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THE ERIC BRAEDEN INTERVIEW – THE YOUNG AND THE RESTLESS

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Playing the ruthless businessman Victor Newman on “Y&R” for more than 28 years, Eric Braeden still thrills fans with his powerhouse performances. Particularly in 2008, he gave a star turn that many feel should be recognized. The series brought back star-crossed lovers Nikki and Victors’ relationship to the forefront, and reignited the relationship between Victor and Ashley, as well.

In this honest and direct interview, Eric only tells it like it is. We discuss the exit of fellow cast mate and long time friend, Don Diamont. We talked about The Daytime Emmy voting system gone wrong, the aging of his on-screen daughter, and upcoming retribution for those who wronged Victor Newman. Eric also spoke about the “Dream Team” regime that has revived “Y&R” back to its rightful place as one of the most compelling dramas on television, as well as Braeden’s pet project,
“The Man Who Came Back”.

Listen to the audio:

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MICHAEL:

What are your thoughts on Don Diamont (Brad) being ‘let go’, since he had been part of the Genoa City canvas for so long?

ERIC:

I was very sad about that, to be quite frank with you. He did some of his best work in the last months, where he played the ‘shifty’ guy and the bad guy and you don’t know quite what he is up to. I think he played that extremely well. I always think that’s a mistake to let people go that have been part of the fabric as long as he has been. Furthermore, he was related to people on the show, and personally, I think those things are a mistake. If you want to want to save money, then cut down on hiring new actors.

MICHAEL:

It’s a hard pill to swallow, to see people lose their jobs.

DonsLast.jpgERIC:

My heart goes out to him. I don’t know why the decision was made. Who knows? That is why when I do my movies I control everything. I don’t like other people to control things.

MICHAEL:

The animosity grew between Brad and Victor (on Don Diamont’s final weeks on the show) over both being Abbe’s father. Victor was showering the young girl with
lavish gifts, while Brad got pissed off.

ERIC:

Victor is Abbe’s father, but that does not mean that affection and love have to come naturally, and you can’t force that. I hope it won’t continue that he buys all sorts of things, and buys her love. I am tired of that. Hopefully, they will grow closer. Victor is basically a loner and does not trust anyone. He grew up in an orphanage and was abandoned when he was seven years old. So, he is sometimes a little awkward because he does not trust affections either, not really, and the moment there is the slightest inkling, I think he goes against that person to protect himself.

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MICHAEL:

Victor’s romantic life finally got a jump-start after the death of Sabrina, when Eileen Davidson returned to the show as Ashley. And this brings up something you and I discussed over the years, that “Y&R” never really played out the Victor/Ashley romance re-do.

ERIC:

I agree with you, and I love working with her, but I love working with Melody as well. With Eileen, I always felt it was an unrequited love story that should have been started a long time ago, and for various reasons it wasn’t. I always thought it was an honestly felt love story with great material for conflict with Nikki.

Diamontein.jpgMICHAEL:

Now your daughter Abbe has grown into quite the teenager within a blink of an eye. Yup, SORAS (Soap Opera Rapid Aging Syndrome) has hit another of the Newman kids. How do you explain it?

ERIC:

Well you know what happens, as I have told you before. Victor Newman sends his children to Switzerland and they go to a clinic and they eat Swiss cheese and learn how to yodel. That combination while there makes them go through enormous growth spurts and they suddenly jump by ten years. (He laughs)

MICHAEL:

In 2008, and now through the beginning of 20009 on “Y&R”, you have been front and center and have delivered powerful performances as Victor Newman. You were in the running for the in-house pre-nomination Lead Actor category for Daytime Emmy consideration. (Braeden eventually did not make the in-house final cut) This year you submitted yourself, even though in the past, I know you have been vocal about participating in the Emmy process.

ERIC:

You know when I think about that Michael, I don’t think much about the Emmys. I really don’t. It’s irrelevant ice. There are other people who are just as deserving. I wanted to pull out of that years ago. It’s nice if you get them. Does it translate into anything? No, it doesn’t. It’s just another piece to put on your mantle. The point is, how do you judge certain performances? It’s so hard. Let me give you an example: I recently saw some performances that were fantastically written and played. They were scenes by Peter Bergman (Jack) and Michelle Stafford (Phyllis), and between Joshua Morrow (Nick) and Sharon Case (Sharon)… all good stuff. This happened in the last few days. Where do you draw the line and whom do you choose there? Melody Thomas Scott (Niki) and I had some good scenes when Sabrina was dying, and all that. There are so many good actors on the show, and how do you decide between them? How many times have I watched the Oscars where I say, “How could you give it to this person and not that person?” Sometimes, they give it to someone because of age and for all the wrong reasons. Besides, it’s a pain in the ass to get dressed up in a tuxedo. I appreciate very much that you, the soap community and fans, think I gave a wonderful performance last year. That is very satisfying to me. There is so much politics involved in the awards process. I have a bad taste in my mouth about it all, but it’s a nice show, the Emmys, and I am not denigrating the show per se, but do I want to be there? Nope!

MICHAEL:

You have an incredible fan base and viewers who want to know what Victor Newman is going to do next.

