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The Farah Fath, John-Paul Lavoisier & Austin Williams Interview – One Life to Live

Courtesy/ABC

For those who have been tuning into One Life to Live in recent months, you have seen the carefully plotted, and true to life front-page news type storyline unravel before your eyes.  The soap which has always been at the forefront of telling social issues of the day, during its 43 year history, took on a subject that has seen young high school and college students take their own lives, after being bullied endlessly by their peers, roommates, or class mates.  Over the last several months, the rash of teen suicides via bullying in the United States has become staggering.  But unfortunately this is nothing new, for teen suicides because of bullying have gone on for a very long time in our society, just perhaps, slightly more under the radar.

In January of this year, the powers-that-be in Llanview, executive producer, Frank Valentini and head writer, Ron Carlivati began to embark on telling the tale of teenager Shane Morasco being both bullied and cyber bullied.  Later it would turn out that Jack Manning (son of Todd and Blair) is behind the horrific situations that Shane found himself in.  Eventually, feeling all hope was lost and alone in the world, Shane decides he has nothing to live for and feels he needs to end his life.  So he decides he is going to jump off his high school rooftop.  Even though those scenes aired a month ago, the story is still playing out with all the ramifications and complexities of this delicate subject.

Three performers at OLTL were handed the ball to make this story come to life.  And we have to say, all three have brought us all to tears, and made us take a look at what is going on in the world, not only with young children, but their parents, too.  We can only be talking about Farah Fath (Gigi), John-Paul Lavoisier (Rex) and Austin Williams (Shane).  OLTL has done an admirable and inspiring job taking a look at how bullying and attempted suicide affects not only the child, but the parents, and how do they deal with this most dangerous, unthinkable, and saddest of situations.

On-Air On-Soaps wanted to speak to all three key participants to discuss playing out the major rooftop scenes, the fallout, and how they have personally been affected, from being part of this very serious and important issue of the day.   And now with One Life to Live’s unfortunate and ill-timed cancellation, the integrity and quality of work that this storyline continues to bring to the series again begs the question, “ABC, what were you thinking?” That being said, here is our very special conversation with Farah, JP and Austin!

MICHAEL:

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I want to begin by talking about the cancellation of One Life to Live that was handed down now three weeks ago by ABC.  I know it is a sad loss, and that the cast was told before you went on a week hiatus.  Now that everyone is back, and has had a little more time for the news to settle in, how are you doing with the news and what is the outlook of everyone over at One Life these days?

FARAH:

I think my grandfather puts it best when he says, “It is what it is.”  That is the most comforting saying you can think of when something bad happens, or you have something you need to wrap your head around.  It is out of our control.  The fans can do as many campaigns as they want and write to the advertisers.  But at the end of the day, we all just have to continue to try and put out the best episodes we can and stay focused on our current storylines.  We still have a lot of show left to tape.  So we are not trying to get depressed about it, as that is just going to be a waste of energy.  We are trying to be upbeat and not miserable the last six months of work.

JOHN-PAUL:

Everyone at work knows that the dust has sort of settled.  At least in the studio, it seems to be a lot happier and nicer… almost.  There is a sense of peace now.  For the past year, we have lived with all these rumors.  Not a day went by in the daytime community where somebody wasn’t talking about somebody hearing something from somebody that the show was being canceled.  So it was this funky energy ever since we moved into the new studio.  Now that we have been given this seven months notice, it lets people sort of plan their life personally, professionally, and geographically.  And there is sort of a sense of peace in that we know how we can move forward from this in our own ways.  Obviously, people are not smiling or happy at all because the show has been canceled, just for their own ability to move forward.

FARAH:

Unfortunately for the viewers, they are not going to have that hour of the day to look forward to when they come home from work and watching their Llanview characters.  But as far as the cast and crew go, everyone is starting to be positive.  It is not a dreary place to be.  We are making jokes and laughing, and still having a good time.

MICHAEL:

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One Life will have a very special place in your hearts, JP and Farah, because you met there.   It will and has become very historical for you, in a way.

FARAH:

Llanview will always be a very special place to me and John-Paul.

