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The Jess Walton Interview – The Young and the Restless

© JPI Studios

© JPI Studios

“Hello, Restless Style, Jill Fenmore speaking?”  What???  Yes.  As viewers learned late last week, and at the beginning of this week’s episodes of The Young and the Restless, the previously known Jill Foster Abbott apparently is part Fenmore… as in… Lauren Fenmore.  The truth of what we all hope will finally be the end to Jill’s long and exhausting plight and search for her biological birth mother, (for her sake, not necessarily the viewers), took a drastic turn when Jill’s adopted mom, Liz Foster, made a death bed confession to her son, Dr Snapper Foster. (The guest starring David Hasselhoff)  Loaded with the info, and following the powerhouse scenes by two-time Daytime Emmy winner Jess Walton (Jill), (when she has to cope with the grief and feelings of abandonment after losing the one mother that loved her unconditionally), Snapper tells Jill what Liz explained to him about her birthright.

On-Air On-Soaps chatted with the amazing Jess Walton to revisit the latest developments in the ongoing saga of one of daytime’s most unique and enduring characters.  In addition, Jess discusses her on-screen relationship that has endured and withstood countless relationship rewrites, that between her and soap legend, Jeanne Cooper (Katherine).  From the catfights, to the cake-fights, to the DNA results, to the doppelgangers, these two have gone through it all.  Walton also reveals she was sad the return of Y&R 80’s Foster brothers, (David Hasselhoff and Wings Hauser) was so brief, but yet it propelled great story. 
And, what of her current on-screen sons, Daniel Goddard (Cane), and Billy Miller (Billy)?  Find out what this savvy soap veteran has to say about these two popular soap studs.

And, with the 37th Annual Daytime Emmy Awards just around the corner on Sunday night June 27th from Las Vegas live on CBS, Jess and I take a trip down memory lane through her two Emmy wins – one for Supporting Actress in 1991, and the other for Lead Actress in 1997.  An irreverent, funny, tell- it-like-it-is phenomenal actress, and a pure joy to watch on-screen, here’s what Jess had to say about all her mommas!

MICHAEL:

Your performances last week when Liz was dying were phenomenal.  Now we learn, Jill is apparently part Fenmore.  How did you feel when your character gets thrown around so many times, in so many directions, with mothers, jobs, men, etc?  I think she is one of the soap characters who has changed course so many times, it’s hard to keep up with her!

JESS:

It is, isn’t it?  I agree with you, and it used to bother me.  I would try and keep a steady course with it, and now I can’t.  Now I just roll with the punches.  It’s impossible!  For awhile there you just kind of say things like, “My character wouldn’t do this, and who is this?”  But now, I just kind of go, “Oh, my God.  This is going to be fun”, because it’s something new, and it’s something different.

MICHAEL:

© JPI Studios

The episodes that just aired were very well written.  It really made the audience aware of Jill’s emptiness and issue of abandonment, and where it all stems from.  Therefore, the viewers felt really bad for her.

JESS:

They were well written, and that is what you have to do, because when Jill goes off on her crazy tangents, I have got to balance it with some sympathy.  Because, if the audience can a see a bit inside of her and understand her, and not just hate her, then it affects them. I thought the scenes with her brothers, Snapper and Greg, were just so good!

MICHAEL:

It was sad to say goodbye to Julianna McCarthy as Liz, and then at the Friday tag you end up at Lauren’s door.  And this past Monday you explain to Lauren what you were told by Snapper via Liz, of Jill’s biological background.  What do you think of the Fenmore twist, it sort of came out of nowhere?  However, the big question as to who is Jill’s real mother is still a mystery.

JESS:

It all happened so fast. We had David Hasselhoff for a week, and Julianna as Liz, dies within a week and all of a sudden it’s, “I am a Fenmore”.  And we really didn’t have a chance to explore it much, but in real life that happens.  My first thought as Jill is, “I actually know who my blood is, and I have a sister.” And, Jill was very moved and touched and shocked from the death of Liz, but full of love for her sister.  Lauren would actually be Jill’s half-sister.

MICHAEL:

Do Lauren and Jill have a bad past?

© JPI Studios

JESS:

Most people don’t like Jill, and she hasn’t particularly loved Lauren. I have never had that much to do with Lauren, really.

MICHAEL:

So now, the canvas is wide open again, as to who could be Jill’s mother! Speaking of past mothers… how did you feel about the reversal of plot point that unconnected Katherine and Jill as mother and daughter?  Jeanne Cooper made no bones that she did not like it from the beginning and was glad it has been dropped. With everything that has transpired on-screen, how do you feel about Jill not being related to Katherine?

JESS:

As Jess, I originally loved the idea and it seemed a natural progression to me. I thought it would make it more interesting, because we had already been playing our relationship for 20 years on one note.  I thought it would deepen, but it never did what I thought it could have done.  But, Katherine and Jill have an incredible relationship on-screen in spite of all this.  The love and the hate is so mixed, and there is never any telling when it will bubble out now.  It used to be, “This month I like her… this month I hate her.”  Now, it’s more from moment to moment.

MICHAEL:

How was it to play those huge emotional scenes, and watch Julianna die on-screen?

JESS:

They were easy, easy, easy.  I knew we only had David Hasselhoff for one week, and it was all going to happen.  There was going to be a lot of pain, and a lot of crying, and I was dreading it.  But I have got to tell you, those tears flowed so easily.  Julianna, first of all, is a consummate actress.  She and I have a lot of history together, and we are friends. I adore her, and when I lock into those blue eyes of hers, I just become Jill.  And the strange thing is, Wings Hauser, who I never met before, because as you said, the scenes were so well written, that as soon as we started playing them, the story all made sense.  It was great, and pretty effortless.  I really felt Wings and David were my brothers.  I have to say there was a lot of distraction on the set while David was filming his reality show and that was different.  But I was kind of excited about it, because it was fun.  In the end, I think the scenes came out really well.

© JPI Studios

MICHAEL:

How was David to work with?

JESS:

He was wonderful and a friendly guy and upbeat.  David was proud to be back on The Young and the Restless, and like all parents, proud of his kid.  And that was all he could talk about… his daughter, Taylor-Ann, who played the nurse in some scenes who mixed up Liz’s medications.

MICHAEL:

Jess, you have won two Daytime Emmys, and I was watching this year nominated writing episode from Y&R where yet again, there you were with your mother issue. Jill found out at Billy and Chloe’s wedding definitively that Katherine was not an imposter and your DNA did not match.  Then comes the cake-throwing scene, which set back the Katherine and Jill feud to its rightful place!  What did you think about those scenes?  Jill was a raving bitch!

JESS:

Always, the scenes that turn out the best are the ones I am most worried about, because I know they have the potential to come out great.  I thought they were fabulous.  I had no idea how I was going to be playing all that craziness.  You remember how crazy Jill was acting?  She was all over the place and flip-flopping.  I said to Sally MacDonald, who was directing the episode, “Um, you have to give me a drink in my hand at the very beginning of this wedding because I have to have a little aid, and you have to assume Jill is a little tipsy.  It gives the excuse for why she is so all over the place.”  So, Sally started me out with a Mimosa right at the beginning of the show and it kind of explained it.  And what did I say to poor Murphy?  I know, “You dig up worms for a living!”  (Laughs) She was awful!  Then I threw the cake in Nikki’s face, too!  I said to Melody Thomas Scott (Nikki), “You better watch out Melody.  I am going to get you, too.”  It was great!

MICHAEL:

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What did Jeanne think of this cake fight extraordinaire?

