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Interviews

THE RONN MOSS INTERVIEW – THE BOLD AND THE BEAUTIFUL

Ron-main.jpgBy Michael Fairman

“On-Air On-Soaps” sat down with Ronn Moss this past week for a feature for TV SOAP Australia, where “B&B” is now airing on primetime! As the story heats up this week many lives and characters are on a collision course, thanks to Rick, Brooke and Ridge’s impending nuptials and Phoebe’s return. Fasten your seat belts for a rollercoaster ride . . . the Forrester way!

TV SOAP:

The Ridge/Rick feud and storyline is really heating up and getting interesting. Rick is doing some reprehensible things!

RONN:

Yeah, he is. Rick is getting obnoxiously devious, and he is a spoiled brat who needs to be put in his place.

TV SOAP:

What about when Rick fell over that very tall building and plummeted to the ground, thanks to seemingly, Ridge?

RONN:

People will go to any lengths to get attention, won’t they? (He laughs)

TV SOAP:

How is working with the reinvention of Rick as a ‘bad boy’, played by Kyle Lowder?

lowder1.jpgRONN:

Kyle is wonderful. I love it. He is a great combination of strength and whiny little tot! A whiny little snot-nosed, “Brooke’s son”!

TV SOAP:

Lest we forget, Ridge has been snot-nosed in the past?

RONN:

So I recognize it in others. Rick needs somebody to wipe his nose.

TV SOAP:

Recently, “B&B” fans were taken down memory lane with the Brooke and Ridge wedding from 15 years ago. In 2008, the characters went back to Zuma Beach, the place of the location, and met up there again for a significant moment in their
relationship. How was that to play?

RONN:

It was fun to go back to the same place to film. It’s nice because of its remoteness, and for the storyline. Just to go back and do it on our own with nobody else around, was nice this time. We had such a lavish wedding there before, so it was sentimental and all that stuff. It seemed like the most logical and economical place to go this time.

BrookeandRidgebeach1.jpgTV SOAP:

In the Zuma Beach location shoot, how did you like the lush romance of it all? Did it at times seem corny to you?

RONN:

I did not really think that. Actually, I thought it was quite nice. They built these beautiful sets on the beach, and it was lovely that it was just the two of us.

TV SOAP:

The show had gone back and forth, and back and forth with Ridge, either between Taylor or Brooke. Wasn’t that frustrating for you?

RONN:

In the last few years I have always said, “I have got to move on to something else other than Brooke and Taylor. You are not letting Ridge and Brooke have a go at it here. You never have for 20 years.” They just tease the fans to the point where I don’t think the fans really cared if Brooke and Ridge got back together, because the tease was over. Now I find when we are back together, and the characters are actually married again, that I am actually enjoying it.

TV SOAP:

Do you think now the show will make a commitment to let Ridge and Brooke be a somewhat stable couple for a while and let them stay married?

RONN:

They don’t usually do it, but maybe the transition will be now. I am hoping, anyway.

TV SOAP:

Starting in December, there is a huge story point where Rick and Phoebe get into a car accident with Rick at the wheel and Phoebe dies! Oh, this will be juicy! Rick looks responsible for killing Ridge’s daughter.

RonWindsor1.jpgRONN:

We have a lot of great stuff coming up, and we will see how it goes. Even Winsor Harmon (Thorne) remarked to me on his way out of the set this morning, “Did you see yesterday’s show? It was really cool!” It’s just that we are getting back to three simultaneous stories on air. We were used to relying on one or two stories a day, but now it makes it more interesting, and adds more spice in the mix of “B&B”.

TV SOAP:

How do you see Ridge’s romantic stance, navigating between Brooke and Taylor?

RONN:

It’s always been Brooke for Ridge, for the last long while. With Taylor, I think Ridge just takes the time to consult with Taylor to let her know, “We had these kids together, and I will always be in your life no matter what… but I am going with Brooke.” It’s a destiny thing.

TV SOAP:

After the Rick/Taylor romance, it looked like Ridge might end up back with her, but then it didn’t. Did you know you were going to end up with Brooke at this point?

ridgetaylor.jpgRONN:

I didn’t really know, but I was hoping I would not ping-pong back and forth between Brooke and Taylor again. Fortunately, we are still going, and what we thought would happen did not. As characters we thought, “Well, that’s it for Kelly and me. It’s on to Hunter.” Then that didn’t happen and it got siphoned back to us, and I went, “Wow, that was unexpected, even for us!”

TV SOAP:

What would you say is your acting technique when rehearsing and preparing scenes?

RONN:

Mine is “flailing” from day to day, that’s how best I would describe it. (He laughs)

TV SOAP:

John McCook (Eric) said to me in a recent TV SOAP interview that you are the true icon of “B&B”. He went on to say, “You are so known for that square-jawed, good looking guy, and your acting has gotten better and better.” What would you say to that?

RONN:

I would say, “The payments I have been giving him all these years are working!”

johnmccook.jpgTV SOAP:

How is working with John, after all these years?

