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This week on One Life to Live, “David Vickeroshi”, will be on the receiving end of a marriage proposal by a very deceitful Dorian, as PI Rex is hot on their trail. With the “Go Red Ball” just around the corner, David’s story will take front and center stage. Will he finally come to realize he is Asa Buchanan’s son?

I chatted with the one and only Tuc Watkins, star of “One Life to Live” and the primetime series “Desperate Housewives”, about his latest Llanview Buddhist incarnation, and playing the bumbling con man. We also discussed the Daytime Emmys, and working on Wisteria Lane, playing one half of the snarkiest gay neighbors you’d ever want to meet, Bob and Lee.

One of the most talented and innovative performers ever to grace the daytime screen, Tuc’s interview is one of our favorites at “On-Air On-Soaps”.

Listen to the audio:



Tuc, Namaste’! Namaste’!


Oh, my goodness, if I had a nickel for every time I heard that word.


Are people coming up to you and saying, “Namaste’”?


Every now and then I do hear it on the subway. I hear it a lot on airplanes, usually places where you can’t run away. (He laughs)


I thought your performances have been just great. Every time you come back to “One Life to Live”, it just adds so much and spruces up the show. This time you are “David Vickeroshi.” What did you think when they told you how they were bringing you back this time?


When I first heard the acorn of the idea, Frank Valentini (executive producer, “OLTL”) called and said, “Do you want to know what you are going to be doing?” I said, “If you want to tell me.” Because the great thing about going back to play David Vickers is it really doesn’t matter what we are going to do. It’s always fun doing it, because it’s all about the means rather than the end. I said, “Sure. What’s it going to be?” He said, “You are going to come back as a Buddhist monk and you are all enlightened.” I said, “All I see is the comedy. So I assume this is going to be comedic?” He said, “Yes.” I thought it was a great idea. When you play a character on and off for fourteen years, sometimes you have to go far a field to keep things fresh. Obviously, this is not something that will stick around for a long time, this transformation. So, it’s been a lot of fun to
explore a character that you
know really well, in a way you
have not seen him before. It’s
really a fish out of water story,
so it’s been a lot of fun.


Ron Carlivati (head writer, “OLTL”) and you are brilliant together. Do you ever ad lib your lines, or are those the lines that are written by Ron and the writing team on the page?


The great thing about Ron coming on is that is not often that a character, a writer, and an actor, all sort of get it together. Sometimes an actor does not have a handle on what the writer and director is gunning for, and not have the full grasp on something that you are very familiar with. I think Ron appreciated the same characteristics of David that I appreciated. So, we kind of turned up the volume on David. It has been great. You know, I have been through a lot of different writers on the show. I have never really noticed that much difference in the writing, but I really did notice a difference when Ron started. I remember going up to Frank’s office going, “The writing is different and I really do think it had made several strides forward,” and for the first time in a long time, I thought it was really noteworthy. So I said something out loud. Actors like to say a lot of things out loud (He laughs). ‘Namaste’’ takes on a lot of different meanings!


So what do you think the meaning of ‘Namaste’’ is?


I was told early on the literal meaning of ‘Namaste’ was “I bow to you.” It started out as that, and then it meant “I am hot for you”, and then it also meant, “Thanks for the food.” So, it’s sort of a catch-all, in a way. ((He laughs).


Is there anytime when you are working with the incomparable Robin Strasser (Dorian), or Erika Slezak (Viki), or any of the actors on the show, when you guys just break up in laughter?


Well, we usually get the laughing done at rehearsals in the morning. But, that is also when and where we find stuff. It’s where we tweak what’s there, or punch up a word you might not have punched up, if you had not been rehearsing it with the other actor. We get the ‘funny’ out of the way in the morning or during dress, so when we get to tape we are not wasting anyone’s time.


When you first got to work with Robin and Erika, who I think are probably two of the best actresses on the daytime canvas, did you think, “Wow. This is really great?” Did you even know who Erika and Robin were?


