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THE KYLE LOWDER AND JACQUELINE MACINNES WOOD INTERVIEW – THE BOLD AND THE BEAUTIFUL

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By Michael Fairman

-Are Rick and Steffy ‘up in smoke’ or the real deal?-

On “

The Bold and the Beautiful”, Rick and Steffy have turned up the heat…literally! In shocking and BOLD moves, the soap has changed Rick Forrester into a smug and selfish cad seeking revenge on his family. Meanwhile, Steffy has lost her fraternal twin, Phoebe, through all of the dramatic twists and turns and is now head over heels with Rick, her sister and mother’s ex beau!

TV Soap sat down with actors Kyle Lowder and Jacqueline Macinnes Wood to get an insight into what’s going on in their character’s head, and how they are making steamy windows!

Listen to the audio:

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TV SOAP:

Jacqueline, this pairing between Rick and Steffy came out of the death of Steffy’s twin sister, Phoebe. Were you surprised when you first read the scripts that your character would be linked romantically with Rick?

JACQUELINE:

I was completely shocked how fast we are moving! It was less than a week when I found out that Rick was next. Steffy’s feelings were raw and she had been going through so much. It happened through Phoebe’s death, but I was in shock about it.

TV SOAP:

So now, how does Steffy really feel for Rick?

JACQUELINE:

Steffy is head over heels in love with Rick right now. She wants to give herself to him. When that does happen, nothing is going to stop them or tear them apart.

carcrash.jpgTV SOAP:

As the story unfolded, it seemed that out of their mutual grief for Phoebe dying in the car crash, they got together. Kyle, what is your take on that?

KYLE:

Yes, they came together at the height of their emotions when Phoebe died. Rick was a shell of a man, and everyone was coming down on him. One day, Steffy came to him and said, “I believe you. I know you are not responsible for this.” With their physical attraction to each other, (this was there from the beginning) I don’t think it was love at first sight. I think they were drawn to each other over a mutual grief and found solace with each other, and outside it was dark and scary. They were each other’s support system.

TV SOAP:

So, as we have seen, Brad Bell (executive producer and head writer “B&B”) has been known to write very intriguing stories, and yet throw some “curve balls” to the actors and the characters that one would not expect.

JACQUELINE:

We do shoot a lot and are thrown “curve balls”. It’s good to finally click with your character and get your character, kyle_jackie_2photos.jpgeven though you are being thrown curve balls. I am Steffy now. The things we get to play can be crazy, and we play great off of each other. With the Rick and Steffy relationship it’s complete honesty and no games.

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TV SOAP:

Kyle, you have taken Rick through a 180! He is now kind of despicable. How did you feel when they told you of the character change? How did it come about?

KYLE:

They did a little experiment after Rick got paralyzed as to what Rick would be like. I think it was a nice test and they did like that aspect. He was now a catalyst to bring out a side of Ridge that people had not seen on the show, and I think it worked. Phoebe’s death was supposed to bring the redemption of Rick and make him not evil anymore and come out of that. I think it did for a while. However, the show wanted to get back to having him be the antagonist. I feel I am not alone in saying that first of all, “Of course, I am going to go all out when playing a scene. However, you don’t want to be downright unlikable.” You need to maintain, as they say in the scripts “roguish charm”, which they start writing in the scripts now. (He laughs) You want them to love you, or want them to love to hate you. I have said this so many times before, but it’s so true. If people down right hate you, then they don’t want to watch you. Then you become indifferent, and you become dead in the water. My challenge every day is to maintain almost a charming likeability in the midst of being so unbelievably self -centered and down right sleazy at times, for people to be like, “Oh, he is so deliciously gross.” That’s been the challenge!

TV SOAP:

What has been the feedback from Ron Moss (Ridge) or Susan Flannery (Stephanie) to your portrayal of Rick?