JOHN-PAUL:

I just talked about this with Farah the other day.  I am not a big Internet guy, but I hope there is a YouTube type platform when we are old so we can go there and watch the stuff we used to do and go, “That is how we met.  Look at us meeting!”

FARAH:

It’s already weird to look back at 2007 and 2008 in clips, even now.

JOHN-PAUL:

Our first kiss was on TV…and now it’s on the Internet!

MICHAEL:

The performances in the bullying storyline have been tremendous from each of you involved.  I dare say the best work you have done during your time on the series.  When they told you that One Life to Live was going to embark on this very current hot topic storyline and that the three of you would be the characters used as the device to tell this story, what went through your minds?

AUSTIN:

I think I found out at casino night for ABC with Farah and JP!  I saw Frank Valentini, our executive producer that night, and talked to him a little bit, and I am pretty sure that is when I found out.  I was really excited and happy that I would get to be a part of such an amazing and powerful storyline.

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FARAH:

At first, I felt a little weary because it was a ripped from the headlines’ story.  I felt it was little bit Law and Order! But with each passing script I got I would think, “This is working.”  It had a nice built up and it wasn’t too sudden, and it also wasn’t dragged out too long.  I think it climaxed at the right time.  It has been fun as an actor, but a sad and scary place to dive into as far as playing it all out.  I think the chemistry between myself, JP, and Austin is good.  We have a nice connection going.  Austin has grown as far as being a nice little actor.  This has been a well-written storyline and something everyone can relate to, and that is what makes connecting to the characters right now a bit easier.  I was bullied in school; John-Paul had some situations.  Everyone has a little taste of that at some point in their lives.  You hear the stories in the news and it makes you feel so sad for these kids that are tormented so badly that they think the only way out is suicide.  I applaud the writers.  I think it’s all been executed really well.  In fact, the story has not concluded at all.  It’s going to escalate even more come next month.  So you have not seen the end of the bullying storyline!

MICHAEL:

Austin, did you have any trepidation playing a kid who is bullied, when you were still in high school yourself?  Did it cause any problems for you?

AUSTIN:

It definitely mirrors real life, but my school is not tolerant of that type of thing at all.  So, I didn’t see that much of it.  But you definitely see it online – cyber bullying – is very prominent right now and very true to life. Then, I think everything the kids did to Shane is so true to real life, because kids will find anything and go after you about it.  And it can be very random like that.

MICHAEL:

One of the things I recently shared about myself to the online readers of my website is that I was bullied terribly as child, and like Shane, I was an asthmatic.  I too, wanted to end my life at one point as a kid.   I shared that One Life to Live saved my life, since that is how I would escape the bullying and find a safe haven to take my mind off of it.  So when I saw that Shane was going to be bullied and the way it went down, I can attest it is very true to life.  Now, of course, when I was a child there were no computers so it was all emotional and physical abuse and not on the Internet.  But the Internet adds a frightening complexity to all of this.   But I have to say, that Shane immersing himself in comic books, etc as his world to escape into is dead-on.  So Austin, I personally wanted to congratulate you for doing such an amazing job with the material.

Courtesy/ABC

AUSTIN:

Thank you.  I tried my hardest to make it as realistic as possible.  I pretended that these things were happening to me, and that worked, while trying to make myself at the same time as sad as possible.

MICHAEL:

It also made great sense that the writers chose Shane, of all the kids on the canvas, to be picked on.  He was ripe for it, if you think about it.  He had gone through leukemia, had asthma and came from a blue-collar family.  He was not the rich kid and in the “in crowd” like Jack Manning.

AUSTIN:

He is definitely weaker because of always being sick with asthma, and the one line that he said on the roof really rings true for him: “He does not always want to be that kid that is sick with cancer or asthma.”

MICHAEL:

John-Paul, the speech Rex gave in the hallway of Llanview high, after Shane’s suicide attempt, was so riveting and something that I know any kid who was bullied mercilessly by their fellow students would probably stand up and cheer!  Rex screamed at the kids and the teachers!   What did you personally think of that scene?

