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The Ron Carlivati Interview – One Life to Live Farewell

Courtesy/ABC

Courtesy/ABC

As we say our final goodbyes today to the unbelievable and magical run of One Life to Live on daytime television, there was one last interview we wanted to bring you, exclusively at On-Air On-Soaps.  Fans have watched over the final months of the series, and especially in this final home stretch, some of the most heartfelt episodes ever given to its loyal audience. A celebration of what life in Llanview is truly about at its core; high emotional drama, clever and imaginative episodes, dark and edgy plot twists, romance and love, but most of all the families and their connections to one another which is the foundation of the series.

Pulling all the strings for the storylines, scripts, and characters you see on screen everyday is the master puppeteer behind the scenes, who has given to us such a rich and delicious conclusion to the 43-year-run of One Life to Live, head writer, Ron Carlivati. It is no secret that Ron and his brilliant writing team endured more trials and tribulations behind the scenes than some of their fictional characters, in an effort to wrap-up the series in a satisfying way.  First, there was the cancellation of the series by ABC, and then Prospect Park announcing they were going to move the show online, only to pull out at the most inopportune time, after filming of the final episode was completed.

Daytime fans are extremely fortunate to have Ron on their side, and as a true fan of the genre. After reading this interview you will come to understand that what you are feeling at home, Ron is feeling also. And, as we watch the curtain come down this afternoon on OLTL, Ron wanted to pay homage to all the eccentricities, love and life, in the town of Llanview. Nowhere is this more apparent than in recent episodes such as: Fraternity Row’s fantasy episode, Viki returns to heaven as lives hang in the balance, the Statesville Prison Break returning many nefarious characters from the show’s past, and an array of touching and humorous nods and episodes to the show’s legacy and to its fans.

Now, Ron has moved on to be the head writer of General Hospital, a position he officially started this past Monday. And, with that came the news that four of your favorites from OLTL will be joining him to kick-start his new tenure. Ron filled us in on that decision, and the making of the final episodes of OLTL.   And with that, here’s our last stop together in Llanview … with Ron!

MICHAEL:

Ron, you crafted some amazing episodes for the final weeks of One Life to Live. Monday we were treated to the episode where Viki goes to heaven and Clint ends up in hell, and a host of other characters lives hanged in the balance. Was it an homage that was inspired by the fact that Agnes Nixon’s original title for One Life to Live was Between Heaven and Hell?

RON:

Courtesy/ABC

Yeah, that has always kind of stuck with me, and Viki’s first trip to heaven I obviously loved, and it was sweet. Then, we did homage to it on our anniversary and that and the idea that given that the title of the show is One Life to Live, I wanted the ending of the show to have some life and death stakes to it, and not everybody sitting around and just reminiscing about their life.

MICHAEL:

Monday’s episode was almost like watching a three-act play and really showed the power of One Life to Live.  It was just a simple two or three person scene with minimal settings or trappings.  And there were so many gut-wrenching dramatic moments, and you gave all the actors amazing words and emotions to play!

RON:

It was a nice way to also have some returns that had a specific reason and purpose to it, like matching Gabrielle with Bo, and Megan with Viki, and even Luna with Cole.  For me, it really made sense.

MICHAEL:

You have been on an amazing roller coaster ride with the show being canceled, and then Prospect Park coming to save the day, and then that being ripped away.  How did all of this upheaval alter what the audience will ultimately end up seeing on the final episode?

RON:

Courtesy/ABC

It was obviously a rollercoaster.  We found out we were canceled and that was really hard.  Then we had those several weeks to let it sink in and then go through that mourning process, and just get to that moment where we all were starting to accept it, finally. That is when the Prospect Park guys came along to save it, and then that took us on this whole other rollercoaster ride.  Of course, we were thrilled with the idea that it would continue, and also excited about it being in a new forum even.  It was like a new adventure.  For most of us it was a relief that these characters could continue, and of course, it did have an impact on me.  The minute I heard of the cancellation, you immediately start thinking, “Well, how do I want to wrap this up?”  I then started to plot out where everyone would be and everyone would end up.  And then, knowing it wasn’t going to end really does change things, because you really don’t want everything tied up in a neat little bow.  I have to still keep telling story, so I want to keep moving story forward.  So you start thinking about what things will we leave unresolved, and what things will we leave with a hook to get people to follow us online?  Obviously, we changed some stuff around.  I definitely think I kept the spirit of the ending and it is very similar, but obviously, I would have written some things different and I will talk about that at a future time.  But, on the whole, it helped to know that some actors were pretty certain that they didn’t want to continue with the show when it was to move online. So we were able to give them closure and happy endings, which are Rex and Gigi.  David Gregory wasn’t continuing, so our decision to kill Ford was informed by that.  It was always my plan that if we were going to create such life and death stakes, at least one person had to die, or I think it would be a big cop out.  And that was an agonizing decision, because I truly love all the characters in Llanview.  Even though they are fictional, it is really hard for me to make that decision.  So certain things stayed the same, and certain things did change and were impacted by Prospect Park.  And then of course, we didn’t find out it wasn’t happening until we had already taped our very last scene.

MICHAEL:

The thing that has been the constant from industry insiders and the fans has been, “Why couldn’t they go back and revise the ending, once Prospect Park suspended their efforts to bring One Life online?”  What would you want people to know about that?

RON:

We actually could not go back and tape anything after the fact.  The last tape day had already happened. There was no going back into the studio at that point.

MICHAEL:

So then, as had been rumored, was there one alternative ending shot?

RON:

Courtesy/ABC

Yes, but more has been made of that then it is.  We didn’t do that very much and really that came about when knowing certain actors were not continuing.  With the story I wanted to do moving into Prospect Park’s platform, I wanted to go back and change something at the end of our show as another way to have another hook and another cliffhanger. So we went back and added that. Then once we knew it wasn’t happening it didn’t seem to make sense, so what we did was go back to the original version.  I do want to say that on the whole, I feel it is a satisfying ending.  I do know there are people that are upset that if only we had known this, or if only we had known that, and I have to admit yes, while there are things that I would change, on the whole it is the same spirit of the same ending that I wanted, that I hope will make the audience happy.

MICHAEL:

The Fraternity Row Episode it a classic!  It has to be the funniest spoof ever, while the ending with Roxy and David was heartbreaking!

RON:

I had the writers over to my apartment to watch it the day that it aired and we were laughing our heads off over it, and it was also so incredibly touching.

MICHAEL:

When you were scripting this out, you guys and gals must have had a field day with this?

RON:

Courtesy/ABC

Oh, yeah we really did!  One thing led into another into the other.  Weeks before we had come up with the idea of Fraternity Row being canceled, and then things just started to fall into place at that point.  It really made sense to have a story that mirrored what the audience was going through and what our characters were going through.  It was cathartic for us to write it.  And then when we had the idea for Roxy to wake up in that world, it was just a way to send up the soap genre as a whole and poke a little fun at our own storylines, and give the actors a chance to play something different. Everybody from the top down did such an excellent job!  I think the audience really understood what it was.  It was a love letter to the fans, and in no way was it to make fun of our audience or the genre, because I love both of them.

MICHAEL:

You have to watch these last series of episodes, Ron, and be very proud of what you have done for this show.  No soap opera that has been canceled have I ever seen go out like this.  I think this is because of you and the creative team at One Life.  It is has been truly stunning to watch.

RON:

Thank you, I really appreciate that.  Of course, I am proud and proud of my team.  I am proud of our cast and crew who took what we wrote and far exceeded what I could have possibly imagined in the way that it was executed.  I thought that the montage on the previous Friday of Starr singing, and everyone in peril, and in the hospital hovering between life and death, played out so beautifully.  It really, really broke my heart.   I think the part that got to me the most was when Clint reached to get the phone and he had a heart attack. I knew it was coming and yet I thought they did it so beautifully that it was so powerful.  And yes, it is incredibly sad for us that the show is ending, but it is going out on top, and we don’t feel that we are limping to the finish line.  I think we are all very proud to go out on top creatively, and with the ratings being strong, it really means a lot to me.  It really does!

MICHAEL:

And to think you were an attorney who made the switch to daytime, and now you will be remembered as the head writer, who wrote the final episode of this iconic series, created by Agnes Nixon.

RON:

Photo Credit: Steven Bergman

I was an attorney and I gave that up wanting to work on One Life to Live.  I was lucky enough to get a job as a writer’s assistant in 1996, and it is pretty amazing that I am sitting here about to watch the last episode of the show, and I am the head writer.

MICHAEL:

It has to be so surreal for you?

RON:

It is pretty amazing.  I am having the reaction of the fans, but it is a whole other level as well, because I have worked at One Life to Live for fifteen years.  I am part of helping to bring it to its close.

MICHAEL:

Throughout the course of wrapping up the show, there were so many important and key goodbyes, such as Viki and Dorian’s last scenes, and countless others.  Did you feel pressure to get it all right and to the level that the fans would accept?

RON:

Each time you wrote a goodbye it was difficult, because you want it to be satisfying for the audience. You do sit there and try to cover every last thing that everybody wants covered.  Knowing that we thought we were going to continue, there were certain moments where we did not feel that unbelievable pressure that this will be the last time that these two characters will have a scene.  We thought there would be more opportunity for that.  But that being said, I did want there to be satisfying closure for people watching it on ABC.  We did try our best to write it like an ending, even thought we thought it was going to continue.

MICHAEL:

I was surprised and thrilled that ABC let you do your thing with the telling of the Fraternity Row storyline after they dumped the show!  Do you think you snuck one in under the radar on the network execs?  Or, did they know exactly what you were doing and scripting out?

