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The Ron Carlivati and Kristen Alderson Interviews – One Life to Live

Courtesy/ABC

Today is the kick-off of the three-day musical event, and the highly anticipated culmination of May Sweeps on One Life to LiveStarr X’d Lovers. Yes, there will be plenty of singing, dancing, and lots of drama, especially for most of the couples in Llanview.  Starr X’d Lovers is the sequel to One Life’s successful, Prom Night: The Musical, which at its center featured the love story of Starr and Cole.  But in 2010, many lives on the canvas are intertwined, and the lives of the young set, and some of the shows most popular couples, could be changed forever.

On-Air On-Soaps spoke to two of the key ingredients in bringing the musical to the small screen.  First, we spoke with head writer, Ron Carlivati, to preview what lies ahead for many of the characters from Prom Night and beyond.  We also discuss the rumors that circulated on the return of Jean Passanante to the writing team at One Life, and what that meant for Ron.  Getting the insight into the intentions and the purpose behind certain writing choices is always a must- read for any avid soap fan, and Ron explains some of the components and decisions made to the stories you have been watching, and have wondered where they may be headed.

Next, we spoke with the central character of Starr X’d Lovers, Starr Manning herself, actress Kristen Alderson.  The talented young actress gives the perspective from the performer’s point of view, of putting the three-day musical event from the page to the stage and on to tape.  Kristen also teases what Prom Night 2010 holds for Starr, Cole, Langston, Ford, Dani, Matthew, and Markko!

So, let’s start with the man who gives One Life its voice (not the singing kind)…Ron Carlivati… and then follow it up with some chitchat with the sensational Kristen.

MICHAEL:

Before we get started Ron, can you comment on Bree Williamson’s Daytime Emmy nomination for Outstanding Supporting Actress?  The pivotal scenes, where Jessica remembers switching the babies, were riveting.  Did you write those scenes that got her the nod?

RON:

Courtesy/ABC

I loved that story, and I even think Bree should have won last year.  I am crossing my fingers.  From the material that she submitted, I wrote part of it.  I really loved those scenes, where she has to break through from Bess to get to Jessica.  I thought they were both so emotional and so outstanding… both Erika Slezak (Viki) and Bree

MICHAEL:

Now, One Life will have many intersecting stories and dilemmas facing the major couples on the show in the next few weeks.  Was this the plan with Starr X’d Lovers?

RON:

When we pitched the idea of doing another musical, because we had such fun doing the last one, we had to make sure if we were doing it during May Sweeps, it was not just, “let’s stop everything… and have everyone sing for a couple of days.”  It had to advance story and affect story.  For Starr, it is a significant moment in her life.  It is her Senior Prom.  We wanted to have an event going around it on the show to make this feel big.  It is the prom night and the culmination of people who are at critical junctures in their love stories.  Cristian and Layla – has Layla had enough of this teen Jessica? (Laughs)  Jessica sees this as her last chance to get Cristian.  Brody sees it as his last chance to break through to Jessica.  Starr is heading to this prom, and Cole is in jail and it seems doomed.  Can they be together?  Langston has been cheating all of this time, and is this the night she will tell Marrko everything?  As well, we have a new little love story, sort of how we launched Marrko and Langston a few years ago at prom, and that is with Destiny and Darren (Laughs).  She finds him to be a total pest, and maybe she needs to see him in a different light at the prom.

Courtesy/ABC

MICHAEL:

How did you intend Nate’s character to be when you created him?  He was brought in as a foil for Matthew for the affections for Dani.  But is he going to be a good guy or could he turn into another town bad boy?  

RON:

We are already seeing this draw that Dani feels towards him.  I think you will see even more of it at the prom, and as we go into the summer.  I think she feels an attraction and connection with this boy that is going to pull her and Matthew apart.  He does seem to be a very sweet boy who seems to be very soulful. We will get to know more about him and his background, and where he comes from, as we get into the summer.  Jessica Leccia (Inez) will be coming on as his mom.  So, you will get to know more about his background, and some of the actions that he and Dani take over the summer will have a big effect for several people on the canvas.

MICHAEL:

As we head into the musical episodes, we also see that Natalie and John are at a critical juncture!

RON:

Courtesy/ABC

We tried to have other stories surrounding this musical that were not just the kids.  Because the theme of the show is Starr X’D Lovers, another pair like that is John and Natalie. They have their own critical moment and that is, Natalie decides she is leaving town and does not want to be in Llanview constantly under John and Marty’s nose.  So, I think she knows herself well enough to say, “I can stay away from them.”  But, I think we know Natalie well enough now that she is not always able to do what she says.  She makes this decision to leave and she leaves a letter for John that says, “I’m leaving.  And it’s not an ultimatum, but I just need you to know how I feel about you before I leave.”  She says, “I will be at Rodi’s at midnight if you have anything you want to say to me.”  So, I think we are hoping that John will show up and stop her from moving and declare himself.  But we see Marty gets her hands on the letter before John, and we get to see a bit of the old Marty, who thinks perhaps she will rip it up and not show it to John!  Roxy convinces Natalie to write her feelings down and to give John a chance.  So it’s not just Natalie being selfish going, “Here is how I feel.  I want you to be the same way and stop me from going to London.”  Roxy really prods her on in a vulnerable moment.  I will tell you this: John McBain will NOT be singing! (Laughs) No Cop Rock! (Laughs)

MICHAEL:

So you are using one of the classic Soap 101 devices… a letter falling into the wrong hands to spin story?

RON:

I did not originate the idea by any shake of the imagination. (Laughs)  I mean I could go back to Shakespeare, and he can take the credit.  It’s very useful, and it’s about will it get into the wrong hands?  And, who will get the letter? 

MICHAEL:

So what happens on this night when people are star-crossed?  I assume people get drunk…

RON:

Courtesy/ABC

People get drunk.  Brody pushes Jessica a bit too hard to remember, and her rejection of him is so strong this time that he thinks he has really blown it, and so he does go to Rodi’s and gets wasted.  And Natalie, thinking John has made his choice, well…her and Brody see each other. And now they are kind of crying on each other’s shoulders about this. They think they have lost the two people they love forever.

MICHAEL: 

Many fans are noticing the on-air sizzle between Brody and Natalie.  Was that intentional?  It seems like it may have even shocked the OLTL writing team!

