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THE JEANNE COOPER INTERVIEW – THE YOUNG AND THE RESTLESS

jean-mainshot.jpgMonday on “The Young and the Restless”, Mrs. “C” took a husband! That’s right; the grand dame of Genoa City married the ever-faithful Murphy in front of friends, families and a schnokered Jill. Just another marvelous moment in the history of one of soaps most valuable treasures… the character of Katherine Chancellor.

For 36 years, Jeanne Cooper has played the “The Duchess” with spunk, spirit and humanity that has made her a daytime legend. And what becomes a legend most? Well, for starters plenty of accolades: A Daytime Emmy Award for Outstanding Actress in a Daytime Drama Series in 2008, something many of us hope she may repeat in 2009. With the Daytime Emmy Award nominations a week away, and Jeanne in the running
for her spectacular turn in the Katherine/ Marge “doppelganger” story 2.0, fans and soap pundits are keeping their fingers crossed that her name is called in the finals. Jeanne had already been given a Lifetime Achievement Award Daytime Emmy in 2004. In 2009 Jeanne was honored with the AFTRA Media and Entertainment Excellence Award for her contribution to American culture.

Now at 80 years old, and better than ever, Jeanne is at the top of her acting game. With powerhouse performances and carrying a front burner storyline for quite some time, Jeanne could not be happier… and neither can legions of “Y&R” fans. I had the pleasure to chat with Jeanne in this revealing, honest, funny, and heartfelt interview to share with you at “On-Air On-Soaps”. The two of us go back many years, and I have always had a very special place in my heart for Jeanne… which enables us to talk about a myriad of subjects! From her thoughts on Katherine’s new hubby… to flipping the Katherine/Jill mother daughter story on its ear… to working with Jess Walton and Brenda Dickson, as her two “Jill’s”…to the young talent in Genoa City…..to the state of the Daytime Emmys…and to her battle with addiction. As you will learn, Jeanne’s proudest accomplishment is set for May 15th when the Springboard Center opens its doors in Texas. Now to revisit the golden moments of Jeanne’s and Katherine’s life, I give you, “The Divine Mrs. C”!

Listen to the audio:

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MICHAEL:

How has it been working with the other Michael Fairman (Murphy)?

JEANNE:

He is a dear and a good actor. He is very giving, and not a selfish actor at all. He has done a lot of things in his career. He is a pro and comes prepared. The thing of it is, when you work in daytime, and how confusing that is; it has now taken him this long to know that you don’t count on anything for sure. Your 30 lines can be ripped down to two, if we need to for timing. Sometimes, he is so sweet and naïve. It’s hysterical!

wedding.jpgMICHAEL:

Now that Katherine married her new hubby Murphy, do you think it has any staying power or will last?

JEANNE:

With Katherine’s history of husbands, you are bound to die or go somewhere. (She laughs) We just got married and she finds that Murphy makes her happy. Katherine is a person who basically, since her first husband and her original happiness, has never really been a content woman. She has tried to be fair in her power. Looking for happiness at this age and this stage of the game, she finds somebody who is a great deal like Rex, but he is a simpler soul than Rex. She is just grateful that he took care of her and helped her find her identity, and that he believed in her. And if she was Marge, it was OK. If she was Katherine, it was OK. He did things that made her happy. Going to the diner, being a waitress, these things from the other side of the track… Katherine was aware of this side of life. She had empathy for it, for people with middle class economic values. She always cared but she never lived there, but she survived through the kindness of this man. It didn’t matter if he was 22 or 120, and vice versa.

MICHAEL:

Are you glad you have a love interest? Or, did you not envision a simpler man pairing for the grand dame of Genoa City? To me, I never saw Katherine with this type of a guy.

JEANNE:

I agree with what you’re saying. This is like saying, “Your hand can reach across the track”, but it can’t. I don’t think someone who is bait and tackle and fish is what Katherine envisioned for herself. Katherine married him in a sense, to appease him.

MICHAEL:

You are portraying an older citizen having a romance at 80 years old. I think it’s important to tell. How do you feel about the telling of their story, and how are you playing it?

