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The Maria Arena Bell and Paul Rauch Interview – The Young and the Restless

© JPI Studios

© JPI Studios

As of this week, with more than 9,330 episodes aired on network television, and having ranked as the #1 daytime drama for 21 consecutive years (that’s over 1,100 consecutive weeks, for anyone who is counting) in the soap genre, The Young and the Restless has set the standard for quality and excellence.  In a time where doomsday reports continue to signal that the soap genre is becoming an endangered species, Y&R is still going strong. The series will celebrate its 37th anniversary next month, on March 26th.  So what are the secrets to success that keep Genoa City on the map?  On-Air On-Soaps sat down with two of daytime’s greatest creative forces, Y&R Co-Executive Producers, Maria Arena-Bell and Paul Rauch, better known as “The Dream Team,” to get some answers.

But before we begin, let’s take a look at a bit of the background.  As many know, Maria Arena Bell, (daughter-in-law to Y&R’s late creator, Bill Bell) back in 2008, also took over the head writing reigns.  She began to restore the glory of Y&R without comprising the integrity of her cast, characters, and the history of the show.  Enter Rauch, who with tenures as head honcho at Another World, One Life to Live, Guiding Light and Santa Barbara, and whose classic soap values lends itself to Y&R’s on-screen culture, was a perfect match for Bell’s sensibilities.  So how do the duo work in synergy?  You’ll find out.  And, we discuss the topics that have been on many fans minds, the re-casting of Stephen Nichols in the role of Tucker McCall, and Darius McCrary in the role of Malcolm Winters… plus, the duo’s thoughts on the health and prosperity of the current state of the genre.
This is a must read for any long time viewer of The Young and the Restless, as we take a look from the inside at the inner-workings of the number one show on daytime.

MICHAEL:

Part of what the two of you have accomplished together, is that you seemed to have restored the historical value of Y&R, and continued where creator, Bill Bell, had left off.  Was that the plan?

MARIA:

When I came back it was during the strike, and it was fairly sudden that I stepped in.  The only way of storytelling that I really knew was what I learned from Bill Bell, when I was here before and when I was at B&B.  It was all about these character driven stories and rich characters. The minute I got here, it was those characters I knew as a fan and loved, that were brought to the forefront again because I knew the value of those characters and the history of them.  I knew by mining the history and really building story out of character that it was really going to be successful for the show, because that is how this show has always been done.

MICHAEL:

Can you give me an example when you came in and re-plotted the path of a legacy storyline?

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MARIA:

There were a few things I noticed immediately that seemed wrong to me or did not feel right.  One of those was Jill and Katherine relating as mother and daughter.  That was something that immediately felt false to me, and because I did not believe it, I kept thinking in my heart, “I just know they are not mother and daughter.”  And that was how that storyline was born, because watching them together felt false.  I had watched all of the 80’s with the two of them fighting viciously and the 90’s, too.  It was such an incredible relationship that I just don’t feel it or believe it on some intrinsic level.  I think there were a lot of people in the audience who did not feel it 100% true.

MICHAEL:

Jeanne Cooper (Katherine) in past interviews was vocal about it.  She had always spoken that she wished the relationship was switched back to Jill and Kay not being related. Does an actor’s preference or thoughts ever influence you or the writing?

MARIA:

I can tell you when I started feeling it, I did not know about Jeanne’s position on it.  However, I met with Jeanne and she was not shy about saying that it felt false to her, and in some ways I think it felt false to Jess Walton (Jill), too.  Not that they did not play the story beautifully and believably, it’s just those of us who knew their characters were like, “Really?  They are mother and daughter?   I don’t know about that.”  It was more of my gut instincts than anything.  But, Bill Bell would have told you in his era, that the actors had zero influence on the show and that was the Bill Bell way, to be honest with you.  It’s one of those things where people say, “Are you exactly like Bill or are you not?”  The truth is, I am not exactly like Bill because I do like talking to the actors, particularly the people who have been in these roles for so very long who understand the characters so very well.

MICHAEL:

I am sure the show veterans have great insight into their classic soap roles.

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MARIA:

There was a one time where Peter Bergman (Jack) was nominated for an Emmy and in reviewing his submission reels he would say, “You know, I can’t find anything I can really sink my teeth into here.”   He was not sure of what storyline to submit and we were talking about it and he said, “I just want the Abbott family together.”   Peter was talking about wanting the actors back together, but that is really true to who Jack Abbott is.  He has this vision of the Abbots being back together and owning Jabot, and that comment alone drove the storyline for me.  It clarified, of course, that that is intrinsic to the character and the actor, and that has been Jack’s guiding dilemma.  He gets really close and then it moves away.  It’s sort of been something we have done for the last two years, and that definitely came from Peter.

MICHAEL:

Paul, you have been at the helm of many a soap opera.  Did you come to Y&R and put the Paul Rauch stamp on it?  And what do you feel you contribute to the overall process?

PAUL:

No, the show had its own stamp and Maria has put her stamp on the show.  I think the single most important thing that I got accomplished when I came here, was to make good the relationship between writing and production and to establish proper communication, which there was a lack of.  Maria was having a hard time getting through to production and she needed to be way more involved than she was and consulted a lot more than she was.  I think we took care of that in pretty short order.  I think Maria has great taste in acting, and great taste in actors. I think she and I are in sync with everything we do.

MICHAEL:

What do you feel is the single most important element for Y&R’s success?

PAUL:

It all comes from the writing. Maria has the whole show in her head and in her hands, and it comes through every single week.  My job is to get the performances from the actors, get the nuances from the actors, realize the subtext, and give the writers back what they have given to me in large measure.

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MICHAEL:

Paul, we hear you are pretty hands-on at the set.   Are you in the production booth most of the time?

PAUL:

I am there, and I am in the control room all the time, and Maria is here in her office.  We communicate.  If she does not like something, she will let me know, or if I don’t like something I will let her know, and we take care of.  It’s good synergy.

MICHAEL:

Working with the actors and giving them a slight shift or note on their performance is something you are known for on the set.  Can you give me an example of how that works and helps the scenes?

PAUL:

First off, the actors have always been fabulous.  I haven’t made them better actors, but I can help them realize certain things.  For example, I was playing a scene with Tucker McCall, our new billionaire, and Jill Abbott.  They have had a sexual relationship, and it had morphed into a business relationship with sexual over and undertones.  Tucker said, “You can work anywhere you want and anywhere in my division.  I will even start a company up for you, if you want.”  She played it as if she wanted Jabot only.  Instead of realizing this man was really reaching out to her, because of the relationship they had…the personal relationship.  He was making an enormous offer, which for him was a tribute to their relationship, as well as everything else going on.  I asked Jess to play it, and she took her time with that, and Jill was gratified by the offer and she was pleased with him as a man.  So, we can get extra value in those moments just by me talking to the actors about that moment, in addition to what is on the page.

MICHAEL:  

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Stephen Nichols was quickly recast as Tucker McCall, and William Russ who had just started, was let-go.  How did you come to make a decision like that, and why was the switch made so early on during Russ’s time with the show?

MARIA:

I think we wanted to play the character originally in a different direction.  This is an incredible cast and it’s all about the chemistry between everybody on the screen, and as much as I think William Russ is a fantastic actor, when I watched the scenes it was not exactly how I wanted Tucker to be.  It was not exactly how he was conceived to be, and rather than walk down the road where you are thinking, “Well, it’s not quite right, but maybe…”   It felt like it was going to be better to make a decisive move early on.  I figured the audience would accept it better, if it happened very quickly.

PAUL:

So, it’s not as much of a blow.

MARIA:

Honestly, in watching Stephen in the role, he is Tucker McCall.  He is the character we had created.  It was one of those things that was not fitting with what that character needed to be.  There is no accepting what is not quite right, and the way it was going to impact the storytelling was what is important to me.

MICHAEL:

Recently, you re-cast the role of Malcolm, played originally by Shemar Moore who was so identifiable in the role, with another actor, Darius McCray.  Fans have been unsure of why that choice was made.  He looks so different from Shemar.  How do you make these decisions to recast a major role like that, with someone who is a complete 180 from what the fans might expect?

MARIA:

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I remember I was here when we cast Shemar, and the role of Drucilla.  I was working for Bill then.  I remembered how those characters really popped.  What I remembered of the character of Malcolm was, he was conceived as a guy who had spent some time where he had been on the streets.  He was artistic, he was edgy, and Shemar was phenomenal. When we went to cast for it, we looked at what the original conception of the character was; not about casting an actor who would do an imitation of Shemar doing Malcolm, but an actor who would own the role, who would be Malcolm.  It’s a classic story of the brother who is the good guy who always achieved everything, and went to Stanford and got an MBA, and is now running a company, and the other brother who struggled and made something out of his life, but is more the creative type. It’s such a core of the show to bring that brother back and to have Malcolm come back, and be inhabited by a new actor, and have it go back to the origins of the character.  I think he can play this edgy, creative, young maverick that Malcolm should be.  I think Darius is going to pop off the screen in that role and be a very popular character.

MICHAEL:

When the two of you are in auditions together, do you know immediately when the right actor walks in for the part you are casting?

MARIA:

We have been really in sync, such as the character of Daisy.  When Yvonne Zima came in to read for that role, it was like, “Wow, did she pop!”  She made us go, “Oh, my gosh. She is fantastic!”  You just feel it…. that everything we have talked about in regards to that character, and then that person walks in, you know it.  It was also true of Darius.

PAUL:

The Darius McCray audition was one of the greatest the network had seen in 20 years.

MARIA:

The quality of the actors that were up for the role was extraordinarily high.  Everyone who came in for the final audition, and there were four in the finals, they were all fantastic.  They were all very different from one another, and in the end, it was about this kind of special quality that Darius had.  We just felt that “Star Quality”.

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MICHAEL:

Do you ever face challenges where you have a more difficult time writing for certain characters?

MARIA:

You have to be careful when you write story not to write them into a corner where it becomes difficult to play them.  I think one of the most challenging things to play is a happily married couple.  I think that is one of things that is a challenge for everybody in this business.  For instance, the fans love seeing Lauren and Michael together.  They are a couple people absolutely love.  So if you are going to tell a story with them, the jeopardy needs to be external and about something else.  They do not want to see them fighting or having marital problems, because that is a couple they can believe in.  So, it does not mean it’s less inspiring to write for them, because for one thing they are two of the more fantastic characters on the canvas on the show.  But it does mean you have to think about how you tell story a little bit differently, which is not a bad thing.  It challenges you and pushes you in a different way.

MICHAEL:

Do you use fan focus groups as input to how stories and characters are working with the audience and use their feedback to alter or determine story?

PAUL:

We do focus groups.  I think you can take certain things from focus groups but you cannot rely on them.  I know people from shows and executives who rely too much on them, but I don’t think that is the case here.  But it’s always good to get a taste of what the audience is feeling or thinking. You take what you can or want out of it.

MARIA:

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I think what is interesting is going back to how Bill thought about focus groups.  He thought it was old information because we have moved past that in storytelling, and the audience is actually commenting on what they are seeing now.  It was things like that, which made him feel it was inaccurate.  What has changed and has made it really interesting is the ability to poll people immediately online – the stuff CBS.com and SONY has done on their websites to see immediate responses of what happened the day of air and that does make us more nimble.   Now that does mean we can sense how the audience is feeling.  I am not saying that I would pull a story totally out if it was not working, but I certainly see the negative feedback.

