Interviews
The Ron Carlivati and Kristen Alderson Interviews – One Life to Live
Today is the kick-off of the three-day musical event, and the highly anticipated culmination of May Sweeps on One Life to Live… Starr X’d Lovers. Yes, there will be plenty of singing, dancing, and lots of drama, especially for most of the couples in Llanview. Starr X’d Lovers is the sequel to One Life’s successful, Prom Night: The Musical, which at its center featured the love story of Starr and Cole. But in 2010, many lives on the canvas are intertwined, and the lives of the young set, and some of the shows most popular couples, could be changed forever.
On-Air On-Soaps spoke to two of the key ingredients in bringing the musical to the small screen. First, we spoke with head writer, Ron Carlivati, to preview what lies ahead for many of the characters from Prom Night and beyond. We also discuss the rumors that circulated on the return of Jean Passanante to the writing team at One Life, and what that meant for Ron. Getting the insight into the intentions and the purpose behind certain writing choices is always a must- read for any avid soap fan, and Ron explains some of the components and decisions made to the stories you have been watching, and have wondered where they may be headed.
Next, we spoke with the central character of Starr X’d Lovers, Starr Manning herself, actress Kristen Alderson. The talented young actress gives the perspective from the performer’s point of view, of putting the three-day musical event from the page to the stage and on to tape. Kristen also teases what Prom Night 2010 holds for Starr, Cole, Langston, Ford, Dani, Matthew, and Markko!
So, let’s start with the man who gives One Life its voice (not the singing kind)…Ron Carlivati… and then follow it up with some chitchat with the sensational Kristen.
MICHAEL:
Before we get started Ron, can you comment on Bree Williamson’s Daytime Emmy nomination for Outstanding Supporting Actress? The pivotal scenes, where Jessica remembers switching the babies, were riveting. Did you write those scenes that got her the nod?
RON:
Courtesy/ABC
I loved that story, and I even think Bree should have won last year. I am crossing my fingers. From the material that she submitted, I wrote part of it. I really loved those scenes, where she has to break through from Bess to get to Jessica. I thought they were both so emotional and so outstanding… both Erika Slezak (Viki) and Bree
MICHAEL:
Now, One Life will have many intersecting stories and dilemmas facing the major couples on the show in the next few weeks. Was this the plan with Starr X’d Lovers?
RON:
When we pitched the idea of doing another musical, because we had such fun doing the last one, we had to make sure if we were doing it during May Sweeps, it was not just, “let’s stop everything… and have everyone sing for a couple of days.” It had to advance story and affect story. For Starr, it is a significant moment in her life. It is her Senior Prom. We wanted to have an event going around it on the show to make this feel big. It is the prom night and the culmination of people who are at critical junctures in their love stories. Cristian and Layla – has Layla had enough of this teen Jessica? (Laughs) Jessica sees this as her last chance to get Cristian. Brody sees it as his last chance to break through to Jessica. Starr is heading to this prom, and Cole is in jail and it seems doomed. Can they be together? Langston has been cheating all of this time, and is this the night she will tell Marrko everything? As well, we have a new little love story, sort of how we launched Marrko and Langston a few years ago at prom, and that is with Destiny and Darren (Laughs). She finds him to be a total pest, and maybe she needs to see him in a different light at the prom.
Courtesy/ABC
MICHAEL:
How did you intend Nate’s character to be when you created him? He was brought in as a foil for Matthew for the affections for Dani. But is he going to be a good guy or could he turn into another town bad boy?
RON:
We are already seeing this draw that Dani feels towards him. I think you will see even more of it at the prom, and as we go into the summer. I think she feels an attraction and connection with this boy that is going to pull her and Matthew apart. He does seem to be a very sweet boy who seems to be very soulful. We will get to know more about him and his background, and where he comes from, as we get into the summer. Jessica Leccia (Inez) will be coming on as his mom. So, you will get to know more about his background, and some of the actions that he and Dani take over the summer will have a big effect for several people on the canvas.
MICHAEL:
As we head into the musical episodes, we also see that Natalie and John are at a critical juncture!
