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Y&R 45 INTERVIEW: Janice Lynde and Jaime Lyn Bauer Reflect On Portraying The Brooks Sisters, Their Storylines, On-Screen Loves, & The Ups and Downs Of Being Soap-Famous!

Photo Credit: JPI Studios

When The Young and the Restless make its unforgettable debut on CBS back on March 26, 1973, daytime audiences would soon be deeply entrenched in the perils, the loves, and the betrayals of two sisters from the wealthy Brooks clan – Leslie and Lorie Brooks.  Played to perfection by Janice Lynde (Leslie) and Jaime Lyn Bauer (Lorie), “sibling rivalry” was given a whole new name.

Leslie was the talented concert pianist, who found it difficult to open up, while her sister Lorie was more out-going and ruthless, determined to never play second fiddle.  These two were seemingly always in love with the same men, and Lorie even drove her sister to a mental breakdown, making Y&R must-see drama.

As part of Y&R’s 45 year anniversary celebration, Lynde and Bauer were asked back to the series to reprise their signature soap roles.  Janice had left the soap in 1977, while Jaime had stayed with the show through 1982, with a few reprisals along the way in 1984 and 2002.  In this candid, touching, and often humorous chat, the two powerhouse actress talk about what it was like being front and center on a new soap opera that took off like a rocket, shared some fond memories and backstage tidbits, reflected of their triumphs and struggles, gave us the real deal on their former leading men, including John McCook (Ex-Lance, Y&R, now Eric, B&B), plus how the late Jeanne Cooper (Katherine) impacted their lives and more.

What a treat it was to walk down memory lane with these two, who were a main part of the reason, we all fell in love with Y&R in the first place.  #YR45 begins for us here with this chat with Janice and Jaime.  

At the beginning of Y&R, you got cast as Leslie and Lorie Brooks.  How did you land the parts in the first place? What happened that led you to Genoa City?

Photo: CBS

JANICE:   I was cast in New York.  John Conboy (original executive producer, Y&R) flew me out on a Saturday, and Sunday morning at 2am, we made a deal.  Bob Fosse kept saying, “No, no.  You can’t do this.  Ask for more money!”  They had already started taping with someone else in the role, but I started on a Monday and taped five shows.  So it was all a whirlwind.

Were you like, “What did I get myself into?” (Laughs)

JANICE:  It’s terrible to admit it, but I had never had seen a soap.  I came up through classical music the opera, and theatre.  I had never watched television that much.  It was my first experience even seeing one, and it was thrilling.

JAIME:   For me, it was kind of wild.  I was coming out of a casting director’s office and it’s my third week in the business! I am walking down the hall and this other casting director says, “Would you come in here and read this? It’s not really anything.”  It was for The Young and the Restless, but he would not admit it was for the show.  So I read for him and I leave, and don’t think anything of it.  Now, I had already been cast to play this android sidekick for Gene Rodenberry’s show.  At that point, Universal had offered me one of the last player contracts, and then Y&R came about and I interviewed with John Conboy.  I had been a model, previously, He wanted me to do a screen test, and then I had a choice between three years on a soap, or seven years at Universal.  So I said to myself, “I will do the three years, because nobody watches the soaps so they would pay me to act and I would learn.”  The first six months of the show I was a wreck.  It was live to tape; you could not make it a mistake.


JANICE:  I was so awaiting her casting, because John kept teasing me with “You are going to have a sister, and then Leslie will have a breakdown…”

JAIME:   Instead, I was the one having the breakdown … (Laughs)

JANICE:  When Jaime came on the show, she was so gifted and lovely, but she hadn’t done a lot.  I use to take her home!  She would follow me up Laurel Canyon and I would make pasta, and I would say, “I’m going to make pasta, and we are going to rehearse.” That is how we worked out our scenes the first couple of months.

Everyone hated Lorie.  However, she was one of the first soap opera characters to go from ‘throw-something-at-the-TV-hated’ to a beloved heroine!  And along the way, poor Leslie suffered that mental breakdown, thanks to Lorie!

JANICE:  They did the story of her breakdown so well.  I’m very proud of it, because I went into a locked ward in LA and I did research, and I made notes.  The cast of women were extraordinary.

Photo: CBS

Both your characters seemed to have a penchant for falling in love with the same man.  Let’s start with Brad Eliot, played by Tom Hallick.  How was Tom to work with?

JANICE:  He was heaven to work with, easy to work with, and really solid.

JAIME:  He always had his lines down.

Lorie wanted Brad all to herself!

JANICE:  Lorie told Leslie that Brad wanted her, which destroyed me! (Laughs)

JAIME:  Well, of course, everyone wanted me! (Laughs)  Don’t be ridiculous. (Laughs)  Leslie was so insecure that she couldn’t believe the guy wanted her.  She was a child prodigy, but socially inept!  She did not know how beautiful and talented she was, and that she was the true rose.  But you got to give it to Lorie, because she was the second child, and the second child always has the rough times.

Photo: CBS

After Tom Hallick, the two of you worked in romantic storylines with the Prentiss brothers, Lance (John McCook) and Lucas (Tom Ligon).  How were those two to work with?

JANICE:  I worked with John first, and fell in love with John.

JAIME:  He was hard not to love!

JANICE:  At one point, I was in discussions about doing TV specials, and what the format would be like, and then John came on the show.  I did several scenes with him where Lance was running around the world following Leslie at every concert.  John is a great musician and so funny, so we were thinking about doing these specials together.


JAIME:   I loved both Tom and John and they were so different as people.  I remember a funny scene with Tom.  I am pregnant, and they are taping pencils on the floor because my belly is so big, and I can’t see my mark. Tom is supposed to pull me in his arms and kiss me passionately.  I said to him, “You need to feel my stomach,” and he pulls me to him with this big embrace, and bounces off me, and screams! (Laughs) We had to do the scene over again, obviously. (Laughs)

Y&R's Eric Braeden Lip-Syncs For A Good Cause

When you think back to your time on Y&R, what were some of your favorite scenes?

