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THE ERIC BRAEDEN INTERVIEW – THE YOUNG AND THE RESTLESS

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Playing the ruthless businessman Victor Newman on “Y&R” for more than 28 years, Eric Braeden still thrills fans with his powerhouse performances. Particularly in 2008, he gave a star turn that many feel should be recognized. The series brought back star-crossed lovers Nikki and Victors’ relationship to the forefront, and reignited the relationship between Victor and Ashley, as well.

In this honest and direct interview, Eric only tells it like it is. We discuss the exit of fellow cast mate and long time friend, Don Diamont. We talked about The Daytime Emmy voting system gone wrong, the aging of his on-screen daughter, and upcoming retribution for those who wronged Victor Newman. Eric also spoke about the “Dream Team” regime that has revived “Y&R” back to its rightful place as one of the most compelling dramas on television, as well as Braeden’s pet project,
“The Man Who Came Back”.

Listen to the audio:

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MICHAEL:

What are your thoughts on Don Diamont (Brad) being ‘let go’, since he had been part of the Genoa City canvas for so long?

ERIC:

I was very sad about that, to be quite frank with you. He did some of his best work in the last months, where he played the ‘shifty’ guy and the bad guy and you don’t know quite what he is up to. I think he played that extremely well. I always think that’s a mistake to let people go that have been part of the fabric as long as he has been. Furthermore, he was related to people on the show, and personally, I think those things are a mistake. If you want to want to save money, then cut down on hiring new actors.

MICHAEL:

It’s a hard pill to swallow, to see people lose their jobs.

DonsLast.jpgERIC:

My heart goes out to him. I don’t know why the decision was made. Who knows? That is why when I do my movies I control everything. I don’t like other people to control things.

MICHAEL:

The animosity grew between Brad and Victor (on Don Diamont’s final weeks on the show) over both being Abbe’s father. Victor was showering the young girl with
lavish gifts, while Brad got pissed off.

ERIC:

Victor is Abbe’s father, but that does not mean that affection and love have to come naturally, and you can’t force that. I hope it won’t continue that he buys all sorts of things, and buys her love. I am tired of that. Hopefully, they will grow closer. Victor is basically a loner and does not trust anyone. He grew up in an orphanage and was abandoned when he was seven years old. So, he is sometimes a little awkward because he does not trust affections either, not really, and the moment there is the slightest inkling, I think he goes against that person to protect himself.

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MICHAEL:

Victor’s romantic life finally got a jump-start after the death of Sabrina, when Eileen Davidson returned to the show as Ashley. And this brings up something you and I discussed over the years, that “Y&R” never really played out the Victor/Ashley romance re-do.

ERIC:

I agree with you, and I love working with her, but I love working with Melody as well. With Eileen, I always felt it was an unrequited love story that should have been started a long time ago, and for various reasons it wasn’t. I always thought it was an honestly felt love story with great material for conflict with Nikki.

Diamontein.jpgMICHAEL:

Now your daughter Abbe has grown into quite the teenager within a blink of an eye. Yup, SORAS (Soap Opera Rapid Aging Syndrome) has hit another of the Newman kids. How do you explain it?

ERIC:

Well you know what happens, as I have told you before. Victor Newman sends his children to Switzerland and they go to a clinic and they eat Swiss cheese and learn how to yodel. That combination while there makes them go through enormous growth spurts and they suddenly jump by ten years. (He laughs)

MICHAEL:

In 2008, and now through the beginning of 20009 on “Y&R”, you have been front and center and have delivered powerful performances as Victor Newman. You were in the running for the in-house pre-nomination Lead Actor category for Daytime Emmy consideration. (Braeden eventually did not make the in-house final cut) This year you submitted yourself, even though in the past, I know you have been vocal about participating in the Emmy process.