JESS:

Jeanne was like, “bring it on” with the cake fight.  Here was the problem. The problem was that the frosting was butter cream and it got on the floor on the tiles.  And whoever was holding me up, was really holding me up…and it was Beau Kayzer. (Brock) That was because Jeanne was trying to get her arms around the entire cake!  I am telling you, that is what she was trying to do!  She is so funny! (Laughs)

MICHAEL:

So to make this extraordinary pairing work on-screen at this point, after so many years, do you and Jeanne sit down and have a process where you run lines, or is it all just hit your mark, say your lines, and we will make it remarkable?  With daytime production moving so fast these days, has it at all impacted you and Jeanne?

JESS:

There is very little time to run lines if we are first up to tape in the day.  Other than that, there is usually time to rehearse.  We use to have a drama coach on set who was great.  His name was Judd Lawrence.  He was great for group scenes, and he had a little room near hair and make-up.  When we had those group scenes with a lot of people, as we passed by his area, all of us would sit down in a room and get those really fast cues that you have in party scenes.  So that was cool.  But for Jeanne and I when it comes to one and one scenes, we find each other and we put in the work.

MICHAEL:

Jeanne is a remarkable lady!  And the two of you still “bring it” to the viewers!

JESS:

© JPI Studios

I thank God every day for that woman.  She feeds me. She is like a shot in the arm when you see her in the morning.  She is funny and sharp and I love her.

MICHAEL:

What are you playing as Jill now?  Inner-struggle? Is she going to have a metamorphosis?

JESS:

She is feeling all of her emotions right now to the hilt and thinking, “Whatever I am feeling, it’s like what the hell!  Life had always brought me a lot of dirty blows,” but she always tries new things.  She has really deep feelings for people like Cane and Billy.  She adores them, even though Billy is such a little brat.  He has a lot of Jill in him, but when she gets mad, she really gets mad, but I don’t think she is any longer trying to make much sense of it.  Jill went out of trying to fit in and be part of society.  She is now like, “What is going on?” (Laughs) Michael, I can tell you, there is really good stuff coming up.

MICHAEL:

Jill is such a shrew sometimes!

JESS:

She can be such a shrew!  Did you know that a Shrew is really an animal that has a horrible personality! (Laughs)  Jill gets her happiness where she can, and she certainly is not going to contain her anger.  She lets it out, so it does not fester in there.  She is on a roller coaster though, I will say that much.

MICHAEL:

So she is going to be in a continual search for her biological mother, coming up?

JILL:

I suppose.  I can’t tell you anything. (Laughs)

© JPI Studios

MICHAEL:

Another thing, Jess, is that Jill has had a lot of job changes. (Laughs) Where is she working now, officially?

JESS:

She is still with Billy. He fired her once (laughs), but I am working at Restless Style.

MICHAEL:

How is working with Daytime Emmy nominee Billy Miller (Billy)?

JESS:
Oh, it’s fantastic.  He is the best actor. Yesterday, Billy walked on the set after we had just rehearsed these scenes, and during the performance I looked at him and I saw so much!  I think back to when he met Cane, and the character had just come back.  Billy was jealous of him and happy to be home with Jill, and it was all playing across his face. He is very, very good.

MICHAEL:

Your other on-screen son, Phillip Chancellor III played by Thom Bierdz, came back for sort of a reverse coming out story to his family, but the story fizzled.

JESS:

When I worked with Thom recently, I have to tell you, he hasn’t changed a bit.  He is still the same sweet guy that he was.

MICHAEL:

And how is working with Daniel Goddard (Cane)?

JESS:

© JPI Studios

Oh my God, it’s like butter.  It is, it’s like butter, and we have this connection.  He reminds me of my real life son.  His energy is like my son.  And I feel like he is my real son, and he is just amazing.  Daniel’s sense of humor is so terrific.  I love his wife and his kids.  I am always thrilled when I work with him.

MICHAEL:

On Sunday, the 37th Annual Daytime Emmy Awards will be handed out on CBS.  So as a past recipient, where are your two Emmys?

JESS:

They are on each side of the TV.

MICHAEL:

When you look at them, do you look back and go, “Wow, I won these!  How cool.”

JESS:

They are always there so I don’t always notice them, but as I am sitting here talking to you, I am looking at them.  Sometimes when I have new people come into the house that don’t really know me well or know what I do, I think “Oh, what are they going to think when they see those?” (Laughs)  They are very impressive, but most of the time I forget.

MICHAEL:

When you won them, do you remember what went through your mind at the time, close to when your name was called or shortly after?

JESS:

© JPI Studios

The first one was at the Marriott and it was a lunchtime deal. I remember when I won them I was very angry that I had to do anything, because all I wanted to do was feel.  I remember it distinctly.  First of all, I sure as hell did not want to get up and give the damn speech. (Laughs)  It was just horrible!  Then I wanted to go hug my husband and I had to do the press, but I did not want to do the press.  Not because it’s difficult, or that I don’t like doing it, it’s just that I wanted to feel that feeling, and I wanted to feel it purely and not have to work.  Then the second one was killer and the icing on the cake.  It was for Lead Actress and it was really, really great.  And, at that time it had been many, many years since The Young and the Restless was on, and no one had ever won in the Lead Actress category.  I think it had been on 20 years maybe at that point.

MICHAEL:

What would you say to the actresses this year who are in the final five, as we countdown to Emmy night?

JESS:

I would say, enjoy the nomination process, because everyone is a winner until that night and it’s a glorious, glorious time.  And for the winner, it goes on, and for the ones who don’t win, it sort of stops right there.

MICHAEL:

Well, after seeing this last week of air shows, I think you have some very strong material, that if you so choose to throw your name in the mix next year, you could just get a nod!

JESS:

If I decide to do it, we shall see.  But the great thing about the Emmys is: once I won one, and then won a second, it did not matter to me anymore.  It’s over and done and I did that.   I did not have that yearning that I had before.

MICHAEL:

OK Jess, of all the numerous twists and turns in Jill’s storylines, there had to be some that you were like, “You have got to be kidding me? How I am going to make this work?”

JESS:

© JPI Studios

Oh, my God, Michael.   I had those moments a lot when you think of the twists and turns. And the very first one I remember was when Billy was small.  I was fighting for custody with John Abbott.  Jack went and hired a guy who sweeps me off my feet who lets me know he is not interested in a child.  And…I give up custody from that one day of scenes. That was a “How am I going to make this work?”  And every time I have scenes with the whole town (Laughs), and I announce to the whole town that I was going to take over Katherine’s house, knowing they all loved her and hated me (Laughs)…. I am always having to do stuff like that.  I mean, when I had to tell poor Murphy that he digs worms for a living…you know, it was like, “How am I going to do this?”  My whole soap opera life is filled with, “How am I going to make this work?”  Sometimes, my solution is going to the director and saying, “Please give Jill a Mimosa the first thing in the morning so I can make this work.” (Laughs)  The other story that was the hardest, “How am I going to make this work,” was Brittany’s baby.  I fell in love with the baby, and I was going to go into the Witness Protection Program to be the nurse maid for the baby. (Laughs) And then, Michael Nouri was on the show for a while.  He was a dishonest CEO for Katherine, and I was trying to get the goods on him and fall in love with him.  But then, Jill runs off with him knowing he was an embezzler and never to see her family again. Well, please! (Laughs) You know what I mean?   It’s so much fun, and it’s been such a
challenge to try to make it some sort of cohesive tapestry of a human being.

MICHAEL:

But you had to speak to the writers at times to clarify or find out where your story is headed sometimes when things were perhaps, murky?

JESS:

I have gone on the phone with the writers before to shape an idea, or to go over the forward thrust of a story, but mostly it’s self-explanatory.  I don’t know how to answer that except there have been times I have needed to talk to them.  Particularly, if I saw in the direction it was going that there were going to be problems.  But of course, they are great that way and glad to talk about it with us.

