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The Hunter Tylo and Winsor Harmon Interview – The Bold and the Beautiful

Photo Credit: Wire Image

Photo Credit: CBS/Getty Images

The Bold and the Beautiful sure knows how to shake up the feuding Forrester clan with deception, boardroom antics, and lots of bedroom blues.  Recently, the series has cleverly re-ignited the brotherly feud of Thorne vs. Ridge, the underdog vs. the reigning kingpin, in the house of Forrester Creations.  But this time, a much smarter Thorne went into his fight with a very sexy and special secret weapon… Taylor!  From there the sparks flew and the fallout continues to resonate on-air.

On-Air On-Soaps caught up with two B&B favorites: Hunter Tylo (Taylor) and Winsor Harmon (Thorne) to discuss their burgeoning on-screen relationship and to see if these good friends who have each other’s back through thick and thin, might have a chance at a full-blown romance!  Plus, we get an inside look at this juicy storyline and the viewpoints of these two unlucky-in-love-and-life characters who are drawn together for the greater good.

Always a highly charged interview whenever you get one of these talents in a room together, imagine the fun when you get two of them at the same time!  We think you will find this interview funny, insightful, and in some cases, it will truly tug at your heart-strings.  So here now are two of the most invincible performers in all of soapland, who have certainly been through their share of trials and tribulations, and who have always come back strong … Hunter and Winsor!

MICHAEL:

What did you think, Winsor, when B&B started teasing a Taylor/Thorne pairing/relationship?

WINSOR:

Photo Credit: Wire Image

I was very happy about it.  I love working with Hunter.  She is fun and she has a wicked sense of humor.

MICHAEL:

It wasn’t about Hunter’s beauty?  Looking into those beautiful blue eyes?

WINSOR:

That goes without saying.

HUNTER:

But he never looks at my eyes, sorry.  Tell the truth, Winsor.

WINSOR:

I could not pick her out of a police line-up. (Laughs)

HUNTER:

You know, us fellow Texans have to stick together.  It’s an interesting background Winsor and I have in real life, as we grew up 20 miles away from each other.  We probably went to the same football games and everything, but we were sitting on opposite bleachers. (Laughs) But I have no doubt when I was out there on the drill team he was probably under the bleachers with the guys who were checking us out while we were changing our clothes!

MICHAEL:

Courtesy/CBS

Wow, she knows you Winsor!  So, in story, Thorne is the put-upon Forrester child. Ridge is always number one and Thorne is always thrown in the basement of Forrester Creations and trying to get out.  Thorne had this big moment recently where he tries to do a company takeover and stake his claim at Forrester.   What did you think of those scenes, Winsor?

WINSOR:

I loved them!  I thought they were great and I thought everyone was very equal and strong in them.  The dynamics of it I love.  And, I love fighting with Ridge, and I love the Forrester situation we find ourselves in.  But what makes this much stronger is that Thorne now has Taylor on his side and Ridge is really taken aback by that.  One of the funniest lines in the whole show this past year was when we got into that scuffle!  I got thrown to the floor and then Taylor kissed Thorne.  At that moment, Ronn Moss (Ridge) just did this look and said this line that was hilarious.  I seriously almost started laughing when I was in the middle of the scene.

MICHAEL:

Can we just set the scene for this, Winsor?  What went down?  Viewers saw that Taylor, at the last minute, seems to end up siding with Ridge when you are waiting for her to side with you!  That is the big shocker.

WINSOR:

Taylor just can’t start a war between her kids and when it comes down to your children, that battle could destroy lives and relationships forever.  But then again, I don’t know. In daytime you can do anything.  It was par for the course for Thorne.

HUNTER:

I know!  He got kicked to the curb again.

Courtesy/CBS

MICHAEL:

Hunter, what do you think about what Taylor did in this situation?

