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The Farah Fath, John-Paul Lavoisier & Austin Williams Interview – One Life to Live

Courtesy/ABC

For those who have been tuning into One Life to Live in recent months, you have seen the carefully plotted, and true to life front-page news type storyline unravel before your eyes.  The soap which has always been at the forefront of telling social issues of the day, during its 43 year history, took on a subject that has seen young high school and college students take their own lives, after being bullied endlessly by their peers, roommates, or class mates.  Over the last several months, the rash of teen suicides via bullying in the United States has become staggering.  But unfortunately this is nothing new, for teen suicides because of bullying have gone on for a very long time in our society, just perhaps, slightly more under the radar.

In January of this year, the powers-that-be in Llanview, executive producer, Frank Valentini and head writer, Ron Carlivati began to embark on telling the tale of teenager Shane Morasco being both bullied and cyber bullied.  Later it would turn out that Jack Manning (son of Todd and Blair) is behind the horrific situations that Shane found himself in.  Eventually, feeling all hope was lost and alone in the world, Shane decides he has nothing to live for and feels he needs to end his life.  So he decides he is going to jump off his high school rooftop.  Even though those scenes aired a month ago, the story is still playing out with all the ramifications and complexities of this delicate subject.

Three performers at OLTL were handed the ball to make this story come to life.  And we have to say, all three have brought us all to tears, and made us take a look at what is going on in the world, not only with young children, but their parents, too.  We can only be talking about Farah Fath (Gigi), John-Paul Lavoisier (Rex) and Austin Williams (Shane).  OLTL has done an admirable and inspiring job taking a look at how bullying and attempted suicide affects not only the child, but the parents, and how do they deal with this most dangerous, unthinkable, and saddest of situations.

On-Air On-Soaps wanted to speak to all three key participants to discuss playing out the major rooftop scenes, the fallout, and how they have personally been affected, from being part of this very serious and important issue of the day.   And now with One Life to Live’s unfortunate and ill-timed cancellation, the integrity and quality of work that this storyline continues to bring to the series again begs the question, “ABC, what were you thinking?” That being said, here is our very special conversation with Farah, JP and Austin!

MICHAEL:

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I want to begin by talking about the cancellation of One Life to Live that was handed down now three weeks ago by ABC.  I know it is a sad loss, and that the cast was told before you went on a week hiatus.  Now that everyone is back, and has had a little more time for the news to settle in, how are you doing with the news and what is the outlook of everyone over at One Life these days?

FARAH:

I think my grandfather puts it best when he says, “It is what it is.”  That is the most comforting saying you can think of when something bad happens, or you have something you need to wrap your head around.  It is out of our control.  The fans can do as many campaigns as they want and write to the advertisers.  But at the end of the day, we all just have to continue to try and put out the best episodes we can and stay focused on our current storylines.  We still have a lot of show left to tape.  So we are not trying to get depressed about it, as that is just going to be a waste of energy.  We are trying to be upbeat and not miserable the last six months of work.

JOHN-PAUL:

Everyone at work knows that the dust has sort of settled.  At least in the studio, it seems to be a lot happier and nicer… almost.  There is a sense of peace now.  For the past year, we have lived with all these rumors.  Not a day went by in the daytime community where somebody wasn’t talking about somebody hearing something from somebody that the show was being canceled.  So it was this funky energy ever since we moved into the new studio.  Now that we have been given this seven months notice, it lets people sort of plan their life personally, professionally, and geographically.  And there is sort of a sense of peace in that we know how we can move forward from this in our own ways.  Obviously, people are not smiling or happy at all because the show has been canceled, just for their own ability to move forward.

FARAH:

Unfortunately for the viewers, they are not going to have that hour of the day to look forward to when they come home from work and watching their Llanview characters.  But as far as the cast and crew go, everyone is starting to be positive.  It is not a dreary place to be.  We are making jokes and laughing, and still having a good time.

MICHAEL:

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One Life will have a very special place in your hearts, JP and Farah, because you met there.   It will and has become very historical for you, in a way.

FARAH:

Llanview will always be a very special place to me and John-Paul.

JOHN-PAUL:

I just talked about this with Farah the other day.  I am not a big Internet guy, but I hope there is a YouTube type platform when we are old so we can go there and watch the stuff we used to do and go, “That is how we met.  Look at us meeting!”

FARAH:

It’s already weird to look back at 2007 and 2008 in clips, even now.

JOHN-PAUL:

Our first kiss was on TV…and now it’s on the Internet!

MICHAEL:

The performances in the bullying storyline have been tremendous from each of you involved.  I dare say the best work you have done during your time on the series.  When they told you that One Life to Live was going to embark on this very current hot topic storyline and that the three of you would be the characters used as the device to tell this story, what went through your minds?

AUSTIN:

I think I found out at casino night for ABC with Farah and JP!  I saw Frank Valentini, our executive producer that night, and talked to him a little bit, and I am pretty sure that is when I found out.  I was really excited and happy that I would get to be a part of such an amazing and powerful storyline.

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FARAH:

At first, I felt a little weary because it was a ripped from the headlines’ story.  I felt it was little bit Law and Order! But with each passing script I got I would think, “This is working.”  It had a nice built up and it wasn’t too sudden, and it also wasn’t dragged out too long.  I think it climaxed at the right time.  It has been fun as an actor, but a sad and scary place to dive into as far as playing it all out.  I think the chemistry between myself, JP, and Austin is good.  We have a nice connection going.  Austin has grown as far as being a nice little actor.  This has been a well-written storyline and something everyone can relate to, and that is what makes connecting to the characters right now a bit easier.  I was bullied in school; John-Paul had some situations.  Everyone has a little taste of that at some point in their lives.  You hear the stories in the news and it makes you feel so sad for these kids that are tormented so badly that they think the only way out is suicide.  I applaud the writers.  I think it’s all been executed really well.  In fact, the story has not concluded at all.  It’s going to escalate even more come next month.  So you have not seen the end of the bullying storyline!

MICHAEL:

Austin, did you have any trepidation playing a kid who is bullied, when you were still in high school yourself?  Did it cause any problems for you?