MICHAEL:

Who do you think is the dream mother for Jill?

JESS:

© JPI Studios

I think Julianna was!  Liz was the dream mother for Jill.  She always could handle Jill.  That is the trouble on soap, you can never be happy. You always have to be unhappy because that is where the drama lies.  I had many mothers now haven’t I?  Remember Elizabeth Harrower, played by Charlotte, and Jill was crazy about her! (Laughs) Oh, my God.  She had so many mothers! (Laughs)

MICHAEL:

But Jill’s deep rooted insecurity and issues stem from that and from when she was poor.

JESS:

There is a basic insecurity that came from her being the housekeeper’s daughter. She was around Katherine with her rich society country club friends, and she had this deep feeing of inadequacy, and that is where I think it all stems up.  But, she is very much a bossy little lady, and domineering.  Jill is attracted to powerful men, but yet she is not going to buckle under to them.

MICHAEL:

Have you ever been bored with playing Jill?

JESS:

No, it’s never boring now.  When it was boring, was the time I won Best Actress because all I was doing at that time was supporting Sonny Von Deusen who played Keith Dennison, and his two girls, Megan and Tricia. That is all I did for two years and it was really boring, and nothing ever has been that boring, and no period of time on the show has ever been as boring as that one.  Sonny was a wonderful actor and I loved him, but I wasn’t doing hardly anything.

MICHAEL:

When you heard all these people were coming back for one week, David Hasselhoff, Julianna McCarthy and Wings Hauser, were you shocked when they told you?

JESS:

© JPI Studios

I have a really good friend whose is David’s agent, so I was not completely unaware of what was going on.  But, I was very sad that it was so quick though, and no, I am not in David’s reality show!

MICHAEL:

What would you say about working with Jeanne Cooper after all these years?

JESS:

It’s like rolling off a log at this point and so easy.  Working with Jeanne is stimulating and we laugh constantly.  We are so in the same boat.  We know each other so well, and we know the looks on each others faces, and we know if we have gone up on each other’s lines, and we know if this isn’t working right or it doesn’t feel right.  It’s just wonderful.

MICHAEL:

So what happened when Jeanne’s prediction that the mother/daughter storyline was not going to work came true?

JESS:

What are you going to do?  I hate that Jeanne was proved right that it didn’t work, because I think it should have.  But, I thought it would deepen it in theory, and make it more interesting, in theory.  C’mon, we got years of story out of it, and there was no wrong to that.  I don’t care what she says.  It’s been 25 years that I have been on the show, and there has been a Jill in her life for way longer than that. You have got to throw it some curves.

MICHAEL:

OK, after all the mothers, men, children, boardrooms, and manicures that Jill has come in contact with or had in her life, what is something you would still love to see your character get to do?

JILL:

I would love to see a lot more fantasizing scenes, where apparently I put Katherine under the hair dryer and electrocute her! (Laughs)  And one time, I know I did hide the toilet paper in the Colonnade Room when she went into the stall.  And, I loved it when I rented the Doberman, because I knew she was afraid of dogs.  And I loved it when I hired my own maid, so we could have dueling maids, with her Ester being her maid.  I remember, Beverly Archer from Momma’s Family, who played the neighbor on that sitcom, played Jill’s maid.  She was hilarious, and her sense of comedy timing was out of this world.

MICHAEL:

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Would you like to see Jill have a new romance?

JESS:

No.  I would like to see her become a master spy.  (Laughs) Look, I am up for anything new and different at this point.

MICHAEL:

Well Jess, I know and the fans know, that there is some big stuff coming down the pike for Jill, from discovering more about who she is, to God knows what else, in the coming weeks!

JESS:

It will be an emotional roller coaster, and it’s never smooth.  It’s all about going for broke with her coming up, and its going to get very interesting.

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waldo doe
waldo doe

Thanks for the great JW interview. I don’t think I have ever read an interview with her. She seems pretty cool, so unlike her neurotic alter ego!

I’m not so crazy about this Fenmore storyline, but I will keep watching to see where it goes.

KELLEY MIES
KELLEY MIES

Jess is the BEST actress on daytime tv!!! She makes Y&R the show that it is #1!!!

Nora
Nora

Great interview! I love Jess and I’m looking forward to this new development!

Diane
Diane

Absolutely one fabulous intereview with the great Jess Walton whom I love and adore and have since I saw her ‘ions’ ago when she was a young gal on the now defunct soap SOMERSET! Awesome ballsy broad and I love her character and what she brings to it. Thanks Michael.

Mandel
Mandel

Good interview Michael. When people say that they don’t like Jill, that shows that Jess is a good actress.

cburdsall
cburdsall

found interesting and helpful. Jill is such a difficult person to like; but now, separating the actor from the character, makes it easier to watch the prerformance.

Trish
Trish

I like Jess but my favorite of all time was the original Jill, Brenda Dickson.

Interviews

B&B’s Katherine Kelly Lang on That ‘Brill’ Kiss, 33 Years as Brooke, Her Co-Stars & International Success

Just when you think Brooke will finally score a moral victory in her vendetta with Thomas Forrester, (who’s manipulations almost destroyed her marriage to his father, Ridge), then she finds herself once again in hot water, and with a secret that in the wrong hands could cause a seismic shift to several relationships – that would he hers and her sister Katie’s – thanks to that ill-timed smooch with Bill!

But what else is new for Brooke? For 33 years, the character has captivated audiences with bold moves, questionable choices, enduring romances and plenty of gusto, all in the more than capable hands of her portrayer, the one and only Katherine Kelly Lang.

This week marks Katherine’s 33rd-year in the role of Brooke Logan Forrester, who along with John McCook (Eric Forrester), are the two original cast members since the very inception of the CBS daytime drama; which debuted back on March 23, 1987.  Now over three decades later, Lang is an international favorite. First, due to the success and broad appeal of B&B in foreign countries, but second, from her own entrepreneurship and hustle.  Always with multiple projects going on at once, Lang and her beau, Dom Zoida recently opened the American version of the Italian clothing and leather store in Beverly Hills, California, Benheart USA.

Michael Fairman TV chatted with Katherine to get the lowdown on: Brooke’s line-up of nemesis’ which seems to be growing! (Yes, you can put Thomas, Quinn and Shauna on that list, for sure.) Plus, what she feels this B&B anniversary is truly about, how she and others in the cast are coping with the ‘stay at home’ orders in California during the coronavirus pandemic, the recent loss of B&B co-creator, Lee Phillip Bell, and those all-time classic Stephanie and Brooke scenes opposite Susan Flannery and more.  Here’s what this BOLD original had to share with all of you.

Photo: JPI

What did you think about Brooke’s whole relationship with Thomas (Matthew Atkinson) and the tit-for-tat between them?  Brooke really stood up to him and his manipulations, and held her ground. Meanwhile, he was going to do everything he could do ruin her and cause so much trouble for Brooke’s marriage to Ridge (Thorsten Kaye).

KATHERINE: This is my feeling: she was so adamant and so trying to convince people about Thomas and that he was so out for himself;  and out for Brooke’s daughter, Hope (Annika Noelle), and very manipulative, and nobody would listen really.  Only a few people like Liam (Scott Clifton) did and her daughter finally agreed with her.  Then at the wedding of Thomas and Zoe (Kiara Barnes), it proved that Brooke was right all along.  I still don’t feel like Brooke got her due as far as what everybody was saying.

No, she didn’t!  No one really said to her in a grand way, “Oh, my God, Brooke!  You were right about Thomas all along.”

