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The World Magic Award Soap Interviews – St. John, Goddard, Case, Hennesey & Frantz

Daniel Goddard and St. John Magic AwardsCirque du Soaps!

Where else could I find magicians and soap stars gathered in one place? I mean, the drama, the cliffhangers, sawing a woman in half! Saturday night at the Barkar Hanger in Santa Monica, ATI (the producers who brought you this year’s Daytime Emmys) brought in some of the best known from daytime drama to act as presenters to some of the best known magic acts in the world, who were recipients on prestidigitation’s biggest night.

I had the opportunity to chat with The Young and the Restless Kristoff St John (Neil) and Daniel Goddard (Cane) on the red carpet, and then sat down with Y&R’s Sharon Case and GH and Cougar Town’s, Carolyn Hennesy for a joint interview. Later, I met up at the after party dinner with Adrienne Frantz (Amber) and her boyfriend Scott Bailey (Ex-GL), who were sitting with the wonderful Shanelle Workman-Gray (Ex-Flash, OLTL and Gaby, B&B) and her husband, actor, David Barry Gray.

Y&R’s Eric Braeden (Victor), who presented the final award of the evening to the top magician of the year, Greg Frewin, was a no-show on the red carpet, snuck in during the taping of the show for his part in the show, and was in and out of the proceedings. He did not speak to press, hence his absence from this feature. Matt Borlenghi, who was reportedly on, then off, then expected back on General Hospital as a reported “Cassadine”, in late December, and his very pregnant and beautiful wife, Heather, also attended the event.

The World Magic Awards are set to air in November on MyNetworkTV affiliates around the country. Be on the lookout. And now, with the wave of my magic wand…here are the World Magic Award Interviews! Poof!

KRISTOFF ST. JOHN

MICHAEL:

So you are here presenting which Magic Award?

KRISTOFF:

Best Comedy Illusion Award with Goddard.

MICHAEL:

Are you going to ignite the Buzzworthy Radio drama again?

KRISTOFF:

Yes, that is correct. Laugh like me. (Laughs) I am a fan of this show and I have come back as a repeat presenter.

MICHAEL:

So Eric Braeden (Victor) who is a presenter here tonight is in a much publicized contract dispute with your show Y&R. What are your feelings on the situation that have Eric written off the show so far? His spokesperson has informed the media, “He may or he may not be back.”

KRISTOFF:

I think that no comment is the best policy to take when other actors are going through contract talks. I don’t believe Eric Braeden will leave the canvas as the character of Victor Newman, but if he does, it would be sad to see him go at such a critical time in the show’s history. We have a guaranteed two years left on network television. I think in order to survive and to get another contract and licensing agreement out of CBS, the wise decision would be to get him back. Is it the wisest decision for Eric to accept the terms of the contract? I don’t know, and I cannot comment on that. It would be a huge loss to the show and the audience worldwide.

MICHAEL:

Were you at the set a few weeks back, when Eric said his “goodbyes” to the cast and crew?

KRISTOFF:

I was not there, but I heard about it. You know my gut tells me that he will come back, but it is a standoff right now. I have been there in the same situation only it wasn’t much of a stand off. (Laughs) I came to the gunfight without a gun.

MICHAEL:

Now, what about the ongoing situation with a return to “Y&R” by Victoria Rowell (Drucilla)? Recently, comments were made that alluded to some people in the cast who were impeding her return, and seemed like it was aimed at Christel Khalil (Lily)?

KRISTOFF:

I don’t think Christel said anything bad about Victoria. There is this assumption that certain people don’t want to work with Victoria based on past history. I believe those were Victoria Rowell’s comments; that there were individuals in the cast that may not be pleased if she were to return, Christel being one of them. And that is why I believe Christel answered back, “Hey, look, I have not said anything.” So, it’s stirring the pot. And it would be wise to bring her back, too. And, if the powers-that-be could somehow figure things out, it would be great!

DANIEL GODDARD

Daniel GoddardMICHAEL:

Cane and Lily have been battling Lily’s cancer together. Coming up, are we going to see a change in Cane since he has been duplicitous in the past? Perhaps… something shifty?

DANIEL:

I have a scene with Billy Miller (Billy) that we shot yesterday that was a good scene and it puts the dynamic of Billy and Cane back in a point where it does well. People like the push and pull of these two, and Maria Bell (Head writer, and co-executive producer, Y&R) is doing a good job at that.

MICHAEL:

What are your feelings on the Eric Braeden situation? Things are in such a state of upheaval in the industry; with the way contract talks and the state that the industry is in regards to actors and their agreements with the series and networks.

DANIEL:

I don’t have an opinion on what is going on with it, but I am certain whoever is reading the contracts knows what they are doing, and so I don’t think they would do something that would be morally or ethically wrong.

MICHAEL:

How do you feel Lily’s cancer storyline is playing out? Do you feel the show is missing some beats or do you like the approach?

DANIEL:

I think it has played out well, and I like the fact that Lily will turn to Cane and be all ‘angst-y’ and Cane lets it roll off of him, because I think there is humanity in the way she does it. They have pulled us off being on everyday just sitting around the house going, “Oh, we are sick. We’re sick. We’re sick.” That can get a little boring.

MICHAEL:

As the person going through the cancer as the caretaker, do you think it’s being told well from the husband’s perspective?

DANIEL:

That is the thing that makes the most sense. It’s not about what Cane is going through, it’s about what Lily is going through. Then you see his perspective as well and you think, “How could he not be tolerant of what she is going through?” She lost her uterus, her chance at having a child, is faced with death, and her best friend, Colleen just died. I mean, most people in that situation in real life would be “kooky” about now…..

