross

I really would like to see paul (Doug Davidson) and christina (Lauralee Bell) rekindle there romance I think they make a good c on the show. its time to see more on the show Y& R

Karen
Karen

Thank you y and r for giving Paul a great storyline. He is a great actor that doesn’t get much screen time! Outstanding performance!

Bobbie
Bobbie

I think Paul is a great guy, great acting, made me have tears. I think he should be best male actor. He is a great looking guy, great personality.

Cynthia
Cynthia

I love Paul and Chris together, their love and emotion seem so real.

Carolyn
Carolyn

Doug you do a great job just wish you were on there more often. You play a good role and I can’t miss a day without seeing this. I like you and Christine on here togather. Thanks for all the Pictures you have sent me and I am waiting for another photo of you. Your are a very handsome man. Keep the good work up. Can’t wait to the show to come on in the daytime. take care.

MP
MP

Doug has done a marvelous job with the Ricky storyline. Hope he is featured more in the future.

CAROL
CAROL

Doug Davidson has played the role of Paul Williams for an amazingly long time and he has had 2 children Heather and Ricky to come back into his life as adults and then he ends up having his daughter leave town and his son dies. He is a strong person, who endures so many unhappy periods in his life; but he is still able to go on with his life and I know that his TV father and mother would be very proud of all he has accomplished (the chief of police no less). What a GUY!!!! Paul Williams needs to stay on the show because
he and Christine are not done Y-E-T?

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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The Young and the Restless

Airdates: 10-24-26-2018

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