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The Sean Kanan Interview – The Bold and the Beautiful

Courtesy/B&B

Courtesy/B&B

Who doesn’t love seeing badass Deacon Sharpe back on The Bold and the Beautiful? Soap survivor Sean Kanan (Deacon) has been able to navigate his daytime career through the good times and the bad, always landing on his feet! After being killed-off of General Hospital as AJ Quartermaine, which didn’t sit well with many fans of the ABC soap opera, B&B was like coming home.  And this time, when Deacon arrived back in the world of the Forresters, the Logans, and the Spencers, it was the mighty Quinn (Rena Sofer) who he first encountered.  Imagine that!  Two people that are for all intent and purposes cut from the same cloth … with some clear differences.

Now as Deacon and Quinn have schemed and maneuvered for the love and attentions of Brooke (Katherine Kelly Lang) and Bill (Don Diamont), respectively, and both seemingly have lost those two for good, where else do you turn … but to each other! Feeling jilted, recently the two shared some passionate moments! And the kicker, Quinn’s son Wyatt (Darin Brooks) is now married to Deacon’s daughter Hope (Kim Matula), and the young duo are expecting their first child! Will it be Grandpa Deacon and Grandma Quinn?

On-Air On-Soaps sat down with Sean Kanan to get his take and insights on: returning to the CBS soap opera, working with long time pal Rena Sofer, what he thinks of Deacon as a dad, and what story he would like to explore.  In addition, while B&B co-star Katherine Kelly Lang is currently a celebrity contestant on Dancing with the Stars Italy, Kanan who also appeared on the show a few years back, weighs-in on just how grueling the ballroom dance floor routines and experience can be!  But, what all his fans want to know is if Sean is happy where he is now, after his big return to GH came to quite a disappointing end.  So, here is what the always charming, always funny, and always intriguing, Mr. Kanan had to share.

MICHAEL:

So to reset the stage, all of a sudden things change at General Hospital, and you are back on The Bold and the Beautiful as Deacon.  Would you say for the most part there was an open door policy that if you were available again. and the time was right, you could return to B&B?

SEAN: 

Courtesy/ABC

I’ve always kept in touch with (B&B executive producer and head writer) Brad Bell. Brad is not only a terrific boss, but he is a great guy.  We would communicate from time to time, and at some point we had a conversation where he said, “If it looks like you’re going to be free and no longer doing General Hospital, let me know.”  I said, “I will.  I don’t know when that is going to be,” but I kept that in the back of my head.  When I had the discussions over at ABC with General Hospital, and they wanted to kill off the character of AJ, I called up Brad immediately and put the ball in motion pretty quick, and here I am.

MICHAEL:

And on your first episodes back this time, Deacon bumps into Quinn (Rena Sofer)! And of course, the two of you have worked together previously, so it has been a treat for soap aficionados!

SEAN: 

Rena and I met in 1993, and we met when we were both working on General Hospital.  Then, Rena was one of three lead actresses in my film “March”.

MICHAEL:

What do you think of Rena’s performance in the role of Quinn? And what do you think about the composition of the relationship between Quinn and Deacon … two people who have certainly entertained and executed, shall we say,  not so nice things on others to get what they want?

SEAN:

Photo Credit: HutchinsPhoto.com

I think it’s a terrific part for Rena.  I think there are a lot of similarities between Deacon and Quinn.  They are both survivors, and they are certainly not above scheming and a little bit of larceny to get what they need.  I think they both care a tremendous amount about their children, and they have been persona non grata for a very long time.  They are very much operating on the fringes of B&B society which is the Forresters, the Logans, and the Spencers.  They kind of orbit around that, but what is interesting is that Quinn is a beautiful and attractive woman, but at the beginning, although Deacon never misses an opportunity to appreciate a beautiful woman … he needed a place to stay! (Laughs)  The minute he realized he had something she needed, which was his relationship with Hope, he parlayed that to get a place to stay. Once he was there, I think he was also smart enough not to pursue her.  She obviously has a mercurial personality, and if she gets pissed off, she is going to throw him on the street!  I always joke that Deacon has a very expensive wardrobe, and wears a very expensive watch, but he doesn’t have pot to piss in! (Laughs)  He has no money.  Then there is the other secondary layer; that this woman could possibly be extremely dangerous.  He is like, “What am I getting myself into … and who am I sleeping down the hall from?”  It’s like you better be real careful what you do, or this chick might end up taking out a sword with your name on it! (Laughs)

MICHAEL:

It seems like Quinn is one very formidable opponent for Deacon, but as we have seen where there is opposition there ends up being attraction!