KATHERINE:  I know!  Ridge did say, “You were right,” and that’s great.  However, more people should have apologized and acknowledged her, and said, “Oh, we understand now where you were coming from,” and, “Hey!  Good intuition!”

Photo: JPI

That was must have been so frustrating to Brooke!  She knew the truth, and everybody was treating her so badly and painting her to be the bitch.

KATHERINE:  Yup!  They dubbed herthat crazy one” and the bitch.

Was all of this enjoyable to play?

KATHERINE:  It was enjoyable that it finally came out that Thomas is the manipulative person that he is, even though he is so good at it that he almost makes you feel sorry for him.  But he’s like a good sociopathThat’s why they’re so good at what they do.  They’re good at bringing real emotion into every situation and yet being very manipulative.  Kudos go to Matthew Atkinson for playing Thomas, really well.  He’s been great, and he brings something really different on to our show.

Photo: JPI

Brooke and Ridge’s relationship has been severely tested; almost tearing them apart over Ridge previously standing up for his son.  Now Brooke’s recent kiss with Bill (Don Diamont) threatens it, as that kiss was caught on tape, and landed in the wrong hands.  Is Brooke in freak-out mode yet?

KATHERINE:  I definitely think she is, and she wanted to take that kiss back from the second that it happened.  She allowed it to happen.  It’s a little bit of old Brooke resurfacing there.  Right away she was like, “What are we doing?   This is ridiculous.  You’re with Katie, and I’m with Ridge, and we’re both happy.”  Brooke has had underlying feelings for Bill, and she probably always will (and he for Brooke), but we know that’s not where we want things to be.  So, in Brooke’s mind, it’s “let’s forget about that and carry on, and don’t tell anybody.”  Of course, it comes out to some people, and it’s so embarrassing for Brooke.  Like, how does she explain herself?  I mean, at that point she can’t explain what happened … or why she did that.  She has to kind of succumb to it.

Right! And of course, Shauna (Denise Richards) and Quinn (Rena Sofer) want to take her down with this ammo.

KATHERINE:  Of course!  That’s what they live for. (Laughs)

Photo” JPI

Recently, Quinn spiked Brooke’s drink with some booze after they had quite the argument. Fans were on the edge of their seats that Brooke might start drinking again.  What did you think of the plot point?

KATHERINE:  I think it could have been interesting.  I have no idea if they will bring it up again.  That happens sometimes.  They’ll put in a little teaser and not run with it.  However, you never know if it’s going to resurface down the line, especially when Brooke is really down in the dumps for some reason.

I could see her being down in the dumps if she finally had no man in her life! (Laughs)

KATHERINE: (Laughs) That’s probably what she needs … not having a man in her life!

How is working with Rena Sofer and Denise Richards; especially when they are antagonists in scenes with Brooke?  Do you ever have a good laugh while trying to tape those scenes, as well?

KATHERINE: I think there’s a good chemistry between the three of us, and we have that rivalry going on.  So, I think it’s been working, and it’s been entertaining and interesting.  They’re fun to bounce off of.  Usually we are pretty serious when we do those scenes, especially if they’re more verbally combative.  So, we’ll just be really serious and stay in it.  Of course, sometimes things happen, and you laugh, but we sometimes don’t have the luxury to take the time to laugh and enjoy the moment, because we have to try to get the scene done in one take and move on.

Photo: JPI

There were a few months there that Brooke was slapping everybody! There were plenty of bitch-slaps that needed to go around. What did you think of those scenes?

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KATHERINE: I loved it, but then I felt like it was also maybe getting out of hand because it’s not really PC.  Nobody is supposed to hit people or slap people in anyway.  So, it worked more years and years ago in our genre, as times have changed in our world and culture.

Viewers saw this week that Donna (Jennifer Gareis) knows Brooke kissed Bill and that they have to make sure Katie (Heather Tom) does not find out, while others are out to expose Brooke!

KATHERINE:  I would imagine that everybody would want to see how Brooke unravels.  So, just keep watching!

Photo: JPI

Would you welcome another go round at a Brooke and Bill romance?

KATHERINE: Not when Bill’s with Katie and with everything that Katie’s gone through.  I couldn’t see that.  I don’t think it would be right.  That would mean that Brooke is completely selfish, you know?  There are so many other men.  Why does she have to go for her sister’s man?

Photo: JPI

In recent months, we have witnessed scenes where Brooke has been more confrontational and fighting back and not putting up with the shenanigans of others!  We have seen this in particular with Thomas, Shauna, and Quinn.  Did it seem like they ramped that up for Brooke?

KATHERINE:  Yes, because at some point it’s frustrating because nobody was listening to her.  It all started with the whole Thomas thing, and once she started fighting back, she wanted to fight back on everything.  She’s been lied to about a lot of things.  It’s not been fair.

Does Brooke still think Hope is too vulnerable to make wise decisions for herself; even after she stood up for herself at the wedding of Thomas and Zoe?

KATHERINE: Now. I think she feels much better, because there are moments where Hope is very vulnerable, but then she kicks herself in the butt, and stands up for herself and everybody else.  So, Brooke knows that Hope’s strong, but she also knows that she can be vulnerable.  At this moment, she is proving that she can handle things.

Photo: JPI

B&B turned 33-years-old this week as the show continues to remain so popular in the United States, and of course, is the most watched soap in the world. What can you say about still being with the series since its inception, and all that has happened to you in your life and career, because of playing Brooke, plus a nod to the fans?

KATHERINE: It’s been an amazing opportunity for me.  It’s been my life basically! 33 years on The Bold and the Beautiful, and the show has always kicked butt.  I mean, the show has been going strong ever since it started, and it still is going strong.  It’s just been an honor to be on the show, and remain on the show for so long as one of the original characters.  My heart really goes out to the fans, because honestly, so many of them tell me they’ve watched from day one.  We have a history with them raising their families.  Younger people come up and say, “I’ve been watching the show ever since I was little with my mom.”  So, there’s a wide range of different people who watch the show, and I appreciate them so much.  We all appreciate them so much because really, without them, there would be no show.  I just want to say ‘thank you’ to all of the fans.  Thank you from the bottom of my heart.

Photo: JPI

Brooke is one of the most notable characters of all-time in soap operas and you are the actress playing her. That has to be a very good-feeling for you.

KATHERINE: I think there have been a lot of notable characters on soap operas, who have even been on the air a lot longer than me.  Look at Eric Braeden (Victor, Y&R) who just celebrated his 40th, and Melody Thomas Scott (Nikki, Y&R) who also reached a milestone recently.  What I have learned from all of this is; what matters is when you come on a show that your heart is in it 100%, and you come to your job and you try your hardest.  That to me is what matters and makes you an honorable person.  I’m very flattered that I’ve been on The Bold and the Beautiful for as long as I have.

Photo” JPI

When you look back at 33 years of your time on The Bold and the Beautiful, are your scenes with Susan Flannery and those epic moments between Stephanie and Brooke, the ones that still standout to you the most?

KATHERINE: Those scenes with Susan informed and formed the show and the characters for years.  I had a lot of memorable scenes with Susan.  I’m so lucky to have worked so closely with her.  She’s an amazing actress.  I learned so much from her, and just watching her.  I would hang on her every word – how she would talk about the business, how she would talk about acting, directing (because she loved to direct), and producing.  Susan was very knowledgeable, and she was very tough, but very fair, I thought.  I just loved her work ethic.

You and Thorsten Kaye have created your version of Brooke and Ridge. What do you think about working with Thorsten?  Is it fun? Challenging? How would you define it?