KYLE:

They have each said in their own way, “ We never thought Rick could be like this.” That is the highest compliment, because it’s coming from the vets of the show. At first, they were wondering how it was going to work. I have been evil with all of them, and they want me to go further with it. I would be lying if I said it did not worry me at times. And I quote, as some people have said to me, “Brad’s really writing this character into a corner.” I feel as long as I keep doing my work I don’t see it that way. A character does not always have to be likeable, or a hero and charming all the time to stay on the canvas and be liked. If anything, it’s a lot more fun to be the antagonist.

TV SOAP:

What was it like working with Susan Flannery, in all of those recent scenes of conflict between Stephanie and Rick?

susanflannery.jpgKYLE:

I really have nothing but the highest respect for her. She makes me a better actor. Susan has one of the most intimidating stares on camera and when you happen to be at the receiving end of it…watch out! She makes me want to be so angry to Stephanie. She raises my work to a different level. Every time I know I am going to work with Susan, I really look forward to it.

TV SOAP:

Jacqueline, how is working with Susan for you?

JACQUELINE:

I love Susan. You can tell when she knows people work hard and studies their lines, but she likes to challenge them. Susan likes it if you can be on point. She has thrown things at me and played moment to moment, and so has Kyle.

TV SOAP:

Recently, Rick enlisted in the Army and the move was a bit of a controversial choice. Please explain the background as to Rick’s rationale for that out-of-character decision.

KYLE:

I think the only way I can put this, is to be as respectful as I possibly could be, in respect to where we are as a nation. It’s not exactly a taboo subject matter, and it’s not something like, “Lets do something to shape him up. Let’s put him in the army and that will be a fun story.” No, it was this: Rick needed some structure and discipline. He had gone so far in one direction in betraying his family’s trust; selling out his father and the company’s designs, and had gone too far in everyone’s mind. Rick has gone way too far in his crazy “leap before I look” mentality. He had got himself into the biggest hole and he thought, “I cannot get out.” So, the only way to illustrate he was changing was showing people that, “What other way can I show people I am serious about changing my life, than to commit myself to the military and serve my country?”

army.jpgTV SOAP:

Jacqueline, what did you think of the military component of the storyline?

JACQUELINE:

I have to say, it was a surprise how fast he cleaned up to his act and went into the Army. I thought, “Now, what was Steffy going to do?” For Steffy, it was the love of her life leaving, and everyone was against her.

TV SOAP:

What ended up happening, that stopped Rick from being shipped out?

KYLE:

The Army rejected him because he had been paralyzed.

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TV SOAP:

So, do the two of you think with all of the drama thus far, that Rick and Steffy are ultimately star-crossed lovers?

KYLE:

Here’s what I think: I really believe Rick loves Steffy more than life itself. The problem right now is that he has so much baggage with this whole thing. I think his general love for Steffy is clouded by the fact of his revenge against Ridge. I think he has become so obsessesed with making this relationship work. I don’t think it’s about Steffy and being ‘happily ever after’ anymore, as much is it is about winning to prove a point. I think when all was said and done, the family said, “Good, be together.” I think Rick would sit there like, “I do love her, I really do,” but I think he is too obsessed with the family. I believe in this couple. In my opinion, if and when it does not work out I believe there is a nice foundation being laid. Not to compare us to a Brooke and Ridge, but it’s not the amount of times they break-up. It’s that something will always draw them back together again and viewers would want that.

makingoutnaked.jpgJACQUELINE:

At the beginning, Steffy was just so strong. Not to mention even before that she slapped Rick across the face telling him, “You are not going to touch me.” Her foot was down on it and you don’t know what’s next. I had to play that my fraternal twin is gone, and maybe I am doing this to live her life as well as have fun. She had to fill that void, and she could not talk to anyone. She lost apart of herself. I have to stress that to the viewers. You have to keep remembering that she did lose her fraternal twin, and I think people tend to forget that because we do shoot so fast, and that’s how it’s started. It was about the honesty and it was raw, and we could open up to each other in the heat of the moment! I could tell from the crying and screaming and making out on the floor where this was going to go. It just all happened so fast. I know it’s kind of weird, because of the closeness between Rick and Phoebe. Steffy felt if she was close to Rick, then she can feel she is close to Phoebe.