Well, I first started on “OLTL’ in 1927, so I have known them for a long time. (He laughs) But seriously, I started on the show fourteen years ago, and I never watched soap operas. Some friends of mine in school would plan their course schedule around soaps, but I never quite got it. I mean, I understood that people could become addicted to them. You either get it, or you don’t. And that’s just not one of the things I got. So, when I first started on the show, I did not know who anyone was. But, I did know that they had been there for awhile. I think it’s like starting in a company. You tend to look up to someone who has been around for a number of years and respect them. You figure these people know what they are doing, so I am going to learn from them as opposed to telling them what to do. I remember one of the first days I started working on the show, I was doing a scene with Erika and I was pretending to be her brother. She said, “Can someone please give this kid some light? You can’t even see him!” That’s not something you consider when you are young and starting out. You just want to say your lines and not throw up. When I first met them both, they were the standard to learn from then, and they continue to be.


Will David finally find out this time out, that he is really Asa Buchanan’s son?


You know, they have been teasing this story for eternity. Talk about dragging out a story! Even by soap terms, it’s taking a long time. I remember when the previous head writer was there and I went back under contract for three years starting in 2003. They told me, “We are going to reveal you are Asa Buchanan’s son.” I thought,” That’s cool, because he is the patriarch of the show, and that means I will be working a lot!” Well, I tell you now, it is going to be revealed, but it is six years later! This is 2009!


The only thing that redeems it is you and David come and go from the canvas. So it’s a setup where there are months when you are not on screen.


I left contract in 2006, and things have worked out scheduling wise so I can go back. When you have a character like David who is a bumbling con man, it makes sense that he is not always on the canvas. It makes sense that he goes out into the world and tries to pull the wool over other people’s eyes in Bangladesh, or New Delphi, or other cities that I cannot point to on a map. So, when it finally came around, it feels like it has been taking a long time, but fortunately we have been telling other story that has been interesting. The timing is just right to tell it.


Does David attend the upcoming, “Go Red Ball”?


David does attend the Red Ball, and I will say, something happens at the “Go Red Ball” that changes David’s life.


In a good or bad way?


A little bit of both. (He laughs)


I see that “OLTL” has put you up for one of the two actors in the in-house voting, for the pre-nominations for Supporting Actor for the Daytime Emmys.


Oh, I did not know that. I am thrilled!


Well, you have been my pick for many years to get an Outstanding Supporting Actor nod at the Emmys, but you never got the chance to compete for the prize. So, what are your thoughts?


I think everyone’s an idiot! (He laughs) To tell you the truth, what I get to do on “OLTL” is so much fun, and not traditional to what daytime has carved out for itself. So I understand when they look at a bunch of tapes of people to be considered for Emmys and a nomination. I come on and cross my eyes, and fall down the stairs, and they look at it like, “Is this guy for real?” So, it’s sort of a double-edged sword. I am very lucky that I have been able to play this character that doesn’t really fit in with the rest of the people that inhabit the town of Llanview. But having said that, part of what allows me to do that prevents me from doing terribly dramatic stuff. I know you are supposed to cry on cue on daytime, and I can’t do that. So, anytime I try to play anything dramatic I tend to turn the car in a different direction. I guess it could be said I err on the side of trying to find something that is funny. That’s not always the best choice. In fact, Robin Strasser is always getting on me about that.


But, I think there have been such beautiful, nice, and at times, emotional scenes between David and Viki.


If I can have poignant moments, but with a hump and mole with hair coming out of my face, then I am happy doing those poignant moments. They brought me on to be this cool mysterious guy in 1994. I did it for a year, and to tell you the truth, I was pretty unremarkable at it. It wasn’t until one day I woke up and realized, “David Vickers is not a cool mysterious person. He thinks he is a cool mysterious person.” And that s when the David we know today was really born, and that is when I kind of hit my stride with this character. You’ve got to figure out how to play the character among the other people you are with. And it’s not that easy. It took me a year on “OLTL” to figure out what makes David special. Luckily, when I was turning their mysterious cool character into the town buffoon, they supported it rather than say, “You don’t get it. You’re out.” So I have been pretty fortunate.


You pull double duty at times, as Bob on “Desperate Housewives”. Will you be continuing on that?