RON:

Yeah, I have got to say it took me by surprise.  It wasn’t something I initially thought of. Then early on, when Jessica first woke up after her electro-shock and lost her memory, I was on the set. There was a scene where Brody and Natalie were outside the hospital room commiserating about Jessica.  And I was looking at the two of them going, “Wait a second?”  And at that point we had written a lot further than that, and had not been crossing the two characters that much.  So it veered back that way.

MICHAEL:

So, is this a case of when you see something that works on-screen, it can dictate story?

RON:

Definitely.  We launched that story with Jessica going after Cristian, and then suddenly thinking what happens with Brody while this girl is gallivanting around town thinking she is 17.  Then you explore that aspect a bit more and go, “What about Brody and Natalie or Brody and Layla?  Would they get together while Jessica is going after Cristian?”  You see what you can make the most stories out of, and that is how you make those decisions.

Courtesy/ABC

MICHAEL: 

We saw Ford on-air this week flirt with Jessica, which sort of perked up Ford as a new possible “conquest” for him.  Can we expect things to unravel in his relationship with Langston on prom night?

RON:

So you have seen Ford’s interest in Jessica, which will have a pay-off after the musical.   I think what we have is Markko primed to discover the truth about Ford and Langston.  He planned this big night and got the same hotel room for them they had the year before, when they made love for the first time. We saw that on Markko’s camera he accidentally captured Destiny and Matthew talking about the fact that Langston is a cheat, and he is carrying this camera around at the prom.  I just throw that out to you! (Laughs) So there is a possibility he might see it.  I mean, I have Ford being his devilish self, trying to lure Langston away from the musical.  I think there is a part of Ford, that even though he is a “dog”…deep… deep… down, somewhere buried under that heart of ice, I think he is jealous.  I think he does not like that Langston is at the prom with her boyfriend, having a good time.  Part of it is a game for him… ‘Can I get her to dump him and come to me?’  But part of this is, he is alone in his apartment and lonely.  I can say Markko is going to find out the truth, and that is part of the musical, and that is going to blow-up.

MICHAEL: 

Was it always your intention to write Ford as a “dog”?  When we chatted back in February, he had just come back and we all were not sure how dark the character might go.

Courtesy/ABC

RON:

Oh yes, the audience will have a violent reaction to a character if they are like that from the beginning   Look at Stacy.  She was so bad.  She did not seem to have any redeeming sides.  I think the danger is if you make the character, and you see all their different facets from the beginning, it can sometimes lead it to be a bit water-downed.  We wanted to create a guy that seems like a heartless bastard!  We have a long way to go to see the other side of him.  Just look at Todd.  And again, I am not saying that this is Todd, but that was frat boy number one who was a total creep, and a rapist.  You did not see the other sides of Todd for a very long time.  So, I guess I would say, “You are supposed to hate Ford!”  But, I think what is really interesting is he has great chemistry with Langston. We need people like Ford to propel story.

MICHAEL:

Now you are tormenting fans of Starr/Cole with this bitch girl, Hannah!  Was she only supposed to be on for a short time?  It seems like her role has been expanded?

RON:

She is a great bad girl.  I think once we realized she could do more, and we could give her more to play, we knew how good she was.  We built it slowly.  We slowly realized this is a troubled girl, and we saw it right away when she did the suicide attempt.  Was that the real deal?  Or, was she doing that to get attention?  We see this is a very needy girl.  She took an overdose of pills because this guy, Ford, who she barely knew, dumped her. Then she transferred those affections to Cole, and we see how far she has taken her actions.  Hannah is a real problem for Starr and Cole, because this girl plays it all so well.

Courtesy/ABC

MICHAEL:

There has been such flack from fans tired of high-school Jessica.  Was this your intention to keep this going till now, or did you decide to now abort it?

RON:

I came up with the idea that she can’t remember anything past High School, and that began to play out in February.  I kind of geared the story on a semester, knowing it would culminate at the prom.  I let her go back to school and I did not want to see it go into summer, as it would have to culminate at the end of her senior year.   It brings us forward into so much more story.

MICHAEL:

So where is Todd at in all of the episodes?

RON:

Remember, Hannah has set up Todd, and he knows it, and knows he is innocent.  And this girl, who he thought he could swat away like a fly, is more of a force to be reckoned with then he thought.  He is trying to get her to admit that (A) she lied and (B) that she could have possibly been the one to push Marty down the stairs herself. And Todd still does not know about Tea’s condition, and that is going to throw him for a major loop!

Courtesy/ABC

MICHAEL:

There were so many reports that Florencia Lozano (Tea) was being killed off the show, and the brain tumor was to facilitate that.  Why the real decision to write Tea with a tumor?  And yet, in the end she could still go to heaven.

RON:

I was kind of thinking that Todd and Tea were kind of over because of Danielle.  We really wanted to pull these two apart, and then thinking what could we do to pull this family together.  What would bring Todd and Danielle finally together?  And that was the genesis of why do this.  It was to re-awaken the love story of Todd and Tea, and what kind of crisis would pull this family together.  It was a very real and tragic love story.

MICHAEL:

And in the middle of all the singing and the dancing, and the prom corsages, Rex and Gigi are out looking for Rex’s parents?

RON:

We do get some answers, but we are not building this around who is the father and who is the mother, but more about will Rex and Gigi come back together?  We know that they love each other.  The question is; do they love each other enough to try again?

Courtesy/ABC

MICHAEL:

I hear Bo and Nora’s wedding is coming up soon, too!

RON:

It’s the next big event after the prom and the next big event after May Sweeps at the top of June, and it is a blast!  It is hilarious!  To Bo and Nora fans, I will eat my hat if they are not happy! You will see all the stuff you want to see at a wedding.  Sometimes, we have so much going on with other stories with other characters at weddings, that we miss those great part or moments of a wedding.  This one has a ton!

MICHAEL:

All the rumors started circulating recently, when Jean Passanante was announced as returning to One Life to Live as associate head writer, once she concludes her gig as head writer at As the World Turns next month.  Online people were saying it was the end of the road for you as head writer, but then last month, the press and the fans were informed that you had asked Jean to join the team.  Can you clarify what went on?

RON:

We had room in our writing team.  I had worked with her before, and so I reached out for Jean to come onto our writing team.  I think it blew up into what her role would be. It was she who hired me at One Life to Live.  I am thrilled.  Jean is a fantastic person and a fantastic writer.  She gave me my first job, and it was she who hired me at One Life to Live. I have wanted to work with her ever since she left One Life to Live, and it never quite worked out.  And unfortunately, I am working with her because As the World Turns is going off the air, but I am thrilled she is coming on.

