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The Maria Arena Bell and Paul Rauch Interview – The Young and the Restless

© JPI Studios

© JPI Studios

As of this week, with more than 9,330 episodes aired on network television, and having ranked as the #1 daytime drama for 21 consecutive years (that’s over 1,100 consecutive weeks, for anyone who is counting) in the soap genre, The Young and the Restless has set the standard for quality and excellence.  In a time where doomsday reports continue to signal that the soap genre is becoming an endangered species, Y&R is still going strong. The series will celebrate its 37th anniversary next month, on March 26th.  So what are the secrets to success that keep Genoa City on the map?  On-Air On-Soaps sat down with two of daytime’s greatest creative forces, Y&R Co-Executive Producers, Maria Arena-Bell and Paul Rauch, better known as “The Dream Team,” to get some answers.

But before we begin, let’s take a look at a bit of the background.  As many know, Maria Arena Bell, (daughter-in-law to Y&R’s late creator, Bill Bell) back in 2008, also took over the head writing reigns.  She began to restore the glory of Y&R without comprising the integrity of her cast, characters, and the history of the show.  Enter Rauch, who with tenures as head honcho at Another World, One Life to Live, Guiding Light and Santa Barbara, and whose classic soap values lends itself to Y&R’s on-screen culture, was a perfect match for Bell’s sensibilities.  So how do the duo work in synergy?  You’ll find out.  And, we discuss the topics that have been on many fans minds, the re-casting of Stephen Nichols in the role of Tucker McCall, and Darius McCrary in the role of Malcolm Winters… plus, the duo’s thoughts on the health and prosperity of the current state of the genre.
This is a must read for any long time viewer of The Young and the Restless, as we take a look from the inside at the inner-workings of the number one show on daytime.

MICHAEL:

Part of what the two of you have accomplished together, is that you seemed to have restored the historical value of Y&R, and continued where creator, Bill Bell, had left off.  Was that the plan?

MARIA:

When I came back it was during the strike, and it was fairly sudden that I stepped in.  The only way of storytelling that I really knew was what I learned from Bill Bell, when I was here before and when I was at B&B.  It was all about these character driven stories and rich characters. The minute I got here, it was those characters I knew as a fan and loved, that were brought to the forefront again because I knew the value of those characters and the history of them.  I knew by mining the history and really building story out of character that it was really going to be successful for the show, because that is how this show has always been done.

MICHAEL:

Can you give me an example when you came in and re-plotted the path of a legacy storyline?

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MARIA:

There were a few things I noticed immediately that seemed wrong to me or did not feel right.  One of those was Jill and Katherine relating as mother and daughter.  That was something that immediately felt false to me, and because I did not believe it, I kept thinking in my heart, “I just know they are not mother and daughter.”  And that was how that storyline was born, because watching them together felt false.  I had watched all of the 80’s with the two of them fighting viciously and the 90’s, too.  It was such an incredible relationship that I just don’t feel it or believe it on some intrinsic level.  I think there were a lot of people in the audience who did not feel it 100% true.

MICHAEL:

Jeanne Cooper (Katherine) in past interviews was vocal about it.  She had always spoken that she wished the relationship was switched back to Jill and Kay not being related. Does an actor’s preference or thoughts ever influence you or the writing?

MARIA:

I can tell you when I started feeling it, I did not know about Jeanne’s position on it.  However, I met with Jeanne and she was not shy about saying that it felt false to her, and in some ways I think it felt false to Jess Walton (Jill), too.  Not that they did not play the story beautifully and believably, it’s just those of us who knew their characters were like, “Really?  They are mother and daughter?   I don’t know about that.”  It was more of my gut instincts than anything.  But, Bill Bell would have told you in his era, that the actors had zero influence on the show and that was the Bill Bell way, to be honest with you.  It’s one of those things where people say, “Are you exactly like Bill or are you not?”  The truth is, I am not exactly like Bill because I do like talking to the actors, particularly the people who have been in these roles for so very long who understand the characters so very well.

MICHAEL:

I am sure the show veterans have great insight into their classic soap roles.

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MARIA:

There was a one time where Peter Bergman (Jack) was nominated for an Emmy and in reviewing his submission reels he would say, “You know, I can’t find anything I can really sink my teeth into here.”   He was not sure of what storyline to submit and we were talking about it and he said, “I just want the Abbott family together.”   Peter was talking about wanting the actors back together, but that is really true to who Jack Abbott is.  He has this vision of the Abbots being back together and owning Jabot, and that comment alone drove the storyline for me.  It clarified, of course, that that is intrinsic to the character and the actor, and that has been Jack’s guiding dilemma.  He gets really close and then it moves away.  It’s sort of been something we have done for the last two years, and that definitely came from Peter.

MICHAEL:

Paul, you have been at the helm of many a soap opera.  Did you come to Y&R and put the Paul Rauch stamp on it?  And what do you feel you contribute to the overall process?

PAUL:

No, the show had its own stamp and Maria has put her stamp on the show.  I think the single most important thing that I got accomplished when I came here, was to make good the relationship between writing and production and to establish proper communication, which there was a lack of.  Maria was having a hard time getting through to production and she needed to be way more involved than she was and consulted a lot more than she was.  I think we took care of that in pretty short order.  I think Maria has great taste in acting, and great taste in actors. I think she and I are in sync with everything we do.

MICHAEL:

What do you feel is the single most important element for Y&R’s success?

PAUL:

It all comes from the writing. Maria has the whole show in her head and in her hands, and it comes through every single week.  My job is to get the performances from the actors, get the nuances from the actors, realize the subtext, and give the writers back what they have given to me in large measure.

© JPI Studios

MICHAEL:

Paul, we hear you are pretty hands-on at the set.   Are you in the production booth most of the time?

PAUL:

I am there, and I am in the control room all the time, and Maria is here in her office.  We communicate.  If she does not like something, she will let me know, or if I don’t like something I will let her know, and we take care of.  It’s good synergy.

MICHAEL:

Working with the actors and giving them a slight shift or note on their performance is something you are known for on the set.  Can you give me an example of how that works and helps the scenes?

PAUL:

First off, the actors have always been fabulous.  I haven’t made them better actors, but I can help them realize certain things.  For example, I was playing a scene with Tucker McCall, our new billionaire, and Jill Abbott.  They have had a sexual relationship, and it had morphed into a business relationship with sexual over and undertones.  Tucker said, “You can work anywhere you want and anywhere in my division.  I will even start a company up for you, if you want.”  She played it as if she wanted Jabot only.  Instead of realizing this man was really reaching out to her, because of the relationship they had…the personal relationship.  He was making an enormous offer, which for him was a tribute to their relationship, as well as everything else going on.  I asked Jess to play it, and she took her time with that, and Jill was gratified by the offer and she was pleased with him as a man.  So, we can get extra value in those moments just by me talking to the actors about that moment, in addition to what is on the page.

MICHAEL:  

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Stephen Nichols was quickly recast as Tucker McCall, and William Russ who had just started, was let-go.  How did you come to make a decision like that, and why was the switch made so early on during Russ’s time with the show?

MARIA:

I think we wanted to play the character originally in a different direction.  This is an incredible cast and it’s all about the chemistry between everybody on the screen, and as much as I think William Russ is a fantastic actor, when I watched the scenes it was not exactly how I wanted Tucker to be.  It was not exactly how he was conceived to be, and rather than walk down the road where you are thinking, “Well, it’s not quite right, but maybe…”   It felt like it was going to be better to make a decisive move early on.  I figured the audience would accept it better, if it happened very quickly.

PAUL:

So, it’s not as much of a blow.

MARIA:

Honestly, in watching Stephen in the role, he is Tucker McCall.  He is the character we had created.  It was one of those things that was not fitting with what that character needed to be.  There is no accepting what is not quite right, and the way it was going to impact the storytelling was what is important to me.

MICHAEL:

Recently, you re-cast the role of Malcolm, played originally by Shemar Moore who was so identifiable in the role, with another actor, Darius McCray.  Fans have been unsure of why that choice was made.  He looks so different from Shemar.  How do you make these decisions to recast a major role like that, with someone who is a complete 180 from what the fans might expect?

MARIA:

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I remember I was here when we cast Shemar, and the role of Drucilla.  I was working for Bill then.  I remembered how those characters really popped.  What I remembered of the character of Malcolm was, he was conceived as a guy who had spent some time where he had been on the streets.  He was artistic, he was edgy, and Shemar was phenomenal. When we went to cast for it, we looked at what the original conception of the character was; not about casting an actor who would do an imitation of Shemar doing Malcolm, but an actor who would own the role, who would be Malcolm.  It’s a classic story of the brother who is the good guy who always achieved everything, and went to Stanford and got an MBA, and is now running a company, and the other brother who struggled and made something out of his life, but is more the creative type. It’s such a core of the show to bring that brother back and to have Malcolm come back, and be inhabited by a new actor, and have it go back to the origins of the character.  I think he can play this edgy, creative, young maverick that Malcolm should be.  I think Darius is going to pop off the screen in that role and be a very popular character.

MICHAEL:

When the two of you are in auditions together, do you know immediately when the right actor walks in for the part you are casting?

MARIA:

We have been really in sync, such as the character of Daisy.  When Yvonne Zima came in to read for that role, it was like, “Wow, did she pop!”  She made us go, “Oh, my gosh. She is fantastic!”  You just feel it…. that everything we have talked about in regards to that character, and then that person walks in, you know it.  It was also true of Darius.

PAUL:

The Darius McCray audition was one of the greatest the network had seen in 20 years.

MARIA:

The quality of the actors that were up for the role was extraordinarily high.  Everyone who came in for the final audition, and there were four in the finals, they were all fantastic.  They were all very different from one another, and in the end, it was about this kind of special quality that Darius had.  We just felt that “Star Quality”.

© JPI Studios

MICHAEL:

Do you ever face challenges where you have a more difficult time writing for certain characters?

MARIA:

You have to be careful when you write story not to write them into a corner where it becomes difficult to play them.  I think one of the most challenging things to play is a happily married couple.  I think that is one of things that is a challenge for everybody in this business.  For instance, the fans love seeing Lauren and Michael together.  They are a couple people absolutely love.  So if you are going to tell a story with them, the jeopardy needs to be external and about something else.  They do not want to see them fighting or having marital problems, because that is a couple they can believe in.  So, it does not mean it’s less inspiring to write for them, because for one thing they are two of the more fantastic characters on the canvas on the show.  But it does mean you have to think about how you tell story a little bit differently, which is not a bad thing.  It challenges you and pushes you in a different way.

