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The World Magic Award Soap Interviews – St. John, Goddard, Case, Hennesey & Frantz

Daniel Goddard and St. John Magic AwardsCirque du Soaps!

Where else could I find magicians and soap stars gathered in one place? I mean, the drama, the cliffhangers, sawing a woman in half! Saturday night at the Barkar Hanger in Santa Monica, ATI (the producers who brought you this year’s Daytime Emmys) brought in some of the best known from daytime drama to act as presenters to some of the best known magic acts in the world, who were recipients on prestidigitation’s biggest night.

I had the opportunity to chat with The Young and the Restless Kristoff St John (Neil) and Daniel Goddard (Cane) on the red carpet, and then sat down with Y&R’s Sharon Case and GH and Cougar Town’s, Carolyn Hennesy for a joint interview. Later, I met up at the after party dinner with Adrienne Frantz (Amber) and her boyfriend Scott Bailey (Ex-GL), who were sitting with the wonderful Shanelle Workman-Gray (Ex-Flash, OLTL and Gaby, B&B) and her husband, actor, David Barry Gray.

Y&R’s Eric Braeden (Victor), who presented the final award of the evening to the top magician of the year, Greg Frewin, was a no-show on the red carpet, snuck in during the taping of the show for his part in the show, and was in and out of the proceedings. He did not speak to press, hence his absence from this feature. Matt Borlenghi, who was reportedly on, then off, then expected back on General Hospital as a reported “Cassadine”, in late December, and his very pregnant and beautiful wife, Heather, also attended the event.

The World Magic Awards are set to air in November on MyNetworkTV affiliates around the country. Be on the lookout. And now, with the wave of my magic wand…here are the World Magic Award Interviews! Poof!

KRISTOFF ST. JOHN

MICHAEL:

So you are here presenting which Magic Award?

KRISTOFF:

Best Comedy Illusion Award with Goddard.

MICHAEL:

Are you going to ignite the Buzzworthy Radio drama again?

KRISTOFF:

Yes, that is correct. Laugh like me. (Laughs) I am a fan of this show and I have come back as a repeat presenter.

MICHAEL:

So Eric Braeden (Victor) who is a presenter here tonight is in a much publicized contract dispute with your show Y&R. What are your feelings on the situation that have Eric written off the show so far? His spokesperson has informed the media, “He may or he may not be back.”

KRISTOFF:

I think that no comment is the best policy to take when other actors are going through contract talks. I don’t believe Eric Braeden will leave the canvas as the character of Victor Newman, but if he does, it would be sad to see him go at such a critical time in the show’s history. We have a guaranteed two years left on network television. I think in order to survive and to get another contract and licensing agreement out of CBS, the wise decision would be to get him back. Is it the wisest decision for Eric to accept the terms of the contract? I don’t know, and I cannot comment on that. It would be a huge loss to the show and the audience worldwide.

MICHAEL:

Were you at the set a few weeks back, when Eric said his “goodbyes” to the cast and crew?

KRISTOFF:

I was not there, but I heard about it. You know my gut tells me that he will come back, but it is a standoff right now. I have been there in the same situation only it wasn’t much of a stand off. (Laughs) I came to the gunfight without a gun.

MICHAEL:

Now, what about the ongoing situation with a return to “Y&R” by Victoria Rowell (Drucilla)? Recently, comments were made that alluded to some people in the cast who were impeding her return, and seemed like it was aimed at Christel Khalil (Lily)?

KRISTOFF:

I don’t think Christel said anything bad about Victoria. There is this assumption that certain people don’t want to work with Victoria based on past history. I believe those were Victoria Rowell’s comments; that there were individuals in the cast that may not be pleased if she were to return, Christel being one of them. And that is why I believe Christel answered back, “Hey, look, I have not said anything.” So, it’s stirring the pot. And it would be wise to bring her back, too. And, if the powers-that-be could somehow figure things out, it would be great!

