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The Jess Walton Interview – The Young and the Restless

© JPI Studios

© JPI Studios

“Hello, Restless Style, Jill Fenmore speaking?”  What???  Yes.  As viewers learned late last week, and at the beginning of this week’s episodes of The Young and the Restless, the previously known Jill Foster Abbott apparently is part Fenmore… as in… Lauren Fenmore.  The truth of what we all hope will finally be the end to Jill’s long and exhausting plight and search for her biological birth mother, (for her sake, not necessarily the viewers), took a drastic turn when Jill’s adopted mom, Liz Foster, made a death bed confession to her son, Dr Snapper Foster. (The guest starring David Hasselhoff)  Loaded with the info, and following the powerhouse scenes by two-time Daytime Emmy winner Jess Walton (Jill), (when she has to cope with the grief and feelings of abandonment after losing the one mother that loved her unconditionally), Snapper tells Jill what Liz explained to him about her birthright.

On-Air On-Soaps chatted with the amazing Jess Walton to revisit the latest developments in the ongoing saga of one of daytime’s most unique and enduring characters.  In addition, Jess discusses her on-screen relationship that has endured and withstood countless relationship rewrites, that between her and soap legend, Jeanne Cooper (Katherine).  From the catfights, to the cake-fights, to the DNA results, to the doppelgangers, these two have gone through it all.  Walton also reveals she was sad the return of Y&R 80’s Foster brothers, (David Hasselhoff and Wings Hauser) was so brief, but yet it propelled great story. 
And, what of her current on-screen sons, Daniel Goddard (Cane), and Billy Miller (Billy)?  Find out what this savvy soap veteran has to say about these two popular soap studs.

And, with the 37th Annual Daytime Emmy Awards just around the corner on Sunday night June 27th from Las Vegas live on CBS, Jess and I take a trip down memory lane through her two Emmy wins – one for Supporting Actress in 1991, and the other for Lead Actress in 1997.  An irreverent, funny, tell- it-like-it-is phenomenal actress, and a pure joy to watch on-screen, here’s what Jess had to say about all her mommas!

MICHAEL:

Your performances last week when Liz was dying were phenomenal.  Now we learn, Jill is apparently part Fenmore.  How did you feel when your character gets thrown around so many times, in so many directions, with mothers, jobs, men, etc?  I think she is one of the soap characters who has changed course so many times, it’s hard to keep up with her!

JESS:

It is, isn’t it?  I agree with you, and it used to bother me.  I would try and keep a steady course with it, and now I can’t.  Now I just roll with the punches.  It’s impossible!  For awhile there you just kind of say things like, “My character wouldn’t do this, and who is this?”  But now, I just kind of go, “Oh, my God.  This is going to be fun”, because it’s something new, and it’s something different.

MICHAEL:

© JPI Studios

The episodes that just aired were very well written.  It really made the audience aware of Jill’s emptiness and issue of abandonment, and where it all stems from.  Therefore, the viewers felt really bad for her.

JESS:

They were well written, and that is what you have to do, because when Jill goes off on her crazy tangents, I have got to balance it with some sympathy.  Because, if the audience can a see a bit inside of her and understand her, and not just hate her, then it affects them. I thought the scenes with her brothers, Snapper and Greg, were just so good!

MICHAEL:

It was sad to say goodbye to Julianna McCarthy as Liz, and then at the Friday tag you end up at Lauren’s door.  And this past Monday you explain to Lauren what you were told by Snapper via Liz, of Jill’s biological background.  What do you think of the Fenmore twist, it sort of came out of nowhere?  However, the big question as to who is Jill’s real mother is still a mystery.

JESS:

It all happened so fast. We had David Hasselhoff for a week, and Julianna as Liz, dies within a week and all of a sudden it’s, “I am a Fenmore”.  And we really didn’t have a chance to explore it much, but in real life that happens.  My first thought as Jill is, “I actually know who my blood is, and I have a sister.” And, Jill was very moved and touched and shocked from the death of Liz, but full of love for her sister.  Lauren would actually be Jill’s half-sister.

MICHAEL:

Do Lauren and Jill have a bad past?

© JPI Studios

JESS:

Most people don’t like Jill, and she hasn’t particularly loved Lauren. I have never had that much to do with Lauren, really.

MICHAEL:

So now, the canvas is wide open again, as to who could be Jill’s mother! Speaking of past mothers… how did you feel about the reversal of plot point that unconnected Katherine and Jill as mother and daughter?  Jeanne Cooper made no bones that she did not like it from the beginning and was glad it has been dropped. With everything that has transpired on-screen, how do you feel about Jill not being related to Katherine?

JESS:

As Jess, I originally loved the idea and it seemed a natural progression to me. I thought it would make it more interesting, because we had already been playing our relationship for 20 years on one note.  I thought it would deepen, but it never did what I thought it could have done.  But, Katherine and Jill have an incredible relationship on-screen in spite of all this.  The love and the hate is so mixed, and there is never any telling when it will bubble out now.  It used to be, “This month I like her… this month I hate her.”  Now, it’s more from moment to moment.

MICHAEL:

How was it to play those huge emotional scenes, and watch Julianna die on-screen?

JESS:

They were easy, easy, easy.  I knew we only had David Hasselhoff for one week, and it was all going to happen.  There was going to be a lot of pain, and a lot of crying, and I was dreading it.  But I have got to tell you, those tears flowed so easily.  Julianna, first of all, is a consummate actress.  She and I have a lot of history together, and we are friends. I adore her, and when I lock into those blue eyes of hers, I just become Jill.  And the strange thing is, Wings Hauser, who I never met before, because as you said, the scenes were so well written, that as soon as we started playing them, the story all made sense.  It was great, and pretty effortless.  I really felt Wings and David were my brothers.  I have to say there was a lot of distraction on the set while David was filming his reality show and that was different.  But I was kind of excited about it, because it was fun.  In the end, I think the scenes came out really well.

© JPI Studios

MICHAEL:

How was David to work with?

JESS:

He was wonderful and a friendly guy and upbeat.  David was proud to be back on The Young and the Restless, and like all parents, proud of his kid.  And that was all he could talk about… his daughter, Taylor-Ann, who played the nurse in some scenes who mixed up Liz’s medications.

MICHAEL:

Jess, you have won two Daytime Emmys, and I was watching this year nominated writing episode from Y&R where yet again, there you were with your mother issue. Jill found out at Billy and Chloe’s wedding definitively that Katherine was not an imposter and your DNA did not match.  Then comes the cake-throwing scene, which set back the Katherine and Jill feud to its rightful place!  What did you think about those scenes?  Jill was a raving bitch!

JESS:

Always, the scenes that turn out the best are the ones I am most worried about, because I know they have the potential to come out great.  I thought they were fabulous.  I had no idea how I was going to be playing all that craziness.  You remember how crazy Jill was acting?  She was all over the place and flip-flopping.  I said to Sally MacDonald, who was directing the episode, “Um, you have to give me a drink in my hand at the very beginning of this wedding because I have to have a little aid, and you have to assume Jill is a little tipsy.  It gives the excuse for why she is so all over the place.”  So, Sally started me out with a Mimosa right at the beginning of the show and it kind of explained it.  And what did I say to poor Murphy?  I know, “You dig up worms for a living!”  (Laughs) She was awful!  Then I threw the cake in Nikki’s face, too!  I said to Melody Thomas Scott (Nikki), “You better watch out Melody.  I am going to get you, too.”  It was great!

MICHAEL:

© JPI Studios

What did Jeanne think of this cake fight extraordinaire?

JESS:

Jeanne was like, “bring it on” with the cake fight.  Here was the problem. The problem was that the frosting was butter cream and it got on the floor on the tiles.  And whoever was holding me up, was really holding me up…and it was Beau Kayzer. (Brock) That was because Jeanne was trying to get her arms around the entire cake!  I am telling you, that is what she was trying to do!  She is so funny! (Laughs)

MICHAEL:

So to make this extraordinary pairing work on-screen at this point, after so many years, do you and Jeanne sit down and have a process where you run lines, or is it all just hit your mark, say your lines, and we will make it remarkable?  With daytime production moving so fast these days, has it at all impacted you and Jeanne?

JESS:

There is very little time to run lines if we are first up to tape in the day.  Other than that, there is usually time to rehearse.  We use to have a drama coach on set who was great.  His name was Judd Lawrence.  He was great for group scenes, and he had a little room near hair and make-up.  When we had those group scenes with a lot of people, as we passed by his area, all of us would sit down in a room and get those really fast cues that you have in party scenes.  So that was cool.  But for Jeanne and I when it comes to one and one scenes, we find each other and we put in the work.

MICHAEL:

Jeanne is a remarkable lady!  And the two of you still “bring it” to the viewers!

JESS:

© JPI Studios

I thank God every day for that woman.  She feeds me. She is like a shot in the arm when you see her in the morning.  She is funny and sharp and I love her.

MICHAEL:

What are you playing as Jill now?  Inner-struggle? Is she going to have a metamorphosis?

JESS:

She is feeling all of her emotions right now to the hilt and thinking, “Whatever I am feeling, it’s like what the hell!  Life had always brought me a lot of dirty blows,” but she always tries new things.  She has really deep feelings for people like Cane and Billy.  She adores them, even though Billy is such a little brat.  He has a lot of Jill in him, but when she gets mad, she really gets mad, but I don’t think she is any longer trying to make much sense of it.  Jill went out of trying to fit in and be part of society.  She is now like, “What is going on?” (Laughs) Michael, I can tell you, there is really good stuff coming up.

MICHAEL:

Jill is such a shrew sometimes!

JESS:

She can be such a shrew!  Did you know that a Shrew is really an animal that has a horrible personality! (Laughs)  Jill gets her happiness where she can, and she certainly is not going to contain her anger.  She lets it out, so it does not fester in there.  She is on a roller coaster though, I will say that much.

MICHAEL:

So she is going to be in a continual search for her biological mother, coming up?

JILL:

I suppose.  I can’t tell you anything. (Laughs)

© JPI Studios

MICHAEL:

Another thing, Jess, is that Jill has had a lot of job changes. (Laughs) Where is she working now, officially?

JESS:

She is still with Billy. He fired her once (laughs), but I am working at Restless Style.

MICHAEL:

How is working with Daytime Emmy nominee Billy Miller (Billy)?

JESS:
Oh, it’s fantastic.  He is the best actor. Yesterday, Billy walked on the set after we had just rehearsed these scenes, and during the performance I looked at him and I saw so much!  I think back to when he met Cane, and the character had just come back.  Billy was jealous of him and happy to be home with Jill, and it was all playing across his face. He is very, very good.

MICHAEL:

Your other on-screen son, Phillip Chancellor III played by Thom Bierdz, came back for sort of a reverse coming out story to his family, but the story fizzled.

JESS:

When I worked with Thom recently, I have to tell you, he hasn’t changed a bit.  He is still the same sweet guy that he was.

MICHAEL:

And how is working with Daniel Goddard (Cane)?

JESS:

© JPI Studios

Oh my God, it’s like butter.  It is, it’s like butter, and we have this connection.  He reminds me of my real life son.  His energy is like my son.  And I feel like he is my real son, and he is just amazing.  Daniel’s sense of humor is so terrific.  I love his wife and his kids.  I am always thrilled when I work with him.

MICHAEL:

On Sunday, the 37th Annual Daytime Emmy Awards will be handed out on CBS.  So as a past recipient, where are your two Emmys?

JESS:

They are on each side of the TV.

MICHAEL:

When you look at them, do you look back and go, “Wow, I won these!  How cool.”

JESS:

They are always there so I don’t always notice them, but as I am sitting here talking to you, I am looking at them.  Sometimes when I have new people come into the house that don’t really know me well or know what I do, I think “Oh, what are they going to think when they see those?” (Laughs)  They are very impressive, but most of the time I forget.

MICHAEL:

When you won them, do you remember what went through your mind at the time, close to when your name was called or shortly after?

JESS:

© JPI Studios

The first one was at the Marriott and it was a lunchtime deal. I remember when I won them I was very angry that I had to do anything, because all I wanted to do was feel.  I remember it distinctly.  First of all, I sure as hell did not want to get up and give the damn speech. (Laughs)  It was just horrible!  Then I wanted to go hug my husband and I had to do the press, but I did not want to do the press.  Not because it’s difficult, or that I don’t like doing it, it’s just that I wanted to feel that feeling, and I wanted to feel it purely and not have to work.  Then the second one was killer and the icing on the cake.  It was for Lead Actress and it was really, really great.  And, at that time it had been many, many years since The Young and the Restless was on, and no one had ever won in the Lead Actress category.  I think it had been on 20 years maybe at that point.

MICHAEL:

What would you say to the actresses this year who are in the final five, as we countdown to Emmy night?

JESS:

I would say, enjoy the nomination process, because everyone is a winner until that night and it’s a glorious, glorious time.  And for the winner, it goes on, and for the ones who don’t win, it sort of stops right there.

MICHAEL:

Well, after seeing this last week of air shows, I think you have some very strong material, that if you so choose to throw your name in the mix next year, you could just get a nod!

JESS:

If I decide to do it, we shall see.  But the great thing about the Emmys is: once I won one, and then won a second, it did not matter to me anymore.  It’s over and done and I did that.   I did not have that yearning that I had before.

MICHAEL:

OK Jess, of all the numerous twists and turns in Jill’s storylines, there had to be some that you were like, “You have got to be kidding me? How I am going to make this work?”

JESS:

© JPI Studios

Oh, my God, Michael.   I had those moments a lot when you think of the twists and turns. And the very first one I remember was when Billy was small.  I was fighting for custody with John Abbott.  Jack went and hired a guy who sweeps me off my feet who lets me know he is not interested in a child.  And…I give up custody from that one day of scenes. That was a “How am I going to make this work?”  And every time I have scenes with the whole town (Laughs), and I announce to the whole town that I was going to take over Katherine’s house, knowing they all loved her and hated me (Laughs)…. I am always having to do stuff like that.  I mean, when I had to tell poor Murphy that he digs worms for a living…you know, it was like, “How am I going to do this?”  My whole soap opera life is filled with, “How am I going to make this work?”  Sometimes, my solution is going to the director and saying, “Please give Jill a Mimosa the first thing in the morning so I can make this work.” (Laughs)  The other story that was the hardest, “How am I going to make this work,” was Brittany’s baby.  I fell in love with the baby, and I was going to go into the Witness Protection Program to be the nurse maid for the baby. (Laughs) And then, Michael Nouri was on the show for a while.  He was a dishonest CEO for Katherine, and I was trying to get the goods on him and fall in love with him.  But then, Jill runs off with him knowing he was an embezzler and never to see her family again. Well, please! (Laughs) You know what I mean?   It’s so much fun, and it’s been such a
challenge to try to make it some sort of cohesive tapestry of a human being.

MICHAEL:

But you had to speak to the writers at times to clarify or find out where your story is headed sometimes when things were perhaps, murky?

JESS:

I have gone on the phone with the writers before to shape an idea, or to go over the forward thrust of a story, but mostly it’s self-explanatory.  I don’t know how to answer that except there have been times I have needed to talk to them.  Particularly, if I saw in the direction it was going that there were going to be problems.  But of course, they are great that way and glad to talk about it with us.

MICHAEL:

Who do you think is the dream mother for Jill?

JESS:

© JPI Studios

I think Julianna was!  Liz was the dream mother for Jill.  She always could handle Jill.  That is the trouble on soap, you can never be happy. You always have to be unhappy because that is where the drama lies.  I had many mothers now haven’t I?  Remember Elizabeth Harrower, played by Charlotte, and Jill was crazy about her! (Laughs) Oh, my God.  She had so many mothers! (Laughs)

MICHAEL:

But Jill’s deep rooted insecurity and issues stem from that and from when she was poor.

JESS:

There is a basic insecurity that came from her being the housekeeper’s daughter. She was around Katherine with her rich society country club friends, and she had this deep feeing of inadequacy, and that is where I think it all stems up.  But, she is very much a bossy little lady, and domineering.  Jill is attracted to powerful men, but yet she is not going to buckle under to them.

MICHAEL:

Have you ever been bored with playing Jill?

JESS:

No, it’s never boring now.  When it was boring, was the time I won Best Actress because all I was doing at that time was supporting Sonny Von Deusen who played Keith Dennison, and his two girls, Megan and Tricia. That is all I did for two years and it was really boring, and nothing ever has been that boring, and no period of time on the show has ever been as boring as that one.  Sonny was a wonderful actor and I loved him, but I wasn’t doing hardly anything.

MICHAEL:

When you heard all these people were coming back for one week, David Hasselhoff, Julianna McCarthy and Wings Hauser, were you shocked when they told you?

JESS:

© JPI Studios

I have a really good friend whose is David’s agent, so I was not completely unaware of what was going on.  But, I was very sad that it was so quick though, and no, I am not in David’s reality show!

MICHAEL:

What would you say about working with Jeanne Cooper after all these years?

JESS:

It’s like rolling off a log at this point and so easy.  Working with Jeanne is stimulating and we laugh constantly.  We are so in the same boat.  We know each other so well, and we know the looks on each others faces, and we know if we have gone up on each other’s lines, and we know if this isn’t working right or it doesn’t feel right.  It’s just wonderful.

MICHAEL:

So what happened when Jeanne’s prediction that the mother/daughter storyline was not going to work came true?

JESS:

What are you going to do?  I hate that Jeanne was proved right that it didn’t work, because I think it should have.  But, I thought it would deepen it in theory, and make it more interesting, in theory.  C’mon, we got years of story out of it, and there was no wrong to that.  I don’t care what she says.  It’s been 25 years that I have been on the show, and there has been a Jill in her life for way longer than that. You have got to throw it some curves.

MICHAEL:

OK, after all the mothers, men, children, boardrooms, and manicures that Jill has come in contact with or had in her life, what is something you would still love to see your character get to do?

JILL:

I would love to see a lot more fantasizing scenes, where apparently I put Katherine under the hair dryer and electrocute her! (Laughs)  And one time, I know I did hide the toilet paper in the Colonnade Room when she went into the stall.  And, I loved it when I rented the Doberman, because I knew she was afraid of dogs.  And I loved it when I hired my own maid, so we could have dueling maids, with her Ester being her maid.  I remember, Beverly Archer from Momma’s Family, who played the neighbor on that sitcom, played Jill’s maid.  She was hilarious, and her sense of comedy timing was out of this world.

MICHAEL:

© JPI Studios

Would you like to see Jill have a new romance?

JESS:

No.  I would like to see her become a master spy.  (Laughs) Look, I am up for anything new and different at this point.

MICHAEL:

Well Jess, I know and the fans know, that there is some big stuff coming down the pike for Jill, from discovering more about who she is, to God knows what else, in the coming weeks!

JESS:

It will be an emotional roller coaster, and it’s never smooth.  It’s all about going for broke with her coming up, and its going to get very interesting.

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waldo doe
waldo doe

Thanks for the great JW interview. I don’t think I have ever read an interview with her. She seems pretty cool, so unlike her neurotic alter ego!

I’m not so crazy about this Fenmore storyline, but I will keep watching to see where it goes.

KELLEY MIES
KELLEY MIES

Jess is the BEST actress on daytime tv!!! She makes Y&R the show that it is #1!!!

Nora
Nora

Great interview! I love Jess and I’m looking forward to this new development!

Diane
Diane

Absolutely one fabulous intereview with the great Jess Walton whom I love and adore and have since I saw her ‘ions’ ago when she was a young gal on the now defunct soap SOMERSET! Awesome ballsy broad and I love her character and what she brings to it. Thanks Michael.

Mandel
Mandel

Good interview Michael. When people say that they don’t like Jill, that shows that Jess is a good actress.

cburdsall
cburdsall

found interesting and helpful. Jill is such a difficult person to like; but now, separating the actor from the character, makes it easier to watch the prerformance.

Trish
Trish

I like Jess but my favorite of all time was the original Jill, Brenda Dickson.

Interviews

B&B’s Matthew Atkinson Talks On Thomas’ Vendetta With Brooke & Playing The Manipulative Bad Boy Of The Forrester Clan

Since coming to The Bold and the Beautiful earlier this year, Matthew Atkinson is making his mark in the role of Taylor (Hunter Tylo) and Ridge’s (Thorsten Kaye) son, Thomas Forrester.  But while Matthew was a recast for his predecessor Pierson Fodé, his Thomas is quite different.  The new Thomas is a bad boy capable of horrific manipulations to get what he wants, and a young man who has caused so much suffering already for the Logans, Spencers, and the Forresters  But is there a heart underneath that often volatile exterior?

After all, Thomas went to great lengths to keep Hope (Annika Noelle) in a relationship with him and for her to be a “mother” to his son, following the death of Caroline.  So, what did he do? He covered-up and blackmailed many people to keep their mouths shut to the truth – that his sister Steffy’s (Jacqueline MacInnes Wood) little girl, Phoebe, was actually baby Beth, the child Hope and Liam (Scott Clifton) believed had died at birth!

Following the big reveal, and getting a bit of comeuppance, Thomas landed in the hospital with a questionable push from Brooke (Katherine Kelly Lang) after a fall.  After promising to change his ways, looks like Thomas is back to scheming and conniving – this time to make sure Brooke gets payback and that her marriage to his father blows up to smithereens.  Meanwhile, Thomas needs to be a better father to his little boy, Douglas (Henry Joseph Samiri), but will the Logans and the Spencers come between father and son?

Michael Fairman TV chatted with Matthew Atkinson to get his take on: the emotional make-up of his incarnation of Thomas Forrester, what his ultimate takedown of Brooke would be, and how he thinks Thomas can find a way back into the family good graces, and more.  Here’s what Matthew had to say about it all.

Photo: JPI

Thomas really has a vendetta with Brooke.  The scene where Brooke slaps him illustrated just how deep-rooted his issues apparently are with her. What did you think about what Thomas said to Brooke that came to a boiling point with the slap, and what was it like performing the material with Katherine Kelly Lang?

MATTHEW:  Katherine rocks every chance I get to be around her.  She is such a sweet human being and so fun to work with and takes her job seriously and puts a lot of work in, and I think it shows.  As far as the scene goes, every chance that I get to work with her is fun.  She’s just a great actress.  Brooke basically had this vendetta against Thomas for a while now, and she was the one who unjustifiably went a little crazy about Thomas before anybody knew Thomas was off the rails.  So, it’s kind of this interesting culmination of having that where she has built herself up to hating Thomas at this point, and she is just scared of him and what he could possibly do.  Then you have Thomas, who has hated Brooke ever since she came in and destroyed his family.  There is so much emotion there and so many levels to it.  It’s just so much fun to play around with, and in those scenes especially, it is kind of like neither one of them really has a filter.  They are both just going at each other.

He is punctuating his plan by telling Brooke that she may, “Have his father tied around her slutty little finger, but her reign of terror ends with him!”  I was just like, “Uh-oh.” (Laughs)

MATTHEW:  Yeah, and that’s how Thomas sees Brooke.  He sees her as this slutty woman who came in and kind of giggles her way into his dad’s life and flirted with him and destroyed his entire family.  Thomas sees her and all of her sisters as these air-headed women who are kind of just family-destroying kind of people.  They come in, they do whatever they can to get what they want, and he doesn’t care about them at all.  I think he has kind of gotten to this point, especially with Brooke … considering what happened with Hope and that he has this genuine love for Hope.  Brooke won’t even accept that, or think about that as a possibility with how she views him.   It’s that crazy dynamic and those scenes were definitely an emotional peak for both of them.

Photo: JPI

Thomas seems to become obsessed, and laser-focused on people like Hope, and now Brooke.  What has happened to him?  How are you playing this behavior pattern of his that we are seeing established?

MATTHEW:  Some of the most successful people in the world are people who obsess over things.  I think Thomas is like that, but I think that since Caroline’s death, his obsessive nature has been so focused on things other than fashion.  They aren’t his job and what his talents are, which is where he should focus all of that energy, but instead it’s been on his son needing a mother.  So, getting Hope in his life was key to him, and with Brooke, it’s a woman who has destroyed his entire family.  He wants his dad to be better off.  He wants his entire family to be better off.  He honestly feels that they would be better off without Brooke in their lives, and so that is what he is focused on.  I don’t think it’s necessarily a bad attribute to have when it is focused in the right direction, but for Thomas, since the death of Caroline, his focus has been on things that are a little abstract and are not necessarily objectively sound decisions.

Photo: JPI

What was interesting was that I did not know how they were going to be able to save the character of Thomas on the B&B canvas after all that he has perpetrated.  But then, there were scenes in the hospital where he is recovering from his “fall”, and Thomas is having big emotional scenes with Ridge and Steffy.  In those moments as the viewer, you say to yourself: “Oh, they’re going to redeem him,” but then they don’t.  He goes right back to a new vendetta.  What did you think of those plot twists?

MATTHEW:  The interesting thing about this character is that I don’t think this guy is a bad guy.  I think he is a guy who is doing a lot of bad things, but I think a lot of people can relate to him and the struggles that he is dealing with: being a single father and having a rough childhood with his family being broken up.  This is a guy who wants his father to approve of him and respect him and he has never really felt that way.  I think a lot of people out there know what it’s like to have a parent who they just want approval from but can’t get it … couple that with the fact that he let his sister down.  Everybody knows what it is like to think that they are making the right decision and end up making the wrong decision and possibly hurting someone in the process … and the kind of shame that you feel from doing something like that.  I think this makes Thomas an interesting character where viewers could say, “Well, he is doing bad things, and I don’t agree with anything that he is doing, but I can relate to him, and I want him to be better, and I want him to get better and become the good person we all know he can be.”  Yet, Thomas just keeps making all of the wrong decisions.

Photo: JPI

I predict that in short order, Thomas will be in cahoots with Shauna (Denise Richards)!

