Interviews
THE CHRISTEL KHALIL INTERVIEW – THE YOUNG AND THE RESTLESS
As one half of one of daytime’s most popular couples, (Cane and Lily), actress Christel Khalil is at the center of one of soaps hottest storylines, which is set to explode this week! Lily has just found out that Billy is the father of Chloe’s baby, and Chloe is about to give birth practically in front of Lily, or is she? Elsewhere, Cane has just realized he has been a fool, and has run out the door to find Lily. Christel reveals her perspective and what to look forward to next, in one of soaps all-time best quadrangle story arcs.
Last week, Christel was also nominated for an NAACP image award, and is still in the running for a Daytime Emmy nomination after the in-house voting at “Y&R” for the Younger Actress category. In this revealing interview, she talks about working with Daniel Goddard… voted “soaps sexiest man”; and the real life love of her life… musician and husband, Stephen Hensley. Christel also gives her insight into how the Maria Arena Bell writing regime has affected the “Y&R” scripts and dealing with the pressures of awkward Red Carpet moments!
Listen to the audio:
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MICHAEL:
How do you like the amazing “Y&R” quadrangle you are part of?CHRISTEL:
I love the storyline! I love the actors that are involved in the storyline. Elizabeth Hendrickson (Chloe) is one of my best friends. It’s hilarious when we have fighting scenes, and when we have photo shoots. When we look at each other really mean, we laugh at each other afterwards. Billy Miller (Billy) is a great actor and I have worked with Daniel Goddard (Cane) for a long time. It’s great to have everyone come together. There is not a weak link in the bunch.
MICHAEL:
This week is a HUGE and pivotal week for the “Quad”. Chloe is about to give birth in the cabin where Billy and Lily are having a romantic getaway! Set it up for us.CHRISTEL:
We are there for a Valentine’s Day trip and Chloe follows us there. She is looking through the window and she hears Billy tell me that he is the father of her baby. Billy and I are about to make love in the cabin. But before we do, Billy is feeling very guilty and that’s when he says to Lily, “Listen, I have to tell you something.“ Chloe overhears it and bursts through the door.MICHAEL:
What happens next?CHRISTEL:
Her water breaks. At first I don’t believe her, but then I see clearly that her water broke. So, we don’t have much time. We have to deliver the baby right then and there.MICHAEL:
Billy has known for some time that he’s the ‘baby daddy’, and that makes things all the more horrible!CHRISTEL:
Billy found out when Chloe fell off the ladder and she went to the hospital. He asked the nurse, “How far along is she?” When he finds out he keeps it quiet, because he figures out that he is the father. And at that point, Cane and Lily did not know.MICHAEL:
Isn’t it odd that Lily, who just found out about this lie, is helping to deliver the new little bundle of joy?CHRISTEL:
So, here is good ole’ Lily! This is how I thought about it. If you see someone about to have a baby, your logic and hatred goes out the window. I mean, it’s a big snowstorm and we are all snowed in. So, I guess I’ve got to help this person!MICHAEL:
Where is Cane?
CHRISTEL:
Cane is at home. He ends up coming there, but he is not there for the whole delivery part.MICHAEL:
Does he find out who the baby’s father really is?CHRISTEL:
He finds out whose baby it is.MICHAEL:
Will devoted Lily/Cane fans be happy in the foreseeable future?CHRISTEL:
Yes. They will be happy, because of the way Cane finds out and how he reacts to it. Then the way that Lily reacts to it ends up working out really well, also.
MICHAEL:
So, there will be some stuff coming up after Valentines Day between the star-crossed lovers?CHRISTEL:
Yes. It happens very quickly. It’s just so funny because the writers took so long to break us apart, and then all of sudden, its “bam”. I understand why it would be that way, though. In real life when you are apart from someone, you want to be with that person. And when you are finally able to, you jump at it. I can see how it would happen, but it’s a little funny.MICHAEL:
Will the baby be a problem?CHRISTEL:
The baby will be a huge factor. As long as Cane feels he needs to be the baby’s father, no matter what, whether he is the baby’s father or not, it will continue. He had been thinking this is his child, and when he finds out that it isn’t we will see Cane’s character change in a lot of ways for the good. I think the quadrangle will go on forever. Cane and Billy are brothers, and Chloe and I are always at each other, so I think it will always go on.
