Interviews
THE ERIC BRAEDEN INTERVIEW – THE YOUNG AND THE RESTLESS

Playing the ruthless businessman Victor Newman on “Y&R” for more than 28 years, Eric Braeden still thrills fans with his powerhouse performances. Particularly in 2008, he gave a star turn that many feel should be recognized. The series brought back star-crossed lovers Nikki and Victors’ relationship to the forefront, and reignited the relationship between Victor and Ashley, as well.
In this honest and direct interview, Eric only tells it like it is. We discuss the exit of fellow cast mate and long time friend, Don Diamont. We talked about The Daytime Emmy voting system gone wrong, the aging of his on-screen daughter, and upcoming retribution for those who wronged Victor Newman. Eric also spoke about the “Dream Team” regime that has revived “Y&R” back to its rightful place as one of the most compelling dramas on television, as well as Braeden’s pet project,
“The Man Who Came Back”.
Listen to the audio:
[display_podcast]
MICHAEL:
What are your thoughts on Don Diamont (Brad) being ‘let go’, since he had been part of the Genoa City canvas for so long?
ERIC:
I was very sad about that, to be quite frank with you. He did some of his best work in the last months, where he played the ‘shifty’ guy and the bad guy and you don’t know quite what he is up to. I think he played that extremely well. I always think that’s a mistake to let people go that have been part of the fabric as long as he has been. Furthermore, he was related to people on the show, and personally, I think those things are a mistake. If you want to want to save money, then cut down on hiring new actors.
MICHAEL:
It’s a hard pill to swallow, to see people lose their jobs.
ERIC:
My heart goes out to him. I don’t know why the decision was made. Who knows? That is why when I do my movies I control everything. I don’t like other people to control things.
MICHAEL:
The animosity grew between Brad and Victor (on Don Diamont’s final weeks on the show) over both being Abbe’s father. Victor was showering the young girl with
lavish gifts, while Brad got pissed off.ERIC:
Victor is Abbe’s father, but that does not mean that affection and love have to come naturally, and you can’t force that. I hope it won’t continue that he buys all sorts of things, and buys her love. I am tired of that. Hopefully, they will grow closer. Victor is basically a loner and does not trust anyone. He grew up in an orphanage and was abandoned when he was seven years old. So, he is sometimes a little awkward because he does not trust affections either, not really, and the moment there is the slightest inkling, I think he goes against that person to protect himself.
MICHAEL:
Victor’s romantic life finally got a jump-start after the death of Sabrina, when Eileen Davidson returned to the show as Ashley. And this brings up something you and I discussed over the years, that “Y&R” never really played out the Victor/Ashley romance re-do.
ERIC:
I agree with you, and I love working with her, but I love working with Melody as well. With Eileen, I always felt it was an unrequited love story that should have been started a long time ago, and for various reasons it wasn’t. I always thought it was an honestly felt love story with great material for conflict with Nikki.
MICHAEL:
Now your daughter Abbe has grown into quite the teenager within a blink of an eye. Yup, SORAS (Soap Opera Rapid Aging Syndrome) has hit another of the Newman kids. How do you explain it?
ERIC:
Well you know what happens, as I have told you before. Victor Newman sends his children to Switzerland and they go to a clinic and they eat Swiss cheese and learn how to yodel. That combination while there makes them go through enormous growth spurts and they suddenly jump by ten years. (He laughs)
MICHAEL:
In 2008, and now through the beginning of 20009 on “Y&R”, you have been front and center and have delivered powerful performances as Victor Newman. You were in the running for the in-house pre-nomination Lead Actor category for Daytime Emmy consideration. (Braeden eventually did not make the in-house final cut) This year you submitted yourself, even though in the past, I know you have been vocal about participating in the Emmy process.
ERIC:
You know when I think about that Michael, I don’t think much about the Emmys. I really don’t. It’s irrelevant ice. There are other people who are just as deserving. I wanted to pull out of that years ago. It’s nice if you get them. Does it translate into anything? No, it doesn’t. It’s just another piece to put on your mantle. The point is, how do you judge certain performances? It’s so hard. Let me give you an example: I recently saw some performances that were fantastically written and played. They were scenes by Peter Bergman (Jack) and Michelle Stafford (Phyllis), and between Joshua Morrow (Nick) and Sharon Case (Sharon)… all good stuff. This happened in the last few days. Where do you draw the line and whom do you choose there? Melody Thomas Scott (Niki) and I had some good scenes when Sabrina was dying, and all that. There are so many good actors on the show, and how do you decide between them? How many times have I watched the Oscars where I say, “How could you give it to this person and not that person?” Sometimes, they give it to someone because of age and for all the wrong reasons. Besides, it’s a pain in the ass to get dressed up in a tuxedo. I appreciate very much that you, the soap community and fans, think I gave a wonderful performance last year. That is very satisfying to me. There is so much politics involved in the awards process. I have a bad taste in my mouth about it all, but it’s a nice show, the Emmys, and I am not denigrating the show per se, but do I want to be there? Nope!