Yes. They signed me and Kevin Rahm (Lee) to a recurring contract this year. On a show like that, it’s always going to be about those five women, as it should be. I mean, it’s called “Desperate Housewives”, but we have gotten a little more involved this year. Kevin has gotten more involved with Teri Hatcher’s (Susan) character, and I started representing Felicity Huffman’s (Lynette) kid, because they decided my character was a lawyer. As it is, it’s also a soap opera, when you boil it down. They just have better lighting and hair styling. So, one day they sent me a script and I went to the table read and head writer Marc Cherry went, “Oh, by the way, you are a lawyer now.” That involved me a bit more. They have our characters in that house between Teri Hatcher and Eva Longoria (Gabrielle), and we are sort of a new color on the canvas. A lot of story is told through us…


….they are reactionary instead of propelling story, right?


Yes. The end game is how it affects the women on the show. It is a lot of fun to work on that show. It is the funniest set I have ever been on. That’s probably because you go to work on a neighborhood street where it’s mostly sunny, and they have really good snacks, and you just hang out. And any drama that happened on that show, happened a long time ago. And everyone in between takes are playing games and catching ‘rays’.


How is working with these powerhouse actresses?


They are all very different. I remember Kevin and I started around the same time Dana Delaney (Katherine) started. I thought, “Oh, this poor woman has her work cut out for her because she has such strong archetypes that have been set up and established.” I thought she did an amazing job of finding something new that was also necessary. Kevin and I are in the supporting cast, but all those women on there are all fun in a different way. Eva Longoria takes nothing seriously, in the best of ways. She is always cutting up and laughing. Felicity is knowledgeable and it’s great to talk about acting with her.


You and Kevin play the gay couple on the show. Is there one thing you would like to see them involved in, if you were writing the show?


The thing that I like about the way Marc Cherry brought that couple on was, he brought them on as a gay couple, and one of the first lines they say is, “We’re gay. We are life partners.” So there was no dancing around that, and it was not issue-oriented. I think a lot of times when they brought in gay characters, or minority characters in the 70’s or 80’s on television, black or Asians had to explain why they were there! We don’t need that anymore. I thought it was great that we got to go on… everyone knew we were gay… but that wasn’t the story. Why we went there was part of the story, and how we get involved in other peoples lives is the story. We are not this cookie-cutter, great super hero, gay couple, where everything we say is kind and friendly. We are not that couple from “American Beauty”. They were the only normal people on that street, but we are kind of mean!


Yeah, I like that they are these ‘snarky’ gay guys. It’s not the issue that they are gay; it’s just the ‘snarky’ guys that live down the street.


I describe it as: I am Andy Griffith and Kevin is Barney Fife. Kevin says all the funny lines and I stand behind him and roll my eyes, and that’s what Andy did with Barney.


Is there a lot of Tuc in David Vickers on “OLTL”, and in Bob on “Desperate Housewives”?


I will tell you this: I am not a method actor. I studied that in school, and I think that’s how most students of acting learn about acting. That’s where you become the character and eat for breakfast what that character ate for breakfast, and you think about how that character was treated when they were a child. That didn’t work for me. I am more of a behaviorist. I am more about how a character behaves in the environment he is in. I would say most of the characters I play, especially in television; you are usually hired to play pretty close to who you are. So, I would say Bob on “Desperate Housewives” is very similar to me, because I am a neatnik in a way, and I maintain a sense of humor. But I am fairly straight laced in what I think. David, on “OLTL”, is also a side of me where I like to cut up. So, it’s two sides of a coin in many ways to me. I would have to say, that both those characters are pretty close to me without being mutually exclusive, if you know what I mean?

Days Of Our Lives

DAYS Alum Kevin Spirtas Chats On His Heart-Tugging Series ‘After Forever’ & Love and Life In Your 50s

Filling the void in the digital drama series arena, the eight episodes first season of After Forever (available on Amazon), tackles the journey of a two middle-aged gay men in their 50’s in a deep romantic relationship, and looks at it through its various stages of love, loss, and moving on with one’s life when suddenly your world is turned upside down, when one of them has died.