HUNTER:

I think Taylor found herself in a bind where she absolutely knows if Brooke gets one word in edge-wise with Ridge, she will end up getting her way and she would cut Taylor’s children out of Forrester in two seconds.  Taylor has worked really hard to step up to the plate.  Her psychiatrist background would also make her aware that it’s a very unstable situation when children don’t have a connection with her father.  So she will try to do everything she can to keep her children mentally healthy, because Steffy had been through so much loss, and yes, so has Thomas.  But for Steffy, in losing her twin sister, she is kind of hyper-vigilante.  Surprisingly, Ridge had been backing Steffy now with her new love interest, Liam, who of course, used to be Hope’s love interest, and Brooke did not like that.  Taylor was like “Wow.  Ridge is siding with Steffy, and this may never happen again.”  So she had to side with him.

MICHAEL:

But, she had to be torn?

HUNTER:

Absolutely!  She probably equally feels that Thorne deserves to have a shot at Forrester in the driver’s seat.  Taylor does not like the way Brooke has been running everything through Ridge.  So she thinks someone a bit more level-headed should be running things.  But unfortunately, there is that sticky point between them…Taylor killed Darla, Thorne’s wife.

MICHAEL:

Oh yeah … remember that?

HUNTER:

Photo Credit: Getty Images

Taylor has a little guilt, but she would do anything to make up for that.  I mean, Thorne was even there with her when he helped get her to AA.  Thorne was really forgiving and loving.  So she knows that Thorne has a really good heart, and that he has been pushed to the wayside and neglected.  I want to believe that Taylor, as a psychiatrist, would understand how sad of a life that it is…that this young man who always grew up in the shadow of Ridge, is always getting the seconds, and how that must feel for him.

MICHAEL:

Thorne had a great line in the key episode that he is the real Forrester heir and that Ridge is just Massimo’s son.

WINSOR:

That is a big thing to me.  We found out that Ridge’s father is Massimo Marone and not Eric Forrester.  Thorne is the heir to the throne of Forrester and he then is the first born.  Thorne is being treated like he’s not, and he always has been.  I think that probably hurts him more than anything, that his father shows more love for Ridge.  And, we definitely know how Stephanie feels about it all, and there is no doubt about that. (Laughs)  But I am glad that Brad Bell (EP and head writer, B&B) wrote a line in the script like that addressing the fact of whose father is who.

MICHAEL:

But the big question really is; because Taylor ran down and killed his wife, Darla, how does Thorne deal with this several years later and getting close to Taylor?

WINSOR:

That is just Thorne.  He forgives; he has been forgiving his whole life.

HUNTER:

Courtesy/CBS

That is what has worked with this storyline so well, because Thorne had always compromised.  He has been trained up to compromise and bow down to allow Ridge to do whatever he wants.  I would imagine he got in trouble for that when he was a little boy if he did not back whatever the parents wanted to do for big brother Ridge.  And it’s a very sad thing and it does happen in families… favoritism… and sibling rivalries … are very real.  I was so glad this show revisited this rivalry between the brothers.   I think it’s a really important dynamic in the Forrester family.

MICHAEL:

Didn’t Thorne have a plan that he brought to light to Taylor to bring down the house of Forrester?  How did the two of them end up conspiring?

WINSOR:

We were putting everything into “Hope for the Future” and we were neglecting the other lines and Thorne was very against it.  He came out and said, “Look guys.  We are making a mistake here.  What happens if this line doesn’t work?”  And lo and behold, look what happened?  He came to Taylor with a plan of: “Look, I have been pushed down by Ridge long enough, and now his own son and daughter are being pushed down.”  Thorne figured out that because Stephanie tricked Thomas and gave him the stock so that he would say he slept with Brooke, so then Brooke would leave Ridge, and Ridge would then end up with Taylor!  So, Thorne finds this stock option and goes to Taylor and says, “Look. Your kids are being shoved in the basement like me.  They are too talented. Thomas had one of the most successful lines Forrester ever had. Look you have got 55% of this company and you can now control this company through these stocks.  And it’s time for you to do it.  We need a change.”  And that is where it started from and he was not trying to use Taylor by any means.  He was driven by what he really believes and that is that this company is in jeopardy, and putting all your eggs in one basket, over one fashion line.  He was against it.

MICHAEL:

Photo Credit: Vic Dennis

Is it a perk of the whole vendetta that Thorne wanted Taylor to be his as well?