JAIME:  One of the dramatic ones for me was a scene that I did with the actor who played our father, Robert Colbert (Stuart Brooks).  He had started putting Lorie down, and Lorie started responding back.  It got really ugly between us.  I sat down afterwards and people came up to me and went, “Oh, my Gosh. That was brilliant.”  I was sitting on a bench, and I was shaking uncontrollably, and I am like, “Where did that come from? “ One of the funnier scenes, because we were doing live tape, was with John McCook (Ex-Lance, B&B, now Eric B&B).  We were jumping on this bed together, but we had no idea that it was actually two beds, and they separated, and the two of us went down right in the middle of it, and we just had to go with it. The two of us just started laughing and joking.

Photo: CBS

JANICE:  I would say … I did love the story of Leslie being in the mental institution.  I thought it would bring awareness, help some people, and not be such a stigma anymore.  There were so many interesting things within that.

JAIME:  Even though it’s nice doing comedic stuff, and John McCook was very funny, truly for actresses that are more serious, the best parts are playing the complex characters. You have to do the research, you have to think, and you have to study people all of the time. John McCook took me into the control room one day and he ran a tape of something I just had done, and he said, “See that! That was really sexy!”  I said, “What?” He said, “What were you thinking when you did that?”  Of course, I didn’t know.

Wait … but, Lorie was the sexy one!

JAIME:  But you know what I used to do?  I used to go to Hugh Hefner’s on Friday night’s because he had free meals there.  I was watching people on the stairs, and that is how I learned how to play Lorie.  I also knew watched this woman I knew just turn it on a dime with this sexual energy toward either a young man, or a very old man. So between her, and Hefner’s, that is how I developed Lorie.

Can you recall some of the fans reactions you received, or were on the other end of, if people would see you at personal appearances, or, out and about, or, via fan mail? Back then, there was no such thing as social media for everyone to let out their opinions and feelings.

Photo: CBS

JAIME:  I remember driving down Sunset Blvd one night and we were in a convertible, and another convertible is next to us, and they start shouting at me, “Oh, my God!  It’s Lorie! It’s Lorie. We hate you!”  Then they go, “No, no, no. We love hating you!”   There was another time where I was shooting a movie of the week with Leslie Nielsen, and he saved me.  I was sitting in the lobby in a building in Century City waiting to be called to set.  This woman comes up to me in the lobby and she literally puts her hand around my throat.  She must have just watched me on TV in her room upstairs.  Leslie helped me get her off of me.  People hated me, but it was a compliment.  What was so amazing for me as a human being is that I never knew what sexy was?

JANICE:  I don’t buy that for one second! (Laughs)  For me, I had amazing reactions.  I was at a dinner one night and Dean Martin came up to me and said, “You are my favorite actress and singer.”  He then asked me to open for him in his nightclub act, and we became very close friends. Then, in either second or third year of Y&R, because we were all seen internationally there was this incident.  I was in the Sistine Chapel and trying to get away from it all, and needed a vacation.  All of a sudden I this place where you take a vow of silence before you enter it, someone yells, “Leslie!” Then everyone was crowding around me, and then the Vatican guard grabbed me and helped me out of the chapel. But then I was told the Pope wanted to meet me, and we did!   The scariest one was at the Farmer’s Market near CBS and these three women came up to me and said, “What are you doing out?  What can we do for you?  You need care!”  I swear, if they knew where to take me they would have taken me to some mental institution!”

In the mid 70’s, the most compelling story on the soaps was centered around Leslie and Lorie, and the other two Brooks sisters, Chris (Trish Stewart) and Peggy (Pam Peters).  But Jaime, what I want to know is … what did you think of K.T. Stevens (Vanessa) when Vanessa was always wearing that veil over half of her face? (Laughs)  I always wanted to just yank it off of her!  I know Vanessa’s  face was supposedly disfigured from a fire, but I didn’t understand why she was always wearing it! (Laughs)

Photo: CBS

JAIME:  Vanessa was really evil, but K.T. Stevens on her own was so sweet, loving, and supporting. Vanessa killed herself and blamed it on Lorie! Sometimes, I wanted to rip her veil off so bad, too! (Laughs)

Y&R always had the most beautiful cast, along with the exceptional writing, the singing, and the production values that set the bar high after it debuted in 1973.

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JAIME:  We were one of the first soaps to also do important topics for the times.  We did storylines on: breast cancer, rape, and mental illness.

Janice, at one point did you decide to leave Y&R?

JANICE:  There was never time to have a vacation, and I was working so hard without a break.  If not for that, I would have stayed a long, long time.  Bill Bell (Y&R co-creator, and head writer) and John Conboy were great to work with, and were great about letting us out to do other projects, but the show was garnering a lot of ratings so the hours just became insane for me.

JAIME:   And remember in those days, daytime shows paid for primetime.  So we were so important to the network that we were not given a break.  I walked illegally, because I thought I just have to escape.  I got on a plane to Hawaii and I stayed at a girlfriend’s house there for two weeks.  I came back to Y&R and had a meeting. I said in my negotiations that I do want all the women to have their own dressing rooms, and this is before AFTRA had any strength at all as a union.

Jaime, what happened when you decided to exit Y&R?

Photo: CBS

JAIME:  I couldn’t take it anymore.  I am nine years in, and the only reason anyone replaced me was when I was on maternity leave and having babies. When I came back I was working five or six days a week, and had kids at home.  At one point, I could not even think of my own name, and I got scared.  I went to them and said, “I need you to put a ceiling on the number of episodes I work a week, unless it’s a big storyline.”   We were just so successful at the time that they couldn’t do it, and so I left.  Then, Bill Bell, God bless him, because I had said to him and John (in tears), “please don’t make me feel guilty’:, did something so unbelievably touching.   What Bill didn’t tell me was that he fired everyone to do with the Brooks’, and in our entire storyline, because I was his favorite character.  I think that was because I was named after his daughter, Lauralee, and he couldn’t envision the show without the character, so he had to change it and make it a whole new show. I will thank him forever for that, because if I had known I would have stayed.   I loved Bill and John, and I would have done anything that I could for them.

