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THE GREG RIKAART AND EMILY O’BRIEN INTERVIEW – THE YOUNG AND THE RESTLESS

rikaart.jpgBy Michael Fairman

Listen to the audio:

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TV SOAP:
Jana is in a prison uniform right now.  What has happened to cause her to be locked up behind bars?

EMILY:
Jana has turned herself in and is having a fun time with Phyllis right now.  At this point Jana is panicked.  She doesn’t know anyone in the prison environment, and she is latching on to Phyllis because she is the only one Jana knows.  She is trying to become close to her, because she doesn’t know anyone else.  Jana has just had this tumor removed, and she is so lost.

TV SOAP:
So, are we sure that the brain tumor that Jana had removed was the actual cause of her killing of Carmen Mesta?  Also, the evil she perpetrated on Kevin and Colleen, by locking them in a freezer and leaving them to die, months ago?

EMILY:
Jana thinks so and Kevin thinks so.

GREG:
That is what we are banking on, at least for Kevin.  The tumor was this great explanation for Jana’s behavior.  I think he never really understood why she did what she did.  Kevin is trying to create this whole defense for her; that everything she did was because of the tumor.  Whether or not that’s true is what we are banking on… right?

EMILY:
Yes.

TV SOAP:
Emily, did you know that Jana would be coming back, after you were written off “Y&R” a few months back?

EMILY:
I didn’t.  (To Greg)  I don’t know if you knew?

GREG:
I didn’t specifically know.  I always suspected, because I knew that Emily was very well liked and she is a strong actor and stuff.  Beyond that, I felt that story had not run its course yet, not just the relationship between Kevin and Jana, but also the explanation as to why.  There was not much closure on it.

EMILY:
I had no idea.  I thought when I went off the show the first time, that was it.  I didn’t know if I would be back.  But then I thought, that the writers could write in that she died or she ran away and was never coming back.  But, the show would continue talking about Jana.

GREG:
That was the other reason I thought she was coming back.  Months before she came back, Kevin was on the prowl trying to find her.  I remember telling Emily before she left, “I have a feeling you would be back.”

TV SOAP:
How is working with Emily?  How do you explain the way you ignite the screen together?  You both have told TV SOAP separately, that you have a mutual admiration society for each other.

GREG:
At least my explanation for it is, there is no explanation for it.  It’s just a chemistry thing, it’s either there or its not.  Pretty much from day one, working with Emily was effortless. You don’t have to try and turn it on; we go onto the set and work well off of one another. To me, chemistry is not something you can manufacture.

To hear this audio snippet, click back to The Global sections,
“New This Month” area.

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TV SOAP:
Is she a good actress?

GREG:
Certainly!  That is one of the many factors that play into how and why we have this chemistry.  If you don’t have a lot of respect for the work of the person you are working with, it would really be hard to create this reality with them.  I think Emily is terrific!  In fact, I will go on the record as saying, and I have been saying this since January when we had the scenes in the freezer that she locked us in, that I am absolutely certain she will get nominated for an Emmy this year.  And, I think she is going to win. She has such solid work, and routinely delivers. That is the other reason I am glad she is back, because the whole voting process is warped, in my opinion.  A lot of time what happens is, “out of sight… out of mind”.   If she did great work in January, and we don’t vote until December of that same year, then people forget.  But, now she is back and people are reminded.

TV SOAP:
Emily, what about working with this guy?

EMILY:
Well, you heard what he said?  That is why I love working with him.  No, I am kidding!  I am kidding! (She laughs)

GREG:
“He flatters me and I like it” (being Emily responding)

EMILY:
Yeah, exactly, I mean… look at him!  He is Greg, and he is great.  From the first day on the set he made me feel so comfortable.  He remembers I was a nervous wreck the first day.

TV SOAP:
Did you screen test with her?

GREG:
No.  I do know that they were specifically looking for someone who would be a good match for me.