PAUL:

I will also know if something will work instinctively…. if I am on the floor.

MICHAEL:

So what happens if you are on the floor, and you go, “this is not working”?

PAUL:

Maria will know before I will.

MARIA:

It’s like I can tell when there is a story I need to segue out of because it’s been played out, or it’s not as strong a story as I had hoped, and it does happen.  It happens very rarely though on Y&R, because production is so strong and the actors are so incredibly strong. You write a storyline and it’s almost always better once it’s produced, even than it was in your own head, as opposed to having this great concept in this head, and going, “Oh, geez! That was not what I really had in mind.”  Instead, I am constantly astounded on this show on how the production is.  I am constantly going, “Wow, this is fantastic.  This is better than my draft.”

MICHAEL:

Do you feel pressure to keep this show at number one?

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PAUL:

I provide my own pressure.  It’s more difficult when all of the shows are cutting back because of their financial situations.  I would say for Maria and myself, while we struggle with it, we are winning the battle.  Maria is winning the battle on the writing side, and I don’t think anybody is seeing a diminution of production values.  The pressure for us comes on trying to get the show done on time, get the performances that we want.  But we streamline it, and make it as efficient as we want. We still get it done and maintain the same value.

MICHAEL:

Y&R was known for those long arduous scenes back in its heyday, and now it seems to have quick shorter scenes or snippets.  Did you intentionally change the pace?

MARIA:

As far as that goes, look, the pacing is certainly different than it was 21 years ago, especially historically.  There were longer scenes.  If people watched it now they would be surprised at how long those scenes were.  The change is the pacing has evolved in a nice hybrid, and it’s not like we are attempting to be primetime and cut to that level and be a feature film.  We are still a daytime serial, and we are intimate, and it’s still about character, and sometimes you do create movement in a show through editing and the alignment of the scene.

PAUL:

Everyone would say and agree that the show has maintained its integrity and become more streamlined.  I think this show kind of rocks right now.

MARIA:

That is the goal to keep it as engaging as possible in this day and age.

MICHAEL:

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What are your feelings on the state of the genre and the stability of Y&R?   We know it’s been renewed for two more years, but CBS just cancelled in the same year both Guiding Light and As the World Turns.

MARIA:

I think it’s still a viable genre and still unique, and what we do here at Y&R sort of defies the odds; in that we led the year in every demographic, and primarily winning the youngest demographic, which is the most volatile.  Look, I think it’s a totally viable art form, and it’s totally unique, and it’s the only art form where you get into these characters to the extent you can.  Where else can you have this epic storytelling unless you are reading a Dickens novel?

MICHAEL:

With game shows and reality shows taking over television and daytime, it feels like we are losing must-see appointment television, which soaps are!

MARIA:

We were both saddened to see any daytime drama cancelled.  It’s really disappointing for all of us, because we want to see them all stay on the air.  That being said, we are very fortunate with this show to be in the position we are.  And we have shown it’s possible to have gains or hold your own, and stay viable with the audience.  And I think we have proved that.  So, when you ask about the pressure to be number one, I don’t think about it as I am telling the story or as I am doing my job.  Because at that point, I am thinking about doing the absolute best that I can do and am capable of, and bring my team together to do the best we can do, and it’s an incredible group effort.  We want to achieve the excellence we can for ourselves and for our fans.  The fact that we are number one is fantastic and it’s not to be taken for granted.

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MICHAEL:

One of the things Y&R does differently than the other soaps is truly hold back storyline shockers so they do not leak out too early to ruin the big surprise.  ABC lets some of their story out a month or so before it airs.  Is this part of the ingredients to your successes?

MARIA:

Sure. You have to tune in.  We have managed to keep some very must-see things a secret till it’s time to reveal them.  Really hard secrets to keep….we have blacked out names in scripts, changed names in scripts; brought in people after hours… we have done that.

PAUL:

We cast all contract parts by other names!

MARIA:

Sure, and even beyond that.  For instance, when we were bringing back the character of Phillip III with Thom Bierdz, Thom was just an incredibly beloved guy in that role when I was here in the 80’s.  To me, he always captured that spirit as to what that role was.  I still stand by that story.  I loved bringing him back and having him on the canvas.  I wanted to keep it a shocker surprise.  So, poor Thom was sworn to secrecy, and everyone in the building was sworn to secrecy.   I think Thom was a great partner in making it a surprise.  I remember meeting him to talk to him about the role at some coffee shop like, “I will meet you by the third pillar and we will talk about this.” (Laughs)  Because it’s about shocks and surprises… this is about what is going to happen next… this is about cliffhangers.   I think one of things I think I instilled back into the show was building towards that Friday tag, and wondering what’s going to happen over the weekend and having that burning curiosity of  “Oh, my God!”  And that goes back to the classic soaps and days of radio, and that is what soaps are about.

MICHAEL:

Now, don’t you also try to get big moments to happen during the week so they are not only in Friday tags?

MARIA:

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In the storytelling I try to do that, but my team is sort of addicted now to the Friday tags.  They are like, “But wait, should we do that at the end of the week?”  I am like, “No, you have to have surprises on other days, too.”   Everyday is a Friday is my motto, but I do like the idea of audiences on pins and needles over the weekend.”   I love what fans are doing on the message boards going, “OMG!  What’s going to happen?”

MICHAEL:

Do you read the message boards?

MARIA:

I do, of course.  And so does my writing team, and Paul does.  And is it sometime tough when there is negative feedback?  Yeah, it can be tough to read that.  But on top of it, not only do we read it and listen, but also we are not always dictated by what the fans say, because as you say, sometimes you do want to do something that pushes them to the edge.  And right now that is the character of Adam.  Is he a hate or love to hate?  People are obsessed with when is this guy is going to get his comeuppance!  They scream, “I can’t take it anymore!”  I get it and I understand, and I know it’s driving you crazy, but that is the point. We want you to like, “Argh, when is it going to unravel?”  Because, when it does, and it will, it will be huge!

MICHAEL:

Has there ever been a time where an actor comes to you and goes “I don’t like this. What is going on here”?

MARIA:

Sure, most often.  I have never had a meeting where actor does not walk out going, “Ok, now I get it.  I get that it’s a journey.”

PAUL:

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You don’t tell the actors their entire story because they have to play it in the moment and you don’t want them to anticipate the end of the story of what they are playing.  You need that degree of spontaneity from the actor, and the enthusiasm from the actor is important.  I had an actor come to me last night going, “Why won’t you tell me what is going on here?”  I looked at him and said, “You have got to play the moment and the spontaneity of it.”

MICHAEL:

What happens when actors want to know their storylines a year out so they know how to play something?  It seems some actors I have talked to say they know story quite in advance, and some don’t know at all.  Do you let them know?  Do they leave you alone on that since you are the writer?

MARIA:

Quite the opposite, I get grilled!   They go, “Am I going to be with so-so?”  I won’t answer!  I tell them, “I can’t tell you.”  I mean there are times when somebody is really concerned about a direction their character is going in and selectively we talk about it. But in general, that’s part of the ride and being on this side, and the group of people we have now, they have faith in the standards of the writing, and so they are not questioning a lot.

MICHAEL:

Victor/Nikki, Sharon/Nick are some of the true super couples of the show.  Don’t you think romance is a key ingredient to Y&R’s integral success?

MARIA:

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I think it’s not just the couples. Victor and Nikki is one of the most powerful love stories on the show and even through when they are not together they have this pull, and even when they are married to other people, there is this pull that will never end.  It’s an incredible larger than life, grand love story.  But I think as much as those relationships, it’s the family and friend relationships that are just as crucial.  I think that intense rivalry between Jack and Victor, and that incredible friendship between Victor and Katherine, and the links that she had to John Abbott and how that translates to Jack, if you really examine it.  It’s all these relationships that are pivotal.  It’s the families on the show.  I think that is something that is at the core of storytelling in the genre: their histories and their rivalries and their alliances.  One shining example of that was recently within the Victor and Jack rivalry, and then the Abbots facing that difficult decision of Colleen’s heart, and giving an absolute beloved child of that family to someone who has been their sworn enemy in many ways.  It really showed how those rivalries change and morph and are still there, and it sets up these incredibly strong dilemmas.  That is just as important.

MICHAEL:

Y&R has a legacy of great psycho and twisted characters like Sheila, and now Patty.

MARIA:

Stacy Haiduk as Patty/Emily has been great in every single one of the morphs she has had to play on the show.  I think you need catalysts that make things happen, which are a little twisted or a villainess perhaps, or a little off, or a little crazy, to inject into a grounded realistic group of characters and that does add some spice and excitement to it.

MICHAEL:

Social issues have been a big part of Y&R’s history, and in 2009 you tackled the gay issue with Phillip Chancellor returning some 20 years later, announcing he is gay to his family.  He is now off the canvas.  Will Y&R address same-sex relationships in the future?

MARIA:

I would absolutely like to do more with that, and I loved and love the character of Phillip, and his son, Chance, is still on the canvas.  Nina is on his canvas, his mother and grandmother are on the canvas, and he will be back.  The truth of the matter is I wanted to do those relationships in this very organic way.  So, I absolutely think there will be in the future, love for everyone in the show at some point.

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MICHAEL:

Your closing thoughts on why Y&R is so unique in the soap world?

MARIA:

The thing that has made this special is still these characters.  I think there is something magical about this show, and the magic is still there and I think that is why people are tuning in.

PAUL:

You’ve got to have magicians.  Well, two magicians! (Laughs)

For more on Y&R with Maria and Paul look for an upcoming issue of CBS Watch! Magazine.  You can subscribe here.

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Rob
Rob

I can’t believe a word out of their mouths, especially when they praised Yvonne Zima to the high heavens. That girl cannot act to save her life! She needs to be off Y&R, they should recast Lily, and for heaven’s sake, bring Victoria Rowell back as Dru.

TEXAS woman
TEXAS woman

There will never be another Nikki and Victor! Hell the Nikki and Victor we have now is no where near where they used to be!! He is abusive to her and she is submissive!! why would need another couple like that!! and Nick and Sharon are old school, old news and DIVORCED!!!! Why can’t they fade into the land of all of the other divorced couples in the soap world!!! They sucked as a couple for 10 TOXIC years!!! We don’t want them back together!! When will TPTB finally listen to the fans and move forward instead of trying to relive the past!

preity
preity

They need to bring romance back starting with Nick and Sharon, they truly are a supercouple. They don’t need to have stupid surprises every week the need better writing and more character driven storylines instead of stupid plot twists. They also need to stop dumbing down vetren characters to prop the stupid new ones ie..Daisy and Lauren, Adam and Sharon

Sadie
Sadie

Sharon IS a vertaran actress; NOT a “new character.” You must be new to the show.

gman
gman

What I think the post meant to do was give examples of how veteran characters have been twisted in order to accommodate new characters, Lauren being snowed by Daisy, and Sharon being tricked by Adam

preity
preity

THANKS GMAN THAT IS WHAT I MEANT

Bill
Bill

I think they should bring back Dina!!!!