MICHAEL:

What does she bring to your team?

RON:

She is incredibly intelligent, and has a great sense of story that is well balanced.  There is comedy and romance, and she can balance all those elements and she has a really good sense of character.  She creates wonderful characters, and she sees the strengths and weaknesses of a character.  A lot of what you saw going back to the classic Todd/Marty story had to do with Jean!

MICHAEL:

In closing, there were the reports that a new One Life to Live is coming?  Can you speak to that?

RON:

To me, our show is always changing and evolving.  I think that is the nature of a soap opera.  At the heart of it, it will always be the same core characters and the same core values. To that extent, we are bringing in some new fun people and our stories are shifting around and changing, but I think that is what we always do.

KRISTEN ALDERSON

MICHAEL:

Courtesy/ABC

How was taping Starr X’d Lovers as compared to the original Prom Night: The Musical from a few years ago?

KRISTEN:

We have 32 dancers this time and seven already established songs.  It has a GLEE spin to it, but it also has seven original songs, which is similar to the one we first did.  Some of the established songs are songs from the 80’s and some established songs that you would hear right now on the radio.  And the songs… they really have to do with our characters. The emotions that are going on are very much like Prom Night: The Musical in that way.

MICHAEL:

Is Starr going to get back at Hannah?  She cannot succeed in breaking Cole and Starr up!

KRISTEN:

You know, she is not nice! (Laughs)  I think she is going to do everything in her power to find out what is going on.  She believes with all of her heart, that her dad is telling her the truth, and that Hannah is lying just to break them up.  I think it’s really frustrating for her because Cole is the love of her life, and she will do anything to salvage their relationship.  I think she is concentrating more on wishing Cole were there with her at the prom.

MICHAEL:

Courtesy/ABC

The big question for Starr in the episodes is: will he get to the prom?  So Kristen, will there be a happy ending for the duo at the Prom? 

KRISTEN:

Maybe… maybe.  The thing is; Starr and Cole are so in love, but at the same time they haven’t’ been really able to not argue with each other lately.  But they get into these arguments of, “Will you stop believing in Hannah?  Will you stop believing your dad?” It will be interesting to see if Cole does make it to prom, and if so, will they even have a good time or not, or, if it will be that there is nothing more for them?

MICHAEL:

This is Starr’s senior year! Oh, my God!  Little Starr is graduating High School.  I am so old!

KRISTEN:

This is Starr’s senior year, and when we saw her three years ago at this time, it was her freshmen year in High School.  

MICHAEL:

Courtesy/ABC

Kristen, will you be performing in a lot of the musical numbers in the shows? 

KRISTEN:

I am in eight or nine of the musical numbers. (Laughs) That is the great thing about this time that we are doing the musical.  It involves a lot more characters and a lot more drama and a lot more story going on.  Before, you just followed Starr and Cole.  This time you are going to follow Starr and Cole, Langston and Markko, Langston and Ford, Danielle and Nate, Matthew and Danielle, as well as John and Natalie, and Blair and Dorian, and Roxy. The whole cast is involved.  You will see a lot more actors singing than you have probably ever heard before…ever!

MICHAEL:

So, who is a good singer?

KRISTEN:

It’s always great to hear and see Jason Tam (Markko) sing.  He was on Broadway and in A Chorus Line.  He is so talented.  There is a Starr and Blair singing moment with Kassie DePaiva (Blair), who is also so talented. 

Courtesy/ABC

MICHAEL:

What was one of the well-known songs that you will be singing?

KRISTEN:

One of the established songs that I sing is We Belong, by Pat Benatar.  I was so afraid of it.  Brittany Underwood (Langston), Kelley Missal (Dani) and Megan who plays Hannah were also a part of the song.  So we were all equally as scared about this thing!  Are you kidding me?  It’s Pat Benatar!  But once we got into the recording studio it felt good, and it turned out good.

MICHAEL:

So, for the young audience who follows the hit primetime series, GLEE, you think they will like this series of episodes?   Do you watch GLEE?

KRISTEN:

I did like the Madonna episode of GLEE.  I think they have a cool thing going on. I think that anyone who likes GLEE will love what we are doing.

MICHAEL: 

So will your brother, Eddie Alderson (Matthew) be kissing Dani at the Prom?  I mean last time we talked in New York; he came to his big sis for pointers!

Courtesy/ABC

KRISTEN:

They are looking better, right? (Laughs) There is a lot going on between Matthew/Danielle/Nate and that whole triangle, and so hopefully Matthew will be able to steal a kiss.  We shall see.

MICHAEL:

How is working with newbie, Lenny Platt (Nate)?

KRISTEN:

Lenny is so great!  I actually adore him.  Every time I see him, he cracks me up.  I don’t know why.  But, I think it’s because when I first saw him doing rehearsals for the musical…he is not a really a dancer or a singer, but he was giving it his all.  He was really cute doing it, because he does not know what he is doing! (Laughs)) But he is so great!

MICHAEL:

Is Starr going to stand by Langston when she finds out that Langston has been seeing Ford secretly now behind everyone’s back? 

KRISTEN:

It’s hard to tell.  Langston swore on their friendship.  So, I think it’s a really big deal when it gets to that, and especially since Starr has Cole lying, too.  So there is a lot of lying going on to Marrko that clearly Starr and Cole don’t want to be doing, but because Langston swore on their friendship, she says everything is going to be good.  So they trusted her.  It will be interesting to see if everyone turns his or her back on Langston or if Starr will stick through it and be there with her.  I feel like Starr is going through a really hard time right now, and so if she turned her back on Langston, I don’t know who else she would have to turn to.

Courtes/ABC

MICHAEL:

So Trevor St. John (Todd) is not going to sing a number?

KRISTEN:

Well, you know they had this big solo written, (Laughs) No!  Trevor will not be part of this, but Trevor St. John fans have no worries.  He will be seen throughout the episodes.

MICHAEL:

From an actress’s viewpoint, what did you feel about One Life’s head writer, Ron Carlivati’s scripts in the three day episode, and how it was all executed?

KRISTEN:

I think it has been over and beyond what our expectations were.  When we got the scripts and I read them, I could not keep my eyes off of them.  It is so great and wonderfully written.  I think from what I have seen, everything is going to tie together so well.  And what is cool is, there are a lot of references from Prom Night: The Musical, and if you had seen them or if you hadn’t…. I urge you to get on You Tube and watch them… but there are a lot of subtle things from the Prom Night: The Musical that are in this one.