KATHERINE:  He’s very fun to work with.  Thorsten is very serious, very prepared all of the time, and he’s watching everything.  He’s got eagle eyes.  He’s just so on top of it and working with people like that makes you raise your bar.  It makes you want to try 110% to be there and put in the work.  Thorsten’s also so funny, and easy to work with, and so charming, and such a dear friend.   I love working with him.  I do think Brooke and Ridge have an interesting relationship even though some people say, “Oh, they should be over,” or whatever they want to say.  I do think they have created a good banter between them, and almost an understanding without having to say anything.  Thorsten’s a delight!

Photo: JPI

What is your takeaway when you travel overseas and internationally to places such as Italy, Dubai, Monaco or Australia where B&B is so widely popular and the reaction you receive from the fans?

KATHERINE:  Just seeing the overseas reactions in different countries and how popular or how loved The Bold and the Beautiful is truly special.  The fans really do love from their hearts.  They feel a part of it, and they are, but just their enthusiasm and their passion and their love, and they give their whole heart to you and to the show.  I just found that really interesting, and like I said earlier, we owe the success of B&B to the fans who love the show so much.

Photo: JPI

You recently were in Greece appearing for a multi-episode arc on the soap 8 Lexeis.  How was that experience?  I know Greek soap star, Andreas Georgiou, also came over to the States and appeared on B&B afterwards, too.

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KATHERINE:  It was an incredible opportunity.  I love working in other countries, and seeing how other people work, and how they make different projects and things.  8 Lexeis is their top TV show on their top network in Greece, so it was really exciting to go there and work on that.  I did 15 episodes in 5 days; something crazy like that.  We worked all morning through late at night every day, but it was fun.  It was amazing to see how creative they are and how they just run with it.  Everything was really chill on the set, but they still moved really fast and got everything done, and they were all so talented and so nice.  Then later, Andreas came over and did some shows here.  He was supposed to come to visit, but then the Coronavirus happened, so he had to postpone his trip, but we’ll see him soon.

Photo: JPI

B&B is on a production break due to the Coronavirus pandemic. Have you stayed in touch with your co-stars during this time?

KATHERINE: A lot of us talk on Instagram all of the time, and then a lot of people have been going live on their as well.  So, we jump into each other’s live videos!  Have you seen Katrina Bowden (Flo) and Kelly Kruger (Mackenzie, Y&R) do their little workouts together? You should check those out! Ashley Jones (Bridget) is always on, and Annika Noelle, and then our Supervising Producer, Casey Kasprzyk, started doing Zoom.  He did a Zoom with some of the B&B people.  So, we’ve all been texting and keeping in touch and making sure that everybody is okay.  I know it’s very hard times and it can be scary for all.   Hopefully, if everybody does what they should be doing, it will flatten the curve and the Coronavirus will be a lot easier to deal with.

Photo: JPI

You are one of the busiest people I know! Recently, you went to Australia, you opened your new store Benheart USA in Beverly Hills, and you appear on B&B in a lead role.  Is there ever a moment when you’re like, “I can’t do one more thing?” or do you like the go-go-go of it all of the time?

KATHERINE: I like the go-go-go, but I felt that I was going too fast and too hard, and I’ve recently been thinking of what I can take out of our lives and our schedule, and then in thinking of that, I couldn’t really think of what I can take out.  Then, this all happened with life coming to a screeching halt, which I find very interesting because life is set up to go so fast.  Nobody can really enjoy anything.  We have to get up early, we have to go to work, we have to make money to pay for this, we’ve got to take care of the family, do this, do that, maybe just try to be motivated to be successful, whatever your dreams are, you’re going after them, etc.  It’s such a driven world all around that I think with having to self-quarantine that this is a chance to take a good look at what is going on in your life.  Now, we have a lot of down time.  We have time to think, go inside ourselves.  It gives you time to be kind, slow down, think of others.  What can you do for others?  What can you do for the world?  It’s been frightening for a lot of people; especially the ones who have gotten sick, or the ones who are scared of getting sick because they are immunocompromised.  But, at the same time, we need to try to not let that anxiety get to us and try to appreciate what we have.  Like, “Why is this happening?  What is this moment trying to tell us?”  I’m always trying to find the silver lining; or what is this trying to tell us in life?

Photo” JPI

B&B and Y&R co-creator Lee Phillip Bell passed away at the end of February, and it was so heartbreaking.  I know you were close with Lee.  What can you share on her passing?

KATHERINE:  It was heartbreaking.  I always think, “Gosh, I wish I saw her one more time before she passed,” but she was around her family, who are so loving, and supportive, and always there for her.  Lee created an amazing life for herself and for her family, and she was a huge part of The Bold and the Beautiful, and of course, I thank her so much because she hired me.  Lee gave me my life, and this time on the show.  She was amazing.  She cared so much about the show and the people on it.  Lee was such a great mom and such a great friend.  It’s been special knowing her and spending all of that time with her that I was able to through the years.  My heart goes out to the Bell family as well.  I know this must be hard for them.

Photo: JPI

Then, it was so sad that Orson Bean died tragically before that.  Have you talked to Alley Mills (Pam)?

KATHERINE: Yes, a bunch of us went over and spent time with Alley and brought her food.  We brought her goodies, and we just hung out.  We just gave her lots of love, spent time, and that was before I had to run off to Australia as well, but she’s really strong.  That was just very tragic.  Two weeks before Orson died, we had seen them both in the play Bad Habits.  It was so, so funny, and they both had all of us who attended laughing so hard, and it was such a pleasure.

Photo: JPI

In closing, what are your hopes for Brooke moving forward into the future?

KATHERINE: I’ve been saying that I hope she’ll spend time by herself and be alone for a while and focus on her family.  I’ve said that for so long, but I don’t know what’s going to work for her! (Laughs)  However, I’m just so curious to see what will happen next for her.

So, what do you think of Brooke’s latest predicament after her kiss with Bill? Do you hope that Ridge and Brooke stay together? What have you thought of the more recent version of a feisty Brooke who fought back when no one believed her about Thomas? And finally, share your congrats to Katherine for 33 years as Brooke and let us know some of your favorite all-time scenes via the comment section below.

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Interviews

Y&R’s Eric Braeden Talks On 40 Years Of Life In Soaps As Victor Newman

Back in February, Eric Braeden added another milestone to his illustrious career – that of portraying the one and only Victor Newman for 40 years on the top-rated daytime drama, The Young and the Restless.  And boy was he celebrated!  First, there was a one-of-a-kind on set celebration at CBS Television City which was quite the star-studded affair.  That was followed by special episodes of Y&R, where Newman Enterprises turned 50 with a gala that also proved emotional with speeches and retrospective clips.

When you talk daytime dramas to anyone, you would be hard-pressed for the general public to not know the name “Victor Newman”- and that is because of the powerhouse performances and nuances that Braeden brings to his soap opera alter-ego.  For it was Y&R co-creator Bill Bell and Braeden who really shaped what viewers have come to know, expect, and love, forty years later.

Those who know Eric understand he can be at times outspoken, has a heart of gold, stands up for what he believes, can bring the drama, the suspense, the tension, the romance and the tears in any given scene when it is called upon, and that throughout the years he has earned the respect from his peers for an impressive job well-done.

Michael Fairman TV caught up with Eric to take a look back at all that had gone down recently in his honor, and to get his thoughts on some major moments in time through over 40 years in Genoa City, and where things are at now.  Check out our special conversation below.

Photo: JPI

When I attended and saw you at your 40th anniversary on set celebration at Y&R last month, I cannot tell you what a special event that was.  I have never seen that for anybody else!  The amount of people who attended, and the love they showed for you, was so special. When you were sitting in that chair on the soundstage and watching and hearing what was being said about you, what was going on in your mind at that point?

