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The Rick Hearst Interview – The Bold and the Beautiful

rickMain.jpg

Three-time Daytime Emmy winner, Rick Hearst, has had a tumultuous few months, but now has landed squarely on his two feet. This Friday, July 17th, Rick returns to the role of PR Wiz, Whip Jones, on CBS’s The Bold and the Beautiful, a character he last portrayed in 2002. As soap fans know, Rick was dumped to recurring status by his former show, General Hospital, where he played bad-boy Ric Lansing, the brother of Sonny Corinthos. After years of heavy story, Ric Lansing’s story stalled and the actor found himself in a precarious situation. With talks that Rick could bolt and go back to his old stomping ground, Guiding Light, where he played Alan-Michael before the show ends its CBS run, it was “B&B’s” head honcho (executive producer and head writer) Brad Bell, that lured Rick back to the fictional soap fashion world with one memorable phone call.

Now, with an exciting return and a new lease on his soap life, Rick Hearst is ready to stir up things at Forrester’s competing fashion house, Jackie M. In this candid interview, the talented Hearst tells On-Air On-Soaps that this time it’s a wide-open field romantically, for “B&B’s” Whip. (He was last wed to Brooke) This actor will certainly be the straw that stirs the drink upon his return to one of CBS’s top rated soaps. Here’s Rick.

Listen to the audio:

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MICHAEL:

Let’s go back to the beginning. We all know you were put on recurring status at General Hospital. Then how did the opportunity to come back to The Bold and the Beautiful happen?

RICK:

It kind of came out of nowhere. I had been placed on recurring status, and I had become a gun for hire at that point. I was two weeks on recurring status, and sitting here in my house on a day off and the phone rings. My wife answers it, and she is talking for a while, and I hear her say, “Brad, blah, blah, Brad.” I went, “Who’s Brad?” That’s it! I’m done! She has finally found somebody better. Oh, God! I get put on recurring status with General Hospital and it’s done. (He laughs) All joking aside, she comes down the stairs and she goes, “Honey, its Brad Bell.” So, it completely took me off my feet. I took the phone and said, “Brad¸ how are you? You know what I love about you? Here you come from a family of soap royalty. Here you come from a place where your father was mentored by Irna Phillips, and you guys have set the standard and the model for daytime. You would think you would be the most unapproachable person in the entire daytime world, and in television in general, and here you are calling me at my house. You are a class act, you know that?” So he goes, “So Rick, how are you?” We picked up where we left off and it was so great. Brad always kept me in mind, and we had always seen each other at the Emmy awards. The cool thing was that we kept in contact. He said, “I had heard you had been let out of your contract by “GH” and I just wanted you to know that I’ve been thinking about the character and bringing Whip back!” Brad then says to me, “We can even change his name!” I said, “No, Brad, its fine. Whip…Whipple… please. My name could be ‘Mud’ for all I care.” (He laughs)

bradmain.jpgMICHAEL:

What is the origin of the very unique and distinctive first name, Whipple?

rickWhip.jpgRICK:

From what I understand, it goes back years ago. The name Whipple came from a good friend of Brad’s, who he grew up with. I have never in my life known anyone named Whipple. I think it must be a name from a higher upbringing, and look, I am from Queens! (He laughs) “Whipple Jones” I used to laugh about it. I would say to Brad, “Whipple is such a unique name. What is his last name?” Brad would go, “Jones”, and I go, “Not Smith, not Johnson,” and I laughed. Out of respect for Brad, I said, “fine.” The character was so interesting back then in 2002, I knew it could only go up from there.

MICHAEL:

You were under utilized as Ric Lansing over the past year on “GH”, which left many fans disgruntled. Do you believe they just did not care about the character anymore?