MICHAEL:
You have an incredible fan base and viewers who want to know what Victor Newman is going to do next.
ERIC:
I really appreciate the people who are fans, I really do. Victor is going to go after those who tried to do him wrong with a vengeance, and that’s what my movie, “The Man Who Came Back” is about, as well. I do that well. (He laughs)
MICHAEL:
You can’t shoot everyone in retribution, can you?
ERIC:
Well, I almost do, but not on “Y&R”. There would be nobody left! (He laughs)
MICHAEL:
Speaking about your film, “The Man Who Came Back” was released direct to DVD late last year, and it spent time as the #1 DVD rental for films with non-theatrical distribution and the #10 film to buy, overall, and is still available. For those who still may not be aware of your project, how would you describe the movie?
ERIC:
“The Man Who Came Back” was 80 years in the making! (He laughs) It’s a western, and takes place in the second part of the 19th century. It’s a revenge story, where the lead character, myself, is falsely accused of a crime he did not commit… a lynching. They go after him and send him to prison. Obviously, he is full of rage and comes back and kicks-ass. It’s a revenge film, pure and simple, in a historic context. It deals with the second bloodiest labor strike in US history in 1887. The film has been doing extremely well.
MICHAEL:
You were both the star and the executive producer of the film, but had a host of other known Hollywood actors in the feature with you.
ERIC:
The cast is wonderful, with George Kennedy, an Oscar winner, who I have enormous respect for. He played my father on “Y&R” for a while. We had Billy Zane, who I worked with on “Titanic”, Armand Assante, Sean Young, Peter Jason, Ken Norton and James Patrick Stuart. It was a wonderful cast. I am eternally grateful to my fellow actors to make this possible. So, we had a hell of a time last year shooting it.
MICHAEL:
On “Y&R”, will we finally see enormous payback for Jack and an eventual huge showdown between the two rivals?
ERIC:
Eventually, there will be a huge showdown. Peter Bergman is wonderful actor, so it will come to that.
MICHAEL:
Chris Engen plays your son, Victor Jr. How do you feel about the plot point that Victor has let his own flesh and blood rot in a jail cell?
ERIC:
Being a father, it would break my heart, and I could never do what Victor did to his own son. But, I understand it. It provides for good drama and good conflict, and probably a lot of people are angry with me for doing it. On the other hand, Victor Jr. was trying to frame me for a murder I did not commit, and he conspired with my archenemy. So again, it is Victors’ way of paying back. I think he wants to teach Victor Jr. a lesson as well. Victor Jr. was arrogant for awhile, and needs his wings clipped a little, I think.
MICHAEL:
I so vividly remember the recent scene where Victor and Nikki were in the Mexican bar. It was such an emotionally packed scene, where Victor railed at her. It reminded us all of the old Victor/Nikki, showing us their complete and utter
dysfunction. Did you enjoy those moments?ERIC:
The answer to that is simple, I like to play whatever comes naturally out of that situation. Obviously, Victor has enormous anger when it comes to her, because she was in front of him flaunting her relationship with that David character. She did not listen to what Victor was telling her and tried to defy him. And, all he wanted was for her to be successful and not embark on a political career, and it backfired. These are two strong personalities and she always felt that she lived in his shadow. Victor understands that, but yet, if you show disloyalty to Victor Newman, you are finished. That’s why these scenes are so good, because they are so real and visceral, and recently that’s what I saw happen between Nick, Sharon, Phyllis and Jack. Those are real scenes! They are so riveting.
MICHAEL:
“On-Air On-Soaps” voted Joshua Morrow the Most Underrated Actor of 2008. He delivers consistently great work, and yet he never really gets the recognition he deserves. Would you agree?
ERIC:
You bet! To be honest with you, I called him two nights ago and said, “What you have done the last few days is riveting and just fantastic. You should submit that stuff and keep it for reel.” You are right. I have talked to Joshua about this before,”Embrace what you have,” and he has done that more lately. He is an athlete, and some of us are sort of reluctant to embrace the whole acting thing. The best thing to do in those circumstances is to stop hiding it and embrace it. I think he has a big future, to be honest with you.
