News
Josh Griffith Out as Head Writer at ‘The Young and the Restless’

In a major behind the scenes move, The Young and the RestlessĀ current head writer, Josh Griffith is stepping down from his duties and is soon exiting the top-rated soap opera.
TV Insider was first to break the news and according to their report, Griffith’s departure was his own choice and the cast and crew learned of his decision earlier today on Friday, June 26.
Griffith’s resignation is not effective immediately and for now he will be continuing to tell the stories in Genoa City. As of this writing, Y&R has not named Josh’s successor.

Photo: JPI
Previously, Josh stepped down from his other major duty as the soap opera’s co-executive producer. It was just two months ago we learned that longtime Y&R vet Sally McDonald took over the EP role, while Josh was remaining the series head writer.
A SOAP WRITER WELL-TRAVELED
The seven-time Daytime Emmy winner has had a storied career and tenure in the field of daytime drama. Josh began his soap writing career in 1988 with Santa Barbara, then went to One Life to Live, where he was promoted to co-head writer. He ended his time in Llanview, at that time, in 1995. Later, he co-created Sunset Beach with Bob Guza Jr. The series ran from 1997-99 on NBC. One Life to Live called again and Josh returned as co-head writer again alongside Michael Malone from 2003-2004. Next, he joined the writing team of As the World Turns.
It was back in 2006 that Griffith first came to Genoa City and The Young and the Restless. He started in the capacity of creative consultant, as a breakdown writer, and then was tapped as the series co-executive producer. After departing in 2008. It was not until 2012-2013 that he made a short return before heading to Days of Our Lives to become the co-head writer of Salem from 2015-2016.
Eventually, Josh resurfaced at Y&R as Supervising Producer before becoming head writer in 2019 after Mal Young’s exit. Griffith had served as both head writer and executive producer from 2023-25. In 2025, Sally McDonald joined him as the series co-executive producer until the recent change a few months ago where McDonald is the sole EP.
So, what do you think of Josh Griffith stepping down as head writer at The Young and the Restless? Who would you like to see as his successor? Share your thoughts and picks via the comment section below.
Buh-Bye! This is long overdue. He’s been a head writer since 2019, and I never thought this day would come. Guess it didn’t take a plummet in ratings/demos. I just hope that whoever comes in is someone new. We need some new blood on this soap who can bring in some new ideas.
Thank you Universe!! About time he left the damn show!
HALLELUJAH! THANK THE LORD ABOVE! Now let’s bring some EXCITEMENT back to the show instead of boring corporate stories and monthly kidnappings!
Someone go find Kay Alden!
Kay Alden is retired; when she left the last time, she left to retire.
I can’t believe it! Please bring in a fresh pair of eyes. This show needs a major overhaul!
Prayers do get answered–there have been so many disgruntled fans who have tolerated stories that have strayed into another orbit from the Bill Bell/Kay Alden origins. Just looking at the current story-lines that have been nothing more than “characters taking the law into their own hands” or “characters doing things completely out of their character” repeatedly begs for a new era of writers. For me, the biggest frustrations I’ve had with this show are a)missing time scenes–where action takes place off camera time and again b)redundant dialogue c)the total loss of both “young” cast members and “restless” characters d)completely compelling plots–for example, you could expect a terrific summer story that thoroughly probed a current social issue e)keeping too many veteran characters as the front-burner stories ALL THE TIME and finally e)MUSIC– it made scenes riveting, surprising, and most of the time, emotional. This was the heart of Y and R, and honestly, it has lost its heart.
I do not write this note as a rant; rather, it’s my hope that a few recommendations will help improve the show because it has a fantastic repertoire of actors and production crew up and down the line.
1000% agree
Lets bring back the ‘ young’!!! Maybe Faith, Moses , Lucy
Lets bring back the classic beautifully composed background scores yes!
Lets bring back ” Shick”,
Intelligent stories like a Michael , Christine criminal case, give Lauren her due too in that.
Rotate fan fave s maybe in short arcs, Nina, Paul, Jill, Traci etc ..