JEANNE:

I feel their differences will make problems. Murphy will realize he just doesn’t fit into that element of life, and that’s all right and it doesn’t hurt him. I think he realizes Katherine can’t do bait and tackle. She has a worldwide industry to run. It’s like Jill said, “Welcome to the world, Murphy. You’re running with the sharks now and you are a fish out of water.” He has got to know that, and he can’t come in with his country bumpkin mentality and settle every argument. Also, don’t forget I am not playing madly in love Katherine; that I found love at this late date in life. I want the audience to say, “She’s not a 100 percent,” but it’s a sweet thing to do. Katherine is not about to become part of a ‘darling’ little couple. She is too powerful for that. I have talked to Maria Arena Bell (Head writer, “Y&R”) about that. Katherine cannot be just satisfied with bait and tackle. I do not think Doris Duke in any way would be happy with someone who drove a cab.

MICHAEL:

You have had such amazing material! For instance, when the show decided it was going to revisit the ‘doppelganger’ storyline, how far ahead did you know about it? And, how did you carry such a heavy workload?

JEANNE:

I knew a month ahead of time. Now I have a week off for the first time in six months. I have been working four weeks in a row, 12 to 14 hour days. I was in the dental chair for five hours getting stuff done that I should have done three months ago!

MICHAEL:

The Katherine/Marge “doppelganger” story was so great! Did you know it was going to turn out this good?

michaelGregoryGang.jpgJEANNE:

Oh, I knew. I felt good about it, and they were recreating something that happened 20 years ago, and out of all of this, and the ‘funeral’ alone, take a look at all the people you had returning to the show. Michael Gregory (Ex-Clint), who has been absent from the show for 20 years, he has been a friend of mine. We have talked two to three times a month for the past 20 years. I would go to New York, and he would go to the Daytime Emmys with me as my escort a lot of times. He comes out here, and we laugh, and we are going to be meeting in Las Vegas next time.

MICHAEL:

Tricia Cast is back as Nina, and this time she is sticking around for awhile!

JEANNE:

Tricia has been flying back and forth from Tennessee, and next time she comes out to tape she is staying with me. She is such a pro. TV Guide’s Michael Logan said years ago, and we did not know how to interpret it back then, but he said, “Of all the actors who can never be identified as daytime divas, but are among the finest ever, are Jeanne Cooper and Tricia Cast.” But, we were not your typical actresses. He said, “How novel of “Y&R” to bring these people forward.”

MICHAEL:

Recently, you were the centerpiece of “Y&R’s” 36th Anniversary episode when Marge was front and center!

JEANNE:

We had Maria Arena Bell (Co-executive producer and head writer, “Y&R”) do the “Our Town” version of Genoa City; having Marge being exhumed and sitting on the couch that was our 36th Anniversary episode. They had so many calls from that.

MICHAEL:

It was an homage!

JEANNE:

Basically, Katherine is the center of the show and she is the color wheel and off of her anything can spin! I can go into anybody’s storyline and be accepted. They can come into mine, but they can’t go into each other’s and be accepted. Maria brought the audience in by saying, “This is Genoa City. This is what the people do and who they are, and it’s this specific group of people in the city.” Where Lynn Latham (ex-executive producer and head writer, “Y&R”) was trying to show breaking news on people you never heard or cared about. Lynn saved us. I don’t care what anyone says, she got us to the top, and then started to make the show it never was meant to be. The ship sailed out of the harbor, and it was a different show, and then made it into something that it wasn’t, and it went down the tube.

mariabell_jeanne.jpgMICHAEL:

How do you like Maria’s writing?

JEANNE:

You are talking about Maria! She trained under Bill Bell Sr. before she married Billy Bell. She has been a highly respected writer in magazines, and what have you. She is the best!

MICHAEL:

What is coming up that fans can look forward to
with Katherine?

JEANNE:

Katherine will be involved with a character coming back to Genoa City who has not been on the show. And, through that character all hell will break loose; business wise, relationship wise… you name it, it will happen. It will affect everybody, and it’s not John Abbott! It’s a real human being. (She laughs) It will shock the shoes off of you on how the person comes back, and why!

MICHAEL:

Jess Walton (Jill) and you…are you glad they split up Katherine and Jill as mother/daughter?