ERIC:

I really appreciate the people who are fans, I really do. Victor is going to go after those who tried to do him wrong with a vengeance, and that’s what my movie, “The Man Who Came Back” is about, as well. I do that well. (He laughs)

MICHAEL:

You can’t shoot everyone in retribution, can you?

ERIC:

Well, I almost do, but not on “Y&R”. There would be nobody left! (He laughs)

TheManAd.jpgMICHAEL:

Speaking about your film, “The Man Who Came Back” was released direct to DVD late last year, and it spent time as the #1 DVD rental for films with non-theatrical distribution and the #10 film to buy, overall, and is still available. For those who still may not be aware of your project, how would you describe the movie?

ERIC:

“The Man Who Came Back” was 80 years in the making! (He laughs) It’s a western, and takes place in the second part of the 19th century. It’s a revenge story, where the lead character, myself, is falsely accused of a crime he did not commit… a lynching. They go after him and send him to prison. Obviously, he is full of rage and comes back and kicks-ass. It’s a revenge film, pure and simple, in a historic context. It deals with the second bloodiest labor strike in US history in 1887. The film has been doing extremely well.

MICHAEL:

You were both the star and the executive producer of the film, but had a host of other known Hollywood actors in the feature with you.

ERIC:

The cast is wonderful, with George Kennedy, an Oscar winner, who I have enormous respect for. He played my father on “Y&R” for a while. We had Billy Zane, who I worked with on “Titanic”, Armand Assante, Sean Young, Peter Jason, Ken Norton and James Patrick Stuart. It was a wonderful cast. I am eternally grateful to my fellow actors to make this possible. So, we had a hell of a time last year shooting it.

MICHAEL:

On “Y&R”, will we finally see enormous payback for Jack and an eventual huge showdown between the two rivals?

ERIC:

Eventually, there will be a huge showdown. Peter Bergman is wonderful actor, so it will come to that.

MICHAEL:

Chris Engen plays your son, Victor Jr. How do you feel about the plot point that Victor has let his own flesh and blood rot in a jail cell?

Melody-Eric22.jpgERIC:

Being a father, it would break my heart, and I could never do what Victor did to his own son. But, I understand it. It provides for good drama and good conflict, and probably a lot of people are angry with me for doing it. On the other hand, Victor Jr. was trying to frame me for a murder I did not commit, and he conspired with my archenemy. So again, it is Victors’ way of paying back. I think he wants to teach Victor Jr. a lesson as well. Victor Jr. was arrogant for awhile, and needs his wings clipped a little, I think.

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MICHAEL:

I so vividly remember the recent scene where Victor and Nikki were in the Mexican bar. It was such an emotionally packed scene, where Victor railed at her. It reminded us all of the old Victor/Nikki, showing us their complete and utter
dysfunction. Did you enjoy those moments?

ERIC:

The answer to that is simple, I like to play whatever comes naturally out of that situation. Obviously, Victor has enormous anger when it comes to her, because she was in front of him flaunting her relationship with that David character. She did not listen to what Victor was telling her and tried to defy him. And, all he wanted was for her to be successful and not embark on a political career, and it backfired. These are two strong personalities and she always felt that she lived in his shadow. Victor understands that, but yet, if you show disloyalty to Victor Newman, you are finished. That’s why these scenes are so good, because they are so real and visceral, and recently that’s what I saw happen between Nick, Sharon, Phyllis and Jack. Those are real scenes! They are so riveting.

MICHAEL:

“On-Air On-Soaps” voted Joshua Morrow the Most Underrated Actor of 2008. He delivers consistently great work, and yet he never really gets the recognition he deserves. Would you agree?

Josh-MOrrow.jpgERIC:

You bet! To be honest with you, I called him two nights ago and said, “What you have done the last few days is riveting and just fantastic. You should submit that stuff and keep it for reel.” You are right. I have talked to Joshua about this before,”Embrace what you have,” and he has done that more lately. He is an athlete, and some of us are sort of reluctant to embrace the whole acting thing. The best thing to do in those circumstances is to stop hiding it and embrace it. I think he has a big future, to be honest with you.

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MICHAEL:

The ‘Dream Team’ came into “Y&R” towards the latter part of 2008 and turned “Y&R” on its ear. It has revitalized the show to probably the best it’s been in many years. What do you think of co-head
writers, Maria Arena Bell and Hogan Sheffer,
and executive producer, Paul Rauch’s
accomplishments?

ERIC:

I pull no punches. Maria Bell has done the best job since Bill Bell. I have not met Hogan Sheffer, but you see the writers never let you know who is responsible for what, but I have to assume Maria had everything to do with it. I thought Lynn Latham gave it her best; I personally liked her very much. I think the regime before them was trying to undo the show and reconceptualize it, and I thought that was nonsense. But right now, it is back on track and better than ever before. Maria simply realized what works for the show. It does not take a brain surgeon to figure that out. But, unfortunately what happens is; some writers come in with such egos that they want to redo everything and reinvent the whole thing. Well, don’t do that! We have been number one for 21 years. I think Maria Bell is perfectly aware of what works for the show, and she has brought it back to that. I have never heard the actors so happy.