There was another tremendous actress when you started at Y&R, the incomparable and iconic, Jeanne Cooper (Katherine).  What was your relationship like with Jeanne?

JAIME:  Jeanne was a second mom to me.  The first play I did was Plaza Suite, and we were in the same play together, and it was a touring company.  I went to the director before we opened on opening night and I said, “I think you made a mistake.  I don’t think I can do this. I don’t think I’m funny.”  He goes, “Nope.  I haven’t made a mistake. You will be just fine.”  Well, I cried for two hours the day of opening night, because I was terrified.  But it was Jeanne Cooper who stood there, and had her arms around me saying, “You’re going to be fine.  You will see.”  My cue came and she is standing there, and she literally shoved me onto the stage.  Jeanne was an amazing, sweet, incredible woman and at a time I was dating her son, so I was over at ber house a lot of the time, so we were tight.


JANICE:   Jeanne was the cast mom.  It was such a joy, because we were all very collaborative. There were times I was given a script late on one day and had to do a big song and dance the next; like this one in Lance’s apartment, where he dares Leslie to come out of her shell so she can perform at this party. (Laughs)  I said to Jeanne, “How am I going to do this?  There is not even the staircase, or full set to work with up yet.” She said, “I have an event, but I will meet you at midnight.” We got Bob Fosse on speaker phone, because the number was “If You Could See Me Now” from Sweet Charity, and between Jeanne and Bob, and me, running up the stairs and landing on top of the piano, we got it figured out.  But Jeanne would do things like that. She would do anything for the work.  She was a great friend, and a brilliant talent, and had some demons, but she conquered them.

How did it come about that you are returning to Y&R on-air this week as part of their 45th anniversary episodes?

Photo: CBS

JAIME:  I was laying on the beach in Cancun, and I get a call.  I go, “What?  Who? The Young and the Restless? You want me to return for their anniversary? Sure … just let me know. “

JANICE:  I got a call while I was in a ballet class in New York.  I was at the ballet bar, and I get a call from my agent.  So, I thought I should go out in the hall and take this.   I ran out and I said, “Really?”  My agent said, “How do you feel about that?”  I said, “Absolutely, would love to do it.   It’s a reunion!”  But honestly, I didn’t believe it was going to happen, because I had gotten a lot of calls over the past years and decades and we could not work it out, for one reason or the other.  This time we did, and I was so excited to be back.

Did you think Y&R would have lasted this long, from when it began?

JAIME:   I am not surprised at that at all.  It has been number-one overall for a reason. The writing has been quite good.  They still have that great look and that great lightning.

What would you want to say to Y&R as it celebrates its 45th anniversary?


JANICE:  “You are the tops!  And 45 more …”

JAIME:  “45 more that would be brilliant … than we can actually show up at 90!” (Laughs)

So, what were your favorite memories and storylines of The Brooks sisters? Are you glad Y&R asked Janice and Jaime back for the anniversary episodes?  What did you think about Janice and Jaime recalling the beginning years of Y&R? Share your thoughts via the comment section below!

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Michael (not Fairman)MarieShayModiane Recent comment authors
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That was 1973 — the Brook Sisters..
I wasn’t yet born.
But– I’m looking forward to seeing them it will be interesting and even fun to go that far back..


Same here, SuzieQ…But, I am very familiar with all these characters….my Gran is a great storyteller—I feel as if I had been there 45 years ago watching with her…..looking forward “seeing” them again. LOL.
Aside: through all this, I must give praise to Marla, again….WOW!!!!…. gets better and better.
Dina’s disdain with Ashley is soooo pungent but a revelation at the same time. She resents her daughter because she’s a constant reminder, subconsciously, of what she did to John…..
It would be the greatest twist and sweet irony if Jack were the Pro’s son. HaHa….


PS…or, Jack is the issue of another affair. OOOOUUU-LALA!!!! Are any of Dina’s children John’s, su??


I am the one and only (both sides of family) that ever watched a soap..
ahaa I’m virgin soap family ..


Looks like Traci is going to be the only genuine article Abbott to spring from John’s loins and Dina’s womb, CeeCeeGirl! How ironic is that? From the beginning, this girl was always the awkward, odd child out, constantly paling in comparison to her handsome older brother Jack and glamorous big sis Ashley, and now both are apparently not even real Abbotts…what an identity crisis, eh???

Scott (ATWT Fan)
Scott (ATWT Fan)

What a wonderful interview, Michael. So happy to see original veterans, such as Janice Lynde and Jaime Lyn Bauer back in Genoa City. What a beautiful way to celebrate The Young and the Restless‘ 45th anniversary! I’m hoping this might lead to more appearances, though, I don’t know if these two are the ones who might be making further appearances past the anniversary. Hearing them speak about their time on the soap, and even Bauer’s words about her asking to leave, were powerful. They helped change the face of daytime during a time when daytime was most powerful.


OMG: I feel for Jaime Lyn Bauer… she had two predicaments… CLOSE TO HER HEART. maintain her STAR reign… or go home to her children.

this is why I feel for women… who make the sacrifice.

for the heck of it…. I wonder how long she coulda woulda shoulda stayed … past her original 9 years. she committed to 6 more years past her 3 year contract.

“… We were just so successful at the time that they couldn’t do it, and so I left. ”

that’s a lot of tears … heart mind and soul ripped torn and tattered. The love of a mother…. hats off and salute.

I LOVE THIS WOMAN… only know … her work @DAYS of OUR LIVES. ALL the proof you need… she came back… conquered.. persevered.. and is loved that much more.

TAKEN from Wiki : “The one time Miss Phoenix beauty contest winner is best known for her two long-running soap roles: Lorie Brooks on The Young and the Restless, which she played from 1973 to 1982 with reprises in 1984 and 2002, and Dr. Laura Spencer Horton on Days of Our Lives.[1] The character of Laura, previously played by Susan Flannery and Rosemary Forsyth (among others), had not been seen in 13 years. She played Laura from 1993 to 1999 with reprises in 2003, 2010 and 2013.”