RICK:

I don’t think there is a decision where it comes across in a writer’s mind at the production offices at “GH” where they say, “Let’s not come up with story for him.” It’s just sometimes you hit a wall and sometimes you don’t have a vision for a specific character the way the character had been utilized, and the focus is now somewhere else. I don’t fault Bob Guza (head writer, “GH”) for that. It’s the way it is. I am not in charge, and I am not steering the ship. There are so many avenues where I could have seen Ric going, but that was not really in their mind’s eye at this particularly point in time. Who knows how the world works? Who knew I would play six and half years on “GH” and then it would come to this point and time. Who knew that Brad Bell would think, “You know that character we started with Rick Hearst, we should really take some place.” Who knew the stars aligned and it was time it needed to happen?” I never look at things with animosity because it just gets you nowhere. I miss my “GH” family very much.

MICHAEL:

Speaking of your former “GH” family, what did they say when you said you were going to go back and revisit Whip on “B&B”?

sonnyRick.jpgRICK:

Truthfully, I would venture to say the majority of the cast and the production crew was thrilled for me. They were crazy about it and they were glad I was going to a place where I could be utilized fully. Had this not come about, would I have stayed on “GH” and on recurring status, and played the story that they provided, which I could help unfold? Absolutely, but then again, I was looking for other creative venues at the same time.

MICHAEL:

Were you ever going to entertain the thought of going back to Guiding Light to play Alan-Michael, for the end of its run?

RICK:

There was talk, actually, just as soon as this came about. Barbara Bloom, Senior Vice President of CBS Daytime and my agent were speaking about it. They were trying to come up with a plan for me to go back there for a four to six month stint before the cancellation came about. I would have loved to have done that, but at the same time it was finite, but I would love to have wrapped that up. It was such a great part of my family’s life and I grew up there as an actor.

rickEmmy.jpgMICHAEL:

And, you won your first Emmy!

RICK:

Yes, my first Emmy! It was the beginning of so many wonderful things in my life and it’s so sad to see it go. It’s sad to see it happen to the daytime community, and it takes vision. When you see decline in your world, whether it be professional or personal, and the conviction of what it can be, you try to go forward and it can be tough. But, I think we still have it in the networks and in daytime for those people who have the strength of character, and the strength of their own vision and their audience, to stay with it.

MICHAEL:

You exited “GH” last month, by Ric Lansing getting into an elevator- Sayonara!

RICK:

I shuffle off to Buffalo, and the door has been left open for Ric. I think this is a great time for me to be back on “B&B”, the canvas has shifted a bit. There are some great new people for me to work with. There is vibrancy in the cast, and not a lot of people have left the cast since I was here last time around.

MICHAEL:

Tell me about Whip Jones? I see him as a smarmy PR guy.

RICK:

He is a smarmy PR guy, and an opportunist. He does not try to get under your skin; he just calls it like he sees it, and he makes no excuses for himself. Is he out to hurt anybody? Absolutely not. He can be wildly bombastic and visionary in his own right, but he is a guy who knows how to pull the reigns back.

rickBlack.jpgMICHAEL:

I want to know why you are so good at playing these kinds of guys.

RICK:

People exist in their own world and from their perspectives, given what they have been through in their own lives and their circumstances. These guys say the things you wish you could say. I describe this guy at this point as the Ari Gold of the fashion world. I so respect Jeremy Piven of Entourage. Here is a guy who has taken an agent, who for a lot of us in the industry seem to be sometimes the slimiest people in life, but at the same time you have to look at the person behind it. He plays a guy who, regardless of anything, he cares and he loves his client. His methods may be off-center but he makes no excuses for it. Ultimately, it’s for the betterment of himself and his client. I look at Whip much the same way. He is looking to reap the benefits of what he is laying out there for his client.

MICHAEL:

Whip is being brought back into the show by Stephanie, correct?

RICK:

Yes. He is being brought in by Stephanie, who hadn’t decided whether she liked him or hated him, but she knew he was very effective with what he did. Now, Stephanie is over at Jackie M. Whip has been talked up by Stephanie, and he has hit the skids and needs a job like many people in this economy. Whip had gone through Forrester International and done very well. From what I surmise of the history, he had a falling out and got too big for his britches. He thought, “I want to do something more with PR and take it to the next level.” Whip knew that Forrester was very much a family company and they had their method of doing things. So, he goes to work for some other small independent fashion houses, and maybe they weren’t established enough, and maybe he left on his own accord from those two places. There is something that is burning inside of the guy to make him come back to Los Angeles. He knows he can’t go back to the Forresters, because he knows there is too much under the bridge there. Brooke is still there. He still has this thing in his heart for her and maybe he wasn’t able to put that completely to bed.

heatherTom.jpgMICHAEL:

Do you think they will rekindle Brooke and Whip? Because Heather Tom (Katie), told me in a recent interview, she would love to have the opportunity for Katie and Whip to mix it up.