JOHN-PAUL:

It was such a real speech.  It was a speech any parents would want to shout!  Kids should not be allowed cell phones, and kids should not be allowed to do all this none school stuff when they are in school.  When we all went to school from 8AM to 3AM, you were paying attention to the teacher.  Then you get your time in the lunchroom and at recess to socialize and play with a stick and a swing set… not a computer, where you are typing in and watching videos and doing all this crazy stuff.   It’s basically pointless!  You have the rest of the day to do that, and you should not be allowed to do all that crap in school.  So it was true and I felt it.  There should be no social networking from 8-3.  It is not going to help you get a job or go to college.  I want to say to the kids, “Stop it!”

MICHAEL:

There is such poignancy watching the struggle of Rex and Gigi.  Here are two very young parents that truly don’t know how to deal with this situation that was happening literally under their nose the whole time.  Rex seems so lost at times.

JOHN-PAUL:

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He is lost!  He does not know what to do.  Rex is guessing his way along with Gigi on this, and they are trying to be a strong team for their son.

MICHAEL:

Austin, what was the hardest scene for you to tape in all of this?

AUSTIN:

I would say the roof scenes were the hardest.  Now Shane is improving and therapy is helping, but every scene that you have to put yourself down like that is pretty hard to do.

MICHAEL:

JP, in the scene in the hospital where Rex breaks down in front of Bo, is one of the moments that will forever resonate with this story.  Everyone loves to see the dynamics between you and Bob Woods (Bo).  But since these were such high emotional stakes that we seldom get to see you do, was this more challenging for you to play?

JOHN-PAUL:

It wasn’t hard to do because of what I was talking about and the situation, and of course, it was not hard because I was working with Bob Woods (Bo).  Now perhaps if it was an actor who I had never worked with before and was a stranger, I don’t think I could have done it as well.  The hard part of it, other than I could not relate to it (because I don’t have a kid who tried to commit suicide, or anyone I know tried to commit suicide) was we taped out of order.  We had not taped the pivotal roof top scenes yet.  The hospital scenes we taped weeks before the roof top scenes, so I did not have the visual in my head.

FARAH:

I really wish we could have done the reverse order.  The scenes where we come into the hospital and I am suppose to break down with the nurse, and John-Paul was suppose to break down with Bo, we had nothing to really go off of, and it was our first time taping anything in that storyline.  I had no idea that being up on that roof, and seeing Austin Williams in that situation, was going to be as gut-wrenching as it was.  I felt so desperate up there.  All of us wish we had the opportunity to film those scenes first.  It would have changed our choices in the scenes that followed.

MICHAEL:

…Which is amazing to think about because those moments came off so real to me, and were portrayed beautifully.  It was just two parents… devastated, frightened, and helpless.

FARAH:

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Thankfully, it all came together OK, but imagine how much better it would have been.

MICHAEL:

Have you received or been aware of any reactions from family members, friends, or parents or kids, who have come forward that have lost a child via suicide to bullying, or a child who had been badly bullied?

AUSTIN:

My parents watched it, and they were like, “Oh, my God.  I am so proud of you.”   It was tough for them to watch, too.  I know my grandpa would not watch some of the scenes.  He was so hurt by them, since they were so sad.

FARAH:

For the first time in my entire daytime career, I have gotten compliments from people that I don’t know.  I just made a facebook page and people are messaging me on there.  I am hearing from women who have literally had children kill themselves. They tell me, “Gigi’s life was their living nightmare five or ten years ago.”   I just could not believe it. They told me what a good job I was doing, and that just brought me to tears.  For people who have actually experienced it to tell me that I am doing a good job for playing what they felt, that is the highest of compliments.  Also my family– who are hard to get compliments out of, like my sister and my mom – they watch OLTL and I never hear anything from them.  Well this time, I got phone calls and emails from my dad, my mom, my aunt, after the roof top scenes telling me it was the best work they had ever seen me do, and that hopefully, I will get pre-nominated next year for a Daytime Emmy, and those are my scenes.  I have never gotten that kind of feedback from them.  My sister particularly, is my harshest critic.  She will point out my bad habits, and she tries to get me to do better all the time.  She even said she was so proud of me.  So between my family complimenting me and the messages and letters that I have gotten from mothers who have been in the same boat, it’s the biggest response I have ever had in the last 12 years, and it has been really fulfilling.  I am glad in this last year of OLTL I have gotten to be part of this great story.