JEANNE:

I did not like it and Maria either. Maria never wanted them to be mother and daughter. I had explained that I never had been happy with it, because it happened in such a ludicrous way. It happened to accommodate others. First, there was Elizabeth Harrower (Ex- Charlotte). She started out as an actress and she was a writer for Bill, until they had a falling out. I wanted Elizabeth to have a last shot at being an actress. She was a brilliant writer. She wrote all the good material for Katherine that every happened. I said, “Isn’t there something?” to Jack Smith (Ex-head writer, “Y&R”), at the time. He said to Elizabeth, who was undergoing chemo at that time, “Do you want to do this?” He put his thinking cap on and this is what he came up with. It was feasible if Katherine was young and crazy and drunk, and had the affair when she was separated from her first husband.

jess_jeanne_knife.jpgMICHAEL:

But you were very vocal about not wanting Katherine to be Jill’s biological mother?

JEANNE:

I never wanted to be her mother, because I thought it would take some of the fire away from their arguments. It was amazing in the soap magazines. They would say, “Jess and Jeanne were televisions super-couple,” and we were. We go back and forth with this off- set in our dressing rooms, and it’s so marvelous to have that kind of fire again. It’s great to be able to create an attitude towards a scene, and that sort of thing.

MICHAEL:

What did you think about the recent cake fight during Billy and Chloe’s wedding, which signaled the reigniting of the Katherine and Jill’s feud?

JEANNE:

We had a fun time between the two of us, and the cake worked for us. It was the turning point and every one was emailing the studio going, “Thank God. Thank God, they are at it again, and they are on the right track!” People absolutely ate it up!

MICHAEL:

Many people want to know if you and Jess Walton are close?

JEANNE:

Jess and I are very close friends. I protect her back, and she protects mine. We are always there for one another, and there is no two ways about it.

MICHAEL:

What about your first Jill, Brenda Dickson, who has seemed to land herself in hot water with the law in Hawaii?

brenda.jpgJEANNE:

Look, I love Brenda and she loves my family. She has known my family for 35 years, and I adore her, but she has a penchant for bad mates. The thing of it is, when we are dealing with Hawaii and the good ole boys, they can gang up on you and you don’t have a chance. I mean, what a dumb thing to do over the house? In Hawaii, law is a whole different thing, and forget the court system. Brenda never did anything to me, but to love me and be a friend. I loved her and I was her friend. When any one had problems with her; there was always more than one side to anyone and any story. Of course, she was erratic, but that was Brenda and that made her Jill.  Bill saw that, and John Conboy (Ex-executive producer, “Y&R”) to this day will tell you, “That’s Jill!” However, Jess Walton has done a hell of a job of doing the part her way.

MICHAEL:

You turned 80 years old this past October, won a Daytime Emmy last June, was honored with an AFTRA award at the beginning of 2009, and the head storyline of your career on soaps. Quite a thrilling time for you! What do you want people to know about turning 80?

80thblowout.jpgJEANNE:

I wanted people to know that age is just a number. It cannot stop you and you certainly can’t do a sprint like when you were younger, but that’s not what you are all about when you are 80, either. If you are productive, breathing, talking, and have something exciting to look forward to every day of your life, or try to, that is a good way to live. But, if you think you were 39 one day, and now you are 80 and life is passing you by, that is not a good way to think of it. It is the date you were born. It’s not to celebrate how long ago you were born, but that you were born. That’s all a birthday means to me.

MICHAEL:

How did you celebrate your 80th birthday?

JEANNE:

Lee Bell (co-creator, “Y&R” and “B&B”) set something up and it smacked of Lauralee Bell (Ex-Christine, “Y&R), too. What they did was have a birthday party for me. It was business and loveable people that I like in the business. No one was invited for the sake of “they better be invited.”

MICHAEL:

The guys on the show… you have a special connection it seems with many of them!

JEANNE:

Don Diamont (Ex- Brad, now Bill, “B&B”) is my sweet baby, and Doug Davidson (Paul). They are like my other two sons! Michael Graziadei (Daniel), Greg Rikaart (Kevin), who is a dreamboat, and Billy Miller (Billy), are so reminiscent of our guys when they were younger. We have that mature younger group now. I love doing scenes with the kids.