MICHAEL:

Do you use fan focus groups as input to how stories and characters are working with the audience and use their feedback to alter or determine story?

PAUL:

We do focus groups.  I think you can take certain things from focus groups but you cannot rely on them.  I know people from shows and executives who rely too much on them, but I don’t think that is the case here.  But it’s always good to get a taste of what the audience is feeling or thinking. You take what you can or want out of it.

MARIA:

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I think what is interesting is going back to how Bill thought about focus groups.  He thought it was old information because we have moved past that in storytelling, and the audience is actually commenting on what they are seeing now.  It was things like that, which made him feel it was inaccurate.  What has changed and has made it really interesting is the ability to poll people immediately online – the stuff CBS.com and SONY has done on their websites to see immediate responses of what happened the day of air and that does make us more nimble.   Now that does mean we can sense how the audience is feeling.  I am not saying that I would pull a story totally out if it was not working, but I certainly see the negative feedback.

PAUL:

I will also know if something will work instinctively…. if I am on the floor.

MICHAEL:

So what happens if you are on the floor, and you go, “this is not working”?

PAUL:

Maria will know before I will.

MARIA:

It’s like I can tell when there is a story I need to segue out of because it’s been played out, or it’s not as strong a story as I had hoped, and it does happen.  It happens very rarely though on Y&R, because production is so strong and the actors are so incredibly strong. You write a storyline and it’s almost always better once it’s produced, even than it was in your own head, as opposed to having this great concept in this head, and going, “Oh, geez! That was not what I really had in mind.”  Instead, I am constantly astounded on this show on how the production is.  I am constantly going, “Wow, this is fantastic.  This is better than my draft.”

MICHAEL:

Do you feel pressure to keep this show at number one?

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PAUL:

I provide my own pressure.  It’s more difficult when all of the shows are cutting back because of their financial situations.  I would say for Maria and myself, while we struggle with it, we are winning the battle.  Maria is winning the battle on the writing side, and I don’t think anybody is seeing a diminution of production values.  The pressure for us comes on trying to get the show done on time, get the performances that we want.  But we streamline it, and make it as efficient as we want. We still get it done and maintain the same value.

MICHAEL:

Y&R was known for those long arduous scenes back in its heyday, and now it seems to have quick shorter scenes or snippets.  Did you intentionally change the pace?

MARIA:

As far as that goes, look, the pacing is certainly different than it was 21 years ago, especially historically.  There were longer scenes.  If people watched it now they would be surprised at how long those scenes were.  The change is the pacing has evolved in a nice hybrid, and it’s not like we are attempting to be primetime and cut to that level and be a feature film.  We are still a daytime serial, and we are intimate, and it’s still about character, and sometimes you do create movement in a show through editing and the alignment of the scene.

PAUL:

Everyone would say and agree that the show has maintained its integrity and become more streamlined.  I think this show kind of rocks right now.

MARIA:

That is the goal to keep it as engaging as possible in this day and age.

MICHAEL:

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What are your feelings on the state of the genre and the stability of Y&R?   We know it’s been renewed for two more years, but CBS just cancelled in the same year both Guiding Light and As the World Turns.

MARIA:

I think it’s still a viable genre and still unique, and what we do here at Y&R sort of defies the odds; in that we led the year in every demographic, and primarily winning the youngest demographic, which is the most volatile.  Look, I think it’s a totally viable art form, and it’s totally unique, and it’s the only art form where you get into these characters to the extent you can.  Where else can you have this epic storytelling unless you are reading a Dickens novel?

MICHAEL:

With game shows and reality shows taking over television and daytime, it feels like we are losing must-see appointment television, which soaps are!

MARIA:

We were both saddened to see any daytime drama cancelled.  It’s really disappointing for all of us, because we want to see them all stay on the air.  That being said, we are very fortunate with this show to be in the position we are.  And we have shown it’s possible to have gains or hold your own, and stay viable with the audience.  And I think we have proved that.  So, when you ask about the pressure to be number one, I don’t think about it as I am telling the story or as I am doing my job.  Because at that point, I am thinking about doing the absolute best that I can do and am capable of, and bring my team together to do the best we can do, and it’s an incredible group effort.  We want to achieve the excellence we can for ourselves and for our fans.  The fact that we are number one is fantastic and it’s not to be taken for granted.

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MICHAEL:

One of the things Y&R does differently than the other soaps is truly hold back storyline shockers so they do not leak out too early to ruin the big surprise.  ABC lets some of their story out a month or so before it airs.  Is this part of the ingredients to your successes?

MARIA:

Sure. You have to tune in.  We have managed to keep some very must-see things a secret till it’s time to reveal them.  Really hard secrets to keep….we have blacked out names in scripts, changed names in scripts; brought in people after hours… we have done that.

PAUL:

We cast all contract parts by other names!

MARIA:

Sure, and even beyond that.  For instance, when we were bringing back the character of Phillip III with Thom Bierdz, Thom was just an incredibly beloved guy in that role when I was here in the 80’s.  To me, he always captured that spirit as to what that role was.  I still stand by that story.  I loved bringing him back and having him on the canvas.  I wanted to keep it a shocker surprise.  So, poor Thom was sworn to secrecy, and everyone in the building was sworn to secrecy.   I think Thom was a great partner in making it a surprise.  I remember meeting him to talk to him about the role at some coffee shop like, “I will meet you by the third pillar and we will talk about this.” (Laughs)  Because it’s about shocks and surprises… this is about what is going to happen next… this is about cliffhangers.   I think one of things I think I instilled back into the show was building towards that Friday tag, and wondering what’s going to happen over the weekend and having that burning curiosity of  “Oh, my God!”  And that goes back to the classic soaps and days of radio, and that is what soaps are about.

MICHAEL:

Now, don’t you also try to get big moments to happen during the week so they are not only in Friday tags?

MARIA:

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In the storytelling I try to do that, but my team is sort of addicted now to the Friday tags.  They are like, “But wait, should we do that at the end of the week?”  I am like, “No, you have to have surprises on other days, too.”   Everyday is a Friday is my motto, but I do like the idea of audiences on pins and needles over the weekend.”   I love what fans are doing on the message boards going, “OMG!  What’s going to happen?”

MICHAEL:

Do you read the message boards?

MARIA:

I do, of course.  And so does my writing team, and Paul does.  And is it sometime tough when there is negative feedback?  Yeah, it can be tough to read that.  But on top of it, not only do we read it and listen, but also we are not always dictated by what the fans say, because as you say, sometimes you do want to do something that pushes them to the edge.  And right now that is the character of Adam.  Is he a hate or love to hate?  People are obsessed with when is this guy is going to get his comeuppance!  They scream, “I can’t take it anymore!”  I get it and I understand, and I know it’s driving you crazy, but that is the point. We want you to like, “Argh, when is it going to unravel?”  Because, when it does, and it will, it will be huge!

MICHAEL:

Has there ever been a time where an actor comes to you and goes “I don’t like this. What is going on here”?

MARIA:

Sure, most often.  I have never had a meeting where actor does not walk out going, “Ok, now I get it.  I get that it’s a journey.”

PAUL:

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You don’t tell the actors their entire story because they have to play it in the moment and you don’t want them to anticipate the end of the story of what they are playing.  You need that degree of spontaneity from the actor, and the enthusiasm from the actor is important.  I had an actor come to me last night going, “Why won’t you tell me what is going on here?”  I looked at him and said, “You have got to play the moment and the spontaneity of it.”

MICHAEL:

What happens when actors want to know their storylines a year out so they know how to play something?  It seems some actors I have talked to say they know story quite in advance, and some don’t know at all.  Do you let them know?  Do they leave you alone on that since you are the writer?

MARIA:

Quite the opposite, I get grilled!   They go, “Am I going to be with so-so?”  I won’t answer!  I tell them, “I can’t tell you.”  I mean there are times when somebody is really concerned about a direction their character is going in and selectively we talk about it. But in general, that’s part of the ride and being on this side, and the group of people we have now, they have faith in the standards of the writing, and so they are not questioning a lot.

MICHAEL:

Victor/Nikki, Sharon/Nick are some of the true super couples of the show.  Don’t you think romance is a key ingredient to Y&R’s integral success?

MARIA:

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I think it’s not just the couples. Victor and Nikki is one of the most powerful love stories on the show and even through when they are not together they have this pull, and even when they are married to other people, there is this pull that will never end.  It’s an incredible larger than life, grand love story.  But I think as much as those relationships, it’s the family and friend relationships that are just as crucial.  I think that intense rivalry between Jack and Victor, and that incredible friendship between Victor and Katherine, and the links that she had to John Abbott and how that translates to Jack, if you really examine it.  It’s all these relationships that are pivotal.  It’s the families on the show.  I think that is something that is at the core of storytelling in the genre: their histories and their rivalries and their alliances.  One shining example of that was recently within the Victor and Jack rivalry, and then the Abbots facing that difficult decision of Colleen’s heart, and giving an absolute beloved child of that family to someone who has been their sworn enemy in many ways.  It really showed how those rivalries change and morph and are still there, and it sets up these incredibly strong dilemmas.  That is just as important.

MICHAEL:

Y&R has a legacy of great psycho and twisted characters like Sheila, and now Patty.

MARIA:

Stacy Haiduk as Patty/Emily has been great in every single one of the morphs she has had to play on the show.  I think you need catalysts that make things happen, which are a little twisted or a villainess perhaps, or a little off, or a little crazy, to inject into a grounded realistic group of characters and that does add some spice and excitement to it.

MICHAEL:

Social issues have been a big part of Y&R’s history, and in 2009 you tackled the gay issue with Phillip Chancellor returning some 20 years later, announcing he is gay to his family.  He is now off the canvas.  Will Y&R address same-sex relationships in the future?

MARIA:

I would absolutely like to do more with that, and I loved and love the character of Phillip, and his son, Chance, is still on the canvas.  Nina is on his canvas, his mother and grandmother are on the canvas, and he will be back.  The truth of the matter is I wanted to do those relationships in this very organic way.  So, I absolutely think there will be in the future, love for everyone in the show at some point.

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MICHAEL:

Your closing thoughts on why Y&R is so unique in the soap world?

MARIA:

The thing that has made this special is still these characters.  I think there is something magical about this show, and the magic is still there and I think that is why people are tuning in.