MICHAEL:
In a few words, describe Elizabeth Hendrickson to me.CHRISTEL:
Elizabeth is feisty, funny, and a firecracker.MICHAEL:
Billy Miller?CHRISTEL:
Billy is crazy, funny and a Texan.MICHAEL:
Daniel Goddard?CHRISTEL:
Daniel is inappropriate, and that’s Daniel. (She laughs)MICHAEL:
You recently got married to musician Stephen Hensley. Short romance wasn’t it? How did the two of you meet?
CHRISTEL:
I met him at church. I remember when I first met him. I did not like him. I was not attracted to him. He had long hair and a beard, and he looked like Jesus. I remember thinking, “Wow, this is really creepy,” and then I had a friend who invited me to a barbecue and he was there. We started talking and we hit it off. We were talking for three hours straight. I remember being so blown away by him… the way he talked and acted. I never met anyone like him. He is a Leo and I love Leo’s. So, we started dating and he came to Hawaii with me, a month after meeting me, for my birthday. He is so spontaneous, like that. We always knew we wanted to get married. So we originally set a date of July 8, 2009. We wanted to have a small wedding in Italy. Then all of a sudden it was July. I said, “I don’t want to wait a year to get married. It’s so long and I don’t want to do that just because everyone else does.” So, we decided to get married this past September 21. Because it happened so quickly, we did not have time to plan a real honeymoon, so Adrienne Frantz (Amber), who has a house in Lake Arrowhead, let us stay in her Lake House for three days. I got to bring my three dogs, which was great for me, since it’s hard to find someone to take care of them, usually. For our one-year anniversary we want to go somewhere really big… like Italy, Fiji or New Zealand.MICHAEL:
I missed something in the story. When did Stephen cut the hair and the beard?CHRISTEL:
It happened gradually. First, he cut his hair to his shoulder. Then after he did that, I thought it was too long. Then he cut his beard where he had a goatee. Then he chopped his hair off before he came to Hawaii as a surprise for me. He did his hair in ‘Faux Hawk’ and I was like, “Oh My God, I love those!” That is what he has now. I just told him flat out, “You need to cut your hair.” He is so attractive!
MICHAEL:
What do you think makes a successful relationship?CHRISTEL:
Stephen is a musician, and we are both creative. I think the number one thing is communication for friendship, and relationships with your family, or your partner. I am the kind of person when I am upset I want to be left alone, and then I will talk. But he wants to talk about it right away, which is good. I think it’s always easier for a woman to come around then a guy. He’s more sensitive than I am, and I am sensitive in a different way, and I am a brat. I realize I am kind of a control freak. I don’t want to be. It’s very stressful being a control freak, because you want everyone to do it like you, and nobody does.MICHAEL:
You were just nominated for an NAACP Image Award for Lead Actress in Daytime Drama, an award you won last year.CHRISTEL:
I was the only person from “Y&R” last year, so that’s probably why I won. Usually, there are so many nominees from the show. This year there weren’t.MICHAEL:
Debbi Morgan was the eventual winner in your category last week. Do you like the whole process of picking out a dress to go to these types of ceremonies and to walk the red carpet, or don’t you really care?CHRISTEL:
I care. I try to put it off as long I can, because I hate formal gowns. I am more of a jeans sort of person.