RON:

Courtesy/ABC

I got to hand it to ABC as well, for giving us the greenlight and letting us just do that. With the show being canceled, I really did not know if they would let us have our fun with that, and they really did.  I am really grateful that they did not stand in our way of telling that story.  It wasn’t about attacking anyone who was involved in the canceling of the show, it was more about finding a way to help say goodbye to it, and for us to tell the audience, “We understand what you are going through, and we are going through it, too.” And because they know our characters, and our characters are like their family, we can say, “You know what?  These characters are going through the same thing and the same shock and loss and pain that you are, and that we were as well.”

MICHAEL:

What do you think is the legacy of One Life to Live?  What you would like to leave behind and be remembered for?

RON:

I think it’s a very special show.  I think it’s the show that in a lot of ways people would call the “hammock” show, because it fell between two very successful shows, All My Children and General Hospital.  Sometimes we were the “Rodney Dangerfield” of soap operas that got no respect, or what some people would call, “The red-headed step-child”. I think in a lot of ways it makes me love the show even more.  It is very special and unique.  It could be completely outrageous or unbelievably poignant, and we were able to tackle real issues, and we were able to do wacky and funny things.  So that makes me really proud, that if we could make people laugh or cry and forget their problems for an hour a day, I think to me, that is what the legacy of the show is.

MICHAEL:

There was something just off-center with the soap that set it apart from all the other daytime dramas.  At times, it was a very dark soap, which I also loved.

RON:

Courtesy/ABC

We tried to push the envelope either in a humorous way or a serious way.  We would not be afraid to take it to that edge.

MICHAEL:

As we are head toward the finish line with the last episode about to air nationwide, what can you say as a preview of what to expect?

RON:

I don’t want to give anything away, but it goes back to what I said earlier in taking the show to heaven.  It is about One Life to Live, and all the things both positive and negative that happen in life.  There is a lot to celebrate about life in the last show, which I think gives you a pretty good idea what it is about!  And of course, what would a good soap opera be without a good couple of surprises and twists in there, too.  I think there is romantic pay-off, there is some familial pay-off, and there are some twists and surprises that I hope will make people happy.

MICHAEL:

So, are we going to need the hankies, or are our mouths going to drop?  Or, both?

RON:

(Laughs) Well, hopefully both.

MICHAEL:

When you finished up OLTL and penned the final episode, was it hard for you? Was it like a “Thank God that’s done” moment, or an “Oh my God, I just finished the last episode of One Life to Live, kind of moment?  I would think it was incredibly difficult.

Courtesy/ABC

RON:

It was hard, and you didn’t want to let it go. You think, “Was this good enough? Was this the best that I can do?”  But in the end, you put it forward and we believe in what we did, and we were proud of it.  But it was incredibly hard to write the last show, because the writers were the first group of people to be done at One Life to Live.  It was mid-October that we wrote the last show, and we were the first to really feel like, “Wow, we are done!”  But it did allow me as a participant, to just be at the show and watch them tape some of the last material without having the pressure of my own job hanging over my head at that point.  So I was able to watch some of the last stuff, but I liked to be surprised when I watch an episode to see how it turned out. I was able to do that for the last tape date.  The last moments and the last scene that was taped with Erika Slezak (Viki) was quite emotional.  I was happy and proud to be there. We had a wonderful wrap party, which had everybody there.  And yes, while we were sad, there was a lot to celebrate.  Now, I have been sitting down at 2PM Eastern time every day to watch the show.

MICHAEL:

Will you watch the finale alone, or with other people?

RON:

Yeah, there is a gang that wants to get together to watch it, but I don’t know if I am going to do that.  I think I will stop in and see them after. I just don’t know if I want everybody to see me, you know, as a blubbering mess.

MICHAEL:

I understand exactly!  I will be a blubbering mess, too. With the actors, you have delivered stories that have given them an opportunity to knock it out of the ballpark time after time with their performances, and especially in the final weeks of the show. It must be very heartwarming for you to see.

RON:

Well, absolutely.  People will say to me, “Well, why are you doing this when the show is about to end?” And what you just said Michael is the reason … to see these people we love in these life and death situations and to really watch them act, and break our hearts.  That is what soap operas are all about.

Courtesy/ABC

MICHAEL:

OLTL fans received some exciting news the other day, in the midst of the sadness of this week when it was confirmed that you and GH exec producer, Frank Valentini are bringing over, Kassie DePaiva, Kristen Alderson, Roger Howarth and Michael Easton from One Life and transplanting them to GH.  Obviously, first and foremost, this is an effort to bring fans of OLTL over to GH to help increase the ratings of the ailing soap.  How come this group from Llanview; the Mannings and John McBain, were chosen and given a one-way ticket from Llanview, PA to Port Charles, NY?

RON:

It is definitely something I thought about right away.  I think that anything we can do to help GH and bring up the ratings and bring any more eyeballs on to the screen from OLTL, is absolutely the reason we should do it.  I think creatively it makes sense.  It will give OLTL fans an opportunity to get a glimpse of what happened after the finale.  And what I want to say to the General Hospital fans is, “This is meant to help enhance the show not take anything away from GH.  It is a wonderful show and I would not be going there to write it, if I didn’t think so.”  It is a story and it is about weaving some of these people into Port Charles.  First and foremost, it is about the people of Port Charles, and I will talk more about that when the time comes. I just want to say to everybody that may have concerns, that it’s all going to be good.

MICHAEL:

And finally, what would you say to the wonderful and passionate fans that have watched OLTL and stood by the show?  It has been heartbreaking to read their comments over the last few weeks on my website. They are going to go through their mourning process, just like you, and everyone connected with the show.

Courtesy/ABC

RON:

I want to say, “thank you” obviously. The show would not be on for 43 years without such devoted fans. The other thing I want to say is; I understand what you are going through because I am going through the same thing.  I am a fan at heart.  I think we have the most passionate fans of any genre, and not just OLTL, but all soap fans. During the final weeks of taping One Life to Live, the fans were standing outside our studio every day, even when it’s freezing cold. We would walk out the door and they would greet you with such love. It really was an amazing thing.  It helped us to say goodbye knowing that we had this support system of people that felt the same way and understood what we were going through.

 

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Lili
Lili

With all the fairy tales in the press about the actors GH has to cut, and the actors who didn’t get a good ending, I’m offended that the top money people from OLTL are going to GH. Don’t tell me that my favorites aren’t in the budget. They have history!

barbara t
barbara t

Most of the actors at gh want to leave ,and one life to live is on a budget or I should say, was on a budget.they know how to save money and put on top notch programing ,so the actors coming over arent that high paid.abc spent far more money on gh then they ever did for oltl.and I like that some of my favorite friends from landview are heading to port charles.Ive watched both soaps so Im not just a oltl fan I am a all my children ,one life to live and a 49 year fan of general hospital.and gh needs saving before its to late.and if fans from oltl come over because there are a few people from landview moving in ,thats good for general hospital ,more ratings for the hopefully not canceled soap.and for the one life to live fans a little bit of happiness over the stupid cancellation out a good soap that should never have been let go.

Splum
Splum

Wouldn’t call them the “top money people” but I get your point.

Mark
Mark

Michael,
Thank you for posting this interview with Ron Carlivati. I read it just minutes before watching the finale here on the east coast. I have to admit I stayed home from work today so I can see the last epsisode as it is broadcast on the network, just like we had had to watch it when the series went on the air, before VCR’s and soapnet.
Mark

Outlandt
Outlandt

Thank you Michael… now I feel a lot better. Ron and Frank are the DT (DreamTeam), I knew they loved our soap… and still do. Beautiful, touching and open conversation… great job to everyone involved with the production… great job and THANK YOU!!!!

Soapgirl21
Soapgirl21

I love that a few Llanview favs will go to GH. I wouldn’t watch it otherwise… I started watching ATWT after AW went off the air b/c of a cpl characters moving over… it’s a great idea…

Denise
Denise

Tissues please!

Carol Painter
Carol Painter

I Loved This Interview, as I do All of The Interviews with OLTL actors…I Loved the Finale Today..I just Loved it..
OLTL is The most Well written Fun Soap EVER. And I have Watched ONLY all 3 soaps on ABC…IMO, CBS soaps, NBC soaps can not compare.. I could never get into them…they always missed the mark for some reason…
ABC soaps, especially OLTL was The Funniest, silliest, most entertaining…and at the same time balanced a series of serious topics. Ron C, and his Team…should be VERY PROUD of Everything they have ever written, They did a beautiful Job, especially under the stress, and circumstances tossed their way this year……A BEAUTIFUL JOB!
I Loved the way we were surprised at the end…and I hope after the cross-over to GH…someone will find OLTL a new home to Continue this Show.
I lOVED and Totally “GOT” the FR storyline…It was GREAT! Thanks for that also…
PLEASE find a way to keep this program on ..even if it goes to cable..WE WOULD ALL PAY!! WE WOULD!!

Michael
Michael

Well, as I said on twitter yesterday after the Finale aired, that OLTL’s finale EASILY was the BEST finale when you compare it to GL and ATWT. Both of those finale’s were not all that great. So, when I watched the Finale of OLTL, I was extremely pleased with how the show went out and they went out on top! I’ve got to hand it to Ron Carlivati for his genius mind in crafting that final episode. And what a shocking ending! I just cheered when I saw that final scene with Allison Perkins and the script that she threw at the person who was tied up and gagged (not giving it away in case anyone hasn’t seen it yet).