RICK:

It would be fantastic! I will be honest with you; the canvas is wide open for him this time. It would take a lot for Whip to really go forward and allow himself to get involved in a situation where ultimately he could lose out to Ridge.

MICHAEL:

Anybody who comes on the show could eventually lose out to Ridge, in regards to Brooke.

RICK:

Right. It’s like with “GH”, if you are going to go up against Sonny Corinthos you are going to lose. If you want to find a way to exist in that environment, that’s great. In regards to Brooke and Whip, if she would turn around and say, “Hey, I made a mistake,” Whip would probably jump in a second. That being said, I am in agreement with Heather Tom. I so respect her as an actress. She is a phenomenally talented girl and a stunning looking girl. So, absolutely Katie, and Lesli Kay as Felicia, and there are so many ladies on the show!

MICHAEL:

Brad Bell told me to expect more comedy at Jackie M.

jackiem.jpgRICK:

Yes, and I am thrilled it’s more light-hearted stuff. I literally said, “If it’s cute and peppy for awhile, that’s great.” People have to get to know this guy again. If you bring Whip in with ulterior motives and what not, you will push the audience away. Brad is very smart that way. We want to see that Whip is a fun-loving guy and irreverent. Do you want to smack him someday? Sure. That is better than hating his guts. He is more the guy in the room who gets to say what he wants and gets away with it. That’s entertaining. I want this audience to feel that kind of love for him in the way that you would rather pinch his cheeks and smack him in the face for doing what he is doing, than want him dead. That’s the difference I see between Whip and the character of Ric Lansing. I was a bit concerned about that. I literally left one job and went to another in less than 24 hours. I was saying, “Goodbye” as Ric Lansing and saying, “Hello” as Whipple Jones III, closing the elevator door in Port Charles, and opening the door at Jackie M in LA. It’s comedy from the first time you see me. I was thankful when I opened that door. I literally said, “Please God. Do not let me open this door as Ric Lansing. Let me open this door as Whipple Jones III.”

sarahRick.jpgMICHAEL:

Speaking of your exit from Port Charles, many felt there was a missed opportunity between you and Sarah Brown (Claudia) on “GH,” as a couple. How did you feel about that?

RICK:

Sarah has always got her game, and I love and respect her so much. I will miss her and I think it was a missed opportunity that didn’t happen. There was not enough vision with the people that make the decisions to make their relationship go forward.

MICHAEL:

Where are your three Daytime Emmys?

RICK:

My Emmys are up on one shelf. My trifecta. I used to not predominately display them until a friend told me they were collecting dust, and I needed to have them in the front of the house. So now, thanks to my friend, I have my Emmys displayed with my son’s awards, and with my wife’s awards. They are now all together as everyone walks in our house, for everyone to say, “This family’s accomplishments are all even.” My son’s award for Best Supporting Actor within his theatre and school is just as predominately displayed as my Emmy, and so is my wife’s Best Choreography awards. My youngest son’s awards are there, too.

rickPortrait.jpgMICHAEL:

In closing, what can we look forward to from the return of Whip Jones on “B&B”?

RICK:

He will shock and amaze and awe-inspire. And whether you love em or you hate em, he is always going to be in your face, and don’t ever second-guess what he is ever going to do.