SEAN:

Courtesy/CBS

Absolutely!  However, Deacon is not a guy that shows fear easily. He has been in prison and had been around the block.  He was being cautious.  That being said, there relationship of pursuing common interests certainly has brought them closer!  We all wind up sleeping with each other on The Bold and the Beautiful!  I remember the time they put me with John McCook (Eric).  It was ugly, but damn it, we made it work! (Laughs)

MICHAEL:

Thus far, what has been your favorite scene with Rena?  I am assuming given the nature of your characters; you might have some good laughs on set?

SEAN:

We laugh a lot. We also fight like a brother and a sister, and in her case, a really sexy sister!  We butt heads in a loving fun way, and not in an antagonistic way.  Rena always makes interesting choices. We have a long history together, and that history builds a safety net of “let’s try some new stuff.”  We take what’s on the script which is usually terrific, and we may tweak it a little here and there, and put our own signature on it, and make it the best it can be.  We did this one scene where I ad-libbed and I called her “crazy pants”! (Laughs)  Sometimes I listen as Deacon to Quinn, and it’s such bat-crazy logic she uses, and such overkill about smothering her son.  As a character I felt obliged to go, “Did you hear yourself? You sound INSANE!”  That is sometimes the stuff that drives the scenes.

MICHAEL:

So, Deacon came back on to the canvas and set his sights on Brooke (Katherine Kelly Lang).  Did Deacon really love Brooke?

SEAN:

Courtesy/Global

Yes!  I think Deacon really loved Brooke.  There is a line that Deacon has that I think is true.  He says, “Any man that has ever been with Brooke Logan still carries a torch for her.”   That is kind of the spell she casts over the men she has been with, and a couple years in prison is a longtime to think about things.  I think what is a fundamental flaw of Deacon’s life is that he has never had a sense of family.  He has had this mother who was a stripper in Vegas, and he had this abusive stepfather.  I think that the concept of having some semblance of a nuclear family anchored by Hope is extremely attractive to him.  I think he is a guy that gets caught up in the romance of that.  I think part of pursuing Brooke was creating a family with her.  Deacon thinks if he does that, it can be the springboard to fix everything else that is wrong …  if he can just fix that part of his life that was never there for him a child, psychologically.  That is my guess, anyway.  And that doesn’t work out!  Brooke wasn’t interested in that, or if she was momentarily interested in that, she then decided what she had with Bill was where she wanted to go.

MICHAEL:

Is Deacon truly OK with that?

SEAN:

Courtesy/CBS

I think Deacon has a big ego.  I think he covers, and he doesn’t show his vulnerability a lot.  I also think prison has taught him to be patient, and that life is not a sprint, it’s a marathon.

MICHAEL:

I would love to find out just who Deacon’s bio-dad is! That would be a great story to tell!

SEAN:

This is the story; again and again I have said I would love to tell.  I think it would be very interesting to find out who his parents are, and they could be anybody!  He could be related to anybody.   He could have brothers and sisters he doesn’t know about.  I think it would be hilarious if Steve Burton (Dylan, Y&R) and I were brothers… and there was a cross-over story! (Laughs)

MICHAEL:

How was working with Katherine Kelly Lang (Brooke)?  She is now off the canvas for a bit hitting the ballroom dance floor on Dancing with the Stars Italy!

SEAN:

Courtesy/PureDWTS

I wish her luck on Dancing with the Stars!  It’s such an amazing experience to live over there in Italy … and over there like that!  It’s great when you are being whisked around and whined and dined, although the flip side of that is you’re training your ass off.  Thank God, Katherine is a triathlete.  I am sure she will do every well, because it’s physically daunting.