PAUL:

You’ve got to have magicians.  Well, two magicians! (Laughs)

For more on Y&R with Maria and Paul look for an upcoming issue of CBS Watch! Magazine.  You can subscribe here.

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Rob
Rob

I can’t believe a word out of their mouths, especially when they praised Yvonne Zima to the high heavens. That girl cannot act to save her life! She needs to be off Y&R, they should recast Lily, and for heaven’s sake, bring Victoria Rowell back as Dru.

TEXAS woman
TEXAS woman

There will never be another Nikki and Victor! Hell the Nikki and Victor we have now is no where near where they used to be!! He is abusive to her and she is submissive!! why would need another couple like that!! and Nick and Sharon are old school, old news and DIVORCED!!!! Why can’t they fade into the land of all of the other divorced couples in the soap world!!! They sucked as a couple for 10 TOXIC years!!! We don’t want them back together!! When will TPTB finally listen to the fans and move forward instead of trying to relive the past!

preity
preity

They need to bring romance back starting with Nick and Sharon, they truly are a supercouple. They don’t need to have stupid surprises every week the need better writing and more character driven storylines instead of stupid plot twists. They also need to stop dumbing down vetren characters to prop the stupid new ones ie..Daisy and Lauren, Adam and Sharon

Sadie
Sadie

Sharon IS a vertaran actress; NOT a “new character.” You must be new to the show.

gman
gman

What I think the post meant to do was give examples of how veteran characters have been twisted in order to accommodate new characters, Lauren being snowed by Daisy, and Sharon being tricked by Adam

preity
preity

THANKS GMAN THAT IS WHAT I MEANT

Bill
Bill

I think they should bring back Dina!!!!

JimTolkien
JimTolkien

In Jan 2008, Y&R had almost 6,000,000 viewers, it’s now Feb 2010 and Y&R is just barely above 5,000,000. And this is called a success, pfttttt!!! I am not even going to comment on parts of this interview because it is clear MAB & PR believe in their “own brilliance” **rollseyes** while the viewership downturn and dissatisfaction says otherwise. It’s not worth it to comment. I am probably more embarassed for CBS really the #1 network for quality, (my favorite network aside from CNN), that they are scraping so far at the bottom and so desperate that they actually think this Y&R product is a good thing!!! It’s embarassing what passes for #1 these days – doesn’t say much for soaps, does it! Yvonne Zima got a WOW and she pops onscreen, Darius McCrary, the best audition the network has ever had, really Maria ?, really???? Sounds a bit more defensive and overcompensating for just how terrible those choices were/are.

But more than anything Michael being a a big fan of yours, the only thing that this interview caused was that you have a lost a lot of credibilty with me. I can’t believe you did not ask any tough questions here. It’s as if the soap press takes it easy on Y&R because they know the genre is dying off and don’t want to rock the boat further. The genre is full of recycled stories and recycled fans who move from soap to soap and they have no way of garnerning new viewers who can prolong it or writing for those longtime viewers who actually don’t mind the silliness now and then, but we are a lot smarter than you give us credit for and all this does in the long run is drive us away, bit by bit.

And not to make a bad analogy here, this entire interview reminds me so much of Toyota right now, it’s only a matter of time before the implosion occurs. We can only be strung along for so long. I thought perhaps maybe I was complaining too much about how poorly Y&R is being written and produced, a show I have watched and loved for over 30 years – MAB just confirmed for me that she hasn’t got a clue, she is NOT CREATIVE enough to think outside the box with her stories. For every story aside from the BRILLIANT CHIPMUNK malarkey **rollseyes**, I can go back in time and remember exactly how Bill Bell wrote it. And all she has done is go back into the archives, dig up his stories and made a MOCKERY out of them.

MAB & PR should stop trying to re-create the past because they suck at it..and it’s not healthy to live in the past anyway!!!!!!!!!

Fans of The Young and the Restless
Fans of The Young and the Restless

Great article. Although I may not agree with the progression of certain storylines and casting choices, it is nice to gain insight from the inside. Thank you.

Heidi
Heidi

Well, that was interesting. I believe they have often compromised the integrity of characters. Cane would never have let Lily suffer by thinking that the baby was his. That whole rewrite was the sloppiest thing I have ever seen and it was all done to bring back P3?Maria still stands by that horrible story? The scenes maybe shorter but the stories seem to drag on way past their prime. That chipmunk fiasco seemed never ending and this Sheila/no Sheila has lost my interest. I complain but all and all I still love the show. My main complaint is that we see some actors/characters 5x per week and others 1x and that seems unfair. Not everyone adores Billy Miller and at times it seems to be the Billy Miller show .

TEXAS woman
TEXAS woman

preity – we had 10 years of Nick and Sharon!! TPTB need to move forward with the show and not go backward! Nick and Sharon were NEVER a supercouple and never “romantic”! TOXIC yes!

MAB is her own worst enemy, she destroyed Nick and Phyllis to attempt to re-unite Romeo and Juliet, hey Maria!!!! Romeo and Juliet are DEAD!!! their story was never a romance, it was a TRAGEDY! just like SHICK!! dead and buried, please leave them in their casket.

amazed_at_this
amazed_at_this

I can’t believe that they read the message boards and listen to the fans but the fans still aren’t seeing a change. It’s one thing to be dictated by what the fans want, but it’s another thing when you’re reading the same things over and over and REFUSE to do anything about it. The way the fans feel about the show is reflected not only on the message boards but in the ratings as well. But I see that MAB and PR are not particularly invested in promoting romance with couples as they think and further stated that “But I think as much as those relationships, it’s the family and friend relationships that are just as crucial”. They put a lot more focus on the family/friend relationships/feuds than into romance which is, in my opinion, the basis of soaps – the romances, forbidden loves, affairs etc. Sure we like the business aspect of the show, the intrigue and so on, but it’s not what will take the show forward – it can’t.

amazed_at_this
amazed_at_this

I agree with TEXAS woman. While I am not a great fan of either pairing, Sharon and Nick were great in their day, but you have to admit that their marriage was less than solid. It was pretty empty and it seemed after a while when they continuously cheated on each other, that the love they had for each other in the beginning was not there anymore. It was pretty easy for either of them remain committed to the other.

Nick and Phyllis – I must admit I loved the way they came together. I loved that the writers took time to build on their relationship and they weren’t just shoved together. They showed immense passion when they were on opposite sides of the fence during the “Daniel on the run” storyline and that passion transcended and ignited when they both realized they were attracted to each other. This relationship has gone down the tubes now, thanks to MAB and her team and they aren’t even a couple worth rooting for anymore. The few times that Sharon and Nick were thrown together BOMBED in the ratings. What else is needed for these writers to get a clue that Nick and Sharon are old news?

preity
preity

I’m sorry I disagree I find Nick and Phyliss boring as hell. All they ever had between them is Sharon, she get’s both there motors running. Phyliss is better when she is the fiesty in the villian role, this stepford wife routine is so boring she should go back to her villanous ways at least then she would be interesting. Truthfully Nick is the one that is bringing down both women. But romeo and juliet story is the story that brings in the viewers. I believe they still have a lot of story to be told. If done properly, otherwise Sharon deserves way better.

Perry
Perry

Right on!

HEATHER
HEATHER

All I have to say is that Y&R is doomed! MAB is no William J Bell. That man was creative ,innovative and cared about the actors of the show as well as the fans. He wrote this show with intelligence and created storylines that involved romance, intrigue, social issues such as AIDS, bigotry, cancer, teen pregnancy, mental health and more. And most importantly he knew how to write for strong characters such as Drucilla Barber Winters and Neil Winters, it just goes to show you that it’s not necessary to have a black writer to created a well written story for afican-americans! W J Bell made that happen. Paul Rauch makes me utterly ill. He helped with contributing to the demise of Guiding Light back in 1997 that began with the firing of the late Michael Zaslow. He created the Reva clone and other bizzare SCI FI plots that don’t belong on a daytime lineup. MAB needs to listen to the fans! We are the ones that keep these show going by supporting them. Listen to the cast as well. Did Jess Walton and Eric Braeden almost leaving the canvas not teach you anything? If the remaining daytime shows don’t shape up they will meet the same fate as the proctor and gamble programs.

Whynot
Whynot

If MAB and PR continue the way that they have been they then Y&R is doomed. The reason that most of the viewers still tune in is because of the legacy left by Bill Bell he created such a rich tapestry of characters, families, friends, enemies and storyline and all it seems as if MAB has been doing is trading on those storylines and re-writing those storylines over and over and over and each times she re-creates that storyline she loses something in the process and the heart of the show beats a little more faintly.

Most of the fans from the show do not care if Victor and Nicki are EVER together again because we have seen it so many times and Victor Newman is one of the most abusive men that I have ever seen. He does not care anyone or anything and they have turned Nicki into someone who is mindless just to be able to tolerate him.

When the veiwers are asked about their favorites storylines or couples the ones that they name are not from the MAB era, they are from before that era and from the legacy that Bill Bell, and the other writers before MAB, created. MAB’s legacy is to re-use and milk Bill Bell’s storylines and to destroy every couple the fans have ever cared about because she has not been able to create a couple that the fans have cared about during her years on the show.

Renaee2006
Renaee2006

I agree, Mr. Bell would have never split sharon and nick up the way this writer is doing.HOW COULD YOU MAKE SHARON SEEM SLEEZY AND MAKE PHYLISS SEAM LIKE THE VOUNDERABLE ONE . Young and the restless should have left phyliss with jack . phyliss and nick just don’t fit. It is to fake. Sharon and nick will always be the number one couple under victor and nikki. I hate you new writers teasing us with nick and sharon .I guess it is the way phyliss stold nickwhile sharon was greiving the lost of cassie. Y ou have a lot of loyal fans that want to see their number one couple nick and sharon back together. THE NEW WRITERS WILL ONLY HAVE THEIR SELF TO BLAME FOR YOUNG AND THE RESTLESS LOOSING THE RATINGS AND THE SHOW GOING UNDER. I remember when i could not wait to see y&r now i can’t wait to see gh. Do you writers really expect for us to believe that nick love is not strong for sharon? I can not see no chemistry in phyliss and nick but all nick and sharon have to do is hug and you see all kind of chemistruy.. Put nick and sharon back together . Phyliss just seems like a third wheel.

Disgusted in Denver
Disgusted in Denver

This show has gone so far off the cliff that I don’t think they can save it now. What a crock that they read message boards and talk to the actors.