JimTolkien
JimTolkien

In Jan 2008, Y&R had almost 6,000,000 viewers, it’s now Feb 2010 and Y&R is just barely above 5,000,000. And this is called a success, pfttttt!!! I am not even going to comment on parts of this interview because it is clear MAB & PR believe in their “own brilliance” **rollseyes** while the viewership downturn and dissatisfaction says otherwise. It’s not worth it to comment. I am probably more embarassed for CBS really the #1 network for quality, (my favorite network aside from CNN), that they are scraping so far at the bottom and so desperate that they actually think this Y&R product is a good thing!!! It’s embarassing what passes for #1 these days – doesn’t say much for soaps, does it! Yvonne Zima got a WOW and she pops onscreen, Darius McCrary, the best audition the network has ever had, really Maria ?, really???? Sounds a bit more defensive and overcompensating for just how terrible those choices were/are.

But more than anything Michael being a a big fan of yours, the only thing that this interview caused was that you have a lost a lot of credibilty with me. I can’t believe you did not ask any tough questions here. It’s as if the soap press takes it easy on Y&R because they know the genre is dying off and don’t want to rock the boat further. The genre is full of recycled stories and recycled fans who move from soap to soap and they have no way of garnerning new viewers who can prolong it or writing for those longtime viewers who actually don’t mind the silliness now and then, but we are a lot smarter than you give us credit for and all this does in the long run is drive us away, bit by bit.

And not to make a bad analogy here, this entire interview reminds me so much of Toyota right now, it’s only a matter of time before the implosion occurs. We can only be strung along for so long. I thought perhaps maybe I was complaining too much about how poorly Y&R is being written and produced, a show I have watched and loved for over 30 years – MAB just confirmed for me that she hasn’t got a clue, she is NOT CREATIVE enough to think outside the box with her stories. For every story aside from the BRILLIANT CHIPMUNK malarkey **rollseyes**, I can go back in time and remember exactly how Bill Bell wrote it. And all she has done is go back into the archives, dig up his stories and made a MOCKERY out of them.

MAB & PR should stop trying to re-create the past because they suck at it..and it’s not healthy to live in the past anyway!!!!!!!!!

Fans of The Young and the Restless
Fans of The Young and the Restless

Great article. Although I may not agree with the progression of certain storylines and casting choices, it is nice to gain insight from the inside. Thank you.

Heidi
Heidi

Well, that was interesting. I believe they have often compromised the integrity of characters. Cane would never have let Lily suffer by thinking that the baby was his. That whole rewrite was the sloppiest thing I have ever seen and it was all done to bring back P3?Maria still stands by that horrible story? The scenes maybe shorter but the stories seem to drag on way past their prime. That chipmunk fiasco seemed never ending and this Sheila/no Sheila has lost my interest. I complain but all and all I still love the show. My main complaint is that we see some actors/characters 5x per week and others 1x and that seems unfair. Not everyone adores Billy Miller and at times it seems to be the Billy Miller show .

TEXAS woman
TEXAS woman

preity – we had 10 years of Nick and Sharon!! TPTB need to move forward with the show and not go backward! Nick and Sharon were NEVER a supercouple and never “romantic”! TOXIC yes!

MAB is her own worst enemy, she destroyed Nick and Phyllis to attempt to re-unite Romeo and Juliet, hey Maria!!!! Romeo and Juliet are DEAD!!! their story was never a romance, it was a TRAGEDY! just like SHICK!! dead and buried, please leave them in their casket.

amazed_at_this
amazed_at_this

I can’t believe that they read the message boards and listen to the fans but the fans still aren’t seeing a change. It’s one thing to be dictated by what the fans want, but it’s another thing when you’re reading the same things over and over and REFUSE to do anything about it. The way the fans feel about the show is reflected not only on the message boards but in the ratings as well. But I see that MAB and PR are not particularly invested in promoting romance with couples as they think and further stated that “But I think as much as those relationships, it’s the family and friend relationships that are just as crucial”. They put a lot more focus on the family/friend relationships/feuds than into romance which is, in my opinion, the basis of soaps – the romances, forbidden loves, affairs etc. Sure we like the business aspect of the show, the intrigue and so on, but it’s not what will take the show forward – it can’t.

amazed_at_this
amazed_at_this

I agree with TEXAS woman. While I am not a great fan of either pairing, Sharon and Nick were great in their day, but you have to admit that their marriage was less than solid. It was pretty empty and it seemed after a while when they continuously cheated on each other, that the love they had for each other in the beginning was not there anymore. It was pretty easy for either of them remain committed to the other.

Nick and Phyllis – I must admit I loved the way they came together. I loved that the writers took time to build on their relationship and they weren’t just shoved together. They showed immense passion when they were on opposite sides of the fence during the “Daniel on the run” storyline and that passion transcended and ignited when they both realized they were attracted to each other. This relationship has gone down the tubes now, thanks to MAB and her team and they aren’t even a couple worth rooting for anymore. The few times that Sharon and Nick were thrown together BOMBED in the ratings. What else is needed for these writers to get a clue that Nick and Sharon are old news?

preity
preity

I’m sorry I disagree I find Nick and Phyliss boring as hell. All they ever had between them is Sharon, she get’s both there motors running. Phyliss is better when she is the fiesty in the villian role, this stepford wife routine is so boring she should go back to her villanous ways at least then she would be interesting. Truthfully Nick is the one that is bringing down both women. But romeo and juliet story is the story that brings in the viewers. I believe they still have a lot of story to be told. If done properly, otherwise Sharon deserves way better.

Perry
Perry

Right on!

HEATHER
HEATHER

All I have to say is that Y&R is doomed! MAB is no William J Bell. That man was creative ,innovative and cared about the actors of the show as well as the fans. He wrote this show with intelligence and created storylines that involved romance, intrigue, social issues such as AIDS, bigotry, cancer, teen pregnancy, mental health and more. And most importantly he knew how to write for strong characters such as Drucilla Barber Winters and Neil Winters, it just goes to show you that it’s not necessary to have a black writer to created a well written story for afican-americans! W J Bell made that happen. Paul Rauch makes me utterly ill. He helped with contributing to the demise of Guiding Light back in 1997 that began with the firing of the late Michael Zaslow. He created the Reva clone and other bizzare SCI FI plots that don’t belong on a daytime lineup. MAB needs to listen to the fans! We are the ones that keep these show going by supporting them. Listen to the cast as well. Did Jess Walton and Eric Braeden almost leaving the canvas not teach you anything? If the remaining daytime shows don’t shape up they will meet the same fate as the proctor and gamble programs.

Whynot
Whynot

If MAB and PR continue the way that they have been they then Y&R is doomed. The reason that most of the viewers still tune in is because of the legacy left by Bill Bell he created such a rich tapestry of characters, families, friends, enemies and storyline and all it seems as if MAB has been doing is trading on those storylines and re-writing those storylines over and over and over and each times she re-creates that storyline she loses something in the process and the heart of the show beats a little more faintly.

Most of the fans from the show do not care if Victor and Nicki are EVER together again because we have seen it so many times and Victor Newman is one of the most abusive men that I have ever seen. He does not care anyone or anything and they have turned Nicki into someone who is mindless just to be able to tolerate him.

When the veiwers are asked about their favorites storylines or couples the ones that they name are not from the MAB era, they are from before that era and from the legacy that Bill Bell, and the other writers before MAB, created. MAB’s legacy is to re-use and milk Bill Bell’s storylines and to destroy every couple the fans have ever cared about because she has not been able to create a couple that the fans have cared about during her years on the show.

Renaee2006
Renaee2006

I agree, Mr. Bell would have never split sharon and nick up the way this writer is doing.HOW COULD YOU MAKE SHARON SEEM SLEEZY AND MAKE PHYLISS SEAM LIKE THE VOUNDERABLE ONE . Young and the restless should have left phyliss with jack . phyliss and nick just don’t fit. It is to fake. Sharon and nick will always be the number one couple under victor and nikki. I hate you new writers teasing us with nick and sharon .I guess it is the way phyliss stold nickwhile sharon was greiving the lost of cassie. Y ou have a lot of loyal fans that want to see their number one couple nick and sharon back together. THE NEW WRITERS WILL ONLY HAVE THEIR SELF TO BLAME FOR YOUNG AND THE RESTLESS LOOSING THE RATINGS AND THE SHOW GOING UNDER. I remember when i could not wait to see y&r now i can’t wait to see gh. Do you writers really expect for us to believe that nick love is not strong for sharon? I can not see no chemistry in phyliss and nick but all nick and sharon have to do is hug and you see all kind of chemistruy.. Put nick and sharon back together . Phyliss just seems like a third wheel.

Disgusted in Denver
Disgusted in Denver

This show has gone so far off the cliff that I don’t think they can save it now. What a crock that they read message boards and talk to the actors.

William Russ’ portrayal of Tucker was dead on and they got rid of him, and the “actor” (and I DO use that term loosely) they brought in to replace him is just a cold recycled attempt to make yet another Victor-like character.

The whole Scooby gang (Ryder/Daisy/Kevin/Jana/Amber) makes me switch the channel every time they are on.

However, it really doesn’t matter – TPTB are going to do what they want. You, as a viewer, have control though – switch off the set or make your comments known by writing them. But don’t write your comments on the message boards – posts are being deleted, and payoffs are probably being made to the moderators to make everything think everything is great in Y&R delusion land!!!

StephenisTuckerMAB
StephenisTuckerMAB

Are u 1of 30 or so people LOL that kept ruuning around all over the Message Boards calling Stephen names maybe that why your post our being Deleted its ok we the Stephen Nichold Fans still love u

isa2009
isa2009

Excellent post! ITA with everything you’ve said here. I’ve tuned out for several years and started to watch again off and on when they were suppose to reunite Shick. I’ve continued to tune out most often and once in a while watch now. Just like you, I’ve tuned out and watched other shows while the “Scooby gang” is on…lol It’s sad to see that this soap has gone down hill and it’s not what it use to be. Very sad in MO!!

melissa
melissa

I agree…the old Tucker was really really right on for the show, I LOVED that guy!!!! The need help with writing more romance, and Phyllis and Nick are so over-played, I am so sick of Phyllis Summer and Nick!! How about if when all this stuff hits the fan, a REAL ROMANCE BETWEEN TUCKER AND SHARON CAN DEVELOP?? That’s what I’m looking for, a REAL Princess wedding, and horse drawn carriage, NICK is not a good enough guy for Sharon…Once Tucker makes up with his mother, he can be a good guy.

HEATHER
HEATHER

Also I hope Drucilla is brought back soon. As for the Actress that plays Daisy I am not liking the character as all , but it’s nothing personal against the lovely youg lady that plays her. Ohh and before I go I just want to say that as much as I love the character of Shelia Carter, that storyline has been played out. With MAB writing it it will be a disaster. What will happen is that Shelia wont be played by the talented Kimberlin Brown it will be played by Melody Thomas Scott LOL. Tracey E Bregman is a wonderful actress she has proven that she can carry her own weight without the character of shelia carter involved. Okay I am done ranting LOL.

