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Interviews

THE RONN MOSS INTERVIEW – THE BOLD AND THE BEAUTIFUL

Ron-main.jpgBy Michael Fairman

“On-Air On-Soaps” sat down with Ronn Moss this past week for a feature for TV SOAP Australia, where “B&B” is now airing on primetime! As the story heats up this week many lives and characters are on a collision course, thanks to Rick, Brooke and Ridge’s impending nuptials and Phoebe’s return. Fasten your seat belts for a rollercoaster ride . . . the Forrester way!

TV SOAP:

The Ridge/Rick feud and storyline is really heating up and getting interesting. Rick is doing some reprehensible things!

RONN:

Yeah, he is. Rick is getting obnoxiously devious, and he is a spoiled brat who needs to be put in his place.

TV SOAP:

What about when Rick fell over that very tall building and plummeted to the ground, thanks to seemingly, Ridge?

RONN:

People will go to any lengths to get attention, won’t they? (He laughs)

TV SOAP:

How is working with the reinvention of Rick as a ‘bad boy’, played by Kyle Lowder?

lowder1.jpgRONN:

Kyle is wonderful. I love it. He is a great combination of strength and whiny little tot! A whiny little snot-nosed, “Brooke’s son”!

TV SOAP:

Lest we forget, Ridge has been snot-nosed in the past?

RONN:

So I recognize it in others. Rick needs somebody to wipe his nose.

TV SOAP:

Recently, “B&B” fans were taken down memory lane with the Brooke and Ridge wedding from 15 years ago. In 2008, the characters went back to Zuma Beach, the place of the location, and met up there again for a significant moment in their
relationship. How was that to play?

RONN:

It was fun to go back to the same place to film. It’s nice because of its remoteness, and for the storyline. Just to go back and do it on our own with nobody else around, was nice this time. We had such a lavish wedding there before, so it was sentimental and all that stuff. It seemed like the most logical and economical place to go this time.

BrookeandRidgebeach1.jpgTV SOAP:

In the Zuma Beach location shoot, how did you like the lush romance of it all? Did it at times seem corny to you?

RONN:

I did not really think that. Actually, I thought it was quite nice. They built these beautiful sets on the beach, and it was lovely that it was just the two of us.

TV SOAP:

The show had gone back and forth, and back and forth with Ridge, either between Taylor or Brooke. Wasn’t that frustrating for you?

RONN:

In the last few years I have always said, “I have got to move on to something else other than Brooke and Taylor. You are not letting Ridge and Brooke have a go at it here. You never have for 20 years.” They just tease the fans to the point where I don’t think the fans really cared if Brooke and Ridge got back together, because the tease was over. Now I find when we are back together, and the characters are actually married again, that I am actually enjoying it.

TV SOAP:

Do you think now the show will make a commitment to let Ridge and Brooke be a somewhat stable couple for a while and let them stay married?

RONN:

They don’t usually do it, but maybe the transition will be now. I am hoping, anyway.

TV SOAP:

Starting in December, there is a huge story point where Rick and Phoebe get into a car accident with Rick at the wheel and Phoebe dies! Oh, this will be juicy! Rick looks responsible for killing Ridge’s daughter.

RonWindsor1.jpgRONN:

We have a lot of great stuff coming up, and we will see how it goes. Even Winsor Harmon (Thorne) remarked to me on his way out of the set this morning, “Did you see yesterday’s show? It was really cool!” It’s just that we are getting back to three simultaneous stories on air. We were used to relying on one or two stories a day, but now it makes it more interesting, and adds more spice in the mix of “B&B”.

TV SOAP:

How do you see Ridge’s romantic stance, navigating between Brooke and Taylor?

RONN:

It’s always been Brooke for Ridge, for the last long while. With Taylor, I think Ridge just takes the time to consult with Taylor to let her know, “We had these kids together, and I will always be in your life no matter what… but I am going with Brooke.” It’s a destiny thing.

TV SOAP:

After the Rick/Taylor romance, it looked like Ridge might end up back with her, but then it didn’t. Did you know you were going to end up with Brooke at this point?

ridgetaylor.jpgRONN:

I didn’t really know, but I was hoping I would not ping-pong back and forth between Brooke and Taylor again. Fortunately, we are still going, and what we thought would happen did not. As characters we thought, “Well, that’s it for Kelly and me. It’s on to Hunter.” Then that didn’t happen and it got siphoned back to us, and I went, “Wow, that was unexpected, even for us!”

TV SOAP:

What would you say is your acting technique when rehearsing and preparing scenes?

RONN:

Mine is “flailing” from day to day, that’s how best I would describe it. (He laughs)

TV SOAP:

John McCook (Eric) said to me in a recent TV SOAP interview that you are the true icon of “B&B”. He went on to say, “You are so known for that square-jawed, good looking guy, and your acting has gotten better and better.” What would you say to that?

RONN:

I would say, “The payments I have been giving him all these years are working!”

johnmccook.jpgTV SOAP:

How is working with John, after all these years?