AUSTIN:

It definitely mirrors real life, but my school is not tolerant of that type of thing at all.  So, I didn’t see that much of it.  But you definitely see it online – cyber bullying – is very prominent right now and very true to life. Then, I think everything the kids did to Shane is so true to real life, because kids will find anything and go after you about it.  And it can be very random like that.

MICHAEL:

One of the things I recently shared about myself to the online readers of my website is that I was bullied terribly as child, and like Shane, I was an asthmatic.  I too, wanted to end my life at one point as a kid.   I shared that One Life to Live saved my life, since that is how I would escape the bullying and find a safe haven to take my mind off of it.  So when I saw that Shane was going to be bullied and the way it went down, I can attest it is very true to life.  Now, of course, when I was a child there were no computers so it was all emotional and physical abuse and not on the Internet.  But the Internet adds a frightening complexity to all of this.   But I have to say, that Shane immersing himself in comic books, etc as his world to escape into is dead-on.  So Austin, I personally wanted to congratulate you for doing such an amazing job with the material.

Courtesy/ABC

AUSTIN:

Thank you.  I tried my hardest to make it as realistic as possible.  I pretended that these things were happening to me, and that worked, while trying to make myself at the same time as sad as possible.

MICHAEL:

It also made great sense that the writers chose Shane, of all the kids on the canvas, to be picked on.  He was ripe for it, if you think about it.  He had gone through leukemia, had asthma and came from a blue-collar family.  He was not the rich kid and in the “in crowd” like Jack Manning.

AUSTIN:

He is definitely weaker because of always being sick with asthma, and the one line that he said on the roof really rings true for him: “He does not always want to be that kid that is sick with cancer or asthma.”

MICHAEL:

John-Paul, the speech Rex gave in the hallway of Llanview high, after Shane’s suicide attempt, was so riveting and something that I know any kid who was bullied mercilessly by their fellow students would probably stand up and cheer!  Rex screamed at the kids and the teachers!   What did you personally think of that scene?

JOHN-PAUL:

It was such a real speech.  It was a speech any parents would want to shout!  Kids should not be allowed cell phones, and kids should not be allowed to do all this none school stuff when they are in school.  When we all went to school from 8AM to 3AM, you were paying attention to the teacher.  Then you get your time in the lunchroom and at recess to socialize and play with a stick and a swing set… not a computer, where you are typing in and watching videos and doing all this crazy stuff.   It’s basically pointless!  You have the rest of the day to do that, and you should not be allowed to do all that crap in school.  So it was true and I felt it.  There should be no social networking from 8-3.  It is not going to help you get a job or go to college.  I want to say to the kids, “Stop it!”

MICHAEL:

There is such poignancy watching the struggle of Rex and Gigi.  Here are two very young parents that truly don’t know how to deal with this situation that was happening literally under their nose the whole time.  Rex seems so lost at times.

JOHN-PAUL:

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He is lost!  He does not know what to do.  Rex is guessing his way along with Gigi on this, and they are trying to be a strong team for their son.

MICHAEL:

Austin, what was the hardest scene for you to tape in all of this?

AUSTIN:

I would say the roof scenes were the hardest.  Now Shane is improving and therapy is helping, but every scene that you have to put yourself down like that is pretty hard to do.

MICHAEL:

JP, in the scene in the hospital where Rex breaks down in front of Bo, is one of the moments that will forever resonate with this story.  Everyone loves to see the dynamics between you and Bob Woods (Bo).  But since these were such high emotional stakes that we seldom get to see you do, was this more challenging for you to play?

JOHN-PAUL:

It wasn’t hard to do because of what I was talking about and the situation, and of course, it was not hard because I was working with Bob Woods (Bo).  Now perhaps if it was an actor who I had never worked with before and was a stranger, I don’t think I could have done it as well.  The hard part of it, other than I could not relate to it (because I don’t have a kid who tried to commit suicide, or anyone I know tried to commit suicide) was we taped out of order.  We had not taped the pivotal roof top scenes yet.  The hospital scenes we taped weeks before the roof top scenes, so I did not have the visual in my head.

FARAH:

I really wish we could have done the reverse order.  The scenes where we come into the hospital and I am suppose to break down with the nurse, and John-Paul was suppose to break down with Bo, we had nothing to really go off of, and it was our first time taping anything in that storyline.  I had no idea that being up on that roof, and seeing Austin Williams in that situation, was going to be as gut-wrenching as it was.  I felt so desperate up there.  All of us wish we had the opportunity to film those scenes first.  It would have changed our choices in the scenes that followed.

MICHAEL:

…Which is amazing to think about because those moments came off so real to me, and were portrayed beautifully.  It was just two parents… devastated, frightened, and helpless.

FARAH:

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Thankfully, it all came together OK, but imagine how much better it would have been.

MICHAEL:

Have you received or been aware of any reactions from family members, friends, or parents or kids, who have come forward that have lost a child via suicide to bullying, or a child who had been badly bullied?

AUSTIN:

My parents watched it, and they were like, “Oh, my God.  I am so proud of you.”   It was tough for them to watch, too.  I know my grandpa would not watch some of the scenes.  He was so hurt by them, since they were so sad.

FARAH:

For the first time in my entire daytime career, I have gotten compliments from people that I don’t know.  I just made a facebook page and people are messaging me on there.  I am hearing from women who have literally had children kill themselves. They tell me, “Gigi’s life was their living nightmare five or ten years ago.”   I just could not believe it. They told me what a good job I was doing, and that just brought me to tears.  For people who have actually experienced it to tell me that I am doing a good job for playing what they felt, that is the highest of compliments.  Also my family– who are hard to get compliments out of, like my sister and my mom – they watch OLTL and I never hear anything from them.  Well this time, I got phone calls and emails from my dad, my mom, my aunt, after the roof top scenes telling me it was the best work they had ever seen me do, and that hopefully, I will get pre-nominated next year for a Daytime Emmy, and those are my scenes.  I have never gotten that kind of feedback from them.  My sister particularly, is my harshest critic.  She will point out my bad habits, and she tries to get me to do better all the time.  She even said she was so proud of me.  So between my family complimenting me and the messages and letters that I have gotten from mothers who have been in the same boat, it’s the biggest response I have ever had in the last 12 years, and it has been really fulfilling.  I am glad in this last year of OLTL I have gotten to be part of this great story.