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I just read that B&B put Rick on recurring status, I was’t crazy about GH decsion to place him on recurring status and was equally as to see that B&B has followed suit I mean to waste a talent like Rick! what’s the soap world coming to. Since Guza out (GH) and there’s a change in the wind with S/L’s at GH is it possible that Rick will play Ric again? Just quoting the new head writer on board at GH (sorry can’t remember his name) “sometimes they come back” well I hope Rick Hearst is a comback player with… Read more »

kim
Guest
kim

I just read that B&B put Rick on recurring status, I wasn’t crazy about GH’s decision to place him on recurring status and was equally sad to see that B&B has followed suit I mean to waste a talent like Rick! what’s the soap world coming to. Since Guza’s out (GH) and there’s a change in the wind with S/L’s at GH is it possible that Rick will play Ric again? Just quoting the new head writer on board at GH (sorry can’t remember his name) “sometimes they come back” well I hope Rick Hearst is a comback player with… Read more »

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Photo: ABC

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Sean Kanan Talks On The New Season of His Streaming Series ‘Studio City’ and The Life and Times of B&B’s Deacon Sharpe

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In this chat with Michael Fairman TV, Sean weighs-in on: what could be next for B&B’s Deacon, the struggles and the joys of continuing his streaming series, and the homage Studio City is to the soap genre and much more. Check out what he had to share below.

Courtesy/StudioCity

How challenging was it to shoot this season of Studio City?

SEAN:  When we do this thing on a shoestring, everything needs to fall into place in order for it to happen properly.  We know that everybody involved with the show was going to potentially get other projects, or do other things   One of the biggest issues we have, is that a lot of times, we didn’t know what locations we had because Studio City is the real world, and then it’s the show within a show (Hearts on Fire).  So, with the show within a show, those actors aren’t in the ‘real world’. For instance, Tristan Rogers (Doc), is only in the ‘real word’, so, if we have a location that isn’t for the ‘real world’, we can’t shoot Tristan because he doesn’t exist there.  We would have to literally decide what we were writing (sometimes the night before) based on the locations we could get.  It was just an enormous challenge.

Sarah Brown (Laurie) was not a part of the newest six episodes as well as some others cast members. Will she and others be back at some point?

SEAN:  Sarah was directing a podcast, and we kind of had to look at who was available to us, and what stories we needed to tie-up, and hopefully we are going to wind up doing another five episodes to finish up this season.  Then, hopefully we are able to get the actors who weren’t able to do the first six to come back and do the second five.

What I liked about the new six episodes is that I thought you built-in some really solid scenes for the actors.  How did you feel about the outcome?

SEAN:  We make the best show that we can make with the resources and time that we have.  I was glad that we got to develop the story a little more with Delilah (Juliet Vega), Sam’s would-be-daughter.  We always try to do something that’s socially responsive, and diversity is certainly and important issue in Hollywood, without a doubt, but I also think that you need to see the comedic side of everything.  I thought there was some really funny stuff about that with Sam doing the podcast and the scene with Anna Maria Horsford (Jolene) and Will Roberts (Dennis), where she comes in, and she’s like, “The production is too white.”  I thought that was some funny stuff there.  I loved the monologue my wife, Michele, wrote for Carolyn Hennesy (Gloria) about the soaps – that thing about how all of the soaps are dead, and Carolyn just railed in support of the soaps, about the soaps being this dependable thing.  For a lot of people, soaps are their point of emotional contact.

Photo: StudioCity

I talk to fans all of the time and for many times soaps are their lifeline.  Your character, Sam, lands a part in action-adventure film and screws that all up while on set. Where did that plot point come from?

SEAN: It came from a couple different places.  I think that there is not a male actor alive, who some part of him doesn’t harken back to when he was a little boy and doesn’t want to be an action star.  I think the funny thing about it is, of course, Sam is right on the precipice of being over the hill for it, and he’s not going to let that stop him.  Natalie Burn (Shelby Brock) is a legit action star.  She’s a terrific martial artist.  Our director, Timothy Woodward Jr. has done some action movies.  So, we sort of said, “Okay, we’ve set this thing up where Sam wants to get this film.  Let’s give him the film and have him struggle abysmally.”  Marching orders for Studio City are always to keep as much mishigas on Sam’s shoulders as we can.  You never want to see the lead of your show succeeding wildly because that diffuses all of the conflict.  I do think I’ve had some really great dramatic stuff.  I really liked the scenes that I had with Delilah in the sixth episode, and I loved the stuff with Tristan, and I loved the stuff with Lilly Melgar (Becky).  I thought it was really funny.  Lilly killed it and so did Justin Torkildsen (Jacob).  I thought Justin was great.