MICHAEL:

Unless, they had Cane with them…..

DANIEL:

….Something like that. (Laughs)

MICHAEL:

Now Cane’s Australia connection got dropped after Phillip III returned. Are we finally going to delve into this mystery man’s true past and what he is hiding? What’s up with that?

DANIEL:

I would say it was placed in a warm environment waiting to blossom. The soil was warm and moist but the seed needed time to nurture and when it comes, it will be worth it.

MICHAEL:

How is your new little one, Sebastian?

DANIEL:

Sebastian is 10 months old and is a pistol and an animal. He is so physically strong at 10 months old. He’ll drag the chair and he will throw a ball, and he will go down the stairs with my guidance on his hands first. He is so strong; he can take the weight on his upper body. He is just an amazing little guy.

SHARON CASE AND CAROLYN HENNESY

Carolyn Hennesy Magic AwardsMICHAEL:

I am sitting with Sharon Case and Carolyn Hennesy, and the two of you are presenting together tonight!

CAROLYN:

A magical pair at the Magic Awards!

SHARON:

We are not presenting the award to The Twins, we are introducing their act. They are these young European boys and they do this amazing magic act.

CAROLYN:

Young European boys? (She laughs)

MICHAEL:

From the Czech Republic?

CAROLYN:

Who Cares? I am going to try and stay on the stage so I can disappear with one of them as part of the act. (Laughs)

MICHAEL:

Sharon, its very upsetting and a bit twisted watching yet another soap baby switch whose next victim is poor Sharon. What did you think when you read or heard you were going to be the next actress in soap opera’s notorious baby-switch plot device?

Sharon Case Magic AwardsSHARON:

I have never had a baby switch story. I thought, “Wow, I have never had to play a baby switch story,” and if you are on the show long enough, everything happens to you. That is what I thought. I like that there is always a twist so things keep going. There is always some reason Nick and Sharon can’t be together, and yet they yearn for each other, and I like that we keep that going.

MICHAEL:

Is Sharon going to be crying many more tears before this one is over? One can only expect.

SHARON:

She is trying to come out of this strong and move on with her life, and take this as a sign. Sharon did spend a month in the psychiatric institution so she feels stronger now. She still has sad moments for sure.

MICHAEL:

Is Adam going to go after Sharon to make this really twisted?

SHARON:

I can’t say, because you are going to have to watch. You know Adam, he is trouble!

MICHAEL:

Are you familiar with Cougar Town? Would you like to play a cougar a la Ms. Hennesy?

SHARON:

I love Cougar Town and I would love to play a cougar!

CAROLYN:

Carolyn HennesyThere is nothing more liberating than playing a cougar, especially the kind of Cougar I play on Cougar Town. My cougar had no filter and no morals. Nothing!

MICHAEL:

Good news… the series got picked up by ABC!

CAROLYN:

It got picked up for the entire season.

MICHAEL:

And Sharon, you just wrapped a feature film.

SHARON:

Yes. I just wrapped it a few days ago. It’s a film whose working title was, Love Will Keep Us Together, but for some reason that did not work out, so they are now calling it Man of the House but now there is a conflict with that title. I don’t think it comes out till June 2010, so they have some time to figure that part out. It’s a romantic comedy and I play the lead with David James Elliot. It was fun, and working with David was great.

MICHAEL:

Sharon, Eric Braeden has left the building, so to speak, and for the moment is off Y&R due to contract negotiations. What are your thoughts on the Braeden situation and soap contracts for actors, as we move in 2010 in a tight economic climate and as the genre fights for survival?

SHARON:

It is tough for the actors and the shows, too. Because of the economy and how all the shows are doing on television, the shows are having to make a lot of budgets cuts, and they need to figure out where to make those cuts, and where not to. That is what is important. I think cuts need to be made, but I think where and how the cuts should be made is important to the show, but also keeps the people on the show that the fans want to see.

MICHAEL:

Carolyn, James Franco is coming to GH!

CAROLYN:

Who? Who? Who’s James Franco? Oh, my God! I am so excited! And you know, Max and Diane have broken up for now…

MICHAEL:

…Do I smell a cougar move?

CAROLYN:

So, one can only hope James Franco will find Ms. Miller in his path. I don’t know who he is going to be. I heard he is coming to Port Charles as a mystery person, and I am so excited. I mean, how yummy is James Franco?

MICHAEL:

Pretty yummy! Another yummy favorite for soap fans is Joshua Morrow (Nick), who you have worked with for so many years, Sharon. How do the two of you feel at this point in the story juncture? Do you two still go over material together and discuss what the writers are asking you to play?

Sharon CaseSHARON:

We have worked together a long time, so we know what we want to do in our scenes together and what each of us wants for our characters relationship, so we get it. Every once in awhile we will tell each other, “I want to go in this direction with it and I am just letting you know.” The writing is great and it plays out so naturally. We have done it so long. It used to be our characters were together so long. I mean, there was drama and things would happen, but we were always together. Then when things started to happen: Cassie’s death, Phyllis’s affair, and all these changes that were happening, such as I was working with Peter Bergman (Jack) and Don Diamont (Brad). And Josh and I would talk about it back then and say, “Oh, my God. How do you feel about all this?” Now we are used to it. Storylines change. We are used to working with other people, before we were not, because we would only work with each other.

MICHAEL:

Carolyn, perhaps Diane could have a baby-switch in her future on GH. Every good actress needs one!