JOHN-PAUL:

My mother has been complimenting me a lot.  She complimented the Bo scenes.  She complimented Farah more. (Laughs)  I did a personal appearance a few months ago at the beginning of the storyline where I was doing a Q&A from the stage, and one woman in particular commended the show in general for tackling this very current and relatable subject.  And what was so startling was she lives in the town where they had recently had a teen suicide from Internet bullying. There have been three of four storylines of mine in the 9 years I have been on the show, and this is definitely in the top three in the biggest feedback.  In the past, fans would say, “Oh, it’s really fun when you went to Texas,” or, “It’s really fun when you and Bo outed Daniel Coulson.”  But when the show is over, this will be one of the top three which I saw was a hit with the audience the most.  And, it’s a good storyline and it’s great to be part of it!

MICHAEL:

Austin, did any of your younger castmates, such as Eddie Alderson (Matthew) or Shenell Edmonds (Destiny) come up to you and give you kudos for the rooftop performance?

Courtesy/ABC

AUSTIN:

Yeah, I was just on set the other day and I saw Shenell and she said, “Oh my God. You did such a good job!”  I was so happy and laughing whenever I hear that, because it’s fun to hear!  I remember Kassie DePaiva (Blair) said something, too.  Everybody is very supportive at OLTL.

MICHAEL:

What did you think, JP and Farah, when in a major story point turned out to be Rex who hired thugs to beat up Jack Manning!  People thought it was Clint for a bit!

JOHN-PAUL:

I was surprised, I was shocked, and I went, “I did do it? Well, OK.” But, I justify it with the fact of Rex still very much being a kid at heart.  Look, if jail did not exist Rex would kill Jack, and beat the crap out him with his fists.  This has made Rex in a slight way digress. Rex is having to fight inside himself actually becoming a 14-year-old boy walking on to the recess yard and beating up Jack and all of his friends, and not caring about the repercussions.  He would strangle Jack to death!  So the fact that he hired these people does not surprise me.  It makes sense.  I agree with it, and as an actor, I have justified it.

FARAH:

Listen, I do not know what it is like to be a parent, but as an older sister, I was in a situation one time where I went to the bathroom and was coming out of the bathroom – we were in a public place – and a woman started to beat up my 16-year-old sister.  I had never been so enraged in my life!  I can imagine if you are seeing your 16-year-old kid being beaten up!  I don’t think you care who is beating up your child; you are going to jump on that person and defend your child.  You don’t care how old that person is, as your emotions just overcome you.  I asked John-Paul’s mother for a little bit of advice before the storyline got going.  I said, “If you think back to when John-Paul was a freshmen in high school, and you found out that all these horrible things were happening to him and he was being picked on so badly that he wanted to kill himself, how would you feel?  Would you be sad, or would you be so pissed off that you wanted to strangle someone?”  And she said, “I would be so pissed off.  I would go to their house and be banging on their door. I would scream at them and tell their mothers what was going on, and be madder than I have been in my life.”  So, I thought, “OK, so there is my answer then.”  As an adult, you don’t think about the consequences when you are seeing your precious child being abused.  You can’t think rationally like, “This might put me in jail.” In fact, you probably don’t even care if you end up in jail, because you want to protect your baby.

MICHAEL:

Now that Rex has had Jack roughed up, is Shane fearful that Jack and his young goons will become more aggressive for Shane ratting them out to his parents?

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AUSTIN:

That was one of the main fears for Shane at the beginning.  He was afraid to say anything to his parents, because he thought it would make things worse.  But to me, it seems like Shane is starting to get his confidence back.

MICHAEL:

Will we see major confrontations between the families?  Will we see the Mannings vs. the Balsoms clashing to protect and defend their children?

FARAH:

The Mannings and the Balsoms meet up in the hospital one day, and you will see the Mannings on one side and the Balsoms on the other side, and you kind of see the families go head-to-head for a minute.

MICHAEL:

How is Andrew Trischitta (Jack) to work with, Austin?  What goes on behind-the-scenes between takes after he is being really mean to you when the cameras are rolling?

AUSTIN:

Andrew is so much different than his character in real life.  He is so cool and so much fun to hang out with.  It is weird when he goes from that to someone who does such bad things on the show.  For the most part we talk to each other between takes.  He does not stay in character and bully me when we are not taping! (Laughs)

MICHAEL:

What about scenes between Rex and Todd?  Now those should be some complex exciting scenes to watch.  Can you preview anything?

JOHN-PAUL:

I just worked with Trevor St. John (Todd) yesterday and this is actually going to air next month, and as far as I have been told, this is going to spark a lot of stuff between Todd and Rex.  To my knowledge I am going to be having quite a few scenes with Trevor, which I have not had in awhile.   So the answer is yes, we will be working together for the next few months.

MICHAEL:

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What did you think of Austin’s performance on the roof as Shane, when he delivered the sad and emotional speech?

JOHN-PAUL:

Yes, you mean “…having to make up friends and the comic books.”  I know.  We could have done the rooftop scenes in the studio, since as you have seen we do rooftops scenes in the studio all the time.  But it helped, and it was really good that we were on the roof. (Even though, it was our ABC studio roof in the back lot.)  It felt real.  We are on a roof and it felt high above the ground, and the wind made it so you had to shout and be loud to communicate, and our hair was blowing, and it felt so real.  I commended Austin afterwards.  I said, “Really good job, good for you. You do snot really well.  I cannot do snot.” (Laughs)  Austin’s face just bleeds snot.  He had boogies. (Laughs)  I can’t do that. (Laughs)

FARAH:

His dialog was heartbreaking to the point where in the one scene where I had all of those lines, I got stuck. It was Gigi’s turn to so desperately spill her guts, and tell him how much she loves and needs him,  “I need more minutes, baby…” etc.  Now Austin was so good, and even though I had read his dialog before hand, hearing him say it and see his little face so crushed saying those lines, my jaw was on the ground.  I thought, “Oh my God. This is so sad.”  And then I went blank.  I could not remember anything I was supposed to say, because I was so caught up in listening to him.  I was at the point in Gigi’s speech where I discuss when I got pregnant at 17, and how that was not cool.  Gigi goes on to tell him, “People laughed at me and pointed at me.”  But, I just could not remember anything I was supposed to say.  I was blank and I felt so bad, because Austin was doing so well.  I felt like I screwed it up for everyone because I could not remember my lines.  But thankfully, the stage manager fed me my line, so we just did a pick up right there where we left off and continued on.  Bottom line: Austin was so good that he made me go blank! (Laugh)

MICHAEL:

Austin, the roof top scenes where Shane wanted to jump and end his life, and watching him so sad and breaking down in front of his mom and dad, gave all of us in the viewing audience a lump in our throats, and we grabbed the hankies.  How did you prepare for the big episode to deliver this kind of a performance?