Eileen-Eric.jpgMICHAEL:

What do you think makes for Victor’s popularity? I mean, after all, you and he have been on more Soap Opera Digest covers than anyone else!

ERIC:

I don’t know. I am enormously grateful that is the case and it’s very flattering, and especially for someone who played bad guys. “Y&R” has been very good to me and I feel
intensely loyal to Bill Bell Sr. He
and I created the character together.

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MICHAEL:

What do you think about the current state of soaps and continuing budget cuts? Do you think that soaps are about to die-off?

ERIC:

I would be very saddened if it did. I am not privy to the financial structure, but I think someone is making money. We are in an economic down turn right now, so the advertising dollars are not as forthcoming as they were. But they have to be very judicious on how they go about pairing soaps down and how they go about making it more cost efficient. I just think letting Don Diamont go is a mistake. To me, it’s so clear; when you have an audience that is invested in the show, why hire new characters? It does not make sense to me. I am sorry!

meddin-Braeden.jpgMICHAEL:

Speaking of new actors who had come and gone, Raya Meddine (Ex-Sabrina) came on and Victor’s romance with her character was so quick. It was hard for viewers to digest, yet out of that came the storyline of the year, “Sudden Impact”. What were your thoughts on the relationship?

ERIC:

I loved working with Raya. She is a brilliant woman and a joy to work with. I think Victor and Sabrina was rushed along, but I think they had something else long term in mind. If that were going to be a viable relationship, it would have had to grow very slowly. I think there is one thing wrong in soaps. I think we jump into stories too quickly to tell the story. We don’t trust the vetting process and getting to know one another. It’s a slow process. Even Bill did that sometimes. I think it’s intrinsic in soaps. I think they make a mistake when they do it. It’s very interesting the things with soaps; that soap writers need to learn that there could be a lot of emotional moments played without dialog. If, for example, you have a party going on and you want to tell the story of two people falling for each other, have them look at each other. That’s real. Let it build up.

MICHAEL:

What can we look forward to coming up from Victor on “Y&R”?

BradenHead22.jpgERIC:

He is going to get even with those who tried to undo him, for certain. Beyond that, I hope that the relationship with Ashley will go well for a while, although there is a lot of history that could throw a monkey wrench into that business.

MICHAEL:

You don’t want Victor to go back to Nikki too quickly?

ERIC:

No. I think it’s painful to watch sometimes. And I think that’s all good drama, and what we sell in this business is drama and conflict.

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General Hospital

GH’s Tamara Braun Talks On: Kim’s Plight With Her Son Oscar, Her Relationships With Julian and Drew & Coming Home To Port Charles

When Tamara Braun stepped back on to the canvas of General Hospital back in November of last year, the one-time and wildly popular Carly Corinthos #2 was now taking on the role of Dr, Kim Nero – a single mom of a teenage son (who is very protective of him), top-notch gynecologist in the medical profession, and a woman with a past with Drew Cain (Billy Miller). It was eventually revealed that Drew is her son Oscar’s (Garren Stitt) biological father.

Now as viewers have seen on recent episodes of the ABC soap opera, Oscar’s life looks like it could very well be cut short after the story shocker that now has the young teen diagnosed with an inoperable brain tumor from cancer.  Kim had kept the truth from her son until he confronted her upon learning the news on his own (with an assist from Cameron) and putting two and two together.  This sets the stage for some difficult and heartbreaking moments ahead.

As for Braun, she rose to the top as one of soap operas most critically-acclaimed actresses after having the challenging task of taking over the role of Carly #1 in 2001 from three-time Daytime Emmy winner, Sarah Brown.  Tamara not only met this challenge, but made Carly her own scoring an Emmy nod along the way.  After departing GH in 2005, Tamara returned to daytime in 2008 in the role of Ava Vitali on Days of our Lives, which indeed earned her an Emmy.   Next, she headed to Pine Valley and All My Children to take on the role of Reese Williams, the love interest to Bianca Montgomery (Eden Riegel), who eventually married from 2008-2009.  Tamara even came back to DAYS for awhile in the role of Taylor in 2011, and later reprised the role of Ava in 2015-2016.  With an impressive resume, GH is lucky to have her back and Braun finally felt the time was right to take on a new role on her first soap home  upon her return in 2017.  Viewers hope that they get to see more of those emotionally raw, honest performances that Braun is known for as more layers of Kim are revealed,

Michael Fairman TV caught up with Tamara to get her take on: the latest storyline involving Kim, Oscar and Drew, where Kim’s relationship with Julian Jerome stands, and how she feels it’s important to shed light on causes of the day needing our help and how we can all ultimately live in a kinder, more thoughtful world.  Here’s what Tamara had to shared below.

In the episodes we saw last week, Kim had no choice but to tell Oscar the truth. What have you thought about this whole story where now Oscar is hating his mother, and upset with her, when she did not come forward with the truth about his medical condition to him, because in her mind she was protecting him?

