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THE KELLI MCCARTY INTERVIEW – EX-PASSIONS

She was a former Miss USA hailing from Kansas, and played the whacked-out Beth Wallace on the now defunct soap “Passions” from 1999 to 2006. Now she has taken her career in a new direction, which is an adult film star. This stunning revelation has rocked the mainstream and soap press for the last few weeks, with the bombshell of the release of her first porn title, “Faithless: From Beauty Queen to Porn Queen” on February 4th. Kelli has appeared on many of the top entertainment news shows due to this unconventional choice in her career path.

“On-Air On-Soaps” however, caught up with her in a bit of a different atmosphere than a porn set. This past Saturday, Kelli was the guest host with the famed Los Angeles, ACME Comedy Theatre Sketch Comedy Troupe. She participated in their “Saturday Night Live” weekly take-off; the highly successful, ACME This Week. Kelli,
who has a background in improv and
riding the wave of PR for “Faithless”,
showed the audience that an ex-beauty
queen, soap star, and current porn star,
could also be innately. . . funny!

In this very revealing interview, Kelli chats with me about her decision to enter Porn, her parents, friends and former “Passion’s” cast mates reactions, how she cast the film, what it’s like shooting sex scenes, the code of ethics in the adult film industry, and being the former Miss USA to boot. From her humble beginnings in Middle America to a XXX adult film, I think we can safely say, “Kelli, you are not in Kansas anymore.”

kelliMain.jpgListen to the audio:

[display_podcast]

MICHAEL:

I’m with Kelli McCarty backstage after her performance at the ACME Comedy Theatre. First off, how it did feel being up there doing sketch comedy? What skits did you enjoy appearing in?

KELLI:

I loved being up on stage. It’s the first time I did sketch comedy, and it was definitely intimidating, but I was looking forward to it. They actually did not tell me there was a teleprompter. So I was overly prepared, as far as knowing my lines, which was cool. But I loved doing the spoof on pageant moms. As Miss USA while traveling, I met so many pageant moms and stage mothers, and they really are out of their minds sometimes. So, it was fun to take that over the top and put a spin on it.

MICHAEL:

Now what about all the preparation the troupe does for the show, since you did a porn movie and that would be something they would spoof. Were they asking you “Yay” or “Nay,” for approval about certain skits? How does that work?

KELLI:

They threw 20 sketches at me, some spoofing the pageant and some spoofing the porn. Then we did pick and choose what were the funniest ones of all of them.

faithless.jpgMICHAEL:

This has been a whirlwind for you, since you released your porn film, “Faithless”. There is so much publicity, and obviously, that was the plan. Now when you look at what’s happened because of it, are you uneasy about it? How do you feel at this point, honestly?

KELLI:

Honestly, when I decided to get into the adult film industry, I knew it was going to cause a bit of a stir, not only in the pageant world, but the soap world and press world in general. I’m really happy about what happened. I want to let people know you can do mainstream entertainment and then go into the adult world and then go right back. In the meantime, I am talking to a lot of different people in radio and television, and it’s cool. We are getting offers from mainstream
shows when they weren’t interested before.
The phone is ringing a lot, which I always
think is positive.

MICHAEL:

Did you do “Faithless” partly to jump-start your career post-“Passions”? Is that why you decided to get into the adult film business?

KELLI:

I did not do an adult film to jump-start my career. I just did it because I thought it would be interesting. I was sort of bored, and one day I woke up and I thought, “You know, I want to know what it would be like to be a porn star, and let me see if I could make that happen.” So I approached Vivid Entertainment, and they said they would like to work with me and it went from there.

MICHAEL:

Did you create the concept and script for your XXX film, “Faithless”?

KELLI:

I went to Vivid with the idea for a storyline and they put me in touch with the writers. So I had it in my contract that I would also cast the movie and help edit the movie, and have final approval over everything….

MICHAEL:

…With you putting people on, “The Casting Couch”?

kelliWinston.jpgKELLI:

Yes, I put them on the, “The Casting Couch”.

MICHAEL:

You obviously picked the people you wanted to have sex with, since you were involved in the casting process. How did you choose? What were your criteria?

KELLI:

If I am not attracted to someone, I am not going to want to have sex with him, and especially on camera. I wanted it to come off very real and passionate. So I waited till the right guys walked in the room and I said, “OK. Perfect! That’s who I am going to go with,” and they agreed.

MICHAEL:

There are people who like to do voyeuristic amateur porn in their homes, and like to watch themselves having sex. Were you like that? Voyeuristic sexually, as a woman? Did doing this film fulfill that in a way for you?

KELLI:

I am not a voyeuristic person in general. I really hate watching myself on-camera doing anything, whether it’s with my clothes on or off. So this was not about that at all. I did sit in the editing booth for hours. I sort of had to disconnect and try to make this the best that I can, so it was not the most fun for me to watch myself.

MICHAEL:

Ok, so now when you see the film and you watch it back, do you look at it like actors do, who are sometimes uncomfortable watching their work?

KELLI:

I am really critical and hard on myself. I could knit-pick forever, and at the end of the day I had to say, “I am really happy with this and let’s release the movie.” Otherwise, I could keep tweaking it forever and it would never get released for years.

MICHAEL:

You went from Miss USA, to a successful soap career and mainstream acting, to porn. Some people may not understand this interesting journey.