On a positive note aside from some of the worst years in YnR history looking forward to brighter days for my fave soap!!!
Sorry, but this was way overdue. I haven’t been able to get into Y&R the way I used to for a long time now. Hopefully the next writer can bring back the focus of what made the show so good.
Guess that rape apologist storyline is what gave him the boot
Nope! He made the decision to leave himself.
Finally!!!! Yayyyyyy!!!!
Good Riddance
I realize itās just a soap opera and there are more important things in life. On that note, I will wish him well on what Iām assuming is his retirement.
Bye Bitch! Josh Griffith is a hack!
Y&R doesn’t air down here, but I’d be willing to bet a few souls that ReRon will be the new head writer.
If that proves to be the case, you Y&R fans have a Devil’s condolences.
Oh, I hope not.
CBS/Sony Television does not want the writer unless it’s a last-ditch decision, but even he’s petrified of the job.
It took long enough, hoping the door slams your ass on your way out. This took so long, and he says it was his choice, yeah right. You ruined this show, got rid of Gina T who had this show on top.
It saddened me to give up watching Y&R two years ago due to poor, exhaustingly redundant storylines. But I was attached to the gifted veteran actors so I would sporadically check in to check the pulse when I had time off from work. My latest check in only reaffirmed my decision when I tuned in only to discover that Nikki was sick again. Even on her best day, Nikki gives off a somnolent, low energy vibe as seen with her tendency to whisper her dialogue and therefore, when she is afflicted with yet another malady, I cannot tell the difference. So I clicked off. I will tune in again if the writing meets the actorsā talent half way. They deserve that- as do their loyal viewers. PS. I am a longtime Peter Bergman fan. I want better for him and his cast mates.
I think soap head writers should only stay five years on the job and then leave because the job is so demanding they burn out. Wishing Josh Griffith the best in the future. Hopefully the show will hire from within for the position but bring in some younger more diverse voices on the writing team willing to try something new other than endless corporate stories.
Thank God, itās about damn time. Josh G.ās writing was boring and, honestly, made very little sense. I can barely watch this show anymore, and thatās coming from someone who grew up watching it.
If you donāt understand the history of this show, you shouldnāt be writing for it. The characters have decades of history that matter.
If you donāt know that Jill Foster Abbott once did Kay Chancellorās hair and nails, became her paid companion, and was involved with Philip Chancellor, then please donāt write this show. Ever.
The history, the relationships, and the legacy of these characters are what made this show special.
I donāt want Steve Kent bringing in a bunch of his friends ā maybe one
understand the show. No more Jill Phelps, LML, or Mal Young.
We need Bill Bellās people back because they understood the history, the characters, and what made this show work. Bring back voices like Kay Alden, Sally Sussman as story consultants. Jack Smith, MAB (but someone remind her we hated Sharon throwing someone into a volcano).
If they could snag Bob Guza. The show needs writers who respect its past.
The story line that really upset me was that Phyllis’s kids were mad at her for taking Newman from Victor. Victor has been ruthless to everyone. Why would her kids be mad at her for giving poor Victor a taste of his own medicine.
And, poor Daniel who Phyllis has saved so many times, lecturing Phyllis and being so self righteous is ridiculous. Why would Summer be mad about this?
That what did it for you huh?
Phenomenal news! The show has been a wreck since he took over (although he’s not the only person who has had a bad helm at y&r). Boring, repetitive storylines, stale dialogue, and way too much corporate drudgery. (Bill Bell and Kay Alden could write business storylines perfectly, because the focus was always personal… it wasn’t about business).
I hope tptb find a co-head writing situation. I would love a great old school soap writer (like Nancy Curlee) working alongside someone new with fresh perspective. Hopefully, this way there’s a nice balance of storytelling.