JOHN-PAUL:

My mother has been complimenting me a lot.  She complimented the Bo scenes.  She complimented Farah more. (Laughs)  I did a personal appearance a few months ago at the beginning of the storyline where I was doing a Q&A from the stage, and one woman in particular commended the show in general for tackling this very current and relatable subject.  And what was so startling was she lives in the town where they had recently had a teen suicide from Internet bullying. There have been three of four storylines of mine in the 9 years I have been on the show, and this is definitely in the top three in the biggest feedback.  In the past, fans would say, “Oh, it’s really fun when you went to Texas,” or, “It’s really fun when you and Bo outed Daniel Coulson.”  But when the show is over, this will be one of the top three which I saw was a hit with the audience the most.  And, it’s a good storyline and it’s great to be part of it!

MICHAEL:

Austin, did any of your younger castmates, such as Eddie Alderson (Matthew) or Shenell Edmonds (Destiny) come up to you and give you kudos for the rooftop performance?

Courtesy/ABC

AUSTIN:

Yeah, I was just on set the other day and I saw Shenell and she said, “Oh my God. You did such a good job!”  I was so happy and laughing whenever I hear that, because it’s fun to hear!  I remember Kassie DePaiva (Blair) said something, too.  Everybody is very supportive at OLTL.

MICHAEL:

What did you think, JP and Farah, when in a major story point turned out to be Rex who hired thugs to beat up Jack Manning!  People thought it was Clint for a bit!

JOHN-PAUL:

I was surprised, I was shocked, and I went, “I did do it? Well, OK.” But, I justify it with the fact of Rex still very much being a kid at heart.  Look, if jail did not exist Rex would kill Jack, and beat the crap out him with his fists.  This has made Rex in a slight way digress. Rex is having to fight inside himself actually becoming a 14-year-old boy walking on to the recess yard and beating up Jack and all of his friends, and not caring about the repercussions.  He would strangle Jack to death!  So the fact that he hired these people does not surprise me.  It makes sense.  I agree with it, and as an actor, I have justified it.

FARAH:

Listen, I do not know what it is like to be a parent, but as an older sister, I was in a situation one time where I went to the bathroom and was coming out of the bathroom – we were in a public place – and a woman started to beat up my 16-year-old sister.  I had never been so enraged in my life!  I can imagine if you are seeing your 16-year-old kid being beaten up!  I don’t think you care who is beating up your child; you are going to jump on that person and defend your child.  You don’t care how old that person is, as your emotions just overcome you.  I asked John-Paul’s mother for a little bit of advice before the storyline got going.  I said, “If you think back to when John-Paul was a freshmen in high school, and you found out that all these horrible things were happening to him and he was being picked on so badly that he wanted to kill himself, how would you feel?  Would you be sad, or would you be so pissed off that you wanted to strangle someone?”  And she said, “I would be so pissed off.  I would go to their house and be banging on their door. I would scream at them and tell their mothers what was going on, and be madder than I have been in my life.”  So, I thought, “OK, so there is my answer then.”  As an adult, you don’t think about the consequences when you are seeing your precious child being abused.  You can’t think rationally like, “This might put me in jail.” In fact, you probably don’t even care if you end up in jail, because you want to protect your baby.

MICHAEL:

Now that Rex has had Jack roughed up, is Shane fearful that Jack and his young goons will become more aggressive for Shane ratting them out to his parents?

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AUSTIN:

That was one of the main fears for Shane at the beginning.  He was afraid to say anything to his parents, because he thought it would make things worse.  But to me, it seems like Shane is starting to get his confidence back.

MICHAEL:

Will we see major confrontations between the families?  Will we see the Mannings vs. the Balsoms clashing to protect and defend their children?

FARAH:

The Mannings and the Balsoms meet up in the hospital one day, and you will see the Mannings on one side and the Balsoms on the other side, and you kind of see the families go head-to-head for a minute.

