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THE KYLE LOWDER AND JACQUELINE MACINNES WOOD INTERVIEW – THE BOLD AND THE BEAUTIFUL

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By Michael Fairman

-Are Rick and Steffy ‘up in smoke’ or the real deal?-

On “

The Bold and the Beautiful”, Rick and Steffy have turned up the heat…literally! In shocking and BOLD moves, the soap has changed Rick Forrester into a smug and selfish cad seeking revenge on his family. Meanwhile, Steffy has lost her fraternal twin, Phoebe, through all of the dramatic twists and turns and is now head over heels with Rick, her sister and mother’s ex beau!

TV Soap sat down with actors Kyle Lowder and Jacqueline Macinnes Wood to get an insight into what’s going on in their character’s head, and how they are making steamy windows!

Listen to the audio:

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TV SOAP:

Jacqueline, this pairing between Rick and Steffy came out of the death of Steffy’s twin sister, Phoebe. Were you surprised when you first read the scripts that your character would be linked romantically with Rick?

JACQUELINE:

I was completely shocked how fast we are moving! It was less than a week when I found out that Rick was next. Steffy’s feelings were raw and she had been going through so much. It happened through Phoebe’s death, but I was in shock about it.

TV SOAP:

So now, how does Steffy really feel for Rick?

JACQUELINE:

Steffy is head over heels in love with Rick right now. She wants to give herself to him. When that does happen, nothing is going to stop them or tear them apart.

carcrash.jpgTV SOAP:

As the story unfolded, it seemed that out of their mutual grief for Phoebe dying in the car crash, they got together. Kyle, what is your take on that?

KYLE:

Yes, they came together at the height of their emotions when Phoebe died. Rick was a shell of a man, and everyone was coming down on him. One day, Steffy came to him and said, “I believe you. I know you are not responsible for this.” With their physical attraction to each other, (this was there from the beginning) I don’t think it was love at first sight. I think they were drawn to each other over a mutual grief and found solace with each other, and outside it was dark and scary. They were each other’s support system.

TV SOAP:

So, as we have seen, Brad Bell (executive producer and head writer “B&B”) has been known to write very intriguing stories, and yet throw some “curve balls” to the actors and the characters that one would not expect.

JACQUELINE:

We do shoot a lot and are thrown “curve balls”. It’s good to finally click with your character and get your character, kyle_jackie_2photos.jpgeven though you are being thrown curve balls. I am Steffy now. The things we get to play can be crazy, and we play great off of each other. With the Rick and Steffy relationship it’s complete honesty and no games.

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TV SOAP:

Kyle, you have taken Rick through a 180! He is now kind of despicable. How did you feel when they told you of the character change? How did it come about?

KYLE:

They did a little experiment after Rick got paralyzed as to what Rick would be like. I think it was a nice test and they did like that aspect. He was now a catalyst to bring out a side of Ridge that people had not seen on the show, and I think it worked. Phoebe’s death was supposed to bring the redemption of Rick and make him not evil anymore and come out of that. I think it did for a while. However, the show wanted to get back to having him be the antagonist. I feel I am not alone in saying that first of all, “Of course, I am going to go all out when playing a scene. However, you don’t want to be downright unlikable.” You need to maintain, as they say in the scripts “roguish charm”, which they start writing in the scripts now. (He laughs) You want them to love you, or want them to love to hate you. I have said this so many times before, but it’s so true. If people down right hate you, then they don’t want to watch you. Then you become indifferent, and you become dead in the water. My challenge every day is to maintain almost a charming likeability in the midst of being so unbelievably self -centered and down right sleazy at times, for people to be like, “Oh, he is so deliciously gross.” That’s been the challenge!

TV SOAP:

What has been the feedback from Ron Moss (Ridge) or Susan Flannery (Stephanie) to your portrayal of Rick?

KYLE:

They have each said in their own way, “ We never thought Rick could be like this.” That is the highest compliment, because it’s coming from the vets of the show. At first, they were wondering how it was going to work. I have been evil with all of them, and they want me to go further with it. I would be lying if I said it did not worry me at times. And I quote, as some people have said to me, “Brad’s really writing this character into a corner.” I feel as long as I keep doing my work I don’t see it that way. A character does not always have to be likeable, or a hero and charming all the time to stay on the canvas and be liked. If anything, it’s a lot more fun to be the antagonist.

TV SOAP:

What was it like working with Susan Flannery, in all of those recent scenes of conflict between Stephanie and Rick?

susanflannery.jpgKYLE:

I really have nothing but the highest respect for her. She makes me a better actor. Susan has one of the most intimidating stares on camera and when you happen to be at the receiving end of it…watch out! She makes me want to be so angry to Stephanie. She raises my work to a different level. Every time I know I am going to work with Susan, I really look forward to it.

TV SOAP:

Jacqueline, how is working with Susan for you?

JACQUELINE:

I love Susan. You can tell when she knows people work hard and studies their lines, but she likes to challenge them. Susan likes it if you can be on point. She has thrown things at me and played moment to moment, and so has Kyle.

TV SOAP:

Recently, Rick enlisted in the Army and the move was a bit of a controversial choice. Please explain the background as to Rick’s rationale for that out-of-character decision.