While the LGBT community has seen other love-centric and dramatic web series, none have really taken a deep dive into the difficulties of starting anew in your 50’s or even older.  Leave it to former Days of our Lives alum and Broadway producer, Kevin Spirtas (Ex-Craig Wesley), along with another DAYS alum, writer, Michael Slade, and the two put their shared experiences, and dramatic ideas into this emotional series, that is not limited to anyone who is gay, but touches on the universal themes that anyone may have, or will experience, at one time in their lives.

Spirtas, brought along with him none some notables for his passion project.  First, none other than former Prospect Park One Life to Live EP, Jennifer Pepperman, to bring his vision to life, and some amazing co-stars: Mitchell Anderson (Ex-Party Of Five), MIchael Urie (Ugly Betty), Cady Huffman (Ex-OLTL), Anita Gillette, Colleen Zenk (Ex-Barbara, ATWT) to  name just a few.

While the series bowed a little over a month ago, if you haven’t taken a look, check out our interview with Spirtas for some juicy insight into the making of and the construct of, After Forever.  Following that, check out the teaser for the series, and the video for the theme song, “My Forever” by Lio Nicol which becomes available tomorrow June 4th on Amazon and iTunes.

Photo Credit/JPI Studios

What was the genesis of the idea for the series?

KEVIN:  Patrika Darbo, came to New York close to 7 years ago. She had called me ahead of time, and said, “I was asked to present at the ISA Awards, and you’re coming with me.”  She was getting very involved in the world of the web series. I looked at this amazing presentation of content that was being shown at the ISA’s.  I was blown away. It was better than half the stuff on TV, theater, or film. At that point, I made a mad rush for a gentleman by the name of Sebastian La Cause.  Sebastian had won several awards that night and his material was so well presented, and beautifully shot, and his acting was very unique.

Sebastian La Cause was the star of the web series Hustling, right?

KEVIN:  Yes, it was Hustling, the first season.  I went up to him and I said, “I’m Kevin Spirtas. I’m an actor, I did a soap …”  He goes, “Kevin, I know who you are.” I was starstruck, and impressed, and inspired, because he is exactly the kind of person I want to work with.  He is talented, and creative and I want to work with those kind of people. I said to him, “If you do a second season, I’d love to be considered for anything you might be doing.”  Wouldn’t you know? He wrote me in. I fell in love with the story. I was very clear to me, that you have to start creating for yourself, because creating your own content in this industry now is king.  The third season of Hustling then crossed me over to appearing in Winterthorne.  That was also the first year that NATAS opened up the judging to the digital world.  I got nominated for an Emmy. It inspired me to start thinking about, ‘What do I know?  What do I have in my life that I feel is worth sharing and putting out there to help heal, or inspire?’  I had been producing in New York City for 3 years at this point.

Photo Credit/JPI Studios

It becomes every performer’s concern, as they get older, that they can still be considered for the roles they would like to play.  Sometimes, actors can grow into the types of roles, and sometimes they’ve expired past those types of roles. Was creating After Forever also a way to re-enter being part of the conversation?

KEVIN:  Well, I was hoping to write something for myself … because I just didn’t see the roles coming toward me anymore.  My name wasn’t on them as I imagined them or had seen them in the past. I was worried about that. I thought, “If I have a chance to keep working, I’ve got to keep current.”

And somehow, you and Michael Slade ran into each other, and thus, a collaboration began that would eventually turn into After Forever?


KEVIN:  Then, I ran into Michael Slade at a gym… I had never met him before, he was a writer on Days as I was leaving the show.  And I remember saying to myself, “wouldn’t it be great to work with somebody, and see what kind of story we could come up with?”  Unbeknownst to me, Michael, at that particular time in his life, was working on the very same type of story and idea about what it’s like to be who he is, at his age, where he’s at, and what he knows.  I pitched him this idea: “I think there’s some really funny ideas I could express to the world about my experience as a single gay man at this point.” He said, “Call me.” In short, he was living life as a single gay man, and I was living life as a single gay man, and that’s how After Forever was born.  Michael had the experience of losing his long-time partner of 25 years.  There’s a part in the story where Brian and Jason are going along and they have everything in their life that they could possibly want, and then they don’t, because Jason is diagnosed with cancer and it takes him away.

