Connect with us

Interviews

The World Magic Award Soap Interviews – St. John, Goddard, Case, Hennesey & Frantz

Daniel Goddard and St. John Magic AwardsCirque du Soaps!

Where else could I find magicians and soap stars gathered in one place? I mean, the drama, the cliffhangers, sawing a woman in half! Saturday night at the Barkar Hanger in Santa Monica, ATI (the producers who brought you this year’s Daytime Emmys) brought in some of the best known from daytime drama to act as presenters to some of the best known magic acts in the world, who were recipients on prestidigitation’s biggest night.

I had the opportunity to chat with The Young and the Restless Kristoff St John (Neil) and Daniel Goddard (Cane) on the red carpet, and then sat down with Y&R’s Sharon Case and GH and Cougar Town’s, Carolyn Hennesy for a joint interview. Later, I met up at the after party dinner with Adrienne Frantz (Amber) and her boyfriend Scott Bailey (Ex-GL), who were sitting with the wonderful Shanelle Workman-Gray (Ex-Flash, OLTL and Gaby, B&B) and her husband, actor, David Barry Gray.

Y&R’s Eric Braeden (Victor), who presented the final award of the evening to the top magician of the year, Greg Frewin, was a no-show on the red carpet, snuck in during the taping of the show for his part in the show, and was in and out of the proceedings. He did not speak to press, hence his absence from this feature. Matt Borlenghi, who was reportedly on, then off, then expected back on General Hospital as a reported “Cassadine”, in late December, and his very pregnant and beautiful wife, Heather, also attended the event.

The World Magic Awards are set to air in November on MyNetworkTV affiliates around the country. Be on the lookout. And now, with the wave of my magic wand…here are the World Magic Award Interviews! Poof!

KRISTOFF ST. JOHN

MICHAEL:

So you are here presenting which Magic Award?

KRISTOFF:

Best Comedy Illusion Award with Goddard.

MICHAEL:

Are you going to ignite the Buzzworthy Radio drama again?

KRISTOFF:

Yes, that is correct. Laugh like me. (Laughs) I am a fan of this show and I have come back as a repeat presenter.

MICHAEL:

So Eric Braeden (Victor) who is a presenter here tonight is in a much publicized contract dispute with your show Y&R. What are your feelings on the situation that have Eric written off the show so far? His spokesperson has informed the media, “He may or he may not be back.”

KRISTOFF:

I think that no comment is the best policy to take when other actors are going through contract talks. I don’t believe Eric Braeden will leave the canvas as the character of Victor Newman, but if he does, it would be sad to see him go at such a critical time in the show’s history. We have a guaranteed two years left on network television. I think in order to survive and to get another contract and licensing agreement out of CBS, the wise decision would be to get him back. Is it the wisest decision for Eric to accept the terms of the contract? I don’t know, and I cannot comment on that. It would be a huge loss to the show and the audience worldwide.

MICHAEL:

Were you at the set a few weeks back, when Eric said his “goodbyes” to the cast and crew?

KRISTOFF:

I was not there, but I heard about it. You know my gut tells me that he will come back, but it is a standoff right now. I have been there in the same situation only it wasn’t much of a stand off. (Laughs) I came to the gunfight without a gun.

MICHAEL:

Now, what about the ongoing situation with a return to “Y&R” by Victoria Rowell (Drucilla)? Recently, comments were made that alluded to some people in the cast who were impeding her return, and seemed like it was aimed at Christel Khalil (Lily)?

KRISTOFF:

I don’t think Christel said anything bad about Victoria. There is this assumption that certain people don’t want to work with Victoria based on past history. I believe those were Victoria Rowell’s comments; that there were individuals in the cast that may not be pleased if she were to return, Christel being one of them. And that is why I believe Christel answered back, “Hey, look, I have not said anything.” So, it’s stirring the pot. And it would be wise to bring her back, too. And, if the powers-that-be could somehow figure things out, it would be great!

DANIEL GODDARD

Daniel GoddardMICHAEL:

Cane and Lily have been battling Lily’s cancer together. Coming up, are we going to see a change in Cane since he has been duplicitous in the past? Perhaps… something shifty?