RONN:

I love working with John. He is a hoot, and we always laugh when we are together. It’s hard for us to keep a straight face, because we get each other laughing and can’t stop.

TV SOAP:

John and I also discussed how at times the men on “B&B” are portrayed as weak in storyline. How do you feel about that statement?

RONN:

I think John has always had an issue with that, because they always made Eric the wishy-washy guy. So, Stephanie seems to be the big matriarch of the show, when in fact, John has very much his own strengths. But yes, the guys in a drama series are at times made to be unconscious or a buffoon, which makes the other character a little more knowing. Well, somebody’s got to do it right!

TV SOAP:

Ronn, do you notice a difference in your portrayal of Ridge since you started on the show, and how the different storylines have affected him and shaped how you’ve played him over the years?

RONN:

I am kind of in a position, and so looking in the mirror everyday I didn’t see that. You would probably be a better judge of that than I would. I am too close to it to really know if Ridge had evolved or grown, or not grown.

ronfight1.jpgTV SOAP:

What can we say to your fans in Australia to look for down the line in the Rick/Ridge feud? Will there be a big showdown?

RONN:

I think there has to be an impending showdown because Rick is not finished. He thinks he is supposed to be in control of all things Forrester.

TV SOAP:

So, Rick’s whole demeanor and new attitude was partially spurred on by feeling he was second best, or even third best, in his father Eric’s mind?

RONN:

He thinks the whole world owes him everything, but he does not have the experience to back it up. He had not put in
his time to learn the business, and that is
Ridge’s big contention.

TV SOAP:

Do you see Ridge as the hero?

RONN:

Yes. I don’t know if that actually plays out on air, but in my own demented mind it does. (He laughs). I would like Ridge to be the hero, but it does not always pan out that way. I have had my ass kicked too many times on the show one way or another, and I have to bite the bullet and go, “Well, it is what it is.”

TV SOAP:

Katherine Kelly Lang (Brooke), and you have worked together so very long. Does it get difficult doing the same sort of scenes over and over again?

wedding.jpgRONN:

It’s not that simplistic. We both love working with each other. I can speak for her on that, too. We are comfortable working with each other, so it makes things a lot easier that way. However, the one thing we both share is how hard it is to keep doing this and have our lives outside. Even though it’s a half hour show, we still carry the brunt of it, and Kelly has her own family and I have my own family.

TV SOAP:

Speaking of your family, how are your daughters? How is fatherhood going?

RONN:

My little Callie, just turned ten. Fatherhood is lovely, and one of the best parts of my life. I think it keeps me on my toes. I constantly have to rethink, “Am I doing this right?” I have to concern myself with my girls’ development, and how they perceive the world, and how they are thinking. I have to be subtle enough to encourage them in the right direction, because I very much take my job as dad seriously. I take it so seriously that I joke about it with them as much as I can, just so they don’t know I am taking it so seriously! It’s the number one job for me, more than anything else. I consider every action or raised eyebrow I do important, because it may affect how they perceive it.

realpulling.jpgTV SOAP:

How do you like the plot point where Ridge was pulling the plug on his own father in his hospital room? What did you think when you read it in the script for the first time?

RONN:

That was pretty amazing, actually. I was just feeling the scene as it was for real. Having Ridge feeling he was hearing that his dad talked to him, I can totally understand
how that could affect somebody.
Then, after the fact being told,
“No, you are hallucinating.”
We have all had a situation
where our reality gets blurred.

TV SOAP:

Do you ever get to work with Brandon Beemer (Owen)?

RONN:

I have not had that much of a chance to work with Brandon, but we have been hanging out more off set than working together. Brandon is a lovely human being. He is a true to heart kid, and true to spirit.

TV SOAP:

What do you think we can expect from Ridge Forrester in 2009?

ridge-brooke.jpgRONN:

I think Ridge is going to take more control than he has in awhile. That would be over the company, and his relationship. He seems more decisive now, and I am very much enjoying that.

TV SOAP:

What about how Rick manipulates things? How will that manifest itself in trying to destroy the newly found happiness of Ridge and Brooke?

RONN:

I don’t think so at all. I think Ridge will get smarter in how he deals with the amazing woman in his life, Brooke. He will get smarter to the things that are trying to undermine it, like Rick.

TV SOAP:

Did you ever vocalize to “B&B” head writer and executive producer, Brad Bell, any frustration you may have had with your character, in regards to the Brooke/Ridge relationship?

RONN:

I have never actually asked him anything about that. But years ago, I told him of my frustrations, that they never leave us together long enough to do anything. I leave it up to Brad to write the show. If I have a cool suggestion, I might take it to him. But I don’t usually have time.

TV SOAP:

What are your Holiday plans?

ridgebusiness.jpgRONN:

I just want to stay home and enjoy Christmas, and New Year’s with my family and friends around me, because traveling is just too much of a bitch….. and there we go!

TV SOAP:

What would you like to tell all of your fans ‘down under’?

RONN:

Give my love to my Australian fans. I am hoping we can work something else out in the future for me to see you, and at the very least, providing some new music they can find on my website, www.ronnmoss.com. I want to tell them to please keep in touch.

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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