That being said, please get rid of some of the characters no one cares about or do something with them to make them multifaceted. Audra is boring. I’m sorry. Make her interesting or let her go. Same with Holden, Claire, etc. But even classic characters are boring right now (Victoria, Michael, Lauren, Jack). And can we not write a storyline where Victor loses? Victor was always an anti hero, but now he’s really a one dimensional villain with zero redeeming qualities.
There’s so much more that could be said, but this rant is getting as repetitive as Josh Griffith’s version of the show.
I agree with everything you said.
THANK GOD! He finally got pushed out, there’s no way he left on his own accord. But he’s done so much damage…..we’ll still see his crap on screen for most of the summer. A step in the right direction, Now the challenge of someone who can write. Sally McDonald’s big test. I don’t want to see anyone elevated to that job from the current staff. We need someone fresh to run with this one. Holding my breath for a better fall and winter.
In the world of real life despised soap villains, Griffin would be the Top 5, below Brian Frons and Jill Phelps but above Megan McTavish.
Where does ReRon come in on that list?
Ron has about 18 months at a show where he does good work and then things get convoluted. That, and his writing has contributed to a show demise (OLTL ratings were higher than AMC when both were cancelled). He has many that donāt like him (like you) but thereās a contingent that support him. For that, I would leave him out of the Top 5. Now, Sean Kanan and Ian Buchanan might have a different opinion.
Ron Carlivati
Josh as writer and EP has been a disaster. Y&R turned into a villain of the week show where incredible talent such as Robert Newman, Colleen Zenk, James Hyde, etc were wasted in short-term roles. Josh is trying to set the record for bringing back the most dead characters in the shortest amount of time.
The new writer has to start planning the eventual (sooner rather than later) retirement of Eric Braedon. Have him retire on the short and bring him back for special events and holidays or kill him off and have the biggest who dunnit in soap history followed by an incredible trial. (When was the last great trial on Y&R)
Where is the summer teen storyline? The actor playing Lucy seemed ready for a big storyline.
The show needs to refocus on Michael and Lauren and bring back Gloria. Bring back Paul.
Where can we list all the problems that Griffith caused. I would say the biggest issue is he’s banished all the young people from Genoa City. You see a child visiting a day or two a year. Lily’s twins haven’t been seen in years. Victoria’s missing kids, Billy’s missing offspring. The show is still focused on the over 65 citizens…which is ok, but most days they are all you see. If I’m a college student or high school student checking out Y&R for the first time, after a day of this, I’d be turning it off because nothing appeals to them. Summer teen stories used to be what drew viewers in during the months of June, July and August. There is so much that has to be fixed on Y&R, wonder where Ms. McDonald will start.
The 2 things that bother me most are that we have never seen Mrs. Martinez or Christian, is the budget that overtaxed?
Love the idea of who killed off Victor Newman! I watched the show since it began in early 70s and I loved those great trial stories– most fondly Lorie Brooks’ arrest for Vanessa Prentis’ murder and the absolutely tremendous 2 year stint of twists and turns with Paul Williams and Cassandra Rawlins. These were as tidy and clever as an Agatha Christie!
Ron, I also watched the show since the 70s and YES, the stories involving Lorie and Vanessa and Paul and Cassandra, those were the days…
A great head writer would be a novelist. Someone who has written many fiction books. Michael Malone is a good example.
I’m a Days fan, but I think I could do a good job writing for YawneR.
Wonāt make a difference they will hire another idiot and your actors will defend them if they are front and center an paycheck so no I wonāt come back ever again do not care if they stay on the air or not
Josh Griffith quit of his own volition. I haven’t really liked Y & R that much since Covid caused a lot of unrealistic interactions & afterwards it seems it wasn’t the best. IMO that’s been the case many times before. There were times I really enjoyed the actors, characters & storylines. There were times I didn’t.
Whoever gets the job I wish them well because people have such different opinions on characters & storylines. So whoever comes next they can expect complaints for sure.
News
The Bell Family Dynasty $2 Billion Fortune Built on ‘The Bold and the Beautiful’ and ‘The Young and the Restless’ Explored