KELLI:

Well, for me, life should be interesting. My motto is, “Let’s just mix it up,” and I don’t want to feel I am being pigeonholed for the rest of my life. So, I would encourage other people to step outside whatever they are doing and say, “You know what? This is what I have always been interested in, and let me explore something else,” not necessarily adult films, but in general. Life is too short.

Galen2.jpgMICHAEL:

What are your ex-“Passions” co-stars saying?

KELLI:

I have not spoken to any of them.

MICHAEL:

None of them?

KELLI:

None of them. They have not face booked me or called me. Nothing! I guess they do not know what to say to me. That’s my guess. I expected to get a lot of calls, and I have gotten very few.

MICHAEL:

Once you got into doing the production on the film, was there one part of it that you realized was not comfortable for you and you had to overcome it, like an actress would have to overcome some obstacle playing a scene?

KELLI:

It wasn’t really uncomfortable; it was more funny to me and different, because on a regular set you are going to go grab some potato chips and a cup of coffee, and going to Kraft services. And a couple of times during the sex scenes they yelled, “Cut” and they were changing their lighting. I was going to go get a bottle of water and I look over and my co-star was “keeping himself up” sort of speak, to continue the scene. When the “five” was over, I was like, “Well, that has never happened to me on the “Passion’s set.” So it was silly and I laughed out loud. There are no “fluffers” left in the porn industry, so they have to do it themselves.

KelliApe2.jpgMICHAEL:

There was a “No Viagra” clause in the performer’s contracts, right?

KELLI:

In this day and age, a lot of porn stars do take sexual enhancers, but I wanted it to be very real. I did not want to be having sex for an hour or three or four on camera. I just did not want to go there. It was overwhelming for me to begin with. I needed it to be as tame as possible, and it still came out very sexy, but I had to taper the time limit.

MICHAEL:

There is this whole adult film industry protocol, that they test you for STD’s, correct?

KELLI:

The porn industry is completely pro ‘safe sex’. If people are not getting tested, they are not going to work. If they do not have a clean bill of health, month after month, they are not going to work.

MICHAEL:

So, does the production company check that?

KELLI:

The production company has it as a requirement overall in the sex industry, so they are not playing around. They are in the business to work. They have to do the blood and urine tests monthly, and they are not taking any chances, otherwise their livelihood is gone.

kathleen.jpgMICHAEL:

How do you look back on your time on the soap “Passions”? Were you sad when they killed you off as Beth Wallace in 2006?

KELLI:

I was disappointed that they killed me off

MICHAEL:

She was wacky!

KELLI:

Yeah, she was psycho, and that’s the next step. When your character is crazy, they blow you up on a train or something. They were talking about bringing my character back to life, but they canceled the show. So I did not have a chance to come back, but it was a great run, and I would not trade it for the world. It was a great experience.

MICHAEL:

Was it fun working with on-screen mom, soap vet Kathleen Noone (Ex-Edna)?

KELLI:

It was fun working with her. She is a pro and has been a long time. She definitely added spunk to the show.

MICHAEL:

Where do you keep your crown from your win as Miss USA 1991?

usa91b.jpgKELLI:

The crown is kept very safe at my parent’s house in Texas, and my mom keeps a very watchful eye on it.

MICHAEL:

Do you still look back on how cool it was? Or, do you now think about all the stigmas that some people attach or think about beauty pageants? Do you have a different perspective on it?

KELLI:

I don’t know specifically what other people think, but for me, it was an amazing experience. I met so many people and traveled around the world. It made my
mom really happy to see me win, and
that’s important, too.

MICHAEL:

Do your parents know about your new porn career? If so, what have they said to you?

KELLI:

My dad has not said anything, like “no comment”, and he’s fine. I don’t think most porn stars talk to their dads about their sex life or working careers. My mom is very supportive and a cool woman. That’s how she raised me, to do what I want and to make things happen, so that is what I am doing.

MICHAEL:

Will you do more adult films?

KELLI:

I do not know if I will do more. I am seeing how this movie turns out. I might end up writing some or directing some. I might want to write and direct again. We will see how this movie does and go from there.

MICHAEL:

In closing, what would you want people to take away from this interview, for those who might say, “I can’t believe she is doing this? What’s with her?”

KELLI:

I would say, what’s with me is, I do whatever I want to do as long as I am not hurting other people. I would encourage everyone to do that. This was not something I expected to do for years and years. It just came to me one day. I just made it happen. Hopefully, people will like the movie, and if they are not supportive, then they don’t have to watch it.

kelliJohnMcKee.jpgMICHAEL:

You have this rockin’ body. So are you picky about what you eat and what you look like? You know, many people obsess about their body. Do you get like that because you are nude in front of the camera and in show business?

KELLI:

I don’t obsess over anything except my dogs. I do Yoga. I have been doing it for ten years, and I take care of myself. I do allow myself to eat what I want in moderation. I am from Kansas. I was raised on fried chicken and potatoes and I still eat and cook that type of stuff.

MICHAEL:

But you are OK with seeing yourself naked in movies? (He laughs)

KELLI:

I don’t think I would have chosen to do an adult film if I had any reservations. (She laughs)

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I wonder what her kids will tell her mom when they grow up and by accident buy a porn movie called “Faithless” and see their mom f*cked with different guys.
Anyway It’s very good porn =)

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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