Courtesy/ABC

TAMARA:  Yes, that was reasoning.  She did all of this to protect him so that he could have a normal teenage life without all of that hanging over his head.  What do I think of it?  I think that it has been hard for me, Tamara, to play.  It has been hard for me to wrap my head around why a physician would not tell her son that he’s ill.  It’s also been hard for me to wrap my head around because the way the writers have made Oscar and Kim’s relationship such a beautiful one that has been seemingly full of honesty and openness, that they can really talk to each other, which is one of the things that I really like.  In terms of the storyline, what it does do is create conflict which is what’s needed in shows.  Things can’t be ‘happy, happy, joy, joy’ all of the time, so it’s created conflict for Oscar and Kim and now Drew, because Kim dragged him into keeping the secret too for a little bit. 

Courtesy/ABC

We just also learned that Kim’s reasoning to come to Port Charles in the first place was indeed because of Oscar.

TAMARA:  Like Kim said, she came because she did an ancestry report, and it turned out that he has relatives in Port Charles.  So, she wanted for them to get the opportunity to know him and him to get the opportunity to get to know them.  I’m sure we will learn something about Kim’s past which would explain why in her mind she felt this was the right thing to do.  We know that it seems like a very controlling thing.  As a mother, take the physician out of it, I still think that Kim would have shared his diagnosis with him, but I don’t think one ever knows what they would do in that situation.  You think you know what you would do, but perhaps she felt that she could control it; she could figure it out.  Perhaps, Kim felt that because she is a physician she’ll find some answer, and she’ll be able to fix it.  These are the questions, and these are the things that as an actor, I have to put in my head because it’s not what I believe I would do.  It’s not even what I believe the character of Kim as I knew her would have done, but it’s what the writers have written.  So, they have to have a reason, and I think that it has got to be more than just to create conflict.  That’s what stories rely on.  It’s soap, and a lot of people on soaps have to do crazy things and find out ways to justify them when they seem out of character.

You’re right.  Kim and Oscar had a very open relationship.  Yes, she was a “controlling mother,” if you want to say that, but they were honest with each other.  Garren Stitt has been very endearing in the role.  What can you say about working with him?

TAMARA:  I just adore Garren. I have adored him from the minute I met him.  I think he’s a lovely, sweet, kind person, and I feel so fortunate to get to play his mom.  I really do.  I think he’s wonderful, and I’m lucky.

Photo Credit: JPI Studios

Now as to the situation with Drew, Kim truly did not know he was in town when she got to Port Charles, right?

TAMARA:  Correct.

What does she feel towards Drew now, and does this situation ultimately draw them closer together?

TAMARA:  I think it absolutely draws them closer together, because now they have to deal with Oscar.  Because once Kim accepted Drew back into their lives (she thought he was dead long ago), she opened up her arms to him in the capacity of being a father for Oscar.  Kim has had to deal with everything with her child all on her own for fifteen years.  It’s just been the two of them.  So, I think that at some point it has got to be difficult to allow someone else in to help make decisions, and to lean on, and to co-parent with.  I think it was difficult at first, but I think now she is grateful to have him to share it with, even though they may not see things eye-to-eye all of the time.

Photo Credit: JPI Studios

Do you foresee Kim and Drew, at any point, growing closer romantically?

TAMARA:  I don’t know.  It’s not looking like that.  It’s looking like a nice friendship and one that is very caring and understanding, but as of now, I don’t see hints of it.  You never know.  As you know, it’s a soap.  Anything could happen.

How has it been working with Billy Miller? He has also done some wonderful work as the devastated father.

TAMARA:  It’s been great.  The last few scenes that we had to do, there have been those special moments you get as an actor where the angels are just with you.  It all just kind of connects and flows together.   I think we’ve been lucky to have gotten a few of those as of late, and that’s been really nice.

Courtesy/ABC

In story, it was revealed that Oscar could enter an experimental trial that could help his tumor and the cancer, is that what Kim wants her son to do?

TAMARA:  Absolutely, because she feels anything that could possibly save his life or give him more time, she wants for him.

I also like that they made Dr. Terry Randolph (Cassandra James), Oscar’s pediatric oncologist.

TAMARA:  Yes.  Cassandra is really lovely to work with, and she’s just a lovely human being as well.  I’m fortunate right now.  I get to work with some lovely people.

Courtesy/ABC

Do you think Kim’s going to let Julian (Will deVry) know about what she is dealing with?

TAMARA:  Julian does not know.  Oscar doesn’t want anyone to know and especially Julian.  He wants his mom and dad together, so he’s decided not to let Julian know.  I think only for those reasons.  Kim really didn’t honor Oscar by keeping this news of him being ill from him, so she has to honor him in his request not to share this with Julian.

Is Kim aware of how Cameron (William Lipton) is trying to maneuver himself into a relationship with Josslyn (Eden McCoy)?  Does she understand what’s going on there? 

TAMARA:  Kim doesn’t know anything about it.

Photo: ABC

Does Kim want Josslyn to be with Oscar?

TAMARA:  She does, because she knows that Josslyn makes Oscar happy, and to be happy, is what’s most important right now, because that also can help any type of recovery.  When we are happy, or are doing things that make us joyful, or raise our endorphin levels in a positive way, that’s good for health.  That’s good for recovery, and she wants her son to be happy.  What mother doesn’t want her son to be happy?  Especially now, with everything going on.