CAROLYN:

As long as that baby is Spinelli, I am just fine

MICHAEL:

Sharon, any tips you can give Carolyn on baby swaps on soaps?

SHARON:

Oh, don’t give up, and you will recognize your baby when you see it and probably, the neighbor had it! (Laughs)

MICHAEL:

And of course you will be drugged! Wasn’t Sharon?

CAROLYN:

First of all, Diane is not going to have a baby, because it would have to be by Immaculate Conception. However, I think this is one of the reason’s Spinelli drives her up a tree. I think, we as the cast are all trying to play it and focus the writers in on it; that if Spinelli were Diane’s son, it would explain so much.

ADRIENNE FRANTZ (After show interview)

Adrienne FrantzMICHAEL:

Adrienne, what did you think of all the magic acts?

ADRIENNE:

Some of them were really good. I liked the tiger act at the end, and I like the guy and the woman who kept changing her dresses, and the funny guys from Ireland. I felt they were good and fun, though. If you are going to see magic acts, you might as well go to the World Magic Awards.

MICHAEL:

Let’s talk about Y&R. It has been great watching you with Sean Kanan again and seeing Deacon and Amber fighting their attraction and Deacon’s skullduggery. The way your performance is coming across to the viewers is, you don’t know if she likes the guy or hates his guts. Was that intentional?

ADRIENNE:
Of course! It’s a fine line I am playing. We do have history and Deacon does know what Amber likes, and she does like sparkly diamonds. The other day she was wearing a diamond necklace. Amber does want to get money out of Deacon because he has put her though all this stuff. That is part of who she is, though.

MICHAEL:

Did you find those despicable hotel sex scenes that were degrading to Amber and to women, tough to play? It was tough for viewers to watch and quite sad.

ADRIENNE:

It was hard to play because you know she is doing it to save someone she loves, and at the same time it’s a horrible thing. That was the question going around the set. Would you do that? Would you sleep with someone just to save someone you love? That was the million-dollar question that was going around the set and most people said, “Yes, they would.”

MICHAEL:

Did you see those scenes back?

ADRIENNE:

We shot it twice and the first one was worse. We had to go back and reshoot it, and the second one was the one that aired.  The first one was way more degrading.

MICHAEL:

Michael Graziadei (Daniel) and you are good buddies, plus play love interests on the show. But it looks like…things might change between Daniel and Amber. Do you know where their the story is heading? I know you are not at liberty to divulge much.

ADRIENNE:

Yes, I do know where it’s heading.

Adrienne FrantzMICHAEL:

And when you found out where it was heading, how did it sit with you?

ADRIENNE:

Well, I do know one way it’s heading. I know super surprise twists that are going to happen. I am really excited to start playing this.

MICHAEL:

Will the audience still care for Amber when all is said and done?

ADRIENNE:

You will still feel for her, but you will also see why she struggles with the way she feels and understand what she is going through.

MICHAEL:

What did you think of the Terroni painting being part of the plot device to bring Deacon and Amber, Daniel, Kevin, Jana and Gloria into the fold?

ADRIENNE:

I think it’s interesting and creates an interesting arc. Deacon started making forgeries and so it all started from that. I think it’s an interesting loop that its taken and it’s not over yet.

MICHAEL:

Sean had nothing but complimentary things to say about you, when I interviewed him awhile back. Did you know before, that Sean was headed to Genoa City?

ADRIENNE:

I knew he was going to get it way before, and I was not allowed to say anything.

MICHAEL:

Did you put in a good word?

ADRIENNE:

Yeah, I talked to people. (Laughs) I did put the bug in some ears. When I found out it was for sure, I called him up. It’s cool and we have been friends for years and he is a great actor!

MICHAEL:

Eric Braeden has, for the moment, left Y&R during a contract dispute with SONY and the show. What are your thoughts on the hold-out and the stalemate between actor and the powers-that-be?

ADRIENNE:

They are cutting contracts all around. I mean everybody has to bite the bullet. It’s not like anyone gets special treatment. If you don’t want to play fair with everyone, then don’t play. If you want to step out…. everybody is dealing with the same stuff. So if anybody thinks they are better than anyone else, then they should leave if they want to. It’s a cast. We are all working together. We are all working our hardest to make it go, and if you don’t want to work with everyone than you are not helping.

Adrienne Frantz and Scott BailyMICHAEL:

Your former soap B&B won Best Drama Series at the Emmys!

ADRIENNE:

I was so thrilled for them! I went to their after-party and I said, “I should have gotten on stage with you,” to Brad Bell. And Brad said, “I know you should have!” I was there for so many years. They deserve it. I was thrilled for them!

MICHAEL:

In closing, give me a good teaser for Amber fans?

ADRIENNE:

I think you should watch. She is about to have a conflict that would break anybody’s heart in a billion pieces!

Interviews

Y&R’s Amelia Heinle Talks What’s Next For Victoria & Returning To Work With The Newman Clan

Fiftteen years, and two Daytime Emmys later, Amelia Heinle has become a mainstay of CBS’ The Young and the Restless as Victoria Newman; the on-screen daughter of the iconic Victor (Eric Braeden) and Nikki (Melody Thomas Scott).

In Genoa City, Victoria has certainly had her share of issues in the love department, and has battled back time and time again for respect as a formidable power player and businesswoman.

Now with Y&R being back this Monday with all-new episodes; following the production shutdown caused by COVID-19, viewers can expect to see a tougher-stance from Victoria as she fights for what she rightfully believes is hers … and she may just to it by any means possible.