ERIC:

You know when I think about that Michael, I don’t think much about the Emmys. I really don’t. It’s irrelevant ice. There are other people who are just as deserving. I wanted to pull out of that years ago. It’s nice if you get them. Does it translate into anything? No, it doesn’t. It’s just another piece to put on your mantle. The point is, how do you judge certain performances? It’s so hard. Let me give you an example: I recently saw some performances that were fantastically written and played. They were scenes by Peter Bergman (Jack) and Michelle Stafford (Phyllis), and between Joshua Morrow (Nick) and Sharon Case (Sharon)… all good stuff. This happened in the last few days. Where do you draw the line and whom do you choose there? Melody Thomas Scott (Niki) and I had some good scenes when Sabrina was dying, and all that. There are so many good actors on the show, and how do you decide between them? How many times have I watched the Oscars where I say, “How could you give it to this person and not that person?” Sometimes, they give it to someone because of age and for all the wrong reasons. Besides, it’s a pain in the ass to get dressed up in a tuxedo. I appreciate very much that you, the soap community and fans, think I gave a wonderful performance last year. That is very satisfying to me. There is so much politics involved in the awards process. I have a bad taste in my mouth about it all, but it’s a nice show, the Emmys, and I am not denigrating the show per se, but do I want to be there? Nope!

MICHAEL:

You have an incredible fan base and viewers who want to know what Victor Newman is going to do next.

ERIC:

I really appreciate the people who are fans, I really do. Victor is going to go after those who tried to do him wrong with a vengeance, and that’s what my movie, “The Man Who Came Back” is about, as well. I do that well. (He laughs)

MICHAEL:

You can’t shoot everyone in retribution, can you?

ERIC:

Well, I almost do, but not on “Y&R”. There would be nobody left! (He laughs)

TheManAd.jpgMICHAEL:

Speaking about your film, “The Man Who Came Back” was released direct to DVD late last year, and it spent time as the #1 DVD rental for films with non-theatrical distribution and the #10 film to buy, overall, and is still available. For those who still may not be aware of your project, how would you describe the movie?

ERIC:

“The Man Who Came Back” was 80 years in the making! (He laughs) It’s a western, and takes place in the second part of the 19th century. It’s a revenge story, where the lead character, myself, is falsely accused of a crime he did not commit… a lynching. They go after him and send him to prison. Obviously, he is full of rage and comes back and kicks-ass. It’s a revenge film, pure and simple, in a historic context. It deals with the second bloodiest labor strike in US history in 1887. The film has been doing extremely well.

MICHAEL:

You were both the star and the executive producer of the film, but had a host of other known Hollywood actors in the feature with you.

ERIC:

The cast is wonderful, with George Kennedy, an Oscar winner, who I have enormous respect for. He played my father on “Y&R” for a while. We had Billy Zane, who I worked with on “Titanic”, Armand Assante, Sean Young, Peter Jason, Ken Norton and James Patrick Stuart. It was a wonderful cast. I am eternally grateful to my fellow actors to make this possible. So, we had a hell of a time last year shooting it.

MICHAEL:

On “Y&R”, will we finally see enormous payback for Jack and an eventual huge showdown between the two rivals?

ERIC:

Eventually, there will be a huge showdown. Peter Bergman is wonderful actor, so it will come to that.

MICHAEL:

Chris Engen plays your son, Victor Jr. How do you feel about the plot point that Victor has let his own flesh and blood rot in a jail cell?

Melody-Eric22.jpgERIC:

Being a father, it would break my heart, and I could never do what Victor did to his own son. But, I understand it. It provides for good drama and good conflict, and probably a lot of people are angry with me for doing it. On the other hand, Victor Jr. was trying to frame me for a murder I did not commit, and he conspired with my archenemy. So again, it is Victors’ way of paying back. I think he wants to teach Victor Jr. a lesson as well. Victor Jr. was arrogant for awhile, and needs his wings clipped a little, I think.

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MICHAEL:

I so vividly remember the recent scene where Victor and Nikki were in the Mexican bar. It was such an emotionally packed scene, where Victor railed at her. It reminded us all of the old Victor/Nikki, showing us their complete and utter
dysfunction. Did you enjoy those moments?

ERIC:

The answer to that is simple, I like to play whatever comes naturally out of that situation. Obviously, Victor has enormous anger when it comes to her, because she was in front of him flaunting her relationship with that David character. She did not listen to what Victor was telling her and tried to defy him. And, all he wanted was for her to be successful and not embark on a political career, and it backfired. These are two strong personalities and she always felt that she lived in his shadow. Victor understands that, but yet, if you show disloyalty to Victor Newman, you are finished. That’s why these scenes are so good, because they are so real and visceral, and recently that’s what I saw happen between Nick, Sharon, Phyllis and Jack. Those are real scenes! They are so riveting.