ERIC:  Well, first of all, it was the nicest thing that’s ever happened to me in 40 years on that show, and secondly, in moments like that, you try to stay focused on who is giving the speeches, because if I then look around and see all of the people who I have known for so many years, it’s emotional.  There’s a saying in German, “he’s close to the water,” meaning it’s very moving.  I saw my son and my granddaughter there and obviously everyone else, and my old coach and players, and so many others that have been a part of my life.

Photo: JPI

There were some very special guests and speeches.  I loved that Justin Hartley (Ex-Adam, Y&R and now Kevin, This Is Us) came.  I thought that was sweet and cool, and also that ESPN sports personality, Stephen A. Smith was there calling you one of his good friends.  There were so many moments.  You knew who was going to speak, right?

ERIC:  Yes, I did.  We kept it to just family, and in other words, Y&R family, etc.  I want to thank Matt Kane (Publicist, Y&R), who had a lot to do with putting the event together.  I also wanted to thank Tony Morina (executive producer, Y&R). The Y&R art department and David Hoffman (Production Designer) also did a fantastic job with those pictures they had created that was part of a set.  Thinking back on it, again, I would without a doubt say, that the celebration was the most moving moment in 40 years in the business and on that show.

Photo: JPI

A few weeks ago, Y&R and B&B co-creator Lee Phillip Bell passed away.  Obviously the late Bill Bell (co-creator, Y&R) and she were instrumental for you being at Y&R in the first place, and the creation of Victor Newman.  What can you say about Lee? 

ERIC:  We invited Lee to the event, and she apologized and said she was not in a position to attend, and then, shortly thereafter she passed.  In a sense, I’m glad Lee wasn’t there because when I would see her on some occasions, I just am moved to tears.  I would have not been able to really hold it together for long.  Obviously, she was co-responsible for a lot of stuff that happened on Y&R. co-responsible for that show still being number #1, and my heart goes out to her.  I know what I owe them, and she had a lot of influence on the storylines.  Lee was an incredibly smart and bright lady.  Her son, Brad Bell (EP and head writer, B&B) did speak at the 40th event and I appreciated it enormously.

There were a lot of retro clips shown of you show in celebration of your 4oth anniversary from when you started on the show back in 1980 till now.  Did you remember all of those moments?

ERIC:  First of all, they put that together so beautifully.  That was done so extremely well.  When I see it, it comes right back, or in other words it evokes precise memories, but if I weren’t seeing it, it’s all a blur.

Photo: JPI

Y&R brought Meg Bennett (Ex-Julia) and Robert Parucha (Ex-Matt), for the on-screen episodes celebrating Newman Enterprises 50th anniversary.  Was it nice having them back and seeing them, or is it kind of weird, because it can be such a long time in-between since you have all been together?

ERIC:  It is both.  It is very nice to see old colleagues obviously, and very touching, but look, we are in a weird business.  When I saw Meg, you suddenly realize how the show has evolved in many ways.  So, I’m always very grateful to see those who I started out with on the show and of course, doubly grateful to those who are still there.  I think of Melody and Doug Davidson (Paul) for example.  Doug has been there for longer than I have, and what a great job he did emceeing the 40th anniversary event, and as for Melody, that her and my relationship still endues after all of these years is amazing.

Photo: JPI

Let’s talk about those Newman Children.  I thought Joshua Morrow (Nick) gave a hilarious speech and even Mark Grossman (Adam) spoke so sincerely from the heart to you.  You get a sense that the Newmans are a fun group to work with.

ERIC:  I obviously love working with Joshua.  Same for Amelia Heinle (Victoria), I adore her, and Melissa Ordway (Abby).  They all have a great sense of humor, and Mark Grossman, I think is doing a damned good job.  And there is Peter Bergman (Jack).  Peter has been a great nemesis for all of these years.  Of course, Peter was very funny in his speech, and Joshua was very funny, and Ed Scott’s (Producer, B&B) was very good.  Tony Morina also shared a very funny little antidote!

Photo: JPI

What came across loud and clear is what we already knew.  Everyone knows the name “Victor Newman”.  You know when they go, “Victor Newman … Y&R!”  It’s so synonymous, right?  I don’t know what it must be like for you knowing the public has that reaction to you … and you’re that guy.

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ERIC:  I’ll tell you very honestly, I have an ambivalent relationship to that fact.  I deny it on one hand, don’t want to know about it, don’t really want to know about it, and on the other hand, when I hear about it, I say, “Yeah, very happy to hear about it, but is it true?”  I am sort of strange that way.  I have not had a picture of myself or anyone else in my dressing room for these 40 years.  It’s barren, as you know.  I don’t have any pictures hanging up of me; there’s nothing.  Now, I was talking about taking the one picture that David Hoffman had designed beautifully, and I have it on one wall.  I thought, “I’ll be damned,” because the picture includes Melody and some scenes that went on.  I’ve always been funny that way with praise.  Do I like it?  Of course, but …

There’s an uncomfortableness about it, right?

ERIC:  Yes, but I’ve seen too much in this business.  I’ve seen too many extraordinary stars, where you wonder, “Where are they now”?  I take this business with a grain of salt.  I really do.  It’s so easy to succumb to it.   I’ve known many people, including on our show, who used to say, “Well, without me, this thing would go down the drain,” and I said, “Yeah?  No s**t,” and they’re not there anymore.  You have no idea what happens to some actors when they see themselves on the cover of soap magazine.  They go crazy.  I’ve seen it, and the worst thing you can do is to believe in that, and I’ve always been skeptical of that, very skeptical.  Get back to what counts in this business:  do a good job … do the best you can … and where is the money?  I mean really, let’s call a spade a spade, and that’s it.

Photo: JPI

I was just going to say, the one person I so wished was at your 40th celebration was Jeanne Cooper (Ex-Katherine, Y&R).   I wish she could have been there with us, because she would have loved it.  I know she loved you.

ERIC:  She would have spoken, trust me!  She would have said, “Alright, you son of a bitch.  Alright, macho man let’s see what you’ve got!” and then she would grab me by the balls.  The first scene I ever had with her, Jeanne did that.  Absolutely hilarious!  Jeanne and I could not do a scene without laughing.  I’m serious.  We had to pull ourselves together.  She had such a great sense of humor, and we both looked at this, obviously, with an enormous grain of salt, because we’ve been there.  We’d seen it all.

set

Photo: JPI

Through the years, you obviously have been vocal on social media where you will call out things as you see them and as you truly feel, especially through various regime changes, or if there is a noticeable shift away, or focus, from core characters. What are your thoughts on what ultimately makes Y&R, the iconic soap that it is?

ERIC:  Let me put it very simply: the show is based on the comradery and enmity between the Newmans and the Abbotts, and I’ve included on that a go-between, if you will, a Chancellor … Jeanne Cooper.   That was sort of the plan, but the major triangle was sort of the Montagues and the Capulets in Romeo and Juliet.  That is what legendary stories are based on.  It’s family rivalries, and within those rivalries, we tell all kinds of fantastic stories.  It’s father-son, father-daughter, husband-wife, love affairs, disloyalties, ruthless business competition, and it goes on and on.  The scenes with Peter Bergman and me over the years have been legendary, wonderful, and they’re great scenes.  Now, to suddenly bring in whole new characters that no one knows about, which previously happened on our show, you have to ask, “What are you not getting?  You want to reinvent the wheel?”  Go with what is working.  It doesn’t often happen that you have the right cast and the right story.  That is what makes a show successful.  Imagine taking Cosmo Kramer (Michael Richards) out of Seinfeld.  You couldn’t.   It wouldn’t work.  In other words, when you have the right actors and the right storyline, you have a hit.  We’d been number #1 for over 30 years because of it

Photo: JPI

When you get a script, have there been those moments in the 40 years where you will say. “My character would never do this.  I’m not playing it!?”