DANIEL:

I have a scene with Billy Miller (Billy) that we shot yesterday that was a good scene and it puts the dynamic of Billy and Cane back in a point where it does well. People like the push and pull of these two, and Maria Bell (Head writer, and co-executive producer, Y&R) is doing a good job at that.

MICHAEL:

What are your feelings on the Eric Braeden situation? Things are in such a state of upheaval in the industry; with the way contract talks and the state that the industry is in regards to actors and their agreements with the series and networks.

DANIEL:

I don’t have an opinion on what is going on with it, but I am certain whoever is reading the contracts knows what they are doing, and so I don’t think they would do something that would be morally or ethically wrong.

MICHAEL:

How do you feel Lily’s cancer storyline is playing out? Do you feel the show is missing some beats or do you like the approach?

DANIEL:

I think it has played out well, and I like the fact that Lily will turn to Cane and be all ‘angst-y’ and Cane lets it roll off of him, because I think there is humanity in the way she does it. They have pulled us off being on everyday just sitting around the house going, “Oh, we are sick. We’re sick. We’re sick.” That can get a little boring.

MICHAEL:

As the person going through the cancer as the caretaker, do you think it’s being told well from the husband’s perspective?

DANIEL:

That is the thing that makes the most sense. It’s not about what Cane is going through, it’s about what Lily is going through. Then you see his perspective as well and you think, “How could he not be tolerant of what she is going through?” She lost her uterus, her chance at having a child, is faced with death, and her best friend, Colleen just died. I mean, most people in that situation in real life would be “kooky” about now…..

MICHAEL:

Unless, they had Cane with them…..

DANIEL:

….Something like that. (Laughs)

MICHAEL:

Now Cane’s Australia connection got dropped after Phillip III returned. Are we finally going to delve into this mystery man’s true past and what he is hiding? What’s up with that?

DANIEL:

I would say it was placed in a warm environment waiting to blossom. The soil was warm and moist but the seed needed time to nurture and when it comes, it will be worth it.

MICHAEL:

How is your new little one, Sebastian?

DANIEL:

Sebastian is 10 months old and is a pistol and an animal. He is so physically strong at 10 months old. He’ll drag the chair and he will throw a ball, and he will go down the stairs with my guidance on his hands first. He is so strong; he can take the weight on his upper body. He is just an amazing little guy.

SHARON CASE AND CAROLYN HENNESY

Carolyn Hennesy Magic AwardsMICHAEL:

I am sitting with Sharon Case and Carolyn Hennesy, and the two of you are presenting together tonight!

CAROLYN:

A magical pair at the Magic Awards!

SHARON:

We are not presenting the award to The Twins, we are introducing their act. They are these young European boys and they do this amazing magic act.

CAROLYN:

Young European boys? (She laughs)

MICHAEL:

From the Czech Republic?

CAROLYN:

Who Cares? I am going to try and stay on the stage so I can disappear with one of them as part of the act. (Laughs)

MICHAEL:

Sharon, its very upsetting and a bit twisted watching yet another soap baby switch whose next victim is poor Sharon. What did you think when you read or heard you were going to be the next actress in soap opera’s notorious baby-switch plot device?

Sharon Case Magic AwardsSHARON:

I have never had a baby switch story. I thought, “Wow, I have never had to play a baby switch story,” and if you are on the show long enough, everything happens to you. That is what I thought. I like that there is always a twist so things keep going. There is always some reason Nick and Sharon can’t be together, and yet they yearn for each other, and I like that we keep that going.

MICHAEL:

Is Sharon going to be crying many more tears before this one is over? One can only expect.

SHARON:

She is trying to come out of this strong and move on with her life, and take this as a sign. Sharon did spend a month in the psychiatric institution so she feels stronger now. She still has sad moments for sure.

MICHAEL:

Is Adam going to go after Sharon to make this really twisted?

SHARON:

I can’t say, because you are going to have to watch. You know Adam, he is trouble!