KYLE:

I really don’t know the fate of this couple, but what I can say to the viewers is it is a couple to really watch. There is a multi-million dollar company affected by their relationship because of the people that work there. There are families affected by this relationship. There are aspects of this relationship where they have no business being together, yet they persist. We are talking about a man and a woman who are so attracted to each other, and really do love each other, but everything is stacked against them, and it’s their effort to win this war, sort to speak. And, who knows what will happen to them when the war is over? Can they survive without the drama? Feedback is divided with people who are for it or against it. Rick was engaged to her mother, Taylor, and her twin-sister!

TV SOAP:

Jacqueline, what is Steffy and Taylor’s relationship at this point?

JACQUELINE:

I think Steffy and Taylor do have closeness there, but I think sometimes they treat it more as friends, with Steffy giving Taylor advice or vice-versa. Steffy is growing and wants to be a woman, yet there is always this competition like, “Oh yeah, you are going to tell me what to do? I don’t think this so. You have not been there for me. I have been in Europe this whole time. Who are you to tell me who to be with? “

kyle_hunter.jpgTV SOAP:

How is working with Hunter Tylo (Taylor)?

JACQUELINE:

I love working with Hunter.

KYLE:

She is unbelievably meticulous about what she wants to say and her intention behind that. She definitely takes what’s written and owns it. I have worked with her for months, and she works her butt off
and knows her stuff. I respect
that!

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TV SOAP:

Jacqueline, what did you think when you first saw Kyle and knew you were going to be working with him?

JACQUELINE:

I thought, “He’s incredibly hot!” Kyle is down to earth and funny. I am in tears sometimes from laughing so hard between scenes. You can chat with him for hours.

TV SOAP:

Kyle, what did you think about Jacqueline?

KYLE:

It’s along the same lines. You look at Jacqueline and she is slamming “hot”, and we have a similar sense of humor. She rides a skateboard and roller blades to work. I think that’s really attractive, especially in Los Angeles where you have good-looking people everywhere. She does not saunter outside into her Bentley and designer clothes and drive home. She gets on her roller blades! So there is a down-to-earth quality to which makes her approachable.

TV SOAP:

And you have some “hot” on-screen sex coming up! How is it to do those love scenes?

makingout.jpgKYLE:

When you are having “screen-sex” with someone you are not romantically involved with, it’s not the most comfortable thing, but to lighten the ice and have a comfort level, it’s always going to help the chemistry. When working together and sleeping together on-screen, we have been able to accomplish that.

JACQUELINE:

My parents watch the show and love it. However, I must
admit my dad feel’s very
awkward about the love-making
scenes. I don’t think he likes it at all!

Interviews

Y&R’s Michelle Stafford Talks on Her Lead Actress Daytime Emmy Nomination, Allison Lanier, and ‘Pacific Palisades’ with Finola Hughes

It has been 20-years since daytime dynamo, Michelle Stafford (Phyllis) of The Young and the Restless, has captured the Daytime Emmy for her continued outstanding performances. She previously won Outstanding Supporting Actress in 1997 and Outstanding Lead Actress in 2004, and along the way has amassed 12 nominations for her work.

Now, Stafford finds herself in a crowded field of women going for gold at the upcoming 51st annual Daytime Emmys to be handed out on Friday, June 7th on CBS. Nominated along with Michelle in this year’s Lead Actress race are: Finola Hughes (Anna, GH), Annika Noelle (Hope, B&B), Katherine Kelly Lang (Brooke, B&B), Cynthia Watros (Nina, GH) and Tamara Braun (Ava, DAYS).