MICHAEL:

What would you say to the naysayers who say “One Life to Live is only trying to do a rip off High School Musical and GLEE”?

KRISTEN:

Courtesy/ABC

First of all, when we did Prom Night: The Musical, it was right before High School Musical II came out.  So it was before all of that, and before GLEE was a thought in anyone’s mind three years ago.  One Life has always been a musical show… even before Prom Night: The Musical, we did Babes Behind Bars. I would say to the naysayers that we are very different from these shows or movies, because we are all completely different characters, and have very different storylines, and we do it in our unique way.  From what I watched, there will be some exciting chills and some sad moments in the story.   But I have to say; the good moments make up for it!

MICHAEL:

So have you and your brother Eddie shared war stories from the set on learning all the choreography from the musical?

KRISTEN:

Eddie has been great in the musical, and actually I am not in the performance of StarrX’d Lovers on the air show, but I am going to be performing it on The View.  Eddie goes, “Kris you won’t be able to learn it all, it was a lot of, you know, choreography.”  It’s really hard, and just now he helped me out in rehearsal with it.  He is really funny.  He feels really cool now that he knows the choreography.

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Doe
Guest
Doe

These two interviews of Ron and Kristen were very good. Seeing Ron’s take on the story of the Prom and what might come out of it. I was hoping Cole would somehow be there. Also, I couldn’t get over Destiny’s weight loss, She looks fabulous. I saw the soap today and also the cast singing on the View. Personally, I was not impressed with the song and the terrible choreography. Plus, there were too many dancers and fill ins’. Well, I hope next week will be better…

Jason
Guest
Jason

I watched the first day of the Starr X’d Lovers musical yesterday, and it was completely awesome! Loved the song choices, dancing, and of course the stories. 🙂 I so can’t wait for mondays. Also loved the interviews with ron and Kristen. I love her positive attitude.

Debbie
Guest
Debbie

Michael I find it amazing that if you didn’t bring up Trevor St John or Todd that Ron would of never brought him up. This tells me right here that Ron doesn’t care one bit about Trevor or Todd. Sorry am sick and tired of this head writing and his lack of interested in Trevor or Todd. This man constatly shows who he likes to write for and who his favorites are and who are his non favorites and Trevor and Todd is his non favorite. He doesn’t want to write for Trevor or Todd and makes it known. Am… Read more »

Jennifer
Guest
Jennifer

Thank you for the interviews. Your coverage of soap operas and behind the scenes processes offers wonderful insight. Thank you. I must respectfully disagree with the poster who feels Todd is not thought of in story. TSJ is consistently in the number one position in episode counts and this has been true for years. Todd is never lacking in story –whether the story is good or bad is certainly up for debate, but Todd the rapist’s overwheming presence on the show is not. I wish those in charge of this fine old show would return to its core. I appreciate… Read more »

Debbie
Guest
Debbie

Well we can agree to diagree Jennifer. With RC’s writing this show is not for Trevor St John or Todd Manning fans. Am so tired of watching Trevor playing Todd doing the same thing year after year. Either he’s getting accused of a crime he didn’t commit, in jail or just plain old ignored by the head writer with everything. Take example of today’s show. Cole beat Todd to death. He flatlined twice and all this show gave damn about was Starr having Cole at her prom without not giving one damn that he tried to kill Todd. For that… Read more »

Debbie
Guest
Debbie

Sorry Michael can’t help the way I feel my other post above. He brings the worst out in me.

Dean
Guest
Dean

great job Michael! loved all of it. when are they are on the View?

worried
Guest
worried

Micheal great job but I am really disappointed about the show lately its getting really bad its seems Ron is out of touch with what we want, The huge influx of teens and triangles that are being added dalily and Viki and Dorian playing non existant roles.

Interviews

Y&R’s Amelia Heinle Talks What’s Next For Victoria & Returning To Work With The Newman Clan

Fiftteen years, and two Daytime Emmys later, Amelia Heinle has become a mainstay of CBS’ The Young and the Restless as Victoria Newman; the on-screen daughter of the iconic Victor (Eric Braeden) and Nikki (Melody Thomas Scott).

In Genoa City, Victoria has certainly had her share of issues in the love department, and has battled back time and time again for respect as a formidable power player and businesswoman.

Now with Y&R being back this Monday with all-new episodes; following the production shutdown caused by COVID-19, viewers can expect to see a tougher-stance from Victoria as she fights for what she rightfully believes is hers … and she may just to it by any means possible.

Michael Fairman TV caught with Amelia to get the lowdown on: what’s ahead for Victoria, working with her co-stars, Victoria’s future in business and in affairs of the heart, and much more.  All we can say is “Better watch out Adam (Mark Grossman) and Victor!”  Here’s what Amelia shared.

Photo: JPI

How has it been going back to work at Y&R during the coronavirus pandemic?

AMELIA:  The first week was an adjustment.  There were a lot of different protocols to follow, but now I think we are in week five or so, and things are kind of normalizing a little bit with all of the precautions that we have to take and trying to get used to them.  So, it’s not much different than what’s going on in real life and how all of us are taking precautions to stay safe.  We are kind of coming back a little slower because they aren’t having a bunch of people at the studio at one time.  It’s nice.  It’s been a lot of two-person scenes, and it’s good.  I think it is going to be well-received by the fans when we start airing new episodes Monday.

Did you feel any hesitation going back into production? 

AMELIA:  No, I was glad to go back.  I was really missing everyone and missing the show and working and just the whole thing.  So, I was very anxious to get back.  It feels good.

Are the actors far apart in the scenes … as in six feet apart?

AMELIA:  Yes, I even think the first day we were back; we were like ten feet apart!  (Laughs)  They were very careful, and I respect that.  It’s not easy to do what they’re doing, and they’re pulling it off beautifully.  I’m proud of them, and I’m proud of all of us, because I think everybody wants to be back so badly and to make it work, so they’re just doing what they have to do.

Photo: JPI

So where we pick back up in story; Victoria is pretty upset with Victor and Adam.  How is she feeling about Adam after we learned he supposedly killed a guy when he was a child?

AMELIA:  It was so funny when we came back, I forgot where we were.  I couldn’t remember.  I just was like, “Wait… what happened?” because it was so long ago!