Perry
Perry

Yes, bring back Drucilla. The lady has some edge. Make the new Malcolm go away – he is a walking cliche.,

isa2009
isa2009

I find it sad that MAB said they read the message board, yet they don’t listen to the fans. What’s the sense in that? I disagree with those that say that Shick should be “dead”. Shick should have NEVER ended to prop up a sick couple such as Phick to begin with. Here’s some new flash….most fans don’t care to see a horny old woman sexing up a young man every second of the day and in every corner looking like a “dog in heat”. That is NOT romance, but simply lust and nothing more. You’ve dumb down Nick in order to make Phyllis look better….here’s a flash folks….Phyllis is a socio that will NEVER be BETTER. Don’t try to sell it to us, we find it sick and won’t buy it any more. I think if they were to put back Shick with their child Faith, this soap would be great once again. There are more Shick fans than there were ever Phicks and to keep dangling Shick in the fans face is silly. As for Victor and Nikki, they’ve lost the look of love due to his abuse over the years. Either pull them apart for good, or keep them together for the rest of their time on the show. MAB needs to do better than that!

Lex
Lex

The demise began when Kay Alden, Bill Bells right hand and protege was let go along with Jack Smith. They knew this show and had managed to keep it above where we are now. They knew the characters, they knew how to write character driven storylines. LML came in with a single vision of creating her own show, with her own couples. She destroyed Nick and Sharon to give us the cheapest couple that ever dis-graced TY&R. Whatever sexual chem Nick and Phyllis had was not enough to expound on and try to make into some sort of daytime couple and as a result it ruined Nick beyond measure. Phyllis should have been left with Jack or at the very least left to be the capable villain with a heart that she was moving towards under KA’s writing. Lauren has also been compromised and now she is nothing more than a prop to hold up Michael and the boring as hell Baldwin clan. MAB has no clue what she is doing and instead of correcting things that seriously hurt the show, she’s only focused on dong what doesn’t feel right to her. This show moves so fast now that beats aren’t played and the audience is treated as if we are all stupid. Go ahead and keep patting yourself on the back Maria, the late great WJB would not be pleased with any of this.

20+Year Fan
20+Year Fan

I agree 100% with your post. LML tried to turn Phick into something they could never be – a believable, viable, long-term couple that most fans could root for. Now MAB is still trying to hold onto this couple despite the fact that the many, many fans – both the volatile and stalwarts, prefer Shick over Phick. True romance is a staple of any soap and Phick just doesn’t have that crucial characteristic and is why many soap press do NOT consider Phick a true super couple. MAB says they read MBs and talk to the actors, but clearly she isn’t listening. Perhaps she and Paul need to go back and seriously study what the previous writing regimes from Bill Bell up until LML hijacked the show were doing because THEY obviously knew how to mix the ingredients for a successful show and MAB and her writing team clearly are still clueless about what is staring them in the face. So yeah, let lthem keep praising themselves while the ratings continue to drop compared to where they were a year or two ago.

Sadie
Sadie

I have watched Y&R from day one, but I have to say, if it wasn’t for Adam/Michael Muhney, I’m not sure I would still be watching. He is the best thing that’s every happened to Y&R. And pairing him with Sharon Case was genious! They are the best couple I’ve ever seen on Y&R; a true Supercouple.

I hope Michael stays with Y&R for years to come so I don’t have to give up my soap. Adam and Sharon are the only reason I tune in these days.

Whynot
Whynot

I liked Adam and Sharon at first and I find myself liking them once in awhile now. They are the first couple to come along in years that I could care about but the way their romance has been rushed for the sake of another storyline makes it harder to like them.

I do think that Adam is one of the few reasons to watch the show.

David Lightfoot
David Lightfoot

Michael, first of all, thank you for your e-mail on my reply to isa2009’s comments on Shick vs. Phick. Your reply came just as I started to type this. But please excuse me, for I am about to go into another rant mode. I am just here to set the record straight. First off, I can’t even believe the worlds that have come out of the words of Maria Arena Bell and Paul Rauch! This is the most laughable interview I’ve ever read and it makes me wonder what kind of stuff these people are doing. There are so many things wrong with that interview, I don’t know where to start. Ever since Maria Arena Bell came onto this show and Paul Rauch joined, this show has been worse than ever. While I’m not longing for Lynn Marie Latham to return to this show, (I at least hope she’s learned a few lessons on how to write a soap opera properly, but that may be wishful thinking) I must say Maria Arena Bell has had many chances to fix this mess, and she’s blown them all, AND have been given too many more chances to blow. In fact, she has ruined this show so badly, that I’ve come up with a new nickname for her, but I can’t reveal it out of fear that it may cause this post to fail modification. I’ve also spent more time at my volunteer work stint at a non-profit organization in hopes to avoid this show. I call tell you, I know what I’m missing. It’s pretty bad when all you care about on this show is which actors will be featured in the opening theme video. To begin with, if Bell is stating that she is writing character-driven stories, then I seriously don’t believe her at all. I see this show as a bigger plot-driven disaster than it was when Lynn Marie Latham was writing. We’ve seen Adam become an egomaniac as he first tried to make life miserable for both Nick and Victoria, destroy his own sight by taking disapproved medication, torture the hell out of Ashley, and become so antagonistic to his own family, that even Victor is disgusted enough to disown him. We’ve seen Ashley go nutsoid, suffer a miscarriage, and then crazily think that Sharon’s baby (who may or may not be dead) is hers in the psychatric ward; this baby switch can count as the Top 3 Most Bizarre Y&R Storylines. We’ve seen Sharon go just as psycho as Ashley when Nick went back to Phyllis, sleeping with anything that moves, becoming a kleptomaniac, and suffering a bigger meltdown than Mariah Carey did as a result of “Glitter.” We’ve seen Nick going back and forth between Phyllis and Sharon, something which Phyllis/Phick fans are beyond tired of seeing. Lily’s cancer storyline was basically a slap in the face to actual cancer survivors and their families. Need I go on? I could be typing until the end of this… Read more »

isa2009
isa2009

I’m sorry, am I missing something here, concerning your “response” to my post? I didn’t notice any reply to my post made.

pbannie
pbannie

I am so sorry I wasted my time reading half of your post. When I got to the part about Sharon Case being jealous of MS I realized I had wasted precious moments of my time reading drivel. And your saying ugly things about both Cane and Lily and dogging the church on top of that just made me rme. No wonder MB doesn’t listen to us posters when they go off on incoherent, unearthly rants such as yours.

Mandy
Mandy

This guy David’s obsessive hatred of Christel Khalil is crazy and scary. I hope she never meets him in a dark alley because this coward’s obsession is not reasonable and borders on insanity. He goes from message board to message board spewing hatred for a woman he doesn’t know all under the guise of pleasing Victoria Rowell. Another woman he probably has never met.

Doe
Doe

David… and your point is?….. You all are still watching the show like I am and yes I yell and scream at the TV when Y&R is on, but isn’t all of that and everyone’s complaints and vetting, part of the love and hate that all of us fans have have like our own mini soap? I don’t like many of the stories or characters, but I’m realistic with the fact that You and I don’t have any control what happens or with the writers either. I will still be watching tomorrow and after…….

isa2009
isa2009

I would rather watch a show that has story lines that amount to something rather than watch a show that looks like it’s intended for the purpose of soft porn material. YES, I’m talking about Phick/Phyllis. I know that most are upset that Phick is dead and has followed in the same fate of Shick in terms of lies and cheating, but that is what the writers intended when the did this to Phick. Shick isn’t any more “toxic” than Phick and IF that is what the writers intentions were when they mirror these two couples, then that was accomplished. As for MS not having the air time that some of her fans think she should have, that’s all hog wash. I’m quite thankful for little favors since all she does is SCREAM her lines, laugh through the whole thing and put her hands to her face/hair/mouth and annoy us fans. I don’t think MS needs a lot of air time, since Phyllis only reason for being on this show is to have sex 24/7 with her young stud. Sharon Case is a good actress, better than MS would or could ever be. I realize that the Sharon Case haters are not happy that MS hasn’t the same air time, but it’s obvious that SC has the bigger role since her character is the important one from the get go. I’d be totally fine if they got rid of MS, I have nothing against the actress, but I’m tired of watching her head flung from side to side, and her stuffing her face with donuts and eating like a pig on the show, I don’t watch for this, I watch for drama, action, love etc. Thanks.

Isla
Isla

Then stop watching so you can quit complaining.

isa2009
isa2009

Last time I checked this was a forum for comments and not to mention my freedom to write what I please, just like everyone else here. Thanks for coming out!! Maybe a better suggestion would be for you not to READ my post!!

David Lightfoot
David Lightfoot

isa2009, my first comment to you did not pass moderation, so here’s a more toned-down version for you. First off, I’m tired of hearing about how fabulous Shick is and the “sickness” of Phick! Nothing is further from the truth! For ten whole years, we, the viewers, have had to put up with Sharon and Nick’s endless parade of lies, cheating, finger-pointing accusations, Sharon’s “woe is me” act, and her lusting after another man when she doesn’t get the upper hand in the many fights with Nick and the Newman family. We all know that Sharon grew up on the wrong side of the tracks in near poverty with a struggling single mother, and the only reason why she went after Nick (when he was dating her best friend, no less) was because she knew his family was wealthy with lots of cash and privilege. That is not a woman of class, that’s what we dignified people call a golddigging tramp. Is it any wonder this woman has had animosity with Nikki the entire time Shick was married? And here’s a news flash for YOU… Sharon has cheated on Nick NUMEROUS TIMES during the ten years Sick was together! First there was Diego Gutteriez, whom Nick’s sister, Victoria was romantically interested in. Then there was Cameron Kiersten when Sharon just up and left her husband and kids for no apparent reason other than she “had to figure some things out.” Yeah right! She just left so she could have sex with some Playgirl model wannabe in a honky tonk bar in Denver! Then, there was the infamous mattress Macarena with Victoria’s HUSBAND (yes, I said HUSBAND), Brad, when the two were united in a hotel room in New York, followed by a heavy make-out session in a parking garage in which Nick caught them red-handed. We all knew Sharon wanted him from the get-go, the way she begged him to back out of marrying Victoria on their own wedding day. She even confessed her love for him over the intercom in the hearing of her second husband, Jack (whom she screwed one evening shortly after her dinner with Brad!) Oh, and let’s not forget her tounging Victor, which Nick also caught! And shall we get into the many men she had over at the ranch while sending Noah to all those sleepovers at Sam’s house, this so soon after Cassie died? Really, I’m surprised CPS didn’t intervene to take Cassie and Noah away. I worry that little Faith will suffer that very fate! And how does Sharon justify her actions? By telling everyone she was hurt, lonely, confused, and blaming everyone around her – Phyllis definitely included – for her actions and acting as “motivation” for her to cheat. Nothing is ever this woman’s fault, she takes no responsibility for her actions, and we Phyllis fans can see this crystal clear! If Sharon and Nick reunite with Faith in the family that you and all the Shicks want, it’s going… Read more »