@DAYS NEEDS to bring Laura back… seeing as how her granddaughter ABS is using grandma Laura as one of 3 identities. HELP my Abs. Jaime Lyn as Laura always brought a warm familial vibe to all her foundlings…. when she had to… rear itself… she rose and culled from whatever it took…. and knowing her “fragile” state even then… made us , the audience cheer her on that much more… we cared about Laura.

it’s nice to salute you Ms. Bauer.


Jaime Lyn was one of daytime’s most quintessential soap goddesses! So sleek, slim, statuesque and drop-dead gorgeous in all of her designer finery! Her character was of a time and place when women each had their own highly-distinct looks, not the cookie-cutter botoxed features that we see today….how I miss those golden days when the soaps were an endless parade of exquisitely original beauties decked out in the latest and greatest fashions! What a feast for the eyes they were! Welcome back, Lorie Brooks!

Kevin C
Kevin C

I have yet to read the interview but I am so excited to have them back and wish they were back permanently for I loved Y&R from the beginning till 2006…I started watching again when Sally and Kay returned as headwriter and story consultant…I started to stop watching once Sally and Kay left but decided to stick with it through the 45th anniversary and I haven’t been impressed Mals writing until this past week and not I am interested in where it goes from here…

Kevin C
Kevin C

I failed to mention that I have the conversation on a cassette tape of when Leslie was asking Lorie to help her unlock the key to her past for Leslie didn’t know what happened to her for losing her memory….such a wonderful and very well acted storyline and oh how I miss those days…

Kevin C
Kevin C

I just finished reading the interview, LOVED IT and again how I miss these two beautiful ladies on this show…I loved all the storylines with Lorie and Leslie, they were all great…but the two that really come to mind is of course the sister rivalry and the Lorie and Vanessa storyline with Vanessa staging her own death and setting the stage to make it look like Lorie pushing Vanessa over the balcony, CRAZY WONDERFUL storyline…I remember Vanessa yelling, STOP LORIE, STOP and Vanessa KEPT on saying this LOUDLY and Lorie was wondering what on earth was going on with Vanessa and trying to calm her down and then Vanessa jumps off the balcony and Lorie is so distraught, it was SHOCKING and LOVED the DRAMA and then the trial and then Lucas blaming Lorie at Vanessa’s funeral…Lucas looking and screaming at Lorie, saying to Lorie, look Lorie, LOOK WHAT YOU DID TO MY MOTHER…with the dramatic and beautiful background music going, SO GUT WRENCHING and so miss these days of GREAT SOAP WRITING where you didn’t want to miss a DAY…


I was 11 when the show started and I would watch it at my sisters house when I was out of school, which was a lot!! I will always remember the Brooks family and Jill’s family. They are Y&R to me.


The show was such a gem in the 70’s and so forward-thinking. I note the ladies mention the lighting – it was so flattering compared to other shows of the time. And the cast was already an attractive group! And Leslie-Lorie-Lance-Lucas – the Alliterative Quadrangle! Easy to poke fun at – but a riveting story, thanks to the actors. Looking forward to seeing this week’s reunion!


Didn’t watch then. I have seen Jamie on Days so I’m familiar with her, but not on Y&R.

Looking forward to seeing them and what brings them to town.


I was 9 when Y&R started and I remember it vividly still. I was so bummed when the Brooks family was gone that I stopped watching. I started again for a bit when Lily and Daniel were together and Cassie died. Still a great show though not one I regularly watch. What a blast from the past though. Great interview1




I was about 15 when they went on the air and was so impressed by the production values. It was the first Hollywood daytime drama I watched. I loved the Brooks family and now I know why they were written out. Thanks for the interview, Michael. I was thrilled when Janice Lynde showed up on my favorite soap One Life To Live. One other thing that I enjoyed on early Y&R was the use of music and songs. If I recall, Leslie’s song was “If A Picture Paints A Thousand Words”, loved when they used the song “Bless The Beasts And The Children” I think it was played for the character of Chris. So many good memories of the first 20 years of this show.

Kevin C
Kevin C

Hey Max, you are right on with the music and the song that Leslie sing, a Bread song, IF…and I loved when the played Bless the Beast and the Children…and like you said such good/great memories of the first 20 years of Y&R…


It’s so great to have the Brooks sisters back again! I remember their rivalry over men and when Dennis Cole played Lance. Vanessa hated Laurie and I remember when she jumped off the balcony to her death and made it look like Laurie pushed her. A definite jaw dropping moment for that show. I also loved the episodes featuring Leslie’s concerts. Incredible moments. It would be nice to have Y and R revisit some of the history with these old characters again including the Fosters. Its great to have them back and I hope to see more of them in the near future! Happy 45th Y and R!


THANK YOU FOR THE INTERVIEW! It was great to read what a couple of the original cast members thought of the show, their characters, and the trend they set for daytime programming.

My favorite Brookes family storyline was Jennifer Brookes’ breat cancer– the reaction of Stuart, how each daughter struggled with it, and the beautiful and agonizing depiction given by the actress who played their mother… as Kevin and Max noted in earlier posts, THE MUSIC brought the great acting and the great dialogue together.

Also, loved the courtroom scenes regarding Lorie being accused of Vanessa’s death– great drama, especially when she was found innocent– her lawyer was great and she played the role to perfection… again, the MUSIC made it all pop!

Hope the new writing regime respects the efforts of those original cast members and pays homage to them throughout the year! Would love to see others return for a brief stay.


They should bring Lorie back permanently and give us a new generation of Brooks characters. Surely Lorie has kids?


I didn’t think much of Janice’s acting yesterday. A little blah. Maybe she has been out of practice.

I didn’t know all the history with the Brooks and Jill so it was nice to get to find out. I thought, Jill sure likes wealthy older men and then Billy said it! Yes!