Michael Fairman TV chatted with Michelle about her nominated scenes, her on-screen daughter, Allison Lanier being recognized for the first time in her career for her work as Summer, and her enduring friendship with Finola Hughes; which dates all the way back to when they were co-stars on the 1997 primetime soap opera, Pacific Palisades. 

Photo: JPI

Michelle participated in the Michael Fairman Channel’s 10th annual Daytime Emmy Nomination Special last Friday, where she chatted with us and the fans live to celebrate her nomination along with several other actors. Here’s what Michelle shared on these key topics below.

Photo: JPI

What scenes did you submit, and what about those scenes did you think showcased you as an actress for the Lead Actress competition?

MICHELLE:
I went from the beginning of Phyllis’ spin out, to her pleading to be exonerated. The thing that I liked is it showed what I do love about the character of Phyllis, and that is that she is dark. She can be very dark and really fierce, but then very broken. I liked that it showed all of that. I had some scenes with Tracey E. Bregman (Lauren) and Christian LeBlanc (Michael) that I started with that weren’t really meant to be as intense as they were, but they ended up being very intense. Basically, Phyllis is talking to her friends and no one believes her about this woman, Diane (Susan Walters). No one believes her and she has no friends and no one wants to know her. She’s become the villain, and it showed her just complete frustration. Then, there is this scene. It was so funny because Phyllis is like in Diane’s face going, “You’re afraid of me.” And then, I got up in her face and Phyllis goes, “and you should be afraid of me.” I’m watching it going, “Bitch, I’m afraid of you!” And then, at the end of my reel, she is just so broken talking to the judge.

Photo: JPI

Your on-screen daughter, Allison Lanier, scored her first Daytime Emmy nomination and in the highly-competitive Supporting Actress in a Daytime Drama series category. What are your thoughts on Allison?

MICHELLE: Allison worked so hard last year. She works hard all the time. She’s so great. I’m so happy for her because she’s just a very focused, hardworking actress. I think, she really has a great look and she’s just fantastic. I feel just so rich in that Hunter King played my daughter for so many years, and now I have Allison.  You know, Allison came into the story when my character was really jacked up and very adversarial and fighting with Summer all the time. I think it was a little daunting for Allison, but she got it. This is daytime, and you have to get on the express train. It’s moving. You either jump on or you don’t get on. Not every actor can do it. It’s a special technique and I think that’s what we all love about it, because that’s the challenge to actually put out something somewhat decent. I never want to say good, because I don’t know if it’s good but somewhat decent, in the limited time we have. I saw what Allison submitted which was fantastic. It’s really impressive. I always say anyone who could be good in daytime is phenomenal out there.

Photo Fox

You and Finola Hughes are nominated together, and are good friends dating all the way back to when you were both on Pacific Palisades together. You had played the character of Joanna, and Finola was the character of Kate. What do you recall about your time on the show?

MICHELLE: The characters we played were best friends on Pacific Palisaides, and I created a great friendship with Finola. Looking back at my time on that show, I don’t think I appreciated it as much as I should have. Of course, I was younger and I thought, “This is my first show. I’ll get many more.” You don’t appreciate things like you do when you’re older. Not that I didn’t appreciate it. I mean, I knew I was really fortunate. I knew I was lucky. I grew up in this business. I knew how lucky I was, but it was just a very different kind of character for me to play. I think it was a little challenging because I had gone from playing Phyllis, to playing like this wholesome Midwestern girl off the farm. So, that was a bit challenging for me, but I had a good time.

So, what do you think of the scenes submitted by Michelle for this year’s Emmy competition? Will you be rooting for her to win her first Emmy in over 20 years? What do you remember about Finola and Michelle in ‘Pacific Palisades’? And, what do you think about the on-screen dynamic between on-screen mother and daughter as played by Michelle and Allison Lanier? Weigh-in via the comment section. And in case you missed it, you can catch the ’10th annual Daytime Emmy Nominations Special’ below featuring live conversations with 10 of this year’s acting nominees.