EMILY:
See, I didn’t even know that.  I thought I was going to be on 2 or 3 days.  That was what the character description was, not recurring or anything.  When I started becoming his girlfriend on the show I thought, “OK.  This is great.”  The first day he made me feel totally comfortable.  I had so many questions like: “Where is this? And how do I do that?”  I thought when I came on the show that these actors were going to shun people and be only interested in what they were doing, but that wasn’t the case.  We are good friends off screen, and have so much fun together, and that reads on screen.  It really does read on screen.  I look up to him.  He is an Emmy winner, and well deserved.  I have learned so much from him, and it’s a privilege to work with Greg.

TV SOAP:
The recent scenes in the hospital were so meaty for Kevin and for you, Greg, as an actor.
When we last spoke, Kevin had not been utilized too much.  Now we are seeing the Kevin we know and love. Were those scenes hard for you?  Are you proud of the work?

GREG:
Certainly!  Yeah, it’s work I was proud of.  There was a transition before Jana came back to town where Kevin hated her and tried to kill her.  Here we are a relatively short time later, and he has power of attorney and her life rests in his hands.  He wants nothing more than for her to get well.  So, it was challenging making that transition by making it pretty quickly.

TV SOAP:
But this whole relationship is so twisted!

EMILY:
Jana is far too adventurous to be with someone normal.
GREG:
I know that Kevin was concerned when Jana found out that Ji’min died, and she was all concerned about it.  I was like, ”Wait, you don’t want to go take pictures of the body; you know, all that twisted stuff?”

TV SOAP:
To clarify, why is Jana in jail this time?  What crime is she paying for?

EMILY:
Jana turned herself in for murdering Carmen Mesta.

TV SOAP:
Do you also think that Jana could still have killed Ji’min?

EMILY:
You can’t escape from the hospital.

GREG:
Anything’s possible!

EMILY:
She is in prison for her past crimes, and she tried to murder Kevin and Colleen.  Right now she is in jail for the Carmen Mesta murder, only.

TV SOAP:
Emily, how do you justify the actions of Jana and portray such a complex character, and do justice to someone living with a brain tumor?

EMILY:
I did as much research as I could on this, because I did not want to insult anybody that had a tumor.  I really tried to read into it that if this kind of personality disorder happened, I do believe Jana thinks it’s a part of her that she has no control over.  I have read that it can happen.  It’s like another person controlling her.  It was that person that committed this crime, not the Jana who loves Kevin.

TV SOAP:
How is working with Michelle Stafford (Phyllis)?  It’s like “Babes Behind Bars”!

EMILY:
It’s fun, and it’s good.  The material is so absurd and we are so contrasting.  Jana is holding on to her with everything she has, and Phyllis just wants to get away from her.  Jana is freaked out!  I am always over Phyllis’ shoulder and in her personal space.

GREG:
I can’t wait to see it!

EMILY:
Its fun!

TV SOAP:
But now Colleen could be the real spoiler here.  Do you think fans can look forward to a Colleen/Kevin/Jana triangle?

GREG:
Yeah.  As much as I love working with Emily and the Kevin/Jana relationship, I think happily ever after is mind-numbingly boring… “Tumultuously ever after” is what I like to call it or say.

TV SOAP
But it is so twisted, considering Kevin’s past with Colleen!

GREG:
Jana tried to kill me, and I am in love with her.  Then I tried to kill Colleen, and then if she falls for me, the whole thing is warped.  I hope there is a triangle.  That would make wherever the Jana/Kevin relationship goes, that much more complex.

TV SOAP:
Has there been a scene where the two of you thought, “Gosh we were good.”?

EMILY:
A few.

GREG:
We are not a modest bunch over here. (He laughs)

EMILY:
They write such beautiful scenes for us.  There was this one in particular… the water
tower scene….

GREG:
Let me explain this.  We leave the coffeehouse and in the next scene we come back.  But, we had this wild adventure where we climbed a water tower, and all this stuff happened off camera.  We didn’t go climb a water tower, but we were really clear on our moment before, and what we did the moment we climbed the water tower.  I was making fun of her accent and stuff, and it was real.  There was that, and I loved the stuff when Jana was missing and Kevin had Michael take him to the site where the blood was.  Kevin was convinced that she was dead, but then found her, and then getting trapped in the freezer with Colleen. The whole gamut of emotions we went through, I thought was great.