You were like “Who is AJ Montalvo?” (Laughs)

AMELIA:  Yeah!  I totally forgot about that.  I was like, “Was that where we left off?”  (Laughs) We all just kind of just jumped back into the story … and Victoria was pissed off with her father because he, again, gave Adam her position at Newman Enterprises, and made an excuse for why he did it.  So, she is mad again.   I think they thought about my character over the break and made her a little tougher.

Photo: JPI

Do you think Victoria will want payback and be a little more vindictive than we’ve seen her?

AMELIA:  Oh yeah, for sure.  She seems to be channeling Victor more and I am more than happy to play that.  Since I’ve been back, it’s been a lot of fun because they’ve given me a lot of material.

Glad to hear that Victoria will have more of an edge.  At times through the years, the various writers have waffled with her.  Isn’t Victoria supposed to be the most like Victor of all his children?

AMELIA: Yes, she’s supposed to be, and I really like it when they write her to be strong with her father, which sometimes I find that they don’t.  Sometimes, I find she is not as strong with him, and it just depends on the writers we have, or the executive producer at the time, but now they’ve written her holding her own with Victor and passionate about Newman Enterprises.  I’m hoping that they keep going in this direction.  I like playing her A-type personality.  It just makes me laugh.  I get a kick out of the character being so tightly wound and just all about business because it’s fun to play.

Photo: JPI

What does Victoria think about Adam?  Doesn’t she want to strangle him?  What is her modus operandi where he is involved?

AMELIA:  I find her to have this daddy issue, and she is highly jealous of Adam, because he’s always getting a second chance.  What Victor has done to Victoria is really cold-blooded.  He does really keep dissing her business-wise.  She’ll have an opportunity, and we had this great scene a long time ago where he finally gives makes Victoria the CEO at Newman, and it was really nice, and six months later, or whenever, he gives it back to Adam.  So she gets stabbed and then he just gives the position to Adam.  Victoria is always just getting the short end of the stick when it comes to the company.  I think that in several of the new episodes that are coming out soon, Victoria is going to fight for what she wants … finally.  She’s getting a lot wiser to her father and what he does, so I think that’s what you are going to see.

As we come back into the story, Victoria is the CEO, correct?

AMELIA:  Yes.  She is the CEO, and Victor is actually retired.  Before the break, I couldn’t remember who the CEO was when I got back then I realized… it’s me!

Will Victoria use the ammo that Adam supposedly killed somebody as a child, to get rid of him once and for all?

AMELIA:  I don’t know if she ever wants Adam to go to prison.  I don’t think she hates him that much.  I know they write that, but it’s her brother, and I think she is just super jealous of the relationship that her father has with him. Victoria wants to get Adam into trouble, and I think she wants to demoralize him a little bit, but I don’t think she wants him to go to prison or to leave town.  I think there has to be an element of love.  There’s got to be a little bit of love there because they’ve had moments; that is her brother.

How do you think Mark Grossman has been as Adam?  It’s been over a year now since he’s taken over the pivotal role.

AMELIA:  I think Mark’s done such a wonderful job, and he came in like most characters like that, with all of the dialogue, and all of that workload.  I really like him.  He’s a nice man.

Photo: JPI

Where do you think Victoria’s relationship is with her other brother Nick (Joshua Morrow)?  Are they on good terms at this point?

AMELIA:  They;re still in love!  Come on! (Laughs)  I’m just kidding.  We always joke and say, “Nick and Victoria … they’re in love.”  It’s very Game of Thrones.  I haven’t had a scene with Joshua in a while, but they’ve been on good terms for many, many years.  I don’t think they’ve had them be at odds in a while.

So, you don’t think Victoria might get into cahoots with Nick to bring down Adam?

AMELIA:  I don’t know.  That’s a good question.  I haven’t seen any scenes with them together.  I’m sure the show will find a way to loop in everyone when they tie together this story with AJ Montalvo.  But there are some very interesting family dynamics coming up.  There is something Victoria does with her mom, Nikki (Melody Thomas Scott), that I’m not going to say, but something happens with her, and I like what they’ve written so far!

What about a man for Victoria?  Can she be okay without a guy? 

AMELIA:  She’s going to have to be; because I’m going to be six feet apart from whoever! (Laughs)  I don’t know how they’re going to do it.  I can’t wait to see.  They’re going to probably try some new loves, but not with a new character.  There might be some interaction with somebody coming up that I only know about, because I shot it last week. I think it is going to be cool. There’s some romance in Victoria’s future.

Photo: JPI

Okay, so it won’t be a loveless next six months for Victoria?

AMELIA:  No, I don’t think so.  I don’t think they’re going to do that to me.  I thought that too, but they’re teasing something right now, and I find it interesting.

What did you think of Jason Thompson (Billy) winning the Daytime Emmy for Outstanding Lead Actor in a Drama Series back at the end of June?  I know you were in some of the scenes with him that won him the gold.

AMELIA:  It’s about time!  He’s such a great actor.  I can’t believe Jason hasn’t won one till now. It was long overdue; in my opinion.

Do you enjoy the Billy/Victoria dynamic? It can get very messy between them when either they come together or grow apart in story?

AMELIA:  I like it a lot.  Jason is great whenever we have scenes together.  He’s super easy to act with.  He is so natural.  Right now, we are not romantically entangled on the show, so we had scenes a couple of weeks ago that were really nice.  Victoria involved Billy in her business with Newman, which you’ll see later, but now they have a new dynamic, and they have a kid.  I like playing us co-parenting.

Photo: JPI

But they could end up back together at some point, I would think.

AMELIA:  Oh, for sure, 100%.  You know we’re going to go there … forever and ever.  It’s an endless loop.

Y&R just aired a classic episode of J.T. and Victoria’s wedding.  Did you happen to see it?

AMELIA: People were sending me GIFS, and I was like, “Holy crap!  I was so young!” and so was Thad.  He looked like a baby!

Photo: JPI

Do you remember taping those scenes? 

AMELIA:  Yes, I remember wearing Melody’s old dress on the show, which was supposed to be Nikki’s old dress.  I remember that I had just had my son, Rowe, so he’s twleve now, so that was almost thirteen years ago, and I remember back then I was trying to lose a little baby weight.  I also remember laughing because my hair looked like I was going to a quinceañera, and I had bows in my hair.  It was so cool to see that.  It felt like it wasn’t that long ago, but it was.  Looking back, it was fun, but I still just can’t get over how young we looked.  Twelve years really ages you!  Maybe it’s the kids, I don’t know!