AUSTIN:

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I had known for a month that this was coming, while they figured out when they were going to shoot the remote scenes.  I only found out we were going to be shooting on the roof of the studio a day before.  The day of, I woke up, went over to the studio, had breakfast, and then did not talk to anybody.  I tried to make myself as sad as possible and get really depressed, because that is how Shane felt.  He was really sad and did not know what to do.  Eventually, I saw the episode.  I was in school when it aired, but I did watch it on SOAPnet later.  I thought it was really good and JP and Farah did an amazing job, too.  It was really weird seeing myself in that situation, though.

MICHAEL:

Speaking of how good JP and Farah were in those scenes, Austin, how has it been to play their on-screen kid all these years?  Clearly, they are very impressed with your acting!  It seems like all of you have a love and a mutual admiration society going on!

AUSTIN:

They are both so amazing and so nice.  I have worked with them so much, and it is always fun to know that I have more scenes coming up with them.  They are such amazing actors and they are awesome to hang out with, and they are like a second family to me.

MICHAEL:

You also got to work with Daytime Emmy winner, Kim Zimmer (Echo) as your grandma in some big scenes.  How was that to work with her?

AUSTIN:

She is amazing, too!  I am kind of sad I have not worked with her for a while.  It’s been a few months now.  I was hoping I would have more scenes with her, but soon maybe there will be more.

MICHAEL:

Have your classmates said anything, or seen you on OLTL in the bullying storyline?

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AUSTIN:

For the most part… no.  One Life to Live is on while we are in school, but one person just posted on my facebook that they were out sick from school and turned on the TV and saw me!  I pretty much keep my school life and work life separate.  I am not going around going, “Watch me!”  For the most part, I don’t acknowledge it, and just hang out with my classmates and be a normal kid.  But then when it’s time to film, sometimes I have to leave school early and be like, “See ya everybody!”  Then, I get to go off and become Shane.

MICHAEL:

Austin, many times kids who are bullied grow up to be bullies.  Many times they don’t, and are extremely sympathetic to those who have gone through this.  Where do you think Shane falls in all of this?  How do you think he will be affected long term by the bullying?

AUSTIN:

I don’t think it will change who he is.  I always think that Shane will be this really nice kid, but I think things will be different for him.  However, I don’t believe it’s going to change his personality.

MICHAEL:

Now that all of you have experienced this bullying storyline and seen the feedback, and the importance of this issue, would you be open to speaking publicly for an organization that helps kids who have been bullied, or to a group of parents who have lost children via suicide this way?  I know GLSEN is a wonderful organization that helps kids, and also I know One Life worked with STOMP Out Bullying, too.

AUSTIN:

That would be amazing, and that is what is so amazing about this storyline.  That is, it can make a difference and can help people that are going through this, and hopefully stop people who are hurting other people and bullying them.  Yes, that would be very exciting to speak and a great opportunity.

FARAH:

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I would love to.  As I mentioned earlier and I don’t want to have a pity party for myself, but I was bullied very badly when I was in the eight grade.  When I entered ninth grade, all I wanted to do is get out of school and go to L.A. and become an actress.  It drove me to want to be an actress.  I think acting was my escape, because I could forget about Farah’s torment, and try to be somebody else, and that has helped me get through.  I would love to talk about my time as being the bullied kid, and share my experience of playing a mother to a bullied kid.  I have now learned even more about the subject in the last few months of working at One Life to Live.

JOHN-PAUL:

They wanted me to speak at an event recently, and its not that I don’t want to speak, it’s just there is no way I could write the speech.  I could easily do a Q&A talkback and would love to on this topic. But I will never steal Ron Carilivati’s (head writer, OLTL) job from him! (Laughs)  I don’t know how to write anything.  I just cannot step up to a podium and read something that I have written.  I could not even write a toast for a best man’s speech.

MICHAEL:

Speaking of weddings, I loved the nice moment recently where Rex went down on his knees and asked Gigi to marry him, again.  What did the two of you think about it?

FARAH:

I thought it was nice.  Gigi thought it was odd timing, but Farah thought it was good timing.  I think that Rex and Gigi should get married.  They love each other, and they have a son, and they want to be a family forever.

JOHN-PAUL:

It’s a third time Rex has asked Gigi, so I did not really think anything was in Rex’s mind. It was not like, “Here we go again,” but in John-Paul’s mind it was.  It was very serious and important for Rex, so I went with it and played it as such.

MICHAEL:

On tomorrow’s episode, there is a big group therapy session for the Morasco/Balsoms.  What can we expect to see?

FARAH:

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Gigi confesses to stealing the tape and Rex confesses to the thugs.  We just admit our faults and we make a bit of progress at being open and honest with each other.

JOHN-PAUL:

When Gigi and Rex go to see the doctor it’s interesting, because Rex and Gigi are two adults with a teenage child, yet they are sitting in front of this doctor going, “We don’t know what to do. Please help us help our son.”  So it’s really about these two people who should know how to take care of themselves, but don’t quite know how.

FARAH:

The therapist, Dr. Buhari, starts to apologize to Rex and Gigi because Shane’s tape went missing.  Gigi is feeling really guilty and she thinks that Dr. Buhari is on to her.  She thinks Dr. Buhari is saying all these things in the session to get Gigi to confess, when in actuality, Dr. Buhari has no idea that Gigi took the tape!  But Gigi fesses up and says she is sorry and was wrong.  Rex hands the tape right to her.  Dr. Buhari had asked Shane to step out of the room, because she did not want Shane to know his tape was missing.  And then when Shane comes back into the room, that is when we confess our wrong-doings.

AUSTIN:

Shane and his parents want things to get better now, and they feel therapy is the best way for him to get past it and just move in.  There are some scenes where it’s individual counseling, and some where we have therapy scenes together. But it’s very interesting what happens.