Karen R
Karen R

I was watching back then, loved the Brooks family and the Fosters. Jill, her mom and brothers. Been watching it throuout the years And it is still my favorite.


I miss the Brooks family.


I am not familiar with the past storyline; and although I found the scene to be funny, I also found it to be awkward. I’m not a “Jill” fan, so I wasn’t too keen on this, but it was funny and “catish.”


I thought it was a bit awkward too. The two sisters sitting at the bar and then Jill. It looked weird.


I was hoping they would share more of the 45 year old history through flashbacks this week!! I was also hoping to see the Brooks sisters for more then 2 whole minutes!!! The other storylines can wait till next week!


I don’t remember this Leslie. I remember the one with the dark hair and the porcelain complexion. That said, this was a great interview.

Jess Walton still drives me up the wall. I’ve always thought she was a terrible Jill – she’s always so miserable. Being a villain should be fun! At least the other Jill thought it was.

Michael (not Fairman)
Michael (not Fairman)

That was Victoria Mallory, Marie. She took over the role when Janice Lynde left and played it for four or five years. I liked her a lot; probably one of Y&R’s best recasts.


Mishael Morgan Talks on Her Return to Y&R and Tackling the New Role of Amanda Sinclair

So, just how did The Young and the Restless lure back one of the series most powerhouse actresses to take on a brand-new role? Mishael Morgan, who earlier this year was nominated for a Daytime Emmy for Outstanding Supporting Actress in a Drama Series for her gut-wrenching final performances as Hilary Curtis, reveals in a new interview with Michael Fairman TV, what went down to bring her back to the CBS Daytime drama.

As fans know thus far, after appearing as ‘Ghost Hilary” through the late spring and summer, Y&R’s creatives worked behind the scenes to get Morgan back on screen without tainting Hilary’s ultimate demise.  That is when they came up with the role of the sexy yet tough lawyer, Amanda Sinclair.

So, enter Mishael in a new wig and style that defines Amanda as her own character.  Question is, since Amanda is a dead-ringer for the late Hilary, are they related? And, what will ultimately be proven to be in her DNA?  In story, Amanda entered the scene as the often-mentioned Chance Chancellor’s attorney.  She shows up in Genoa City to contest the legitimacy of the late great Katherine Chancellor’s will and the fortune she left to Devon (Bryton James).  With Devon directly in Amanda’s line of fire it sets the stage for potential fireworks down the line.

We sat down with Mishael backstage at Y&R for this informative and entertaining chat as we officially welcome back this truly kick-ass performer.  Here’s what Mishael shared below.

Photo: JPI

What transpired behind the scenes to make it possible for you to come back to Y&R?

MISHAEL:  Tony Morina (executive producer, Y&R) kind of gave me a little bit of a heads up.  They called me back to come in and do the ghost episodes as Hilary, and it happened really quickly.  It was like, “Hey, Mishael, do you think you can do this?  Yeah?  Okay.  We’ll work it out with your team.  Alright.  We’ll see you tomorrow.” (Laughs) It was really, really fast.  I was hesitant for a second about the whole Hilary ‘ghost thing’, because I felt good about how we wrapped up Hilary’s storyline.  I’d only left for a couple of months, and I still felt funny about it, but I was like, “I’ll do it.  She’s a ghost … so she hasn’t returned from the dead.  So, it’s fine.”

Originally, I was concerned that they were going to have you as Hilary keep popping up as a ghost to Devon for an indefinite amount of time; when the show has already done that with Jack Abbott (Peter Bergman) and his father, John (Jerry Douglas).  Because of your previous performances, and Emmy-nominated performance for the final arc of Hilary’s story, I thought, in the end, it might detract from that.

MISHAEL:  Yes, and I think that’s how I felt too, but I agreed to do it because they said that it was going to be a max of seven episodes.  So, while I was doing that, Tony was on set watching the scenes.  Next, he just called me up and said, “Well, how do you feel about coming back?”  I was like, “Coming back?  Hilary is dead.  Like, Hilary is dead-dead.  Is this going to be an alternate universe?” (Laughs) He said, “Well, no.  You’d be coming back as a different character.”  That was really intriguing to me, because one of the reasons why I left was because I felt like creatively I’d played a character from beginning to end, and it felt like it would just be nice to go off and play somebody new.  I never in a million years thought that I could come back to Y&R and actually play someone new!  That was weird to wrap my head around when they said, “You’d play a new character,” but then when they said she was going to me a lawyer, my ears really perked up! I’ve always wanted to play a lawyer, because I have the background where I wanted to be a lawyer in real life.  So, then I’m like, “OK. Now I get to play a lawyer on TV.”  They really got their hooks in to me with that … and just hooked me in from there.  Then, I got open to the idea and the story that Josh Griffith (head writer, Y&R) wanted to tell.

Photo: JPI

Once you learned the idea of the story from Josh, it seemed that things happened very quickly!  We all found out about your return via a social media post where you got to tell the fans yourself that you were coming back … but as a new character.

MISHAEL:  It happened relatively quickly in terms of me tentatively coming back, but then they still had to write the story.  So, everything wasn’t really confirmed until a couple of weeks before I started taping again.  We were in talks for about two months, and we worked it all out.  I said, “I’d do it,” and then it was 100% confirmed around August of this year, and I was airing in September.  It was kept was very, very quiet.

Are you still figuring out what Amanda’s back-story is?

MISHAEL:  I am.  I feel like every writer is a little different, and I feel like Josh likes to keep things very close and tight to his chest so that you kind of don’t know what’s happening.  Josh gives you enough information to play a little bit of something that is coming down the pike, but he doesn’t really disclose everything.   I’ve gotten little hints, and I kind of know where we are going, but I still don’t know the whole back-story of Amanda.  I’m still trying to figure her out.  If she’d been the polar opposite of Hilary, I think it might have been easier, but if you read her description, she’s very much like Hilary: A-type, strong, driven, all of those things.  Hilary had this very malicious, unscrupulous side to her, but I don’t know if Amanda has that.  In terms of the general description of the character, they’re very similar, which I was happy about just because I like playing strong women on TV.  If they had said, “We’re bringing on this character, and she is homeless” … or somebody who was super quiet… that would pose a different set of things for me as an actress.  I think seeing strong women of all different colors, shapes, and sizes is so important right now on TV, and it is very relevant.  I am happy to be a part of that.