It’s so interesting, and I was saying this the other day to someone, that in daytime, we’ve all grown up with each other – the people who have worked in the medium, and the fans.  In no other medium can you truly follow an evolution of a person the way you can on daytime.

AMELIA:  It’s so true.  There’s nothing else like it in the whole world.  It’s so cool.

Speaking of Thad as J.T., they ultimately resolved the story of J.T.’s abusive behavior towards Victoria in that a brain tumor was the culprit. How did you feel about that?

AMELIA:  I liked that they did resolve it.  Actually, looking back, Thad did such great work he should have submitted himself for the Daytime Emmys in the Guest Performer category.  I know the wrap-up of the story was a little silly, but the way that it turned out was good because with the brain tumor, he can still come back.  J.T. went to prison for a little bit which is a hell of a lot better than him being buried in Chancellor Park!

When Thad was off the show, did he know that Victoria, Sharon, Nikki and Phyllis buried J.T. in Chancellor Park? (Laughs)

AMELIA:  Yeah, he knew that he was buried there.  We laughed about it.  When he came back, it had to be resolved somehow, and sometimes on daytime you have to suspend disbelief a little bit.

Do you know what was really good about it?  There was still great Victoria/J.T. chemistry.  It was still there through all of the craziness.

AMELIA:  I don’t know if they’d ever have him Thad back, but it would certainly be cool.  It would be nice to just have regular J.T. because he is such a good character.

Photo: JPI

The fans are very much looking forward to all new episodes of Y&R this week.  They’ve been so patient.  I think Y&R did such a great job of coming up with these classic episodes, many of them that people hadn’t seen in such a long time, instead of defaulting to more recent episodes and just re-airing those.  I’m sure you’re hearing that from the fans that they can’t wait to see you guys.

AMELIA:  I thought people would be super excited to have the classic episodes, and I think they were to a certain point.  However, it was also nice to hear that they wanted us to come back because my thinking was, “If they see the classic stuff, I wonder if they’re going to want us back,” and they do, and it’s nice.  They want to see the development of the storylines continue.  They had their fun with the reruns.  They were well-received.

Let’s talk about being part of the iconic Newman clan of Y&R.  Do you enjoy working with Eric Braeden (Victor)?

AMELIA:  If I see that I am working with him (I just thought about this the other day because we hadn’t seen each other), I know that it is always going to be good even if it isn’t the way I want it to be written.  It’s always good.  Eric is just fun to work with, and he usually brings his A-game.  Sometimes we laugh and make fun of the material if it’s silly, but he’s just always on point with being there for you, and being in the moment with you, and supportive of you, and offering ideas respectfully; because he still really cares after all these years.  You can see how much Eric cares about the show, and his character, and making it good.  It’s just always nice to work with him.

Photo: JPI

Has Eric given you advice while on set with him throughout your time together on Y&R?

AMELIA:  We’ve talked about things every now and then.  Sometimes, I’ll just go talk about what’s going on in the show, and sit in his dressing room, and shoot the breeze about stuff.  He’s a really insightful guy, and he’s done a lot in his life, and it’s always interesting to hear his stories.  There’s just no one like him.  Eric is just such a unique man, and I respect him a lot.

And… your on-screen mom, Melody Thomas Scott has got her memoir, Always Young and Restless coming out in less than two weeks!

AMELIA:  I know!  I’m so excited.

Are you discussed in the book?

AMELIA:  I think so, because Melody said she needed a picture of me.  I can’t wait to read it!

Photo: JPI

Is this true that the Newman acting troupe knows their lines like nobody’s business and gets their scenes done quickly?

AMELIA:  It depends on the day.  Sometimes we are.  If people want to get done and get the show going and keep the ball rolling, everybody is on their A-game, and some days, we just come back from lunch and nobody can find their script or their lipstick, but it’s fun either way.  I love it.

Would you say that the Newmans can be an intimidating group on set; especially for newcomers to the show who have their first scenes with them?

AMELIA:  I would say that we are.  I’m not going to lie.  When we are all there, and it’s Eric, Melody, Josh, and me, and then there is somebody new it can be hard for them.  We’ve all been together for so long now that we have our inside jokes and everything.  When someone new comes in, and they’re just thinking they can kind of ease right into it with us, it can work or not work.  Mark Grossman was one that it worked with.  He held his own, but we are always kind, and we always make people feel comfortable and are always complimentary of new actors.  We really are.

Photo: CBS

So, a tough nut to crack those Newmans, but if you crack it, you’re good to go?

AMELIA:  Oh, once you crack it, it’s cracked. You’re “in like Flynn”.

So, excited to see what happens for Victoria in the coming months on Y&R? Who so you hope she is linked with romanitcally? Share your thoughts on our interview with Amelia via the comment section below.

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Interviews

Digital Drama Daytime Emmy Preview: Patrika Darbo Talks On Her Nominated Performance in ‘Studio City’

In Sunday night’s Digital Drama Daytime Emmys (9 p.m. EST/6 p.m. PST) former Days of our Lives and The Bold and the Beautiful star, Patrika Darbo (Ex-Nancy, Ex-Shirley, respectively) is one of the notable nominees of the night for her powerhouse performance as Violet in Studio City.

Darbo is always working on projects in Hollywood, and her resume is long … whether it is in sitcoms like Seinfeld, series like Desperate Housewives, daytime dramas, the hottest digital drama, commercials, and more.

Having a complicated history with the Emmys; Patrika has won a Primetime Emmy for her work in Acting Dead, had her previous Daytime Emmy for The Bay rescinded, and now has a shot at another one when the winner is revealed in the Outstanding Supporting Actress in a Digital Drama Series category in which she is nominated.

Studio City was nominated for 8 Daytime Emmys this year including for Darbo, and series creator and star, Sean Kanan (Ex-GH, B&B, Y&R).  The show tells the tale of the cast of a fictional daytime drama as they navigate through the chaotic world of soap operas and their own very messy personal lives.  In it, Darbo delivers a tour de force monologue which just might have sealed the deal for Emmy voters.  She has already won, along with Studio City castmate, Carolyn Hennesy (Diane, GH), an Indie Series Award for her work, when the two actresses tied in their category.  They are both nominated together again for the Daytime Emmy.

Michael Fairman TV caught up with Patrika to talk playing those heavy emotional moments in Studio City, longevity in Hollywood, and Emmy night.  To watch the first season of Studio City via Amazon Prime Video click here, and to watch the Digital Drama Daytime Emmys click here.  Now here’s what Patrika shared with us.