RON:
Courtesy/ABC
We tried to have other stories surrounding this musical that were not just the kids. Because the theme of the show is Starr X’D Lovers, another pair like that is John and Natalie. They have their own critical moment and that is, Natalie decides she is leaving town and does not want to be in Llanview constantly under John and Marty’s nose. So, I think she knows herself well enough to say, “I can stay away from them.” But, I think we know Natalie well enough now that she is not always able to do what she says. She makes this decision to leave and she leaves a letter for John that says, “I’m leaving. And it’s not an ultimatum, but I just need you to know how I feel about you before I leave.” She says, “I will be at Rodi’s at midnight if you have anything you want to say to me.” So, I think we are hoping that John will show up and stop her from moving and declare himself. But we see Marty gets her hands on the letter before John, and we get to see a bit of the old Marty, who thinks perhaps she will rip it up and not show it to John! Roxy convinces Natalie to write her feelings down and to give John a chance. So it’s not just Natalie being selfish going, “Here is how I feel. I want you to be the same way and stop me from going to London.” Roxy really prods her on in a vulnerable moment. I will tell you this: John McBain will NOT be singing! (Laughs) No Cop Rock! (Laughs)
MICHAEL:
So you are using one of the classic Soap 101 devices… a letter falling into the wrong hands to spin story?
RON:
I did not originate the idea by any shake of the imagination. (Laughs) I mean I could go back to Shakespeare, and he can take the credit. It’s very useful, and it’s about will it get into the wrong hands? And, who will get the letter?
MICHAEL:
So what happens on this night when people are star-crossed? I assume people get drunk…
RON:
Courtesy/ABC
People get drunk. Brody pushes Jessica a bit too hard to remember, and her rejection of him is so strong this time that he thinks he has really blown it, and so he does go to Rodi’s and gets wasted. And Natalie, thinking John has made his choice, well…her and Brody see each other. And now they are kind of crying on each other’s shoulders about this. They think they have lost the two people they love forever.
MICHAEL:
Many fans are noticing the on-air sizzle between Brody and Natalie. Was that intentional? It seems like it may have even shocked the OLTL writing team!
RON:
Yeah, I have got to say it took me by surprise. It wasn’t something I initially thought of. Then early on, when Jessica first woke up after her electro-shock and lost her memory, I was on the set. There was a scene where Brody and Natalie were outside the hospital room commiserating about Jessica. And I was looking at the two of them going, “Wait a second?” And at that point we had written a lot further than that, and had not been crossing the two characters that much. So it veered back that way.
MICHAEL:
So, is this a case of when you see something that works on-screen, it can dictate story?
RON:
Definitely. We launched that story with Jessica going after Cristian, and then suddenly thinking what happens with Brody while this girl is gallivanting around town thinking she is 17. Then you explore that aspect a bit more and go, “What about Brody and Natalie or Brody and Layla? Would they get together while Jessica is going after Cristian?” You see what you can make the most stories out of, and that is how you make those decisions.
Courtesy/ABC
MICHAEL:
We saw Ford on-air this week flirt with Jessica, which sort of perked up Ford as a new possible “conquest” for him. Can we expect things to unravel in his relationship with Langston on prom night?
RON:
So you have seen Ford’s interest in Jessica, which will have a pay-off after the musical. I think what we have is Markko primed to discover the truth about Ford and Langston. He planned this big night and got the same hotel room for them they had the year before, when they made love for the first time. We saw that on Markko’s camera he accidentally captured Destiny and Matthew talking about the fact that Langston is a cheat, and he is carrying this camera around at the prom. I just throw that out to you! (Laughs) So there is a possibility he might see it. I mean, I have Ford being his devilish self, trying to lure Langston away from the musical. I think there is a part of Ford, that even though he is a “dog”…deep… deep… down, somewhere buried under that heart of ice, I think he is jealous. I think he does not like that Langston is at the prom with her boyfriend, having a good time. Part of it is a game for him… ‘Can I get her to dump him and come to me?’ But part of this is, he is alone in his apartment and lonely. I can say Markko is going to find out the truth, and that is part of the musical, and that is going to blow-up.