KYLE:

I think the only way I can put this, is to be as respectful as I possibly could be, in respect to where we are as a nation. It’s not exactly a taboo subject matter, and it’s not something like, “Lets do something to shape him up. Let’s put him in the army and that will be a fun story.” No, it was this: Rick needed some structure and discipline. He had gone so far in one direction in betraying his family’s trust; selling out his father and the company’s designs, and had gone too far in everyone’s mind. Rick has gone way too far in his crazy “leap before I look” mentality. He had got himself into the biggest hole and he thought, “I cannot get out.” So, the only way to illustrate he was changing was showing people that, “What other way can I show people I am serious about changing my life, than to commit myself to the military and serve my country?”

army.jpgTV SOAP:

Jacqueline, what did you think of the military component of the storyline?

JACQUELINE:

I have to say, it was a surprise how fast he cleaned up to his act and went into the Army. I thought, “Now, what was Steffy going to do?” For Steffy, it was the love of her life leaving, and everyone was against her.

TV SOAP:

What ended up happening, that stopped Rick from being shipped out?

KYLE:

The Army rejected him because he had been paralyzed.

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TV SOAP:

So, do the two of you think with all of the drama thus far, that Rick and Steffy are ultimately star-crossed lovers?

KYLE:

Here’s what I think: I really believe Rick loves Steffy more than life itself. The problem right now is that he has so much baggage with this whole thing. I think his general love for Steffy is clouded by the fact of his revenge against Ridge. I think he has become so obsessesed with making this relationship work. I don’t think it’s about Steffy and being ‘happily ever after’ anymore, as much is it is about winning to prove a point. I think when all was said and done, the family said, “Good, be together.” I think Rick would sit there like, “I do love her, I really do,” but I think he is too obsessed with the family. I believe in this couple. In my opinion, if and when it does not work out I believe there is a nice foundation being laid. Not to compare us to a Brooke and Ridge, but it’s not the amount of times they break-up. It’s that something will always draw them back together again and viewers would want that.

makingoutnaked.jpgJACQUELINE:

At the beginning, Steffy was just so strong. Not to mention even before that she slapped Rick across the face telling him, “You are not going to touch me.” Her foot was down on it and you don’t know what’s next. I had to play that my fraternal twin is gone, and maybe I am doing this to live her life as well as have fun. She had to fill that void, and she could not talk to anyone. She lost apart of herself. I have to stress that to the viewers. You have to keep remembering that she did lose her fraternal twin, and I think people tend to forget that because we do shoot so fast, and that’s how it’s started. It was about the honesty and it was raw, and we could open up to each other in the heat of the moment! I could tell from the crying and screaming and making out on the floor where this was going to go. It just all happened so fast. I know it’s kind of weird, because of the closeness between Rick and Phoebe. Steffy felt if she was close to Rick, then she can feel she is close to Phoebe.

KYLE:

I really don’t know the fate of this couple, but what I can say to the viewers is it is a couple to really watch. There is a multi-million dollar company affected by their relationship because of the people that work there. There are families affected by this relationship. There are aspects of this relationship where they have no business being together, yet they persist. We are talking about a man and a woman who are so attracted to each other, and really do love each other, but everything is stacked against them, and it’s their effort to win this war, sort to speak. And, who knows what will happen to them when the war is over? Can they survive without the drama? Feedback is divided with people who are for it or against it. Rick was engaged to her mother, Taylor, and her twin-sister!

TV SOAP:

Jacqueline, what is Steffy and Taylor’s relationship at this point?

JACQUELINE:

I think Steffy and Taylor do have closeness there, but I think sometimes they treat it more as friends, with Steffy giving Taylor advice or vice-versa. Steffy is growing and wants to be a woman, yet there is always this competition like, “Oh yeah, you are going to tell me what to do? I don’t think this so. You have not been there for me. I have been in Europe this whole time. Who are you to tell me who to be with? “

kyle_hunter.jpgTV SOAP:

How is working with Hunter Tylo (Taylor)?

JACQUELINE:

I love working with Hunter.

KYLE:

She is unbelievably meticulous about what she wants to say and her intention behind that. She definitely takes what’s written and owns it. I have worked with her for months, and she works her butt off
and knows her stuff. I respect
that!

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TV SOAP:

Jacqueline, what did you think when you first saw Kyle and knew you were going to be working with him?

JACQUELINE:

I thought, “He’s incredibly hot!” Kyle is down to earth and funny. I am in tears sometimes from laughing so hard between scenes. You can chat with him for hours.

TV SOAP:

Kyle, what did you think about Jacqueline?

KYLE:

It’s along the same lines. You look at Jacqueline and she is slamming “hot”, and we have a similar sense of humor. She rides a skateboard and roller blades to work. I think that’s really attractive, especially in Los Angeles where you have good-looking people everywhere. She does not saunter outside into her Bentley and designer clothes and drive home. She gets on her roller blades! So there is a down-to-earth quality to which makes her approachable.

TV SOAP:

And you have some “hot” on-screen sex coming up! How is it to do those love scenes?

makingout.jpgKYLE:

When you are having “screen-sex” with someone you are not romantically involved with, it’s not the most comfortable thing, but to lighten the ice and have a comfort level, it’s always going to help the chemistry. When working together and sleeping together on-screen, we have been able to accomplish that.

JACQUELINE:

My parents watch the show and love it. However, I must
admit my dad feel’s very
awkward about the love-making
scenes. I don’t think he likes it at all!

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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