MICHAEL:

And now another former B&B and GH castmate of yours, Antonio Sabato Jr., is trying to stay in the ballroom dance competition on the American version of Dancing with the Stars!

SEAN:

It’s funny; Antonio and I both have a background in Martial Arts.  You would think Martial Arts would help you in dancing, but it doesn’t really, because Martial Arts tends to be in some respects more rigid than dance does, and some of the basic stances are counter-intuitive to dancing.   So, I thought this was going to really help me, but it didn’t.  Antonio is also a gymnast.  How is Antonio doing?  I have not seen him on “Dancing” yet.

MICHAEL:

The first week was rough on him. They made him dance first of all the celebrities’ right out of the gate. Antonio has gotten some harsh criticism from the judges and has had some challenges with executing some of the moves, but he is still in the competition.

SEAN:

Photo: CBurkeTwitter

The hardest part of this is: the men have to lead, and my teacher was 48th in the world, and I had to lead!  So I am having to learn the dance, and the choreography, and then lead her because she can’t lead.  But with all do respect to the women out there, the reality is two-fold!  Most little girls at some point or another, study some sort of dance, and they either study ballet, or dance, or the basics, and not all of them.  I am not trying to make generalizations, but that generalization does hold weight!  But then you have some guy like Maxim Chmerkovskiy who is phenomenal dancer, who if you are missing a step or are slow, he can literally pull you and move you around, and if you are the guy, you are … SOL man! (Laughs)  Not to digress, but the most fun part of being on Dancing with the Stars Italy was; we would wrap the show at 1AM in Rome and go out clubbing. I was on the show like four or five years ago, and I remember everyone had just watched the live show.  Then we would all show up at a club and people would go nuts!   It wasn’t for the celebrities, but more for the professional dance teachers!  We would go out there and they would make a schmuck like me look like I knew what I was doing.  (Laughs)  It was so much fun; we would dance till five in the morning.

MICHAEL:

Was there a moment when you were in the middle of Dancing with the Stars Italy that you said to yourself, “What have I gotten myself into?” (Laughs)

SEAN:

Here is what was really hard: My Italian when I did the show was not great, and my Italian now is much better. The other thing is; not to take anything away from Ronn Moss (Ex-Ridge, B&B), but he used am ear piece.  So they were feeding him what the Italian meant.  I had to listen to the judges, and had tremendous difficulty in understanding what they were saying, and I had to learn how to dance in Italian.  Now that wasn’t so bad, because I could understand that, but when they would ask a question on the live show, and a lot of it is that you are appealing to the home audience.  I had to do it in Italian.  It was very difficult and a tremendous disadvantage to me to not be able to speak English, but even so I lost after 9 weeks.

MICHAEL:

Courtesy/B&B

Back to B&B, as for your on-screen daughter Kim Matula (Hope), where does Deacon sit with her current choice to be with Liam (Scott Clifton) or Wyatt (Darin Brooks)?

SEAN:

I think Deacon likes Wyatt. They cracked a bottle of scotch together and in a lot of respects they are cut from a similar cloth. Deacon sees that Wyatt has pulled himself up from his boot straps.  I think that also, Deacon recognizes Liam is a good guy.   He wants what makes his daughter happy, and Liam is a guy who follows his heart.  Deacon wants either one of those two guys to take care of her.  I also think that Wyatt had the diamond, and he is a hustler, and things like that are not lost upon Deacon.

MICHAEL:

Do you think Deacon has changed from being such a “hustler”?

SEAN:

I think Deacon has refined his game.  He’s smoother than he used to be, but at his core he’s a guy who is always looking for the angle. You know, it’s funny. I have been a guy in my own life that has been blessed with tremendous opportunities in my life.  I don’t know what it is like to grow up without certain advantages.  The only thing I could equate it to is coming out to Hollywood as young guy and making a lot of mistakes, and trying to see where the water is flowing and do what I could.  I had a safety net with my family, and I knew I had my college education, whereas a guy like Deacon had none of that.  I can’t be very judgmental of this character, because I don’t know what it is like to walk in his footsteps.  He’s a guy just doing what he has to do.

MICHAEL:

Hope finds herself pregnant! What does dad Deacon think of it?