TV SOAP:
What about the recent scenes where Kevin is holding Jana at gunpoint?  That was so intense.  Did you feel it came across the way you wanted it to?

EMILY:
I think seeing it live,  personally, you would have seen it differently.  Seeing it on a small TV screen, you don’t capture as much.  I did expect it to be bigger.

GREG:
It was really intense.

EMILY:
It was.

GREG:
It was intense.

EMILY:
You could see it on screen.  I was so overwhelmed, being back.  I was playing it into my character. When you see it, it’s always different then when you are feeling it.  It’s like a stage play.

GREG:
Lynn Latham (exec. prod. and head writer, “Y&R”) came down to the set to say that she was angry, because we were distracting her so much that she was unable to write.

TV SOAP:
Kevin gets to that quick-to-anger place that is riveting to watch.  Is that a part of you, Greg?

GREG:
Yeah, sure.  I read something once that said, by the time you are six months old you have experienced every emotion, like being angry… all that stuff.  It exists within me.  But tapping into it, I don’t know.   I remember when I first came here to the show; it was easier for me to tap into the anger because I had upheaval going on in my personal life. But now that I am sedate and content in my life, it was a bit more challenging, but I found it and I got it back.

TV SOAP:
Emily, in speaking with you, we do not hear an English accent.  But, you are from England and Jana has a thick accent.  Does that get tricky when playing this character?

EMILY:
No.  I can switch in and out of it very quickly.  I forced myself to lose the accent when I came to the US.  I got teased a lot.  So, it’s ironic that a lot of things I go out for, they want me to bring the British dialect.  I mean, my father still has a very strong dialect, and when I go back to England, I can pick it back up within a week.  I can switch in and out.

TV SOAP:
Do you catch her accent when acting with her?

GREG:
Well, I will make fun of it.  Sometimes in the scenes, I will do it on purpose.  As for me, I grew up in New York and I had a really thick New York accent.  I always found when I brought it back for an audition, (I tried really hard to lose mine, also) that I would be the guy from the Midwest trying to do the New York accent.  Because once I lost it, I couldn’t get it back.  So, it’s good that Emily has that in her arsenal.

TV SOAP:
What’s up next for Jana?

EMILY:
I don’t know.  Hopefully, it’s uphill for now.

Go to the GLOBAL section of my site to listen the snippet of this interview

So, are you looking forward to happy times between Jana and Kevin?

EMILY:
Of course, he is the love of her life.  I hope there is one day when she is back to normal.

GREG:
I want the scenes where Kevin is hogtied to the bed or something. Then the next thing you know, Kevin is off to the hospital because whatever we were doing has gone too far. That is the happily-ever-after for us. (He laughs)

TV SOAP:
All the crying and emotional scenes must take a toll on both of you, as actors.  Is it tough to leave the work behind at the studio, once the cameras have stopped rolling and you are heading home from a days work?

GREG:
I am better at it now; I used to not be able to.  It’s still hard, but I try and stick with it.  If it was something that was challenging and difficult, I will go, “Wow, I think we did it well.”   Instead of moping around and staying in that difficult place, I will say, “Wow, we just did some good work.  Now it’s over and let’s move on.”

EMILY:
I can just let it go after it’s over.  Greg and I can usually make a silly joke.  However, there was one scene, and it was the surgery scene.  I felt like the environment was so real and heavy, when I was lying on the operating table.  I had recently been in a hospital myself and gone through it myself.  Being there was really freaking me out, because there was a real doctor behind me, and a real paramedic on set.  I was lying there and I could not control it.  No one could see it at all, and it was scaring me.  It was fine once I got off the table.  I could not see anyone in front of me, and all I could see was all the medical devices.  I told Greg afterwards, “My hair is soaked.”

GREG:
She was crying.  It was funny at one point, because she was supposed to be unconscious, and there is this tear streaming down her face.  It was really sweet.