MICHAEL:

How is Andrew Trischitta (Jack) to work with, Austin?  What goes on behind-the-scenes between takes after he is being really mean to you when the cameras are rolling?

AUSTIN:

Andrew is so much different than his character in real life.  He is so cool and so much fun to hang out with.  It is weird when he goes from that to someone who does such bad things on the show.  For the most part we talk to each other between takes.  He does not stay in character and bully me when we are not taping! (Laughs)

MICHAEL:

What about scenes between Rex and Todd?  Now those should be some complex exciting scenes to watch.  Can you preview anything?

JOHN-PAUL:

I just worked with Trevor St. John (Todd) yesterday and this is actually going to air next month, and as far as I have been told, this is going to spark a lot of stuff between Todd and Rex.  To my knowledge I am going to be having quite a few scenes with Trevor, which I have not had in awhile.   So the answer is yes, we will be working together for the next few months.

MICHAEL:

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What did you think of Austin’s performance on the roof as Shane, when he delivered the sad and emotional speech?

JOHN-PAUL:

Yes, you mean “…having to make up friends and the comic books.”  I know.  We could have done the rooftop scenes in the studio, since as you have seen we do rooftops scenes in the studio all the time.  But it helped, and it was really good that we were on the roof. (Even though, it was our ABC studio roof in the back lot.)  It felt real.  We are on a roof and it felt high above the ground, and the wind made it so you had to shout and be loud to communicate, and our hair was blowing, and it felt so real.  I commended Austin afterwards.  I said, “Really good job, good for you. You do snot really well.  I cannot do snot.” (Laughs)  Austin’s face just bleeds snot.  He had boogies. (Laughs)  I can’t do that. (Laughs)

FARAH:

His dialog was heartbreaking to the point where in the one scene where I had all of those lines, I got stuck. It was Gigi’s turn to so desperately spill her guts, and tell him how much she loves and needs him,  “I need more minutes, baby…” etc.  Now Austin was so good, and even though I had read his dialog before hand, hearing him say it and see his little face so crushed saying those lines, my jaw was on the ground.  I thought, “Oh my God. This is so sad.”  And then I went blank.  I could not remember anything I was supposed to say, because I was so caught up in listening to him.  I was at the point in Gigi’s speech where I discuss when I got pregnant at 17, and how that was not cool.  Gigi goes on to tell him, “People laughed at me and pointed at me.”  But, I just could not remember anything I was supposed to say.  I was blank and I felt so bad, because Austin was doing so well.  I felt like I screwed it up for everyone because I could not remember my lines.  But thankfully, the stage manager fed me my line, so we just did a pick up right there where we left off and continued on.  Bottom line: Austin was so good that he made me go blank! (Laugh)

MICHAEL:

Austin, the roof top scenes where Shane wanted to jump and end his life, and watching him so sad and breaking down in front of his mom and dad, gave all of us in the viewing audience a lump in our throats, and we grabbed the hankies.  How did you prepare for the big episode to deliver this kind of a performance?

AUSTIN:

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I had known for a month that this was coming, while they figured out when they were going to shoot the remote scenes.  I only found out we were going to be shooting on the roof of the studio a day before.  The day of, I woke up, went over to the studio, had breakfast, and then did not talk to anybody.  I tried to make myself as sad as possible and get really depressed, because that is how Shane felt.  He was really sad and did not know what to do.  Eventually, I saw the episode.  I was in school when it aired, but I did watch it on SOAPnet later.  I thought it was really good and JP and Farah did an amazing job, too.  It was really weird seeing myself in that situation, though.

MICHAEL:

Speaking of how good JP and Farah were in those scenes, Austin, how has it been to play their on-screen kid all these years?  Clearly, they are very impressed with your acting!  It seems like all of you have a love and a mutual admiration society going on!

AUSTIN:

They are both so amazing and so nice.  I have worked with them so much, and it is always fun to know that I have more scenes coming up with them.  They are such amazing actors and they are awesome to hang out with, and they are like a second family to me.

MICHAEL:

You also got to work with Daytime Emmy winner, Kim Zimmer (Echo) as your grandma in some big scenes.  How was that to work with her?