Forbes has shed a spotlight on soap opera’s first family, The Bells. In an new feature out on October 4, the outlet which focuses on wealth, business, investing, technology, entrepreneurship, and leadership, explained the rise of Bell family dynasty and where it’s at today set against the backdrop of a pared down genre from back in its heyday.
As soap fans know, the iconic Bill Bell Sr. and his wife Lee Phillip Bell created and premiered The Young and the Restless in 1973 and The Bold and the Beautiful in 1987. Bill Sr. who is considered one of the greatest soap writers of all-time, died in 2005 and Lee in 2020.
However, their children: Bill Bell Jr., Brad Bell (executive producer and head writer, The Bold and the Beautiful) and Lauralee Bell (Christine, The Young and the Restless) have continued on and have helped their family amass reportedly the “first-ever billion-dollar fortune, with a combined net worth of around $2 billion.” It should be noted that the Bells declined to comment on their wealth for the article.

Photo: CBS
Much of the credit of the financial fortune belongs to Bill Bell Jr. who handled the business affairs for the family production companies for decades, negotiating massive deals for the Bell entity. In fact, it was Bell Jr., who was able to ensure an exceptional profit share deal with Columbia and Sony through the years, and B&B being family owned with major international distribution deals.
Bell Jr, is reportedly worth 1.1 billion dollars, according to Forbes. In recent years, he has stepped away from the business concentrating on art ventures with his wife, the former head writer and EP of Y&R, Maria Arena Bell.
THE FIGHT FOR WHAT THE BELLS ARE WORTH
One story detailed in Forbes was how Y&R’s licensing and writing deals were up for renewal in the late 1980s. Bill Jr. fought for the Bells to earn a major cut of the show’s profits during a dramatic standoff. Bill Jr., convinced his father and the family to withhold Y&R scripts until Columbia gave them their “fair share.” The report shares they kept the new scripts locked up at home while the studio was eating up its existing ones. The studio threatened to fire Bill Bell Sr.
Brad Bell, who continues to head up The Bold and the Beautiful, recalled, “Bill Jr. was determined to take it down to the wire.” Columbia ended up folding and the Bells came away with 50% of The Young and the Restless‘ profits.

Photo: JPI
As B&B nears its 40th anniversary in March of 2027,Ā itās still broadcast in over 50 countries and brings in over 20 million non-American viewers. Its massive foreign earningsĀ subsidize its domestic operations, according to three people with knowledge of the showās finances as told to Forbes.
āSoaps tend to lose their way if viewers feel that the stories are counter to what the character theyāve known for so many years would do,ā shared Brad Bell. āSo our characters are very consistent. In a world of AI, these are hand-sewn, custom-tailored suits, each one of them.ā
B&B has currently been showing consistent strength in the ratings, in that, they are up year-over-year and having one of their best broadcast television seasons in its history.
BRIAN FRONS SAYS SOAPS BEST DAYS ARE BEHIND IT
However, the naysayer in the Forbes article was none other than former ABC daytime president Brian Frons, responsible for canceling All My Children and One Life to Life. He was interviewed for the feature and shared that that the Bells will be the last American soap dynasty because of the decline genre.
Frons concluded, “I think itās unlikely anyone would buy a soap opera, to be perfectly honest with you, because itās a declining business. Itās one of those things where you feel like the best days are behind it.”
So, what do you think of the reported wealth amassed by the Bell family from decades of smart business maneuvers? Do you agree with the assessment of Brian Frons that the best days are behind the soap genre? What do you think about the Bell dynasty and what they have brought to this American art form? Let us know via the comment section below.
General Hospital
GH’s Kayden Brenna Tokarski Addresses ‘Positivity and Negativity’ That Has Come Her Way as She Embraces Playing Scout Cain

Kayden Brenna Tokarski took over the role of General Hospital’s Scout Cain from her predecessor Cosette Abinante on the July 20th episode of the ABC soap opera, when they decided to age-up Scout.Ā Abinante has played the part since 2022.
Now, as the story has been unfolding, viewers are witnessing Scout’s journey and burgeoning teenage romance with Rocco Falconeri (Finn Carr) and the conflict she’s caught in the middle of between her brother, Danny Morgan (Asher Antonyzyn) and her father, Drew Cain (Cameron Mathison).
Since Tokarski has arrived on the scene, Scout has shed many tears and been in the middle of some heavy emotional beats. On Sunday, October 4, Kayden Brenna Tokarksi took to her X account and dropped a video message to all General Hospital fans.