Do we see Jason die in this?

KEVIN:  You just might! … It’s how we incorporated him in the story…


After Forever bounces back and forth in time, obviously, that was part of the unique structure of the storytelling?

KEVIN:  It does do that.  It tells the story through a lot of present, and a lot of flashbacks.  There is also the present with Brian, and his memory of Jason. As Brian is going through the next chapter of his life as a single man, he has to look at his life and learn how to continue to love even though the person’s not there.  When someone dies, the love doesn’t die, the relationship doesn’t die, it keeps growing on a certain level. So, if he turns around, and he sees him, is it real? Is it him working it out in his own mind? It’s a tool to tell more story …

Tell me about casting Mitchell Anderson?  He had retired and moved to Atlanta, and he ends up playing the love of Brian’s life.


KEVIN:  When Michael and I were writing, we threw out, “Who do you think would play this part?”  One day, I just dropped the name “Mitchell Anderson” I said, “I just see him as Jason.” Michael said to me, “Kevin, he’s retired.”  I just knew Mitchell and I had great history in the business. We started off as actors together in class. He went one direction, I went another, then he left the business, but I just felt there was something about his persona – not to mention his talent – his unique humor, his sensibility, and style, so I said, “I think we should ask him.”  We did. Mitchell said, “Okay, Kevin. Let me read the script.” He called back immediately after receiving it, and said, “I would love to do this!” I have not stopped thanking him every day. He’s so good in it.

The main character of Brian goes on this journey: he meets other guys, some appear younger than others! (Laughs)

KEVIN:  It’s a year after Jason is gone, Brian is trying to settle into his new life, but he’s guilty that his partner has died.  He has sadness, grief, and so much love for Jason that he’s having trouble moving forward, and everyone is trying to push him forward.  Brian is not necessarily ready, but sometimes his body is ready, while emotionally, he’s not. It’s how we deal with all that navigation of seeing good-looking guys.  He meets a guy in the middle of the series, and it starts to open up the doors. That’s the beauty of what happens when he starts to let himself open up to the possibilities.  There are some great rollercoaster moments that you’ll see.

Would you do another season of After Forever?

KEVIN:  Oh, my God!  Michael and I have already started to script out seasons 2 and 3.


Middle-aged gay men do have it rough in the relationship department, if they’re not already partnered up by this point in their life.  Younger guys think they’re over the hill, older guys aren’t necessarily interested either, and unfortunately, the LGBTQ community is unforgiving to community if you’re not young and pretty, and not in your 20s or 30s. There aren’t a lot of LGBT-oriented shows out there like this.  On that level, I think the concept of the show is an important story to tell.

KEVIN:  We were absolutely committed to writing not just another gay story.  We’ve seen those. I think the beauty of After Forever is that it’s not just a gay story- even though it’s told through two gay men… but, it’s a story about love … it’s a story about loss.  Everyone is going to have to deal with this in their life.


Dealing with loss is part of the circle of life, whether it’s a parent, a child, a lover, a friend, or your longtime partner. Many in the LGBT community succumbed to AIDS in the ‘80s and ‘90s, which was a pivotal moment in the gay movement.

KEVIN:  We lost half of our community.  We lost half of our brothers. To jump back to that history with Mitchell, he and I had so many mutual friends who aren’t here anymore.  We would look at the scene that was at hand, take a breath, look at each other, and they’d say “action” and we’d step into these people. Yes, it’s gay themed, because it’s told by two leading male characters who are gay.  But, I have heard more people in the last two months since this has come out, who have not only stopped and said, “Thank you for writing such a wonderful story about love and loss, and new beginnings, but also, what it’s like to have to confront that loss.” They also went on to say, “For so many years, gay people have had to watch the heterosexual world. People are trying to fit themselves into our world now, into our story, and how they would feel navigating it.”

Michael Urie is in it too? And you have some pretty accomplished people in your cast.  