isa2009
isa2009

LOL, I like that old saying. If you don’t have anything good to say, then don’t say anything at all. That would help in the first place so the mods won’t block your post to me or anyone else. Just a word of wisdom for the future if you care to harken! There was no need for you to write me a book in response, I get the point that you don’t like the show very much at this point in time. I also understand from your previous full page rant that you don’t like Shick and prefer Phick. I also understand that you like MS and not SC. That is all fine with me as each and everyone of us has an opinion and we are entitled to that! We see things differently and you won’t change my mind and from the looks of things, you won’t be changing the writers mind either. They must have seen something in Shick to have them hold on to this s/l with Sharon and Nick over the past few years, while Phick is married. I like SC and I enjoy Sharon on the show. I think the writers see that SC is an outstanding actress and that is the reason they have given her such a huge role, that requires so much air time. I understand that you don’t like that and that’s cool too. Doesn’t change things one iota though! There are many aspects of this show that I don’t like, but I realize that I have the option of watching or tuning out, which I have chosen to tune out for years. Shick and Phick marriage suffer from lies, cheating, deception etc, so for you to rant over Shick is senseless in MO. Phick is only SEX and nothing more. No love, no communication, no affection, no comparison to Shick that at least had a marriage that lasted for 10yrs regardless of the hurts and pains. That would explain why Nick wants that back and would leave Phyllis for it. Phick is made up of deception and not to mention a murderous socio that is obsessed over a man that she stole. Ain’t nothing entertaining about that for me. MS isn’t worth air time in MO, she screams her lines, bites her fingers, tosses her head from side to side, laughs through her scenes, don’t know what personal space is and nothing that is worth my time. I prefer Romeo and Juliet to Phickness porn, but thanks any how. As for Sharon being a porn star, I don’t see her jumping on any desks at the office and being called a “dog in heat” by anyone. I don’t see Sharon doing the nasty with anyone in every corner of office space and begging for a man to stay with her when he tells her he loves someone else. NO, that would be Phyllis, a low life, that is out of touch with reality, that is heartless and unkind, uncaring and… Read more »

webkitty
webkitty

As my grandfather would say: “What a bunch of hooey!”

k4lane
k4lane

Okay, I have read the interview – which I laughed out loud at in several areas and I have read everyones comments and I have to say that MAB and PR have their dellusional blinders firmly in place. The bells are tolling for the end of Y&R if these two remain at the helm!! Let me just first comment on their stellar casting achievements of the girl who plays Daisy – next to the Scooby-Doo gang one of the most annoying and useless characters to hit Y&R. I’ll throw the Ryder character into that comment too – and she just ‘popped’ as Daisy, MAB??!! REALLY??!! And DM as NuMalcolm – ‘the best audition they have seen in twenty years’??!! REALLY??!! He is and always will be Eddie Winslow – no matter how low he tries to make his voice!! And his character is about to become a grandfather??!! Are you flipping kidding me??!! He looks and acts like he is barely older than twenty-one and he is supposed to be Lily’s bio-dad??!!! Sorry MAB and PR those were a couple of the worst casting decisions that you have made to date. Old Vic and Strip-Nikki are a super couple of the highest romantic estemes??!! He wished her dead in a coffin just over a year ago and now she is giving lines like ‘Well the King does deserve to be in his castle’ in reference to him getting the ranch back from Ashley – again are you flipping kidding me!! Adam pushes his then step-mother down the stairs killing her unborn child and as he is mopping up the remains he is plotting his next move – that was pretty sick IMO!! On top of that we have a LEGALLY BLIND CHARACTER reading the normal small print of a magazine – the latest edition of RS, without assisitance and being the key to discovering all the bids in the Jabot auction by breaking in opening all the envelopes in a way as to be undetected and reading scanning and then emailing them to dear old dad Vic – WOW he has better sight than I do and I’m 20/20!! (insert sarcasm there – LOL!!) We got Sheila or someone associated with Sheila back again – YIPPEE!! Cause that’s not over done or anything. Crazy Patti/Mary-Jane/Doctor Emily Peterson was interesting at first but now it just feels like a different version of Sheila and I actually really like the actress who is playing those multi-characters and apparently TPTB do to since they keep reincarnating her into someone else who still – well looks just like her… And I just love how everyone who meets the latest version of Doc Emily freaks out for a second and then it’s all okay because it’s totally normal to see someone who looks exactly like someone else who happens to be evil and think nothing of it – LOL! Now let me comment on MAB’s (in her mind anyways) ultimate coupe of bringing back TB… Read more »

pbannie
pbannie

Love it and your humor. Hopefully your post will be read by MAB and PR and they will take heed.

Trish
Trish

Ok, I read the interview and I have to comment. I have never in my entire life heard such delusional crap. They are even crazier than the characters they write, namely Patty and Sheila. And if they think that what they’re giving the audience is their BEST then Y&R is even closer to extinction than I thought! First of all let’s start with some of the characters they have brought on since MAB has been at the helm: Jeffery Bardwell (Mr. Magoo) – what were they thinking? There was no need to bring TS back to play the twin brother. He was killed off for a reason. Then there’s the sarcastic unemotional Troll, Chloe who serves no purpose other than to annoy. I have to ask, when is she going to pay for all that she’s done? She was allowed to almost destroy two lives and what punishment did she get? NONE! Everything was swept under the rug as if it had never happened. Now we have Ryder and Daisy – two of the worst, most useless characters in daytime history. And we are to believe that the girl who play Daisy just “popped” in her casting. Popped out of what? A birthday cake! BUT their coup d’etat is DM as nu-Malcolm??? ARE YOU KIDDING ME???!!!! We’re expected to believe he is Lily’s biological father and soon-to-be grandfather to her and Cane’s children. HE IS NOT MALCOLM!!!!! He can’t even play the character as he was advertised. It’s like the great build-up to a new restaurant and you go expecting the chef’s best of steak and potatoes only to be served some dry gravy free piece of chicken. Seriously, he was touted as suave, smooth, charismatic and a ladies man – well I’m still waiting for him to show up. Then there was Karen who many thought blended well with the Winters family but what the MAB and her henchmen do? They chose Tyrone over her and sent her packing. Where is Tyrone now? That’s right! After sleeping with the father then the son they sent her packing too. YAY!! And don’t even get me started on hair model sr. (Heather) and hair model jr. (Abby)! Let’s talk super couples. The black knight and the stripper are a super couple of the highest romantic esteems? Seriously?!! Really?!! Well get out of here. OMG! Where have I been that I did not know this? Oh, I’m forgetting I DON’T LIVE IN DELUSIONALVILLE WITH MAB AND PR!! So let’s move on, shall we? The whole bringing TB as P3, MAB’s ultimate coupe, has got to be the biggest flop in daytime history. First of all, we were led to believe that Cane who had been portrayed as an upstanding young man who went looking for his family, found them and in the process the love of his life in Lily, was nothing but a liar. And for what? So MAB could bring back TB. He has so much botox in him it’s… Read more »

Heidi
Heidi

Bravo Trish! Bravo !!!!!

David Lightfoot
David Lightfoot

The black knight and the stripper are a super couple of the highest romantic esteems? Seriously?!! Really?!! Well get out of here. OMG! Where have I been that I did not know this? Oh, I’m forgetting I DON’T LIVE IN DELUSIONALVILLE WITH MAB AND PR!! So let’s move on, shall we?

If by this, you’re talking about Nick and Sharon, I just want you to know that I love you already. Thank you, thank you, thank you! I’m glad Texas Woman and I aren’t the only ones on here who don’t fall for this “Romeo and Juliet” nonsense, unlike their fans whom I have lots of names for, but will keep to myself for moderation purposes… LOL!

Donna
Donna

Hilarious post, Trish.

I was surprised by how semi-literate MAB appears to be in this article. Shouldn’t a “head writer” have a decent command of English, at the very least! I suppose that isn’t required if your last name is “Bell.”

Deb
Deb

Love your remarks! LOL!

Jill
Jill

If only they would quit shoving thier favorites in the fans face all the time and give equal viewing to all cast memebers, maybe, just maybe the show can be enjoyed by more viewers. Billly Abbot is on entirely tooooo much. As welll as Victor Newman. And now you are trying to showcast the filler character Chloe everyday as if she matters.

Please, please get a clue and fast. Adam is just, well sickening. Aren’t the FANS the ones given you all a paycheck. Well quit trying to make fans like what you want. It is not working. You can fudge numbers all you want but the truth will knock in the face someday.

What they did to Lily’s character was down right low down and dirty. Yeah, I said it, it needed to be said. COWARDS! of the lowest of caliber.

Get rid of Paul Rauch, Marie Bell and Hogie Scheffer, and then maybe the show can be saved.

Heidi
Heidi

ICAM! Do we really need to see Billy Abbott everday and involved in every story? I understand that he is the darling of MAB and company but their promotion of him should not push other characters/actors to 5minutes and one day per week.

IA that the sterlization of Lily was heavyhanded. Give her cancer and remove an ovary and make her odds of getting pregnant next to nil so that her eventual pregnancy would be a miracle but why render a 22 year old barren ?

LMac
LMac

and sadly the actress is pregnant in real life, which makes the whole sl dumb, you can SEE her hair sticking out of those God awful uh hats. And for someone that is only 22, Lily has lived at least 10 different lives. Agian more crimes agianst woman who BTW are your veiwers

Jennifer
Jennifer

Thanks Michael for the interview, but I would have to agree with others their proclamations sounded delusional. I do think that they DO need to listen to the feedback from their viewers. Obviously viewers have favorites but underneath that we all seem to have a common thread — we are tired of the recycled and we are looking for some new life to breathed into Y&R along with other soaps. Y&R seems to be missing the love in the afternoon part along with a good portion of adventure, humor and just plain old good storytelling! Y&R needs balance. Also, Victor is not the end all be all… Y&R was quite enjoyable when there was no Victor except for the Scooby Doo Gang. If Y&R keeps trying to hold on the past, I fear there will not be a future and that would be a terrible thing!

pbannie
pbannie

Excellent post, I really wish they would listen to your commom sense. Good writing for all Characters, equal screentime and balance please!

Ashang
Ashang

Bravo to your post, k4lane & Trish… MAB & PR are unbelievable.

LMac
LMac

I’m new to your site, but I really wanted to see what crap these 2 had to say. I’ve been a veiwer of Y&R for well since the begining, and I’m disappointed in the state OF ALL THE SOAPS right now. Everyone pretty much agrees that this particular mode, or phase the soaps are in currently will ensure that soaps will be gone in 2-4 yrs at best. Most of the coroperate heads seem to believe that people only want reality shows or God forbid game shows. I realize that part of this is due to the cost of the soaps, loss of veiwers and to some extent car companies no longer spending big $$$$$$ on ads. I’ve been reporting on soaps from my early days in radio to now. Not only did I report on the soaps I got to meet and interview several soap stars that are friends to this day….even they are disapointed in the state of soaps today. I see Y&R repeating the same stories, rewriting history on a whim, and how they Y&R are treating the female characters are just horrible. All the women are dumbed down, and act as if they are NOTHING without a man. Plus where is the ROMANCE? All this baby kidnapping, bed hopping, etc are not enjoyable to watch at all. It’s bad enough that society treats women like crap, but we have to watch it one our soaps which are SUPPOSED to be an escape. These 2 knuckleheads don’t have a clue as to what their viewers what, and they act like they don’t care….and considering who MAB’s father in law was/is I’m sure Bill Bell is rolling in his grave. All of this becomes glaringly obvious when they show those holiday episodes. And they don’t want to listen to the FOCUS groups, which means they don’t give a rat’s azz what the veiwers think either. It’s really sad for those of us that watched with our mothers, grandmothers etc. And it’s is becoming clearer eachand everyday that NONE of our opinions EVEN MATTER…..Still good interview, at least now we KNOW they don’t care about the fans….so why watch?