Kim was having an issue that Elizabeth (Rebecca Herbst) and Franco (Roger Howarth) knew about Oscar’s prognosis.  Do you think she’ll be more lax about that now, or do you think she’ll be more even intense about people not finding out?

TAMARA:  I think she doesn’t want people to know because Oscar now knows, and he doesn’t want people to know.  I think that she wants to keep his confidence.  I think she doesn’t want anyone else to know because she needs to respect Oscar’s wishes.

Courtesy/ABC

Do you think that it’s possible that Drew’s twin, Jason (Steve Burton) is somehow the bio-dad of Oscar, and not Drew?  The character of Jason has a history of brain injuries and trauma.

TAMARA:  I never thought of that! (Laughs)  That would be a fun kind of plot twist!  I don’t think so because there have been lines a couple of times when Kim is with Jason and she says, “You know, you look exactly like him.  It’s kind of hard to wrap my head around that, but you act so differently.”   You know what?  Even if Jason did have a brain tumor, he is Drew’s twin, and Drew is Oscar’s father, so that does still genetically match and run in the family.  It’s an interesting twist there that you bring up!

I remember watching the episode where the audience learned Oscar was dying and I was completely shocked!   I had no idea where the writers were going with it after the seizure.  When the powers-that-be filled you in on what was going on, what was your reaction to that part of the story?

Photo Credit: ABC

TAMARA:  Illness in any form on a soap gives you something to play.  So, that’s good.  When they start saying in the dialogue, “terminal,” you’re like, “What!?” But then you also have people saying, “There’s always hope,” so, you never know where it’s actually going to go, or how the story lines will play.  I understand how people keep saying that it came out of the blue and they didn’t even hint at that.  So, I will say they did write a scene the day that Michael (Chad Duell) lost the baby, and I believe Sonny (Maurice Benard) and Michael were in the church. There was a scene that I was ready to shoot that day, and it was a monologue in the church.  It was after Nelle’s (Chloe Lanier) baby had died and after Kim and Nelle had scenes.  Kim goes to the chapel and she has a monologue talking to God, and it was a bit of a hint, but they had to cut the scene because the tape day ran long.  I didn’t even shoot it.  I think that had they had left it in; people would have been like, “Oh, that’s what that meant.”  I think now that I see the reaction of viewers and you’re bringing it up, that would have been the moment you could have gone to and said. “Oh!  That’s the moment.  That’s what she meant,” or when it happened, the audience have been like, “What’s going on?  What don’t we know?”  I think had that scene been in there, people wouldn’t have been taken aback so much.

Photo Credit: JPI Studios

So, what would you say the audience can look forward to with Kim coming up?  Are we going to see her with a lot of stress on her relationship with her son?  Do you see her holding it together, or falling apart? 

TAMARA:  I think probably all of the above… trying to pull it together, falling apart, a rift between them, trying to bring it back together, making mistakes, doing the right thing … I think it’s everything.  I think reality just smacked Kim in the head, and her son… but when you’re so closed and tight about something in life, and when you no longer have control over it… you’ve got your best-laid plans, and you know what they say about your best-laid plans.  (Laughs).  It explodes, and then you have to deal with the aftermath.  So, hopefully we will see some nuance in there.  I’m hoping for it.  Hopefully, we will see Kim and Oscar work through stuff because people make mistakes; people do the wrong things for what they think are the right reasons all the time.  If Oscar is dealing with an inoperable, terminal brain tumor here, then time is of the essence for them to get it together and come together.

Well, I hope that it’s hankie-inducing, poignant and does have those beats for you to play, and they don’t kind of skip story beats.  As you said, time is of the essence for them and there is, usually no matter what, an unbreakable bond between mother and son.

TAMARA:  I hope so, too!  We can keep our fingers crossed for that!

Photo Credit: ABC

What attributes of Kim do you like playing?

TAMARA:  Kim’s no pushover, which I do like about her.  She’s strong, but she’s a quiet strong.  She doesn’t come at somebody charging, blazing, knocking things down or with a baseball bat like Carly does.  She has strength as a woman, and it’s in a very different way.

Do you think Kim is in love with “Charlie” AKA Julian? 

TAMARA:  I think she loves him.  It’s been a long time since she’s been in a relationship.  Her primary relationship, for better or for worse, has been her son all these years.  She’s made him her number one and didn’t feel she had time or that there was anyone who was worth that time.  So, I think that with Charlie, or Julian, whoever the hell he is (laughs)…

… Wait! She knows he’s Julian, right? (Laughs)

TAMARA:  Yes, she knows, but she likes to call him, “Charlie” because of the bar.  It was a cute little thing from the beginning.  I think that he doesn’t pressure her.  It’s easy, it’s fun, it’s light, and that’s what I think she can handle right now.

How has it been playing the mother of a teenager?  Is that odd for you?  It seems like a bit of a jump.

TAMARA:  It seems like a jump from what people have seen me do for a long time.  If you think about it, the last time people saw me on General Hospital with a kid, it was Michael (formerly Dylan Cash), and I mean, not in soap terms, but in real life terms, he was playing I think 6 when he was 8, and now he’s 23 so he would have been playing 21 if he had stayed.