KEVIN:  Yes, there’s Michael Urie, Cady Huffman who sings in one of the episodes.  Tere is a scene in episode 3 that it still floors me, I can’t watch it without losing it.  Then, there’s Anita Gillette, Lenny Wolpe, David Dean Bottrell. Everyone is perfect, and everyone was able to show up, and everyone delivered a million percent.

What’s the response you’ve been getting from people who have watched After Forever?  You mentioned it’s been very positive.  

KEVIN:  Everyone has been touched.  The majority who have seen this, are just moved to tears and full of excitement.

I saw that Jennifer Pepperman, ex-executive producer of One Life to Live, directed your series.  What was it like working with Jen?


KEVIN:  We had a lot of people who we could have pulled from.  Jennifer came up in conversation, because she had sent Michael an invitation to go see her new short film that she had done with Austin Peck (Ex-Austin, Days) and his wife, Teri Conn (Ex-Katie, ATWT).  I said, “Maybe if I go see the show and I like it, I can introduced myself to Jennifer.”  I called him right after and I said, “If we don’t get her, we’re crazy!” She’s so good. What she did is perfection.  We shot the whole thing like a movie. It was shot in 12 days. She knew everything she wanted to do and it shows in the edit.  And, this extraordinarily, talented girl named Colleen Kwok, who was the director of photography. She’s the real thing. She got it.  She got the style we were going for immediately.

So, we want to tell people to binge watch the series on Amazon.

KEVIN:  Binge it, or make it last for 15 days…

How many hankies will I need for this? 10? 5?


KEVIN:  I say Kleenex is not included … Anybody who has ever loved, anybody who has ever lost, must see this show, because it unifies all of us, it shows us that we are the same.  It shows us that we still have love in our lives, regardless of if that person is gone, the relationship never ends, it never dies. That’s what people are getting from this.  That’s what people are taking away from it. You and I were raised with the symbols of a straight world and how we had to fit into that certain way of life. That’s changed now.  We have Will & Grace … we have RuPaul … all these great things that are illustrating our diversity.  Now, people are going, “it’s just a story being told.”

What was Mitchell’s reaction when he saw the final product?

KEVIN:  We saw it together…We just sat there and cried.  It’s hard. Especially, the first two episodes and the last two episodes.  We served it up, Michael, we served it up!


I think you spoke to a greater issue, as you move through this career, you have to remain relevant as things change.  So, you’ve dipped yourself into this pool and now you can do more.

KEVIN:  I hope so.  You and I talked about this along time ago, when I first started on Days Of Our Lives, it was still a different world.

It was so different back then.  Actors couldn’t be out. There was still that stigma that if the audience at home knew they were gay, they wouldn’t buy into what they were portraying.

KEVIN:  That’s where I kind of worked it out, because I didn’t pretend not to be me, I just wasn’t very open about everything in my life.  Not that I still am. There’s certain things that I don’t talk about, because it’s not relevant, or it’s no one’s business.

So, do you get the obligatory question, “What’s a guy like you doing being single”? (Laughs)

KEVIN:  Michael said to me one day, “How come a guy like you is single?”  I made a joke out of it and said, “Have you seen me eat? Come on!”

So, intrigued to check out After Forever? What do you think about its central theme looking at what happens when one loses their partner at middle-age and more?  Share your thoughts via the comment section below.

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General Hospital

GH’s Laura Wright and Wes Ramsey Talk Their Love Connection & The Demands Of Daytime

Photo Credit: JPI Studios

After presenting for the first time together, at the 45th Annual Daytime Emmys since they’ve been a couple, Laura Wright (Carly) and Wes Ramsey (Peter aka Henrik) of General Hospital have certainly been in the throes of a romantic, fun, and cherished relationship. The two former stars of Guiding Light reconnected last year at Emmy time. Now, sharing their over one year anniversary, Michael Fairman TV caught up with Laura and Wes to get some insight into what makes their relationship work amidst the hustle and bustle, and pace of both being on a network television daytime drama series, and with the pressures of Hollywood where often relationships between two actors seem to start hot and heavy but then fizzle out.