Again, Ron, Frank, the producers, writers, crew, and cast all did a superb job with the final episodes. It never missed a beat and nothing was out of place and skewed, like GL and ATWT was during their final week’s on the air on CBS.

Right now, all I watch is B&B, DOOL and Y&R. I could never get into GH, so even with Ron bringing several Llanview residents to Port Charles, it’s not enough to get me watching GH. I made a promise to myself that I would not watch anything else on ABC after OLTL went off the air and I intend on sticking to that promise. Sorry GH fans, but a promise is a promise.

1loveabcsoaps
1loveabcsoaps

Damn, a lover of the show, and a man of his word regarding a promise.

Very hard to do when characters are going to their neighborly show, that you can catch them on.

And you sound Firm. Hummm, what’s your sign? lol

Carol Painter
Carol Painter

Hi Michael,
I hear you…and I completely get it..I honestly feel so much Hate For ABC Disney for What They Allowed Frons to do…That I Have Boycotted everything They are connected to……with the exception of Soaps, And Two nightly programs Castle, and Greys Anatomy.
I feel Good About Supporting Programs that are Well written…That Have Writers, Actors, etc…I feel The movement to Get Rid of these programs by Idiots (I should say Greedy idiots) Like Frons/abc /disney…has been a trend for many years..It started when they Took NORM McDonalds sitcom off for “Millionaire” with Regis Philben….10 – 15 yrs ago?…and has continued..
I will Never watch The Chew, The revolution..The View…EVER.
But I will Watch GH…And I am excited to see MY PEOPLE, (LOL) on there in Feb..I will support Soaps Always..And I still hold out hope, that SOMEONE will bring OLTL back..It doesn’t make any sense NOT TOO……
But I totally understand how You feel……..And you are entitled to feel this way…It’s SAD to me..It really is…
I may have to watch reruns over and over, LOL! I need to get through somehow!!
I’ve been trying to get into, NBC soap ,I think it’s DOOL? I watch because Sara Brown is on…But still…doesn’t compare to OLTL…it’s hard to watch…but I’m Tryin’!
Oh..well..I’ll keep my fingers crossed!

MySoapsinheart
MySoapsinheart

I have watched all 3 of the soaps from AMC OLTL and GH. I will continue to watch GH. Can only hope they will bring Natalie into the mix since she and John just got back together. Though its not the same and I still hold hope that someone somehow will get all of our soaps restored to production and airing. Yet I will continue to watch GH as I have watched all my soaps for decades. It is the only show that I watch for that particular station.
Thank you One Life To Live cast and crew, as always you gave us your all and we thank you and we love you. You are in our hearts always.
p.s. name the baby Drew Asa.
Thank you

Susan M.
Susan M.

Pl;ease answer my question.. Tried your site Michael but, can’t get past your captcha code.. Can’t get it right.. What ever way I type ii in.. very frustrating… Please answer my question : Is Natlie & baby Liam joing John (michael Easton) on GENERAL HOSPITAL…… What will happen to that??? Will it carry over on to GH?????Waiting for response… Need an answer .. Need to know…And I didn’t like the last episode of OLTL… Left you crying for more.. A lot of things left unsaid!!!!!!!!!!!!!!! Again,please answer my question!!

Paul James Hurlburt Jr
Paul James Hurlburt Jr

I am glad One life to LIVE Characters are going over to Gh I really am.

Susan M.
Susan M.

So am I !!!!!!! I hope more actors from OLTL join GH!!!!!!!!!!! Such as Melanie Archer (Natlie)… Has to join Michael Easton (John Mcbain) & baby Liam on GH!!!!!! I miss most of all Erika Sleak(Vicki)….. Clint , Bo & Nora !!!!!!! OLTL was the best soap opera..It was like a family OLTL.. you could see the closeness among the actors.. The warmth.. OLTL FAN

Gerardo Ramirez
Gerardo Ramirez

Ron C. did a wonderful job as head writer & I wish him well in his GH endeavour

Peggy Kempfer
Peggy Kempfer

I am very disappointed that ABC soaps are being cancelled. I will not watch anything that takes the place of any of the soaps. In fact, I watch Revenge and General Hospital and that is all I will watch on ABC. I have started watching the cable stations.

Brian Greene
Brian Greene

Thanks Ron–We OLTL Fans In Northwest Illinois Appreciate & Love What You & Frank Have Accomplished For This Show Very Much! 😀

Alley
Alley

RC was right about one thing. The Mannings and McBain will have me (and I’m sure a few others) tuning into GH. Before I heard the news, I was boycotting ABC for good.

My boycott of The Chew and The Revolution stands. I will not watch that crap. EVER.

Jared
Jared

I loved the finale. LOVED it! I had a suspicion that Alison was reading her script to TSJ, but I was still shocked, because of what I read about TSJ not filming the finale. Great job on keeping this a secret, because it was truly a treat for us fans! Maybe I will give GH a chance because I’m curious what happens next. At the same time, I know we’re supposed to support all the soaps, but recent events, like RC/FV moving to GH, as well as OLTL characters moving to GH, I feel it just proves (to me, at least) they canceled the wrong show. Hopefully, RC/FV can fix GH and make it watchable again; but even if they succeed, I don’t trust the empty network executives to do the right thing. SO, I’m hoping that in the case GH is canceled that Y&R will pick up this dream team. Long live ONE LIFE TO LIVE…….

1loveabcsoaps
1loveabcsoaps

Yeah, TSJ returning in the finale, was the best kept secret in daytime, and almost active entertainment.

M. H.
M. H.

I have watched OLTL since day 1. When I worked I taped it, now I have it saved on cable. I will not watch ” The Revolution ” . We have enough of these ” help” sbows. Sometimes people need ” escapism” too, a chance to look at others problems and forget your own for awhile.

PaulaKate Prince-Meserole
PaulaKate Prince-Meserole

I know that things are in uproar right now since Friday’s last episode. But i am keeping a positive thought about this whole thing. The fact that One Life To Live Characters are being added to the canvas of General Hospital is good news! I refuse to borrow trouble or be upset by anymore of the millions of depressing rumors flying around out here like feathers after a pillow fight. This is no time to choke.

OLTL live viewers need to continue to boycott “the chew” and “the Revulsion” but for everything that we have been fighting to accomplish tune into GH because raising their ratings will reveal the need for our soaps to be restored to Television and hopefully ABC will see the light we have been fighting so hard to shine. GH has been suffering from sub par writing for quite some time now, but I trust in Frank and Ron and their abilities to produce great show.
For goodness sakes…lets be grateful for this opportunity and give this thing a chance.

barbara t
barbara t

alot of people dont like the idea ,I do ,I think its the best thing to happen to general hospital .for years ive been watching gh go down hill ,everything evolves around sonny and his kids and his problems ,and watch me get in trouble for this but I did not like the brenda story ,they thought if they brought her back the ratings would go up ,but instead went down ,and still going down for 3 weeks now.robin is leaving lucky is leaving ethan is leaving ,there the main people ,the quartermaines ,the fans love them, and the old writers put them on a back burner alan and aj should never have been killed off emily to ,whats that all about ?I know what its all about ,the sonny show.I love what frank and ron did to one life to live right to the last scene with victor, brilliant ending.So i have complete faith in there writing to make general hospital the best soap going .oh yeah ,and hopefully jax is back ,to stay,why was he let go ?Oh yeah ,the sonny corinthos show.

Elhu
Elhu

THANK YOU, THANK YOU, THANK YOU to Ron, Frank, all the superb stars of OLTL, the crew behind the scenes, and to you, as well Michael (for keeping us so well informed of everything going on with our soaps and the people on them, as well as for being a wonderful fan yourself). This show was exceptional and will be greatly missed, but it went out with the utmost class and style. I so enjoyed every second of each of the last week’s episodes (I love every episode, each day on this soap, but I am referring to the heightened excitement of the last week). The laughs, the joy, the tears, the excitement, the shock, the suspense, the happy endings and the cliffhangers were all the best and written so very well, honestly, the BEST I have seen (as Michael said), and I have been a fan of all three ABC soaps for over 38 years now. I am thrilled to see the Mannings and John McBain head over to GH, I only see that improvinig the canvas. Kudos for making that move Ron. I am already picturing the possible pairings and storylines in my mind. I can just see the electrifyinig scenes that I am guessing will take place between Carly and Blair, Sonny and Todd, Michael C. and Star, and John and Dante vs. Sonny and Todd – that is what I am picturing in my mind, but I will be happy in whatever direction Ron takes it, as I know it is in very capable hands. BTW, I can also see Rex as the new Lucky Spencer, or someone, so I am keeping my fingers crossed that he makes the move to GH, as well as some others, while still keeping the intergrity of GH’s history. I am very sad over the loss of OLTL (and still hope that somehow it will be resurrected one day), but I also look forward to the GH/OLTL combo becoming the “POWER SOAP” on ALL of Daytime TV!!!! Good luck to all involved with OLTL, and I hope you all find happiness in the next ventures in your life, and may we, as fans, be able to enjoy all of your work again. Michael, thank you again for having such a close relationship with OLTL and the ABC soaps, and for all of the great reporting and information you bring back to us, and I look forward to this for many years to come. Your website is the first on my “favorites” line and is the one I always check out the second I have a free moment. Again, THANK YOU, THANK YOU, THANK YOU to everyone at OLTL for your many years of hard work, and great entertainment that you have given us, and we look forward to seeing all of your creativity again.