William Russ’ portrayal of Tucker was dead on and they got rid of him, and the “actor” (and I DO use that term loosely) they brought in to replace him is just a cold recycled attempt to make yet another Victor-like character.

The whole Scooby gang (Ryder/Daisy/Kevin/Jana/Amber) makes me switch the channel every time they are on.

However, it really doesn’t matter – TPTB are going to do what they want. You, as a viewer, have control though – switch off the set or make your comments known by writing them. But don’t write your comments on the message boards – posts are being deleted, and payoffs are probably being made to the moderators to make everything think everything is great in Y&R delusion land!!!

StephenisTuckerMAB
StephenisTuckerMAB

Are u 1of 30 or so people LOL that kept ruuning around all over the Message Boards calling Stephen names maybe that why your post our being Deleted its ok we the Stephen Nichold Fans still love u

isa2009
isa2009

Excellent post! ITA with everything you’ve said here. I’ve tuned out for several years and started to watch again off and on when they were suppose to reunite Shick. I’ve continued to tune out most often and once in a while watch now. Just like you, I’ve tuned out and watched other shows while the “Scooby gang” is on…lol It’s sad to see that this soap has gone down hill and it’s not what it use to be. Very sad in MO!!

melissa
melissa

I agree…the old Tucker was really really right on for the show, I LOVED that guy!!!! The need help with writing more romance, and Phyllis and Nick are so over-played, I am so sick of Phyllis Summer and Nick!! How about if when all this stuff hits the fan, a REAL ROMANCE BETWEEN TUCKER AND SHARON CAN DEVELOP?? That’s what I’m looking for, a REAL Princess wedding, and horse drawn carriage, NICK is not a good enough guy for Sharon…Once Tucker makes up with his mother, he can be a good guy.

HEATHER
HEATHER

Also I hope Drucilla is brought back soon. As for the Actress that plays Daisy I am not liking the character as all , but it’s nothing personal against the lovely youg lady that plays her. Ohh and before I go I just want to say that as much as I love the character of Shelia Carter, that storyline has been played out. With MAB writing it it will be a disaster. What will happen is that Shelia wont be played by the talented Kimberlin Brown it will be played by Melody Thomas Scott LOL. Tracey E Bregman is a wonderful actress she has proven that she can carry her own weight without the character of shelia carter involved. Okay I am done ranting LOL.

Perry
Perry

Yes, bring back Drucilla. The lady has some edge. Make the new Malcolm go away – he is a walking cliche.,

isa2009
isa2009

I find it sad that MAB said they read the message board, yet they don’t listen to the fans. What’s the sense in that? I disagree with those that say that Shick should be “dead”. Shick should have NEVER ended to prop up a sick couple such as Phick to begin with. Here’s some new flash….most fans don’t care to see a horny old woman sexing up a young man every second of the day and in every corner looking like a “dog in heat”. That is NOT romance, but simply lust and nothing more. You’ve dumb down Nick in order to make Phyllis look better….here’s a flash folks….Phyllis is a socio that will NEVER be BETTER. Don’t try to sell it to us, we find it sick and won’t buy it any more. I think if they were to put back Shick with their child Faith, this soap would be great once again. There are more Shick fans than there were ever Phicks and to keep dangling Shick in the fans face is silly. As for Victor and Nikki, they’ve lost the look of love due to his abuse over the years. Either pull them apart for good, or keep them together for the rest of their time on the show. MAB needs to do better than that!

Lex
Lex

The demise began when Kay Alden, Bill Bells right hand and protege was let go along with Jack Smith. They knew this show and had managed to keep it above where we are now. They knew the characters, they knew how to write character driven storylines. LML came in with a single vision of creating her own show, with her own couples. She destroyed Nick and Sharon to give us the cheapest couple that ever dis-graced TY&R. Whatever sexual chem Nick and Phyllis had was not enough to expound on and try to make into some sort of daytime couple and as a result it ruined Nick beyond measure. Phyllis should have been left with Jack or at the very least left to be the capable villain with a heart that she was moving towards under KA’s writing. Lauren has also been compromised and now she is nothing more than a prop to hold up Michael and the boring as hell Baldwin clan. MAB has no clue what she is doing and instead of correcting things that seriously hurt the show, she’s only focused on dong what doesn’t feel right to her. This show moves so fast now that beats aren’t played and the audience is treated as if we are all stupid. Go ahead and keep patting yourself on the back Maria, the late great WJB would not be pleased with any of this.

20+Year Fan
20+Year Fan

I agree 100% with your post. LML tried to turn Phick into something they could never be – a believable, viable, long-term couple that most fans could root for. Now MAB is still trying to hold onto this couple despite the fact that the many, many fans – both the volatile and stalwarts, prefer Shick over Phick. True romance is a staple of any soap and Phick just doesn’t have that crucial characteristic and is why many soap press do NOT consider Phick a true super couple. MAB says they read MBs and talk to the actors, but clearly she isn’t listening. Perhaps she and Paul need to go back and seriously study what the previous writing regimes from Bill Bell up until LML hijacked the show were doing because THEY obviously knew how to mix the ingredients for a successful show and MAB and her writing team clearly are still clueless about what is staring them in the face. So yeah, let lthem keep praising themselves while the ratings continue to drop compared to where they were a year or two ago.

Sadie
Sadie

I have watched Y&R from day one, but I have to say, if it wasn’t for Adam/Michael Muhney, I’m not sure I would still be watching. He is the best thing that’s every happened to Y&R. And pairing him with Sharon Case was genious! They are the best couple I’ve ever seen on Y&R; a true Supercouple.

I hope Michael stays with Y&R for years to come so I don’t have to give up my soap. Adam and Sharon are the only reason I tune in these days.

Whynot
Whynot

I liked Adam and Sharon at first and I find myself liking them once in awhile now. They are the first couple to come along in years that I could care about but the way their romance has been rushed for the sake of another storyline makes it harder to like them.

I do think that Adam is one of the few reasons to watch the show.

David Lightfoot
David Lightfoot

Michael, first of all, thank you for your e-mail on my reply to isa2009’s comments on Shick vs. Phick. Your reply came just as I started to type this. But please excuse me, for I am about to go into another rant mode. I am just here to set the record straight. First off, I can’t even believe the worlds that have come out of the words of Maria Arena Bell and Paul Rauch! This is the most laughable interview I’ve ever read and it makes me wonder what kind of stuff these people are doing. There are so many things wrong with that interview, I don’t know where to start. Ever since Maria Arena Bell came onto this show and Paul Rauch joined, this show has been worse than ever. While I’m not longing for Lynn Marie Latham to return to this show, (I at least hope she’s learned a few lessons on how to write a soap opera properly, but that may be wishful thinking) I must say Maria Arena Bell has had many chances to fix this mess, and she’s blown them all, AND have been given too many more chances to blow. In fact, she has ruined this show so badly, that I’ve come up with a new nickname for her, but I can’t reveal it out of fear that it may cause this post to fail modification. I’ve also spent more time at my volunteer work stint at a non-profit organization in hopes to avoid this show. I call tell you, I know what I’m missing. It’s pretty bad when all you care about on this show is which actors will be featured in the opening theme video. To begin with, if Bell is stating that she is writing character-driven stories, then I seriously don’t believe her at all. I see this show as a bigger plot-driven disaster than it was when Lynn Marie Latham was writing. We’ve seen Adam become an egomaniac as he first tried to make life miserable for both Nick and Victoria, destroy his own sight by taking disapproved medication, torture the hell out of Ashley, and become so antagonistic to his own family, that even Victor is disgusted enough to disown him. We’ve seen Ashley go nutsoid, suffer a miscarriage, and then crazily think that Sharon’s baby (who may or may not be dead) is hers in the psychatric ward; this baby switch can count as the Top 3 Most Bizarre Y&R Storylines. We’ve seen Sharon go just as psycho as Ashley when Nick went back to Phyllis, sleeping with anything that moves, becoming a kleptomaniac, and suffering a bigger meltdown than Mariah Carey did as a result of “Glitter.” We’ve seen Nick going back and forth between Phyllis and Sharon, something which Phyllis/Phick fans are beyond tired of seeing. Lily’s cancer storyline was basically a slap in the face to actual cancer survivors and their families. Need I go on? I could be typing until the end of this… Read more »

isa2009
isa2009

I’m sorry, am I missing something here, concerning your “response” to my post? I didn’t notice any reply to my post made.

pbannie
pbannie

I am so sorry I wasted my time reading half of your post. When I got to the part about Sharon Case being jealous of MS I realized I had wasted precious moments of my time reading drivel. And your saying ugly things about both Cane and Lily and dogging the church on top of that just made me rme. No wonder MB doesn’t listen to us posters when they go off on incoherent, unearthly rants such as yours.

Mandy
Mandy

This guy David’s obsessive hatred of Christel Khalil is crazy and scary. I hope she never meets him in a dark alley because this coward’s obsession is not reasonable and borders on insanity. He goes from message board to message board spewing hatred for a woman he doesn’t know all under the guise of pleasing Victoria Rowell. Another woman he probably has never met.

Doe
Doe

David… and your point is?….. You all are still watching the show like I am and yes I yell and scream at the TV when Y&R is on, but isn’t all of that and everyone’s complaints and vetting, part of the love and hate that all of us fans have have like our own mini soap? I don’t like many of the stories or characters, but I’m realistic with the fact that You and I don’t have any control what happens or with the writers either. I will still be watching tomorrow and after…….

isa2009
isa2009

I would rather watch a show that has story lines that amount to something rather than watch a show that looks like it’s intended for the purpose of soft porn material. YES, I’m talking about Phick/Phyllis. I know that most are upset that Phick is dead and has followed in the same fate of Shick in terms of lies and cheating, but that is what the writers intended when the did this to Phick. Shick isn’t any more “toxic” than Phick and IF that is what the writers intentions were when they mirror these two couples, then that was accomplished. As for MS not having the air time that some of her fans think she should have, that’s all hog wash. I’m quite thankful for little favors since all she does is SCREAM her lines, laugh through the whole thing and put her hands to her face/hair/mouth and annoy us fans. I don’t think MS needs a lot of air time, since Phyllis only reason for being on this show is to have sex 24/7 with her young stud. Sharon Case is a good actress, better than MS would or could ever be. I realize that the Sharon Case haters are not happy that MS hasn’t the same air time, but it’s obvious that SC has the bigger role since her character is the important one from the get go. I’d be totally fine if they got rid of MS, I have nothing against the actress, but I’m tired of watching her head flung from side to side, and her stuffing her face with donuts and eating like a pig on the show, I don’t watch for this, I watch for drama, action, love etc. Thanks.