MICHAEL:

Austin, what would you say is the one key message you would like to say to kids going through this, now that you have depicted one on television?

AUSTIN:

Hurting yourself is not the answer.  Please try to find ways to make yourself happy.  Like, Shane’s thing is doing comics and that is what made him happy.   No matter what it is: drawing, music, watching TV, anything that you can do to be happy and be yourself, and you will get past it.  Having someone to help back you up is so helpful, like your parents, friends or anybody.  They can help you get past it and be a healthy and happy kid.  I would say to not shut down.  You really do need to tell somebody.  They really can help you.

MICHAEL:

Courtesy/ABC

In closing, what you would say to the fans about the bullying storyline?  Will it dovetail and continue into more story for all of you?

AUSTIN:

Now that his parents know, which is huge, it’s not only his secret anymore.  Things look like they are getting better.  We will see if Jack continues to bully him, or if he has learned anything from this, or if he finds away to continue bullying Shane.

FARAH:

It has had a climax, but the worst is yet to come…if you can imagine.

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Guest
Sarah White Sees

I think this will be one of the most important storylines in daytime this year. It is such an important story to tell, and I hope it helps many people. The acting from John-Paul, Farah, and Austin has been amazing. Their performances have been real and raw. This storyline and the acting involved is one of the reasons One Life To Live continues to shine as the best show in daytime right now. I am so saddened that it has been canceled, but I know the cast will continue to put their best efforts into this show and enhance the… Read more »

todd
Guest
todd

I was bullied throughout junior and high school. The roof scenes really made me break down. Amazing work by Faras, JPL, and especially Austin. They have their reels for next years Emmys…..if they have the awards next year.

lisa
Guest
lisa

What a fabulous interview from three very talented actors…..my hat is off to all for such stellar performances on such a timely and important issue as bullying.
Great stuff !!

Michelle
Guest
Michelle

The storyline hits home, but I was in high school over twenty years ago, and school bullying was not near as bad then as it is now. I was bullied in high school, and I know how Shane feels, but not near as bad. I felt lonely and depressed a lot, and there were times I felt like killing myself, but then I thought of my parents, and I knew that they would be devastated if I did commit suicide. That is the only reason I did not do it. I was not bullied near as bad as Shane, and… Read more »

eve henley
Guest
eve henley

at least u could had a good going off the air fornally this messed up

Brian Greene
Guest
Brian Greene

OMG! Big Props Must Go To Michael For Conducting An Informative & A Most Meaningful Interview With John-Paul, Farah, & Austin! Bless You All!

eve henley
Guest
eve henley

why didn’t u just let gigi and rex get married,give shane a family he deserve that.why did christen make that dum move, it shouldn’t end this way.

patti
Guest
patti

the roof top scene made cry I was alone watching watching it. I want the 2 main bullies Brad and Jack to be expelled and they should be,

Lindley Pablo
Guest
Lindley Pablo

My name is Lindley Pablo. When I saw the bullying story on OLTL, I really related to Shane.I was bullied from the time I was in 8th grade to the end of my 12th grade year in high school. Even a few of my teachers talked bad about me behind my back. I did not tell my parents. However they did figure out what was going on thanks to one of my best friends. I just want to say that Austin deserves an award for his acting. He had me in tears. When I heard Shane say “I don’t always… Read more »

Alaina
Guest
Alaina

That second picture down is a picture I took New Year’s Eve 2009. So how could it be a JPI Studio picture? I don’t care if you used it though, just wanted to let you know.

General Hospital

WATCH: The Cast of ‘Studio City’ Talk On the Latest Five Episodes & The Making of the Critically-Acclaimed Digital Drama

It’s one of the most talked about digital dramas out there, with a look and feel all its own, containing smart, witty, and dramatic plots and dialogue, and stellar performances abound.

In Amazon Prime’s Studio City, the story about life on a soap in front of the camera juxtaposed with the often harsh reality of life behind the scenes, will have any fan of the genre getting a kick out of some of the very familiar soap tropes contained within balanced with the five-hankie moments throughout  And now, Studio City has dropped their latest five episodes picking the story back up from where it left off.

Michael Fairman chatted with the cast of Studio City in his latest interview for The Michael Fairman Channel on You Tube. Those taking part in this virtual conversation included: Sean Kanan (Sam), Sarah Joy Brown (Laurie), Tristan Rogers (Doc), Carolyn Hennesy (Gloria), Scott Turner Schofield (Max), Anna Maria Horsford (Jolene), and Justin Torkildesn (Jacob).  Ronn Moss, who also appears in the series playing a version of himself, was filming a movie during the scheduling of this chat, but his presence is felt when some hilarious moments featuring him and Sean Kanan were discussed.

Soap fans know these actors very well.  Kanan, Brown, Hennesy and Rogers have all, or are presently appearing, on General Hospital.  B&B fans recognize Torkilden, Horsford, Moss, and Schofield along with Kanan from their work on the CBS Daytime drama.

Getting a show up and running and then taped during the Covid-19 pandemic is no easy task as Kanan shared in the group interview.  As well, Anna Maria Horsford and Sarah Joy Brown share how they came to their parts and the rapid-fire pace in which their scenes were shot.  Tristan Rogers, who won a Daytime Emmy last year for his performance as Doc, gives another heartbreaking turn, and reveals his thoughts on the work he did, plus shares his remembrances of his late friend and GH co-star, John Reilly.

Scott Turner Schofield talks about how Sean and his wife Michele Kanan, two of the creators of the show, have given him and the transgender community a space with Max’s storyline in Studio City.  GH favorite, Carolyn Hennesy shares how she crafted her role of Gloria, the executive producer, after Jill Farren Phelps, and Daytime Emmy winner Justin Torkildsen shares how he wound up with a part in the digital drama and the scenes he shares with Hennesy.

You can check out the full Studio City cast interview below.  Then let us know, have you checked out the series? What have been your favorite moments and performances in it? Let us know in the comment section.