RONN:

I love working with John. He is a hoot, and we always laugh when we are together. It’s hard for us to keep a straight face, because we get each other laughing and can’t stop.

TV SOAP:

John and I also discussed how at times the men on “B&B” are portrayed as weak in storyline. How do you feel about that statement?

RONN:

I think John has always had an issue with that, because they always made Eric the wishy-washy guy. So, Stephanie seems to be the big matriarch of the show, when in fact, John has very much his own strengths. But yes, the guys in a drama series are at times made to be unconscious or a buffoon, which makes the other character a little more knowing. Well, somebody’s got to do it right!

TV SOAP:

Ronn, do you notice a difference in your portrayal of Ridge since you started on the show, and how the different storylines have affected him and shaped how you’ve played him over the years?

RONN:

I am kind of in a position, and so looking in the mirror everyday I didn’t see that. You would probably be a better judge of that than I would. I am too close to it to really know if Ridge had evolved or grown, or not grown.

ronfight1.jpgTV SOAP:

What can we say to your fans in Australia to look for down the line in the Rick/Ridge feud? Will there be a big showdown?

RONN:

I think there has to be an impending showdown because Rick is not finished. He thinks he is supposed to be in control of all things Forrester.

TV SOAP:

So, Rick’s whole demeanor and new attitude was partially spurred on by feeling he was second best, or even third best, in his father Eric’s mind?

RONN:

He thinks the whole world owes him everything, but he does not have the experience to back it up. He had not put in
his time to learn the business, and that is
Ridge’s big contention.

TV SOAP:

Do you see Ridge as the hero?

RONN:

Yes. I don’t know if that actually plays out on air, but in my own demented mind it does. (He laughs). I would like Ridge to be the hero, but it does not always pan out that way. I have had my ass kicked too many times on the show one way or another, and I have to bite the bullet and go, “Well, it is what it is.”

TV SOAP:

Katherine Kelly Lang (Brooke), and you have worked together so very long. Does it get difficult doing the same sort of scenes over and over again?

wedding.jpgRONN:

It’s not that simplistic. We both love working with each other. I can speak for her on that, too. We are comfortable working with each other, so it makes things a lot easier that way. However, the one thing we both share is how hard it is to keep doing this and have our lives outside. Even though it’s a half hour show, we still carry the brunt of it, and Kelly has her own family and I have my own family.

TV SOAP:

Speaking of your family, how are your daughters? How is fatherhood going?

RONN:

My little Callie, just turned ten. Fatherhood is lovely, and one of the best parts of my life. I think it keeps me on my toes. I constantly have to rethink, “Am I doing this right?” I have to concern myself with my girls’ development, and how they perceive the world, and how they are thinking. I have to be subtle enough to encourage them in the right direction, because I very much take my job as dad seriously. I take it so seriously that I joke about it with them as much as I can, just so they don’t know I am taking it so seriously! It’s the number one job for me, more than anything else. I consider every action or raised eyebrow I do important, because it may affect how they perceive it.

realpulling.jpgTV SOAP:

How do you like the plot point where Ridge was pulling the plug on his own father in his hospital room? What did you think when you read it in the script for the first time?

RONN:

That was pretty amazing, actually. I was just feeling the scene as it was for real. Having Ridge feeling he was hearing that his dad talked to him, I can totally understand
how that could affect somebody.
Then, after the fact being told,
“No, you are hallucinating.”
We have all had a situation
where our reality gets blurred.

TV SOAP:

Do you ever get to work with Brandon Beemer (Owen)?

RONN:

I have not had that much of a chance to work with Brandon, but we have been hanging out more off set than working together. Brandon is a lovely human being. He is a true to heart kid, and true to spirit.

TV SOAP:

What do you think we can expect from Ridge Forrester in 2009?

ridge-brooke.jpgRONN:

I think Ridge is going to take more control than he has in awhile. That would be over the company, and his relationship. He seems more decisive now, and I am very much enjoying that.

TV SOAP:

What about how Rick manipulates things? How will that manifest itself in trying to destroy the newly found happiness of Ridge and Brooke?

RONN:

I don’t think so at all. I think Ridge will get smarter in how he deals with the amazing woman in his life, Brooke. He will get smarter to the things that are trying to undermine it, like Rick.

TV SOAP:

Did you ever vocalize to “B&B” head writer and executive producer, Brad Bell, any frustration you may have had with your character, in regards to the Brooke/Ridge relationship?

RONN:

I have never actually asked him anything about that. But years ago, I told him of my frustrations, that they never leave us together long enough to do anything. I leave it up to Brad to write the show. If I have a cool suggestion, I might take it to him. But I don’t usually have time.

TV SOAP:

What are your Holiday plans?

ridgebusiness.jpgRONN:

I just want to stay home and enjoy Christmas, and New Year’s with my family and friends around me, because traveling is just too much of a bitch….. and there we go!

TV SOAP:

What would you like to tell all of your fans ‘down under’?

RONN:

Give my love to my Australian fans. I am hoping we can work something else out in the future for me to see you, and at the very least, providing some new music they can find on my website, www.ronnmoss.com. I want to tell them to please keep in touch.

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Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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