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General Hospital

GH’s Finola Hughes Chats on Her Lead Actress Daytime Emmy Nomination, New Directions for Characters in Port Charles, and Anna’s Love Life

In four out of the last five years, General Hospital favorite, Finola Hughes (Anna Devane), has almost become a perennial nominee having once again scored a Daytime Emmy Nomination for Outstanding Performance by a Lead Actress for the upcoming 51st Annual Daytime Emmy Awards.

Hard to believe, but Hughes won her one and only Daytime Emmy back in 1991, and has amassed a total of 11 Emmy nominations during her enduring daytime drama career. As those who have watched GH know, throughout any calendar year, you can find numerous stellar performances by Finola that could be tops on any Emmy reel.

Michael Fairman TV chatted with Finola during the 10th annual Daytime Emmy Nominations Special to get her reaction to landing in the field of six fantastic women vying for gold, what scenes went on her now Emmy-nominated reel, what she thinks of how GH is shaking things up under new head writers, Patrick Mulcahey and Elizabeth Korte, and the future of Anna’s love life. Here’s what she shared below.

Photo: ABC

What scenes did you wind up submitting that landed you in the running for the Daytime Emmy in this year’s Lead Actress category?

FINOLA: The whole Charlotte (Scarlett Fernandez) shooting and the accident and that whole thing. Then, talking about that with Sonny (Maurice Benard), and then a bit of the breakup with Valentin (James Patrick Stuart), and then finding out that Valentin had lied.

Who helped you put the reel together?

FINOLA: One of our producers at GH, Michelle Henry. We have these amazing producers. They’re sort of the unsung heroes. They’re in the booth all day when we’re shooting. They do this wonderful thing where they earmark something, if they think that it’s been a good performance. So, they just have this sort of little list (that helps come Emmy time). So, that’s how that worked with Michelle.

Photo: ABC

Now you’ve had a string of recent Daytime Emmy nominations. Do you think GH is  writing more for your strengths in the last several years?

FINOLA:  Yes, and I think it’s become stronger recently. I think writers really take the lead sometimes from an actress or an actor who’s going through something or moving through something in their life. Maybe, that’s they were just seeing, you know, different layers and colors and so they started to write to that.  I’m not sure. It certainly felt like I’ve had some things (material) that resonated with me.

What I have loved about Anna is that she is very complex. She often wrestles with herself over her past as a double agent, or certain guilt that she carries around. It’s interesting when the lines are blurred for her and things get messy.

FINOLA:  I do well with complex and I like messy.

So, what do you think about the nominees in the Lead Actress category with you?

FINOLA:  They are great. I don’t know Annika Noelle (Hope, B&B) very well, but I hear she did wonderful work and she sent me a lovely message. Katherine Kelly Lang (Brooke, B&B) I obviously reached out to, Tamara Braun (Ava, DAYS) reached out to me, and Michelle Stafford (Phyllis, Y&R) and I just got on the phone last night and congratulated each other on our nominations, and of course, Cynthia (Watros) is here with me at GH.

Photo: JPI

You do like do like the fashion of it all for Emmy night, correct?

FINOLA: God, I I live for it. I’m as shallow as that. I might play some complex on television, but I’m that shallow in real life.

So, do you go by the trends of what to pick out to wear for a red carpet, or you just kind of go off what you think looks good on you?

FINOLA: I do like the trends. I really like the fact that the sleeve is having a big moment right now since the film Poor Things. It sent it into the stratosphere.

It’s been 33 years since you won your last Emmy. Do you think you’re a better actress now than when you were even 10 years ago?

FINOLA: I have no idea. It feels like a game of golf always for me, because get on set, like today, I was doing some work this morning and I just doubt myself.  I’m like, “Did I really bring it?” I do think I’m harder on myself now than I was when I was younger, because I really didn’t know what I was doing at all.  It’s a very hard question to answer. I feel like it’s different, but I’m constantly in battle with myself as to whether something works or not.