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Interviews

Y&R’s Mishael Morgan Talks Amanda’s Gut-Wrenching Scenes With Her Mother, Romance with Devon & Vice-President Kamala Harris’ Historic Moment

Since Mishael Morgan returned to The Young and the Restless as Hilary’s twin, Amanda Sinclair, it’s been a slow burn for the character.  However, recent revelations of Amanda’s childhood past have exposed the emotional wounds and the inner fight of this legal eagle, who is now poised for a romance with her late sister’s husband, Devon Hamilton (Bryton James)!

And who better to take on the challenge of trying to make Amanda and Devon a couple to root for then the talented Morgan.  In recent scenes, viewers watched as Amanda learned the harsh reality from her biological mother, Naya (Ptosha Storey), that she gave her and her sister up at birth and never really regretted it! Mishael played those scenes as you would expect for all they were worth and then some.

Michael Fairman TV chatted with the Trinidadian-Canadian Morgan, as the United States marked Martin Luther King Day on Monday – a holiday that holds a special place for her – and then the inauguration of Joe Biden and Kamala Harris as President and Vice-President of the United States on Wednesday and its historical significance.

 

While Mishael shares her thoughts on these moments of our time, we also do a deep-dive into how she created a second life in Genoa City and the challenges of playing a twin and making her unique and different, plus what fans should look forward to in the months ahead, which to us looks like it could be a love triangle between Elena (Brytni Sarpy), Devon, and Amanda.  And, as the second anniversary of the death of Kristoff St. John (Neil Winters) is fast approaching, Morgan opens up about the impact her former co-star had on her daytime career.  Here’s what Mishael had to say about it all below.

Photo: AP

Yesterday was such a historic day watching the swearing in ceremony of Kamala Harris, as Vice-President of the United States.  She is the first woman, first Black woman, first Indian woman, so many firsts to hold this office.  I just wanted to get your thoughts from watching it.  What was it like for you?

MISHAEL:  For me it was such a beautiful moment, and such a defining moment because now there is no person in America who can feel like they can’t do it all, that they can’t make it to the highest level of office, or at least one of the highest levels of office.  I think that is going to transform this country and the world in many ways because the rest of the world really does pay attention to American politics, and to what goes on in America.  I think it will really have a ripple effect throughout the entire world.  For me, it was so exciting to see this moment actually come to fruition because I think that the impact is even greater than we all could imagine.  You never know who you’re inspiring.

Photo: Hustory.com

It was really amazing, and this was also right after Martin Luther King Day and I know you produced your “I Have a Dream” Project.  How was the holiday for you?

MISHAEL:  It was funny because even though I did the MLK project, I didn’t really think that it was something I could really explain to my son.  Then, yesterday my son really wanted to know: “What was Martin Luther King Day about?  Why was it a holiday?”  It was so interesting because I had to come up with a way to explain it to a five-year-old, and what I came up with was so basic but so true.  I just said, “This was a day when Martin Luther King, a very famous man, who was famous because he stood up for everybody’s rights, and he marched to make sure that everybody can do the same things in this country as everyone else no matter how they look,” and that’s what he was.  He wasn’t just a champion for just Black lives.  I think he is a champion for equality, and he is a champion for making sure that we always remember to see each other the same.

Is that what inspired you originally to do your project?

MISHAEL:  Yes.  100%.  I remember being inspired by Martin Luther King as a child when I was learning about him for Black History Month and stuff like that, and then when all of the social unrest happened, I just remembered him again, and it was something that I wanted to explore.  When I started reading about him again, I just became so inspired by him all over again that I wanted to do something, and that’s what really inspired me to do the “I Have a Dream” Project.

Photo: Getty

I just hope that we will make strides in our country in stomping out systemic racism – it’s such a deeply-entrenched issue in our society.  A lot of people talk, but we need action to bring change to the system.

MISHAEL:  That’s the thing, I think that this moment, you can’t stop – like the moment when Kamala Harris got sworn in as our Vice-President – you can’t stop the train now because strides will be made that the next generation will look at as normal, and of what it means to be a Black woman or a woman in this country is going to change forever.  It’s the next generation that is really going to continue to move it forward.  So, I think that at the end of the day.  This will always be something that’s remembered.

Courtesy/CBS

Now on to Y&R, I wanted to tell you that these performances that you gave that recently aired were just great.  I always love it when they give you the ball.  How did you feel about the scenes and the storyline, where we learn the deep pain and hurt of Amanda’s childhood and the truth from her mother?

MISHAEL:  I was so excited to play it because for me, I really love telling human stories.  I love diving into that part of myself, and I really know that a huge part of why I am an actor is because I just have this outpouring level of empathy for every life that’s lived.  When I talk to people, and they tell me their stories, I want to take it on because I want to show that beautiful side of humanity.  So being given this story, I wanted to be very careful with it, because I knew that this is a reality for a lot of people.  I also thought about the fact that twin stories have always been done before, paternity stories have been done before, but I have to make sure that it comes from a truly honest place inside of me and a truly empathetic place.  I was excited to take on the challenge to be true to myself, and be true to my artist, and just find the beauty and the honesty in this real human story.

Courtesy/CBS

Ptosha Storey, who played your on-screen mother, Naya, was amazing in the scenes with you.  What was it like working with her and the gravity of it, where this woman is basically unapologetic that she didn’t want her children and she gave them up, and she did not sugar-coat it.

MISHAEL:  Ptosha was amazing.  I loved working with her.  We really got to kind of know each other a little bit.  She has such an interesting story about coming to LA to pursue acting, taking a break from it, (and I don’t want to speak for her), but then really going full-throttle right now when Black, female characters are being played, and she’s getting an opportunity to get back out there and do what she loves to do.  Just listening to her story was so inspiring to me. We had a true respect for each other when we got on the stage, and I think we made some art.

Photo: JPI

It was almost like watching a two-person play in those scenes.  What did Amanda feel at this point?  Was she hoping that her mother would say, “I loved you.  I wanted you?”  Was she hoping for a different outcome in her head?