1loveabcsoaps
1loveabcsoaps

Nicely stated. Rex would be great as Dillion, not Lucky. And the 2 Todd’s playing out would be wonderful, especially with Trevor St. John, opposite Sonny, which I spoke on in depth on this site as it relates to their complex /cool style (paired) opposite one another.

Elhu
Elhu

Totally agree with you 1loveabcsoaps, Rex would be a perfect Dillon, and Trevor St. John opposite Sonny, would also be fun to watch play out for sure, for the exact reason you stated, their totally different personas. Here’s hoping our wishes come true!!!!

Jay
Jay

You had me until you made the enormous blunder of suggesting JPL play Lucky Spencer. That’s a big, fat NO! Jonathan Jackson IS Lucky Spencer, and he’s already made it clear that he’s open to returning. There should never be another Lucky recast.

barbara t
barbara t

yeah jonathan jackson is lucky,but,he is leaving .general hospital needs a lucky and if jj doesnt want to play him anymore maybe jpl will ,never say never ,anything is possible in the magic world of the soaps.thats what keeps me tuning in ,I looooove drama.

1loveabcsoaps
1loveabcsoaps

I concure, unless they find another TSJ to recast the role. The other 2 Lucky’s weren’t bad, they won emmy’s for it. Jacob Young (AJ, amc) Greg Vaughan. I think JPL as lucky is more like Jacob Young when he played it. Johnathan Jackson, (although free spirited like JY, and JPL) JJ goes from free sprit Lucky to good concious cop/bad boy cop, to dark and deep places one wouldn’t even call acting, if you didn’t know better. No, JPL could easily be Dillion, and GUESS what, he would be a BETTER Dillion. But no one can be Lucky, and that is ALSO bc of the relationship that Tony Geary (Luke) cultivated with him when he was a kid., calling him Cowboy. How difficult it musta of been having to call JY and GV cowboy at times. JJ was….cowboy to Geary, rather they were filming or not.

kay killgore
kay killgore

I agree totally Paula and I will give GH a second look when they start airing their episodes!!! Everybody else should do the same NBC has survived several years with just one and I was furious when they cancelled Another World, so who knows they may return it to must see TV!!!

heidi
heidi

Great Interview Michael… thank you!!! However RC is the one who should get thanked for such a great finale… last week… last month… last few months… just phenomenal story and writing!!! You gave us great story…. great use of the characters… great emotion and you treated everyone (fans and cast) with such care… but with a nice nudge to something coming… very well done!!!

Michael has had such great content and such great conversation and a safe place for fans to vent and mourn their loss!

The discussions about the last two epidodes has been fun. I now can say that if Thursday’s episode had been the last I would have felt cheated… while it was for us completely and for most of the cast, crew and writers… it was not reality for the characters and for the cast, crew and writers. It was helping us with our emotions on losing something very special, but I needed more wrap up with the characters and the true OLTL story! I loved how you did it with a bedtime story theme that turns into a fairy tale! Maybe the use of the script and the use of the word sequel could spring this into somthing like a Hallmark series… like “The Note” or the “The Good Witch” series. Maybe we could get semi-annual glimpses into the OLTL world in a 2 hour movie made for TV? There are many other possible venues that would allow all of the cast, crew and writers to do new things while comng back to the old and the familiar,

Thank you RC and the wrting team… the cast and the crew for a lovely ending with a hope of a continuation… fairy tales can come true!

Jay
Jay

In the 20 years I’ve been watching OLTL, Ron Carlivati is my second favorite headwriter (behind Michael Malone). I am so grateful to have experienced this man’s resurrection of OLTL, which was nearly unwatchable for me before he took up the reigns. His passion for this show, and the genre at large, is as obvious as it is refreshing. And he’s talented. No other ABC writer was able to navigate the landmines of suck dropped by Brian Frons with such aplomb. I think you, Frank Valentini, the writing team, the crew, and all the actors, for making this final week of OLTL one of the best weeks I have ever seen of ANY soap. I also would like to welcome Ron Carlivati to General Hospital. I have been visiting Port Charles as long as I have been visiting Llanview, and I have never seen it in such shambles. We need you Ron…badly. As we face likely cancellation, all I hope is that we go down fighting, with a quality show that really blows the roof off. I have all the faith in the world that Ron, and Frank, can pull that off!

Jan
Jan

I cant even read but I didnt watch anything on abc today. Wouldnt dream of it.

kay killgore
kay killgore

My understanding as of today is the 4 oltl characters coming to GH is short term. According to Kassie DePaivia.

jason
jason

great interview

cheyanne
cheyanne

I will not be giving my ratings to GH until Ron’s favorites from OLTL are gone. I’ve watched GH for 30 yrs and i’ve watched OLTL since day one. I don’t want OLTL characters on GH. Just like i didn’t want AMC charaters on OLTL. Hmm wonder why Ron didn’t bring AMC characters to OLTL yet he’s bringing OLTL characters to GH RME. GH has a big cast that needs him to write for as well as bringing vets back. That should be what his main priority is not bringing his favorites over from OLTL to keep. Yet only bringing 3 vets back just to send off Robin for a few weeks. It’s messed up on so many levels.

Jill
Jill

I’m trying to get throught the first week of a non-existant OLTL and it is not easy. I’ve watched OLTL faithfully since the early 90s. I refuse to watch THE CHEW or THE REVOLUTION, so I flip to the cable channels (mainly ID and HISTORY CHANNELS). I’m hoping that the OLTL characters coming to GH will bring back the GH I once knew and loved. I was one of those people on the Luke/Laura bandwagon back in the early 80s….those were the days huh? And I also enjoyed GH in the early 90s with the return of LNL, Lucy Coh and the Nurses Ball, the Quartermaines were still the core family along with the Webbers. But the new writers at GH destroyed all that when they killed off A.J. and Alan, split up the super couple LNL, and focused all their attention on Sonny/Carly/Jason/Sam to try to make GH become THE SOPRANOS II!!!! What a mistake that was. I drifted away from GH and all my attention was on OLTL….never in a million years did I think that OLTL would be cancelled. Way to go ABC….nothing like taking your golden goose and slaughtering it in front of the viewers!!!!

Scott
Scott

Yeah, sorry, I don’t believe what he says about it being about Port Charles and the people on the show. I see him turning it into OLTL 2.0, I never found OLTL to be entertaining and found their finale to be below the bar of what I expect a series finale to withhold.

I give RC/FV one full month of airtime before I decide whether to keep GH or ditch it.

Interviews

B&B’s Katherine Kelly Lang on That ‘Brill’ Kiss, 33 Years as Brooke, Her Co-Stars & International Success

Just when you think Brooke will finally score a moral victory in her vendetta with Thomas Forrester, (who’s manipulations almost destroyed her marriage to his father, Ridge), then she finds herself once again in hot water, and with a secret that in the wrong hands could cause a seismic shift to several relationships – that would he hers and her sister Katie’s – thanks to that ill-timed smooch with Bill!

But what else is new for Brooke? For 33 years, the character has captivated audiences with bold moves, questionable choices, enduring romances and plenty of gusto, all in the more than capable hands of her portrayer, the one and only Katherine Kelly Lang.

This week marks Katherine’s 33rd-year in the role of Brooke Logan Forrester, who along with John McCook (Eric Forrester), are the two original cast members since the very inception of the CBS daytime drama; which debuted back on March 23, 1987.  Now over three decades later, Lang is an international favorite. First, due to the success and broad appeal of B&B in foreign countries, but second, from her own entrepreneurship and hustle.  Always with multiple projects going on at once, Lang and her beau, Dom Zoida recently opened the American version of the Italian clothing and leather store in Beverly Hills, California, Benheart USA.

Michael Fairman TV chatted with Katherine to get the lowdown on: Brooke’s line-up of nemesis’ which seems to be growing! (Yes, you can put Thomas, Quinn and Shauna on that list, for sure.) Plus, what she feels this B&B anniversary is truly about, how she and others in the cast are coping with the ‘stay at home’ orders in California during the coronavirus pandemic, the recent loss of B&B co-creator, Lee Phillip Bell, and those all-time classic Stephanie and Brooke scenes opposite Susan Flannery and more.  Here’s what this BOLD original had to share with all of you.

Photo: JPI

What did you think about Brooke’s whole relationship with Thomas (Matthew Atkinson) and the tit-for-tat between them?  Brooke really stood up to him and his manipulations, and held her ground. Meanwhile, he was going to do everything he could do ruin her and cause so much trouble for Brooke’s marriage to Ridge (Thorsten Kaye).

KATHERINE: This is my feeling: she was so adamant and so trying to convince people about Thomas and that he was so out for himself;  and out for Brooke’s daughter, Hope (Annika Noelle), and very manipulative, and nobody would listen really.  Only a few people like Liam (Scott Clifton) did and her daughter finally agreed with her.  Then at the wedding of Thomas and Zoe (Kiara Barnes), it proved that Brooke was right all along.  I still don’t feel like Brooke got her due as far as what everybody was saying.

No, she didn’t!  No one really said to her in a grand way, “Oh, my God, Brooke!  You were right about Thomas all along.”

KATHERINE:  I know!  Ridge did say, “You were right,” and that’s great.  However, more people should have apologized and acknowledged her, and said, “Oh, we understand now where you were coming from,” and, “Hey!  Good intuition!”

Photo: JPI

That was must have been so frustrating to Brooke!  She knew the truth, and everybody was treating her so badly and painting her to be the bitch.

KATHERINE:  Yup!  They dubbed herthat crazy one” and the bitch.

Was all of this enjoyable to play?