MICHAEL:
The ‘Dream Team’ came into “Y&R” towards the latter part of 2008 and turned “Y&R” on its ear. It has revitalized the show to probably the best it’s been in many years. What do you think of co-head
writers, Maria Arena Bell and Hogan Sheffer,
and executive producer, Paul Rauch’s
accomplishments?ERIC:
I pull no punches. Maria Bell has done the best job since Bill Bell. I have not met Hogan Sheffer, but you see the writers never let you know who is responsible for what, but I have to assume Maria had everything to do with it. I thought Lynn Latham gave it her best; I personally liked her very much. I think the regime before them was trying to undo the show and reconceptualize it, and I thought that was nonsense. But right now, it is back on track and better than ever before. Maria simply realized what works for the show. It does not take a brain surgeon to figure that out. But, unfortunately what happens is; some writers come in with such egos that they want to redo everything and reinvent the whole thing. Well, don’t do that! We have been number one for 21 years. I think Maria Bell is perfectly aware of what works for the show, and she has brought it back to that. I have never heard the actors so happy.
MICHAEL:
What do you think makes for Victor’s popularity? I mean, after all, you and he have been on more Soap Opera Digest covers than anyone else!
ERIC:
I don’t know. I am enormously grateful that is the case and it’s very flattering, and especially for someone who played bad guys. “Y&R” has been very good to me and I feel
intensely loyal to Bill Bell Sr. He
and I created the character together.
MICHAEL:
What do you think about the current state of soaps and continuing budget cuts? Do you think that soaps are about to die-off?
ERIC:
I would be very saddened if it did. I am not privy to the financial structure, but I think someone is making money. We are in an economic down turn right now, so the advertising dollars are not as forthcoming as they were. But they have to be very judicious on how they go about pairing soaps down and how they go about making it more cost efficient. I just think letting Don Diamont go is a mistake. To me, it’s so clear; when you have an audience that is invested in the show, why hire new characters? It does not make sense to me. I am sorry!
MICHAEL:
Speaking of new actors who had come and gone, Raya Meddine (Ex-Sabrina) came on and Victor’s romance with her character was so quick. It was hard for viewers to digest, yet out of that came the storyline of the year, “Sudden Impact”. What were your thoughts on the relationship?
ERIC:
I loved working with Raya. She is a brilliant woman and a joy to work with. I think Victor and Sabrina was rushed along, but I think they had something else long term in mind. If that were going to be a viable relationship, it would have had to grow very slowly. I think there is one thing wrong in soaps. I think we jump into stories too quickly to tell the story. We don’t trust the vetting process and getting to know one another. It’s a slow process. Even Bill did that sometimes. I think it’s intrinsic in soaps. I think they make a mistake when they do it. It’s very interesting the things with soaps; that soap writers need to learn that there could be a lot of emotional moments played without dialog. If, for example, you have a party going on and you want to tell the story of two people falling for each other, have them look at each other. That’s real. Let it build up.
MICHAEL:
What can we look forward to coming up from Victor on “Y&R”?
ERIC:
He is going to get even with those who tried to undo him, for certain. Beyond that, I hope that the relationship with Ashley will go well for a while, although there is a lot of history that could throw a monkey wrench into that business.
MICHAEL:
You don’t want Victor to go back to Nikki too quickly?
ERIC:
No. I think it’s painful to watch sometimes. And I think that’s all good drama, and what we sell in this business is drama and conflict.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
-
General Hospital1 week ago‘General Hospital’ to Rebroadcast Special Episode in Tribute to Anthony Geary
-
General Hospital1 week ago‘General Hospital’s’ Tabyana Ali Song ‘Pray’ Now Available on Major Streaming Platforms with Music Video Forthcoming
-
General Hospital1 week ago‘General Hospital’ Icon Genie Francis to Receive Lifetime Achievement Award at the 53rd Annual Daytime Emmy Awards
-

News6 days agoVivica A. Fox Exits ‘The Young and the Restless’ For Now to Film Netflix’s ‘Women Like Us’
-

General Hospital6 days ago‘General Hospital’s’ Braedyn Bruner Reveals Her Daytime Emmy-Nominated Scenes and How Emma is Getting Her ‘Edge’ Back
-

News19 hours agoJess Walton Memoir ‘The Young and the Rest of Us’ Set for Release in 2027
-

General Hospital4 days ago‘General Hospital’s’ Bluesy Burke Marks 1 Year as Charlotte Cassadine: ‘It’s The Best Gift I’ve Ever Received’
-

News4 days ago‘The Bold and the Beautiful’ Drops First Look 40th Anniversary Opening Title Sequence
ERIC:
MICHAEL:
MICHAEL:
ERIC:
ERIC:
MICHAEL:
MICHAEL:
ERIC:











