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THE JOHN MCCOOK INTERVIEW – THE BOLD AND THE BEAUTIFUL

By Michael Fairman

John-main.jpgTV SOAP:

This soap season has been really great for your character, Eric Forrester. It’s been major story!

JOHN:

Yes, major story…. even when I was laying there. I had the scruffy beard, and the bedsores, and it was wonderful. Actually, the bed we had was the most modern hospital bed one can have, and it changes every 20 seconds. It deflates on one side, and puffs up on another, and that’s why it keeps the pressure off one place in your skin. So, it prevents bedsores, and sure enough, I did not get any.

TV SOAP:

Did you love the concept surrounding Eric’s heart attack?

JOHN:

I thought it was great, because it was a heart attack, and nobody realized it wasn’t caused by anybody when it happened. Certainly, none of the actors knew it had been caused by anybody when it happened. I endured a lot of Viagra jokes because it had happened after sex with Donna. I got tired of that. Then, a couple of weeks into his coma, it had been revealed that somebody had caused it and that it was a ‘Whodunit’. Then, that evolved into something else. As Eric recovered, the family worked to keep Donna apart from him. Then, they steal him back, and who does he see? Well, the good news is you’re waking out of your coma; the bad news is, your ex-wife Stephanie is there! Then, it was a really wonderful reunion with Eric and his family after that. Then what happens is that Eric sees Donna and Owen in a compromising position, and it appears to be more than that. Eric freaks out and it almost makes him sick again. They now keep Donna away. But then, this wonderful thing happens of Donna wanting to explain her side of the story, and sneaking into the house to get to talk to Eric. It was pretty cool! It goes on from there.

TV SOAP:

So, Donna pleads her case?

JOHN:

When she first comes to him, he still is monosyllabic. It’s hard for him to wrap his brain around anything, let alone express himself. So, she tearfully explains, “I never lost faith in you. I did not go off with Owen someplace and commit myself. I love you Eric. You are the guy I want to be with. I feel terrible that your family has done this. They are keeping me away from you. They are not telling the whole truth of what happened to you while you were in a coma.” Eric is not able to say, “What are you talking about? Tell me everything?” All of that is in the future with these characters. Right now Eric is still on the edge, and very vulnerable to anyone’s machinations: Stephanie’s or Felicia’s, let alone Donna’s!

steph-eric.jpgTV SOAP:

What does Eric feel for Stephanie? It seems like they will always have feelings for each other, and always drift back towards each other, no matter what.

JOHN:

It seems like that, doesn’t it? That’s the tension. I think what I like about how Brad Bell (executive producer and head writer, “B&B) writes is that he keeps these things unresolved, and these feelings are unresolved. Eric’s feelings for Stephanie are always in flux. He wants to shoot her in the head, and he realizes he owes her so much. He loves her and has been with her for 150 years! (He laughs) I always use to say that, “They used to hunt Bison together. They have been together so long!”

TV SOAP:

But Stephanie and Eric, for all purposes, are an iconic soap couple!

JOHN:

It’s a cliché I suppose, and a staple, and it’s necessary. So for this man to be so dependent, and owe so much to Stephanie, and be adored and loved by Donna is interesting. This is not a pin-up or hot tamale. Donna really loves him. That’s what’s different about this. It starts out as this “hootchie-mama” putting the makes on this older guy, but Eric really loves this gal.

TV SOAP:

What if Owen were to steal Donna away from Eric? How would Eric feel about that?

Owen-Donna.jpgJOHN:

If Donna left Eric for Owen, he would just go, “Donna’s big mistake”, and he would not blame this guy Owen. Owen is just a kid, and a cute kid, who comes around and has hot pants for Donna. If Donna went with him permanently, Eric would just shrug it off. However, he would be sad about Donna.

TV SOAP:

Would it devastate him?

JOHN:

It would devastate him, but he would not blame Owen. I don’t think so. Not to the point of committing a crime or getting into a fistfight with him. I think he would flick him off.

TV SOAP:

What about Eric’s relationship dynamic with daughter, Felicia?

JOHN:

We swept that under the rug; the fact that Felicia offered Owen $200,000 for a crime. They did not go down that road, but they did resolve it in 7 minutes between commercials 2 and 3, where Owen admits it to Donna. (He laughs) He admires her so much, and sees how much she is put upon by her family and Eric’s family. He feels sympathy for her and she admires him for turning it down. That shows that Owen is not some bad guy or some money hungry guy. He turned the money down for good reason.

TV SOAP:

How do you justify all of this? Won’t Eric be hell-bent on getting back at everyone in his family for how they took advantage of him during his coma?

ridge-plug.jpgJOHN:

Eric was very angry with his children prior to the heart attack. I think in the future when all is revealed, and it had not all been revealed to Eric, there is a lot for Eric to learn in regards to what happened to him when he was in coma. He needs to learn how Ridge tried to take the business away from him, and then tried to take the business away from Donna while Eric was down. Ridge wanted to violate Donna’s power of attorney that Eric had put in place. And, he also pulled the plug on Eric, and when Eric finds this all out, it’s going to be stunning! And this business with Ridge, Thorne, and Felicia, is not over.

TV SOAP:

I want Eric to have a backbone. The men on soaps and on “B&B” tend to be portrayed as weak.

JOHN:

These stories are about the women. Women are the manipulators, and fight, achieve, and fail, and I get that. The men are the prizes and are the thing to win or not. So the men have to not be aware of all the machinations going on, which in turn makes us look dumb. Then the scene is happening right in front of us, and you have to say, “I’m sorry, I don’t see that. I am not aware of that? How dumb am I?” And the producers go, “Well, be looking at the fern and pretend you don’t hear it!” So our characters are constantly being compromised by how little we are aware of. It’s true of Ridge Forrester, Eric Forrester, and all the men on the show.

TV SOAP:

22% of the soap viewing audience between the ages 18-49 in last months Nielsen ratings were reported as male. What kind of message does this portrayal of men send to those guys watching it at home?

JOHN:

It’s Ronn Moss’s (Ridge) and my frustration. How the hell am I going to play this and retain Eric’s intelligence at all? These characters are supposed to have achieved something in their lives. They can’t be this dumb or this blind. But, we have to be here. It’s not true on “Gossip Girls”. The men on that show are the prizes, but they are not stupid. As men on soaps, we are constantly having to come up with the spine of the scenes, and make it stronger than what is written for us. I think Eric will be upset when he comes-to, but it would be better if he was angry, rather than upset.

TV SOAP:

Eric needs to write to his children out of his will, like Victor Newman did recently on “Y&R”!

JOHN:

Well, that is a very Victor Newman thing to do! It would be a powerful thing for Eric to do, and to also write Stephanie out of the will, if you ask me. I like when Eric made a decisive choice, like when he chose Donna and he told Stephanie, “I am done with this. I am not coming back to you again. I’m not!” Eric is being nursed back to health after a coma and a heart attack. I think that changes men in business, when they have heart attacks.

wheel-kids.jpgTV SOAP:

Will there be physical and emotional repercussions from the heart attack when Eric tries to regain his life?

JOHN:

That was the thing I talked to Brad about. Does this change Eric? And he said, “No, no, we have to be careful. He did not have a stroke.” He said, “Eric does not have lingering physical or mental changes. He is not injured by it.” But, will he be a different man when he comes back to work? Yeah! It kind of slows a guy down, and makes you doublethink things. “Maybe I do need to ease off a bit.” We move things so fast on our show, that we don’t fully explain things over several episodes so that everyone understands and gets it. We explain it in one episode and one little segment, and if you were not there for that, you have to ask somebody else. I think our show moves too fast at times.

TV SOAP:

How is working with the new Beth Logan, Robin Riker?

JOHN:

I love her as Beth. I can’t wait for her to have more to do. She has a little twinkle in her eye and is a wonderful actress. I think she is beautiful and very attractive. I can’t wait to play with her. I have not worked with her yet, and that’s a surprise. Robin is an episodic television queen. I think I am a big episodic television person, too, but it’s been a long time since I have been out doing it. (He laughs)

TV SOAP:

Susan Flannery’s (Stephanie) moments in the hospital with Eric were wonderful. What’s it like when you work with her now?

JOHN:

It’s wonderful, c’mon! She does not surprise me, but that’s the fullness and the richness of what she does. That’s her skill. That’s her talent, and she does that better than anyone on television, I think.

TV SOAP:

“GL’s” Kim Zimmer (Reva) told me that the level of performance Susan Flannery brings to her role is unparalleled. I have heard that from so many of the top-notch actresses in the soap genre.

JOHN:

Sure they do. They aspire to it. The appreciation these veteran women have for each other is wonderful. They all come back to Susan Flannery all the time, because Susan is powerful and real, and inventive. What surprises me sometimes is how she chooses to do a scene.

TV SOAP:

Does that ever throw you off in your performances?

MacCook-wife.jpgJOHN:

No. I have been married to her for 21 years, and that is almost as long as I have been married to my own wife.

TV SOAP:

How is your wife?

JOHN:

Laurette is great, and she does surprise me all the time.

TV SOAP:

Are there times when you felt your performance was not up to par?

JOHN:

Of course, there are times. I will be in a scene with somebody, and maybe Jennifer Gareis (Donna) or Kyle Lowder (Rick) will say something about their own work like, “I wasn’t very good. Do you think I should do it again?” It’s not being cavalier, but I say to them, “It’s a different scene tomorrow, and that’s the lesson you have to learn. You cannot come out and rehearse and warm up to it in this medium. Nowadays, the first time we rehearse is probably when we are going to shoot it. So, be on it right now, out of the gate. We are all capable of doing that.”

TV SOAP:

How is working with Jennifer?

MacCook-Gareis.jpgJOHN:

She surprises me, to be quite truthful. We have been doing this story for at least a year. When I began, I was very excited to have a story with a young woman, any one woman but Stephanie, because that makes for good story for Eric. I think she was excited because it meant doing something different than she had done before. I had not watched her on “Y&R”, and I saw the ‘sex-kitten’ thing she does really well here at “B&B”. Then as Brad started writing it, I thought, “What are we going to do? Is it going to be Eric and some sex-kitten story?” It’s so, mid-life crisis for Eric. So I went to Brad, and he said, “No. She falls in love with Eric, and then Eric falls in love with her.” Jennifer and I had a quick talk then about how we’re going to approach this, and said, “Let’s make it different than anything we have ever done… for you, Jennifer, and for me, too.” It’s an opportunity to go to an acting place we had never gone before, and she just did fall in love with this guy. Her childlike reaction to loving him is what I reacted to. It was funny, sweet and real.

TV SOAP:

What can we tell your fans to look forward to from Eric in the coming months?

JOHN:

I think they can look forward to the same thing I do, which is really complicated reactions to a very complex storyline. He loves his Stephanie. He is in love and married to Donna, I think. Who is he going to end up with is an overriding story point, but that’s not even the story we are telling. The complex part of the story is, how does he react to the information he learns, and how does it affect him, with this family, kids and wife.

kyle-john.jpgTV SOAP:

When do you see all of this coming into play for the audience?

JOHN:

This will all be coming out between now and Christmas. I don’t know all the answers to those questions, and as we go through fall and come to the end of the year, he is going to know a lot more.

TV SOAP:

Do you think Eric could just fall apart and have a complete meltdown?

JOHN:

Yeah, he could. I would like to see him in an alley in downtown LA, with some of the same people Stephanie hung out with years ago. (He laughs) I think the business is too important to him, so he wouldn’t fall apart. We need to see Eric suffering with the business and bringing it back, and achieving stuff there. We need to see Ridge and Rick there, and see the other kids and everybody in that building, fighting for the millions and millions of dollars that are generated by that family business.

TV SOAP:

How has it been working with Kyle Lowder (Rick)?

JOHN:

Kyle is great, and has a lovely sense of humor. He is an efficient leading man, and it’s fun to fuss with him a little bit, and try to pull him out of that a bit. He is playing good Rick storyline now, and he is pulling that off really well.

TV SOAP:

And finally, you and Ronn Moss have been with the show since the beginning. How is your working relationship with him?

JOHN:

I love working with Ronn. It’s been 21 years. Ronn got better all through the years and every year he has done that. I am staying sort of the same, and Ronn is getting better, and it’s funny. People made fun of Ronn. ridge-eric.jpgIt was so
stunning to see a man who looked like that, even on television. And Ronn has a stunning look, and he is the icon of our show. The jaw, and the zero body fat, and Katherine Kelly Lang (Brooke)… the two of the them together in a picture are amazing. But at first, people would make fun of our show because of how Ronn looked. They would go, “How could this guy be any good as an actor, and look like that?” And Ronn proves that he can. He loves the show and the character. We all love being here together, and its great. Ronn says the same thing he said to me the first day, every day. He holds a script up and goes, “What is this?” If I ever win an Emmy, I’m going to thank him and say that! (He laughs)

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Been following John for many yrs!! I was hoping he might remember his roots were once in Tx!! The McCooks were kinsfolk from way back!! He has had a awesome career and I am one of his biggest fans!! I love all the family in what is my favorite soap!!

Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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