MICHAEL:
Was it always your intention to write Ford as a “dog”? When we chatted back in February, he had just come back and we all were not sure how dark the character might go.
Courtesy/ABC
RON:
Oh yes, the audience will have a violent reaction to a character if they are like that from the beginning Look at Stacy. She was so bad. She did not seem to have any redeeming sides. I think the danger is if you make the character, and you see all their different facets from the beginning, it can sometimes lead it to be a bit water-downed. We wanted to create a guy that seems like a heartless bastard! We have a long way to go to see the other side of him. Just look at Todd. And again, I am not saying that this is Todd, but that was frat boy number one who was a total creep, and a rapist. You did not see the other sides of Todd for a very long time. So, I guess I would say, “You are supposed to hate Ford!” But, I think what is really interesting is he has great chemistry with Langston. We need people like Ford to propel story.
MICHAEL:
Now you are tormenting fans of Starr/Cole with this bitch girl, Hannah! Was she only supposed to be on for a short time? It seems like her role has been expanded?
RON:
She is a great bad girl. I think once we realized she could do more, and we could give her more to play, we knew how good she was. We built it slowly. We slowly realized this is a troubled girl, and we saw it right away when she did the suicide attempt. Was that the real deal? Or, was she doing that to get attention? We see this is a very needy girl. She took an overdose of pills because this guy, Ford, who she barely knew, dumped her. Then she transferred those affections to Cole, and we see how far she has taken her actions. Hannah is a real problem for Starr and Cole, because this girl plays it all so well.
Courtesy/ABC
MICHAEL:
There has been such flack from fans tired of high-school Jessica. Was this your intention to keep this going till now, or did you decide to now abort it?
RON:
I came up with the idea that she can’t remember anything past High School, and that began to play out in February. I kind of geared the story on a semester, knowing it would culminate at the prom. I let her go back to school and I did not want to see it go into summer, as it would have to culminate at the end of her senior year. It brings us forward into so much more story.
MICHAEL:
So where is Todd at in all of the episodes?
RON:
Remember, Hannah has set up Todd, and he knows it, and knows he is innocent. And this girl, who he thought he could swat away like a fly, is more of a force to be reckoned with then he thought. He is trying to get her to admit that (A) she lied and (B) that she could have possibly been the one to push Marty down the stairs herself. And Todd still does not know about Tea’s condition, and that is going to throw him for a major loop!
Courtesy/ABC
MICHAEL:
There were so many reports that Florencia Lozano (Tea) was being killed off the show, and the brain tumor was to facilitate that. Why the real decision to write Tea with a tumor? And yet, in the end she could still go to heaven.
RON:
I was kind of thinking that Todd and Tea were kind of over because of Danielle. We really wanted to pull these two apart, and then thinking what could we do to pull this family together. What would bring Todd and Danielle finally together? And that was the genesis of why do this. It was to re-awaken the love story of Todd and Tea, and what kind of crisis would pull this family together. It was a very real and tragic love story.
MICHAEL:
And in the middle of all the singing and the dancing, and the prom corsages, Rex and Gigi are out looking for Rex’s parents?
RON:
We do get some answers, but we are not building this around who is the father and who is the mother, but more about will Rex and Gigi come back together? We know that they love each other. The question is; do they love each other enough to try again?
Courtesy/ABC
MICHAEL:
I hear Bo and Nora’s wedding is coming up soon, too!
RON:
It’s the next big event after the prom and the next big event after May Sweeps at the top of June, and it is a blast! It is hilarious! To Bo and Nora fans, I will eat my hat if they are not happy! You will see all the stuff you want to see at a wedding. Sometimes, we have so much going on with other stories with other characters at weddings, that we miss those great part or moments of a wedding. This one has a ton!
MICHAEL:
All the rumors started circulating recently, when Jean Passanante was announced as returning to One Life to Live as associate head writer, once she concludes her gig as head writer at As the World Turns next month. Online people were saying it was the end of the road for you as head writer, but then last month, the press and the fans were informed that you had asked Jean to join the team. Can you clarify what went on?