Michael Fairman TV caught with Amelia to get the lowdown on: what’s ahead for Victoria, working with her co-stars, Victoria’s future in business and in affairs of the heart, and much more.  All we can say is “Better watch out Adam (Mark Grossman) and Victor!”  Here’s what Amelia shared.

Photo: JPI

How has it been going back to work at Y&R during the coronavirus pandemic?

AMELIA:  The first week was an adjustment.  There were a lot of different protocols to follow, but now I think we are in week five or so, and things are kind of normalizing a little bit with all of the precautions that we have to take and trying to get used to them.  So, it’s not much different than what’s going on in real life and how all of us are taking precautions to stay safe.  We are kind of coming back a little slower because they aren’t having a bunch of people at the studio at one time.  It’s nice.  It’s been a lot of two-person scenes, and it’s good.  I think it is going to be well-received by the fans when we start airing new episodes Monday.

Did you feel any hesitation going back into production? 

AMELIA:  No, I was glad to go back.  I was really missing everyone and missing the show and working and just the whole thing.  So, I was very anxious to get back.  It feels good.

Are the actors far apart in the scenes … as in six feet apart?

AMELIA:  Yes, I even think the first day we were back; we were like ten feet apart!  (Laughs)  They were very careful, and I respect that.  It’s not easy to do what they’re doing, and they’re pulling it off beautifully.  I’m proud of them, and I’m proud of all of us, because I think everybody wants to be back so badly and to make it work, so they’re just doing what they have to do.

Photo: JPI

So where we pick back up in story; Victoria is pretty upset with Victor and Adam.  How is she feeling about Adam after we learned he supposedly killed a guy when he was a child?

AMELIA:  It was so funny when we came back, I forgot where we were.  I couldn’t remember.  I just was like, “Wait… what happened?” because it was so long ago!

You were like “Who is AJ Montalvo?” (Laughs)

AMELIA:  Yeah!  I totally forgot about that.  I was like, “Was that where we left off?”  (Laughs) We all just kind of just jumped back into the story … and Victoria was pissed off with her father because he, again, gave Adam her position at Newman Enterprises, and made an excuse for why he did it.  So, she is mad again.   I think they thought about my character over the break and made her a little tougher.

Photo: JPI

Do you think Victoria will want payback and be a little more vindictive than we’ve seen her?

AMELIA:  Oh yeah, for sure.  She seems to be channeling Victor more and I am more than happy to play that.  Since I’ve been back, it’s been a lot of fun because they’ve given me a lot of material.

Glad to hear that Victoria will have more of an edge.  At times through the years, the various writers have waffled with her.  Isn’t Victoria supposed to be the most like Victor of all his children?

AMELIA: Yes, she’s supposed to be, and I really like it when they write her to be strong with her father, which sometimes I find that they don’t.  Sometimes, I find she is not as strong with him, and it just depends on the writers we have, or the executive producer at the time, but now they’ve written her holding her own with Victor and passionate about Newman Enterprises.  I’m hoping that they keep going in this direction.  I like playing her A-type personality.  It just makes me laugh.  I get a kick out of the character being so tightly wound and just all about business because it’s fun to play.

Photo: JPI

What does Victoria think about Adam?  Doesn’t she want to strangle him?  What is her modus operandi where he is involved?

AMELIA:  I find her to have this daddy issue, and she is highly jealous of Adam, because he’s always getting a second chance.  What Victor has done to Victoria is really cold-blooded.  He does really keep dissing her business-wise.  She’ll have an opportunity, and we had this great scene a long time ago where he finally gives makes Victoria the CEO at Newman, and it was really nice, and six months later, or whenever, he gives it back to Adam.  So she gets stabbed and then he just gives the position to Adam.  Victoria is always just getting the short end of the stick when it comes to the company.  I think that in several of the new episodes that are coming out soon, Victoria is going to fight for what she wants … finally.  She’s getting a lot wiser to her father and what he does, so I think that’s what you are going to see.

As we come back into the story, Victoria is the CEO, correct?

AMELIA:  Yes.  She is the CEO, and Victor is actually retired.  Before the break, I couldn’t remember who the CEO was when I got back then I realized… it’s me!

Will Victoria use the ammo that Adam supposedly killed somebody as a child, to get rid of him once and for all?

AMELIA:  I don’t know if she ever wants Adam to go to prison.  I don’t think she hates him that much.  I know they write that, but it’s her brother, and I think she is just super jealous of the relationship that her father has with him. Victoria wants to get Adam into trouble, and I think she wants to demoralize him a little bit, but I don’t think she wants him to go to prison or to leave town.  I think there has to be an element of love.  There’s got to be a little bit of love there because they’ve had moments; that is her brother.

How do you think Mark Grossman has been as Adam?  It’s been over a year now since he’s taken over the pivotal role.

AMELIA:  I think Mark’s done such a wonderful job, and he came in like most characters like that, with all of the dialogue, and all of that workload.  I really like him.  He’s a nice man.

Photo: JPI

Where do you think Victoria’s relationship is with her other brother Nick (Joshua Morrow)?  Are they on good terms at this point?

AMELIA:  They;re still in love!  Come on! (Laughs)  I’m just kidding.  We always joke and say, “Nick and Victoria … they’re in love.”  It’s very Game of Thrones.  I haven’t had a scene with Joshua in a while, but they’ve been on good terms for many, many years.  I don’t think they’ve had them be at odds in a while.

So, you don’t think Victoria might get into cahoots with Nick to bring down Adam?