SEAN:

Photo Credit: HutchinsPhoto.com

She’s married.  I don’t think he can’t go anymore, “This is my little girl!”  It’s like, “Look, I have made a lot of mistakes.  I have been in jail and around the block, and if you are willing to overlook that, and see me as the man I am today, I am not going to see you as this idealized fantasy of how you should be in my head as a daughter. This is your life. I am going to accept you as you are.”  I think Deacon is incredibly proud of her. He’s “Team Hope” and supportive of that.  He is like, “You’re happy and in love with Wyatt, I will support that. If it winds up being Liam that makes you happy, then I will support that.”

MICHAEL:

Is there someone that you have not mixed it up with on-screen at B&B this time that you would like to have story with sometime in the future?

SEAN:

I had a fun energy with Heather Tom (Katie).  For some reason, Katie has this visceral dislike of Deacon!  I don’t know where it comes from, other than the fact that Deacon had been in prison, and that’s not the most palatable thing for a woman. I get that. Deacon also tries to assert his sexuality when he can with women, and he certainly likes younger gals and older gals.  Katie is also Brooke’s sister, so she is also privy to a lot of stuff!  I think there is something interesting there, and not a romantic interesting, but I think there is an interesting give and take that I like. Heather is a terrific actress.  I would love to work with Jacob Young (Rick) too!  I have always loved working with John McCook (Eric)!  The more I watch Karla Mosley who plays Maya, she looks like this pretty little deer with those big eyes going, ”Who me?” And the character is a total bitch! (Laughs)  I love that! (Laughs)  I think Deacon and Maya would be so unlikely, but so great!   In story, I also would really be interested in seeing Deacon pull off some coup where he is able to form a financial power base and really go after Bill (Don Diamont) and do a hostile takeover of Bill’s company.

MICHAEL:

Since another one of your talent is stand-up comedy and improv, do you ever improv your lines at B&B?

SEAN:

The new thing I do when there is a last line, or ending moment in a script, is that I will ad-lib a line knowing that probably they will keep it twenty percent of the time.  Sometimes, something is a little racy that pushes the boundaries of what we are allowed to say, but I will say it so that they will have it in the editing room, and they will keep it sometimes.

MICHAEL:

Courtesy/GH Pinterest

B&B has been very successful in its format with being a half hour soap compared to the other American daytime dramas.  Do you think that it helps the overall vibe when being a working actor here?

SEAN:

Having come from Y&R and GH, where between them there are 60 contract actors, you are always fighting for real estate, and you are competing with four or five other guys that are in your bracket.  I am so happy to be here.  I know I started over at GH, but I have always felt like it was home here at B&B.  It’s not just the actors, it’s the crew and it’s kind of like a family owned business with the Bells, and it’s a smaller cast. I think it just creates a little less corporate of a place. You don’t get more corporate than GH, and that show has clearly a different business paradigm, which had to stress the hell out of the executives, because they were getting breathed on all the time by ABC/Disney to keep the show alive. There is such gravitas to every single thing, and then have that trickle down from the top, it’s stressful.  The Bold and the Beautiful has such a huge presence internationally, and so I don’t feel like you are in intimate danger of being taken off the air.

MICHAEL:

It seems like you feel that you are appreciated here at The Bold and the Beautiful!

SEAN:

So appreciated!  The way this organization treats their actors, I have never encountered in my entire acting career, and I have worked with every major studio and network. B&B is fantastic, and not just for going on great trips overseas, but the day to day, in and out, of how people act here.  There is a civility and respect here that we all try to show each other.  It creates a great environment.

MICHAEL:

Now that you have been back for awhile, what are your fans saying to you on Twitter and social media?  Do they tell you they want more of Quinn and Deacon?  What feedback are you getting?