RON:
We had room in our writing team. I had worked with her before, and so I reached out for Jean to come onto our writing team. I think it blew up into what her role would be. It was she who hired me at One Life to Live. I am thrilled. Jean is a fantastic person and a fantastic writer. She gave me my first job, and it was she who hired me at One Life to Live. I have wanted to work with her ever since she left One Life to Live, and it never quite worked out. And unfortunately, I am working with her because As the World Turns is going off the air, but I am thrilled she is coming on.
MICHAEL:
What does she bring to your team?
RON:
She is incredibly intelligent, and has a great sense of story that is well balanced. There is comedy and romance, and she can balance all those elements and she has a really good sense of character. She creates wonderful characters, and she sees the strengths and weaknesses of a character. A lot of what you saw going back to the classic Todd/Marty story had to do with Jean!
MICHAEL:
In closing, there were the reports that a new One Life to Live is coming? Can you speak to that?
RON:
To me, our show is always changing and evolving. I think that is the nature of a soap opera. At the heart of it, it will always be the same core characters and the same core values. To that extent, we are bringing in some new fun people and our stories are shifting around and changing, but I think that is what we always do.
KRISTEN ALDERSON
MICHAEL:
Courtesy/ABC
How was taping Starr X’d Lovers as compared to the original Prom Night: The Musical from a few years ago?
KRISTEN:
We have 32 dancers this time and seven already established songs. It has a GLEE spin to it, but it also has seven original songs, which is similar to the one we first did. Some of the established songs are songs from the 80’s and some established songs that you would hear right now on the radio. And the songs… they really have to do with our characters. The emotions that are going on are very much like Prom Night: The Musical in that way.
MICHAEL:
Is Starr going to get back at Hannah? She cannot succeed in breaking Cole and Starr up!
KRISTEN:
You know, she is not nice! (Laughs) I think she is going to do everything in her power to find out what is going on. She believes with all of her heart, that her dad is telling her the truth, and that Hannah is lying just to break them up. I think it’s really frustrating for her because Cole is the love of her life, and she will do anything to salvage their relationship. I think she is concentrating more on wishing Cole were there with her at the prom.
MICHAEL:
Courtesy/ABC
The big question for Starr in the episodes is: will he get to the prom? So Kristen, will there be a happy ending for the duo at the Prom?
KRISTEN:
Maybe… maybe. The thing is; Starr and Cole are so in love, but at the same time they haven’t’ been really able to not argue with each other lately. But they get into these arguments of, “Will you stop believing in Hannah? Will you stop believing your dad?” It will be interesting to see if Cole does make it to prom, and if so, will they even have a good time or not, or, if it will be that there is nothing more for them?
MICHAEL:
This is Starr’s senior year! Oh, my God! Little Starr is graduating High School. I am so old!
KRISTEN:
This is Starr’s senior year, and when we saw her three years ago at this time, it was her freshmen year in High School.
MICHAEL:
Courtesy/ABC
Kristen, will you be performing in a lot of the musical numbers in the shows?
KRISTEN:
I am in eight or nine of the musical numbers. (Laughs) That is the great thing about this time that we are doing the musical. It involves a lot more characters and a lot more drama and a lot more story going on. Before, you just followed Starr and Cole. This time you are going to follow Starr and Cole, Langston and Markko, Langston and Ford, Danielle and Nate, Matthew and Danielle, as well as John and Natalie, and Blair and Dorian, and Roxy. The whole cast is involved. You will see a lot more actors singing than you have probably ever heard before…ever!
MICHAEL:
So, who is a good singer?
KRISTEN:
It’s always great to hear and see Jason Tam (Markko) sing. He was on Broadway and in A Chorus Line. He is so talented. There is a Starr and Blair singing moment with Kassie DePaiva (Blair), who is also so talented.
Courtesy/ABC
MICHAEL:
What was one of the well-known songs that you will be singing?