AMELIA:  I don’t know.  That’s a good question.  I haven’t seen any scenes with them together.  I’m sure the show will find a way to loop in everyone when they tie together this story with AJ Montalvo.  But there are some very interesting family dynamics coming up.  There is something Victoria does with her mom, Nikki (Melody Thomas Scott), that I’m not going to say, but something happens with her, and I like what they’ve written so far!

What about a man for Victoria?  Can she be okay without a guy? 

AMELIA:  She’s going to have to be; because I’m going to be six feet apart from whoever! (Laughs)  I don’t know how they’re going to do it.  I can’t wait to see.  They’re going to probably try some new loves, but not with a new character.  There might be some interaction with somebody coming up that I only know about, because I shot it last week. I think it is going to be cool. There’s some romance in Victoria’s future.

Photo: JPI

Okay, so it won’t be a loveless next six months for Victoria?

AMELIA:  No, I don’t think so.  I don’t think they’re going to do that to me.  I thought that too, but they’re teasing something right now, and I find it interesting.

What did you think of Jason Thompson (Billy) winning the Daytime Emmy for Outstanding Lead Actor in a Drama Series back at the end of June?  I know you were in some of the scenes with him that won him the gold.

AMELIA:  It’s about time!  He’s such a great actor.  I can’t believe Jason hasn’t won one till now. It was long overdue; in my opinion.

Do you enjoy the Billy/Victoria dynamic? It can get very messy between them when either they come together or grow apart in story?

AMELIA:  I like it a lot.  Jason is great whenever we have scenes together.  He’s super easy to act with.  He is so natural.  Right now, we are not romantically entangled on the show, so we had scenes a couple of weeks ago that were really nice.  Victoria involved Billy in her business with Newman, which you’ll see later, but now they have a new dynamic, and they have a kid.  I like playing us co-parenting.

Photo: JPI

But they could end up back together at some point, I would think.

AMELIA:  Oh, for sure, 100%.  You know we’re going to go there … forever and ever.  It’s an endless loop.

Y&R just aired a classic episode of J.T. and Victoria’s wedding.  Did you happen to see it?

AMELIA: People were sending me GIFS, and I was like, “Holy crap!  I was so young!” and so was Thad.  He looked like a baby!

Photo: JPI

Do you remember taping those scenes? 

AMELIA:  Yes, I remember wearing Melody’s old dress on the show, which was supposed to be Nikki’s old dress.  I remember that I had just had my son, Rowe, so he’s twleve now, so that was almost thirteen years ago, and I remember back then I was trying to lose a little baby weight.  I also remember laughing because my hair looked like I was going to a quinceañera, and I had bows in my hair.  It was so cool to see that.  It felt like it wasn’t that long ago, but it was.  Looking back, it was fun, but I still just can’t get over how young we looked.  Twelve years really ages you!  Maybe it’s the kids, I don’t know!

It’s so interesting, and I was saying this the other day to someone, that in daytime, we’ve all grown up with each other – the people who have worked in the medium, and the fans.  In no other medium can you truly follow an evolution of a person the way you can on daytime.

AMELIA:  It’s so true.  There’s nothing else like it in the whole world.  It’s so cool.

Speaking of Thad as J.T., they ultimately resolved the story of J.T.’s abusive behavior towards Victoria in that a brain tumor was the culprit. How did you feel about that?

AMELIA:  I liked that they did resolve it.  Actually, looking back, Thad did such great work he should have submitted himself for the Daytime Emmys in the Guest Performer category.  I know the wrap-up of the story was a little silly, but the way that it turned out was good because with the brain tumor, he can still come back.  J.T. went to prison for a little bit which is a hell of a lot better than him being buried in Chancellor Park!

When Thad was off the show, did he know that Victoria, Sharon, Nikki and Phyllis buried J.T. in Chancellor Park? (Laughs)

AMELIA:  Yeah, he knew that he was buried there.  We laughed about it.  When he came back, it had to be resolved somehow, and sometimes on daytime you have to suspend disbelief a little bit.

Do you know what was really good about it?  There was still great Victoria/J.T. chemistry.  It was still there through all of the craziness.

AMELIA:  I don’t know if they’d ever have him Thad back, but it would certainly be cool.  It would be nice to just have regular J.T. because he is such a good character.

Photo: JPI

The fans are very much looking forward to all new episodes of Y&R this week.  They’ve been so patient.  I think Y&R did such a great job of coming up with these classic episodes, many of them that people hadn’t seen in such a long time, instead of defaulting to more recent episodes and just re-airing those.  I’m sure you’re hearing that from the fans that they can’t wait to see you guys.

AMELIA:  I thought people would be super excited to have the classic episodes, and I think they were to a certain point.  However, it was also nice to hear that they wanted us to come back because my thinking was, “If they see the classic stuff, I wonder if they’re going to want us back,” and they do, and it’s nice.  They want to see the development of the storylines continue.  They had their fun with the reruns.  They were well-received.

Let’s talk about being part of the iconic Newman clan of Y&R.  Do you enjoy working with Eric Braeden (Victor)?

AMELIA:  If I see that I am working with him (I just thought about this the other day because we hadn’t seen each other), I know that it is always going to be good even if it isn’t the way I want it to be written.  It’s always good.  Eric is just fun to work with, and he usually brings his A-game.  Sometimes we laugh and make fun of the material if it’s silly, but he’s just always on point with being there for you, and being in the moment with you, and supportive of you, and offering ideas respectfully; because he still really cares after all these years.  You can see how much Eric cares about the show, and his character, and making it good.  It’s just always nice to work with him.

Photo: JPI

Has Eric given you advice while on set with him throughout your time together on Y&R?