Photo: ABC


What are your thoughts then on being Emmy-nominated, at times, for more than three decades?

FINOLA: At this point in my life, I just find the whole thing encouraging and extraordinarily sort of affirming, and sweet and lovely. It’s extraordinary to even be acknowledged. That’s the truth.

Currently, on-air, Anna is taking a harder line with Sonny. There’s been a shift.

FINOLA:  Yes. That’s been really interesting. I was talking about this with Steve Burton (Jason), and we actually were working together today. We found like this level between the two of us when it comes to Sonny. It was just really like another whole level as to what I’m doing. I think what’s happened is people’s roles in Port Charles are becoming delineated, you know, where there’s less gray. It’s like we’re sort of moving into areas, right? All of us. That’s kind of great because then you’ve got the hospital, you’ve got the police station, you’ve got the mob, you’ve got the Quartermaines you’ve got Curtis’ nightclub, and so there’s these different areas. Then, your character becomes very specific.  I had those scenes with Genie Francis (Laura) that aired the other day, and it makes sense that we are sort of waking up because unfortunately Sonny’s going through something which we don’t know about, but he’s not behaving well. So, therefore we are like, “If he would do that, then we need to wake up to that Sonny has always been like that.” But, it’s not true. Sonny hasn’t always been like that. We still deal in the gray, because we are searching for the gray in ourselves, which is interesting. And then we have to make a decision, such as, “Where do you stand? Who are you actually?” I think posing those questions to the actual characters is kind of interesting.

Photo: ABC

Now, who’s going to be the man in Anna’s life?

FINOLA:  Well, I want to do some more stuff with James. Obviously, James and I text all the time about how we’re not working together. We all know what Valentin’s up to. However,  Anna doesn’t quite know.

I was originally thinking they might put John “Jagger” Cates (Adam Harrington) in a romance with Anna?

FINOLA: Oh, I know. I love Adam. He’s so wonderful, and so is Charles Mesure (Brennan). Obviously, Laura Wright (Carly) has been working with the two of them as well. They’re both looking like they are in love with Carly, so what can I do? I’ll just take the leftovers. However, I’m hoping that I get to play Valentin. The thing that’s interesting is that he’s a Cassadine. His father has now passed on, so he’s now at the front of the wagon of the Cassadines. It’s in his blood. So, I don’t know what they’ll do.

Photo: ABC

What was our family’s reaction when you told you are an Emmy nominee? 

FINOLA: We had just taped three days of a very big event on the show. I was really tired yesterday and I was sort of laying down pretending to take a nap, as I never can nap in the middle of a day. Then, Frank Valentini (EP, General Hospital) called me to say that, Cynthia Watros and myself, had been nominated for Lead Actress. So, I actually got up and I walked outside and my three kids were sort of wandering around doing kid teenage stuff. I sort of told each of them individually. I was like, “I got nominated.”  They actually said, “Congratulations!” So, I think it actually resonated through the haze of online extravaganzas that teens are looking at it.

Make sure to check out the 2024 Daytime Emmy Nominations Special from this past Friday night below, where several of this year’s Daytime Emmy nominees stopped by the Michael Fairman Channel to share their reactions and more on going for gold come June 7th.

Now let us know, are you happy Finola was nominated for Outstanding Performance by a Lead Actress in a Daytime Drama Series? Who do you hope Anna winds up with romantically down the line on GH under new head writers, Patrick Mulcahey and Elizabeth Korte? Share your thoughts in the comment section.

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Days Of Our Lives

Stephen Schnetzer Talks On His Return to Days of our Lives and Working with Susan Seaforth Hayes In Emotional Episodes

Who says you can’t go home again? In the case of Another World favorite, Stephen Schnetzer (ex-Cass Winthrop), he has proven that it is true, and you can go back to your soap roots and where it all started for you.