Photo: JPI

What was it like playing all of these entrance scenes as Amanda where your former and current scene partners had to suspend belief? There’s Bryton James, Christel Khalil, Daniel Goddard, Jess Walton, and you, and Amanda walks in like, “Hey there!” (Laughs)

MISHAEL:  We just laughed about it.  It’s one of those things that is so funny, and it can only happen in the world of soaps.  A lot of the fans said, “This is weird,” in the beginning, but the fans love the show, and they accept it, and they do suspend their disbelief, and then it becomes normal.   We just had fun with it.

You’re like, “Hi, do you like my new hair?” (Laughs)

MISHAEL:  That was the thing too.  (Laughs) I don’t even think Christel even saw my hair until she came to set, and she was like, “Oh wow! I like your new hair.”

Photo: JPI

What happened when you and Christel taped the scenes where Lily sees Amanda for the first time, after the former contentious relationship of Lily and Hilary that ultimately changed the course of both their lives?

MISHAEL:  For me, it was super fun and easy because I don’t know any of the Hilary/Lily back-story.  I just play very oblivious like,“Hi, I’m just here.” (Laughs)  So, it’s very easy for me, but I almost envy a lot of the other characters who have to play all of these layers because Lily does have that back-story because she was charged for Hilary’s death, and the guilt associated with doing something like that, and also the hate that she had for Hilary.  Then overcoming that hate, and then going on that entire beautiful journey that they had together as women.  But now having that as a layer, and adding on top of it this woman who looks exactly like Hilary, but is a completely different person, is really interesting. Even for Bryton, I feel like he has a golden opportunity as well, because to have that love of your life, and then a new love of your life there in Elena, and then see a woman who looks just like your ex-wife is, I’m sure, really difficult.  Your mind would just be exploding!

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How did Bryton find out that you were coming back, and what was his reaction to the news?

MISHAEL:   Well, I came in for the ghost episodes, and I just couldn’t hold it in any longer.  I told him before we finalized this new deal.  He’s a friend of mine.  I wanted to get his opinion, and he was like, “You should do it!”  I was like, “Really?  It feels so weird because I just left a year ago, and I was so happy and content with leaving, so it feels weird to come back.”  He was like, “No, it will be fine.”  He’s like, “The fans will love you either way.  They’ll want you back.”   I was worried about how the fans would feel because it is such a quick return.

Photo: JPI

What is the feedback you’re getting from the fans thus far on your transformation from Hilary to now Amanda?

MISHAEL:  I feel like it’s pretty positive for the most part.  There are always going to be a couple of fans who are skeptical … or who don’t like the storyline … and even if they don’t like it they say, “This is kind of weird to bring her back as a different character.  We miss Hilary, but we love that Mishael Morgan is back, so, that kind of makes it all OK.”

The story that brings Amanda to Genoa City revolves around the legitimacy of Katherine Chancellor’s (the late Jeanne Cooper) will, and she comes in and says there was a counterfeit will etc.  She’s the messenger at this point and her client is Chance, correct?

MISHAEL:  Yes, Amanda’s client is Chance.

Isn’t she starting to question the legitimacy of her client?

MISHAEL:  Yes, but I think she still believes that it was Chance.  She’s kind of wondering now … because she even accuses Jill (Jess Walton).  She’s like, “It’s your grandson.  He’s all out to lunch.  He’s not getting back to anybody.”  Jill is very much in the headspace where she is like, “Well, this is probably not my grandson.”  Amanda is like, “I’m pretty sure it is.”  So, I think Amanda still thinks that it is Chance, even if he is a criminal, and even if he is doing something tricky.

Photo: JPI

How did Amanda get contacted by Chance in the first place to take this case?

MISHAEL:  It was an email, and then Amanda spoke to him on the phone …  or at least to who she believed was Chance.  He signed the papers, he scanned them over, and he forwarded Amanda the retainer. She had no reason not to believe that it was him.

So, when Amanda came to see Devon and company, she had no idea that there was this lookalike of her that was intertwined with this family?

MISHAEL:  No, but then after Devon tells Amanda about all of this, she sees pictures of Hilary online, but this is all done off-camera.

Does Amanda now suspect that she could be a twin? 

MISHAEL:  I think so.  I’m kind of playing that or keeping that there.  I’m kind of playing that as part of the reason why I want to stay in town because Amanda is intrigued by this other person who looks like her.  This could possibly be family.  I think it adds an extra layer as to why she wants to stay on Genoa City.  It is not just because she likes this person, or that person.  I think it is because she wants to figure out her connection to this person who looks just like her.

Photo JPI

We’ve seen Amanda be a little shifty.

MISHAEL:  Maybe a little bit. (Laughs)

What do you think we, as the audience, should be feeling at this point about Amanda?

MISHAEL:  I think we just have to wait and see.  Hilary had a lot going on before I left, and this is a new character who is slowly building.

I think that one of the things that daytime shows often have done wrong is that when they bring in a new character, they shove them down the audience’s throats too fast that they get sick of them.  I don’t know if that’s the tactic for the emergence of Amanda, more of a slow burn?

MISHAEL:  I feel like they are definitely doing a good job of building her character slowly and adding layers.  It’s not all coming out right away.  I feel like people should be feeling excited to try and figure out who this woman is because that is what it is eventually going to be leading to.  Right now, we are all just together in trying to figure out who she is.  I feel like everybody is really excited (and I am too) to get going, but even when Hilary came to Genoa City, it took about a year for her to catch her stride.  I think it’s going to take a while to really understand the meat of this character and how she fits into everyone’s lives.