AUSTIN:

She is amazing, too!  I am kind of sad I have not worked with her for a while.  It’s been a few months now.  I was hoping I would have more scenes with her, but soon maybe there will be more.

MICHAEL:

Have your classmates said anything, or seen you on OLTL in the bullying storyline?

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AUSTIN:

For the most part… no.  One Life to Live is on while we are in school, but one person just posted on my facebook that they were out sick from school and turned on the TV and saw me!  I pretty much keep my school life and work life separate.  I am not going around going, “Watch me!”  For the most part, I don’t acknowledge it, and just hang out with my classmates and be a normal kid.  But then when it’s time to film, sometimes I have to leave school early and be like, “See ya everybody!”  Then, I get to go off and become Shane.

MICHAEL:

Austin, many times kids who are bullied grow up to be bullies.  Many times they don’t, and are extremely sympathetic to those who have gone through this.  Where do you think Shane falls in all of this?  How do you think he will be affected long term by the bullying?

AUSTIN:

I don’t think it will change who he is.  I always think that Shane will be this really nice kid, but I think things will be different for him.  However, I don’t believe it’s going to change his personality.

MICHAEL:

Now that all of you have experienced this bullying storyline and seen the feedback, and the importance of this issue, would you be open to speaking publicly for an organization that helps kids who have been bullied, or to a group of parents who have lost children via suicide this way?  I know GLSEN is a wonderful organization that helps kids, and also I know One Life worked with STOMP Out Bullying, too.

AUSTIN:

That would be amazing, and that is what is so amazing about this storyline.  That is, it can make a difference and can help people that are going through this, and hopefully stop people who are hurting other people and bullying them.  Yes, that would be very exciting to speak and a great opportunity.

FARAH:

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I would love to.  As I mentioned earlier and I don’t want to have a pity party for myself, but I was bullied very badly when I was in the eight grade.  When I entered ninth grade, all I wanted to do is get out of school and go to L.A. and become an actress.  It drove me to want to be an actress.  I think acting was my escape, because I could forget about Farah’s torment, and try to be somebody else, and that has helped me get through.  I would love to talk about my time as being the bullied kid, and share my experience of playing a mother to a bullied kid.  I have now learned even more about the subject in the last few months of working at One Life to Live.

JOHN-PAUL:

They wanted me to speak at an event recently, and its not that I don’t want to speak, it’s just there is no way I could write the speech.  I could easily do a Q&A talkback and would love to on this topic. But I will never steal Ron Carilivati’s (head writer, OLTL) job from him! (Laughs)  I don’t know how to write anything.  I just cannot step up to a podium and read something that I have written.  I could not even write a toast for a best man’s speech.

MICHAEL:

Speaking of weddings, I loved the nice moment recently where Rex went down on his knees and asked Gigi to marry him, again.  What did the two of you think about it?

FARAH:

I thought it was nice.  Gigi thought it was odd timing, but Farah thought it was good timing.  I think that Rex and Gigi should get married.  They love each other, and they have a son, and they want to be a family forever.

JOHN-PAUL:

It’s a third time Rex has asked Gigi, so I did not really think anything was in Rex’s mind. It was not like, “Here we go again,” but in John-Paul’s mind it was.  It was very serious and important for Rex, so I went with it and played it as such.

MICHAEL:

On tomorrow’s episode, there is a big group therapy session for the Morasco/Balsoms.  What can we expect to see?

FARAH:

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Gigi confesses to stealing the tape and Rex confesses to the thugs.  We just admit our faults and we make a bit of progress at being open and honest with each other.

JOHN-PAUL:

When Gigi and Rex go to see the doctor it’s interesting, because Rex and Gigi are two adults with a teenage child, yet they are sitting in front of this doctor going, “We don’t know what to do. Please help us help our son.”  So it’s really about these two people who should know how to take care of themselves, but don’t quite know how.