Courtesy/StudioCity

I thought when you utilized on-camera testimonials from the cast and the EP, that was really a hilarious piece to add to the story.

SEAN:  That was great.  I’d love to take credit for that, but it was Tim’s idea, and it was a really great idea from a production standpoint, because you can do one of two things.  You can either do a whole show where you’re using those, or you can chop them up and use them throughout different shows. From a production standpoint, we had to build some things into the show to insert those when we needed.

Courtesy/StudioCity

You also cast celebrity publicist, Anthony Turk, as a network executive in the series.

SEAN:  Yes. Way back when I created Studio City, there was a part for a publicist, and I had talked to Anthony about doing it.  We had eliminated the publicist part until Lilly became the publicist; which ended up in a completely different plot point.  I always knew I wanted to put Anthony in the series, because I think he’s a good actor. I was like, “You know, I didn’t write this part for you, but I think you can do it,” and I was really happy with how he did it.

 

Courtesy/StudioCity

I also liked the scene with Anna Maria Horsford’s Jolene where she tells Sam to keep his mouth shut while he is working on set. 

SEAN:  She is so fabulous.  I love that woman.  She is such a talent, and I was so happy when she got nominated for a Daytime Emmy last year.  I have such an affection for everybody on our show, because they really put their heart and soul in it, and it just means so much that they show up, and they support, and they do great work.

What I noticed is that the way Timothy Woodward Jr. captures you as an actor.  There is so much going on in the reaction in your eyes of what is happening to Sam.  He realizes the, “Oh, my God,” of each situation as he realizes what he just stepped into, or he finds the humor in it, or when he lets out his frustration, as he did with his daughter in the sixth episode.

SEAN:  That was one of my favorite scenes.  I wrote that one.   It was great because it’s my real-life stepdaughter, and I thought she really stepped up, and I was so proud of her.

For the first time in the realignment by the television academies, Studio City will now be competing at the Primetime Emmys instead of the Daytime Emmys, if the series receives nominations.  How do you feel about that?

SEAN: We are really excited to be competing with the big dogs now at the Primetime Emmys, and rather than being intimidated by it, we are saying, “This is the universe opening up and saying, ‘this is what you need to do,’ and so let’s embrace it.”  It’s going to be exciting.  In my 35 years in the business, I’ve never been to the Primetime Emmys.  So, we shall see.

Photo: StudioCity

Justin Torkildsen’s role greatly expanded this season.  In story, do you see Jacob attempting to thwart his Aunt Gloria and take control of Hearts on Fire as the EP? 

SEAN:  I don’t know if the goal is for him to take over for Gloria.  It certainly was a lot of fun to see what happened when he got just a little taste of power.  He’s got his own agenda, and I also love that he wants the love from his Aunt Gloria.  He’s not just a young guy trying to ascend the power ladder of the show.  He really does want his aunt to be proud of him and to love him, and she’s a tough nut to crack.

There was scene after the network executive tells Gloria, “You’re out, if you don’t fix the show.”  Doesn’t Jacob gloat in it for a minute?  Doesn’t he want payback for how she treats him?

SEAN:  I don’t know if he does.  I think he certainly does like to see when Gloria gets her little comeuppances, but when push comes to shove, I think he’s really got her back, I do.  Justin is so naturally funny.  He’s a great guy to have on set.  He’s got a great attitude, and he’s a very good actor.  I was really struck by a moment in season one where he’s coming up the stairs, and he had this abject fear of interrupting Gloria, and Justin didn’t have any lines.  He just played it beautifully with no dialogue.  I was like, “We’ve got to give Justin more to do,” and for me, it was nostalgic to work with him again because the very first scene I had on The Bold and the Beautiful was with Justin.