WINSOR:

I don’t think it started out like that, and that is what I liked about the relationship.  We grew.  I loved the scene where Taylor goes to a psychic and she tells her this guy will show up at your door, and it turns out to be Thorne.

MICHAEL:

Hunter, what did you think about the “psychic scene”?

HUNTER:

Oh, we laughed so much about that. (Laughs)  But, when Thorne shows up she is thinking “Did Stephanie send you here?”  Because Taylor is thinking she is being set-up because this is just more manipulation.  However, when Thorne actually shows her some legal information in the stock options, that was not even in her motivation to use them to get a leg up, Thorne knows that.  But one of the things that I think motivated Thorne to go look it up was, “What kind of power does Taylor have in this situation?  Because look at her son!  He is down here in the basement and this kid is going to be doomed just like me.”   So I do think that is what motivated him to look up the legal info, or, maybe go get some advice.  Then he realizes since Taylor has the controlling trust while Stephanie is alive, and Thomas does not have the stocks actually, now Taylor is the trustee and now she can vote in the company.  She now has 55%.  So,  whereas before we thought that Taylor lost her shares when she took a mortgage out on her house, (and bought 50 million dollars worth of shares, and gave a lot to Steffy) now as the mother and the trustee, Taylor realizes she has a lot more power than she thought.  Thorne knows that Taylor in the past has been just like him.  She has always tried to do the right thing and got screwed over.

MICHAEL:

Right!  So they are really the screwed-over couple of B&B!

WINSOR:

Courtesy/CBS

I believe they have it tough.

MICHAEL:

Do you think this will go anywhere and they will show a more romantic side to their relationship in the future?

WINSOR:

Well, that is up to Brad Bell, but they do spend Christmas together.  I do think they could end up having a very passionate relationship.

HUNTER:

I think it’s very cool that there is so much history behind the two characters. First of all, it does not seem like a sexually based relationship. So I think the audience can appreciate it and go, “Wow.  I can understand these two emotionally bonding,” and then let it grow into something that doesn’t look forced.  I think with the right vehicle for the two characters to be united doing something together, like they have a goal that is a going to be good for everybody, and of course, we don’t really care if it upsets Ridge and Brooke. (Laughs)  I do think the two of them could become very passionate in the moment that they succeed.

MICHAEL:

I think they need to trap you two on a high-stakes basement caper!  Something where you are locked up together and can’t get away from each other and it’s life or death!  What do you think?

HUNTER:

I think that sounds cool.  How about they get stuck in Rome?

Photo Credit: Getty Images

WINSOR:

Rome is fine with me.

HUNTER:

OK … then we need to hurry up and go to Venice, Italy before it sinks. (Laughs)

MICHAEL:

Hunter, what would you tell us about how it is to work with Winsor?

HUNTER:

Winsor is hilarious.  He is so laid-back and he tells you just what happened, and it can be scary sometimes what just happened.  Such as: if he just came from the bathroom you might not want to hear that part.  He is so open.  He is like your family member, in that no matter what is going on, he just tells it like it is.  So Texas!  To me it’s like a brother or family member type of comfortable relationship. I can tell you people in California aren’t really used to that. When Winsor walks into a room and the two of us start talking, our Texas twangs start coming out.

WINSOR:

I have worked so hard to get rid of the accent for this show, because Thorne is not from Texas, obviously. (Laughs)

HUNTER:

Well now, I have explained that away.  I told Winsor, I think that when Thorne was a little boy he probably was sent away a lot to boarding schools, because they probably thought he was acting up all the time, because he was acting out to get attention.  So maybe he went to a boarding school, or a ranch one summer to get corrected because he had behavioral problems. And he picked up this Texas accent while there.

MICHAEL:

Hunter, you could be a writer on a soap!

Photo Credit: Getty Images

HUNTER:

I love to write and actually I am writing right now. (Laughs).

MICHAEL:

Winsor, Hunter is known to really go through her scripts and dialog line by line …

WINSOR:

… That is one thing I love … and that is that Hunter comes in so well-prepared.

HUNTER:

I don’t have the lines all memorized but I have it all outlined, thought-process wise.  And yes, I do pick apart every single line and then try to connect emotionally everything that I am saying that means something in my own life, so it means something.  Sometimes there is a lot of scribbling all over my script or page!