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MATTHEW:  Okay, we shall see.  (Laughs)  They have aligned interests; especially at the moment, when it comes to removing Brooke from that situation.  I think with Shauna, it’s fun that Denise Richards has come into this role and what she has done with this character.

Denise Richards is doing a great job in the role.

MATTHEW:  She’s amazing, but I think that behind the thought process she has is this woman, Shauna, who is not so dissimilar from Thomas, and is willing to blur the lines of what is acceptable and morally sound to make sure that she gets what she wants.

Photo: JPI

When you were taping those emotional hospital scenes where Thomas admits he has lost his way, and reaching out to his dad to try to find forgiveness, how were playing those scenes with Thorsten Kaye?

MATTHEW:  I respect Thorsten a lot as an actor.  I just love having scenes with him because I feel like we play off of each together so well.  When we enter a scene together, we are both in it.  When you are both in it, something real happens from that, and those real moments are kind of magical in a way, and it makes you feel great about the work that you do.  Thorsten shows up, and he’s prepared, he knows what he is doing, and at the same time, there is this connection between father and son.   I think Thorsten and I have definitely done that as father and son, and Jacqui and I have done that as brother and sister.

Since the show usually has you shirtless or sneering in scenes (laughs), I was so happy that they finally let you have some crying scenes.  It was at the point that the audience was able to see you bring another emotional level and dimension to the character.

MATTHEW:  I think he is not a guy who breaks down and cries very often.  It takes something very serious (especially for him) to get to that point.  For Thomas, the most important thing in the world is family, and he has kind of destroyed his relationship with his own family with what he has done, and I think that from the inside out is what breaks him.

Photo: JPI

Speaking of shirtless scenes; in a short amount of time you have been with the show, I think you may have set a record there.

MATTHEW:  (Laughs) Yep.  It’s all the time because the wardrobe sends me mostly pants – no shirts (Laughs).

Obviously, there is the issue of Thomas’s son, Douglas … and will he lose him because Hope and Liam want to gain custody of him. Brooke wants Thomas out of Douglas’ life for good.   This poses a major obstacle for Thomas moving forward. Agree?

MATTHEW:  Sure.  However, Brooke has no legal right to stand on.  You can’t just take a guy’s son.  There’s no legal way to do that, but they can try their hardest to either sign adoption papers or sign over custody, or something like that, but there’s not a legal way they can go and just take his son.  There are a lot of people who I understandably think Douglas would be better off with being raised by Hope and Liam, but I think Thomas has a point of view too, and just because he is going through a bad part of his life at this time, doesn’t mean that he is unfit to be a father.  I think Thomas will prove that he is fit to be father and all the while, a great force to be reckoned with,

Photo JPI

But, Thomas hasn’t been so great to Douglas, either.  Hasn’t he yelled at his son, manipulated him for his own gain, etc?

MATTHEW: Right, this was kind of right before the truth about Beth came out, and Thomas was on this massive downward swirl where he wasn’t thinking clearly; he wasn’t himself. I  think in reality, you have a person who went off the rails, he wasn’t being himself, he found the person he wasn’t, and I think that the “accident” of Brooke pushing him off a cliff, the slip, kind of clarified his intention in life to be a good, standup person from here on out.  So, I think his priorities are straight now, and I think he is thinking clearly.  I don’t think he is in the same mental state that he was before, but that doesn’t necessarily mean that he won’t be manipulative and that he won’t get what he wants, because he will.  There was a time that he went through a headspace when nothing was really clear for a minute, and he didn’t really have any moral backbone, but I don’t think that moving forward you’re going to see a Thomas Forrester that would hurt his son.  You’re going to see a Thomas Forrester who will stop at nothing to protect his son.

How does Thomas feel about Hope now, especially since Hope wants to raise Douglas? 

MATTHEW:  Well, here is what I will say; I think that Thomas has always had a love for Hope. I think he respects her as a person, I think he has seen her be a mother to his child, and that is undeniable … how much of a connection that she has to Douglas, and she is incredibly important to him.  Thomas can basically discard any Logan except Hope.  Hope is kind of his kryptonite.  So, going forward, I think you’ll maybe see a guy who wants to discard Hope as a person who he cares for (her and the rest of the Logans), but he may not be able to do that, because she has got a place in his heart that he can’t compartmentalize and leave behind.

Photo: JPI

What can you say about working with Annika Noelle, because you as Thomas had been terrorizing Hope for many months?

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MATTHEW:  Well, she’s a sweetheart, but also, secondly, she is a badass.  She could kick my butt any day of the week.  So, I just had to make sure that in between takes I said, “You understand that I wouldn’t do this to you.”  She’s so sweet, and she was actually one of the first people to talk to me about taking over a role on the show, because she had been one of the most recent people to take over a role, and that was something that was really hard for me.  Coming into a character that has already been there for 30 years, you have a lot to live up to.  She was amazing from the beginning just helping me through that process.

On that note, what did you think of the epic fight scene on the rooftop opposite Scott Clifton; right before all the truth came out to Hope that Beth is alive and Thomas was lying to Hope and up to no good?