EMILY:
It’s easy for me when it’s rooted in reality, and that was the one scene where I left and thought it kind of freaked me out.  The rest is easy for me.

TV SOAP:
Greg, what should “Y&R” fans look forward to from Kevin?

GREG:
I think it’s funny that Kevin manages to grow and evolve and still stays the same at the same time, if that makes any sense?  I am sure we can look forward to more relationship trouble in the future, and more dirty deeds with Gloria, and more sibling rivalry with his brother.  It will be more of the same, yet it will be new, but with some of the same battles.

TV SOAP;
Greg, when TV SOAP spoke with you earlier in the year, you were adjusting to working in scenes with both Judith Chapman (on-screen mom, Gloria) and Christian Leblanc (on-screen brother, Michael.)  Has it gotten any easier for you?

GREG:
It’s one of those sink or swim things, where you have got to put up and then deal with it.  I think I have managed to stay focused in the moments where it can be challenging.  That being said, too, it’s the “eye on the prize”, and when the cameras roll, we all do good work together.

TV SOAP:
What has the fan response been, to Kevin and Jana being back together?

EMILY:
I went to a fan event and they all said they were enjoying this. They were all looking forward to Jana and Kevin getting back together, and being more normal.

GREG:
“Normal” they mean “abnormal!”

EMILY:
Yes, “abnormal together.”

Go to the GLOBAL section of my site to listen the snippet of this interview

What do the two of you do for fun together, when you hang out off the set?

EMILY:
Eat!

GREG:
We are both “foodies”. We have this big joke with these plans, that Kevin and Jana will become daytime’s first morbidly obese couple.  (He laughs) We are “foodies” together.  We go to movies together.  We saw the motion picture “Ratatouille” this week.

EMILY:
We have dinner parties.

TV SOAP:
But, you guys really pig out together?  What do you eat?

GREG:
Celery.

EMILY:
Hominy beans.

TV SOAP:
Oh, c’mon!

GREG:
We eat… trust us.

EMILY:
We won’t go to Dominos or Pizza Hut and eat something extremely greasy …

GREG:
It usually a night of dining with Emily, which is followed by a weekend of purging and celery! (He laughs)

EMILY:
Oh, man!

GREG:
Everything in moderation!

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Interviews

Y&R’s Newman Kids Talk 48th Anniversary, Storylines, Camaraderie, and Take the Trivia Challenge

On Friday, to celebrate the 48th anniversary of The Young and the Restless (which premiered back on March 26th,1973) Michael Fairman chatted virtually with the actors who comprise the adult Newman family children; Joshua Morrow (Nick), Amelia Heinle (Victoria), Mark Grossman (Adam), Hunter King (Summer) and Melissa Ordway (Abby).

During the conversation, on You Tube’s the Michael Fairman Channel, the actors discussed what it was like coming into the iconic Newman clan when they first debuted, behind-the-scenes moments and laughs they share working with each other, and what it has been like for them to share scenes with their iconic TV father, Eric Braeden (Victor) and for some of the kids, their on-screen mother, Melody Thomas Scott (Nikki).

In addition, each touch upon their current Y&R storyline where:Nick is involved with Phyllis again, Adam is on to Chelsea, Victoria is trying to be in the woman in charge of the company and she finds herself boyfriend-less, Summer has her hands full with the arrival of Tara Locke and Sally Spectra who may all destroy her relationship with Kyle, and Abby wanting to have a baby via surrogacy with the sperm donor being Devon.

Later, Michael plays a round of “Stump the Newman” trivia where the actors are put to the test to see just who knows the history of the Newman clan best. Watch what happens when the mention of the notorious and ill-fated reliquary storyline is brought up!

Joshua, Amelia, Mark, Hunter, and Melissa also express what it has meant to them to be a part of the legacy of The Young and the Restless, and still later Joshua’s daughter, Charlie, even makes a special guest appearance.

Now watch the conversation in full with the Newman kids below. 

Then let us know, what was your favorite moment of the interview? How do you hope their current storylines resolve? What was your favorite and least favorite storyline of all-time for Nick, Victoria, Adam, Abby, and Summer? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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