SEAN
SEAN

I find this interview to be a complete joke and a bad one at that MAB/PR are a dream team but only if the dream is a nightmare the s/l are terrible and the characters that they are pushing on the viewers are just as bad…Daisy is not the hit she makes her out to be….ppl are getting tired of the scoby gang….along with a blind man that can scale walls put on a dress to scare a woman out of her mind causing said woman to miscarry among his other crimes….then have said woman to continue to think she is still pregnant and give birth..HUH….and the woman never suspect that she did not give birth….seriously….the once great love story between Nikki/Vicktor was ruined when he told her he wished that she was dead instead of his newest wife of the minute Sabrina by having Nikki go back to him after the way he treated her on top of David Chow makes her look (fill in the blank)……then we have the horrific rewrite of P3 is alive even JC said that story was not nesscary….and do not get me started on the Lily ovarian cancer s/l this is the story that made me stop watching……it was not well written or researched and why would they give a diesase that is more common to older women to a 22 year old then proceed to give her a full hysterectomy……the last child of colour to be born on the show how many years ago…..and they do that! The whole Winters family have been writen as extras….why can’t Niel have his own company……and why do they write Lily to be so submissive…..I will never understand how a woman with a super model for a mother who grew up in Paris going with her mom to her fashion shows and photo shots needed someone like Chole to teach her how to be a model……what about Sharon look at how she is written or Nick or who ever he is either sleeping with or married too….then there is Billy no matter if you like him or hate him you got to wonder why some characters can’t get one s/l but he can get at least four…..and if they are reading the mbs they would know that in fact on one of the boards they were asking for MAB/HS to be fired

selma
selma

In response much later than others I can’t wait to see the magic of writing transform the fabulous Michael Muhney into the character he was meant to be when he first introduced himself to two very jealous siblings. Can’t wait for Sharon to come to his assistance and turn Genoa City on it’s self serving crown. Love your interviews Michael. I choose to look for love in the most unusual and well concealed places. Wonderful acting!! I challenge these terrific writers to keep me watching.

Deb
Deb

What I truly hate is that Bill Bell is no doubt rolling over in his grave. Paul Rauch has a history not unlike any other Nazi General. His reputation is not one you’d expect to be accepted by Y&R. Maybe he’s a long time friend of Maria’s father. He’s old enough to be. MAB is a liar, she does not care about the fans. If she did, DRU would have been back long before Lily’s babies were born. Writing sucks, and certain cast members should be gone. I’m sick to death of Adam. Kill him off, and bring his mama back. Tucker and his toupee’ are sickening. Hell, have him shave his head. It would be more believable. No wonder Bold and Beautiful won for best soap. Y& R is now Doom & Gloom. Depressing!

Emo
Emo

I really think so too=P I have been surfing around the internet for a while today, and its kinda hard to find something interesting to read on blogs:P Maybe its because there are too much of those around =) But this place actually keeps catching my attention. Great stories, and kawai design ^__^. Ill be sure to give it more visits now =)

Judy malatesta
Judy malatesta

I have been watching Yand R since the day it started, My son was born the day before so I watched it starting then. I just have to write, are you all crazy. This story line with Sharon going back to Adam is stupid and nuts, Never in a million years would that ever happen. We were all so happy seeing Sharon and Nick finding their way back together as Casseys gift, that is what ALL the fans want. Your making Sharon out to be a nut case and that is not where we want to see her go. I am hoping that this is all a plan of Sharon’s to secretly bring Adams down and hurt him as much as she and Nick were hurt. In fact that should be your storyline… that this is all a well engineered plan of Sharons to make Adam pay for all the evil he has done and how evil he is. This way Nick will understand why she did what she did and welcome her back with all the love that two people could ever have with each other. There are a lot of story lines that are interesting and exciting and can be developed into a even greater show, just let Sharon and Nick be happy. I am so upset I don’t even taped the show when I work now as the story lines are just dumb. Do you think that the fans are stupid? Phyllis is a nut tired to kill Chris now she is so wonderful. I never liked her with Nick. She is mean and shelfish. There is nothing wrong with stories about happy people, Now that their are a lot of children around there is more that could be written about them that could give you the so called excitement you think we need. Also I think that you should have not had Nicki sleep with the jurk as that was part of the plan to destroy Victor, why would you stop them from being together. You have really messed up a great soap and you should all be ashamed of yourselves. I could write a better storyline then you. I am so sad your making me not care for this wonderful show anymore, Shame on you all.

Wendy McGrattan
Wendy McGrattan

I have been watching the Young and Restless with my mother and father for years now and I am so disappointed with the way the story lines are going now. I have really noticed a big difference from the old writers to the new writers. Big mistake on letting Cane go from the young and restless – the majority of your fans tuned in because of Cane. I have not watched the show since he left. Story line did not even make sense. It sickened people. Lily finally gets over cancer and what do you do? Kill off her husband? Good bye young and restless after watching the show since 1975. It used to be the best soap ever.

mmc
mmc

After ATWT went off I’ve tried watching other soaps….i tried Y&R .i watched it once in awhile off and on but even off and on is too much.it’s horrible….even B&B has gotten better….solution? Make B&B an hour and cut Y&R to 1/2.OR bring back my beloved ATWT and be done with all the rest!

General Hospital

GH’s Tamara Braun Talks On: Kim’s Plight With Her Son Oscar, Her Relationships With Julian and Drew & Coming Home To Port Charles

When Tamara Braun stepped back on to the canvas of General Hospital back in November of last year, the one-time and wildly popular Carly Corinthos #2 was now taking on the role of Dr, Kim Nero – a single mom of a teenage son (who is very protective of him), top-notch gynecologist in the medical profession, and a woman with a past with Drew Cain (Billy Miller). It was eventually revealed that Drew is her son Oscar’s (Garren Stitt) biological father.

Now as viewers have seen on recent episodes of the ABC soap opera, Oscar’s life looks like it could very well be cut short after the story shocker that now has the young teen diagnosed with an inoperable brain tumor from cancer.  Kim had kept the truth from her son until he confronted her upon learning the news on his own (with an assist from Cameron) and putting two and two together.  This sets the stage for some difficult and heartbreaking moments ahead.

As for Braun, she rose to the top as one of soap operas most critically-acclaimed actresses after having the challenging task of taking over the role of Carly #1 in 2001 from three-time Daytime Emmy winner, Sarah Brown.  Tamara not only met this challenge, but made Carly her own scoring an Emmy nod along the way.  After departing GH in 2005, Tamara returned to daytime in 2008 in the role of Ava Vitali on Days of our Lives, which indeed earned her an Emmy.   Next, she headed to Pine Valley and All My Children to take on the role of Reese Williams, the love interest to Bianca Montgomery (Eden Riegel), who eventually married from 2008-2009.  Tamara even came back to DAYS for awhile in the role of Taylor in 2011, and later reprised the role of Ava in 2015-2016.  With an impressive resume, GH is lucky to have her back and Braun finally felt the time was right to take on a new role on her first soap home  upon her return in 2017.  Viewers hope that they get to see more of those emotionally raw, honest performances that Braun is known for as more layers of Kim are revealed,

Michael Fairman TV caught up with Tamara to get her take on: the latest storyline involving Kim, Oscar and Drew, where Kim’s relationship with Julian Jerome stands, and how she feels it’s important to shed light on causes of the day needing our help and how we can all ultimately live in a kinder, more thoughtful world.  Here’s what Tamara had to shared below.

In the episodes we saw last week, Kim had no choice but to tell Oscar the truth. What have you thought about this whole story where now Oscar is hating his mother, and upset with her, when she did not come forward with the truth about his medical condition to him, because in her mind she was protecting him?

Courtesy/ABC

TAMARA:  Yes, that was reasoning.  She did all of this to protect him so that he could have a normal teenage life without all of that hanging over his head.  What do I think of it?  I think that it has been hard for me, Tamara, to play.  It has been hard for me to wrap my head around why a physician would not tell her son that he’s ill.  It’s also been hard for me to wrap my head around because the way the writers have made Oscar and Kim’s relationship such a beautiful one that has been seemingly full of honesty and openness, that they can really talk to each other, which is one of the things that I really like.  In terms of the storyline, what it does do is create conflict which is what’s needed in shows.  Things can’t be ‘happy, happy, joy, joy’ all of the time, so it’s created conflict for Oscar and Kim and now Drew, because Kim dragged him into keeping the secret too for a little bit. 

Courtesy/ABC

We just also learned that Kim’s reasoning to come to Port Charles in the first place was indeed because of Oscar.

TAMARA:  Like Kim said, she came because she did an ancestry report, and it turned out that he has relatives in Port Charles.  So, she wanted for them to get the opportunity to know him and him to get the opportunity to get to know them.  I’m sure we will learn something about Kim’s past which would explain why in her mind she felt this was the right thing to do.  We know that it seems like a very controlling thing.  As a mother, take the physician out of it, I still think that Kim would have shared his diagnosis with him, but I don’t think one ever knows what they would do in that situation.  You think you know what you would do, but perhaps she felt that she could control it; she could figure it out.  Perhaps, Kim felt that because she is a physician she’ll find some answer, and she’ll be able to fix it.  These are the questions, and these are the things that as an actor, I have to put in my head because it’s not what I believe I would do.  It’s not even what I believe the character of Kim as I knew her would have done, but it’s what the writers have written.  So, they have to have a reason, and I think that it has got to be more than just to create conflict.  That’s what stories rely on.  It’s soap, and a lot of people on soaps have to do crazy things and find out ways to justify them when they seem out of character.

You’re right.  Kim and Oscar had a very open relationship.  Yes, she was a “controlling mother,” if you want to say that, but they were honest with each other.  Garren Stitt has been very endearing in the role.  What can you say about working with him?

TAMARA:  I just adore Garren. I have adored him from the minute I met him.  I think he’s a lovely, sweet, kind person, and I feel so fortunate to get to play his mom.  I really do.  I think he’s wonderful, and I’m lucky.

Photo Credit: JPI Studios

Now as to the situation with Drew, Kim truly did not know he was in town when she got to Port Charles, right?

TAMARA:  Correct.

What does she feel towards Drew now, and does this situation ultimately draw them closer together?

TAMARA:  I think it absolutely draws them closer together, because now they have to deal with Oscar.  Because once Kim accepted Drew back into their lives (she thought he was dead long ago), she opened up her arms to him in the capacity of being a father for Oscar.  Kim has had to deal with everything with her child all on her own for fifteen years.  It’s just been the two of them.  So, I think that at some point it has got to be difficult to allow someone else in to help make decisions, and to lean on, and to co-parent with.  I think it was difficult at first, but I think now she is grateful to have him to share it with, even though they may not see things eye-to-eye all of the time.

Photo Credit: JPI Studios

Do you foresee Kim and Drew, at any point, growing closer romantically?