MICHAEL:
So, what’s prepping for an award show red carpet like for you?CHRISTEL:
Basically, it’s choosing a gown. You go to lots of different shops or designers and look at choices and options. Usually, it’s expensive and you don’t buy it, and anything you see any celebrity wearing is usually borrowed. The day of the award show, you can hire someone to do your make-up and hair, or do it yourself. I do it myself because I am too cheap to hire anyone.MICHAEL:
Is that including your own make-up?CHRISTEL:
I do it myself… make up… hair and everything. I do it simple. I probably should get a stylist, but I never do.MICHAEL:
The red carpet can be daunting, with all the people, the paparazzi, and the pressure to look good. Are you cool with it?CHRISTEL:
I am, but at the beginning it was bit uncomfortable. You have a lot of people screaming your name, “Look over here! Over here,” and if you don’t, you feel bad. The photographers are like, “Christel, Christel to your left, to your right.” It’s always cool, but I hate posing, I really do. (She laughs) I feel like a goofball when I am standing there. And there are certain poses that actresses know how to do to make their dress look good. I just don’t know how to do it at all, so I feel like an idiot. I am that girl in school again who is like, “Ah, don’t look at me.” (She laughs)MICHAEL:
Are the crying scenes, as Lily, the easiest or hardest type of scenes for you to play?
CHRISTEL:
This is my theory: crying scenes are the easiest, because whatever brings you to that, it will be truthful, because you are actually really crying, whereas, when you have a normal scene, its harder to stay truthful the entire time. But for me, crying is not easy. There are times when I have to be angry or screaming in a scene and that will make me cry.MICHAEL:
Have you noticed a difference in the scripts under Maria Arena Bell and this new regime?CHRISTEL:
Yes. I love Maria Bell. I love what she is writing. Honestly, I loved when Josh Griffith was writing the show, when Lynn Latham was gone because of the strike. It was amazing, and we miss Josh. I think with Maria here, it’s great, too. She knows the history of the show, which is
something Lynn Latham did not know.
So, it’s great having someone who
knows the show and how she writes it.MICHAEL:
Why was Josh Griffith let go, do you think?CHRISTEL:
Who knows? The politics? It’s never based about talent or what someone can really do, but Josh was great.MICHAEL:
How is working with daytime classic soap executive producer, Paul Rauch?CHRISTEL:
Paul is a tough guy. I like being told what to do. I do really well with clear- cut direction.
MICHAEL:
Right, because you are a control freak (he laughs), so coming from him that probably works well for you.CHRISTEL:
It’s funny, because Daniel Goddard and I have this joke. With his acting, he is very analytical and precise, and I am totally go-with-the–flow. I think that’s why our chemistry works so well. There are days when he makes me think about something more, and times where I will make him calm down. It’s a good balance, and it shows on screen. I think that’s why people like us together, because we have this really great way of how we work together. I am like, “Daniel, just shut up and calm down.” And he will say, “Crystal, think about this.” And I am like, “Eh. It’s OK.” (She laughs)
MICHAEL:
Remember way back at the start of the Cane/Lily relationship, so much was made of their age differences. Lily the younger woman and Cane the older man. What happened to that?CHRISTEL:
I don’t know. It cracks me up so much about some of the characters on the show. In real life my husband is nine years older than me. It’s so funny how these relationships come and go on soaps. It’s like, “Oh, look who I am with now!”MICHAEL:
Coming up this week on “Y&R” it’s going to be, ‘hold on to your seats’ kind of drama. What can we tell your fans to look forward to?CHRISTEL:
Make sure you watch, because it’s crazy the way everything unfolds. It’s so great! It does not happen all at once, but it’s not over a long drawn out period, either. You will have an, “Oh, my God,” moment!
SHE IS WONDERFUL ACTRESS AND ABSOLUTELY BEAUTIFUL GAL GO CHRISTEL
Great job on Y and R! Just started watching since All My Children, and One Life To Live were taken off the air. U r a brilliant asset to the show, and a fabulous actress. Keep up the good work!
Daniel Goddard is so sexy and charming – what a gift to women!!
Keep up the good work Young and the Restless!!
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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General Hospital1 week agoRATINGS: ‘General Hospital’ Shows Most Gains in Total Viewers Week-Over-Week and Up in Key Demo

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