Isla
Isla

Then stop watching so you can quit complaining.

isa2009
isa2009

Last time I checked this was a forum for comments and not to mention my freedom to write what I please, just like everyone else here. Thanks for coming out!! Maybe a better suggestion would be for you not to READ my post!!

David Lightfoot
David Lightfoot

isa2009, my first comment to you did not pass moderation, so here’s a more toned-down version for you. First off, I’m tired of hearing about how fabulous Shick is and the “sickness” of Phick! Nothing is further from the truth! For ten whole years, we, the viewers, have had to put up with Sharon and Nick’s endless parade of lies, cheating, finger-pointing accusations, Sharon’s “woe is me” act, and her lusting after another man when she doesn’t get the upper hand in the many fights with Nick and the Newman family. We all know that Sharon grew up on the wrong side of the tracks in near poverty with a struggling single mother, and the only reason why she went after Nick (when he was dating her best friend, no less) was because she knew his family was wealthy with lots of cash and privilege. That is not a woman of class, that’s what we dignified people call a golddigging tramp. Is it any wonder this woman has had animosity with Nikki the entire time Shick was married? And here’s a news flash for YOU… Sharon has cheated on Nick NUMEROUS TIMES during the ten years Sick was together! First there was Diego Gutteriez, whom Nick’s sister, Victoria was romantically interested in. Then there was Cameron Kiersten when Sharon just up and left her husband and kids for no apparent reason other than she “had to figure some things out.” Yeah right! She just left so she could have sex with some Playgirl model wannabe in a honky tonk bar in Denver! Then, there was the infamous mattress Macarena with Victoria’s HUSBAND (yes, I said HUSBAND), Brad, when the two were united in a hotel room in New York, followed by a heavy make-out session in a parking garage in which Nick caught them red-handed. We all knew Sharon wanted him from the get-go, the way she begged him to back out of marrying Victoria on their own wedding day. She even confessed her love for him over the intercom in the hearing of her second husband, Jack (whom she screwed one evening shortly after her dinner with Brad!) Oh, and let’s not forget her tounging Victor, which Nick also caught! And shall we get into the many men she had over at the ranch while sending Noah to all those sleepovers at Sam’s house, this so soon after Cassie died? Really, I’m surprised CPS didn’t intervene to take Cassie and Noah away. I worry that little Faith will suffer that very fate! And how does Sharon justify her actions? By telling everyone she was hurt, lonely, confused, and blaming everyone around her – Phyllis definitely included – for her actions and acting as “motivation” for her to cheat. Nothing is ever this woman’s fault, she takes no responsibility for her actions, and we Phyllis fans can see this crystal clear! If Sharon and Nick reunite with Faith in the family that you and all the Shicks want, it’s going… Read more »

isa2009
isa2009

LOL, I like that old saying. If you don’t have anything good to say, then don’t say anything at all. That would help in the first place so the mods won’t block your post to me or anyone else. Just a word of wisdom for the future if you care to harken! There was no need for you to write me a book in response, I get the point that you don’t like the show very much at this point in time. I also understand from your previous full page rant that you don’t like Shick and prefer Phick. I also understand that you like MS and not SC. That is all fine with me as each and everyone of us has an opinion and we are entitled to that! We see things differently and you won’t change my mind and from the looks of things, you won’t be changing the writers mind either. They must have seen something in Shick to have them hold on to this s/l with Sharon and Nick over the past few years, while Phick is married. I like SC and I enjoy Sharon on the show. I think the writers see that SC is an outstanding actress and that is the reason they have given her such a huge role, that requires so much air time. I understand that you don’t like that and that’s cool too. Doesn’t change things one iota though! There are many aspects of this show that I don’t like, but I realize that I have the option of watching or tuning out, which I have chosen to tune out for years. Shick and Phick marriage suffer from lies, cheating, deception etc, so for you to rant over Shick is senseless in MO. Phick is only SEX and nothing more. No love, no communication, no affection, no comparison to Shick that at least had a marriage that lasted for 10yrs regardless of the hurts and pains. That would explain why Nick wants that back and would leave Phyllis for it. Phick is made up of deception and not to mention a murderous socio that is obsessed over a man that she stole. Ain’t nothing entertaining about that for me. MS isn’t worth air time in MO, she screams her lines, bites her fingers, tosses her head from side to side, laughs through her scenes, don’t know what personal space is and nothing that is worth my time. I prefer Romeo and Juliet to Phickness porn, but thanks any how. As for Sharon being a porn star, I don’t see her jumping on any desks at the office and being called a “dog in heat” by anyone. I don’t see Sharon doing the nasty with anyone in every corner of office space and begging for a man to stay with her when he tells her he loves someone else. NO, that would be Phyllis, a low life, that is out of touch with reality, that is heartless and unkind, uncaring and… Read more »

webkitty
webkitty

As my grandfather would say: “What a bunch of hooey!”

k4lane
k4lane

Okay, I have read the interview – which I laughed out loud at in several areas and I have read everyones comments and I have to say that MAB and PR have their dellusional blinders firmly in place. The bells are tolling for the end of Y&R if these two remain at the helm!! Let me just first comment on their stellar casting achievements of the girl who plays Daisy – next to the Scooby-Doo gang one of the most annoying and useless characters to hit Y&R. I’ll throw the Ryder character into that comment too – and she just ‘popped’ as Daisy, MAB??!! REALLY??!! And DM as NuMalcolm – ‘the best audition they have seen in twenty years’??!! REALLY??!! He is and always will be Eddie Winslow – no matter how low he tries to make his voice!! And his character is about to become a grandfather??!! Are you flipping kidding me??!! He looks and acts like he is barely older than twenty-one and he is supposed to be Lily’s bio-dad??!!! Sorry MAB and PR those were a couple of the worst casting decisions that you have made to date. Old Vic and Strip-Nikki are a super couple of the highest romantic estemes??!! He wished her dead in a coffin just over a year ago and now she is giving lines like ‘Well the King does deserve to be in his castle’ in reference to him getting the ranch back from Ashley – again are you flipping kidding me!! Adam pushes his then step-mother down the stairs killing her unborn child and as he is mopping up the remains he is plotting his next move – that was pretty sick IMO!! On top of that we have a LEGALLY BLIND CHARACTER reading the normal small print of a magazine – the latest edition of RS, without assisitance and being the key to discovering all the bids in the Jabot auction by breaking in opening all the envelopes in a way as to be undetected and reading scanning and then emailing them to dear old dad Vic – WOW he has better sight than I do and I’m 20/20!! (insert sarcasm there – LOL!!) We got Sheila or someone associated with Sheila back again – YIPPEE!! Cause that’s not over done or anything. Crazy Patti/Mary-Jane/Doctor Emily Peterson was interesting at first but now it just feels like a different version of Sheila and I actually really like the actress who is playing those multi-characters and apparently TPTB do to since they keep reincarnating her into someone else who still – well looks just like her… And I just love how everyone who meets the latest version of Doc Emily freaks out for a second and then it’s all okay because it’s totally normal to see someone who looks exactly like someone else who happens to be evil and think nothing of it – LOL! Now let me comment on MAB’s (in her mind anyways) ultimate coupe of bringing back TB… Read more »

pbannie
pbannie

Love it and your humor. Hopefully your post will be read by MAB and PR and they will take heed.

Trish
Trish

Ok, I read the interview and I have to comment. I have never in my entire life heard such delusional crap. They are even crazier than the characters they write, namely Patty and Sheila. And if they think that what they’re giving the audience is their BEST then Y&R is even closer to extinction than I thought! First of all let’s start with some of the characters they have brought on since MAB has been at the helm: Jeffery Bardwell (Mr. Magoo) – what were they thinking? There was no need to bring TS back to play the twin brother. He was killed off for a reason. Then there’s the sarcastic unemotional Troll, Chloe who serves no purpose other than to annoy. I have to ask, when is she going to pay for all that she’s done? She was allowed to almost destroy two lives and what punishment did she get? NONE! Everything was swept under the rug as if it had never happened. Now we have Ryder and Daisy – two of the worst, most useless characters in daytime history. And we are to believe that the girl who play Daisy just “popped” in her casting. Popped out of what? A birthday cake! BUT their coup d’etat is DM as nu-Malcolm??? ARE YOU KIDDING ME???!!!! We’re expected to believe he is Lily’s biological father and soon-to-be grandfather to her and Cane’s children. HE IS NOT MALCOLM!!!!! He can’t even play the character as he was advertised. It’s like the great build-up to a new restaurant and you go expecting the chef’s best of steak and potatoes only to be served some dry gravy free piece of chicken. Seriously, he was touted as suave, smooth, charismatic and a ladies man – well I’m still waiting for him to show up. Then there was Karen who many thought blended well with the Winters family but what the MAB and her henchmen do? They chose Tyrone over her and sent her packing. Where is Tyrone now? That’s right! After sleeping with the father then the son they sent her packing too. YAY!! And don’t even get me started on hair model sr. (Heather) and hair model jr. (Abby)! Let’s talk super couples. The black knight and the stripper are a super couple of the highest romantic esteems? Seriously?!! Really?!! Well get out of here. OMG! Where have I been that I did not know this? Oh, I’m forgetting I DON’T LIVE IN DELUSIONALVILLE WITH MAB AND PR!! So let’s move on, shall we? The whole bringing TB as P3, MAB’s ultimate coupe, has got to be the biggest flop in daytime history. First of all, we were led to believe that Cane who had been portrayed as an upstanding young man who went looking for his family, found them and in the process the love of his life in Lily, was nothing but a liar. And for what? So MAB could bring back TB. He has so much botox in him it’s… Read more »

Heidi
Heidi

Bravo Trish! Bravo !!!!!

David Lightfoot
David Lightfoot

The black knight and the stripper are a super couple of the highest romantic esteems? Seriously?!! Really?!! Well get out of here. OMG! Where have I been that I did not know this? Oh, I’m forgetting I DON’T LIVE IN DELUSIONALVILLE WITH MAB AND PR!! So let’s move on, shall we?