DANIEL GODDARD

Daniel GoddardMICHAEL:

Cane and Lily have been battling Lily’s cancer together. Coming up, are we going to see a change in Cane since he has been duplicitous in the past? Perhaps… something shifty?

DANIEL:

I have a scene with Billy Miller (Billy) that we shot yesterday that was a good scene and it puts the dynamic of Billy and Cane back in a point where it does well. People like the push and pull of these two, and Maria Bell (Head writer, and co-executive producer, Y&R) is doing a good job at that.

MICHAEL:

What are your feelings on the Eric Braeden situation? Things are in such a state of upheaval in the industry; with the way contract talks and the state that the industry is in regards to actors and their agreements with the series and networks.

DANIEL:

I don’t have an opinion on what is going on with it, but I am certain whoever is reading the contracts knows what they are doing, and so I don’t think they would do something that would be morally or ethically wrong.

MICHAEL:

How do you feel Lily’s cancer storyline is playing out? Do you feel the show is missing some beats or do you like the approach?

DANIEL:

I think it has played out well, and I like the fact that Lily will turn to Cane and be all ‘angst-y’ and Cane lets it roll off of him, because I think there is humanity in the way she does it. They have pulled us off being on everyday just sitting around the house going, “Oh, we are sick. We’re sick. We’re sick.” That can get a little boring.

MICHAEL:

As the person going through the cancer as the caretaker, do you think it’s being told well from the husband’s perspective?

DANIEL:

That is the thing that makes the most sense. It’s not about what Cane is going through, it’s about what Lily is going through. Then you see his perspective as well and you think, “How could he not be tolerant of what she is going through?” She lost her uterus, her chance at having a child, is faced with death, and her best friend, Colleen just died. I mean, most people in that situation in real life would be “kooky” about now…..

MICHAEL:

Unless, they had Cane with them…..

DANIEL:

….Something like that. (Laughs)

MICHAEL:

Now Cane’s Australia connection got dropped after Phillip III returned. Are we finally going to delve into this mystery man’s true past and what he is hiding? What’s up with that?

DANIEL:

I would say it was placed in a warm environment waiting to blossom. The soil was warm and moist but the seed needed time to nurture and when it comes, it will be worth it.

MICHAEL:

How is your new little one, Sebastian?

DANIEL:

Sebastian is 10 months old and is a pistol and an animal. He is so physically strong at 10 months old. He’ll drag the chair and he will throw a ball, and he will go down the stairs with my guidance on his hands first. He is so strong; he can take the weight on his upper body. He is just an amazing little guy.

SHARON CASE AND CAROLYN HENNESY

Carolyn Hennesy Magic AwardsMICHAEL:

I am sitting with Sharon Case and Carolyn Hennesy, and the two of you are presenting together tonight!

CAROLYN:

A magical pair at the Magic Awards!

SHARON:

We are not presenting the award to The Twins, we are introducing their act. They are these young European boys and they do this amazing magic act.

CAROLYN:

Young European boys? (She laughs)

MICHAEL:

From the Czech Republic?

CAROLYN:

Who Cares? I am going to try and stay on the stage so I can disappear with one of them as part of the act. (Laughs)

MICHAEL:

Sharon, its very upsetting and a bit twisted watching yet another soap baby switch whose next victim is poor Sharon. What did you think when you read or heard you were going to be the next actress in soap opera’s notorious baby-switch plot device?

Sharon Case Magic AwardsSHARON:

I have never had a baby switch story. I thought, “Wow, I have never had to play a baby switch story,” and if you are on the show long enough, everything happens to you. That is what I thought. I like that there is always a twist so things keep going. There is always some reason Nick and Sharon can’t be together, and yet they yearn for each other, and I like that we keep that going.

MICHAEL:

Is Sharon going to be crying many more tears before this one is over? One can only expect.

SHARON:

She is trying to come out of this strong and move on with her life, and take this as a sign. Sharon did spend a month in the psychiatric institution so she feels stronger now. She still has sad moments for sure.

MICHAEL:

Is Adam going to go after Sharon to make this really twisted?