Photo: JPI

Do you think Amanda feels badly about what is going on with Cane and Devon with the will, and how it would change both their lives forever?

MISHAEL:  Yes.  I definitely think that she feels badly about that.  In the beginning, it was very much her job.  I think when Devon is contemplating giving over his fortune, it makes Amanda see him in a different light, and her empathy for him starts to increase because she sees that he is a good guy, and that there wasn’t anything that he did that was malicious.

I think there is an attraction brewing here between Devon and Amanda.

MISHAEL:  Possibly.  I mean … Devon was attracted to someone who looked like Amanda.

Photo: JPI

Will she like him if he has no money, though?

MISHAEL:  I don’t know… I mean, Hilary definitely wouldn’t. (Laughs)

What do you think about working with Brytni Sarpy (Elena)? I see a triangle or quadrangle brewing and I see catfights in your future!

MISHAEL:  I love Brytni.  I definitely see that because Elena is definitely in the state of mind where she can’t stand this Amanda character.  The second she walked through the door, she couldn’t stand her.  I’m sure there are going to be some catfights coming.  I’m sure that it is going to be very entertaining for everybody! We’ll see.

Because you were considering being a lawyer … wait until you get into the courtroom set for some scenes!

MISHAEL:  I know, I’m excited for that!

Christian LeBlanc (Michael) always loves the courtroom monologues because he says it’s like doing a stage play.  Will you be up for that?

MISHAEL:  I think it’ll be ready for it.  I had a little one already to kind of warm up.  I won’t tell you what it was about.  I was like, “I can do this,” and I think it would have been even more fulfilling if there were an actual jury there where it feels like you’re performing.

Photo: JPI

What kind of lawyer is Amanda?  Does anyone know? (Laughs)

MISHAEL:  Well, right now she specializes in estates and trusts, but the one thing that I do know about attorneys is that technically with your license you can kind of do anything.  It is just that your experience will be in a specific area.  So, certain people may not want you to defend them, because you’ve never defended people in these cases.  I feel like it is not the same as a surgeon.  A surgeon specializes in the heart, and they don’t really do anything else, but as an attorney, you can kind of do anything.  You can defend anyone if the price is right and you feel confident.

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When you were thinking of being a lawyer, did you think of the kind of lawyer you wanted to be?

MISHAEL:  Well, when I wanted to be a lawyer, I wanted to be an international human rights lawyer.  So, something very different.  I wanted to save the world.

You know what they should do?  Maybe Amanda could have a courtroom show.  Instead of Judge Judy, it could be called Judge “Mandy”!

MISHAEL:  Put people in their places.

That’s if Amanda doesn’t get a talk show gig on the side, like Hilary did with GC Buzz! (Laughs)

MISHAEL:  With the courtroom cases, and the talk show, that would be a lot.

Photo: JPI

We talked about Hilary and taking her through everything she had gone through, and it really was the perfect ending when she passed.   Do you look back on that time and that work which we all loved so much?

MISHAEL:  Yes, I do.  I still look back on it, and I feel so blessed to have gone through that journey with her and to have created such a great character.  There are times when I’m like, “Yeah, coming back as Hilary would have been a lot of fun,” because I read the lines, and I know how Hilary would say everything, and now I have to figure out how Amanda says it – and it never feels the same, because I got so used to this being Hilary’s home.  I feel like Amanda is a little more like me, so there is a little less playfulness happening.

You want more of that which is reminiscent of Hilary, or not as much with Amanda?

MISHAEL:  I feel like naturally there is not as much now with Amanda, but I do want more of the playfulness to happen. It’s fun to play that on camera.  I feel that’s the fun of acting and pretending in that you get to be less of yourself, and more like a character.  Hilary was so different from me that it was just so fun to play her.  I feel like I’ve got to find those things in Amanda that make her unique and different that I can indulge in.

Photo: MMorganInstagram

In real-life you’re now a mom of two.  When you leave your kids to come to work, is it hard for you?

MISHAEL:  It is, but it’s okay because my husband stays at home with them.  We bounce back and forth.  He doesn’t work when I am working, and the days when I am not working, I am at home, and I get to enjoy time with them.  Then, when I am working, he stays home, and he gets to enjoy time with them.  It sucks to leave them, but at the same time it’s great to know that they are getting to spend time with their father, and I’m getting some ‘me time’.  I think that is necessary, because being a stay at home mom was a lot harder than I thought.  It is exhausting, and you are always on call.  You feel like you’re a surgeon.  It is just too much at times.

You always have the best Instagram photos with your kids and their outfits.  Are you going to have them dressed for Halloween?

MISHAEL:  Oh, yes.  They are going to dress up.   My son is going to be a firefighter, and I am going to be the fire, and my husband is going to be the fire hydrant, and my daughter is going to be the fire dog, the little Dalmatian!

Were you thrilled that you had a daughter this time, after previously having a son?

MISHAEL:  Yes.  At the time, I was okay with whatever the gender turned out to be.  I know everybody says it, but as long as they’re healthy, that is the most important thing.  I even thought about if I did have another boy, there would be that brother bond.  I grew up with sisters so to give him a brother would have been great, too.  Everybody always wants to have one of each because you want to be able to see what a boy would look like, and what a girl would look like, and their temperaments and all of that.  So, it’s nice that we got one of each.  We are happy.  We are good.  No more kids in my future.  (Laughs)  I shouldn’t say that too much because what if I do get pregnant, and my kid is like, “I was definitely an accident, Mom?” (Laughs)

We don’t know who Amanda has ties to at this point, but would you like to see her in another romantic relationship with some guy who is not Devon?

MISHAEL:  I would like to see that just because it would be something that kind of defines her as her own kind of person with her own journey and her own likes and her own dislikes.  I even feel that if she just ends up with Devon, it would be kind of weird.  We don’t know if Hilary and Amanda are related, but if they are related somehow, you would not have the same experiences, you would not have the same connections as this person.  As far as who I would want to work with, I don’t know.  I don’t know how to judge.  Well, Sean Dominic (Nate) has been awesome.  It would be kind of cool to be with Sean character-wise, because if Amanda ends up with Nate, that’s a relative of Devon, so Devon would have to see that all of the time … so that’s interesting.