AMELIA:  We’ve talked about things every now and then.  Sometimes, I’ll just go talk about what’s going on in the show, and sit in his dressing room, and shoot the breeze about stuff.  He’s a really insightful guy, and he’s done a lot in his life, and it’s always interesting to hear his stories.  There’s just no one like him.  Eric is just such a unique man, and I respect him a lot.

And… your on-screen mom, Melody Thomas Scott has got her memoir, Always Young and Restless coming out in less than two weeks!

AMELIA:  I know!  I’m so excited.

Are you discussed in the book?

AMELIA:  I think so, because Melody said she needed a picture of me.  I can’t wait to read it!

Photo: JPI

Is this true that the Newman acting troupe knows their lines like nobody’s business and gets their scenes done quickly?

AMELIA:  It depends on the day.  Sometimes we are.  If people want to get done and get the show going and keep the ball rolling, everybody is on their A-game, and some days, we just come back from lunch and nobody can find their script or their lipstick, but it’s fun either way.  I love it.

Would you say that the Newmans can be an intimidating group on set; especially for newcomers to the show who have their first scenes with them?

AMELIA:  I would say that we are.  I’m not going to lie.  When we are all there, and it’s Eric, Melody, Josh, and me, and then there is somebody new it can be hard for them.  We’ve all been together for so long now that we have our inside jokes and everything.  When someone new comes in, and they’re just thinking they can kind of ease right into it with us, it can work or not work.  Mark Grossman was one that it worked with.  He held his own, but we are always kind, and we always make people feel comfortable and are always complimentary of new actors.  We really are.

Photo: CBS

So, a tough nut to crack those Newmans, but if you crack it, you’re good to go?

AMELIA:  Oh, once you crack it, it’s cracked. You’re “in like Flynn”.

So, excited to see what happens for Victoria in the coming months on Y&R? Who so you hope she is linked with romanitcally? Share your thoughts on our interview with Amelia via the comment section below.

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Interviews

Digital Drama Daytime Emmy Preview: Patrika Darbo Talks On Her Nominated Performance in ‘Studio City’

In Sunday night’s Digital Drama Daytime Emmys (9 p.m. EST/6 p.m. PST) former Days of our Lives and The Bold and the Beautiful star, Patrika Darbo (Ex-Nancy, Ex-Shirley, respectively) is one of the notable nominees of the night for her powerhouse performance as Violet in Studio City.

Darbo is always working on projects in Hollywood, and her resume is long … whether it is in sitcoms like Seinfeld, series like Desperate Housewives, daytime dramas, the hottest digital drama, commercials, and more.

Having a complicated history with the Emmys; Patrika has won a Primetime Emmy for her work in Acting Dead, had her previous Daytime Emmy for The Bay rescinded, and now has a shot at another one when the winner is revealed in the Outstanding Supporting Actress in a Digital Drama Series category in which she is nominated.

Studio City was nominated for 8 Daytime Emmys this year including for Darbo, and series creator and star, Sean Kanan (Ex-GH, B&B, Y&R).  The show tells the tale of the cast of a fictional daytime drama as they navigate through the chaotic world of soap operas and their own very messy personal lives.  In it, Darbo delivers a tour de force monologue which just might have sealed the deal for Emmy voters.  She has already won, along with Studio City castmate, Carolyn Hennesy (Diane, GH), an Indie Series Award for her work, when the two actresses tied in their category.  They are both nominated together again for the Daytime Emmy.

Michael Fairman TV caught up with Patrika to talk playing those heavy emotional moments in Studio City, longevity in Hollywood, and Emmy night.  To watch the first season of Studio City via Amazon Prime Video click here, and to watch the Digital Drama Daytime Emmys click here.  Now here’s what Patrika shared with us.

Photo; JPI

We all knew that your memorable scene in Studio City was so strong.  Your performance is really such a standout that I just thought, “Of course she is going to get nominated for this,” and you did!  How did you feel about this nomination?

PATRIKA:  I have been through the many ways that Sean Kanan has put this show together.  I mean, he has worked on it for a long time.  I read for it with him, as his mom, being a comedy, and now we’ve gone all the way to the dramatic. I think Sean did some pretty good rewrites and gave me some great, meaty material. I so appreciate the fact that he recognized the fact that I am not just a comedic actress, that there is a dramatic part of me.  

Photo: StudioCity

The big moment in Studio City for your character was just so heartbreaking.  Did you deliver that performance in one take?

PATRIKA:  Yes, and then of course I had to do it a couple of times because we had to see it from Sean’s side for his reaction shots to what I was doing.  I come from the school that even though the camera is on my back, it is now on my partner’s front.  So, I tried to give Sean as much to react to when the camera was on him as when it was on me, and I got the same from him, so it was a very nice collaboration.

I watched Sean in that scene.  He was so good in it.  So, whatever you were doing, it triggered such honest reactions from him.

PATRIKA:  I think just as far as actors go; it is not that we always have to remember that it is not about us as an individual.  It is about the end product, and the end product is about who you are working with.  I got from Sean things to work with that made Violet’s emotion’s there, and then I wanted me to be able to take my emotions and give them back to him.

 

Photo: StudioCity

Was it hard to go there for you, to that deep emotional place; that Violent had been traumatized in her not so humble beginnings in Hollywood?