MICHAEL:

Speaking of the younger set, you and Adrienne Frantz (Amber) sparkle together!

AdrienneJeane.jpgJEANNE:

Adrienne is probably one of the finest talents I have worked with. She has been a dedicated professional. She is prepared, and she knows what she is going to do and she does not change it, because it’s well thought out before she performs. She is typically of that group that is wild and woolly, and has a great time. I have to keep saying to her, “Make sure you get some rest.”

MICHAEL:

Do you think Amber is really related to Katherine?

JEANNE:

I have often wondered if Amber is my grandchild because of my affinity for her. I just fell in love with this kid and her work. She is so damn talented, and she is a redeemable character. They won out, because we had such good chemistry working together. Maria saw that and now totally writes for it. She has Katherine have her favorites… like little Kevin. Katherine likes slightly demented people, because that is the kind of person she was.

MICHAEL:

You know, Katherine Chancellor is more popular than any of the younger kids on the soaps!

JEANNE:

I will tell you, Maria Bell by integrating and putting an older person out there in a major role, delivered ratings more so than other great ideas that went south.

MICHAEL:

What have you thought of Greg Rikaart’ flawless performances during his storyline with “Stockholm Syndrome”?

greg_jeanne.jpgJEANNE:

Greg is consummate. He has the material to play and did an unbelievable job

MICHAEL:

What is it about Michael Graziadei that you think pops off the screen?

JEANNE:

Michael Graziadei reminds me of movie stars in the heyday, like a young Paul Newman… that’s where he would fall. Graziadei is poised and focused. He could have a small part in a scene, but he will have a beginning and middle and an end to it. I love to watch him grow on our show. He is a light-hearted, and a dirty kid. (She laughs)

MICHAEL:

Have you always wanted to be a successful actress?

JEANNE:

I never wanted to be a star! I wanted to be an actress. “Star” is so temporary, and an actress is a way of life. When you think of Glenn Close or Shirley MacClaine you don’t say, “Movie star”… you say, “actress”. A movie star has a hell of a chore to make sure she is botoxed, and stitched together right, and is terribly glamorous, and has “T&A”. After her time is gone, if they keep attempting it, they get laughed at. So, she better know how to act. An actress is a way of life. Being a star is a selfish and acheivabable way of life, temporarily

MICHAEL:

Who are Jeanne’s acting idols?

JEANNE:

Ava Gardner was a good actress. She was a very down to earth human being, it was no b**s with her. You would watch Ingrid Bergman. You saw how she knew what she was doing, and she just happened to be beautiful. She never, ever met the criteria of movie star, but that is what she was. I think that Simone Signoret was wonderful, and Olivia De Havilland was great, too.

MICHAEL:

You were honored by AFTRA! How cool is that?

JEANNE:

I am as old as AFTRA, and its true! They are 80, too! As an actress, you have to be protected by a union, fighting for the rights and upholding it. It’s important for pensions and things later in life, and a fair shake with all the new media that is emerging right now.

emmy.jpgMICHAEL:

You are up for a pre-nomination at the Daytime Emmys for Lead Actress, and we will find out if you made the final cut on May 14th. What did you submit?

JEANNE:

It was a combination of Katherine and Marge. It was a ‘dive’ scene. Marge was drunk. You know, they changed the rules and you are only allowed one show now.

MICHAEL:

What do you think about the fact that the Emmys were not going to
be broadcast at all, by any major network that carry soaps, before
the CW stepped in?

JEANNE:

I think it’s degrading. I think it’s unacceptable, and I am humiliated and offended. I will tell you why. Daytime kept the three big fat networks alive for so many years while they jerked around so many pilots a year that were never sold. They used up the tremendous revenue of the 70’s and 80s that we brought them, so that they could afford to jerk around. And that’s how I feel about it.

MICHAEL:

CBS did not want to air them and it was their turn this year, and they currently have four soaps on the air!

JEANNE:

How about that? It was CBS’s time and they did not do it. I can see why NBC would pass, and I understand that. I would much rather have a luncheon and let the Academy handle it, and it’s not televised, and the press and the nominees, and the presenters are there. I never approved of them of going nighttime, ever! They did it because it made them a fortune, and when it stopped, they did not want anything to do with it.