KRISTEN:
One of the established songs that I sing is We Belong, by Pat Benatar. I was so afraid of it. Brittany Underwood (Langston), Kelley Missal (Dani) and Megan who plays Hannah were also a part of the song. So we were all equally as scared about this thing! Are you kidding me? It’s Pat Benatar! But once we got into the recording studio it felt good, and it turned out good.
MICHAEL:
So, for the young audience who follows the hit primetime series, GLEE, you think they will like this series of episodes? Do you watch GLEE?
KRISTEN:
I did like the Madonna episode of GLEE. I think they have a cool thing going on. I think that anyone who likes GLEE will love what we are doing.
MICHAEL:
So will your brother, Eddie Alderson (Matthew) be kissing Dani at the Prom? I mean last time we talked in New York; he came to his big sis for pointers!
Courtesy/ABC
KRISTEN:
They are looking better, right? (Laughs) There is a lot going on between Matthew/Danielle/Nate and that whole triangle, and so hopefully Matthew will be able to steal a kiss. We shall see.
MICHAEL:
How is working with newbie, Lenny Platt (Nate)?
KRISTEN:
Lenny is so great! I actually adore him. Every time I see him, he cracks me up. I don’t know why. But, I think it’s because when I first saw him doing rehearsals for the musical…he is not a really a dancer or a singer, but he was giving it his all. He was really cute doing it, because he does not know what he is doing! (Laughs)) But he is so great!
MICHAEL:
Is Starr going to stand by Langston when she finds out that Langston has been seeing Ford secretly now behind everyone’s back?
KRISTEN:
It’s hard to tell. Langston swore on their friendship. So, I think it’s a really big deal when it gets to that, and especially since Starr has Cole lying, too. So there is a lot of lying going on to Marrko that clearly Starr and Cole don’t want to be doing, but because Langston swore on their friendship, she says everything is going to be good. So they trusted her. It will be interesting to see if everyone turns his or her back on Langston or if Starr will stick through it and be there with her. I feel like Starr is going through a really hard time right now, and so if she turned her back on Langston, I don’t know who else she would have to turn to.
Courtes/ABC
MICHAEL:
So Trevor St. John (Todd) is not going to sing a number?
KRISTEN:
Well, you know they had this big solo written, (Laughs) No! Trevor will not be part of this, but Trevor St. John fans have no worries. He will be seen throughout the episodes.
MICHAEL:
From an actress’s viewpoint, what did you feel about One Life’s head writer, Ron Carlivati’s scripts in the three day episode, and how it was all executed?
KRISTEN:
I think it has been over and beyond what our expectations were. When we got the scripts and I read them, I could not keep my eyes off of them. It is so great and wonderfully written. I think from what I have seen, everything is going to tie together so well. And what is cool is, there are a lot of references from Prom Night: The Musical, and if you had seen them or if you hadn’t…. I urge you to get on You Tube and watch them… but there are a lot of subtle things from the Prom Night: The Musical that are in this one.
MICHAEL:
What would you say to the naysayers who say “One Life to Live is only trying to do a rip off High School Musical and GLEE”?
KRISTEN:
Courtesy/ABC
First of all, when we did Prom Night: The Musical, it was right before High School Musical II came out. So it was before all of that, and before GLEE was a thought in anyone’s mind three years ago. One Life has always been a musical show… even before Prom Night: The Musical, we did Babes Behind Bars. I would say to the naysayers that we are very different from these shows or movies, because we are all completely different characters, and have very different storylines, and we do it in our unique way. From what I watched, there will be some exciting chills and some sad moments in the story. But I have to say; the good moments make up for it!
MICHAEL:
So have you and your brother Eddie shared war stories from the set on learning all the choreography from the musical?