SEAN:

Courtesy/CBS

I think people like Quinn and Deacon together in whatever capacity that is.  It is a compliment that people like what we are doing together, which means there will then be more of it, usually. The fans are happy I’m back, which is really nice.  I am back this time and I am back on contract, which is different, so that hopefully I will be sticking around for quite awhile.  I think it allows me to invest a little more, and of course any job I have I am going to invest him, but when you are not on contract you’re always keeping an eye out, and thinking, “What am I going to do next if this winds up ending? “ It allows you to breathe a little and to start looking a couple miles down the road.  At this part of my life, there are a lot of things I want to do, but at B&B we have plenty of tine off per year.  So being at B&B allows me to think to myself: “If I am going to be here for awhile which I like at this point in my life, God willing if they want to keep me, I would like to stay here for awhile.”   I am not looking for something else.  If something else comes, and it fits into the schedule, that’s great.  But when I was 25, you are always looking for … when is that call from Spielberg?  And you know what?  I am really happy here. It has given me an amazing life. I have a career in Italy too.  It really doesn’t get a whole lot better.

 

READ MORE
TONIGHT: Rick Hearst Makes His AMBITIONS Debut

 

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dmrLiaRobinTimmmNat9 Recent comment authors
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B&B Fan
B&B Fan

I love Deacon & Quinn together.

jaybird369
jaybird369

Oh, yes…me, too!!!!!

harry
harry

Michael Fairman, I don’t know you, but I love you. Thank you for this wonderful review. It helps alleviate the pain I feel abou tAJ’s unfair, unfortunate and horrible demise from this dark world that is GH.
I don’t know Deacon either but would like to think, based on your description of him, that he is the Phoenix (rhymes with Deacon) rising from the ashes that was once AJ.
I love Heather Tom and could see Kate with Deacon–easily.
I am happy to hear Sean is doing so well and is with people who appreciate what a gem he is.

harry
harry

Forgive me–I seem to have gotten carried away. Deacon doesn’t rhyme with Phoenix. At its best, it is a case of assonance–the first syllable of the word is something with which I am well versed on.

louisa
louisa

Love him. The GH insight was interesting. I still can’t believe they killed off AJ. So disappointed in GH.

jaybird369
jaybird369

AWESOME INTERVIEW!!!!! As usual, Sean Kanan TRULY ROCKS!!!!! Thanks for the AWESOME INTERVIEW, Mr. Fairman!!!!!!

Peace.

Silo
Silo

Thank you! As horrible as that SL was, KKL and SK had AMAZING chemistry. I am currently rooting for BRILL. But ultimately, I just want Brooke to be happy, FAR AWAY from Ridge! Even Deacon would be better than Ridge.

sarah
sarah

I wish they would bring back Adrienne frantz because amber and deacon had crazy chemistry I know they had a really sucky storyline with them on Y&R but on B&B they were amazing

elm51
elm51

what a down to earth interview!! sean seems so happy & content now that is on b&b – i am happy for him as he certainly deserves it………………

brenda
brenda

I’m still pissed at GH for killing off AJ. Stupid move. That being said I love Deacon and am glad he is back on BB. Too many newbies on GH.

janet
janet

This was a great interview. I am very happy to hear he is happy. Funny a lot of people mentioned are actors the GH iic were not smart enough to keep. Heather Thom is a very talented actress ,and I am sure after he has his fun with Quinn, they would be terrific on screen. I hope BB ‘S ratings stay up, with what he says about the writing and the actors are happy. Great. I was really sorry ,but not really surprised at AJ’s death the show “s being written by six grade mean girls .I expect nothing more.

Scott (ATWT Fan)
Scott (ATWT Fan)

B&B definitely are handling Sean and Deacon better than GH ever did with his return as AJ; GH obviously wanted him to reprise AJ to make up for the loss of Jason, and once they knew they could get Jason back, then AJ was expendable. I am liking Deacon the most this time around, despite always hating the character, so I hope his return to B&B is long worth the while.

k/kay
k/kay

Always loved SK as bad boy Deacon but Brad forgot I guess that Deacon is a alcoholic. Like we forgot Brooke is a grandmother and we forgot that Ridge was happily married to Taylor and had three kids.

MBmomof3
MBmomof3

The interview I’ve been waiting for! I miss Sean Kanan’s AJ so much. He is just as awesome as Deacon Sharpe. I’m not a regular B&B viewer, but I’m watching it more now because of Sean Kanan. I love his chemistry with Rena Sofer’s Quinn. Brilliant casting on B&B’s part. Deacon makes Hope tolerable (to a point). lol.