MICHAEL:

How is working with her while she is going through her process?

WINSOR:

I absolutely love it, because it opens up things to me that I did not actually see.  I am so comfortable with Hunter. We have that comfortablity around each other, and when that happens as an artist, you are allowed to open up more and there is more spontaneity.

HUNTER:

I have to say that we do have a great friendship from way back.  What I would say is Ronn and Winsor and I do have a good buddy friendship, and we all bond over nice cars! We all sit and talk about engines and the best cars.  I am a corvette person and Winsor is a Porsche person, and we all argue which is better the Porsche or the “Vette”! And we all know that the “Vette” is! (Laughs)

WINSOR:

I would agree with you on that one right now, since it’s half the price.

HUNTER:

Photo Credit: Getty Images

I also have to say this, and I don’t know if I ever said this to you Winsor.  After I lost my son, Winsor was there for me so much.  He would come over to my house and stop by and check on me.  We would sometimes meet up at a bar and have a drink.  Winsor would just let me vent and piss and moan and grouch whatever I had to do, and he was there for me.  I really appreciated that so much, Winsor.

WINSOR:

I know you did and you did not have to say it.

HUNTER:

So we do have that type of relationship that Taylor and Thorne have too, and that is: “Whatever the hell is going on, I am here for you, and I have been through that too.”

MICHAEL:

Winsor, you have been on contact with B&B and then taken off contract and put on recurring status.  Are you OK with being recurring?

WINSOR:

I love it at B&B and I have always considered it my home.  I look at it like this, like a football team. There is a coach and the coach is going to run the team like he sees fit and that is OK.  I am a player, and that is how I see it.

HUNTER:

A player! That’s the truth. (Laughs)

WINSOR:

And when I get called in, I come in a hundred miles an hour because I love it!

HUNTER:

Courtesy/CBS

And that’s the truth!

MICHAEL:

Taylor and Thorne have quite the past.  In fact, Thorne delivered Taylor’s baby at one point!

HUNTER:

I don’t know if this is sub-consciously in Brad Bell’s head, or he made sense of this that literally, but Winsor’s character would have a bit of this bonding thing with Thomas that is very natural because he delivered Thomas when Ridge was in jail!  Thorne was there for Taylor and helped her deliver her baby!

WINSOR:

That is Ridge’s first born son and he is in the basement with Thorne!

HUNTER:

Right, and in Taylor’s mind she is like, “Well, Brooke was OK with that happening to Thorne, and of course, she is gong to be happy about leaving Thomas down there too.”

MICHAEL:

Speaking of Thomas, how is working with Adam Gregory (Thomas)?

WINSOR:

He is pretty to look at, isn’t he?  I catch myself at times going, “Man. That is a good looking kid.”  Adam is the nicest, nicest guy.  He kind of reminds me of Ronn.  He has a super big heart, and when I was going through my divorce he said, “Look, if you need to go out to be with some friends, and you need someone to watch your son, please, my wife and I love kids, and we would love to watch him.”  I thought that was awesome.  It kind of caught me off guard, but that is just who he is, though.  Adam is always offering to help.  He is an all-around grounded guy and he has good spiritual belief going on.  I think he is a great asset to the show and I enjoy being around him.

HUNTER:

Photo Credit: Wire Image

I like his energy.  It is a lot like Ronn Moss’s personality … kind of laid-back and quiet. But, if you get him going, he has a great sense of humor and he is mostly kind of reserved.  Then, in contrast, Winsor comes in a hundred miles an hour and that is Winsor’s energy. He has way high energy.  I was so amazed that Adam is so well grounded for the age he is at.

MICHAEL:

Then Hunter, how then would you define your energy on set?

HUNTER:

I come in pretty easy going.  I am kind of quiet, and it depends on what is going on in the storyline.  If it’s a heavy duty storyline I am very quiet, but when all the stress is gone and it’s a light day for me, I am usually acting pretty goofy and pretty silly.

MICHAEL:

Is she silly, Winsor?

WINSOR:

Oh yeah!  Hunter is fun and I like to say things to get her to be silly.