TAMARA:  I don’t know.  It’s not looking like that.  It’s looking like a nice friendship and one that is very caring and understanding, but as of now, I don’t see hints of it.  You never know.  As you know, it’s a soap.  Anything could happen.

How has it been working with Billy Miller? He has also done some wonderful work as the devastated father.

TAMARA:  It’s been great.  The last few scenes that we had to do, there have been those special moments you get as an actor where the angels are just with you.  It all just kind of connects and flows together.   I think we’ve been lucky to have gotten a few of those as of late, and that’s been really nice.

Courtesy/ABC

In story, it was revealed that Oscar could enter an experimental trial that could help his tumor and the cancer, is that what Kim wants her son to do?

TAMARA:  Absolutely, because she feels anything that could possibly save his life or give him more time, she wants for him.

I also like that they made Dr. Terry Randolph (Cassandra James), Oscar’s pediatric oncologist.

TAMARA:  Yes.  Cassandra is really lovely to work with, and she’s just a lovely human being as well.  I’m fortunate right now.  I get to work with some lovely people.

Courtesy/ABC

Do you think Kim’s going to let Julian (Will deVry) know about what she is dealing with?

TAMARA:  Julian does not know.  Oscar doesn’t want anyone to know and especially Julian.  He wants his mom and dad together, so he’s decided not to let Julian know.  I think only for those reasons.  Kim really didn’t honor Oscar by keeping this news of him being ill from him, so she has to honor him in his request not to share this with Julian.

Is Kim aware of how Cameron (William Lipton) is trying to maneuver himself into a relationship with Josslyn (Eden McCoy)?  Does she understand what’s going on there? 

TAMARA:  Kim doesn’t know anything about it.

Photo: ABC

Does Kim want Josslyn to be with Oscar?

TAMARA:  She does, because she knows that Josslyn makes Oscar happy, and to be happy, is what’s most important right now, because that also can help any type of recovery.  When we are happy, or are doing things that make us joyful, or raise our endorphin levels in a positive way, that’s good for health.  That’s good for recovery, and she wants her son to be happy.  What mother doesn’t want her son to be happy?  Especially now, with everything going on.

Kim was having an issue that Elizabeth (Rebecca Herbst) and Franco (Roger Howarth) knew about Oscar’s prognosis.  Do you think she’ll be more lax about that now, or do you think she’ll be more even intense about people not finding out?

TAMARA:  I think she doesn’t want people to know because Oscar now knows, and he doesn’t want people to know.  I think that she wants to keep his confidence.  I think she doesn’t want anyone else to know because she needs to respect Oscar’s wishes.

Courtesy/ABC

Do you think that it’s possible that Drew’s twin, Jason (Steve Burton) is somehow the bio-dad of Oscar, and not Drew?  The character of Jason has a history of brain injuries and trauma.

TAMARA:  I never thought of that! (Laughs)  That would be a fun kind of plot twist!  I don’t think so because there have been lines a couple of times when Kim is with Jason and she says, “You know, you look exactly like him.  It’s kind of hard to wrap my head around that, but you act so differently.”   You know what?  Even if Jason did have a brain tumor, he is Drew’s twin, and Drew is Oscar’s father, so that does still genetically match and run in the family.  It’s an interesting twist there that you bring up!

I remember watching the episode where the audience learned Oscar was dying and I was completely shocked!   I had no idea where the writers were going with it after the seizure.  When the powers-that-be filled you in on what was going on, what was your reaction to that part of the story?

Photo Credit: ABC

TAMARA:  Illness in any form on a soap gives you something to play.  So, that’s good.  When they start saying in the dialogue, “terminal,” you’re like, “What!?” But then you also have people saying, “There’s always hope,” so, you never know where it’s actually going to go, or how the story lines will play.  I understand how people keep saying that it came out of the blue and they didn’t even hint at that.  So, I will say they did write a scene the day that Michael (Chad Duell) lost the baby, and I believe Sonny (Maurice Benard) and Michael were in the church. There was a scene that I was ready to shoot that day, and it was a monologue in the church.  It was after Nelle’s (Chloe Lanier) baby had died and after Kim and Nelle had scenes.  Kim goes to the chapel and she has a monologue talking to God, and it was a bit of a hint, but they had to cut the scene because the tape day ran long.  I didn’t even shoot it.  I think that had they had left it in; people would have been like, “Oh, that’s what that meant.”  I think now that I see the reaction of viewers and you’re bringing it up, that would have been the moment you could have gone to and said. “Oh!  That’s the moment.  That’s what she meant,” or when it happened, the audience have been like, “What’s going on?  What don’t we know?”  I think had that scene been in there, people wouldn’t have been taken aback so much.

Photo Credit: JPI Studios

So, what would you say the audience can look forward to with Kim coming up?  Are we going to see her with a lot of stress on her relationship with her son?  Do you see her holding it together, or falling apart? 

TAMARA:  I think probably all of the above… trying to pull it together, falling apart, a rift between them, trying to bring it back together, making mistakes, doing the right thing … I think it’s everything.  I think reality just smacked Kim in the head, and her son… but when you’re so closed and tight about something in life, and when you no longer have control over it… you’ve got your best-laid plans, and you know what they say about your best-laid plans.  (Laughs).  It explodes, and then you have to deal with the aftermath.  So, hopefully we will see some nuance in there.  I’m hoping for it.  Hopefully, we will see Kim and Oscar work through stuff because people make mistakes; people do the wrong things for what they think are the right reasons all the time.  If Oscar is dealing with an inoperable, terminal brain tumor here, then time is of the essence for them to get it together and come together.

Well, I hope that it’s hankie-inducing, poignant and does have those beats for you to play, and they don’t kind of skip story beats.  As you said, time is of the essence for them and there is, usually no matter what, an unbreakable bond between mother and son.

TAMARA:  I hope so, too!  We can keep our fingers crossed for that!

Photo Credit: ABC

What attributes of Kim do you like playing?

TAMARA:  Kim’s no pushover, which I do like about her.  She’s strong, but she’s a quiet strong.  She doesn’t come at somebody charging, blazing, knocking things down or with a baseball bat like Carly does.  She has strength as a woman, and it’s in a very different way.

Do you think Kim is in love with “Charlie” AKA Julian? 

TAMARA:  I think she loves him.  It’s been a long time since she’s been in a relationship.  Her primary relationship, for better or for worse, has been her son all these years.  She’s made him her number one and didn’t feel she had time or that there was anyone who was worth that time.  So, I think that with Charlie, or Julian, whoever the hell he is (laughs)…

… Wait! She knows he’s Julian, right? (Laughs)

TAMARA:  Yes, she knows, but she likes to call him, “Charlie” because of the bar.  It was a cute little thing from the beginning.  I think that he doesn’t pressure her.  It’s easy, it’s fun, it’s light, and that’s what I think she can handle right now.

How has it been playing the mother of a teenager?  Is that odd for you?  It seems like a bit of a jump.

TAMARA:  It seems like a jump from what people have seen me do for a long time.  If you think about it, the last time people saw me on General Hospital with a kid, it was Michael (formerly Dylan Cash), and I mean, not in soap terms, but in real life terms, he was playing I think 6 when he was 8, and now he’s 23 so he would have been playing 21 if he had stayed.

Courtesy: TBraunTwitter

Is it ever odd for you that you aren’t the character of Carly anymore when you see Michael and characters that you have shared and played emotional attachments with your first go-round on GH?  I would suppose as an actress you can switch that on and off, but what about as a person?

TAMARA:  Yes, as an actress you switch it off, but as a person Michael is not the same Michael.  I think if he had been the same because we were so close, and we were so connected it might have been more difficult.  If it were him on set playing him every day, I’d be like, “Hi honey!   Hi my son!”   He was so in my heart.  I think because it’s Chad Duell now playing the part, who is lovely and wonderful, there’s no history with us, and that made it really okay.   I loved Dylan as a little boy.  I still love him.  He stopped in at my fan event, which was wonderful!

When you think back on all of your soap roles, it’s pretty amazing what you’ve done. Although we hated the end of the Reese/Bianca wedding on All My Children, it was the first same-sex wedding, and was a landmark moment.  You were a part of it.  Forget what happened afterwards, but that moment was key.  When you were on General Hospital, you received a Daytime Emmy nomination for your performance as Carly.  And then there was Days of our Lives’ Ava Vitali!  You got to play the psycho.  You won the Supporting Actress Emmy for your performance.  Do you think Ava is somehow still alive? 

TAMARA:  I think she may be alive.   I mean, no one really saw.  They put a sheet over her and rolled her out.  You didn’t see her dead.  I mean, come on now.  Joey (James Lastovic, Ex-DAYS) can strangle, but I don’t know that he’s that strong.  Ava’s got some fire in her.

Photo Credit: JPI Studios

Such a great role!

TAMARA:  I have been really, really blessed to play very strong or pivotal or interesting, dynamic roles on daytime.  I have been very fortunate to do that, and I have been very fortunate to work with people who allow me to do my thing.  They don’t hamper it.  They say, “Go.  Go for it.”

I love your Instagram posts, and I love when you talk about social issues and things that are important to you.  Could you talk a little bit about how you’re using that platform to make a difference?

TAMARA:  I just like to post things that are important to me. There are a lot of people who are using social media for brand identity.  I’m glad that I don’t even know what that is.  I mean, maybe I should know.  (Laughs)  It probably would be better for me, but –

Photo Credit: JPI Studios

You realize on Instagram; if you post a shirtless pic along with a quote from something unrelated and are a guy, or are a very sexy woman, you’re going to get millions of likes.

TAMARA:  Yeah, and that’s not my brand.  (Laughs) I guess if I had to say what my brand is; it would be “Truth. Real. Honest.”  You know, here’s the real deal from me.  I think it’s important to bring awareness to what’s going on that touches your heart.  I think that if you can shed light on issues in a positive way, to make people think, to make people feel; that is important.  I have always wanted to do good things in the world, and you can do that at any place and time in your life as a human being, but when you have a bit of a platform, I believe it is a responsibility to use that to share things of importance to the world for humanity.  We’re given this one life.  Whether you come back, or whatever you believe this is the one life we have, if we don’t do something good with it, what’s the point?   I think there’s too much, “Me, me, me, me, me.”  I mean, that’s what this business is, right?  But we need to step back, and we need to remember that there is a real world going on out there where people are dealing with issues, and we need to be kind.  That being said, I do post stuff of myself, and people want to see it, so I want to give them what makes them happy, but I think that as long as I’m doing that too, I think it also makes people happy to see things good going on in the world, bring light to issues that need light brought on them.  I really just feel that we need more kindness.  We need more positivity because right now is a really hard time in our world, in America especially. It’s important to be more generous and kind-spirited than what we’re so often seeing these days.

So, what have you thought about the way Kim handled telling Oscar of his cancer diagnosis?  Do you hope Kim continues to stay in Julian’s orbit, or would you want her to become involved with Drew?   What do you think will happen next in the story … will Oscar survive?  What has been your most favorite performance of Tamara Braun of all her soap roles through the years? Comment below.

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Interviews

Y&R’s Hunter King Talks Summer’s Clash With Phyllis, Seducing Billy, ‘Life In Pieces’ & Being Newly Engaged

On The Young and the Restless viewers just watched the summer of …  Summer!  When the top-rated soap brought back two-time Daytime Emmy winner, Hunter King to the canvas, you knew it was going to be to stir up some major drama.  But, little did viewers know that Summer came back a vixen, ready to steal her mother’s man!