GH…you can’t see the talent you have because you’re always looking for the next big thing. Letting SK go and killing AJ was unforgivable for this viewer. Even worse were RC’s constant digs at the actor and character. I had been a long time fan of RC’s writing from his days at OLTL. That behavior made me lose any respect I had left of his talent as a writer.

Happy to know Sean Kanan is feeling the love and appreciation he deserves. And I agree with the poster up-thread…bring back Adrienne Frantz! Love Amber.

knighthawk
knighthawk

I love Deacon but I really want him to be a good dad for Hope. I think Deacon and Katie would be interesting. There were a couple of scenes with them and the dialogue crackled, there was chemistry. It would be fun if Katie and Bill were still together and Deacon came between them, because Don Diamont and Sean make great adversaries.

Nat9
Nat9

Katie and Ridge are better together.

Timmm
Timmm

I met Sean before and he was one of the nicest guys ever! At the time he was on Y&R and I asked him if he would ever consider going back to GH and play AJ again. He said never say never. Well, he ended back at GH after he was done at Y&R and GH screwed him royally! Not only did they lose a great actor, they killed off ANOTHER Q!

Robin
Robin

Micheal:
Another excellent interview. You asked the questions I would have 🙂 I too would love to see Amber back and where’s “Little D”? Ready too to bring back Jack Wagner (Nick) and Bridget ( hmmm she and Deacon had a past too) so many interesting options. You rock as always. And I do know you! Xo

Lia
Lia

I’m glad he’s back where he and his work are appreciated. B&B is a great show, because it’s written well. The acting is top notch, and I too love that their international fans adore the show just as much as we do. I miss Sean on GH because I love AJ Quartermaine, but the team over there never appreciated the character, so he’s lost to us. Thank God Brad Bell loves Sean and Deacon. Lol I don’t want him with Quinn however. I would like to see Deacon mix it up with bad girl Alison.

dmr
dmr

Such a wasted opportunity for General Hospital to bring back a good, kind, loving AJ and to resurrect the Quartermain Family. I’ve always loved Sean Kanan as AJ Quartermaine-thought Billy Warlock was awful in the role. I hate what the writers have done to AJ over the years. I was beginning to like AJ and Elizabeth together, too. Best of luck to Sean. He’s very handsome and very talented.

General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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Days Of Our Lives

DAYS Head Writer Ron Carlivati Talks On: Ben Weston, Soap Amnesia, Doppelgängers, and the Time Jump

Days of our Lives viewers have been going through some changes over the past month since the launch of the innovative time jump from the creative mind of the series and Daytime Emmy-winning head writer, Ron Carlivati.  As episode after episode unfolds, the audience has been finding out just where their favorite Salem residents have landed and with whom, in the one year flash-forward.  There have been shocking deaths revealed, longtime couples facing different kinds of obstacles that could change their relationships forever, and some characters brought back on the canvas, in one form or the other, to shake things up.

On the series finale of the Inside Salem: Days of our Lives Podcast,  Ron Carlivati was the very special guest and addressed many of the decisions that went into making the flash- forward happen starting with when Jennifer (Melissa Reeves) wakes up from her coma after her fall, thanks to Princess Gina (Kristian Alfonso), and how it impacts the canvas.  You can listen to the can’t-miss interview here via iTunes or at NBC.com/Inside Salem.

Due to the length of our conversation with the talented head scribe, some of the questions and answers did not make it into the podcast finale due to time constraints.  So, we have brought you the rest the interview here as Ron discusses: the popularity of  #Cin, back-from-the-dead storylines, writing for the original series on the DOOL app and further creative decisions that went into crafting the one-year time jump.  Check out what Ron had to say below.

Photo: JPI

You have been able to make #Cin, the hottest duo on daytime by taking a now reformed serial killer, Ben Weston (Rob Scott Wilson) and pairing him with the daughter of one of DAYS all-time supercouples, Bo and Hope in Ciara Brady (Victoria Konefal).  Were you ever  concerned as to how this story/romance would play to the audience at home, because in reality no parent would ever just stand by and let their child get involved with a man who strangled and killed women, previously? 