FARAH:

The therapist, Dr. Buhari, starts to apologize to Rex and Gigi because Shane’s tape went missing.  Gigi is feeling really guilty and she thinks that Dr. Buhari is on to her.  She thinks Dr. Buhari is saying all these things in the session to get Gigi to confess, when in actuality, Dr. Buhari has no idea that Gigi took the tape!  But Gigi fesses up and says she is sorry and was wrong.  Rex hands the tape right to her.  Dr. Buhari had asked Shane to step out of the room, because she did not want Shane to know his tape was missing.  And then when Shane comes back into the room, that is when we confess our wrong-doings.

AUSTIN:

Shane and his parents want things to get better now, and they feel therapy is the best way for him to get past it and just move in.  There are some scenes where it’s individual counseling, and some where we have therapy scenes together. But it’s very interesting what happens.

MICHAEL:

Austin, what would you say is the one key message you would like to say to kids going through this, now that you have depicted one on television?

AUSTIN:

Hurting yourself is not the answer.  Please try to find ways to make yourself happy.  Like, Shane’s thing is doing comics and that is what made him happy.   No matter what it is: drawing, music, watching TV, anything that you can do to be happy and be yourself, and you will get past it.  Having someone to help back you up is so helpful, like your parents, friends or anybody.  They can help you get past it and be a healthy and happy kid.  I would say to not shut down.  You really do need to tell somebody.  They really can help you.

MICHAEL:

Courtesy/ABC

In closing, what you would say to the fans about the bullying storyline?  Will it dovetail and continue into more story for all of you?

AUSTIN:

Now that his parents know, which is huge, it’s not only his secret anymore.  Things look like they are getting better.  We will see if Jack continues to bully him, or if he has learned anything from this, or if he finds away to continue bullying Shane.

FARAH:

It has had a climax, but the worst is yet to come…if you can imagine.

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Guest
Sarah White Sees

I think this will be one of the most important storylines in daytime this year. It is such an important story to tell, and I hope it helps many people. The acting from John-Paul, Farah, and Austin has been amazing. Their performances have been real and raw. This storyline and the acting involved is one of the reasons One Life To Live continues to shine as the best show in daytime right now. I am so saddened that it has been canceled, but I know the cast will continue to put their best efforts into this show and enhance the… Read more »

todd
Guest
todd

I was bullied throughout junior and high school. The roof scenes really made me break down. Amazing work by Faras, JPL, and especially Austin. They have their reels for next years Emmys…..if they have the awards next year.

lisa
Guest
lisa

What a fabulous interview from three very talented actors…..my hat is off to all for such stellar performances on such a timely and important issue as bullying.
Great stuff !!

Michelle
Guest
Michelle

The storyline hits home, but I was in high school over twenty years ago, and school bullying was not near as bad then as it is now. I was bullied in high school, and I know how Shane feels, but not near as bad. I felt lonely and depressed a lot, and there were times I felt like killing myself, but then I thought of my parents, and I knew that they would be devastated if I did commit suicide. That is the only reason I did not do it. I was not bullied near as bad as Shane, and… Read more »

eve henley
Guest
eve henley

at least u could had a good going off the air fornally this messed up

Brian Greene
Guest
Brian Greene

OMG! Big Props Must Go To Michael For Conducting An Informative & A Most Meaningful Interview With John-Paul, Farah, & Austin! Bless You All!

eve henley
Guest
eve henley

why didn’t u just let gigi and rex get married,give shane a family he deserve that.why did christen make that dum move, it shouldn’t end this way.

patti
Guest
patti

the roof top scene made cry I was alone watching watching it. I want the 2 main bullies Brad and Jack to be expelled and they should be,

Lindley Pablo
Guest
Lindley Pablo

My name is Lindley Pablo. When I saw the bullying story on OLTL, I really related to Shane.I was bullied from the time I was in 8th grade to the end of my 12th grade year in high school. Even a few of my teachers talked bad about me behind my back. I did not tell my parents. However they did figure out what was going on thanks to one of my best friends. I just want to say that Austin deserves an award for his acting. He had me in tears. When I heard Shane say “I don’t always… Read more »

Alaina
Guest
Alaina

That second picture down is a picture I took New Year’s Eve 2009. So how could it be a JPI Studio picture? I don’t care if you used it though, just wanted to let you know.

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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