Courtesy: TBraunTwitter

Is it ever odd for you that you aren’t the character of Carly anymore when you see Michael and characters that you have shared and played emotional attachments with your first go-round on GH?  I would suppose as an actress you can switch that on and off, but what about as a person?

TAMARA:  Yes, as an actress you switch it off, but as a person Michael is not the same Michael.  I think if he had been the same because we were so close, and we were so connected it might have been more difficult.  If it were him on set playing him every day, I’d be like, “Hi honey!   Hi my son!”   He was so in my heart.  I think because it’s Chad Duell now playing the part, who is lovely and wonderful, there’s no history with us, and that made it really okay.   I loved Dylan as a little boy.  I still love him.  He stopped in at my fan event, which was wonderful!

When you think back on all of your soap roles, it’s pretty amazing what you’ve done. Although we hated the end of the Reese/Bianca wedding on All My Children, it was the first same-sex wedding, and was a landmark moment.  You were a part of it.  Forget what happened afterwards, but that moment was key.  When you were on General Hospital, you received a Daytime Emmy nomination for your performance as Carly.  And then there was Days of our Lives’ Ava Vitali!  You got to play the psycho.  You won the Supporting Actress Emmy for your performance.  Do you think Ava is somehow still alive? 

TAMARA:  I think she may be alive.   I mean, no one really saw.  They put a sheet over her and rolled her out.  You didn’t see her dead.  I mean, come on now.  Joey (James Lastovic, Ex-DAYS) can strangle, but I don’t know that he’s that strong.  Ava’s got some fire in her.

Photo Credit: JPI Studios

Such a great role!

TAMARA:  I have been really, really blessed to play very strong or pivotal or interesting, dynamic roles on daytime.  I have been very fortunate to do that, and I have been very fortunate to work with people who allow me to do my thing.  They don’t hamper it.  They say, “Go.  Go for it.”

I love your Instagram posts, and I love when you talk about social issues and things that are important to you.  Could you talk a little bit about how you’re using that platform to make a difference?

TAMARA:  I just like to post things that are important to me. There are a lot of people who are using social media for brand identity.  I’m glad that I don’t even know what that is.  I mean, maybe I should know.  (Laughs)  It probably would be better for me, but –

Photo Credit: JPI Studios

You realize on Instagram; if you post a shirtless pic along with a quote from something unrelated and are a guy, or are a very sexy woman, you’re going to get millions of likes.

TAMARA:  Yeah, and that’s not my brand.  (Laughs) I guess if I had to say what my brand is; it would be “Truth. Real. Honest.”  You know, here’s the real deal from me.  I think it’s important to bring awareness to what’s going on that touches your heart.  I think that if you can shed light on issues in a positive way, to make people think, to make people feel; that is important.  I have always wanted to do good things in the world, and you can do that at any place and time in your life as a human being, but when you have a bit of a platform, I believe it is a responsibility to use that to share things of importance to the world for humanity.  We’re given this one life.  Whether you come back, or whatever you believe this is the one life we have, if we don’t do something good with it, what’s the point?   I think there’s too much, “Me, me, me, me, me.”  I mean, that’s what this business is, right?  But we need to step back, and we need to remember that there is a real world going on out there where people are dealing with issues, and we need to be kind.  That being said, I do post stuff of myself, and people want to see it, so I want to give them what makes them happy, but I think that as long as I’m doing that too, I think it also makes people happy to see things good going on in the world, bring light to issues that need light brought on them.  I really just feel that we need more kindness.  We need more positivity because right now is a really hard time in our world, in America especially. It’s important to be more generous and kind-spirited than what we’re so often seeing these days.

So, what have you thought about the way Kim handled telling Oscar of his cancer diagnosis?  Do you hope Kim continues to stay in Julian’s orbit, or would you want her to become involved with Drew?   What do you think will happen next in the story … will Oscar survive?  What has been your most favorite performance of Tamara Braun of all her soap roles through the years? Comment below.

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Interviews

Y&R’s Hunter King Talks Summer’s Clash With Phyllis, Seducing Billy, ‘Life In Pieces’ & Being Newly Engaged

On The Young and the Restless viewers just watched the summer of …  Summer!  When the top-rated soap brought back two-time Daytime Emmy winner, Hunter King to the canvas, you knew it was going to be to stir up some major drama.  But, little did viewers know that Summer came back a vixen, ready to steal her mother’s man!

Last month, it became game on between mother and daughter after their epic showdown, where Phyllis (Gina Tognoni) got wind of Summer’s attempts to put the moves on Billy (Jason Thompson) and her plans to meet up with him in Philly! (And that spelled trouble for the couple known as “Philly” too)  Oh yes, and there was that well-deserved bitch-slap!  So, where will it all go from here?

Michael Fairman TV caught up with King where we discussed: Summer’s new attitude, if Summer will get her wish and have sex with Billy, her real-life engagement, and her upcoming return to the CBS sitcom Life in Pieces, and more. Check out what Hunter had to say below.

Summer is so pursuing Billy! When you came back to Y&R, did they tell you we need her to be really vampy and this seductress?  What has happened to her? (Laughs)

HUNTER:  Yes.  I understood where it was coming from, and I was excited to play the same character, but being able to play it totally different.  I get to sort of reinvent her.   I think when Summer went away she discovered herself, and kind of grew into Phyllis’ daughter … maybe.  But I will say, it has been very vampy, and you don’t even know yet what’s to come!

Photo Credit: JPI Studios

How is working with Jason Thompson?

HUNTER:   Working with Jason is great.  He is always so professional and prepared and always willing to collaborate on scenes.  Jason is just so creative, and so in it, and loves to work so much that he just exudes that the scenes.

Let’s just say when Summer and Billy “finally” hit the sheets … (Laughs)

HUNTER:   We don’t yet … we shall see.  The way this whole storyline unfolds you think it’s going one way and then there is a twist, and then twists on top of twists.  The more layers that come into play you start to understand why everything is happening the way it is.

Now, Summer had no idea that Billy had a gambling addiction, which put this whole spiral of his in motion?

HUNTER:  I guess not?  (Laughs)  It’s hard to know. I would say she evidently did not know about his gambling.

Photo Credit: JPI Studios

Viewers saw Phyllis slap her daughter in the face as the fight between them escalated; when Summer admitted she was going after her mother’s boyfriend!  How was it taping that scene, and working with Gina Tognoni?

HUNTER:  She’s amazing! Gina didn’t really slap me, but I will say afterwards they wanted to put red blush on my cheeks, and I said, “Oh, just pinch my cheek instead, and I wound up bruising my cheek.”  So Gina goes, “I really didn’t hit her!”  It was the funniest banter on set.  Gina was scary in those scenes, like a good scary.  I went, “Damn!”

On August 18th, you got engaged to your beau, Nico Svoboda.  Were you expecting him to propose when he did?

HUNTER:   I was so shocked, even though I had wanted it to happen, very much.  But, I had no idea when it was coming. It was amazing, and the best day of my life and, we are engaged!

Photo : HKingInstagram

And he got down on one knee for the proposal!

HUNTER:  Yes!  I thought it was sweet.  It’s something you dream about when you are a little girl.

What it is about Nico that makes him the guy for you?

HUNTER:  Besides the amazing qualities he has as a person – he’s compassionate, he’s caring, he’s driven, he’s loving, and just cares for others so much – I love the way that he loves me.  I have never felt so loved before, and so accepted, and he is very supportive of my career.

Courtesy/CBS

Are you excited to go back to your role as Clementine on the sitcom, Life in Pieces?  It is slated for a midseason premiere.

HUNTER:  I am super excited to be back.  We are back taping again   I am excited to do the sitcom and Y&R   As an actress, it’s so exciting to get to do different things:  a sitcom and soaps … why not?! (As noted in the press: King took a three-episode break from Y&R to film some episodes of the sitcom due to a scheduling conflict.)

Then speaking of “All in the Family,” it was just announced, your sister, Joey is coming onto Life in Pieces.

HUNTER:  Yes!  How crazy. She will be on for a few episodes, and it will be fun.  I think we will interact a little bit on the show, and we have never had the chance to work together before.

Photo: HKingInstagram

You and your sister have the funniest Instagram videos.  Do you plan those out?

HUNTER:  Joey is so funny.  It kind of just happens when we get together.  Sometimes we film something and sometimes we don’t.  But Joey is so much fun and my best friend. She is the funniest person in the entire world, and so it’s just easy to laugh when I am with her.

So, what did you think of the showdown between Summer and Phyllis?  Are you glad Phyllis slapped her daughter, or was it a mistake?  What do you think will happen next?  Will Summer ultimately sleep with Billy? Do you want Summer to end up with Kyle (Michael Mealor)? Will you be checking out Hunter on Life in Pieces? Share your thoughts via the comment section below.

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General Hospital

General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives

“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other.  At least this way I could leave some good feelings, instead of disappearing before your eyes.”  Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home.  These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).

When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect.  What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major.  Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.

In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.

Gail has been a revelation in this role.  A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.

On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s.  So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.

Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.

You’re portraying a person suffering from Alzheimer’s and play the progression of the disease.  Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?

Courtesy/ABC

MAX:  It’s more like an urge, or a calling to find some kind of truth in it that I can connect with.  One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else.  “Where am I going?”  This has happened to me many times in life.  For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it.  I knew I’d gotten home somehow.  So, it’s not out of my realm.  I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function.  We are kind of on the cusp of that in story at GH.  I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working.  Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.

The story has been so effective.  You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey.  It’ll be interesting to see how far they will take this with Mike.  Will we actually see him not being able to communicate anymore?  How far will the writers go to show the horrific aspects of Alzheimer’s? 

MAX:  I’m not sure.  You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it.  Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level.  I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember.  They’re trying to find a place for Mike within all of the interwoven drama of General Hospital.  I, frankly, had no idea how complex the range of storylines was.  Mike doesn’t really have control over his story.  I don’t want that as an actor.  Mike has some intentions that are really important to him.  I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed.  I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father.  Sonny’s formative experiences growing up were then with his abusive stepdad.  Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s.   It’s a wonderful challenge to be presented with.

Courtesy/CBS

You brought up that Mike is seemingly very sweet in his demeanor now.  My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman.  As the disease took hold of her, she became very sweet.   She became almost childlike.  The fire had gone out of her eyes.  You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son.  In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc.  Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof.  However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore.  That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son. 