KATHERINE:  It was enjoyable that it finally came out that Thomas is the manipulative person that he is, even though he is so good at it that he almost makes you feel sorry for him.  But he’s like a good sociopathThat’s why they’re so good at what they do.  They’re good at bringing real emotion into every situation and yet being very manipulative.  Kudos go to Matthew Atkinson for playing Thomas, really well.  He’s been great, and he brings something really different on to our show.

Photo: JPI

Brooke and Ridge’s relationship has been severely tested; almost tearing them apart over Ridge previously standing up for his son.  Now Brooke’s recent kiss with Bill (Don Diamont) threatens it, as that kiss was caught on tape, and landed in the wrong hands.  Is Brooke in freak-out mode yet?

KATHERINE:  I definitely think she is, and she wanted to take that kiss back from the second that it happened.  She allowed it to happen.  It’s a little bit of old Brooke resurfacing there.  Right away she was like, “What are we doing?   This is ridiculous.  You’re with Katie, and I’m with Ridge, and we’re both happy.”  Brooke has had underlying feelings for Bill, and she probably always will (and he for Brooke), but we know that’s not where we want things to be.  So, in Brooke’s mind, it’s “let’s forget about that and carry on, and don’t tell anybody.”  Of course, it comes out to some people, and it’s so embarrassing for Brooke.  Like, how does she explain herself?  I mean, at that point she can’t explain what happened … or why she did that.  She has to kind of succumb to it.

Right! And of course, Shauna (Denise Richards) and Quinn (Rena Sofer) want to take her down with this ammo.

KATHERINE:  Of course!  That’s what they live for. (Laughs)

Photo” JPI

Recently, Quinn spiked Brooke’s drink with some booze after they had quite the argument. Fans were on the edge of their seats that Brooke might start drinking again.  What did you think of the plot point?

KATHERINE:  I think it could have been interesting.  I have no idea if they will bring it up again.  That happens sometimes.  They’ll put in a little teaser and not run with it.  However, you never know if it’s going to resurface down the line, especially when Brooke is really down in the dumps for some reason.

I could see her being down in the dumps if she finally had no man in her life! (Laughs)

KATHERINE: (Laughs) That’s probably what she needs … not having a man in her life!

How is working with Rena Sofer and Denise Richards; especially when they are antagonists in scenes with Brooke?  Do you ever have a good laugh while trying to tape those scenes, as well?

KATHERINE: I think there’s a good chemistry between the three of us, and we have that rivalry going on.  So, I think it’s been working, and it’s been entertaining and interesting.  They’re fun to bounce off of.  Usually we are pretty serious when we do those scenes, especially if they’re more verbally combative.  So, we’ll just be really serious and stay in it.  Of course, sometimes things happen, and you laugh, but we sometimes don’t have the luxury to take the time to laugh and enjoy the moment, because we have to try to get the scene done in one take and move on.

Photo: JPI

There were a few months there that Brooke was slapping everybody! There were plenty of bitch-slaps that needed to go around. What did you think of those scenes?

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Y&R's Eric Braeden Talks On 40 Years Of Life In Soaps As Victor Newman

KATHERINE: I loved it, but then I felt like it was also maybe getting out of hand because it’s not really PC.  Nobody is supposed to hit people or slap people in anyway.  So, it worked more years and years ago in our genre, as times have changed in our world and culture.

Viewers saw this week that Donna (Jennifer Gareis) knows Brooke kissed Bill and that they have to make sure Katie (Heather Tom) does not find out, while others are out to expose Brooke!

KATHERINE:  I would imagine that everybody would want to see how Brooke unravels.  So, just keep watching!

Photo: JPI

Would you welcome another go round at a Brooke and Bill romance?

KATHERINE: Not when Bill’s with Katie and with everything that Katie’s gone through.  I couldn’t see that.  I don’t think it would be right.  That would mean that Brooke is completely selfish, you know?  There are so many other men.  Why does she have to go for her sister’s man?

Photo: JPI

In recent months, we have witnessed scenes where Brooke has been more confrontational and fighting back and not putting up with the shenanigans of others!  We have seen this in particular with Thomas, Shauna, and Quinn.  Did it seem like they ramped that up for Brooke?

KATHERINE:  Yes, because at some point it’s frustrating because nobody was listening to her.  It all started with the whole Thomas thing, and once she started fighting back, she wanted to fight back on everything.  She’s been lied to about a lot of things.  It’s not been fair.

Does Brooke still think Hope is too vulnerable to make wise decisions for herself; even after she stood up for herself at the wedding of Thomas and Zoe?

KATHERINE: Now. I think she feels much better, because there are moments where Hope is very vulnerable, but then she kicks herself in the butt, and stands up for herself and everybody else.  So, Brooke knows that Hope’s strong, but she also knows that she can be vulnerable.  At this moment, she is proving that she can handle things.

Photo: JPI

B&B turned 33-years-old this week as the show continues to remain so popular in the United States, and of course, is the most watched soap in the world. What can you say about still being with the series since its inception, and all that has happened to you in your life and career, because of playing Brooke, plus a nod to the fans?

KATHERINE: It’s been an amazing opportunity for me.  It’s been my life basically! 33 years on The Bold and the Beautiful, and the show has always kicked butt.  I mean, the show has been going strong ever since it started, and it still is going strong.  It’s just been an honor to be on the show, and remain on the show for so long as one of the original characters.  My heart really goes out to the fans, because honestly, so many of them tell me they’ve watched from day one.  We have a history with them raising their families.  Younger people come up and say, “I’ve been watching the show ever since I was little with my mom.”  So, there’s a wide range of different people who watch the show, and I appreciate them so much.  We all appreciate them so much because really, without them, there would be no show.  I just want to say ‘thank you’ to all of the fans.  Thank you from the bottom of my heart.

Photo: JPI

Brooke is one of the most notable characters of all-time in soap operas and you are the actress playing her. That has to be a very good-feeling for you.

KATHERINE: I think there have been a lot of notable characters on soap operas, who have even been on the air a lot longer than me.  Look at Eric Braeden (Victor, Y&R) who just celebrated his 40th, and Melody Thomas Scott (Nikki, Y&R) who also reached a milestone recently.  What I have learned from all of this is; what matters is when you come on a show that your heart is in it 100%, and you come to your job and you try your hardest.  That to me is what matters and makes you an honorable person.  I’m very flattered that I’ve been on The Bold and the Beautiful for as long as I have.

Photo” JPI

When you look back at 33 years of your time on The Bold and the Beautiful, are your scenes with Susan Flannery and those epic moments between Stephanie and Brooke, the ones that still standout to you the most?

KATHERINE: Those scenes with Susan informed and formed the show and the characters for years.  I had a lot of memorable scenes with Susan.  I’m so lucky to have worked so closely with her.  She’s an amazing actress.  I learned so much from her, and just watching her.  I would hang on her every word – how she would talk about the business, how she would talk about acting, directing (because she loved to direct), and producing.  Susan was very knowledgeable, and she was very tough, but very fair, I thought.  I just loved her work ethic.

You and Thorsten Kaye have created your version of Brooke and Ridge. What do you think about working with Thorsten?  Is it fun? Challenging? How would you define it?

KATHERINE:  He’s very fun to work with.  Thorsten is very serious, very prepared all of the time, and he’s watching everything.  He’s got eagle eyes.  He’s just so on top of it and working with people like that makes you raise your bar.  It makes you want to try 110% to be there and put in the work.  Thorsten’s also so funny, and easy to work with, and so charming, and such a dear friend.   I love working with him.  I do think Brooke and Ridge have an interesting relationship even though some people say, “Oh, they should be over,” or whatever they want to say.  I do think they have created a good banter between them, and almost an understanding without having to say anything.  Thorsten’s a delight!

Photo: JPI

What is your takeaway when you travel overseas and internationally to places such as Italy, Dubai, Monaco or Australia where B&B is so widely popular and the reaction you receive from the fans?

KATHERINE:  Just seeing the overseas reactions in different countries and how popular or how loved The Bold and the Beautiful is truly special.  The fans really do love from their hearts.  They feel a part of it, and they are, but just their enthusiasm and their passion and their love, and they give their whole heart to you and to the show.  I just found that really interesting, and like I said earlier, we owe the success of B&B to the fans who love the show so much.

Photo: JPI

You recently were in Greece appearing for a multi-episode arc on the soap 8 Lexeis.  How was that experience?  I know Greek soap star, Andreas Georgiou, also came over to the States and appeared on B&B afterwards, too.

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KATHERINE:  It was an incredible opportunity.  I love working in other countries, and seeing how other people work, and how they make different projects and things.  8 Lexeis is their top TV show on their top network in Greece, so it was really exciting to go there and work on that.  I did 15 episodes in 5 days; something crazy like that.  We worked all morning through late at night every day, but it was fun.  It was amazing to see how creative they are and how they just run with it.  Everything was really chill on the set, but they still moved really fast and got everything done, and they were all so talented and so nice.  Then later, Andreas came over and did some shows here.  He was supposed to come to visit, but then the Coronavirus happened, so he had to postpone his trip, but we’ll see him soon.

Photo: JPI

B&B is on a production break due to the Coronavirus pandemic. Have you stayed in touch with your co-stars during this time?