If by this, you’re talking about Nick and Sharon, I just want you to know that I love you already. Thank you, thank you, thank you! I’m glad Texas Woman and I aren’t the only ones on here who don’t fall for this “Romeo and Juliet” nonsense, unlike their fans whom I have lots of names for, but will keep to myself for moderation purposes… LOL!

Donna
Donna

Hilarious post, Trish.

I was surprised by how semi-literate MAB appears to be in this article. Shouldn’t a “head writer” have a decent command of English, at the very least! I suppose that isn’t required if your last name is “Bell.”

Deb
Deb

Love your remarks! LOL!

Jill
Jill

If only they would quit shoving thier favorites in the fans face all the time and give equal viewing to all cast memebers, maybe, just maybe the show can be enjoyed by more viewers. Billly Abbot is on entirely tooooo much. As welll as Victor Newman. And now you are trying to showcast the filler character Chloe everyday as if she matters.

Please, please get a clue and fast. Adam is just, well sickening. Aren’t the FANS the ones given you all a paycheck. Well quit trying to make fans like what you want. It is not working. You can fudge numbers all you want but the truth will knock in the face someday.

What they did to Lily’s character was down right low down and dirty. Yeah, I said it, it needed to be said. COWARDS! of the lowest of caliber.

Get rid of Paul Rauch, Marie Bell and Hogie Scheffer, and then maybe the show can be saved.

Heidi
Heidi

ICAM! Do we really need to see Billy Abbott everday and involved in every story? I understand that he is the darling of MAB and company but their promotion of him should not push other characters/actors to 5minutes and one day per week.

IA that the sterlization of Lily was heavyhanded. Give her cancer and remove an ovary and make her odds of getting pregnant next to nil so that her eventual pregnancy would be a miracle but why render a 22 year old barren ?

LMac
LMac

and sadly the actress is pregnant in real life, which makes the whole sl dumb, you can SEE her hair sticking out of those God awful uh hats. And for someone that is only 22, Lily has lived at least 10 different lives. Agian more crimes agianst woman who BTW are your veiwers

Jennifer
Jennifer

Thanks Michael for the interview, but I would have to agree with others their proclamations sounded delusional. I do think that they DO need to listen to the feedback from their viewers. Obviously viewers have favorites but underneath that we all seem to have a common thread — we are tired of the recycled and we are looking for some new life to breathed into Y&R along with other soaps. Y&R seems to be missing the love in the afternoon part along with a good portion of adventure, humor and just plain old good storytelling! Y&R needs balance. Also, Victor is not the end all be all… Y&R was quite enjoyable when there was no Victor except for the Scooby Doo Gang. If Y&R keeps trying to hold on the past, I fear there will not be a future and that would be a terrible thing!

pbannie
pbannie

Excellent post, I really wish they would listen to your commom sense. Good writing for all Characters, equal screentime and balance please!

Ashang
Ashang

Bravo to your post, k4lane & Trish… MAB & PR are unbelievable.

LMac
LMac

I’m new to your site, but I really wanted to see what crap these 2 had to say. I’ve been a veiwer of Y&R for well since the begining, and I’m disappointed in the state OF ALL THE SOAPS right now. Everyone pretty much agrees that this particular mode, or phase the soaps are in currently will ensure that soaps will be gone in 2-4 yrs at best. Most of the coroperate heads seem to believe that people only want reality shows or God forbid game shows. I realize that part of this is due to the cost of the soaps, loss of veiwers and to some extent car companies no longer spending big $$$$$$ on ads. I’ve been reporting on soaps from my early days in radio to now. Not only did I report on the soaps I got to meet and interview several soap stars that are friends to this day….even they are disapointed in the state of soaps today. I see Y&R repeating the same stories, rewriting history on a whim, and how they Y&R are treating the female characters are just horrible. All the women are dumbed down, and act as if they are NOTHING without a man. Plus where is the ROMANCE? All this baby kidnapping, bed hopping, etc are not enjoyable to watch at all. It’s bad enough that society treats women like crap, but we have to watch it one our soaps which are SUPPOSED to be an escape. These 2 knuckleheads don’t have a clue as to what their viewers what, and they act like they don’t care….and considering who MAB’s father in law was/is I’m sure Bill Bell is rolling in his grave. All of this becomes glaringly obvious when they show those holiday episodes. And they don’t want to listen to the FOCUS groups, which means they don’t give a rat’s azz what the veiwers think either. It’s really sad for those of us that watched with our mothers, grandmothers etc. And it’s is becoming clearer eachand everyday that NONE of our opinions EVEN MATTER…..Still good interview, at least now we KNOW they don’t care about the fans….so why watch?

SEAN
SEAN

I find this interview to be a complete joke and a bad one at that MAB/PR are a dream team but only if the dream is a nightmare the s/l are terrible and the characters that they are pushing on the viewers are just as bad…Daisy is not the hit she makes her out to be….ppl are getting tired of the scoby gang….along with a blind man that can scale walls put on a dress to scare a woman out of her mind causing said woman to miscarry among his other crimes….then have said woman to continue to think she is still pregnant and give birth..HUH….and the woman never suspect that she did not give birth….seriously….the once great love story between Nikki/Vicktor was ruined when he told her he wished that she was dead instead of his newest wife of the minute Sabrina by having Nikki go back to him after the way he treated her on top of David Chow makes her look (fill in the blank)……then we have the horrific rewrite of P3 is alive even JC said that story was not nesscary….and do not get me started on the Lily ovarian cancer s/l this is the story that made me stop watching……it was not well written or researched and why would they give a diesase that is more common to older women to a 22 year old then proceed to give her a full hysterectomy……the last child of colour to be born on the show how many years ago…..and they do that! The whole Winters family have been writen as extras….why can’t Niel have his own company……and why do they write Lily to be so submissive…..I will never understand how a woman with a super model for a mother who grew up in Paris going with her mom to her fashion shows and photo shots needed someone like Chole to teach her how to be a model……what about Sharon look at how she is written or Nick or who ever he is either sleeping with or married too….then there is Billy no matter if you like him or hate him you got to wonder why some characters can’t get one s/l but he can get at least four…..and if they are reading the mbs they would know that in fact on one of the boards they were asking for MAB/HS to be fired

selma
selma

In response much later than others I can’t wait to see the magic of writing transform the fabulous Michael Muhney into the character he was meant to be when he first introduced himself to two very jealous siblings. Can’t wait for Sharon to come to his assistance and turn Genoa City on it’s self serving crown. Love your interviews Michael. I choose to look for love in the most unusual and well concealed places. Wonderful acting!! I challenge these terrific writers to keep me watching.

Deb
Deb

What I truly hate is that Bill Bell is no doubt rolling over in his grave. Paul Rauch has a history not unlike any other Nazi General. His reputation is not one you’d expect to be accepted by Y&R. Maybe he’s a long time friend of Maria’s father. He’s old enough to be. MAB is a liar, she does not care about the fans. If she did, DRU would have been back long before Lily’s babies were born. Writing sucks, and certain cast members should be gone. I’m sick to death of Adam. Kill him off, and bring his mama back. Tucker and his toupee’ are sickening. Hell, have him shave his head. It would be more believable. No wonder Bold and Beautiful won for best soap. Y& R is now Doom & Gloom. Depressing!

Emo
Emo

I really think so too=P I have been surfing around the internet for a while today, and its kinda hard to find something interesting to read on blogs:P Maybe its because there are too much of those around =) But this place actually keeps catching my attention. Great stories, and kawai design ^__^. Ill be sure to give it more visits now =)

Judy malatesta
Judy malatesta

I have been watching Yand R since the day it started, My son was born the day before so I watched it starting then. I just have to write, are you all crazy. This story line with Sharon going back to Adam is stupid and nuts, Never in a million years would that ever happen. We were all so happy seeing Sharon and Nick finding their way back together as Casseys gift, that is what ALL the fans want. Your making Sharon out to be a nut case and that is not where we want to see her go. I am hoping that this is all a plan of Sharon’s to secretly bring Adams down and hurt him as much as she and Nick were hurt. In fact that should be your storyline… that this is all a well engineered plan of Sharons to make Adam pay for all the evil he has done and how evil he is. This way Nick will understand why she did what she did and welcome her back with all the love that two people could ever have with each other. There are a lot of story lines that are interesting and exciting and can be developed into a even greater show, just let Sharon and Nick be happy. I am so upset I don’t even taped the show when I work now as the story lines are just dumb. Do you think that the fans are stupid? Phyllis is a nut tired to kill Chris now she is so wonderful. I never liked her with Nick. She is mean and shelfish. There is nothing wrong with stories about happy people, Now that their are a lot of children around there is more that could be written about them that could give you the so called excitement you think we need. Also I think that you should have not had Nicki sleep with the jurk as that was part of the plan to destroy Victor, why would you stop them from being together. You have really messed up a great soap and you should all be ashamed of yourselves. I could write a better storyline then you. I am so sad your making me not care for this wonderful show anymore, Shame on you all.

Wendy McGrattan
Wendy McGrattan

I have been watching the Young and Restless with my mother and father for years now and I am so disappointed with the way the story lines are going now. I have really noticed a big difference from the old writers to the new writers. Big mistake on letting Cane go from the young and restless – the majority of your fans tuned in because of Cane. I have not watched the show since he left. Story line did not even make sense. It sickened people. Lily finally gets over cancer and what do you do? Kill off her husband? Good bye young and restless after watching the show since 1975. It used to be the best soap ever.

mmc
mmc

After ATWT went off I’ve tried watching other soaps….i tried Y&R .i watched it once in awhile off and on but even off and on is too much.it’s horrible….even B&B has gotten better….solution? Make B&B an hour and cut Y&R to 1/2.OR bring back my beloved ATWT and be done with all the rest!

Interviews

B&B’s Matthew Atkinson Talks On Thomas’ Vendetta With Brooke & Playing The Manipulative Bad Boy Of The Forrester Clan

Since coming to The Bold and the Beautiful earlier this year, Matthew Atkinson is making his mark in the role of Taylor (Hunter Tylo) and Ridge’s (Thorsten Kaye) son, Thomas Forrester.  But while Matthew was a recast for his predecessor Pierson Fodé, his Thomas is quite different.  The new Thomas is a bad boy capable of horrific manipulations to get what he wants, and a young man who has caused so much suffering already for the Logans, Spencers, and the Forresters  But is there a heart underneath that often volatile exterior?