MICHAEL:

“Y&R” is doing better right now than it has in awhile. Why do you think?

JEANNE:

At a time when unemployment is like it is, usually entertainment prospers. We picked up some new viewers, and that is Maria’s hard work. We have picked up some new viewers and proved a point.

mf_queenfaces.jpgMICHAEL:

What was the point of Katherine’s Restless Style photo shoot?

JEANNE:

I don’t know and I don’t ask questions. It was about Katherine being the Queen of Many Faces, and that is because of her life, and her storyline. She is the Queen of Genoa City and The Queen of Many Faces.

MICHAEL:

Of the 36 years you have been on “Y&R”, do you have a favorite storyline?

JEANNE:

I loved it when Katherine got drunk and threw herself over the ship, and got picked up by Felipe and hauled off into the jungle, where she was very, very, happy. I thought that is whom they would find for me now, Felipe, but 20 years older and extremely rich. He came to Genoa City because when he took me to be picked up by the consulate, he was hiding from the Cuban people who wanted his skin! What a great thing that would have been for Katherine! And Katherine could have felt a little more intimidated by him rather than Murphy being intimidated by Katherine.

MICHAEL:

How much of Jeanne is Katherine?

JEANNE:

Katherine is a control freak, but I have taken a lot of her strength in my later years. Basically, I am very empathetic to situations and people. I feel for my country right now and pathos I have never felt. I am a product of the depression in many ways, and so is any one who is 75 years old and over.

facelift.jpgMICHAEL:

You broke new ground on daytime with the first cosmetic facelift. Looking back, what did you think of that decision to let the cameras see you so raw in real-life?

JEANNE:
It was probably one of the best things I ever did for people! So many people did not have the courage; not only to get their facial stuff done, but to have reconstructive surgery. I was doing it because gravity was yelling, and I said, “I’m coming. I’m coming,” and by doing so, it achieved so much good from it. It took the stigma away from saying you have to look like you are falling apart because you are getting older. I broke down barriers .

MICHAEL:

What are you most proud of?

JEANNE:

I think my proudest moment will be coming up in Midland, Texas, in the middle of May, where not even two years ago there was bare ground, and now there is a three million dollar structure called the Springboard Center, which is a center for addiction. I am the spokesperson for the center. To see a structure that has patients in it, and to try and restore human beings and give their souls back to them and become productive people, is so fulfilling for me. Hopefully, it will become a franchise. It’s important that you stay there to find out why you do what you do. Their website is www.springboardcenter.com. You know, I played the alcoholic and then they sobered up Katherine, and I started drinking!

MICHAEL:

It was life imitating art?

JEANNE:

I started drinking after I decided I was not meant to be married to the man I was with. I would have panic attacks and my guts tied up… and then brandy hit it, and it relaxed the muscle. Pretty soon the stomach started calling for the brandy, and it was not difficult to fall into it all. However, it was “Y&R’s” creator Bill Bell Sr, and my son who said, “You have to stop this.” Thank God, somebody knew I needed help.

MICHAEL:

Katherine’s granddaughter is back on air in the form of Clementine Ford. How do you think she is doing as the “new” Mac?

JEANNE:

She almost has it coming around, and it takes time to walk into a new role or a recast. She has a slight saltiness, which is good for Mackenzie. Clementine is delightful. I am enjoying watching her.

MICHAEL:

How is working with Melody Thomas Scott (Nikki), who on-air is Katherine’s best friend?

JEANNE:

It’s like a soft glove, and a comfortable house, and deep respect… and vice-versa.

JeanneCooperFace.jpgMICHAEL:

What would you still love to do as Katherine?

JEANNE:

I would really like to see her open an orphanage stateside; rescuing the nine and the ten year olds, and for her to do something good with her money, and take in the boys and girls who are going to be in foster homes.

MICHAEL:

Katherine wrote a book. Would you, Jeanne Cooper write your memoirs?

JEANNE:

Yeah. I might. Telling on people is not my way of dealing with things, but some of the interesting stories might be good, so
there is a possibility. We will see!

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Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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The Young and the Restless

Airdates: 10-24-26-2018

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