Photo: JPI

What can you say about Carolyn Hennesy; who often is the quintessential scene-stealer in Studio City when she appears on-screen?  Does she go with the script or ad-lib parts of the dialog?

SEAN:  She’s a gorgeous, red-haired, flaming beast.  She definitely did some wonderful ad-libbing to elevate what was on the page, and she made it her own, and that’s one of the things that I love the most about her.  I love that I can write a 20-page scene and give it to, for example, Tristan Rogers, 20 minutes before and know that he’s going to nail it.  That’s one of the things that I love about working with Daytime actors.   Say what you want, but when the chips are down, and your back is against the wall, a Daytime actor is going to be the one who can take the dialogue, digest it quickly, and give you a good performance.  With the way that we are run and gun in our style of shooting, you have to move really quickly.  I’ve worked on a lot of films, and with people who are recognizable in the business, and sometimes they get overwhelmed when they have more than a couple of pages in a day … and you know what we do in Daytime.

Courtesy/StudioCity

When you were writing the new season with Michele and Tim, was it laid out pretty definitively, or did it evolve?

SEAN:  We laid out some large arcs.  We knew the storyline that we wanted to do with Natalie and with Will.  Natalie, actually joined us as a co-executive producer.  She is Ukrainian and has family there.  So, she had a lot going on.  I just feel like she really stepped up.  She really helped the production both as an actress and as a Co-EP, and we were very fortunate to have her, and have her at a time when it would be completely understandable when her ability to even act would have been compromised, yet alone have the facility to Co-EP.  In addition, we knew we wanted to deepen the relationship between Sam and Delilah.  We had a different idea with what we wanted to do with Doc, and we wound up doing something another way than what we had originally discussed.  Sometimes, you have to make these decisions that are sort of production-based and you have to alter storyline.  Of course, we knew we wanted to continue to create the storyline that like a lot of soaps, Hearts on Fire was potentially on the chopping block.  At the same time, we really wanted to illustrate that the soaps are full of people who are talented, gifted actors, who love what they do, they work really hard, and they don’t always get the respect that they deserve.

Courtesy/StudioCity

It looks like Doc might be having a change of heart?  Will he begin chemo to save his life?

SEAN:  That’s what we are thinking, and we are hoping to bring Patrika Darbo back in, and finding out where she’s been and having some really nice scenes between, she and Doc.  I think things are going to develop between Dennis, who is the producer, and my character, Sam, and we are going to learn that all has not been revealed of who Dennis really is.

Courtesy/StudioCity

What did you think when you saw your performances in the latest six of Studio City?

SEAN:  I’m always super critical of myself.  I like the stuff with the podcast because I thought it was really organic, and I thought it was funny.  I loved the stuff with Lilly.  I always see things that I could fix and do better, but I also saw stuff that I liked, and I really liked a lot of what was going on with Juliet.  We had another take where Sam really breaks down, and unfortunately, we had a sound problem with that one, and we couldn’t use it.  That was really crushing to me, but again, you make the show that you can make. Michele and I always joke and say, “Making a 50-million-dollar movie is easy.  You want to really produce something?  Produce it when you have no money.”

Photo: JPI

What did your wife, Michele, say about how she thought the latest season of Studio City turned out? 

SEAN:  I do have to say that Michelle really stepped up this season of Studio City.  She ran the show.  She is an executive producer, but she was also the supervising producer, in charge, responsible for crewing up.  She amazes me to no end.  I couldn’t be prouder of her, and I’m so honored that she and I were able to both win out at the Daytime Emmys.  We have very different skillsets, which is great.  There are not a lot of areas where we overlap, but we compliment, and that’s why I love working with her.

Photo: JPI

You are also busy with The Bold and the Beautiful.  How has this most recent return been for you as Deacon Sharpe?

SEAN:  Oh, my God, it’s been fantastic.  The Bold and the Beautiful consistently ranks as one of the best professional experiences that I have ever had.  I love the people I work with.  I love the creative freedom that I have on the show.  I love what they write for me.  It’s just great.  Listen, I’ve done four Daytime shows, and by far and away, this has been the best experience.   It’s a great role.  I’m the only guy who has ever played Deacon, so I’m fiercely protective of the character.  I know I’m coming into a really big storyline right now, which is very exciting.  I can’t say anything about it yet, but I’m going to be working with a character who I haven’t worked with very much before, which is very exciting.