After all, Thomas went to great lengths to keep Hope (Annika Noelle) in a relationship with him and for her to be a “mother” to his son, following the death of Caroline.  So, what did he do? He covered-up and blackmailed many people to keep their mouths shut to the truth – that his sister Steffy’s (Jacqueline MacInnes Wood) little girl, Phoebe, was actually baby Beth, the child Hope and Liam (Scott Clifton) believed had died at birth!

Following the big reveal, and getting a bit of comeuppance, Thomas landed in the hospital with a questionable push from Brooke (Katherine Kelly Lang) after a fall.  After promising to change his ways, looks like Thomas is back to scheming and conniving – this time to make sure Brooke gets payback and that her marriage to his father blows up to smithereens.  Meanwhile, Thomas needs to be a better father to his little boy, Douglas (Henry Joseph Samiri), but will the Logans and the Spencers come between father and son?

Michael Fairman TV chatted with Matthew Atkinson to get his take on: the emotional make-up of his incarnation of Thomas Forrester, what his ultimate takedown of Brooke would be, and how he thinks Thomas can find a way back into the family good graces, and more.  Here’s what Matthew had to say about it all.

Photo: JPI

Thomas really has a vendetta with Brooke.  The scene where Brooke slaps him illustrated just how deep-rooted his issues apparently are with her. What did you think about what Thomas said to Brooke that came to a boiling point with the slap, and what was it like performing the material with Katherine Kelly Lang?

MATTHEW:  Katherine rocks every chance I get to be around her.  She is such a sweet human being and so fun to work with and takes her job seriously and puts a lot of work in, and I think it shows.  As far as the scene goes, every chance that I get to work with her is fun.  She’s just a great actress.  Brooke basically had this vendetta against Thomas for a while now, and she was the one who unjustifiably went a little crazy about Thomas before anybody knew Thomas was off the rails.  So, it’s kind of this interesting culmination of having that where she has built herself up to hating Thomas at this point, and she is just scared of him and what he could possibly do.  Then you have Thomas, who has hated Brooke ever since she came in and destroyed his family.  There is so much emotion there and so many levels to it.  It’s just so much fun to play around with, and in those scenes especially, it is kind of like neither one of them really has a filter.  They are both just going at each other.

He is punctuating his plan by telling Brooke that she may, “Have his father tied around her slutty little finger, but her reign of terror ends with him!”  I was just like, “Uh-oh.” (Laughs)

MATTHEW:  Yeah, and that’s how Thomas sees Brooke.  He sees her as this slutty woman who came in and kind of giggles her way into his dad’s life and flirted with him and destroyed his entire family.  Thomas sees her and all of her sisters as these air-headed women who are kind of just family-destroying kind of people.  They come in, they do whatever they can to get what they want, and he doesn’t care about them at all.  I think he has kind of gotten to this point, especially with Brooke … considering what happened with Hope and that he has this genuine love for Hope.  Brooke won’t even accept that, or think about that as a possibility with how she views him.   It’s that crazy dynamic and those scenes were definitely an emotional peak for both of them.

Photo: JPI

Thomas seems to become obsessed, and laser-focused on people like Hope, and now Brooke.  What has happened to him?  How are you playing this behavior pattern of his that we are seeing established?

MATTHEW:  Some of the most successful people in the world are people who obsess over things.  I think Thomas is like that, but I think that since Caroline’s death, his obsessive nature has been so focused on things other than fashion.  They aren’t his job and what his talents are, which is where he should focus all of that energy, but instead it’s been on his son needing a mother.  So, getting Hope in his life was key to him, and with Brooke, it’s a woman who has destroyed his entire family.  He wants his dad to be better off.  He wants his entire family to be better off.  He honestly feels that they would be better off without Brooke in their lives, and so that is what he is focused on.  I don’t think it’s necessarily a bad attribute to have when it is focused in the right direction, but for Thomas, since the death of Caroline, his focus has been on things that are a little abstract and are not necessarily objectively sound decisions.

Photo: JPI

What was interesting was that I did not know how they were going to be able to save the character of Thomas on the B&B canvas after all that he has perpetrated.  But then, there were scenes in the hospital where he is recovering from his “fall”, and Thomas is having big emotional scenes with Ridge and Steffy.  In those moments as the viewer, you say to yourself: “Oh, they’re going to redeem him,” but then they don’t.  He goes right back to a new vendetta.  What did you think of those plot twists?

MATTHEW:  The interesting thing about this character is that I don’t think this guy is a bad guy.  I think he is a guy who is doing a lot of bad things, but I think a lot of people can relate to him and the struggles that he is dealing with: being a single father and having a rough childhood with his family being broken up.  This is a guy who wants his father to approve of him and respect him and he has never really felt that way.  I think a lot of people out there know what it’s like to have a parent who they just want approval from but can’t get it … couple that with the fact that he let his sister down.  Everybody knows what it is like to think that they are making the right decision and end up making the wrong decision and possibly hurting someone in the process … and the kind of shame that you feel from doing something like that.  I think this makes Thomas an interesting character where viewers could say, “Well, he is doing bad things, and I don’t agree with anything that he is doing, but I can relate to him, and I want him to be better, and I want him to get better and become the good person we all know he can be.”  Yet, Thomas just keeps making all of the wrong decisions.

Photo: JPI

I predict that in short order, Thomas will be in cahoots with Shauna (Denise Richards)!

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MATTHEW:  Okay, we shall see.  (Laughs)  They have aligned interests; especially at the moment, when it comes to removing Brooke from that situation.  I think with Shauna, it’s fun that Denise Richards has come into this role and what she has done with this character.

Denise Richards is doing a great job in the role.

MATTHEW:  She’s amazing, but I think that behind the thought process she has is this woman, Shauna, who is not so dissimilar from Thomas, and is willing to blur the lines of what is acceptable and morally sound to make sure that she gets what she wants.

Photo: JPI

When you were taping those emotional hospital scenes where Thomas admits he has lost his way, and reaching out to his dad to try to find forgiveness, how were playing those scenes with Thorsten Kaye?

MATTHEW:  I respect Thorsten a lot as an actor.  I just love having scenes with him because I feel like we play off of each together so well.  When we enter a scene together, we are both in it.  When you are both in it, something real happens from that, and those real moments are kind of magical in a way, and it makes you feel great about the work that you do.  Thorsten shows up, and he’s prepared, he knows what he is doing, and at the same time, there is this connection between father and son.   I think Thorsten and I have definitely done that as father and son, and Jacqui and I have done that as brother and sister.

Since the show usually has you shirtless or sneering in scenes (laughs), I was so happy that they finally let you have some crying scenes.  It was at the point that the audience was able to see you bring another emotional level and dimension to the character.

MATTHEW:  I think he is not a guy who breaks down and cries very often.  It takes something very serious (especially for him) to get to that point.  For Thomas, the most important thing in the world is family, and he has kind of destroyed his relationship with his own family with what he has done, and I think that from the inside out is what breaks him.

Photo: JPI

Speaking of shirtless scenes; in a short amount of time you have been with the show, I think you may have set a record there.

MATTHEW:  (Laughs) Yep.  It’s all the time because the wardrobe sends me mostly pants – no shirts (Laughs).

Obviously, there is the issue of Thomas’s son, Douglas … and will he lose him because Hope and Liam want to gain custody of him. Brooke wants Thomas out of Douglas’ life for good.   This poses a major obstacle for Thomas moving forward. Agree?

MATTHEW:  Sure.  However, Brooke has no legal right to stand on.  You can’t just take a guy’s son.  There’s no legal way to do that, but they can try their hardest to either sign adoption papers or sign over custody, or something like that, but there’s not a legal way they can go and just take his son.  There are a lot of people who I understandably think Douglas would be better off with being raised by Hope and Liam, but I think Thomas has a point of view too, and just because he is going through a bad part of his life at this time, doesn’t mean that he is unfit to be a father.  I think Thomas will prove that he is fit to be father and all the while, a great force to be reckoned with,

Photo JPI

But, Thomas hasn’t been so great to Douglas, either.  Hasn’t he yelled at his son, manipulated him for his own gain, etc?

MATTHEW: Right, this was kind of right before the truth about Beth came out, and Thomas was on this massive downward swirl where he wasn’t thinking clearly; he wasn’t himself. I  think in reality, you have a person who went off the rails, he wasn’t being himself, he found the person he wasn’t, and I think that the “accident” of Brooke pushing him off a cliff, the slip, kind of clarified his intention in life to be a good, standup person from here on out.  So, I think his priorities are straight now, and I think he is thinking clearly.  I don’t think he is in the same mental state that he was before, but that doesn’t necessarily mean that he won’t be manipulative and that he won’t get what he wants, because he will.  There was a time that he went through a headspace when nothing was really clear for a minute, and he didn’t really have any moral backbone, but I don’t think that moving forward you’re going to see a Thomas Forrester that would hurt his son.  You’re going to see a Thomas Forrester who will stop at nothing to protect his son.

How does Thomas feel about Hope now, especially since Hope wants to raise Douglas? 

MATTHEW:  Well, here is what I will say; I think that Thomas has always had a love for Hope. I think he respects her as a person, I think he has seen her be a mother to his child, and that is undeniable … how much of a connection that she has to Douglas, and she is incredibly important to him.  Thomas can basically discard any Logan except Hope.  Hope is kind of his kryptonite.  So, going forward, I think you’ll maybe see a guy who wants to discard Hope as a person who he cares for (her and the rest of the Logans), but he may not be able to do that, because she has got a place in his heart that he can’t compartmentalize and leave behind.

Photo: JPI

What can you say about working with Annika Noelle, because you as Thomas had been terrorizing Hope for many months?

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MATTHEW:  Well, she’s a sweetheart, but also, secondly, she is a badass.  She could kick my butt any day of the week.  So, I just had to make sure that in between takes I said, “You understand that I wouldn’t do this to you.”  She’s so sweet, and she was actually one of the first people to talk to me about taking over a role on the show, because she had been one of the most recent people to take over a role, and that was something that was really hard for me.  Coming into a character that has already been there for 30 years, you have a lot to live up to.  She was amazing from the beginning just helping me through that process.

On that note, what did you think of the epic fight scene on the rooftop opposite Scott Clifton; right before all the truth came out to Hope that Beth is alive and Thomas was lying to Hope and up to no good?