Last week on April 11th, Schnetzer, along with several other key returns were on set at Days of our Lives taping all-new episodes of the Peacock streaming soap opera, centering on the funeral of Doug Williams (the late Bill Hayes), and as part of the iconic soap opera’s 15,000th episode.

Stephen is reprising his first daytime role as Steve Olson, the brother of Julie Williams (Susan Seaforth Hayes). The last time Schnetzer appeared on a DAYS set was during his one and only run on the show from 1978 to 1980. Clearly, viewers will be in for some very emotional scenes when Steve returns to Salem to be there for his sister, Julie in her time of need. In real-life, Susan has been going through her own grief, having just lost Bill back on January 12th at the age of 98.

Photo: NBC

Michael Fairman TV caught up with Stephen during the 15K episode celebration ceremony, and during a break from taping the gut-wrenching funeral scenes, to get his thoughts on being part of these highly-anticipated moments that will air later this year in December. Here’s what he shared with us below.

What has this been like for you to work with Susan Seaforth Hayes after all of these years?

STEPHEN: She’s a dream and she’s so bright. We ran lines yesterday and we ended up just visiting for about 45 minutes and just catching up and telling tales about each other’s career. She even dropped off the autobiography that she and Bill did. And being back here at DAYS, every time I turn a corner, there’s another familiar face. When I was on the show 40 more years ago, a bunch of the guys, played softball on a team together. This is really a trip down memory lane as I knew it would be.

Photo: JPI

Taping Doug’s funeral must be a hard day for Susan. Are you checking in with her to help hold her up through this?

STEPHEN: I am and I’m checking in with Amy Shaughnessy (Susan’s assistant), and she’s holding her up more than anybody. We’re there for each other.

There will obviously be some major hankie-inducing moments when Steve comes back to Salem to console his sister.

STEPHEN: Oh, wait till you see it in December. It’s going to be great.

Were you surprised you got this call to come back to the show decades later?

STEPHEN: It was out of the blue! I was completely surprised. They should have called me decades ago! That’s what surprised me. When Another World went down, I thought I’d land somewhere else and it never happened. That was more of a surprise.

Photo: JPI

Cass is such an identifiable character for you. As well, you and Linda Dano (ex-Felicia Gallant) are so synonymous together as best friends Cass and Felicia from Another World. When fans heard you were reprising your role as Steve Olson on DAYS, they are now hoping there will be more of you on the show to come.

STEPHEN: Steven Olson is a real “Cassian “character. I cut my teeth on Steve Olson and that’s how Cass was introduced. He was kind of a roguish charmer. And then when the character stuck for Another World, they rehabilitated me, and turned me into one of the shows heroes. And that’s what would’ve happened if I stayed as Steve Olson probably. So, Steve is the ‘pre-Cass’, Cass.

Photo: JPI

As the story goes, you originally decided to leave Days of our Lives?

STEPHEN: I was never on contract. I was doing a day and a half a week and I got a Broadway play directed by Franco Zeffirelli starring Joan Plowright and Frank Finlay. I was able to it as I didn’t have to break a contract or anything. I cut loose and went back to New York for that.

How well did you get to know Bill Hayes during your first time around on DAYS?

STEPHEN: My first episode was with Bill and Susan, as her long lost brother coming into Salem. They were so good to me. They were so kind. I had been doing eight years of classical repertory theater, never been in front of a camera. I tell everybody, it took me longer than any other actor I’ve ever seen to get comfortable in front of a camera. And they were very supportive at that time in my career. Coming back to honor Bill now in 2024, and to be see Susan, I am just so happy to be here.

Looking forward to seeing the scenes between Stephen and Susan Seaforth Hayes come December and Doug’s funeral and surrounding episodes? Do you hope that DAYS might bring the character of Steve Olson back for a longer stay? Comment below.

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