ERIC:  Of course.  Not that I’m not playing it, but I will make certain adjustments here and there.  I always have, by the way, from the very beginning.  Bill Bell agreed with most of it.  I know my character, and I have and instinctive feel for what is emotionally touching and what is not.  Look, I have always said that I admire writers.  I don’t envy their job.  I really don’t.  I think it is the hardest job in the business, and writing for soaps is even harder.  So, I have great respect.  So therefore, I don’t even want to know who wrote what.  I don’t ever want to be in the position of insulting a writer because I know how difficult it is.  As in everything in this business, it is a cooperative business.  There are very few writer/directors who have earned the right (I’m talking about Martin Scorsese, I’m talking about Ingmar Bergman, I’m taking about a handful) to write and direct their own stuff.  Even they rely on the cooperation of their lead actors.  That’s what is so wonderful about this business in that it’s this precisely cooperative thing.  However, when there are some people who simply don’t listen to those of us who have been around for a while and we know, we really know, then, they’re being foolish.

Photo: JPI

Y&R taped the Newman Enterprises 50th anniversary gala, which was in essence, your on-screen 40th anniversary episodes.  That was another amazing part of this.  I love that they would go to a clip, and one of the characters would say something in speech, and then, they’d go back to a shot of you reacting.  Were you, you, or Victor at that point, because it seemed so genuine and emotional?

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ERIC:  You know, look, one thing sort of blends into the other.  I loved that show by the way.  It was brilliantly done, and they could have easily screwed that up, but they didn’t.  I thought Josh Griffith (head writer, and Co-EP, Y&R) did a hell of a job, and Tony Morina did a wonderful job, they really did.  So, I really can’t say enough about that.

Photo: CBS

When you look back on the enormity of scenes you have performed as Victor Newman; the ones that and you and I always come back to are the scenes between you and Dorothy McGuire as Victor’s mother; and the scenes with you and George Kennedy as Victor’s father.  Do you still consider those your all-time favorites?

ERIC:  I always think about them.  They are my top favorites, plus one other.   No question about it; because the scene with Dorothy McGuire laid the groundwork of what Victor Newman is all about.  That summarized all of his subsequent moments of anger, and upset, and mistrust, and etc.  It was the seminal scene for Victor Newman … period.  One other scene that one of my favorites was the one with Melody, on Christmas Eve where Nikki keeps on bugging Victor to tell her about his past, and he finally does.  It was about that orphanage experience, etc.  Actually, those two scenes early on were responsible for my really wanting to stay and realizing that now I had a chance to play some real emotions, some real feelings, some real conflict.   I remember after Victor told Nikki that story, a moment when I went to my dressing room, I called home, and I said, “Now, I’m going to stay.”  No two ways about that.  I called my wife, and I said, “I’m staying,” because I wasn’t sure if I was going to.  It happened because I had talked to Bill Bell and I said, “Bill, I’m so tired of playing bad guys.  I’ve done it for too many years.  I’m empty.  I’m burnt out.  It’s too dehumanizing.  Let’s imbue this character with a background,” and he did, brilliantly, and that’s the reason I stayed, and that’s the reason I’m here 40 years later, truly.

So, when you were feeding rats to Nick Benedict as Michael Scott, were you ready to leave? (Laughs)

ERIC:  Well, that was a little different story, but I looked at that, and I said, “Are you kidding me?” (Laughs)  Back then, I knew little about what works on soaps … and people still talk about it!  They loved it.

Photo: JPI

The scenes opposite George Kennedy were so emotional … and heavy-duty, too.  It was so sad watching Victor’s father reject him.

ERIC:  It was sad.  It was really, really sad, and George played it wonderfully.  I cannot say enough about that because here is an actor who comes from the outside of our genre.  George lived in Boise. Idaho and he traveled all the way by car to LA with his grandson to do the scenes He wouldn’t take a plane.  George was so damn prepared that we did those scenes in one take!  It’s stunning!  I can’t talk enough about him.  I just so admired and respected him.  George passed away about a year ago, but that’s why I had him in my film, The Man Who Came Back.

Photo: JPI

As a leading man, Victor has had many women in and out of his romantic life for years and of course, his constant, Nikki Newman (Melody Thomas Scott).   You’ve been fortunate to work with so many wonderful actresses such as Eileen Davidson as Ashley.  Which standout to you? 

ERIC:  I have to say obviously Melody, but I have to also say the scenes with Eileen – they meant a lot to me.  I regret that she and I did not have more storylines together.

Photo: CBS

So, the coronavirus is shutting down the world, life in America, and has shut down production on the soaps.  How is everybody dealing with it at the show, and how do you feel it’s being handled?

ERIC:  Well, originally I wanted to continue working, but I said only if everyone was fully supplied with the proper wipes and antiseptics all of the time.  In other words, from the makeup department, from the props department, to someone wiping down all of the handles and all of that, but I completely understand now from a company point of view, they had to shut down because what if you work and someone gets sick because of it… and it goes on and on.  It’s a terrible thing, but I was willing to continue working.  Yes, perhaps stupidly so.  It’s going to be tough when we come back because a lot of work has to be made up, but I understand why we stopped.

What would you say to the fans who have stayed so invested in Victor Newman, and you, even 40 years after your Y&R debut? 

ERIC:  I’ve said it before, and I will happily say it again:  I am deeply grateful to the fans everywhere.  Without them, you and I would not be talking.  That’s really the long and the short of it.  The fans have really everything to do with it.  I’m glad that I am on social media because I am engaged with quite a few people very gladly, and I hear some interesting stories, and some very touching stories.  Y&R has taught me to really not look at that as a sort of nebulous audience.  I put faces behind it because I’ve seen them.  I’ve seen them in the last 30-odd years in public appearances.  I don’t forget them.  I don’t forget what it means to me.  It’s deeply touching.  I’m not at all anesthetized to it, no.  It touches me deeply, and whenever I do a PA, and receive the people’s reactions, I say, “Whoa,” and now I know why I’m in the business.

Courtesy/CBS

In closing, fans have been watching what looks to be another showdown brewing between Victor vs. Adam for control of Newman Enterprises.  Do you think still after all these years; Victor has it in him to out maneuver his black sheep son, as he has done in the past?

ERIC:  Hell, yes.  What do you think?  Bring him on, man.  Bring him on.  Victor’s still full of piss and vinegar.  Okay?  What people don’t know is that I’m a feisty son of a bitch.  I don’t give up.  I fight to the last.  I mean it.

So, what has been your favorite all-time Y&R scenes featuring Eric Braeden? What do you hope happens next for Victor and the Newman clan? What do you think about the sentiments shared throughout our conversation on Eric’s 40th anniversary celebration? Comment below.

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General Hospital

General Hospital’s Johnny Wactor Talks ‘Being Brando Corbin’

This week on General Hospital, viewers saw that Sonny Corinthos (Maurice Benard) has set Port Charles newcomer Brando Corbin (Johnny Wactor) up with a mechanics garage for a place of business, that has left Brando concerned, but also thankful.

Brando came onto the scene when he saved Carly (Laura Wright) from gunfire. The once believed-to-be-dead son of Gladys Corbin (Bonnie Burroughs), has a checkered past, but has been trying to remain on the straight and narrow.  Sonny had previously put into motion protection for teenaged Dev (Ashton Arbab), that he will continue to be passed off as the biological son of Brando to keep him safe.  That, along with a back-story that includes: the Iraqi War, prison time, drug use, PTSD, familial issues, mob wars, and more, has loaded the deck for actor Johnny Wactor to show his acting chops and more within the daytime drama arena.