MICHAEL:

Are you familiar with Cougar Town? Would you like to play a cougar a la Ms. Hennesy?

SHARON:

I love Cougar Town and I would love to play a cougar!

CAROLYN:

Carolyn HennesyThere is nothing more liberating than playing a cougar, especially the kind of Cougar I play on Cougar Town. My cougar had no filter and no morals. Nothing!

MICHAEL:

Good news… the series got picked up by ABC!

CAROLYN:

It got picked up for the entire season.

MICHAEL:

And Sharon, you just wrapped a feature film.

SHARON:

Yes. I just wrapped it a few days ago. It’s a film whose working title was, Love Will Keep Us Together, but for some reason that did not work out, so they are now calling it Man of the House but now there is a conflict with that title. I don’t think it comes out till June 2010, so they have some time to figure that part out. It’s a romantic comedy and I play the lead with David James Elliot. It was fun, and working with David was great.

MICHAEL:

Sharon, Eric Braeden has left the building, so to speak, and for the moment is off Y&R due to contract negotiations. What are your thoughts on the Braeden situation and soap contracts for actors, as we move in 2010 in a tight economic climate and as the genre fights for survival?

SHARON:

It is tough for the actors and the shows, too. Because of the economy and how all the shows are doing on television, the shows are having to make a lot of budgets cuts, and they need to figure out where to make those cuts, and where not to. That is what is important. I think cuts need to be made, but I think where and how the cuts should be made is important to the show, but also keeps the people on the show that the fans want to see.

MICHAEL:

Carolyn, James Franco is coming to GH!

CAROLYN:

Who? Who? Who’s James Franco? Oh, my God! I am so excited! And you know, Max and Diane have broken up for now…

MICHAEL:

…Do I smell a cougar move?

CAROLYN:

So, one can only hope James Franco will find Ms. Miller in his path. I don’t know who he is going to be. I heard he is coming to Port Charles as a mystery person, and I am so excited. I mean, how yummy is James Franco?

MICHAEL:

Pretty yummy! Another yummy favorite for soap fans is Joshua Morrow (Nick), who you have worked with for so many years, Sharon. How do the two of you feel at this point in the story juncture? Do you two still go over material together and discuss what the writers are asking you to play?

Sharon CaseSHARON:

We have worked together a long time, so we know what we want to do in our scenes together and what each of us wants for our characters relationship, so we get it. Every once in awhile we will tell each other, “I want to go in this direction with it and I am just letting you know.” The writing is great and it plays out so naturally. We have done it so long. It used to be our characters were together so long. I mean, there was drama and things would happen, but we were always together. Then when things started to happen: Cassie’s death, Phyllis’s affair, and all these changes that were happening, such as I was working with Peter Bergman (Jack) and Don Diamont (Brad). And Josh and I would talk about it back then and say, “Oh, my God. How do you feel about all this?” Now we are used to it. Storylines change. We are used to working with other people, before we were not, because we would only work with each other.

MICHAEL:

Carolyn, perhaps Diane could have a baby-switch in her future on GH. Every good actress needs one!

CAROLYN:

As long as that baby is Spinelli, I am just fine

MICHAEL:

Sharon, any tips you can give Carolyn on baby swaps on soaps?

SHARON:

Oh, don’t give up, and you will recognize your baby when you see it and probably, the neighbor had it! (Laughs)

MICHAEL:

And of course you will be drugged! Wasn’t Sharon?

CAROLYN:

First of all, Diane is not going to have a baby, because it would have to be by Immaculate Conception. However, I think this is one of the reason’s Spinelli drives her up a tree. I think, we as the cast are all trying to play it and focus the writers in on it; that if Spinelli were Diane’s son, it would explain so much.

ADRIENNE FRANTZ (After show interview)

Adrienne FrantzMICHAEL:

Adrienne, what did you think of all the magic acts?

ADRIENNE:

Some of them were really good. I liked the tiger act at the end, and I like the guy and the woman who kept changing her dresses, and the funny guys from Ireland. I felt they were good and fun, though. If you are going to see magic acts, you might as well go to the World Magic Awards.