Last month, it became game on between mother and daughter after their epic showdown, where Phyllis (Gina Tognoni) got wind of Summer’s attempts to put the moves on Billy (Jason Thompson) and her plans to meet up with him in Philly! (And that spelled trouble for the couple known as “Philly” too)  Oh yes, and there was that well-deserved bitch-slap!  So, where will it all go from here?

Michael Fairman TV caught up with King where we discussed: Summer’s new attitude, if Summer will get her wish and have sex with Billy, her real-life engagement, and her upcoming return to the CBS sitcom Life in Pieces, and more. Check out what Hunter had to say below.

Summer is so pursuing Billy! When you came back to Y&R, did they tell you we need her to be really vampy and this seductress?  What has happened to her? (Laughs)

HUNTER:  Yes.  I understood where it was coming from, and I was excited to play the same character, but being able to play it totally different.  I get to sort of reinvent her.   I think when Summer went away she discovered herself, and kind of grew into Phyllis’ daughter … maybe.  But I will say, it has been very vampy, and you don’t even know yet what’s to come!

Photo Credit: JPI Studios

How is working with Jason Thompson?

HUNTER:   Working with Jason is great.  He is always so professional and prepared and always willing to collaborate on scenes.  Jason is just so creative, and so in it, and loves to work so much that he just exudes that the scenes.

Let’s just say when Summer and Billy “finally” hit the sheets … (Laughs)

HUNTER:   We don’t yet … we shall see.  The way this whole storyline unfolds you think it’s going one way and then there is a twist, and then twists on top of twists.  The more layers that come into play you start to understand why everything is happening the way it is.

Now, Summer had no idea that Billy had a gambling addiction, which put this whole spiral of his in motion?

HUNTER:  I guess not?  (Laughs)  It’s hard to know. I would say she evidently did not know about his gambling.

Photo Credit: JPI Studios

Viewers saw Phyllis slap her daughter in the face as the fight between them escalated; when Summer admitted she was going after her mother’s boyfriend!  How was it taping that scene, and working with Gina Tognoni?

HUNTER:  She’s amazing! Gina didn’t really slap me, but I will say afterwards they wanted to put red blush on my cheeks, and I said, “Oh, just pinch my cheek instead, and I wound up bruising my cheek.”  So Gina goes, “I really didn’t hit her!”  It was the funniest banter on set.  Gina was scary in those scenes, like a good scary.  I went, “Damn!”

On August 18th, you got engaged to your beau, Nico Svoboda.  Were you expecting him to propose when he did?

HUNTER:   I was so shocked, even though I had wanted it to happen, very much.  But, I had no idea when it was coming. It was amazing, and the best day of my life and, we are engaged!

Photo : HKingInstagram

And he got down on one knee for the proposal!

HUNTER:  Yes!  I thought it was sweet.  It’s something you dream about when you are a little girl.

What it is about Nico that makes him the guy for you?

HUNTER:  Besides the amazing qualities he has as a person – he’s compassionate, he’s caring, he’s driven, he’s loving, and just cares for others so much – I love the way that he loves me.  I have never felt so loved before, and so accepted, and he is very supportive of my career.

Courtesy/CBS

Are you excited to go back to your role as Clementine on the sitcom, Life in Pieces?  It is slated for a midseason premiere.

HUNTER:  I am super excited to be back.  We are back taping again   I am excited to do the sitcom and Y&R   As an actress, it’s so exciting to get to do different things:  a sitcom and soaps … why not?! (As noted in the press: King took a three-episode break from Y&R to film some episodes of the sitcom due to a scheduling conflict.)

Then speaking of “All in the Family,” it was just announced, your sister, Joey is coming onto Life in Pieces.

HUNTER:  Yes!  How crazy. She will be on for a few episodes, and it will be fun.  I think we will interact a little bit on the show, and we have never had the chance to work together before.

Photo: HKingInstagram

You and your sister have the funniest Instagram videos.  Do you plan those out?

HUNTER:  Joey is so funny.  It kind of just happens when we get together.  Sometimes we film something and sometimes we don’t.  But Joey is so much fun and my best friend. She is the funniest person in the entire world, and so it’s just easy to laugh when I am with her.

So, what did you think of the showdown between Summer and Phyllis?  Are you glad Phyllis slapped her daughter, or was it a mistake?  What do you think will happen next?  Will Summer ultimately sleep with Billy? Do you want Summer to end up with Kyle (Michael Mealor)? Will you be checking out Hunter on Life in Pieces? Share your thoughts via the comment section below.

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General Hospital

General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives

“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other.  At least this way I could leave some good feelings, instead of disappearing before your eyes.”  Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home.  These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).

When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect.  What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major.  Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.

In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.

Gail has been a revelation in this role.  A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.

On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s.  So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.

Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.

You’re portraying a person suffering from Alzheimer’s and play the progression of the disease.  Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?

Courtesy/ABC

MAX:  It’s more like an urge, or a calling to find some kind of truth in it that I can connect with.  One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else.  “Where am I going?”  This has happened to me many times in life.  For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it.  I knew I’d gotten home somehow.  So, it’s not out of my realm.  I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function.  We are kind of on the cusp of that in story at GH.  I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working.  Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.

The story has been so effective.  You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey.  It’ll be interesting to see how far they will take this with Mike.  Will we actually see him not being able to communicate anymore?  How far will the writers go to show the horrific aspects of Alzheimer’s? 

MAX:  I’m not sure.  You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it.  Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level.  I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember.  They’re trying to find a place for Mike within all of the interwoven drama of General Hospital.  I, frankly, had no idea how complex the range of storylines was.  Mike doesn’t really have control over his story.  I don’t want that as an actor.  Mike has some intentions that are really important to him.  I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed.  I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father.  Sonny’s formative experiences growing up were then with his abusive stepdad.  Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s.   It’s a wonderful challenge to be presented with.

Courtesy/CBS

You brought up that Mike is seemingly very sweet in his demeanor now.  My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman.  As the disease took hold of her, she became very sweet.   She became almost childlike.  The fire had gone out of her eyes.  You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son.  In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc.  Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof.  However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore.  That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son. 

MAX:  Right and he doesn’t know if he’s around friends or around enemies.  This can be true of Alzheimer’s patients.

I had that happen with my mother when she came out to Los Angeles to see me for the last time.  She was out of her element, she was confused, and she broke down and cried in the hotel room.  She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.”  It was heartbreaking.   Later, she had a moment of clarity and realized more of what was going on.  I think it’s those in-and -out moments that you portray so well on-screen.  I feel that they are very realistic to what I, and others, have experienced.

Courtesy/ABC

MAX:  I appreciate that and sharing that with me, because you never know as an actor.  That place of “Where am I?  What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed.  I don’t remember the words.”  It was, “I don’t know where the f**k I am.  I thought there was a band there, but there’s not.”  So, in a way, I just had to be there on this big soundstage and just feel this big space around me.  I could barely see that there were people out there.  It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this.  He doesn’t have to freak out and get accusatory.

Courtesy/ABC

What has it been like working with Maurice Benard as your on-screen son?  Do you watch back your scenes together and ever go, “Oh, that was great!?”

MAX:  Yes, there have been a lot of those!  There are some scenes that are so emotionally focused, and we get a lot of delight in each other.  He has been playing this character in this situation for so long, so it’s just kind of in him.  Maurice has presence.  I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots.  I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway.  When this part came up, a soap hadn’t really been on my radar.  I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB.  One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character.  I thought, “Wow, that’s really interesting.  This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.”  I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.

Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.

MAX:  It’s mutual.  We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment.  Although, I would love for Mike to have a moment of self-observation where he goes, “Gee.  I cry a lot more than I used to.”  I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.

Courtesy/ABC

There was a part of my mom that knew something was wrong.  She’d go, “Why am I crying?  I don’t know why I’m crying.”  She got confused as to why she was feeling that.  She couldn’t connect it all, and at times she kept saying, “I don’t understand.  I don’t understand.”  Those were the things she would try to express.

MAX:  I have a feeling that Mike has those moments too, but he finds a way for it to be okay.  There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.

Photo Credit: JPI Studios

Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera.  While now being at GH, have you found any commonality within the experience?

MAX:  If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years.  One of the things that really resonates is that when we started shooting the studio audience laughed too easily.  We would end up retaking the scenes.  Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script.  Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own.  Frank has a really wonderful eye.  He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment.  I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.

Courtesy/ABC

Vernee Watson has been amazing as Stella, who is also Mike’s social worker.  Does Mike have romantic feelings toward Stella?

MAX:  Vernee is wonderful.  I didn’t know Vernee had been on the show when I came on board.  She won an Emmy, and I’m not surprised.   She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection.  For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white.  I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American.  So, in my world that is not a big deal.   I think there’s an affinity there between Mike and Stella.  You know, he’s alive.  He’s old, but he’s not dead.  There’s an ease with women he likes.  I think there are a whole lot of reasons for them to not get involved.  One is just professional, and she’s a social worker.  We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.

 

What do you think about how Mike knows about who was buried at Charlie’s Pub?  He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar!  This storyline ties in to Sonny’s mobster dealings as well.

MAX:  Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny.  Of course, it reveals certain things about Mike that he’s never revealed to anybody before.  So, that’s kind of cool.  I think when he knows what and how much sometimes is not clear.  That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story.  They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions.  So, we knew elements going into it and that sometimes I  didn’t know what the writers are really intending.  In terms of Mike, he’s kind of back and forth in certain moments.  I have to resist the idea that they trap me by just being careless.  I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.

Courtesy/GoodDayLA

You appeared on the morning show Good Day LA  a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement.  What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?

MAX:  It was great to do.  Maria had sent out a tweet that is was wonderful what was going on, on General Hospital.  On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men.  So, then Laura and I sat down and did an interview alongside Maria.  We actually had a nice conversation before.  They did a web interview also as a follow-up.  That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing.  Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject.  I’d love to see an ongoing conversation online amongst people who can share their stories with each other.  That’s a lot of what they’re doing.  They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver.  Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist.  I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time.  There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.

Courtesy/ABC

You were my favorite character on Barney Miller as Detective Wojciehowicz!  I think for many who watched the show you were, too!

MAX:  I think “Wojo” ended up being the heart of the show.

Max, you’re helping people through your beautiful performances including me.  Congratulations on that.   I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.

Photo: IMDB

MAX:  Well, I really appreciate your questions.  I’m just planting that seed.  That is really what I would like to do after talking to you and so many people.  That’s something I’d like to put out there.   We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again.  I’m looking to help people out there in the world who are watching and are looking to share in the conversation.

So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny?  What have you thought of Max Gail’s performance throughout his GH run?  Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s?  Share your thoughts via the comment below.

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Video du Jour

This weekend we mourn the loss of General Hospital’s beloved Susan Brown who played Gail Baldwin. Here is her final scene from 2004 when Gail and her husband Lee (the late Peter Hansen) showed up at Lila’s funeral and had an exchange with Alan and Monica. Share your thoughts on Susan’s passing via the link below. Leave A Comment

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