MISHAEL:  I think anybody who goes into a search for their parents is hoping for a positive outcome.  I think for her, it was heartbreaking to hear that if Naya could go back and do it all over again, she would have made the same choices, and also knowing that those choices really impacted Amanda’s life in an incredible way.  I don’t think that all of it has come out yet.  I think a lot of the pain and hurt that she had to go through as a child, and the loneliness that she had to go through as a child, and hearing from a mother that she would put you back in that situation because it was more comfortable for her, and the level of selfishness is hard to take. Then there is the anger and everything that would come out of hearing that from your biological mother.  It’s funny because the way that those scenes were scripted, there was no stage direction, which to me, I love, because a lot times it will say like, “in this moment she is going to get a little angry,” or, “in that moment she is going to be sad,” but for those scenes, for some reason (and they were really juicy scenes) they really didn’t give much direction. I appreciated that because then it really allowed me to really just make the scene what I thought it was and just really live in the moment.  I know this was a roundabout way to answer the question, but yes, it was very heartbreaking because nobody expects that somebody would say that to them.

Photo: JPI

It was just so heartbreaking.  I kept thinking, “Maybe she’ll…” but no, Naya just stood her ground on it even though Amanda grew up in a foster home.  She wasn’t the “chosen” twin either!

MIHAEL:  No, and she was never chosen, and I think that’s an interesting thing that you said because she was never chosen, and I then even to this day, as a grown woman, she still isn’t chosen, and that I think is heartbreaking.  It’s an interesting thing because I do happen to have a bit of a personal experience with this.  My father wasn’t in the foster system, but he was raised… kind of farmed out to two aunts as a young child and didn’t really get to have a relationship with his parents until he was older, and with his mother, until he was in his 20s.  So, it was so fascinating watching my father.  I just remember always looking up to him and thinking he was so strong, and so powerful, and never cared about what anybody thought, and because of his upbringing, it made him a very driven person, very much like Amanda, but there was a weird sense of wanting to be good enough when his father was around, or when people talked about his father.  It was very fascinating for me to watch that.  It was like I would see my father almost turn into a child again, just wanting that love.  I think it’s because that is so organic to who we are as human beings that it just never goes away, that need to know that your parents love you, that there are two people in this world who no matter what will be there for you, and they will love you.  That’s a hard reality to come to when you realize that’s not true.  I think that’s something that’s really hard for the human spirit to let go of.

Photo: MMorganIG

Yes, and I think what you are saying is also true that you realize as an adult that we are so deeply affected by our childhood and how it plays into our choices, or how we perceive things that happen in our lives.  So, when you think of that, and because you’re a mom, doesn’t it make you feel even more that you want to do right by your kids? That you don’t want to do anything to screw them up in their later years?

MISHAEL:  Yes, it’s true.  It does make you want to be the best person for them and the best example, especially the best example for love.  You want them to feel accepted, and appreciated, and proud, and you want them to know that you’re proud of them.  You want to do everything you can because you think of every single person you may have met who felt like their parents didn’t love them enough, and you want to do every single thing to make sure that your child doesn’t feel that way.  I talked to one of my friends, and they’re like, “My parents never told me that they were proud of me,” and I’m like, “Alright!  Well, Niam, I am so proud of you!” Every day, “I am proud of you!  I am proud!”  It’s like every day I better make sure to tell my kids that I am proud of them, and that I love them.  I was talking to Bryton James about this because I had a disciplinary moment with my son, and you wonder if they are going to take it the way that you take it, but at the end of the day, that might get burned into his memory as “the worst thing that my mom ever did to me,” and meanwhile I thought it was a life lesson that I think he learned.  You kind of have to get rid of that fear that you are going to screw them up because I think it doesn’t matter.  You’re either going to love them too much, or you’re not going to love them enough, and you just have to do the best that you can, and you just hope that it’s good enough.

Photo:JPI

Now, you were brilliant as Hilary on Y&R and had this amazing story send-off, and then you came back to the show as Amanda, a new character.  How has it been to try to define Amanda as her own character without the ‘Hilary-isms’, or does it not matter anymore?  Do you feel you have made the distinction for yourself that they are two very different characters?

MISHAEL:  I feel like now they just are different.  It was active choices that I was making in the beginning, and it was important for me in the beginning.  That’s why, for me, when I was bringing Amanda in, I was trying to stay very steady in my tone and how I spoke because Hilary was very, very up and down, and everything was all over the place.  So, for me, that was my beginning moment, just really focusing on how Amanda spoke and how she conducted herself. I can’t change the way that I look, but I feel that the way that I speak and the way that I carry myself will naturally start to define the character.  After a while, when that becomes more second nature, I feel like more of the character comes through … more of how she is and how she takes things in.  That’s just sort of explaining a bit of my process. It’s just the weirdest situation that I never thought I would ever be in, but I definitely feel like a different character for sure!  I do feel like I know who Amanda is now.  In the beginning, when I read the script, all I heard was Hilary.  I really had to think about how I was going to say things because I didn’t want it to sound like Hilary, and now when I read the script, I see Amanda.  I don’t hear Hilary anymore.  It’s become easier for me now to lean more into the role and get more comfortable with it.

Photo:JPI

Amanda had said to her mother that she was also robbed of her sister.  How does that play into her whole psyche?  She does know that Devon was deeply in love with her sister, and now she has feelings for him too.  Did she want to meet her sister?  Does she feel robbed of that?

MISHAEL:  She feels very much robbed of that.  For me, it was very important that the time when she discovered that Hilary was her sister and that Hilary was gone, that I’m playing that loss properly.  It was important for me because if you couldn’t believe that Amanda’s heart is truly breaking for her sister, then you can’t believe anything else that’s coming afterwards.  This is a really defining moment for me as an actor playing two characters on the show.  It was really important, leaning into the fact that I had a twin, and I’ll have a connection to a person who doesn’t exist anymore, and really letting that break my heart, and break Amanda’s heart.  Once the audience believes that, then they can really believe that Amanda is a different character.  Then, our amazing fans will start to just buy into it, and they will figure it out, and they will work it out, and they will wrap their heads around it, but for me, it was that they had to believe that Amanda’s heart is truly broken for Hilary, otherwise we can’t hook them.  Amanda and Hilary have to become two separate characters in people’s minds.

Right.  So, after the confrontation with her mother, she runs to Devon, and she is torn up, and he consoles her.  This week he asked her out on a date.  She likes this guy, right? 

MISHAEL:  Yeah, I think she does!  He’s the first person that she met when she came to town, and I think she’s always been impressed by how he treated her even when he hated her, and the more that she learned of him, the more she became impressed by who Devon was, and his patience with all of this. In seeing his vulnerability with Hilary, and everything that he went through, and then seeing his heart being broken because of Elena and Nate, I think all of it together is starting to give these two characters reasons to be okay with exploring something that may seem strange to other people, but you can’t control who you love sometimes.