MICHAEL:

Let’s talk about Y&R. It has been great watching you with Sean Kanan again and seeing Deacon and Amber fighting their attraction and Deacon’s skullduggery. The way your performance is coming across to the viewers is, you don’t know if she likes the guy or hates his guts. Was that intentional?

ADRIENNE:
Of course! It’s a fine line I am playing. We do have history and Deacon does know what Amber likes, and she does like sparkly diamonds. The other day she was wearing a diamond necklace. Amber does want to get money out of Deacon because he has put her though all this stuff. That is part of who she is, though.

MICHAEL:

Did you find those despicable hotel sex scenes that were degrading to Amber and to women, tough to play? It was tough for viewers to watch and quite sad.

ADRIENNE:

It was hard to play because you know she is doing it to save someone she loves, and at the same time it’s a horrible thing. That was the question going around the set. Would you do that? Would you sleep with someone just to save someone you love? That was the million-dollar question that was going around the set and most people said, “Yes, they would.”

MICHAEL:

Did you see those scenes back?

ADRIENNE:

We shot it twice and the first one was worse. We had to go back and reshoot it, and the second one was the one that aired.  The first one was way more degrading.

MICHAEL:

Michael Graziadei (Daniel) and you are good buddies, plus play love interests on the show. But it looks like…things might change between Daniel and Amber. Do you know where their the story is heading? I know you are not at liberty to divulge much.

ADRIENNE:

Yes, I do know where it’s heading.

Adrienne FrantzMICHAEL:

And when you found out where it was heading, how did it sit with you?

ADRIENNE:

Well, I do know one way it’s heading. I know super surprise twists that are going to happen. I am really excited to start playing this.

MICHAEL:

Will the audience still care for Amber when all is said and done?

ADRIENNE:

You will still feel for her, but you will also see why she struggles with the way she feels and understand what she is going through.

MICHAEL:

What did you think of the Terroni painting being part of the plot device to bring Deacon and Amber, Daniel, Kevin, Jana and Gloria into the fold?

ADRIENNE:

I think it’s interesting and creates an interesting arc. Deacon started making forgeries and so it all started from that. I think it’s an interesting loop that its taken and it’s not over yet.

MICHAEL:

Sean had nothing but complimentary things to say about you, when I interviewed him awhile back. Did you know before, that Sean was headed to Genoa City?

ADRIENNE:

I knew he was going to get it way before, and I was not allowed to say anything.

MICHAEL:

Did you put in a good word?

ADRIENNE:

Yeah, I talked to people. (Laughs) I did put the bug in some ears. When I found out it was for sure, I called him up. It’s cool and we have been friends for years and he is a great actor!

MICHAEL:

Eric Braeden has, for the moment, left Y&R during a contract dispute with SONY and the show. What are your thoughts on the hold-out and the stalemate between actor and the powers-that-be?

ADRIENNE:

They are cutting contracts all around. I mean everybody has to bite the bullet. It’s not like anyone gets special treatment. If you don’t want to play fair with everyone, then don’t play. If you want to step out…. everybody is dealing with the same stuff. So if anybody thinks they are better than anyone else, then they should leave if they want to. It’s a cast. We are all working together. We are all working our hardest to make it go, and if you don’t want to work with everyone than you are not helping.

Adrienne Frantz and Scott BailyMICHAEL:

Your former soap B&B won Best Drama Series at the Emmys!

ADRIENNE:

I was so thrilled for them! I went to their after-party and I said, “I should have gotten on stage with you,” to Brad Bell. And Brad said, “I know you should have!” I was there for so many years. They deserve it. I was thrilled for them!

MICHAEL:

In closing, give me a good teaser for Amber fans?

ADRIENNE:

I think you should watch. She is about to have a conflict that would break anybody’s heart in a billion pieces!

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

Continue Reading

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

Continue Reading

General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

Continue Reading
Advertisement
Advertisement

Video du Jour

Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

The Michael Channel

Recent Comments

Advertisement

Power Performance

Nancy Lee Grahn as Alexis

General Hospital

Airdates: 4-8-2021

Advertisement

Popular