SHARON:

I can’t say, because you are going to have to watch. You know Adam, he is trouble!

MICHAEL:

Are you familiar with Cougar Town? Would you like to play a cougar a la Ms. Hennesy?

SHARON:

I love Cougar Town and I would love to play a cougar!

CAROLYN:

Carolyn HennesyThere is nothing more liberating than playing a cougar, especially the kind of Cougar I play on Cougar Town. My cougar had no filter and no morals. Nothing!

MICHAEL:

Good news… the series got picked up by ABC!

CAROLYN:

It got picked up for the entire season.

MICHAEL:

And Sharon, you just wrapped a feature film.

SHARON:

Yes. I just wrapped it a few days ago. It’s a film whose working title was, Love Will Keep Us Together, but for some reason that did not work out, so they are now calling it Man of the House but now there is a conflict with that title. I don’t think it comes out till June 2010, so they have some time to figure that part out. It’s a romantic comedy and I play the lead with David James Elliot. It was fun, and working with David was great.

MICHAEL:

Sharon, Eric Braeden has left the building, so to speak, and for the moment is off Y&R due to contract negotiations. What are your thoughts on the Braeden situation and soap contracts for actors, as we move in 2010 in a tight economic climate and as the genre fights for survival?

SHARON:

It is tough for the actors and the shows, too. Because of the economy and how all the shows are doing on television, the shows are having to make a lot of budgets cuts, and they need to figure out where to make those cuts, and where not to. That is what is important. I think cuts need to be made, but I think where and how the cuts should be made is important to the show, but also keeps the people on the show that the fans want to see.

MICHAEL:

Carolyn, James Franco is coming to GH!

CAROLYN:

Who? Who? Who’s James Franco? Oh, my God! I am so excited! And you know, Max and Diane have broken up for now…

MICHAEL:

…Do I smell a cougar move?

CAROLYN:

So, one can only hope James Franco will find Ms. Miller in his path. I don’t know who he is going to be. I heard he is coming to Port Charles as a mystery person, and I am so excited. I mean, how yummy is James Franco?

MICHAEL:

Pretty yummy! Another yummy favorite for soap fans is Joshua Morrow (Nick), who you have worked with for so many years, Sharon. How do the two of you feel at this point in the story juncture? Do you two still go over material together and discuss what the writers are asking you to play?

Sharon CaseSHARON:

We have worked together a long time, so we know what we want to do in our scenes together and what each of us wants for our characters relationship, so we get it. Every once in awhile we will tell each other, “I want to go in this direction with it and I am just letting you know.” The writing is great and it plays out so naturally. We have done it so long. It used to be our characters were together so long. I mean, there was drama and things would happen, but we were always together. Then when things started to happen: Cassie’s death, Phyllis’s affair, and all these changes that were happening, such as I was working with Peter Bergman (Jack) and Don Diamont (Brad). And Josh and I would talk about it back then and say, “Oh, my God. How do you feel about all this?” Now we are used to it. Storylines change. We are used to working with other people, before we were not, because we would only work with each other.

MICHAEL:

Carolyn, perhaps Diane could have a baby-switch in her future on GH. Every good actress needs one!

CAROLYN:

As long as that baby is Spinelli, I am just fine

MICHAEL:

Sharon, any tips you can give Carolyn on baby swaps on soaps?

SHARON:

Oh, don’t give up, and you will recognize your baby when you see it and probably, the neighbor had it! (Laughs)

MICHAEL:

And of course you will be drugged! Wasn’t Sharon?

CAROLYN:

First of all, Diane is not going to have a baby, because it would have to be by Immaculate Conception. However, I think this is one of the reason’s Spinelli drives her up a tree. I think, we as the cast are all trying to play it and focus the writers in on it; that if Spinelli were Diane’s son, it would explain so much.

ADRIENNE FRANTZ (After show interview)

Adrienne FrantzMICHAEL:

Adrienne, what did you think of all the magic acts?