Photo: ABC
During her message, Kayden addressed how General Hospital has been handed down generations within her family and how she had watched the soap before having the incredible moment of actually becoming a cast member, plus fans positive and negative comments since her debut.
Here’s what Kayden expressed, “I just wanted to come on here and show my gratitude for General Hospital. It’s been the largest dream come true. Seriously, I’m pinching myself. Every single day I get to come to work, and work with the incredible cast and crew. My mom grew up watching with her mom and I watched with her. So it’s very full circle. It’s insane that this is my life. I wanted to give a huge shout out to Cosette who played Scout prior. Thank you for building such a beautiful foundation, and really large shoes to fill, but just such a phenomenal, brilliant actress and young woman, and I just wish you all the best.”
As Scout has grown in front of our eyes, Tokarski shared, “Thank you to everyone for your grace, welcome, and support as Scout is transitioning into a teenager and more. I have never been on a soap opera before, so as I’m navigating this new world, thank you. Thank you for all of the positivity and also negativity, because I don’t look at it as negativity. I look at it as a way to learn and grow and evolve because right now.”
Being on a soap opera is always a work in progress, for any actor who has never fully performed in the medium, it is like no other, with the pace and how it required the actors to make things work often without much rehearsal time. Kayden added,Ā “I’m at a stage where I’m figuring out what works for me and what doesn’t. And if we take it too far, we’ll pull back. Don’t worry. Thanks for being in the ride with me, I hope you stick it out and keep watching General Hospital.”
You can check out Kayden’s video message to all General Hospital fans below.
Now let us know, have you been enjoying Kayden’s performance as the teenaged Scout? Do you appreciate her addressing her love of the show, plus how she hopes to continue evolve in the role? Drop a comment in the thread below.
A message to all the wonderful fans of #GeneralHospital 🙏🫶 #scoutcain https://t.co/ofXCTFcuNx
ā Kayden Brenna Tokarski (@KaydenTokarski) October 4, 2026
General Hospital
‘General Hospital’s’ Tabyana Ali on a Potential Kai/Trina/Gio/Emma Quadrangle, ‘I Don’t Think That’s Impossible, But That Would Be Messy’

On recent episodes of General Hospital, music executive Simon Craft (Grady Eldridge) has been pushing and demanding that Trina (Tabyana Ali) and Gio (Giovanni Mazza) play up a faux relationship when they are onstage, or in front of the camera, to add to their allure as new recording artists to his label.
Simon knows full well that Gio is dating Emma (Braedyn Bruner), and Trina is with Kai (Jens Austin Astrup). It was apparent from the start, that Kai seemed a bit more comfortable with the “arrangement” understanding this was for business, and not pleasure, while Emma initially didn’t like the idea.
Now with Trina’s stalker story in full gear, and as fans eventually find out who is completely obsessed with the budding young singer, while initially seeming to be Simon that would seem to be too easy of a choice. But is GH toying with the idea that somehow Gio and Trina get stuck in a situation and one thing leads to another and they develop feelings one another, too?

Photo: ABC
SIMON’S MANUEVERS
In addition, after Curtis (Donnell Turner) and Sidwell’s (Carlo Rota) beatdown at Pentonville, where everyone is accusing Sonny (Maurice Benard) of ordering the deed, will this find Gio and Trina on the same side, believing it’s Sonny, or will Gio end up sticking by his grandfather when by week’s end he was also questioning if he was telling the truth?
During a new conversation on the Michael Fairman Channel, Tabyana Ali shared her thoughts that if Gio and Trina were pushed closer together, what that would mean for their relationships with Emma and Kai, respectively.

Photo: ABC
MUSICAL CHAIRS?
Pondering the soap staple, Tabyana exclaimed, “Oh, my goodness. Who knows? I mean, quite honestly, I don’t think it’s it’s impossible, but, oh, wow! That would be messy!” Ali added that its something that could be quite intriguing to play. “There’s a part of me that wants it to happen just to see, how does it play out? Right? Then, there’s another part of me that’s like, “You can’t do that to Emma and Kai.” That’s so wrong,” believed Ali.
However, Tabyana did admit a complicated love story wasn’t far from her mind. “Originally, I wanted something like a quadrangle.Ā I really wanted that to happen. And if this is a moment where it could happen, I think that would be fun too.”
When asked to tease what’s coming up for Trina in the next several weeks, she offered up three words. Things for her will “(get) Suspicious, (be ) spontaneous, (and) very dangerous.”
So, do you think the GH writing team is teeing up a situation where Trina and Gio become more than friends and musical artists together? Would you be down for it, or be against it? do you like Emma with Gio and Kai with Trina? Share your thoughts via the comment section, nd in case you missed it, check our chat with Tabyana below.
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