Photo; JPI

We all knew that your memorable scene in Studio City was so strong.  Your performance is really such a standout that I just thought, “Of course she is going to get nominated for this,” and you did!  How did you feel about this nomination?

PATRIKA:  I have been through the many ways that Sean Kanan has put this show together.  I mean, he has worked on it for a long time.  I read for it with him, as his mom, being a comedy, and now we’ve gone all the way to the dramatic. I think Sean did some pretty good rewrites and gave me some great, meaty material. I so appreciate the fact that he recognized the fact that I am not just a comedic actress, that there is a dramatic part of me.  

Photo: StudioCity

The big moment in Studio City for your character was just so heartbreaking.  Did you deliver that performance in one take?

PATRIKA:  Yes, and then of course I had to do it a couple of times because we had to see it from Sean’s side for his reaction shots to what I was doing.  I come from the school that even though the camera is on my back, it is now on my partner’s front.  So, I tried to give Sean as much to react to when the camera was on him as when it was on me, and I got the same from him, so it was a very nice collaboration.

I watched Sean in that scene.  He was so good in it.  So, whatever you were doing, it triggered such honest reactions from him.

PATRIKA:  I think just as far as actors go; it is not that we always have to remember that it is not about us as an individual.  It is about the end product, and the end product is about who you are working with.  I got from Sean things to work with that made Violet’s emotion’s there, and then I wanted me to be able to take my emotions and give them back to him.

 

Photo: StudioCity

Was it hard to go there for you, to that deep emotional place; that Violent had been traumatized in her not so humble beginnings in Hollywood?

PATRIKA:  You know, I have great admiration for all of these women who have come forward in the whole #MeToo movement.  I have always been a short, round, fat, little character woman, who was never approached in those ways.  So, there were things I couldn’t relate to.  I had to go to my own personal darkness, which is mine to use when I need it, but to try to be sure that I made sure that women who had faced what I was talking about could appreciate that I was showing tribute to them, because that is a horrible thing, and any kind of situation when you are bullied into something that you don’t want to do or taken advantage of, those kind of situations.

For Violet, all of this stemmed from her desire to be in show business; that at an early age she found herself in a horrible situation with a scuzzy show biz type.

PATRIKA:  Yes, she got into town and it was like a dream come true. She got invited to parties, and everything was wonderful, and “Oh, he’s going to put me in the movies,” you know.  I think that’s what happens: Hollywood is so glorious, and kids come in and get off the bus to be a star, and the first thing you have to do is wait tables … and the second thing is sometimes when you are very pretty, and thin, and attractive, and bad things happen, and I’m not just saying it happens just to women.  It happens to young men as well, and it can happen to some older people.  It’s just a thing that we have now identified, and I think people are being made aware of it.

Photo: JPI

It almost seems like you get nominated for all sorts of things in you career: primetime, daytime, stage etc.  Have you ever figured out in your own mind, why you think you get the recognition? 

PATRIKA:  I think because people know me, and I try to give out what I want back.  You know, I treat people the way I want to be treated, which means that if there are a thousand things you’ve got to watch, and you go, “Oh, there’s Patrika, let’s see what she is doing now!  She’s always so nice to me,” they take a look at my work.  Do you know what I am saying?  It’s a numbers game.  We think about how many are in primetime at this moment, and even though there are only four soaps left on the major daytime calendar, there are still the new digital shows that are coming up.  I think I am very fortunate that people know my name, they know me, and they want to take a look and see what I am up to again, and the young actors and actresses that I mentor, and kids who I’ve work with, the most important thing, I always say, is to be nice.  No one should have to tell you that, but sometimes you have to reinforce it and say, “You know what?  The casting assistant today is the casting director tomorrow, the assistant director today is the director tomorrow.  The kid over here is the writer today, and tomorrow he is the show runner.”  I don’t think you should approach your life like “What’s in it for me?”

Photo: wireimage

What did you think of the whole of Studio City?  I think it’s a little gem.  I loved its look and feel, as well.

PATRIKA:  As we go along in this digital world, it is becoming more film-like, more real life looking.  We’ve kind of gotten away from the flat, three-camera take.  It’s bringing more things to life, and people are just enthralled with it. This is the new genre of the hour-long soap.  I think with the attention span of people these days; digital drama they may wind up enjoying more and because it looks more real, they will enjoy it more.

You were in a middle of a firestorm, in 2018, when your Daytime Emmy win for your wok in The Bay was revoked.  Did you at all think about that when you found out you got nominated For Studio City?

PATRIKA:  At first, you kind of go, “Are they giving me this nomination for this reason?” but then you kind of go, “You know what?  It really has nothing to do with NATAS.  It has to do with my peers appreciating my work.  So, I know even though I had some problems in the past, NATAS was so apologetic and they’ve made a lot of changes to try to make sure that things like that don’t happen to anyone else, which I am so appreciative of, but this nomination came from my peers.  So I feel I earned it, and I don’t think it has anything to do with what happened in the past except for the fact that there are changes that are for the good.

Photo: Studio City

Now, you are nominated in the Outstanding Supporting Actress in a Digital Drama Series category along with your Studio City co-star, GH’s Carolyn Hennesy.  You both tied in this category at the recent 11th annual Indie Series Awards as well.

PATRIKA:  Carolyn is wonderful in anything that she does.  I wish Sarah Brown had been nominated for her work in Studio City, too.  She is a wonderful actress. You kind of go, “Oh, they didn’t acknowledge her this time,”  but it’s like she is still in the show, the show is going to keep going, so she will have another opportunity for people to recognize her work.  Listen, Carolyn and I could cancel each other out this time, because people know us and like us and appreciate our work.

Photo: JPI

As a working actress in Hollywood, how to you feel about production starting back now for several shows, and concerns amidst the coronavirus pandemic that has crippled the show business community with the loss of so many jobs over the last several months?

PATRIKA:  I think there are still going to be concerns.  Listen, my husband has a heart problem.  He’s had a couple of stints, so he is going to be a high-risk.  So, if I am asked to go to work, I want it to be very safe where I am going, so when I come home, I don’t bring something to him, or I don’t get anything.  I think we are all going to be a lot more careful, but I think what people have to realize in general is that it is not just the actors who did not have work.  There are the camera people, there’s the director, there’s props, there are the electricians, there are a lot of people involved to make a show, whether it’s a daytime show or it’s a film.  So, things will be a little different.  There are going to be a lot of changes, but I’m hoping that we will at least get back, and are safe, and that we take care of each other.