MATTHEW:  So much fun.  The shots they got were incredible.  Shooting those fight scenes was so much fun and I love Scott to death.  So, every time we get to work together it’s fun, but just getting outside and literally pretending to beat the crap out of each other is a blast.  We got to go out to Malibu, and I got to fall over a cliff.  What else can you say about that? (Laughs)

Photo: JPI

There is another interesting relationship Thomas has on B&B, and that is with his friend, Vinny.  How has it been creating the on-screen dynamic with Joe LoCicero (Vinny) as these two scheming dudes?

MATTHEW:  I like it, and I love Joe.  This dynamic between these two guys is really funny because you have this shrewd, alpha male, Thomas Forrester, who is extremely driven, and insanely smart, but also very manipulative and he has got a thousand things going on.  On the flipside, you’ve got Vinny, who is just this guy who he has been friends with for a really, really long time, who just kind of lives life.  He is living in his apartment in Venice, he sells some not so legal substances just to his friends, and he’s a decent guy.  It’s just fun when we have these scenes together, because essentially you’ve got him looking at me like I’m an alien creature, and thinking, “I don’t understand this guy.  I don’t know why he is acting this way, but who cares; I’m going to eat my Chinese food.”  (Laughs) I think it kind of grounds some of those scenes especially when you see Thomas going off that rails, and his friend doesn’t even seem to notice. (Laughs)

I know! (Laughs) Thomas has got his own sidekick.

MATTHEW: I think Vinny wants to give sound advice, but he gives all the worst advice.  He’s like, “Well, the way you described it Thomas, it sounds like a good idea, so yeah, go ahead with that,” but maybe doing a little behavioral cognitive therapy and questioning would be good for Vinny.  He just kind of goes, “okay,” (laughs) but I think that’s what makes those scenes so much fun.

Photo: JPI

Having appeared on The Young and the Restless previously you know how soaps go.  There is always this fear of: “Will they kill me off if my character has gone too far?” Did at any point in Thomas’ storyline, and as you got the scripts and read all the terrible things Thomas was doing, that the character might get murdered, kicking off a murder mystery, and you’d have to make an exit?

MATTHEW:  I’d had discussions with Brad Bell (executive producer and head writer, B&B) and I kind of knew where the character was going, so I kind of knew that he was going down a rabbit hole, but that Thomas wasn’t a lost cause.  I knew that he would at least be present for the upcoming short future that I know of, that Thomas wasn’t going to find his demise, which was very nice of Brad to give me that insight into the character to not only know what was coming up, but also know where his head is at by this point.  It helps me with the character work that I do for each scene and prep for each day; because I know where Thomas’ head is going to be at two weeks from now.

Photo: JPI

Have you had any interactions with fans, or are you checking out on social media what the viewers are saying about Thomas?  Do they love him?  Hate him?  Is there a great debate going on?  What is your take on where Thomas sits with the audience?

MATTHEW:  Oh, yeah.  I definitely pay attention.  The fans are the reason I have the job that I have.  All the feedback that I have seen is positive, and by positive, I mean that it is emotionally effective.  Now, that doesn’t necessarily mean that people are happy with Thomas because most people are not happy with Thomas.  They don’t like what he is doing, and that obviously gets them angry or sad or whatever, but that is kind of the point of the show.  If you’re watching a bunch of characters who are all great people and who all do nice things, then it wouldn’t be that much fun to watch.  You’d be watching 40 Liam’s talk to each other, and it would be like, “Yeah, it’s just another day in Happy World.”  (Laughs)  I think that Thomas especially has been such a driving force in the last couple of months and caused a lot of drama.  I think there are a lot of storylines that people have connected to in the past that are really making people enjoy the drama happening now. You have the people who hated Ridge getting together with Brooke in the beginning that are happy with what Thomas is doing now.  You have the people who are pro – Liam and Steffy.  Thomas has been a big advocate of that since the beginning.  There are some people who just can’t stand Thomas and don’t like him, and he makes them mad, but the reality of it is that there is a thin line between love and hate.  So, as long as they love me or hate me, I’m happy.

So, have you been enjoying Matthew’s portrayal of Thomas? Do you think he will rip Brooke and Ridge apart for good and succeed in his plans? Do you think he should somehow pay for his manipulations? Share your thoughts on the current B&B storyline involving Thomas via the comment section below.

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Interviews

Eileen Davidson & Vincent Van Patten Talk ‘7 Days to Vegas’, Their Relationship and Y&R, DAYS & RHOBH

Today’s the day for the highly-anticipated film, 7 Days to Vegas which bows in selected theaters. The motion picture which stars Vincent Van Patten and his real-life wife, two-time Daytime Emmy winning actress Eileen Davidson (Y&R’s Ashley and former Kristen/Susan Banks, Days) is a comedic gambling romp, centering around the character of Duke (Van Patten), an out-of-work actor turned poker player who makes a prop bet that he walk from the San Fernando Valley in California to Sin City, Las Vegas in 7 days.

There are some catches to this bet that make it even more challenging  … Duke has to wear a suit the entire time in scorching heat.  The events in the movie are loosely based on Van Patten’s Hollywood Poker game nights.  7 Days to Vegas features a fictional gang of betting entertainment industry bigwigs, who are hardcore gamblers and of course, jealousy strikes.  Davidson plays Duke’s wife, KC.

Michael Fairman sat down with Eileen and Vincent at their home, and at their famed poker table for the Michael Fairman Channel, to chat about the making of the movie, their relationship and some intriguing tidbits for fans of Eileen’s work on The Young and the Restless, Days of our Lives and her time on Bravo’s hit reality franchise, The Real Housewives of Beverly Hills.

In 7 Days to Vegas, Eileen says that Vincent fashioned her role of KC after their real-life relationship adding, “They are in it together. This is a lifestyle that they both enjoy.  That is what somebody does when there is a home game; you call people up, and make sure who is going to be there.  Van Patten said, “There is a host of the game, and that is her role in the movie.”

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As to the scenes where Duke is walking to Vegas, Van Patten shared, “We shot the film in Santa Clarita, California in the hills and the mountains and all of that, and then we out five days after with a second unit shoot and shot with drones in the desert.  So, I must have walked 10 miles a day, shooting, sweating, but you don’t feel it, because when it’s your baby, it’s a labor of love.”

When asked if she would go back to daytime, Eileen shared she would be back for more Ashley on Y&R: “I am supposed to go back to Y&R in a couple of more weeks. So I am popping in and out at this point.”  Davidson also shared she wishes nothing but the best to Stacy Haiduk who inherited her roles on Days of our Lives as Kristen DiMera and Susan Banks. Eileen said she does not watch the episodes of the show anymore, because it makes her feel sad.  The roles of Kristen and Susan were so close to Davidson’s heart.

In speaking of her time on RHOBH, Van Patten shared, “I think she (Eileen) did a great job. It went by real quick. I think she did like three years on it.  I was in the background carrying her purse, going, ‘Yes, yes, here I come.”  (Laughs)  Davidson expressed: “Listen, reality TV … it’s a crazy, wild, Wild West.”  When Michael asked about the time a drink was thrown in her face, Eileen explained:  “I think Brandi (Granville) felt she needed to be relevant to be on the show, and her role was to be a troublemaker. I understand more of it now.  At the time, I was a deer in the headlights for the first couple of years.”  Vincent shared, “People always ask if this stuff is scripted, and it’s actually not, but you can spice it up”   As to if ‘Housewives’ makes up the drama, Davidson elaborated, “Before the season starts they will ask, ‘What is going on in your life?’, and maybe there is some of that behind-the-scenes stuff.  It didn’t happen with me.  I’m not saying it doesn’t happen, but it is a reality show, but it is also entertainment, and if all we did was sit around, how fun would that be?”

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Watch the full interview below with Eileen and Vincent and make sure to “subscribe” to The Michael Fairman Channel for more celebrity interview features.

Now let us know, will you be checking out 7 Days to Vegas, which will also be available on iTunes and VOD come September 24th? Do you hope there will be more Ashley on Y&R? Share your thoughts via the comment section.

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Interviews

Sharon Case Celebrates 25 Years On The Young and the Restless; Shares With Fans: “Thanks For Going On The Ride With Me”

Over the weekend, The Young and the Restless Sharon Case reached her 25-year milestone in Genoa City! For Case, who was the third actress to take on the role of Sharon Collins, and once believed she would only last six months on the top-rated CBS Daytime drama, has become an integral part throughout the years to the drama and the romance that happens on the canvas on Y&R.

To mark the occasion, Case sat-down with Michael Fairman on the set of Crimson Lights at CBS Television City where Y&R is taped; to take a stroll down memory lane, and to share her thoughts with her legions of fans on the life and times of Sharon Collins Newman.

Photo: CBS

From her character’s wrong-side-of-the-tracks beginning, to meeting Nick Newman, to many of the memorable storylines and moments that were among her very favorites including: when Nikki, Phyllis, Sharon and Victoria buried J.T., and of course, to her leading men through the years, Sharon reveals some backstage and on-camera Intel.   As viewers know, Sharon Newman had also had her share of catfights through the years in longstanding conflicts with both Phyllis (Michelle Stafford) and of course, Nikki (Melody Thomas Scott), and Sharon discusses those moments too.

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Sharon and Michael also relive when Cassie’s death, was first aired on the show, and the impact that story has had for decades on everyone who worked on and has watched Y&R over the years.  In addition, Sharon discusses how she felt the night she won the Daytime Emmy as Outstanding Supporting Actress in a Drama Series back in 1999.

At the end of the interview Sharon relates this message to the fans of Y&R: “I have always felt like these 25 years wasn’t just working here and playing Sharon … or working here with all the wonderful people … it’s just as much about going through it with all of you, especially because of social media, but even when we didn’t have it, we always knew that you were there and we were partners with you … because it really is sort of a partnership.  I really have felt like we have been in this together the whole time.  We don’t have a studio audience, but we know you’re there, and we love hearing from you.  It really was just as much about you – this journey I have gone on, than it was anything else, so ‘thank you’ for being there and watching the show, and being faithful to the show, and thanks for going on the ride with me.”

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Now below, watch Sharon’s 25th anniversary from the Michael Fairman Channel on You Tube.  For more feature interviews on the channel make sure to “subscribe”.

Then, let us know what has been your favorite storyline of Sharon’s through the years?  Comment below.

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Video du Jour

Y&&’s Eileen Davidson and her husband Vincent Van Patten chat with Michael Fairman about their new film “7 Days to Vegas”, her time on Y&R, DAYS, The Real Housewives of Beverly Hills and their relationship. Leave A Comment

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