Ron:  To sort of try to glorify a guy who strangled women and make him into a romantic lead, we don’t do that lightly.  Not unlike, Todd Manning (Roger Howarth) on One Life to Live who was a rapist, and who became sort of an anti-hero, but also a romantic lea.  And in this day and age, it’s even a bigger decision to do something like that, I think.  So, that said, it is a soap opera and there are certain things where we know we are pushing the envelope.  We know in the real world that no mother would ever get past her daughter being with a guy who murdered, killed, and strangled three women or strangled and shot one, but the pairing worked so well.

Photo: JPI

In the time jump, you gave Ben an intriguing prison cell mate in Will Horton, given that Ben had “killed” him previously.  Add to that you brought back Ben’s criminal father, Clyde back into the mix.  There’s lots of prison orange these days on the screen.

Ron:  When we knew we were sending Ben to prison, then obviously father and son have to cross path. It just added another element, so it wasn’t just going to be Ben and Will (Chandler Massey) talking to each other, and making a shawl together like Martha Stewart. (Laughs). Ben’s relationship with Clyde was interesting to me.  As horrible as Clyde was and is – there does seem to be some sort of love that he has for Ben.

Photo: JPI

On the soaps, and as has been part of DAYS enduring legacy, characters are killed off, only to be brought back to life somewhere down the road. Many return with classic soap amnesia as a vehicle to drive story.  Is there ever a time when as a writer, or as a soap fan, you think “enough is enough”, and characters should just stay dead?  Many fans who watch daytime dramas get very invested in tragic death stories, where characters have these shocking or sudden, or long goodbyes, and the viewers goes through the grieving process; along with the other characters, for what then seems like a waste of an emotional investment when said character turns back up alive.

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Ron:  We were talking about bringing Jack (Matthew Ashford) back right around that same time we had the Will story.  We couldn’t bring two people back from the dead at the same time, and that’s why Jack’s return kind of got put on the back-burner, so we could do the ‘Will is alive’ story arc.  Look, the audience will go with you, especially if they want somebody back desperately.  They will overlook how did it happen, and how could they be alive.  They will accept almost any explanation, but I think you’re right, if you do it too much, you tend to water down the permanence of death … especially deaths that you saw on-camera.

Photo: JPI

Viewers know you love doppelgänger storylines.  And, in the time jump you brought back none other than Hattie Adams (Deidre Hall).  Why the decision to bring Hattie back at this time?  I know Deidre loves playing her.

Ron:  I think Deidre likes playing something different than Marlena, because she played Marlena for many, many years, and she knows her like the back of her hand.  Hattie is an escape and something fun, and the chance to do and say outrageous things that Marlena would never do.  So, we bring her back whenever we can to have fun with, and again, it seemed to work because  she was in prison, and we set Eve in prison when we started the time jump off, and we’re like, “Who’s Eve (Kassie DePaiva) going to be talking to?” and we’re like, “Oh, well of course.  It has to be Hattie.” (Laughs)

When do you first see the fruits of your labor?  Do you see a feed from the set as the show is taping? Do you receive episodes where you see how what was written has come to life? 

Ron:  In prior shows, One Life to Live and on GH, I saw it when it aired. At One Life, I was in the studio, so I often saw production shooting scenes.  Here, they send me the completed shows once it has been completely edited, the music has been put into it, and it’s all ready to roll, and they email me the link to 5 or 6 shows.  So, I could in theory watch a couple of weeks ahead of the audience, but I tend to (unless I’m so, so curious about how a certain thing turned out) watch it when it’s on TV.

Photo: JPI

The “Lani (Sal Stowers) and Kristen (Stacy Haiduk) joining a convent” storyline is at a critical point in story.  How did you come up with the decision to put Lani, and of all people, Kristen together and about to take their vows as nuns, and kind of becoming bff’s?

Ron:  I mean, you can’t imagine sort of two more unlikely friends as Kristen and Lani.  We grew to really love the relationship that developed between the two of them.  I think we sat down and said about the time jump, “There have to be enough big changes that you do the double-take.”  Like, Will is Ben’s cell mate, Adrienne is dead, and Justin and Kayla are together now.  You had to have enough of those WTF moments to justify passing a year of time.