If you caught this week’s GH, you witnessed that the town of Port Charles has found out that Peter is the notorious Cesar Faison’s son, and the ramifications that will be felt for weeks and months and potentially years to come. Meanwhile, Carly is in all sorts of trouble, thanks to naughty Nelle (Chloe Lanier). Nelle is making Carly look awfully unstable and what happens next could change Carly’s life forever.

So, what do these two lovebirds have to say about their relationship and their passion for working on the soaps? Check out what they had to share below. 

Wes, you had met Laura originally years ago on Guiding Light.

Photo Credit: JPI Studios

Wes: Yes, 15 years ago in New York.

And what did you think of her then?

Wes: Well, I was smitten, but I had to keep it to myself.

You had to keep it under wraps, huh?

Wes: Yep!

Laura: I was married then.

Wes: She was pregnant with her second child.

Laura: And he’s a good Kentucky boy.

Photo Credit: JPI Studios

Wes: Uh-huh! But we would run lines in the green room and I would try very hard to make sure she didn’t catch me staring at her… too often. But we laughed, and had great conversation.

Laura: I would always say, “Wes, will you run lines with me?,” because I would want to run my lines.

Wes: We never had story together, but she always knew I was game to hang out with her for a moment.

It’s good when you’re in a relationship with someone and you can laugh with them. You seem to be able to do that a lot!

Photo Credit: JPI Studios

Laura: Oh, gosh. I think that’s all we do.

Wes: Yes, yes, yes, yes…

Laura: Like, we belly laugh. It gets to the point where people would think we were ridiculous. We’ll say things and just think it’s the funniest thing ever and people would be like, “You guys have a problem …” and we’re like, “Yeah.” (Laughs)

Laura, and then he comes back into your life years later…

Wes: That’s right, it was Emmy weekend 2017.

Laura: I totally was not expecting it at all. Even when I gave him my number I walked away going “huh…”

You mean you thought he wouldn’t call?

Laura: No, I didn’t feel that… because he hit on me hard. He’ll tell you that.

Wes: I still am hitting on her.

Laura: I remember I walked away quick after he got my number. I was like, “Oh, my God … I gotta go.”


Wes: There was an assertiveness on my part that was for sure 15 years in the making. I did not expect to run into her. I also did not expect for her to tell me that she was recently single. In that split second, it was one of those, “stop the presses!” moments. Like, you need to give me your number, I’m taking you to dinner.

Laura: I go, “Oh, be quiet! Are you like, 32, because I can’t do that.” (Laughs)

Wes: And I said, “Far from it.”

Laura: He’s like, “I’m getting ready to be 40.” And I’m like, “I can do that!”

Then, on top of all of this, Wes, you land a primo role on General Hospital. That of Henrik aka Peter, Cesar Faison’s son.

Photo Credit: Courtesy/ABC

Wes: Yes, a dream come true.

Laura: I’m going to jump in and say it’s a role that he worked all on his own for. He had to screen test against 8 plus guys, 3 different auditions, 2 different days.

Wes: That’s true.

Laura: I can’t say strong enough that the best actor got the role. Meaning, Wesley is so talented and has the ability to give this character the depth, and emotion, and layers that it needs to tell the story that needs to be told. I just think he’s incredible.

So, did you know from the get-go who you were going to be playing?

Photo Credit: JPI Studios

Wes: I did not.

Laura: I did! (Laughs)

Wes: I’m thrilled that the writers have been giving me such incredible material to dive into.   Each month that goes by, it becomes more and more complex, and more and more layered and intense. I love the depth… I love the conflicts… I love the humanity… I love the desperation… I love the psychology behind it. It’s a very interesting story and a great journey to tell.

Laura: I was getting ready to say, where you mentally have to go to be the son of Faison and Anna Devane (Finola Hughes)! To blend that together is amazing. It’s incredible to watch.

You used to run lines together on Guiding Light. Do you run lines together now on GH? It’s like a full circle moment.

Laura: We do, and we carpool.

Photo Credit: JPI Studios

Wes: Something we were trying to manifest together. We thought it would be a lot of fun to work together one day.