HUNTER:

That is true, and then Susan Flannery (Stephanie) starts yelling, “Winsor! Shut up!”  We just love getting Susan wound up, don’t we Winsor?  And that is what is funny.  It’s hysterical!

WINSOR:

I have times in my life where I needed some family advice or something, and I called Susan.  And on my cell phone it says “Mom-California” and the other one says “Mom- Dallas.”  Susan and I do have a very good close relationship. (Laughs)

MICHAEL:

Courtesy/CBS

I have had the opportunity to watch Susan Flannery direct actors on the set of Crystal Chappell’s web-series, Venice.  I also know she directs several episodes of B&B.  How is working with Susan in that capacity?

HUNTER:

I love it when Susan directs. Usually actors don’t like when they are given a line read for a certain scene, but I love it when Susan says, “You know what would be good here Hunter?”  Susan really gets into it. 

WINSOR:

If we could shoot in between our scenes, you could put a laugh track to it … one could be a daytime show and one a comedy/reality show.  And even with the crew, I will cut up with the camera guys and the sound guys!

MICHAEL:

I hope some day someone actually does a reality show of what goes on the set of a soap when you are not rolling tape!  We think it would be a hit series and help boost the dwindling genre.  Especially, if it were to air in the daytime block and maybe repeat at night on a cable outlet.

HUNTER:

Yes, like a 30 Rock of the show.  It would be hilarious!  The things that I think people would enjoy seeing are a lot of the comedy moments.  We have to learn so many lines. You cannot believe how much stuff we have to do.  We are shooting 78 or more pages in one episode.  So if we shoot three episodes in one day, which we often do, people cannot fathom how we do it.  And, then the funny things that happen on the set to get through it, or the coping mechanisms we have to get through it… those are funny, and those are great moments to capture.

MICHAEL:

Hunter and Winsor… you should host that show!

HUNTER:

I just think Brad should get a reality crew down here on set!  I am telling you since we are now in print that we did this, we are officially the writers of the show.  We claim it right now.  It’s legal.  55% percent of this show, we own. (Laughs)

MICHAEL:

As we come to the end of our fascinating and fun conversation, ultimately how would the two of you like to see your characters relationship head in the future?

HUNTER:

Photo Credit: Wire Image

I would like to see Taylor finally have had it with Brooke and Hope and that whole thing, and step up and put Thorne in the CEO seat and take over and let him come up with his own line.  Then, let everyone discover that he is more talented than everybody!  And that he really has Eric’s gift!  That would be awesome.  As far as their relationship, I like them having a deep meaningful relationship and not being sexual.  I think that is unique, because our show is usually high romance and people that are so over the top that they are not thinking clearly.  I think this could be cool to show a couple that is thinking clearly and that they have a goal together, and that they are overcoming their own demons.  I think we should see Thorne and Taylor get strong and stand up to these people who mowed them down.  Now Taylor has been standing up to Stephanie, and now we have Thorne standing up to his brother, so I think they are in that place.

WINSOR:

I love exactly what she said.  But one thing I would like to see between the two of them is to have that mutual respect for each other, and it’s not just based on lying around in lingerie or having sex all the time.  It’s more of a deep rooted relationship that they have developed, and they come to realize this that, “Wait, we just might have the perfect relationship.”

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Tom
Guest
Tom

Love Taylor and Thorne but we have barely seen them lately! I am not sure what is going on over at B&B but the show is all over the place currently–even more so than usual! Storylines are dropped from week to week and it’s hard for viewers to gain traction. Enough with Steffy/Liam/Hopeless and back to Taylor/Thorne and some adult storylines!

BETTYEJ
Guest
BETTYEJ

Wow, this is my lucky day, two of my favorite people together and guess what guys, we are all from Texas. I wish that Brad Bell would make you a super couple, because that is what is needed on this show. I like the fact that your relationship is not being rushed this time.

TF 101
Guest
TF 101

I agree with Tom. TNT was garnering fan interest and I love the rapport these two share on screen. I was looking forward to a storyline involving Taylor and Thorne, with his daughter Ally added in for extra drama and suspense. It would be a nice change and contrast to all of the other stories on the show currently. It seems Bell and his writers are fumbling the ball AGAIN and ignoring fan support and interest. No wonder soaps are a dying genre.