KATHERINE: A lot of us talk on Instagram all of the time, and then a lot of people have been going live on their as well.  So, we jump into each other’s live videos!  Have you seen Katrina Bowden (Flo) and Kelly Kruger (Mackenzie, Y&R) do their little workouts together? You should check those out! Ashley Jones (Bridget) is always on, and Annika Noelle, and then our Supervising Producer, Casey Kasprzyk, started doing Zoom.  He did a Zoom with some of the B&B people.  So, we’ve all been texting and keeping in touch and making sure that everybody is okay.  I know it’s very hard times and it can be scary for all.   Hopefully, if everybody does what they should be doing, it will flatten the curve and the Coronavirus will be a lot easier to deal with.

Photo: JPI

You are one of the busiest people I know! Recently, you went to Australia, you opened your new store Benheart USA in Beverly Hills, and you appear on B&B in a lead role.  Is there ever a moment when you’re like, “I can’t do one more thing?” or do you like the go-go-go of it all of the time?

KATHERINE: I like the go-go-go, but I felt that I was going too fast and too hard, and I’ve recently been thinking of what I can take out of our lives and our schedule, and then in thinking of that, I couldn’t really think of what I can take out.  Then, this all happened with life coming to a screeching halt, which I find very interesting because life is set up to go so fast.  Nobody can really enjoy anything.  We have to get up early, we have to go to work, we have to make money to pay for this, we’ve got to take care of the family, do this, do that, maybe just try to be motivated to be successful, whatever your dreams are, you’re going after them, etc.  It’s such a driven world all around that I think with having to self-quarantine that this is a chance to take a good look at what is going on in your life.  Now, we have a lot of down time.  We have time to think, go inside ourselves.  It gives you time to be kind, slow down, think of others.  What can you do for others?  What can you do for the world?  It’s been frightening for a lot of people; especially the ones who have gotten sick, or the ones who are scared of getting sick because they are immunocompromised.  But, at the same time, we need to try to not let that anxiety get to us and try to appreciate what we have.  Like, “Why is this happening?  What is this moment trying to tell us?”  I’m always trying to find the silver lining; or what is this trying to tell us in life?

Photo” JPI

B&B and Y&R co-creator Lee Phillip Bell passed away at the end of February, and it was so heartbreaking.  I know you were close with Lee.  What can you share on her passing?

KATHERINE:  It was heartbreaking.  I always think, “Gosh, I wish I saw her one more time before she passed,” but she was around her family, who are so loving, and supportive, and always there for her.  Lee created an amazing life for herself and for her family, and she was a huge part of The Bold and the Beautiful, and of course, I thank her so much because she hired me.  Lee gave me my life, and this time on the show.  She was amazing.  She cared so much about the show and the people on it.  Lee was such a great mom and such a great friend.  It’s been special knowing her and spending all of that time with her that I was able to through the years.  My heart goes out to the Bell family as well.  I know this must be hard for them.

Photo: JPI

Then, it was so sad that Orson Bean died tragically before that.  Have you talked to Alley Mills (Pam)?

KATHERINE: Yes, a bunch of us went over and spent time with Alley and brought her food.  We brought her goodies, and we just hung out.  We just gave her lots of love, spent time, and that was before I had to run off to Australia as well, but she’s really strong.  That was just very tragic.  Two weeks before Orson died, we had seen them both in the play Bad Habits.  It was so, so funny, and they both had all of us who attended laughing so hard, and it was such a pleasure.

Photo: JPI

In closing, what are your hopes for Brooke moving forward into the future?

KATHERINE: I’ve been saying that I hope she’ll spend time by herself and be alone for a while and focus on her family.  I’ve said that for so long, but I don’t know what’s going to work for her! (Laughs)  However, I’m just so curious to see what will happen next for her.

So, what do you think of Brooke’s latest predicament after her kiss with Bill? Do you hope that Ridge and Brooke stay together? What have you thought of the more recent version of a feisty Brooke who fought back when no one believed her about Thomas? And finally, share your congrats to Katherine for 33 years as Brooke and let us know some of your favorite all-time scenes via the comment section below.

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Interviews

Y&R’s Eric Braeden Talks On 40 Years Of Life In Soaps As Victor Newman

Back in February, Eric Braeden added another milestone to his illustrious career – that of portraying the one and only Victor Newman for 40 years on the top-rated daytime drama, The Young and the Restless.  And boy was he celebrated!  First, there was a one-of-a-kind on set celebration at CBS Television City which was quite the star-studded affair.  That was followed by special episodes of Y&R, where Newman Enterprises turned 50 with a gala that also proved emotional with speeches and retrospective clips.

When you talk daytime dramas to anyone, you would be hard-pressed for the general public to not know the name “Victor Newman”- and that is because of the powerhouse performances and nuances that Braeden brings to his soap opera alter-ego.  For it was Y&R co-creator Bill Bell and Braeden who really shaped what viewers have come to know, expect, and love, forty years later.

Those who know Eric understand he can be at times outspoken, has a heart of gold, stands up for what he believes, can bring the drama, the suspense, the tension, the romance and the tears in any given scene when it is called upon, and that throughout the years he has earned the respect from his peers for an impressive job well-done.

Michael Fairman TV caught up with Eric to take a look back at all that had gone down recently in his honor, and to get his thoughts on some major moments in time through over 40 years in Genoa City, and where things are at now.  Check out our special conversation below.

Photo: JPI

When I attended and saw you at your 40th anniversary on set celebration at Y&R last month, I cannot tell you what a special event that was.  I have never seen that for anybody else!  The amount of people who attended, and the love they showed for you, was so special. When you were sitting in that chair on the soundstage and watching and hearing what was being said about you, what was going on in your mind at that point?

ERIC:  Well, first of all, it was the nicest thing that’s ever happened to me in 40 years on that show, and secondly, in moments like that, you try to stay focused on who is giving the speeches, because if I then look around and see all of the people who I have known for so many years, it’s emotional.  There’s a saying in German, “he’s close to the water,” meaning it’s very moving.  I saw my son and my granddaughter there and obviously everyone else, and my old coach and players, and so many others that have been a part of my life.

Photo: JPI

There were some very special guests and speeches.  I loved that Justin Hartley (Ex-Adam, Y&R and now Kevin, This Is Us) came.  I thought that was sweet and cool, and also that ESPN sports personality, Stephen A. Smith was there calling you one of his good friends.  There were so many moments.  You knew who was going to speak, right?

ERIC:  Yes, I did.  We kept it to just family, and in other words, Y&R family, etc.  I want to thank Matt Kane (Publicist, Y&R), who had a lot to do with putting the event together.  I also wanted to thank Tony Morina (executive producer, Y&R). The Y&R art department and David Hoffman (Production Designer) also did a fantastic job with those pictures they had created that was part of a set.  Thinking back on it, again, I would without a doubt say, that the celebration was the most moving moment in 40 years in the business and on that show.

Photo: JPI

A few weeks ago, Y&R and B&B co-creator Lee Phillip Bell passed away.  Obviously the late Bill Bell (co-creator, Y&R) and she were instrumental for you being at Y&R in the first place, and the creation of Victor Newman.  What can you say about Lee? 

ERIC:  We invited Lee to the event, and she apologized and said she was not in a position to attend, and then, shortly thereafter she passed.  In a sense, I’m glad Lee wasn’t there because when I would see her on some occasions, I just am moved to tears.  I would have not been able to really hold it together for long.  Obviously, she was co-responsible for a lot of stuff that happened on Y&R. co-responsible for that show still being number #1, and my heart goes out to her.  I know what I owe them, and she had a lot of influence on the storylines.  Lee was an incredibly smart and bright lady.  Her son, Brad Bell (EP and head writer, B&B) did speak at the 40th event and I appreciated it enormously.

There were a lot of retro clips shown of you show in celebration of your 4oth anniversary from when you started on the show back in 1980 till now.  Did you remember all of those moments?

ERIC:  First of all, they put that together so beautifully.  That was done so extremely well.  When I see it, it comes right back, or in other words it evokes precise memories, but if I weren’t seeing it, it’s all a blur.

Photo: JPI

Y&R brought Meg Bennett (Ex-Julia) and Robert Parucha (Ex-Matt), for the on-screen episodes celebrating Newman Enterprises 50th anniversary.  Was it nice having them back and seeing them, or is it kind of weird, because it can be such a long time in-between since you have all been together?

ERIC:  It is both.  It is very nice to see old colleagues obviously, and very touching, but look, we are in a weird business.  When I saw Meg, you suddenly realize how the show has evolved in many ways.  So, I’m always very grateful to see those who I started out with on the show and of course, doubly grateful to those who are still there.  I think of Melody and Doug Davidson (Paul) for example.  Doug has been there for longer than I have, and what a great job he did emceeing the 40th anniversary event, and as for Melody, that her and my relationship still endues after all of these years is amazing.

Photo: JPI

Let’s talk about those Newman Children.  I thought Joshua Morrow (Nick) gave a hilarious speech and even Mark Grossman (Adam) spoke so sincerely from the heart to you.  You get a sense that the Newmans are a fun group to work with.

ERIC:  I obviously love working with Joshua.  Same for Amelia Heinle (Victoria), I adore her, and Melissa Ordway (Abby).  They all have a great sense of humor, and Mark Grossman, I think is doing a damned good job.  And there is Peter Bergman (Jack).  Peter has been a great nemesis for all of these years.  Of course, Peter was very funny in his speech, and Joshua was very funny, and Ed Scott’s (Producer, B&B) was very good.  Tony Morina also shared a very funny little antidote!

Photo: JPI

What came across loud and clear is what we already knew.  Everyone knows the name “Victor Newman”.  You know when they go, “Victor Newman … Y&R!”  It’s so synonymous, right?  I don’t know what it must be like for you knowing the public has that reaction to you … and you’re that guy.