KRISTEN:
Eddie has been great in the musical, and actually I am not in the performance of Starr– X’d Lovers on the air show, but I am going to be performing it on The View. Eddie goes, “Kris you won’t be able to learn it all, it was a lot of, you know, choreography.” It’s really hard, and just now he helped me out in rehearsal with it. He is really funny. He feels really cool now that he knows the choreography.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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MICHAEL:





















These two interviews of Ron and Kristen were very good. Seeing Ron’s take on the story of the Prom and what might come out of it. I was hoping Cole would somehow be there. Also, I couldn’t get over Destiny’s weight loss, She looks fabulous. I saw the soap today and also the cast singing on the View. Personally, I was not impressed with the song and the terrible choreography. Plus, there were too many dancers and fill ins’. Well, I hope next week will be better…
I watched the first day of the Starr X’d Lovers musical yesterday, and it was completely awesome! Loved the song choices, dancing, and of course the stories. 🙂 I so can’t wait for mondays. Also loved the interviews with ron and Kristen. I love her positive attitude.
Michael I find it amazing that if you didn’t bring up Trevor St John or Todd that Ron would of never brought him up.
This tells me right here that Ron doesn’t care one bit about Trevor or Todd. Sorry am sick and tired of this head writing and his lack of interested in Trevor or Todd. This man constatly shows who he likes to write for and who his favorites are and who are his non favorites and Trevor and Todd is his non favorite.
He doesn’t want to write for Trevor or Todd and makes it known. Am sorry am so sick and tired of him. He caters to his favorite actors and actresses and ones he cares less about he throws aside. And his writing shows it loud and clear on this show. He has turn this show upside. It’s a mess and I don’t see it getting any better.
But thank you for at least bringing up Trevor. It’s good to know he has fan in you unlike the head writer of OLTL.
Thank you for the interviews. Your coverage of soap operas and behind the scenes processes offers wonderful insight. Thank you.
I must respectfully disagree with the poster who feels Todd is not thought of in story. TSJ is consistently in the number one position in episode counts and this has been true for years. Todd is never lacking in story –whether the story is good or bad is certainly up for debate, but Todd the rapist’s overwheming presence on the show is not.
I wish those in charge of this fine old show would return to its core. I appreciate RC’s talk of core characters, but the characters he seems to reference are not the heart and soul of this show. That belongs to Viki and Dorian. It does not belong to the ever present teen and youth scene nor to the constant influx of uninteresting newcomers.
My patience is not infinite as an audience member and I have watched as a child since 1980. It is the trials and tribulations of this show’s only supercouple Dorian and Viki that has kept me watching not pale imitations or children. Give us back our show or at the very least give us some balance in story.
Well we can agree to diagree Jennifer. With RC’s writing this show is not for Trevor St John or Todd Manning fans. Am so tired of watching Trevor playing Todd doing the same thing year after year.
Either he’s getting accused of a crime he didn’t commit, in jail or just plain old ignored by the head writer with everything. Take example of today’s show. Cole beat Todd to death. He flatlined twice and all this show gave damn about was Starr having Cole at her prom without not giving one damn that he tried to kill Todd. For that matter all of Todd’s love one’s do not care weather Cole beat Todd to death. He’s getting special treatment and everyone bowing down to Cole. Todd means nothing. This is how this two bit writer, writes for Trevor and Todd and he doesn’t even take in account that there are Trevor and Todd fans out there that love both. He just doesn’t care about Trevor, Todd or his fans.
Am also so tired of the propping duty that he puts Trevor and Todd in. He must prop every single character on this show that are his favorites. He doesn’t write for Trevor or Todd, he can’t make Todd win, he must lose all time, Todd can’t have feelings or emotions. He can’t have his say, or tell those that are his favorites off. Because heaven for bit we can’t have his favorites tainted. We can’t damage or say anything against his favorites that he puts up on a pedasal and can’t touch. The show would come to an end.
With RC writing OLTL is not for Trevor, Todd or his fanbase. Because his fanbase keeps getting slapped in the face and screwed over by him constantly. Every Trevor and Todd fan out in internet know it, feel it and say it. He hates Trevor and Todd Manning and shows it in every show and everything he writes for him. You don’t have to blind to see it.
Sorry Michael can’t help the way I feel my other post above. He brings the worst out in me.
great job Michael! loved all of it. when are they are on the View?
Micheal great job but I am really disappointed about the show lately its getting really bad its seems Ron is out of touch with what we want, The huge influx of teens and triangles that are being added dalily and Viki and Dorian playing non existant roles.