You have also been writing series for the DOOL app.  What did you think of Chad and Abby in Paris with that being the initial one and how it all came to pass?

Ron:   It was fun.  I had no time.  I was writing six episodes a week of DAYS, and I was asked “By the way, can you write two seasons of a web/app show for us?” (Laughs) Greg Meng (Co-executive producer, Days of our Lives) has really been the mastermind behind this app and developing this app into something.  I love all of the stuff you guys came up with for all the behind the scenes content, but I know that Greg really wanted original series content on it, too.  Chad (Billy Flynn) and Abigail (Kate Mansi) just seemed like the logical couple to do that with.  You wanted somebody tied to Salem that wasn’t currently on the campus, but you know the audience cares about what their up to, and Chad and Abby just seemed perfect.  The process was totally different because I’m used to writing six outlines a week that are 15 pages long, and all of the sudden, I’m like, “She comes in, this happens, and this happens.” .  That’s like a whole episode of an app series right there.  Corday Productions produced it while they were producing the regular show, and they made a special set into Chad and Abigail’s apartment, which I thought looked incredible.

Photo: JPI

Chad & Abby in Paris had a bit of a different look and feel then the regular airshows, which I think made it enticing.

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Ron:  I loved the look of it.  I felt it was just a little bit different than Salem.  We had the establishing shots of the Eiffel Tower and all of that stuff, and look, we had to keep it simple, but we added in Austin (Austin Peck).  We had Tony (Thaao Penghlis) come in season 2.  We had the new characters of Juliette (Rachele Schank) and Sylvie (Shawna Della-Ricca).  So, it was fun, and it weirdly just timed out so perfectly because we did 8, took like a week off, did another 8, and that last episode was posted right when Jennifer fell.

Right, so it timed perfect to get Chad & Abby back on the airshows.

Ron:  It timed out perfectly so that we could have Abigail get a call: “Something has happened to my mother.  We have to go back to Salem.”  So, you last saw Chad and Abby in Paris, and then the following week they were back in Salem.

Photo: JPI

Now, with the kind of massive move for DAYS with the time jump, you have to figure out: “Who are the casualties?  Who am I going to lose?” Viewers learned in short order that: Adrienne (Judi Evans) isn’t alive, Haley (Thia Megia) isn’t alive, and Jordan (Chrishell Stause) isn’t alive.  What went into the decision-making process to kill those characters?  I’m assuming it was to further the story of others on the canvas.

Ron:  Yes.  Anytime we kill somebody, it breaks my heart every time, because these are like my babies.  You fall in love with these characters, and you care about them a lot, and you care about the people who play them.  So, it’s a big decision to say, “Let’s kill them.”  It may be a great story, like, “I’m going to get this amazing story if I kill X,” but that’s a person and a job, and it’s not something we ever do lightly.  That said, in a year of passage of time, you know that life and death is going to happen, and to us, it felt like to really signify the passage of time, there had to be at least one or two people who are no longer alive, and then show how that affects our story.

Photo: JPI

Did you ever think that instead of 1 year that you’d do a bigger jump?  Like, “What if I did 5 years?”  Because it’s interesting, I was reading some comments on social media from fans who are like, “What year is it?  Is it just 1 year?  Why didn’t they do 5?” (Laughs)

Ron:  5 seemed like a lot.  I think people change physically a lot in 5 years. I wasn’t prepared to cast little children as teenagers… that would be a lot. (Laughs)  I think you run the risk of it being almost too disorienting for the audience.  Also, then it would be me having to figure out what happened over 5 years instead of just 1. (Laughs)  So, 1 year just kind of seemed perfect, and it had to be an even year so that even though it’s a crazy coincidence that Jennifer woke up 1 year to the day she fell into the coma, you needed Thanksgiving to still be Thanksgiving, and Christmas to still fall on Christmas, and that kind of thing.  So, it had to be an even year.  I think it worked out great and I hope the audience continues to go on the journey with us, because there is a lot more to come!

So, have you been enjoying the DAYS time jump thus far? Which storyline has piqued your interest most? Let us know via the comment section below.

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Video du Jour

DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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Genie Francis as Laura

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