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ERIC:  I’ll tell you very honestly, I have an ambivalent relationship to that fact.  I deny it on one hand, don’t want to know about it, don’t really want to know about it, and on the other hand, when I hear about it, I say, “Yeah, very happy to hear about it, but is it true?”  I am sort of strange that way.  I have not had a picture of myself or anyone else in my dressing room for these 40 years.  It’s barren, as you know.  I don’t have any pictures hanging up of me; there’s nothing.  Now, I was talking about taking the one picture that David Hoffman had designed beautifully, and I have it on one wall.  I thought, “I’ll be damned,” because the picture includes Melody and some scenes that went on.  I’ve always been funny that way with praise.  Do I like it?  Of course, but …

There’s an uncomfortableness about it, right?

ERIC:  Yes, but I’ve seen too much in this business.  I’ve seen too many extraordinary stars, where you wonder, “Where are they now”?  I take this business with a grain of salt.  I really do.  It’s so easy to succumb to it.   I’ve known many people, including on our show, who used to say, “Well, without me, this thing would go down the drain,” and I said, “Yeah?  No s**t,” and they’re not there anymore.  You have no idea what happens to some actors when they see themselves on the cover of soap magazine.  They go crazy.  I’ve seen it, and the worst thing you can do is to believe in that, and I’ve always been skeptical of that, very skeptical.  Get back to what counts in this business:  do a good job … do the best you can … and where is the money?  I mean really, let’s call a spade a spade, and that’s it.

Photo: JPI

I was just going to say, the one person I so wished was at your 40th celebration was Jeanne Cooper (Ex-Katherine, Y&R).   I wish she could have been there with us, because she would have loved it.  I know she loved you.

ERIC:  She would have spoken, trust me!  She would have said, “Alright, you son of a bitch.  Alright, macho man let’s see what you’ve got!” and then she would grab me by the balls.  The first scene I ever had with her, Jeanne did that.  Absolutely hilarious!  Jeanne and I could not do a scene without laughing.  I’m serious.  We had to pull ourselves together.  She had such a great sense of humor, and we both looked at this, obviously, with an enormous grain of salt, because we’ve been there.  We’d seen it all.

set

Photo: JPI

Through the years, you obviously have been vocal on social media where you will call out things as you see them and as you truly feel, especially through various regime changes, or if there is a noticeable shift away, or focus, from core characters. What are your thoughts on what ultimately makes Y&R, the iconic soap that it is?

ERIC:  Let me put it very simply: the show is based on the comradery and enmity between the Newmans and the Abbotts, and I’ve included on that a go-between, if you will, a Chancellor … Jeanne Cooper.   That was sort of the plan, but the major triangle was sort of the Montagues and the Capulets in Romeo and Juliet.  That is what legendary stories are based on.  It’s family rivalries, and within those rivalries, we tell all kinds of fantastic stories.  It’s father-son, father-daughter, husband-wife, love affairs, disloyalties, ruthless business competition, and it goes on and on.  The scenes with Peter Bergman and me over the years have been legendary, wonderful, and they’re great scenes.  Now, to suddenly bring in whole new characters that no one knows about, which previously happened on our show, you have to ask, “What are you not getting?  You want to reinvent the wheel?”  Go with what is working.  It doesn’t often happen that you have the right cast and the right story.  That is what makes a show successful.  Imagine taking Cosmo Kramer (Michael Richards) out of Seinfeld.  You couldn’t.   It wouldn’t work.  In other words, when you have the right actors and the right storyline, you have a hit.  We’d been number #1 for over 30 years because of it

Photo: JPI

When you get a script, have there been those moments in the 40 years where you will say. “My character would never do this.  I’m not playing it!?”

ERIC:  Of course.  Not that I’m not playing it, but I will make certain adjustments here and there.  I always have, by the way, from the very beginning.  Bill Bell agreed with most of it.  I know my character, and I have and instinctive feel for what is emotionally touching and what is not.  Look, I have always said that I admire writers.  I don’t envy their job.  I really don’t.  I think it is the hardest job in the business, and writing for soaps is even harder.  So, I have great respect.  So therefore, I don’t even want to know who wrote what.  I don’t ever want to be in the position of insulting a writer because I know how difficult it is.  As in everything in this business, it is a cooperative business.  There are very few writer/directors who have earned the right (I’m talking about Martin Scorsese, I’m talking about Ingmar Bergman, I’m taking about a handful) to write and direct their own stuff.  Even they rely on the cooperation of their lead actors.  That’s what is so wonderful about this business in that it’s this precisely cooperative thing.  However, when there are some people who simply don’t listen to those of us who have been around for a while and we know, we really know, then, they’re being foolish.

Photo: JPI

Y&R taped the Newman Enterprises 50th anniversary gala, which was in essence, your on-screen 40th anniversary episodes.  That was another amazing part of this.  I love that they would go to a clip, and one of the characters would say something in speech, and then, they’d go back to a shot of you reacting.  Were you, you, or Victor at that point, because it seemed so genuine and emotional?

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ERIC:  You know, look, one thing sort of blends into the other.  I loved that show by the way.  It was brilliantly done, and they could have easily screwed that up, but they didn’t.  I thought Josh Griffith (head writer, and Co-EP, Y&R) did a hell of a job, and Tony Morina did a wonderful job, they really did.  So, I really can’t say enough about that.

Photo: CBS

When you look back on the enormity of scenes you have performed as Victor Newman; the ones that and you and I always come back to are the scenes between you and Dorothy McGuire as Victor’s mother; and the scenes with you and George Kennedy as Victor’s father.  Do you still consider those your all-time favorites?

ERIC:  I always think about them.  They are my top favorites, plus one other.   No question about it; because the scene with Dorothy McGuire laid the groundwork of what Victor Newman is all about.  That summarized all of his subsequent moments of anger, and upset, and mistrust, and etc.  It was the seminal scene for Victor Newman … period.  One other scene that one of my favorites was the one with Melody, on Christmas Eve where Nikki keeps on bugging Victor to tell her about his past, and he finally does.  It was about that orphanage experience, etc.  Actually, those two scenes early on were responsible for my really wanting to stay and realizing that now I had a chance to play some real emotions, some real feelings, some real conflict.   I remember after Victor told Nikki that story, a moment when I went to my dressing room, I called home, and I said, “Now, I’m going to stay.”  No two ways about that.  I called my wife, and I said, “I’m staying,” because I wasn’t sure if I was going to.  It happened because I had talked to Bill Bell and I said, “Bill, I’m so tired of playing bad guys.  I’ve done it for too many years.  I’m empty.  I’m burnt out.  It’s too dehumanizing.  Let’s imbue this character with a background,” and he did, brilliantly, and that’s the reason I stayed, and that’s the reason I’m here 40 years later, truly.

So, when you were feeding rats to Nick Benedict as Michael Scott, were you ready to leave? (Laughs)

ERIC:  Well, that was a little different story, but I looked at that, and I said, “Are you kidding me?” (Laughs)  Back then, I knew little about what works on soaps … and people still talk about it!  They loved it.

Photo: JPI

The scenes opposite George Kennedy were so emotional … and heavy-duty, too.  It was so sad watching Victor’s father reject him.

ERIC:  It was sad.  It was really, really sad, and George played it wonderfully.  I cannot say enough about that because here is an actor who comes from the outside of our genre.  George lived in Boise. Idaho and he traveled all the way by car to LA with his grandson to do the scenes He wouldn’t take a plane.  George was so damn prepared that we did those scenes in one take!  It’s stunning!  I can’t talk enough about him.  I just so admired and respected him.  George passed away about a year ago, but that’s why I had him in my film, The Man Who Came Back.

Photo: JPI

As a leading man, Victor has had many women in and out of his romantic life for years and of course, his constant, Nikki Newman (Melody Thomas Scott).   You’ve been fortunate to work with so many wonderful actresses such as Eileen Davidson as Ashley.  Which standout to you? 

ERIC:  I have to say obviously Melody, but I have to also say the scenes with Eileen – they meant a lot to me.  I regret that she and I did not have more storylines together.

Photo: CBS

So, the coronavirus is shutting down the world, life in America, and has shut down production on the soaps.  How is everybody dealing with it at the show, and how do you feel it’s being handled?

ERIC:  Well, originally I wanted to continue working, but I said only if everyone was fully supplied with the proper wipes and antiseptics all of the time.  In other words, from the makeup department, from the props department, to someone wiping down all of the handles and all of that, but I completely understand now from a company point of view, they had to shut down because what if you work and someone gets sick because of it… and it goes on and on.  It’s a terrible thing, but I was willing to continue working.  Yes, perhaps stupidly so.  It’s going to be tough when we come back because a lot of work has to be made up, but I understand why we stopped.

What would you say to the fans who have stayed so invested in Victor Newman, and you, even 40 years after your Y&R debut? 

ERIC:  I’ve said it before, and I will happily say it again:  I am deeply grateful to the fans everywhere.  Without them, you and I would not be talking.  That’s really the long and the short of it.  The fans have really everything to do with it.  I’m glad that I am on social media because I am engaged with quite a few people very gladly, and I hear some interesting stories, and some very touching stories.  Y&R has taught me to really not look at that as a sort of nebulous audience.  I put faces behind it because I’ve seen them.  I’ve seen them in the last 30-odd years in public appearances.  I don’t forget them.  I don’t forget what it means to me.  It’s deeply touching.  I’m not at all anesthetized to it, no.  It touches me deeply, and whenever I do a PA, and receive the people’s reactions, I say, “Whoa,” and now I know why I’m in the business.