Susanlee
Guest
Susanlee

I think the writer did a good interview and both actors do a very credible job, but Taylor is portrayed as a real imbecile when it comes to her childrens behavior and also her own. How many times would a supposed renowned physchiatirst be left at the alter from a man that she has to realize is totally in love with another woman. She see’s no destructtion in her childrens’s behavior and encourages them to continue and to never accept responsibility. Thorne has no respect for himself and that is why no one else does and he remains in the… Read more »

kay killgore
Guest
kay killgore

I have been saying for years they should use Winsor Harmon more I did read that they were going to be off camera a while for the teenybopper crowd. Brad Bell has a bloated cast for thirty minutes. Just get these two back in front of the camera. Please! Good Interview.

Kassie
Guest
Kassie

I am really looking forward to the Taylor/Thorne relationship and business takeover!! I love both of these characters and actors!!!

Tracey
Guest
Tracey

I’m sorry that Thorne has to be saddled with Taylor. He is so much better than that. He has had a chance to run a company and he failed. If they take over house of Forrester then Ridge, Brooke, Eric, Hope and Stephanie sholud start a new company and cut them out completely. Or they can just wait til Taylor and Thorne run the company into the ground and then come in with a takeover and boot Taylor to the curb where she needs to be. She knows nothing about fashion or physchiatry and needs to hit the road. Tired… Read more »

sunisha ramlogan
Guest
sunisha ramlogan

i want to see more Taylor/Thorne relationship storyline and less ridge/brooke/hope/liam and steffy storyline.There is something strong brewing here between these two and that’s what we want to see.

Barbara
Guest
Barbara

I’m glad to see Thorne being used more. However, I am not pleased about him being paired with Taylor. This show desperately needs some new blood. How hard would it be to introduce a new love interest for Thorne rather than give him Ridge’s peripetual toss off? Frankly, the once interesting and beautiful Taylor is neither these days. The character is completely played out. I cannot root for Taylor as the character has been nothing but a complete idiot for the past five years. Using Taylor with all of her baggage as Thorne’s new partner is a really, really, really,… Read more »

Debbera T.
Guest
Debbera T.

It would be great to see FC in other hands for a change lets see it for the better. And as for Taylor, her children and Thorne as underdogs is quite hearting now. I’m so tired of seeing them lose out to Ridge and Brooke all the time. When Bell writes for Taylor he portrays her not as an educated woman, but as someone who is blind to her children needs and to her own relationship . The Taylor I remember was wonderful and bright. So Bell lets see more of the underdogs on top .I’m tired of the current… Read more »

JT
Guest
JT

Have to say Im just NOT interested in Steffie and Hope and company and am more than tired of the Ridge show. They are the reason I rarely watch B&B now. When Bill Bell’s fixation with Ridge ever leaves I could be back. I loved the all too short story of Thorne leaving Forrester. That was great. But the Ridge show is wooden. Sorry

Racheebee
Guest
Racheebee

Taylor and Thorne were always a boring couple with zero romantic chemistry. It really might be each other’s worst pairing in the last decade. They were far better matched with other characters in the past. Don’t really wanna see HT and WH as a onscreen couple for a third time since the first two times left me cold. They aren’t gonna get any story or airtime together anyway.

Ann
Guest
Ann

I love, love Taylor and her kids, however I have zero interest in seeing her with Thorne, I think they had something when they paired him with Amber. Taylor has been written poory for the past 5 years, but she will always be a much better women then Brooke. Only on the B&B does the slutt from the valley end up with the man. B&B has been all down hill since they put Brooke and Ridge together, now they’re working on Hope being the next best thing, and it’s all tiresome, I agree with the other fan, they need new… Read more »

Kamlita goven
Guest
Kamlita goven

Taylor and thorne as a couple makes alot of sense. Let them have their deep friendship along with the hot steamy romance that is the bold and beautiful. They deserve to be happy with each other. A great power couple.

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

The Michael Channel

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Power Performance

Kirsten Storms as Maxie

General Hospital

Airdates: 6-2/3-2021

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