Laura: The last week we worked, we didn’t. He worked all afternoon. I worked all morning. I was like, “Are they doing this on purpose?” I was so mad! I was like, “Why are you in the afternoon everyday?” (Laughs)

Wes: She lost her chauffeur. (Laughs)

Laura: I did! He always drives us to work. I also love when we both have afternoon calls, because we love having mornings together. So, I didn’t get my morning, nor did I have my chauffeur!

So, two actors can have a good relationship? You see so many Hollywood relationships with actors and they go bust. But that’s not always the case …

Wes: Oh, my God, yes.

Photo Credit: JPI Studios

Laura: I’m going to say this; I think I can see it being more difficult for daytime actors, because the work we do is so intense. I know the weeks he’s getting ready to go into, and I’m getting ready to go into. Where we go emotionally and psychologically to tell these stories, on the level that we tell them, as quick as we tell them, you kind of have to become really in a headspace. The fact that we can …

Wes: … the long hours …

Laura: Yes, and exhaustion! You really have to go, “Wow! It’s not about me right now. It’s about us individually as actors.” Thank God, we know the workload. I know what he’s getting ready to go through.

Wes: I have always had so much respect for Laura’s work. On Guiding Light, I’ve always been in awe of what she’s capable of doing. So, the level of respect is obviously there. But also, the understanding whatever it is that you need from a personal assistant in one moment… or a life partner in another moment … or a best friend in moment … or whatever it is in order to get through the day-to-day and the week-to-week, so we can do what we love to do. We know we’re very lucky to have the opportunity to do what we love.

Courtesy/welcometolaurasworld Instagram

Laura was such a great co-host on my Soap Nation Live! Daytime Emmy Nomination Specials, in particular when she talks about acting. It’s so rewarding to hear the other actors who are guests on the show listening to what Laura has to say about her craft and respecting the hell out of her.

Wes: Without a doubt. You can’t watch her work and not be in awe. It speaks for itself.

Laura: I just love the journey of going to the places that we go; to bleed for it.

Wes: Leave it all out on the floor.

Laura: I know that process. So, when I see another actor that’s bleeding, I just bow to them, because I know what it takes to go there. I know the work that Wesley does. When I see that he’s spent at the end of the day, I’m like, “Babe, I so get it.” So, I can see where it could be really difficult for people that haven’t been there, because it’s a lot of work and you’re spent. It’s hard! For us, that works.

What do you think of Laura and Wes’ love connection? What do you think of the latest developments for GH’s Carly and Henrik? Comment below.

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EXCLUSIVE: 45th Annual Daytime Emmys Winners & Backstage Video Interviews!

Photo : MF Soaps Inc

The 45th Annual Daytime Emmys are in the record books.  And as previously reported, it was a big night for NBC’s Days of our Lives taking Outstanding Drama Series, Writing and Directing in a Drama Series Awards, plus top acting nods to James Reynolds (Abe) and Greg Vaughan (Eric).

Behind the scenes while the ceremony continued on-stage, and as the night’s big winners and several presenters were whisked away backstage following their victory, they took to the Winner’s Walk and chatted with Michael Fairman who got their reactions to winning the gold, or presenting important moments of the night during the live-stream broadcast.

From DAYS Deidre Hall (Marlena), Dr. Oz, The Ladies of The Talk, and GH’Chris Van Etten to DAYS head scribe Ron Carlivati, to Y&R’s actress winners: Eileen Davidson (Ashley) and Camryn Grimes (Mariah), and GH’s Chloe Lanier (Nelle, Vernee Watson (Stella) and more now you can watch the complete backstage series of conversations on The Michael Fairman Channel on You Tube.  Make sure to “subscribe” for these and more celebrity interviews.

After the jump, check out some of the winners and backstage interviews with Michael.  You can also go directly to the video you are looking to view, by clicking on the blue hyperlink on the interviewees name. (more…)

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Video du Jour

This week, Nick lost temporary custody of Christian leading to a defiant and emotional turn by Joshua Morrow (Nick) as he has to say farewell to the little boy he has come to love as his own son, and give him to his father, Victor, who wanted and was granted custody of the child. Watch the hankie-inducing moment! Leave A Comment

The Michael Channel

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Power Performance

Joshua Morrow as Nick

The Young and the Restless

Airdate: 6-14-2018