MATTHEW:  So much fun.  The shots they got were incredible.  Shooting those fight scenes was so much fun and I love Scott to death.  So, every time we get to work together it’s fun, but just getting outside and literally pretending to beat the crap out of each other is a blast.  We got to go out to Malibu, and I got to fall over a cliff.  What else can you say about that? (Laughs)

Photo: JPI

There is another interesting relationship Thomas has on B&B, and that is with his friend, Vinny.  How has it been creating the on-screen dynamic with Joe LoCicero (Vinny) as these two scheming dudes?

MATTHEW:  I like it, and I love Joe.  This dynamic between these two guys is really funny because you have this shrewd, alpha male, Thomas Forrester, who is extremely driven, and insanely smart, but also very manipulative and he has got a thousand things going on.  On the flipside, you’ve got Vinny, who is just this guy who he has been friends with for a really, really long time, who just kind of lives life.  He is living in his apartment in Venice, he sells some not so legal substances just to his friends, and he’s a decent guy.  It’s just fun when we have these scenes together, because essentially you’ve got him looking at me like I’m an alien creature, and thinking, “I don’t understand this guy.  I don’t know why he is acting this way, but who cares; I’m going to eat my Chinese food.”  (Laughs) I think it kind of grounds some of those scenes especially when you see Thomas going off that rails, and his friend doesn’t even seem to notice. (Laughs)

I know! (Laughs) Thomas has got his own sidekick.

MATTHEW: I think Vinny wants to give sound advice, but he gives all the worst advice.  He’s like, “Well, the way you described it Thomas, it sounds like a good idea, so yeah, go ahead with that,” but maybe doing a little behavioral cognitive therapy and questioning would be good for Vinny.  He just kind of goes, “okay,” (laughs) but I think that’s what makes those scenes so much fun.

Photo: JPI

Having appeared on The Young and the Restless previously you know how soaps go.  There is always this fear of: “Will they kill me off if my character has gone too far?” Did at any point in Thomas’ storyline, and as you got the scripts and read all the terrible things Thomas was doing, that the character might get murdered, kicking off a murder mystery, and you’d have to make an exit?

MATTHEW:  I’d had discussions with Brad Bell (executive producer and head writer, B&B) and I kind of knew where the character was going, so I kind of knew that he was going down a rabbit hole, but that Thomas wasn’t a lost cause.  I knew that he would at least be present for the upcoming short future that I know of, that Thomas wasn’t going to find his demise, which was very nice of Brad to give me that insight into the character to not only know what was coming up, but also know where his head is at by this point.  It helps me with the character work that I do for each scene and prep for each day; because I know where Thomas’ head is going to be at two weeks from now.

Photo: JPI

Have you had any interactions with fans, or are you checking out on social media what the viewers are saying about Thomas?  Do they love him?  Hate him?  Is there a great debate going on?  What is your take on where Thomas sits with the audience?

MATTHEW:  Oh, yeah.  I definitely pay attention.  The fans are the reason I have the job that I have.  All the feedback that I have seen is positive, and by positive, I mean that it is emotionally effective.  Now, that doesn’t necessarily mean that people are happy with Thomas because most people are not happy with Thomas.  They don’t like what he is doing, and that obviously gets them angry or sad or whatever, but that is kind of the point of the show.  If you’re watching a bunch of characters who are all great people and who all do nice things, then it wouldn’t be that much fun to watch.  You’d be watching 40 Liam’s talk to each other, and it would be like, “Yeah, it’s just another day in Happy World.”  (Laughs)  I think that Thomas especially has been such a driving force in the last couple of months and caused a lot of drama.  I think there are a lot of storylines that people have connected to in the past that are really making people enjoy the drama happening now. You have the people who hated Ridge getting together with Brooke in the beginning that are happy with what Thomas is doing now.  You have the people who are pro – Liam and Steffy.  Thomas has been a big advocate of that since the beginning.  There are some people who just can’t stand Thomas and don’t like him, and he makes them mad, but the reality of it is that there is a thin line between love and hate.  So, as long as they love me or hate me, I’m happy.

So, have you been enjoying Matthew’s portrayal of Thomas? Do you think he will rip Brooke and Ridge apart for good and succeed in his plans? Do you think he should somehow pay for his manipulations? Share your thoughts on the current B&B storyline involving Thomas via the comment section below.

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Interviews

Eileen Davidson & Vincent Van Patten Talk ‘7 Days to Vegas’, Their Relationship and Y&R, DAYS & RHOBH

Today’s the day for the highly-anticipated film, 7 Days to Vegas which bows in selected theaters. The motion picture which stars Vincent Van Patten and his real-life wife, two-time Daytime Emmy winning actress Eileen Davidson (Y&R’s Ashley and former Kristen/Susan Banks, Days) is a comedic gambling romp, centering around the character of Duke (Van Patten), an out-of-work actor turned poker player who makes a prop bet that he walk from the San Fernando Valley in California to Sin City, Las Vegas in 7 days.

There are some catches to this bet that make it even more challenging  … Duke has to wear a suit the entire time in scorching heat.  The events in the movie are loosely based on Van Patten’s Hollywood Poker game nights.  7 Days to Vegas features a fictional gang of betting entertainment industry bigwigs, who are hardcore gamblers and of course, jealousy strikes.  Davidson plays Duke’s wife, KC.