ADRIENNE:

Some of them were really good. I liked the tiger act at the end, and I like the guy and the woman who kept changing her dresses, and the funny guys from Ireland. I felt they were good and fun, though. If you are going to see magic acts, you might as well go to the World Magic Awards.

MICHAEL:

Let’s talk about Y&R. It has been great watching you with Sean Kanan again and seeing Deacon and Amber fighting their attraction and Deacon’s skullduggery. The way your performance is coming across to the viewers is, you don’t know if she likes the guy or hates his guts. Was that intentional?

ADRIENNE:
Of course! It’s a fine line I am playing. We do have history and Deacon does know what Amber likes, and she does like sparkly diamonds. The other day she was wearing a diamond necklace. Amber does want to get money out of Deacon because he has put her though all this stuff. That is part of who she is, though.

MICHAEL:

Did you find those despicable hotel sex scenes that were degrading to Amber and to women, tough to play? It was tough for viewers to watch and quite sad.

ADRIENNE:

It was hard to play because you know she is doing it to save someone she loves, and at the same time it’s a horrible thing. That was the question going around the set. Would you do that? Would you sleep with someone just to save someone you love? That was the million-dollar question that was going around the set and most people said, “Yes, they would.”

MICHAEL:

Did you see those scenes back?

ADRIENNE:

We shot it twice and the first one was worse. We had to go back and reshoot it, and the second one was the one that aired.  The first one was way more degrading.

MICHAEL:

Michael Graziadei (Daniel) and you are good buddies, plus play love interests on the show. But it looks like…things might change between Daniel and Amber. Do you know where their the story is heading? I know you are not at liberty to divulge much.

ADRIENNE:

Yes, I do know where it’s heading.

Adrienne FrantzMICHAEL:

And when you found out where it was heading, how did it sit with you?

ADRIENNE:

Well, I do know one way it’s heading. I know super surprise twists that are going to happen. I am really excited to start playing this.

MICHAEL:

Will the audience still care for Amber when all is said and done?

ADRIENNE:

You will still feel for her, but you will also see why she struggles with the way she feels and understand what she is going through.

MICHAEL:

What did you think of the Terroni painting being part of the plot device to bring Deacon and Amber, Daniel, Kevin, Jana and Gloria into the fold?

ADRIENNE:

I think it’s interesting and creates an interesting arc. Deacon started making forgeries and so it all started from that. I think it’s an interesting loop that its taken and it’s not over yet.

MICHAEL:

Sean had nothing but complimentary things to say about you, when I interviewed him awhile back. Did you know before, that Sean was headed to Genoa City?

ADRIENNE:

I knew he was going to get it way before, and I was not allowed to say anything.

MICHAEL:

Did you put in a good word?

ADRIENNE:

Yeah, I talked to people. (Laughs) I did put the bug in some ears. When I found out it was for sure, I called him up. It’s cool and we have been friends for years and he is a great actor!

MICHAEL:

Eric Braeden has, for the moment, left Y&R during a contract dispute with SONY and the show. What are your thoughts on the hold-out and the stalemate between actor and the powers-that-be?

ADRIENNE:

They are cutting contracts all around. I mean everybody has to bite the bullet. It’s not like anyone gets special treatment. If you don’t want to play fair with everyone, then don’t play. If you want to step out…. everybody is dealing with the same stuff. So if anybody thinks they are better than anyone else, then they should leave if they want to. It’s a cast. We are all working together. We are all working our hardest to make it go, and if you don’t want to work with everyone than you are not helping.

Adrienne Frantz and Scott BailyMICHAEL:

Your former soap B&B won Best Drama Series at the Emmys!

ADRIENNE:

I was so thrilled for them! I went to their after-party and I said, “I should have gotten on stage with you,” to Brad Bell. And Brad said, “I know you should have!” I was there for so many years. They deserve it. I was thrilled for them!

MICHAEL:

In closing, give me a good teaser for Amber fans?

ADRIENNE:

I think you should watch. She is about to have a conflict that would break anybody’s heart in a billion pieces!

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Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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