MAX:  Right and he doesn’t know if he’s around friends or around enemies.  This can be true of Alzheimer’s patients.

I had that happen with my mother when she came out to Los Angeles to see me for the last time.  She was out of her element, she was confused, and she broke down and cried in the hotel room.  She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.”  It was heartbreaking.   Later, she had a moment of clarity and realized more of what was going on.  I think it’s those in-and -out moments that you portray so well on-screen.  I feel that they are very realistic to what I, and others, have experienced.

Courtesy/ABC

MAX:  I appreciate that and sharing that with me, because you never know as an actor.  That place of “Where am I?  What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed.  I don’t remember the words.”  It was, “I don’t know where the f**k I am.  I thought there was a band there, but there’s not.”  So, in a way, I just had to be there on this big soundstage and just feel this big space around me.  I could barely see that there were people out there.  It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this.  He doesn’t have to freak out and get accusatory.

Courtesy/ABC

What has it been like working with Maurice Benard as your on-screen son?  Do you watch back your scenes together and ever go, “Oh, that was great!?”

MAX:  Yes, there have been a lot of those!  There are some scenes that are so emotionally focused, and we get a lot of delight in each other.  He has been playing this character in this situation for so long, so it’s just kind of in him.  Maurice has presence.  I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots.  I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway.  When this part came up, a soap hadn’t really been on my radar.  I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB.  One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character.  I thought, “Wow, that’s really interesting.  This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.”  I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.

Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.

MAX:  It’s mutual.  We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment.  Although, I would love for Mike to have a moment of self-observation where he goes, “Gee.  I cry a lot more than I used to.”  I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.

Courtesy/ABC

There was a part of my mom that knew something was wrong.  She’d go, “Why am I crying?  I don’t know why I’m crying.”  She got confused as to why she was feeling that.  She couldn’t connect it all, and at times she kept saying, “I don’t understand.  I don’t understand.”  Those were the things she would try to express.

MAX:  I have a feeling that Mike has those moments too, but he finds a way for it to be okay.  There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.

Photo Credit: JPI Studios

Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera.  While now being at GH, have you found any commonality within the experience?

MAX:  If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years.  One of the things that really resonates is that when we started shooting the studio audience laughed too easily.  We would end up retaking the scenes.  Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script.  Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own.  Frank has a really wonderful eye.  He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment.  I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.

Courtesy/ABC

Vernee Watson has been amazing as Stella, who is also Mike’s social worker.  Does Mike have romantic feelings toward Stella?

MAX:  Vernee is wonderful.  I didn’t know Vernee had been on the show when I came on board.  She won an Emmy, and I’m not surprised.   She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection.  For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white.  I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American.  So, in my world that is not a big deal.   I think there’s an affinity there between Mike and Stella.  You know, he’s alive.  He’s old, but he’s not dead.  There’s an ease with women he likes.  I think there are a whole lot of reasons for them to not get involved.  One is just professional, and she’s a social worker.  We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.

 

What do you think about how Mike knows about who was buried at Charlie’s Pub?  He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar!  This storyline ties in to Sonny’s mobster dealings as well.

MAX:  Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny.  Of course, it reveals certain things about Mike that he’s never revealed to anybody before.  So, that’s kind of cool.  I think when he knows what and how much sometimes is not clear.  That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story.  They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions.  So, we knew elements going into it and that sometimes I  didn’t know what the writers are really intending.  In terms of Mike, he’s kind of back and forth in certain moments.  I have to resist the idea that they trap me by just being careless.  I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.

Courtesy/GoodDayLA

You appeared on the morning show Good Day LA  a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement.  What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?

MAX:  It was great to do.  Maria had sent out a tweet that is was wonderful what was going on, on General Hospital.  On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men.  So, then Laura and I sat down and did an interview alongside Maria.  We actually had a nice conversation before.  They did a web interview also as a follow-up.  That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing.  Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject.  I’d love to see an ongoing conversation online amongst people who can share their stories with each other.  That’s a lot of what they’re doing.  They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver.  Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist.  I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time.  There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.

Courtesy/ABC

You were my favorite character on Barney Miller as Detective Wojciehowicz!  I think for many who watched the show you were, too!

MAX:  I think “Wojo” ended up being the heart of the show.

Max, you’re helping people through your beautiful performances including me.  Congratulations on that.   I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.

Photo: IMDB

MAX:  Well, I really appreciate your questions.  I’m just planting that seed.  That is really what I would like to do after talking to you and so many people.  That’s something I’d like to put out there.   We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again.  I’m looking to help people out there in the world who are watching and are looking to share in the conversation.

So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny?  What have you thought of Max Gail’s performance throughout his GH run?  Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s?  Share your thoughts via the comment below.

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Video du Jour

This weekend we mourn the loss of General Hospital’s beloved Susan Brown who played Gail Baldwin. Here is her final scene from 2004 when Gail and her husband Lee (the late Peter Hansen) showed up at Lila’s funeral and had an exchange with Alan and Monica. Share your thoughts on Susan’s passing via the link below. Leave A Comment

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