Since making his debut in the recurring role of Brando back in January of this year, in a short amount of time, Wactor has already displayed that he has solid leading man, and soap anti-hero potential, something that always serves one well amidst the romance, intrigue, and suspense of the genre’s storytelling.

Michael Fairman TV chatted with Johnny to get his thoughts on becoming part of the iconic GH and where he hopes Brando’s journey goes from here.  Check out what he had to say below.

Photo: ABC

What do you think about your character’s name being “Brando”? Did GH tell you where the idea for the name came from?

JOHNNY:  Oh, I love it.   No, they didn’t tell me why, but I assume it was in some relation to Marlon Brando; when back in the day he was in a leather jacket … because I come onto the scene wearing a leather jacket as a badass!

What’s your experience been like coming onto a show like GH?  Previously, I know you’ve done a lot of primetime roles and series.  Were you shocked at the pace of shooting a daytime drama?

JOHNNY:  Oh, yeah.  I was made aware of the pace beforehand by my manager, as well as my buddy, Mark Grossman (Adam Newman) who works on The Young and the Restless.  He’s kicking ass over there.  In this genre, you get one rehearsal and one take pretty much, and then, they move on.  It’s definitely been a learning curve, and I’m still getting used to that at times where I’m just like, “Ah, I want one more take!”  I can get a bit obsessive and I’m a perfectionist.  It definitely has been challenging, but I enjoy it.  It’s fun to work at a fast pace.  It’s a lot like working in the theatre.

In story, Johnny is pretending to be Dev’s father.  Did you know that would be part of Brando’s story when you took on this gig?

JOHNNY:  I did not.   I didn’t know that until I read the first script that they sent me.  I’m like, “I also have a son?”   It was a lot to take in, but that’s where the imagination comes in.

What’s great for you, I would think, is that you’re getting to play in scenes with Maurice Benard and Laura Wright and major players who are a part of that core group.  What’s it been like working with them?

JOHNNY:  It’s been a Godsend, really.  Being my first time on a daytime show, for one, anytime you come onto a new project and one that’s been going on for some time, and you’re a newcomer, there’s always that concern like, “What will this set be like?  Is it like a familial atmosphere?  Am I going to be welcomed?”  They’ve made it super easy.  I’m just so lucky that I have people who have so much experience on this show and just daytime shows in general, where they’ve kind of taken me under their wings and are super helpful.  Anytime I have questions, they’re patient.  I’m sure I annoy them sometimes, but they don’t let on to it.   I’m grateful that they’ve sort of “teamed” me up with them to kind of ease me onto the show.

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The fans are seeing a spark between Brando and Carly.  Is Brando into Carly?

JOHNNY:  I’d like to say that he rescued her because she was a beautiful blonde, but that’s not what that was and why he did it … even though I’m not denying that she’s a beautiful blonde.  I think there’s something there, but how far Brando pursues that, I don’t know!  Sonny sets Brando up with the garage and a pretty sweet deal at that.  So, does Brando want to screw this up?  However, not everyone makes logical, levelheaded decisions.  We’ll see.  I’m not ruling it out as something that could possibly happen.

How are you playing Brando right now? Is he a good guy … or, are there secret ulterior motives going down that the audience may not know about, yet?

JOHNNY:  In my opinion, he is a guy who has got a good heart.  I don’t think he is infallible.  I think he is someone who is determined to be on the mend and make up for his decisions and his past, because he is someone who has made poor decisions.  I don’t think you can rule him as a good person who will never make a mistake, or won’t get into trouble, or won’t make some bad decisions.  “Does he have ulterior motives?”  Maybe, but I think that if he does, they might be a little unconscious.  I think he is a genuine good guy.

Photo: ABC

Are the fans swooning over you on social media now that you’ve made your GH debut?  When you get the, “Oh, he’s hot,” do you take those compliments well, or, is it uncomfortable for you, and you deflect that?

JOHNNY:  It’s always flattering to get those compliments.  I think when I was younger, like 22, first getting into this business; I was definitely pining for those compliments and put more weight into it.  I will say; it’s always good to have someone say something positive about you.  I will take, “Hey, he’s good-looking.”  I love the comments.  It’s great.

So, what would you love to see happen with Brando?  Is there anything that you’re seeing with your character that you wish you could do …or get to have the opportunity to be able to drive the direction in which he goes in?

JOHNNY:  That’s a great question.  I love when the writers put Brando on the scene and planted some seeds early on when he was revealing a little of his background to Carly.  He reveals he has PTSD and spent time in prison.  Brando also has got issues with drug addiction.  I would love for those to kind of resurface somehow.  Maybe Brando has a relapse and gets back on the sauce, or drugs, or maybe has some kind of other issues with PTSD, because those are the real things in the world that people deal.

Photo: ABC

What’s great about it is that they kind of loaded you up with a back-story that they can fill in, so that as a viewer, you ultimately root for the guy

JOHNNY:  Absolutely.  Yeah, nobody wants to root for the guy who has everything and just has the perfect life.  We’ve all made mistakes.  So, alright, he’s trying to get back on the horse and make a good life for himself.

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Did you get any pointers from GH vet Steve Burton (Jason), who you have also shared several scenes with since coming to GH?

JOHNNY:  The most pointers I’ve gotten from Steve are about preparation for the scenes.  Every time we have scenes together, he’s just always willing to work with you, and make sure that you’re prepared, and he’s prepared, and the scene is going to be the best that it can be.  Also, he’s been really invaluable with giving me more of a crash course on the background of these characters.  This show has been on for decades and it’s tough to get caught up in the short amount of time between when you find out you have the job, and you start filming, to really know who everybody is.  So, he explained to me who Jason is on the show and who the Corinthos family is and what they represent … these are dangerous guys!

Photo: ABC

Take me through what happened when you learned you got the part of Brando, and were joining the cast of General Hospital?

JOHNNY:  I was at my apartment.  I think it was probably two days after I went in for the producer’s session.  They brought in 4 or 5 guys to read in front of the producers, (at least that I saw) and I felt strong about my reading.  Then, I just kind of tried to forget about it after I left so I wouldn’t get all into my head about whether I got the part, or not.  Then the next day, I didn’t get a phone call.  So, I’m like, “Man, really?  I thought that might have been it.”   But the next day, I was with my girlfriend at the time and my agency was calling.  My manager was on the phone as well, and they shared with me that I got the part, and it was exciting.  It was a relief and an affirmation.  It’s always exciting when you book a job and then to book a major recurring role on a show with a character whose name is “Brando Corbin”, needless to say, was really cool.

Photo: ABC

I think it’s very apparent that you have the “It” factor.  You already have a shown a strong presence on the show and have a very bright future ahead of you.   I have seen a lot of actors come and go, and who launch their careers on daytime over the years, and I think you are going to be one to watch for quite some time to come.

JOHNNY:  First of all, thank you so much for saying that.  That’s really kind of you.  It’s really high praise.  Coming from someone who knows that show and who is a fan of it that means I passed the test!  Thank you, Michael!  I really appreciate that affirmation.  It’s good to get validation from someone whose opinion really matters.

Photo; ABC

Could you see a love interest for Brando coming up in the future?

JOHNNY:  I could definitely see a love interest for him coming up.  Maybe multiple love interests!  Who knows?

I think there are a lot of single ladies in Port Charles.

JOHNNY:  Yeah!  But, why do they have to be single?

Right! Or, they could be married!

JOHNNY:  It’s Port Charles!

Photo: ABC

So, have you been enjoying Johnny’s performances as Brando Corbin thus far?  Who do you hope he becomes involved with romantically on GH? Do you want to know more about his back-story and see what happens next now that Sonny has set him up with a garage? Comment below.

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