Michael Fairman sat down with Eileen and Vincent at their home, and at their famed poker table for the Michael Fairman Channel, to chat about the making of the movie, their relationship and some intriguing tidbits for fans of Eileen’s work on The Young and the Restless, Days of our Lives and her time on Bravo’s hit reality franchise, The Real Housewives of Beverly Hills.

In 7 Days to Vegas, Eileen says that Vincent fashioned her role of KC after their real-life relationship adding, “They are in it together. This is a lifestyle that they both enjoy.  That is what somebody does when there is a home game; you call people up, and make sure who is going to be there.  Van Patten said, “There is a host of the game, and that is her role in the movie.”

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As to the scenes where Duke is walking to Vegas, Van Patten shared, “We shot the film in Santa Clarita, California in the hills and the mountains and all of that, and then we out five days after with a second unit shoot and shot with drones in the desert.  So, I must have walked 10 miles a day, shooting, sweating, but you don’t feel it, because when it’s your baby, it’s a labor of love.”

When asked if she would go back to daytime, Eileen shared she would be back for more Ashley on Y&R: “I am supposed to go back to Y&R in a couple of more weeks. So I am popping in and out at this point.”  Davidson also shared she wishes nothing but the best to Stacy Haiduk who inherited her roles on Days of our Lives as Kristen DiMera and Susan Banks. Eileen said she does not watch the episodes of the show anymore, because it makes her feel sad.  The roles of Kristen and Susan were so close to Davidson’s heart.

In speaking of her time on RHOBH, Van Patten shared, “I think she (Eileen) did a great job. It went by real quick. I think she did like three years on it.  I was in the background carrying her purse, going, ‘Yes, yes, here I come.”  (Laughs)  Davidson expressed: “Listen, reality TV … it’s a crazy, wild, Wild West.”  When Michael asked about the time a drink was thrown in her face, Eileen explained:  “I think Brandi (Granville) felt she needed to be relevant to be on the show, and her role was to be a troublemaker. I understand more of it now.  At the time, I was a deer in the headlights for the first couple of years.”  Vincent shared, “People always ask if this stuff is scripted, and it’s actually not, but you can spice it up”   As to if ‘Housewives’ makes up the drama, Davidson elaborated, “Before the season starts they will ask, ‘What is going on in your life?’, and maybe there is some of that behind-the-scenes stuff.  It didn’t happen with me.  I’m not saying it doesn’t happen, but it is a reality show, but it is also entertainment, and if all we did was sit around, how fun would that be?”

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Watch the full interview below with Eileen and Vincent and make sure to “subscribe” to The Michael Fairman Channel for more celebrity interview features.

Now let us know, will you be checking out 7 Days to Vegas, which will also be available on iTunes and VOD come September 24th? Do you hope there will be more Ashley on Y&R? Share your thoughts via the comment section.

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Interviews

Sharon Case Celebrates 25 Years On The Young and the Restless; Shares With Fans: “Thanks For Going On The Ride With Me”

Over the weekend, The Young and the Restless Sharon Case reached her 25-year milestone in Genoa City! For Case, who was the third actress to take on the role of Sharon Collins, and once believed she would only last six months on the top-rated CBS Daytime drama, has become an integral part throughout the years to the drama and the romance that happens on the canvas on Y&R.

To mark the occasion, Case sat-down with Michael Fairman on the set of Crimson Lights at CBS Television City where Y&R is taped; to take a stroll down memory lane, and to share her thoughts with her legions of fans on the life and times of Sharon Collins Newman.

Photo: CBS

From her character’s wrong-side-of-the-tracks beginning, to meeting Nick Newman, to many of the memorable storylines and moments that were among her very favorites including: when Nikki, Phyllis, Sharon and Victoria buried J.T., and of course, to her leading men through the years, Sharon reveals some backstage and on-camera Intel.   As viewers know, Sharon Newman had also had her share of catfights through the years in longstanding conflicts with both Phyllis (Michelle Stafford) and of course, Nikki (Melody Thomas Scott), and Sharon discusses those moments too.

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Sharon and Michael also relive when Cassie’s death, was first aired on the show, and the impact that story has had for decades on everyone who worked on and has watched Y&R over the years.  In addition, Sharon discusses how she felt the night she won the Daytime Emmy as Outstanding Supporting Actress in a Drama Series back in 1999.

At the end of the interview Sharon relates this message to the fans of Y&R: “I have always felt like these 25 years wasn’t just working here and playing Sharon … or working here with all the wonderful people … it’s just as much about going through it with all of you, especially because of social media, but even when we didn’t have it, we always knew that you were there and we were partners with you … because it really is sort of a partnership.  I really have felt like we have been in this together the whole time.  We don’t have a studio audience, but we know you’re there, and we love hearing from you.  It really was just as much about you – this journey I have gone on, than it was anything else, so ‘thank you’ for being there and watching the show, and being faithful to the show, and thanks for going on the ride with me.”

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Now below, watch Sharon’s 25th anniversary from the Michael Fairman Channel on You Tube.  For more feature interviews on the channel make sure to “subscribe”.

Then, let us know what has been your favorite storyline of Sharon’s through the years?  Comment below.

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Y&&’s Eileen Davidson and her husband Vincent Van Patten chat with Michael Fairman about their new film “7 Days to Vegas”, her time on Y&R, DAYS, The Real Housewives of Beverly Hills and their relationship. Leave A Comment

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