On virtual Emmy night this Sunday, will you be participating and watching from home?

PATRIKA:  I’ll be at home, absolutely.  I’ll be trying to figure out how to push the Zoom button or the what button, and trying to figure out the computers. I’m a dinosaur in a digital world, but I’ll be doing my best!

So, will you be rooting for Patrika in the Outstanding Supporting Actress in a Digital Drama Series category on tomorrow night’s Digital Drama Emmys? Did you see Studio City and if so, what did you think of it?  Do you hope Patrika comes back to daytime soon? Comment below.

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Digital Drama Daytime Emmys Preview: Graham Sibley Talks On His Nominated Performance In ‘Dark/Web’

In one of the hotly contested contests on Sunday night’s Digital Drama Daytime Emmys, Graham Sibley is going for gold for his riveting and tense performance in the 7-time nominated series, Dark/Web. Sibley’s work had been recognized in the Outstanding Guest Performer in a Digital Drama Series category.

In Dark/Web, Sibley plays Leland, a ride share driver who’s just trying to make it through the night when the app on his phone takes on a frightening intelligence and tells him he has to make the world a better place, even if it means he has to kill to do it.

Michael Fairman TV caught up with Mr. Sibley to get his thoughts on: playing a ride share driver, being given this tour de force role in such a unique series which landed him an Emmy nod, and much more.

And, don’t miss the Digital Drama Daytime Emmys beginning at 9 pm EST/6 pm PST here, and you can watch the entire Emmy-nominated season of Dark/Web via Amazon Prime Video here.

Now here’s what Graham had to share with us below.

Photo: Dark/Web

In Dark/Web, you were in the first installment of the season, correct?

GRAHAM:  Yep, so it’s an anthology show, and there is a narrative through in that goes through it as well. I’m in the first episode.  It’s called, “Rideshare,” and it sort of explores this ride share driver named Leland Adler.

What can you share about your interpretation of what happens in your Emmy-nominated performance?

GRAHAM:  First, I have to say, Boman Modine, Matthew Modine’s son, is a real talent.  He’s just a really adept storyteller, and he wrote a fantastic script for “Rideshare”.  In Dark/Web, each one of these anthology episodes are written and directed by different people. There is an overarching narrative that goes through that, and there are these individual episodes which are directed by other artists, guest writers, and directors.  So, Boman wrote and directed our episode.  He wrote a really complex character who is a new husband and father, who loses his job and is forced to get into the ride share business, and he is kind of desperate, and he needs to provide for his family, and there is sort of dark web that starts to infiltrate this app.  Leland starts hearing a voice through his earbuds, and you don’t know if he is going crazy … or if he is really hearing these things.  You’re assuming he is really hearing these things.  This character is sort of victimized by this presence.  Over the episode, he starts to give into this because the messages he is getting through his earbuds, through this voice, through the dark web, is information about who these people are who are his passengers, and the terrible things that they have done.  He starts to get messages that he should maybe start to get rid of some of these people, and so he takes the leap and does, and that causes this reaction in him.

Photo: IMDB

Dark/Web in its totality is about a genius programmer whose disappearance leads to these strange stories that are interconnected.  When you speak of the ride share theme and episode, it harkens me back to the character of Travis Bickle played by Robert DeNiro in the classic, Scorsese film,Taxi Driver.

GRAHAM:  Oh yeah, of course.  I think as you go through the journey of “Rideshare,” at the beginning of it, you don’t think Leland is troubled.  He is okay, and then by the end of it, you’re like, “This guy is okay, but something is happening, and now he is on this mission, and now he has done these things that he can’t ever go back on.”  It’s interesting, and it’s interesting that you’re making a parallel with Taxi Driver because Travis was convinced what he was doing was right.  I don’t know if my character at first is.

Photo: Dark/Web

You have not been a ride share driver in real life at some point … or have you?

GRAHAM:  You know… I haven’t.  But, I did sign up when I booked this job.  I went through the process of it just so I would know what it was going to be like.

When you submitted your reel for the Daytime Emmys, did you submit a few scenes, or how did you put your submission together for the competition?

GRAHAM:  I had so much material to choose from.  I was so fortunate to be the lead in this episode, and the episode I think is 25 minutes. It was really hard to pare it down, but I got it down to about 9 or 10 minutes that I felt told the arc of his story.

It’s always important to tell an arc because it does feel like, for the most part, the winning reels are the ones where somebody who doesn’t know the show or your character, could literally follow from point A to point B, if they’re a judge.  You have some solid competition in your category as well! 

GRAHAM:  There are some really amazing performances and some really great actors in the guest performer category, so I’m just honored to be in with their names. Rene Hagler had a couple of different episodes in Dark/Web, so we did not share any scenes together, but he is great.  Lin Shaye and I did a movie together a couple of years ago called Grow House, and then I’ve seen Scott Turner Schofield’s work in Studio City, who is amazing, and Mary Beth Pell, … she’s a legend!

Photo: GSibleyInstagram

Of course, you end up nominated the year that it’s the virtual Emmys. So, what will you wear to the virtual Digital Drama Emmys?

GRAHAM:  I don’t know!  I’ll send you a picture! (Laughs)  If you look on my Instagram, my wife. Marilyn and I staged a picture, because we were like, “Well, we are never going to be able to go to the Emmys,” so we staged a picture with our boys in our backyard with a kiddie pool and us lounging with drinks, and I was in a tuxedo, and she was in this beautiful yellow dress.

What are the names of your boys?

GRAHAM:  They are twins, Lyon and KP, and they just had their first birthday on July 2nd.

Photo: GettyImages

Now, let me ask you this. If they say, “The Emmy goes to Graham Sibley,” what would it mean to you if you were awarded a Daytime Emmy? 

GRAHAM:  I think what it would mean to me is that it would sort of be a pat on the back to say, “You did something that made someone else feel something.”  I hope that’s what we are all aspiring to is to either, be in our own lives trying to make someone feel something, or in cinema or in television or the web.  I’d just be like, “I was honored for being truthful, and that’s cool!”

So, intrigued to see Graham’s performance in Dark/Web?  Who do you think will take home the gold in the Outstanding Guest Performer in a Digital Drama Series on Sunday night? Comment below.

But first check out this promo for the Dark/Web series featuring Graham which has been nominated in multiple Digital Drama categories for the Daytime Emmys.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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