MICHAEL:

“On-Air On-Soaps” voted Joshua Morrow the Most Underrated Actor of 2008. He delivers consistently great work, and yet he never really gets the recognition he deserves. Would you agree?

Josh-MOrrow.jpgERIC:

You bet! To be honest with you, I called him two nights ago and said, “What you have done the last few days is riveting and just fantastic. You should submit that stuff and keep it for reel.” You are right. I have talked to Joshua about this before,”Embrace what you have,” and he has done that more lately. He is an athlete, and some of us are sort of reluctant to embrace the whole acting thing. The best thing to do in those circumstances is to stop hiding it and embrace it. I think he has a big future, to be honest with you.

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MICHAEL:

The ‘Dream Team’ came into “Y&R” towards the latter part of 2008 and turned “Y&R” on its ear. It has revitalized the show to probably the best it’s been in many years. What do you think of co-head
writers, Maria Arena Bell and Hogan Sheffer,
and executive producer, Paul Rauch’s
accomplishments?

ERIC:

I pull no punches. Maria Bell has done the best job since Bill Bell. I have not met Hogan Sheffer, but you see the writers never let you know who is responsible for what, but I have to assume Maria had everything to do with it. I thought Lynn Latham gave it her best; I personally liked her very much. I think the regime before them was trying to undo the show and reconceptualize it, and I thought that was nonsense. But right now, it is back on track and better than ever before. Maria simply realized what works for the show. It does not take a brain surgeon to figure that out. But, unfortunately what happens is; some writers come in with such egos that they want to redo everything and reinvent the whole thing. Well, don’t do that! We have been number one for 21 years. I think Maria Bell is perfectly aware of what works for the show, and she has brought it back to that. I have never heard the actors so happy.

Eileen-Eric.jpgMICHAEL:

What do you think makes for Victor’s popularity? I mean, after all, you and he have been on more Soap Opera Digest covers than anyone else!

ERIC:

I don’t know. I am enormously grateful that is the case and it’s very flattering, and especially for someone who played bad guys. “Y&R” has been very good to me and I feel
intensely loyal to Bill Bell Sr. He
and I created the character together.

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MICHAEL:

What do you think about the current state of soaps and continuing budget cuts? Do you think that soaps are about to die-off?

ERIC:

I would be very saddened if it did. I am not privy to the financial structure, but I think someone is making money. We are in an economic down turn right now, so the advertising dollars are not as forthcoming as they were. But they have to be very judicious on how they go about pairing soaps down and how they go about making it more cost efficient. I just think letting Don Diamont go is a mistake. To me, it’s so clear; when you have an audience that is invested in the show, why hire new characters? It does not make sense to me. I am sorry!

meddin-Braeden.jpgMICHAEL:

Speaking of new actors who had come and gone, Raya Meddine (Ex-Sabrina) came on and Victor’s romance with her character was so quick. It was hard for viewers to digest, yet out of that came the storyline of the year, “Sudden Impact”. What were your thoughts on the relationship?

ERIC:

I loved working with Raya. She is a brilliant woman and a joy to work with. I think Victor and Sabrina was rushed along, but I think they had something else long term in mind. If that were going to be a viable relationship, it would have had to grow very slowly. I think there is one thing wrong in soaps. I think we jump into stories too quickly to tell the story. We don’t trust the vetting process and getting to know one another. It’s a slow process. Even Bill did that sometimes. I think it’s intrinsic in soaps. I think they make a mistake when they do it. It’s very interesting the things with soaps; that soap writers need to learn that there could be a lot of emotional moments played without dialog. If, for example, you have a party going on and you want to tell the story of two people falling for each other, have them look at each other. That’s real. Let it build up.

MICHAEL:

What can we look forward to coming up from Victor on “Y&R”?

BradenHead22.jpgERIC:

He is going to get even with those who tried to undo him, for certain. Beyond that, I hope that the relationship with Ashley will go well for a while, although there is a lot of history that could throw a monkey wrench into that business.

MICHAEL:

You don’t want Victor to go back to Nikki too quickly?

ERIC:

No. I think it’s painful to watch sometimes. And I think that’s all good drama, and what we sell in this business is drama and conflict.

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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