Courtesy/CBS

In closing, fans have been watching what looks to be another showdown brewing between Victor vs. Adam for control of Newman Enterprises.  Do you think still after all these years; Victor has it in him to out maneuver his black sheep son, as he has done in the past?

ERIC:  Hell, yes.  What do you think?  Bring him on, man.  Bring him on.  Victor’s still full of piss and vinegar.  Okay?  What people don’t know is that I’m a feisty son of a bitch.  I don’t give up.  I fight to the last.  I mean it.

So, what has been your favorite all-time Y&R scenes featuring Eric Braeden? What do you hope happens next for Victor and the Newman clan? What do you think about the sentiments shared throughout our conversation on Eric’s 40th anniversary celebration? Comment below.

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General Hospital

General Hospital’s Johnny Wactor Talks ‘Being Brando Corbin’

This week on General Hospital, viewers saw that Sonny Corinthos (Maurice Benard) has set Port Charles newcomer Brando Corbin (Johnny Wactor) up with a mechanics garage for a place of business, that has left Brando concerned, but also thankful.

Brando came onto the scene when he saved Carly (Laura Wright) from gunfire. The once believed-to-be-dead son of Gladys Corbin (Bonnie Burroughs), has a checkered past, but has been trying to remain on the straight and narrow.  Sonny had previously put into motion protection for teenaged Dev (Ashton Arbab), that he will continue to be passed off as the biological son of Brando to keep him safe.  That, along with a back-story that includes: the Iraqi War, prison time, drug use, PTSD, familial issues, mob wars, and more, has loaded the deck for actor Johnny Wactor to show his acting chops and more within the daytime drama arena.

Since making his debut in the recurring role of Brando back in January of this year, in a short amount of time, Wactor has already displayed that he has solid leading man, and soap anti-hero potential, something that always serves one well amidst the romance, intrigue, and suspense of the genre’s storytelling.

Michael Fairman TV chatted with Johnny to get his thoughts on becoming part of the iconic GH and where he hopes Brando’s journey goes from here.  Check out what he had to say below.

Photo: ABC

What do you think about your character’s name being “Brando”? Did GH tell you where the idea for the name came from?

JOHNNY:  Oh, I love it.   No, they didn’t tell me why, but I assume it was in some relation to Marlon Brando; when back in the day he was in a leather jacket … because I come onto the scene wearing a leather jacket as a badass!

What’s your experience been like coming onto a show like GH?  Previously, I know you’ve done a lot of primetime roles and series.  Were you shocked at the pace of shooting a daytime drama?

JOHNNY:  Oh, yeah.  I was made aware of the pace beforehand by my manager, as well as my buddy, Mark Grossman (Adam Newman) who works on The Young and the Restless.  He’s kicking ass over there.  In this genre, you get one rehearsal and one take pretty much, and then, they move on.  It’s definitely been a learning curve, and I’m still getting used to that at times where I’m just like, “Ah, I want one more take!”  I can get a bit obsessive and I’m a perfectionist.  It definitely has been challenging, but I enjoy it.  It’s fun to work at a fast pace.  It’s a lot like working in the theatre.

In story, Johnny is pretending to be Dev’s father.  Did you know that would be part of Brando’s story when you took on this gig?

JOHNNY:  I did not.   I didn’t know that until I read the first script that they sent me.  I’m like, “I also have a son?”   It was a lot to take in, but that’s where the imagination comes in.

What’s great for you, I would think, is that you’re getting to play in scenes with Maurice Benard and Laura Wright and major players who are a part of that core group.  What’s it been like working with them?

JOHNNY:  It’s been a Godsend, really.  Being my first time on a daytime show, for one, anytime you come onto a new project and one that’s been going on for some time, and you’re a newcomer, there’s always that concern like, “What will this set be like?  Is it like a familial atmosphere?  Am I going to be welcomed?”  They’ve made it super easy.  I’m just so lucky that I have people who have so much experience on this show and just daytime shows in general, where they’ve kind of taken me under their wings and are super helpful.  Anytime I have questions, they’re patient.  I’m sure I annoy them sometimes, but they don’t let on to it.   I’m grateful that they’ve sort of “teamed” me up with them to kind of ease me onto the show.

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The fans are seeing a spark between Brando and Carly.  Is Brando into Carly?

JOHNNY:  I’d like to say that he rescued her because she was a beautiful blonde, but that’s not what that was and why he did it … even though I’m not denying that she’s a beautiful blonde.  I think there’s something there, but how far Brando pursues that, I don’t know!  Sonny sets Brando up with the garage and a pretty sweet deal at that.  So, does Brando want to screw this up?  However, not everyone makes logical, levelheaded decisions.  We’ll see.  I’m not ruling it out as something that could possibly happen.

How are you playing Brando right now? Is he a good guy … or, are there secret ulterior motives going down that the audience may not know about, yet?

JOHNNY:  In my opinion, he is a guy who has got a good heart.  I don’t think he is infallible.  I think he is someone who is determined to be on the mend and make up for his decisions and his past, because he is someone who has made poor decisions.  I don’t think you can rule him as a good person who will never make a mistake, or won’t get into trouble, or won’t make some bad decisions.  “Does he have ulterior motives?”  Maybe, but I think that if he does, they might be a little unconscious.  I think he is a genuine good guy.

Photo: ABC

Are the fans swooning over you on social media now that you’ve made your GH debut?  When you get the, “Oh, he’s hot,” do you take those compliments well, or, is it uncomfortable for you, and you deflect that?

JOHNNY:  It’s always flattering to get those compliments.  I think when I was younger, like 22, first getting into this business; I was definitely pining for those compliments and put more weight into it.  I will say; it’s always good to have someone say something positive about you.  I will take, “Hey, he’s good-looking.”  I love the comments.  It’s great.

So, what would you love to see happen with Brando?  Is there anything that you’re seeing with your character that you wish you could do …or get to have the opportunity to be able to drive the direction in which he goes in?

JOHNNY:  That’s a great question.  I love when the writers put Brando on the scene and planted some seeds early on when he was revealing a little of his background to Carly.  He reveals he has PTSD and spent time in prison.  Brando also has got issues with drug addiction.  I would love for those to kind of resurface somehow.  Maybe Brando has a relapse and gets back on the sauce, or drugs, or maybe has some kind of other issues with PTSD, because those are the real things in the world that people deal.

Photo: ABC

What’s great about it is that they kind of loaded you up with a back-story that they can fill in, so that as a viewer, you ultimately root for the guy

JOHNNY:  Absolutely.  Yeah, nobody wants to root for the guy who has everything and just has the perfect life.  We’ve all made mistakes.  So, alright, he’s trying to get back on the horse and make a good life for himself.

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Did you get any pointers from GH vet Steve Burton (Jason), who you have also shared several scenes with since coming to GH?

JOHNNY:  The most pointers I’ve gotten from Steve are about preparation for the scenes.  Every time we have scenes together, he’s just always willing to work with you, and make sure that you’re prepared, and he’s prepared, and the scene is going to be the best that it can be.  Also, he’s been really invaluable with giving me more of a crash course on the background of these characters.  This show has been on for decades and it’s tough to get caught up in the short amount of time between when you find out you have the job, and you start filming, to really know who everybody is.  So, he explained to me who Jason is on the show and who the Corinthos family is and what they represent … these are dangerous guys!

Photo: ABC

Take me through what happened when you learned you got the part of Brando, and were joining the cast of General Hospital?

JOHNNY:  I was at my apartment.  I think it was probably two days after I went in for the producer’s session.  They brought in 4 or 5 guys to read in front of the producers, (at least that I saw) and I felt strong about my reading.  Then, I just kind of tried to forget about it after I left so I wouldn’t get all into my head about whether I got the part, or not.  Then the next day, I didn’t get a phone call.  So, I’m like, “Man, really?  I thought that might have been it.”   But the next day, I was with my girlfriend at the time and my agency was calling.  My manager was on the phone as well, and they shared with me that I got the part, and it was exciting.  It was a relief and an affirmation.  It’s always exciting when you book a job and then to book a major recurring role on a show with a character whose name is “Brando Corbin”, needless to say, was really cool.

Photo: ABC

I think it’s very apparent that you have the “It” factor.  You already have a shown a strong presence on the show and have a very bright future ahead of you.   I have seen a lot of actors come and go, and who launch their careers on daytime over the years, and I think you are going to be one to watch for quite some time to come.

JOHNNY:  First of all, thank you so much for saying that.  That’s really kind of you.  It’s really high praise.  Coming from someone who knows that show and who is a fan of it that means I passed the test!  Thank you, Michael!  I really appreciate that affirmation.  It’s good to get validation from someone whose opinion really matters.

Photo; ABC

Could you see a love interest for Brando coming up in the future?

JOHNNY:  I could definitely see a love interest for him coming up.  Maybe multiple love interests!  Who knows?

I think there are a lot of single ladies in Port Charles.

JOHNNY:  Yeah!  But, why do they have to be single?

Right! Or, they could be married!

JOHNNY:  It’s Port Charles!

Photo: ABC

So, have you been enjoying Johnny’s performances as Brando Corbin thus far?  Who do you hope he becomes involved with romantically on GH? Do you want to know more about his back-story and see what happens next now that Sonny has set him up with a garage? Comment below.

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Knots Landing favorites: Joan Van Ark (Valene), Michele Lee (Karen) and Donna Mills (Abby)  chat with Michael Fairman in honor of Knots Landing’s 40th anniversary. Leave A Comment

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