PATRIKA:  You know, I have great admiration for all of these women who have come forward in the whole #MeToo movement.  I have always been a short, round, fat, little character woman, who was never approached in those ways.  So, there were things I couldn’t relate to.  I had to go to my own personal darkness, which is mine to use when I need it, but to try to be sure that I made sure that women who had faced what I was talking about could appreciate that I was showing tribute to them, because that is a horrible thing, and any kind of situation when you are bullied into something that you don’t want to do or taken advantage of, those kind of situations.

For Violet, all of this stemmed from her desire to be in show business; that at an early age she found herself in a horrible situation with a scuzzy show biz type.

PATRIKA:  Yes, she got into town and it was like a dream come true. She got invited to parties, and everything was wonderful, and “Oh, he’s going to put me in the movies,” you know.  I think that’s what happens: Hollywood is so glorious, and kids come in and get off the bus to be a star, and the first thing you have to do is wait tables … and the second thing is sometimes when you are very pretty, and thin, and attractive, and bad things happen, and I’m not just saying it happens just to women.  It happens to young men as well, and it can happen to some older people.  It’s just a thing that we have now identified, and I think people are being made aware of it.

Photo: JPI

It almost seems like you get nominated for all sorts of things in you career: primetime, daytime, stage etc.  Have you ever figured out in your own mind, why you think you get the recognition? 

PATRIKA:  I think because people know me, and I try to give out what I want back.  You know, I treat people the way I want to be treated, which means that if there are a thousand things you’ve got to watch, and you go, “Oh, there’s Patrika, let’s see what she is doing now!  She’s always so nice to me,” they take a look at my work.  Do you know what I am saying?  It’s a numbers game.  We think about how many are in primetime at this moment, and even though there are only four soaps left on the major daytime calendar, there are still the new digital shows that are coming up.  I think I am very fortunate that people know my name, they know me, and they want to take a look and see what I am up to again, and the young actors and actresses that I mentor, and kids who I’ve work with, the most important thing, I always say, is to be nice.  No one should have to tell you that, but sometimes you have to reinforce it and say, “You know what?  The casting assistant today is the casting director tomorrow, the assistant director today is the director tomorrow.  The kid over here is the writer today, and tomorrow he is the show runner.”  I don’t think you should approach your life like “What’s in it for me?”

Photo: wireimage

What did you think of the whole of Studio City?  I think it’s a little gem.  I loved its look and feel, as well.

PATRIKA:  As we go along in this digital world, it is becoming more film-like, more real life looking.  We’ve kind of gotten away from the flat, three-camera take.  It’s bringing more things to life, and people are just enthralled with it. This is the new genre of the hour-long soap.  I think with the attention span of people these days; digital drama they may wind up enjoying more and because it looks more real, they will enjoy it more.

You were in a middle of a firestorm, in 2018, when your Daytime Emmy win for your wok in The Bay was revoked.  Did you at all think about that when you found out you got nominated For Studio City?

PATRIKA:  At first, you kind of go, “Are they giving me this nomination for this reason?” but then you kind of go, “You know what?  It really has nothing to do with NATAS.  It has to do with my peers appreciating my work.  So, I know even though I had some problems in the past, NATAS was so apologetic and they’ve made a lot of changes to try to make sure that things like that don’t happen to anyone else, which I am so appreciative of, but this nomination came from my peers.  So I feel I earned it, and I don’t think it has anything to do with what happened in the past except for the fact that there are changes that are for the good.

Photo: Studio City

Now, you are nominated in the Outstanding Supporting Actress in a Digital Drama Series category along with your Studio City co-star, GH’s Carolyn Hennesy.  You both tied in this category at the recent 11th annual Indie Series Awards as well.

PATRIKA:  Carolyn is wonderful in anything that she does.  I wish Sarah Brown had been nominated for her work in Studio City, too.  She is a wonderful actress. You kind of go, “Oh, they didn’t acknowledge her this time,”  but it’s like she is still in the show, the show is going to keep going, so she will have another opportunity for people to recognize her work.  Listen, Carolyn and I could cancel each other out this time, because people know us and like us and appreciate our work.

Photo: JPI

As a working actress in Hollywood, how to you feel about production starting back now for several shows, and concerns amidst the coronavirus pandemic that has crippled the show business community with the loss of so many jobs over the last several months?

PATRIKA:  I think there are still going to be concerns.  Listen, my husband has a heart problem.  He’s had a couple of stints, so he is going to be a high-risk.  So, if I am asked to go to work, I want it to be very safe where I am going, so when I come home, I don’t bring something to him, or I don’t get anything.  I think we are all going to be a lot more careful, but I think what people have to realize in general is that it is not just the actors who did not have work.  There are the camera people, there’s the director, there’s props, there are the electricians, there are a lot of people involved to make a show, whether it’s a daytime show or it’s a film.  So, things will be a little different.  There are going to be a lot of changes, but I’m hoping that we will at least get back, and are safe, and that we take care of each other.

On virtual Emmy night this Sunday, will you be participating and watching from home?

PATRIKA:  I’ll be at home, absolutely.  I’ll be trying to figure out how to push the Zoom button or the what button, and trying to figure out the computers. I’m a dinosaur in a digital world, but I’ll be doing my best!

So, will you be rooting for Patrika in the Outstanding Supporting Actress in a Digital Drama Series category on tomorrow night’s Digital Drama Emmys? Did you see Studio City and if so, what did you think of it?  Do you hope Patrika comes back to daytime soon? Comment below.

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Digital Drama Daytime Emmys Preview: Graham Sibley Talks On His Nominated Performance In ‘Dark/Web’

In one of the hotly contested contests on Sunday night’s Digital Drama Daytime Emmys, Graham Sibley is going for gold for his riveting and tense performance in the 7-time nominated series, Dark/Web. Sibley’s work had been recognized in the Outstanding Guest Performer in a Digital Drama Series category.