Photo: JPI

What did you think about Kimberlin Brown receiving an Outstanding Supporting Actress Daytime Emmy nomination? I believe you are in some of her submitted scenes.

SEAN:  I think it’s incredibly well-deserved. She just brought so much to it, and I’m just honored that I was able to be a part of what she did.

People are saying you’re going to get all wrapped-up in the Li (Naomi Matsuda) Sheila, and Finn (Tanner Novlan) storyline.

SEAN:  Well, I guess I already am to a certain extent.  I like to think that in his infinite wisdom, Brad Bell (head writer and executive producer, B&B) knew that Kimberlin and I would find humor in an eccentric relationship; rather than just being two kinds of ‘baddies’.  Deacon is not nearly as bad as Sheila, but rather than be two people with somewhat aligned wants and needs, I think hopefully Brad was like, “I think they’re going to come up with something interesting,” and I think we did.   The fight that Deacon had with Ridge (Thorsten Kaye), that is not something that you see on Daytime all the time.  That was really exciting and fun.

Photo: JPI

I love that Deacon’s home-away-from-home is the supply closet!

SEAN:  I was teasing Brad.  I said, “If I get a raise, do I get a Swiffer?”  I love it.  In terms of Sheila and Deacon, I didn’t know if we were going to wind up in the sack together or not, and I thought, you know, if that happens, that would be interesting, too.  By my calculations, Deacon has now been out of jail for how long, and he has not gotten any action.  No action for a guy who just got out of prison for 5 years.  So, I don’t know what’s going on in that broom closet. (Laughs)

What was it like working with Katherine Kelly Lang during the whole ‘New Year’s Eve drunken night with Brooke’ story?

SEAN:  You know, Kelly and I really were able to capture lightening in a bottle many years ago, and I think it was wonderful.  I always wondered, what was going to happen all this time later if we worked together again?  Are we going to be able to come up with something great?  I love working with her.  Poor Kelly, just broke her ankle, which is terrible, but she is a champ.

Photo: JPI

Do you think there is still chemistry between Brooke and Deacon?

SEAN:  Yeah, I do.  I try to create chemistry with anyone I work with, men or women, but don’t we do that in life?  We always want to be interesting and sexy with anyone we talk to.  Ultimately, what we are trying to do on some level, is we are always seducing as human beings.  That’s where I come from as an actor.  You’ve got a goal.  You’ve got a series of actions that you use to get the goal.  You usually fail a couple times in the scene, so you change the actions, and you try to overcome the obstacles.

Right, and seduce people …

SEAN: … And seduce.  Deacon is a very adept seducer.  I think a lot of it was from being a conman.  I think now, Deacon is finding that he can be seductive by being authentic.  I think that’s new to him.  I think ultimately, when you’re authentic, that’s a way more powerful brand of seduction than something that is some sort of a manufactured, fabricated, external seduction.

Photo: JPI

So, what would say in a tease of what’s coming up for Deacon on B&B?

SEAN:  All I can say is that I’ve been told that I’ll have an exciting story coming up, and I’m looking forward to it.  I always like when I get the ball, and you never know what another actor is going to bring out of you.  Whenever I work with someone who I haven’t worked with, I hope that they are going to allow me to tap into a part of myself that maybe I haven’t demonstrated before.  That’s what I look for, and that’s what keeps me enthused in this job.  We do have to give the same information a lot in Daytime.  That’s just the nature of the beast.  The challenge is, “How do I do this in a way that is not only interesting for the audience but allows me to stay engaged as an actor?”  If you start getting apathetic as an actor, you start doing bad work, and I can’t do that.

Have you checked out the latest six episodes of Studio City? What do you hope happens next for Deacon on The Bold and the Beautiful? Share your thoughts and theories in the comment section below.

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