Photo: JPI

Hilary and Devon were such a hugely popular couple.  Do you feel pressure to hit lighting in a bottle, twice?

MISHAEL:  It’s really hilarious because we’re the same people!  Yeah, there is a little bit of pressure because you do wonder if you’re going to be able to create the same magic, especially because Bryton and I have known each other for so long, and we know each other so well now.  Looking back at some of the Hilary and Devon scenes, there is something that is so interesting about it and fun about it because I think Bryton and I were just getting to know each other at the same time.  So, wondering if we are going to be able to recreate that and just make it feel fun and fresh, I think is the worry or the challenge.  I think we will figure it out.  Bryton and I were talking, and the one thing that is missing, or the one thing that we have to get to in terms of the underbelly of Amanda and Devon’s attraction is that Amanda is more like Devon than Hilary ever was.  It’s almost like Devon realizing that the whole journey with Hilary was meant to happen just so that he could meet Amanda.

Isn’t Amanda going to be kind of worried that he was so in love with Hilary and the way that she looked…

MISHAEL:  Well, she doesn’t need to worry because Hilary is dead anyway.  It’s not like she’s coming back!  (Laughs)

Photo: JPI

Since the last time you played an on-screen relationship, Bryton is with Brytni Sarpy in real-life, and Brytni is on the show now, and there is all of that.  What has that been like working with Brytni?

MISHAEL:  Oh, I’m so Canadian!  As soon as I got back to the show, I was like, “I’m so sorry,” and she was like, “Why are you sorry?”  I said, “I just feel very sorry that I’m here.  You guys have your real-life love thing going on, and your on-screen love… I feel weird.  I’m happy to be back on the show, but I’m like breaking up the party!”  She’s like, “No!  It’s fun!  It’s fine!  Maybe we’ll be rivals!”  I’m like, “Yeah, okay it’ll be fun!”

I can see a classic soap bitch-fight on the horizon on Y&R!

MISHAEL:  Brytni has been awesome about it.  That’s been great.  We don’t know where it’s going to go, but it’s going to be fun.  They’re also playing with Devon’s love for Elena still.  They still have a pull.  Devon is still looking at Elena.  So, I think it’s going to be interesting either way.

Photo: JPI

We are going to have the fan wars again for the couples!

MISHAEL:  That’s even more fun!  I always said I’d rather people be fighting for me to be with this person and that person as opposed to just always with one person because then to me, I kind of wonder, “Is it just this one actor who makes me better?”  I want to be an actor who makes everyone better!  That I can work off of anybody and get that chemistry or that thing that audiences are looking for, that’s what I really challenge myself to do.

Photo: JPI

On February 3rd, it’ll be the second anniversary of Kristoff  St. John’s death, which is hard to believe that it will have been 2 years already.  I keep remembering when I first met you.  Kristoff and you were on The Price is Right, but it was also a crossover for your characters, and you were the new girl on Y&R.  Do you still feel his presence at Y&R?

MISHAEL:  A few days ago, I had asked Bryton, who is s actually in Kristoff’s old dressing room, “Do you ever feel Kristoff in there?  In your dressing room?” and he’s like, “No, not really.  Definitely not in my dressing room, but on set sometimes.”  Even though he’s not here, it’s like he’s still with us because you still see him in pictures and sometimes that happens while you are on set doing a scene.  One time, I was on set doing a scene with Christel Khalil (Lily), and I saw a picture of Kristoff in the background, and it’s just kind of a reminder that I think he is always going to be here in terms of his impact on me and my time on the show.  He means a lot to me because I think I am the artist I am largely because of his influence, and how he really took me under his wing and made me feel so comfortable.  He was such a light, and he made acting so fun, but he always had your back as an acting partner and as friend, and I miss him a lot.

Me too.  He was just a wonderful actor too, when you look back on some of the work.

MISHAEL:  Oh my gosh, yes.

Photo:JPI

What does Amanda think of Naya’s other daughter, Imani (Leigh Ann Rose)?

MISHAEL:  She’s just irritated by Imani because she basically got to live the life that Amanda should have had essentially. To watch her be up on her high horse to Amanda, it’s laughable because the amount of hoops and obstacles that Amanda has had to go through to get to where she is standing today, somebody like Imani is just a complete joke to her! In Amanda’s mind, she is who she is just because of the opportunities that she was given and because of the family that she was born into.  It was complete luck, and it had nothing to do with hard work.  In Amanda’s eyes, everything that she is and every ounce of who she is, is because of her determination, and the choices that she made, and the obstacles that she overcame.  So, the way that Amanda looks at Imani is like she is just a person who she doesn’t even think could fathom how insignificant Amanda thinks that she is.  There is a deep-rooted resentment for Imani because I just think that Amanda has been through so much.

Would you like to have more scenes between Amanda and Naya and Imani?

MISHAEL:  Yes.I want more scenes with both of them!  Both of them are so amazing.  So, I’d love to work with both Imani/Leigh-Ann and Naya/Ptosha again.

Photo:JPI

What can you say to the fans to look forward to?

MISHAEL:  I think I would say that Amanda coming to Genoa City was a really big surprise, and I think that those surprises will continue … ff we want to be as vague as possible! I think there are a lot of things to look forward to because this relationship with Devon is definitely going, and I think it will be interesting to watch how Bryton and I figure that out, which will be fun!

Photo: JPI

Big surprises? Hmm.  Are you going to tell me that there are four of you? That Naya really gave birth to quadruplets … and you are about to take on two more roles?

MISHAEL:  Well, you never know!  That’s all I’ll say!

So, what did you think of Mishael’s recent performances where Amanda met her birth mother? Are you rooting for Amanda and Devon to wind up together, or Devon and Elena? What have you thought of Amanda Sinclair vs. Hilary Curtis Hamilton?  Share your thoughts via the comment section below.

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Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. https://members.sagfoundation.org/donate 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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B&B’s Matthew Atkinson chats with Michael Fairman about the wild ride of the Thomas/Hope Mamnequin storyline currently on The Bold and the Beautiful.Leave A Comment

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