In Dark/Web, Sibley plays Leland, a ride share driver who’s just trying to make it through the night when the app on his phone takes on a frightening intelligence and tells him he has to make the world a better place, even if it means he has to kill to do it.

Michael Fairman TV caught up with Mr. Sibley to get his thoughts on: playing a ride share driver, being given this tour de force role in such a unique series which landed him an Emmy nod, and much more.

And, don’t miss the Digital Drama Daytime Emmys beginning at 9 pm EST/6 pm PST here, and you can watch the entire Emmy-nominated season of Dark/Web via Amazon Prime Video here.

Now here’s what Graham had to share with us below.

Photo: Dark/Web

In Dark/Web, you were in the first installment of the season, correct?

GRAHAM:  Yep, so it’s an anthology show, and there is a narrative through in that goes through it as well. I’m in the first episode.  It’s called, “Rideshare,” and it sort of explores this ride share driver named Leland Adler.

What can you share about your interpretation of what happens in your Emmy-nominated performance?

GRAHAM:  First, I have to say, Boman Modine, Matthew Modine’s son, is a real talent.  He’s just a really adept storyteller, and he wrote a fantastic script for “Rideshare”.  In Dark/Web, each one of these anthology episodes are written and directed by different people. There is an overarching narrative that goes through that, and there are these individual episodes which are directed by other artists, guest writers, and directors.  So, Boman wrote and directed our episode.  He wrote a really complex character who is a new husband and father, who loses his job and is forced to get into the ride share business, and he is kind of desperate, and he needs to provide for his family, and there is sort of dark web that starts to infiltrate this app.  Leland starts hearing a voice through his earbuds, and you don’t know if he is going crazy … or if he is really hearing these things.  You’re assuming he is really hearing these things.  This character is sort of victimized by this presence.  Over the episode, he starts to give into this because the messages he is getting through his earbuds, through this voice, through the dark web, is information about who these people are who are his passengers, and the terrible things that they have done.  He starts to get messages that he should maybe start to get rid of some of these people, and so he takes the leap and does, and that causes this reaction in him.

Photo: IMDB

Dark/Web in its totality is about a genius programmer whose disappearance leads to these strange stories that are interconnected.  When you speak of the ride share theme and episode, it harkens me back to the character of Travis Bickle played by Robert DeNiro in the classic, Scorsese film,Taxi Driver.

GRAHAM:  Oh yeah, of course.  I think as you go through the journey of “Rideshare,” at the beginning of it, you don’t think Leland is troubled.  He is okay, and then by the end of it, you’re like, “This guy is okay, but something is happening, and now he is on this mission, and now he has done these things that he can’t ever go back on.”  It’s interesting, and it’s interesting that you’re making a parallel with Taxi Driver because Travis was convinced what he was doing was right.  I don’t know if my character at first is.

Photo: Dark/Web

You have not been a ride share driver in real life at some point … or have you?

GRAHAM:  You know… I haven’t.  But, I did sign up when I booked this job.  I went through the process of it just so I would know what it was going to be like.

When you submitted your reel for the Daytime Emmys, did you submit a few scenes, or how did you put your submission together for the competition?

GRAHAM:  I had so much material to choose from.  I was so fortunate to be the lead in this episode, and the episode I think is 25 minutes. It was really hard to pare it down, but I got it down to about 9 or 10 minutes that I felt told the arc of his story.

It’s always important to tell an arc because it does feel like, for the most part, the winning reels are the ones where somebody who doesn’t know the show or your character, could literally follow from point A to point B, if they’re a judge.  You have some solid competition in your category as well! 

GRAHAM:  There are some really amazing performances and some really great actors in the guest performer category, so I’m just honored to be in with their names. Rene Hagler had a couple of different episodes in Dark/Web, so we did not share any scenes together, but he is great.  Lin Shaye and I did a movie together a couple of years ago called Grow House, and then I’ve seen Scott Turner Schofield’s work in Studio City, who is amazing, and Mary Beth Pell, … she’s a legend!

Photo: GSibleyInstagram

Of course, you end up nominated the year that it’s the virtual Emmys. So, what will you wear to the virtual Digital Drama Emmys?

GRAHAM:  I don’t know!  I’ll send you a picture! (Laughs)  If you look on my Instagram, my wife. Marilyn and I staged a picture, because we were like, “Well, we are never going to be able to go to the Emmys,” so we staged a picture with our boys in our backyard with a kiddie pool and us lounging with drinks, and I was in a tuxedo, and she was in this beautiful yellow dress.

What are the names of your boys?

GRAHAM:  They are twins, Lyon and KP, and they just had their first birthday on July 2nd.

Photo: GettyImages

Now, let me ask you this. If they say, “The Emmy goes to Graham Sibley,” what would it mean to you if you were awarded a Daytime Emmy? 

GRAHAM:  I think what it would mean to me is that it would sort of be a pat on the back to say, “You did something that made someone else feel something.”  I hope that’s what we are all aspiring to is to either, be in our own lives trying to make someone feel something, or in cinema or in television or the web.  I’d just be like, “I was honored for being truthful, and that’s cool!”

So, intrigued to see Graham’s performance in Dark/Web?  Who do you think will take home the gold in the Outstanding Guest Performer in a Digital Drama Series on Sunday night? Comment below.

But first check out this promo for the Dark/Web series featuring Graham which has been nominated in multiple Digital Drama categories for the Daytime Emmys.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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