Photo JPI

How is working with Sean?

MISHAEL:  Lots of fun.  He actually has the same birthday as my dad.  He’s a really cool guy, and we get along great.  That is half the battle because every now and again (and you rarely hear about it) you can’t stand the person you’re working with, and every time you get into scene work with another character, you’re always wondering, “Am I going to get along with this person?”  I love Bryton because we definitely have a special connection when we are on camera and when we are working together.  We’ve known each other for so long, and we’ve done so many amazing scenes together, and I think there is a lot of trust there.  It’s easy to just work with him.  That being said, the challenge of working with another character would be great as well.  We’ll just see where the chips fall.  Either way; I’m going to have a blast.

So, Camryn Grimes (Mariah) and you obviously have this great relationship together on-screen.  Mariah was Hilary’s dear friend.  Did you ever see her performance after Hilary died and her heartbreaking monologue on the set of GC Buzz?

MISHAEL:  Yes, I did.  It was amazing.  She’s an amazing actress.  She’s an amazing person.  I was so happy to work with her, and I am so happy to be back, because we are such good friends.  My first day back on set when I walked in, Camryn was the first person I saw.

Photo: JPI

Did Camryn know you were coming back to the show as Amanda?

MISHAEL:  Yes, she knew I was coming back.  We had a big hug and everything like that, and we were laughing about the fact that she’d come back to Y&R too as a whole different character.  So, I was like, “What pointers can you give me?” I would really love to figure out how Amanda and Mariah can work together.

The big question … I wonder if Amanda will have friends in Genoa City? (Laughs)

MISHAEL:  I think she would.  I mean, I know she is a little uptight, but I think she’ll have friends.  I hope so.  I don’t know who though. Guess everyone will have to stay tuned to see.

So, are you happy to see Mishael back at The Young and the Restless? What do you think of the character of Amanda Sinclair thus far? Do you want to see her with Nate, Devon, or someone else on the canvas romantically?  Do you think it will turn out that Hilary and Amanda were twins? Share your thoughts via the comment section below.

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B&B’s Matthew Atkinson Talks On Thomas’ Vendetta With Brooke & Playing The Manipulative Bad Boy Of The Forrester Clan

Since coming to The Bold and the Beautiful earlier this year, Matthew Atkinson is making his mark in the role of Taylor (Hunter Tylo) and Ridge’s (Thorsten Kaye) son, Thomas Forrester.  But while Matthew was a recast for his predecessor Pierson Fodé, his Thomas is quite different.  The new Thomas is a bad boy capable of horrific manipulations to get what he wants, and a young man who has caused so much suffering already for the Logans, Spencers, and the Forresters  But is there a heart underneath that often volatile exterior?

After all, Thomas went to great lengths to keep Hope (Annika Noelle) in a relationship with him and for her to be a “mother” to his son, following the death of Caroline.  So, what did he do? He covered-up and blackmailed many people to keep their mouths shut to the truth – that his sister Steffy’s (Jacqueline MacInnes Wood) little girl, Phoebe, was actually baby Beth, the child Hope and Liam (Scott Clifton) believed had died at birth!

Following the big reveal, and getting a bit of comeuppance, Thomas landed in the hospital with a questionable push from Brooke (Katherine Kelly Lang) after a fall.  After promising to change his ways, looks like Thomas is back to scheming and conniving – this time to make sure Brooke gets payback and that her marriage to his father blows up to smithereens.  Meanwhile, Thomas needs to be a better father to his little boy, Douglas (Henry Joseph Samiri), but will the Logans and the Spencers come between father and son?

Michael Fairman TV chatted with Matthew Atkinson to get his take on: the emotional make-up of his incarnation of Thomas Forrester, what his ultimate takedown of Brooke would be, and how he thinks Thomas can find a way back into the family good graces, and more.  Here’s what Matthew had to say about it all.

Photo: JPI

Thomas really has a vendetta with Brooke.  The scene where Brooke slaps him illustrated just how deep-rooted his issues apparently are with her. What did you think about what Thomas said to Brooke that came to a boiling point with the slap, and what was it like performing the material with Katherine Kelly Lang?

MATTHEW:  Katherine rocks every chance I get to be around her.  She is such a sweet human being and so fun to work with and takes her job seriously and puts a lot of work in, and I think it shows.  As far as the scene goes, every chance that I get to work with her is fun.  She’s just a great actress.  Brooke basically had this vendetta against Thomas for a while now, and she was the one who unjustifiably went a little crazy about Thomas before anybody knew Thomas was off the rails.  So, it’s kind of this interesting culmination of having that where she has built herself up to hating Thomas at this point, and she is just scared of him and what he could possibly do.  Then you have Thomas, who has hated Brooke ever since she came in and destroyed his family.  There is so much emotion there and so many levels to it.  It’s just so much fun to play around with, and in those scenes especially, it is kind of like neither one of them really has a filter.  They are both just going at each other.

He is punctuating his plan by telling Brooke that she may, “Have his father tied around her slutty little finger, but her reign of terror ends with him!”  I was just like, “Uh-oh.” (Laughs)

MATTHEW:  Yeah, and that’s how Thomas sees Brooke.  He sees her as this slutty woman who came in and kind of giggles her way into his dad’s life and flirted with him and destroyed his entire family.  Thomas sees her and all of her sisters as these air-headed women who are kind of just family-destroying kind of people.  They come in, they do whatever they can to get what they want, and he doesn’t care about them at all.  I think he has kind of gotten to this point, especially with Brooke … considering what happened with Hope and that he has this genuine love for Hope.  Brooke won’t even accept that, or think about that as a possibility with how she views him.   It’s that crazy dynamic and those scenes were definitely an emotional peak for both of them.

Photo: JPI

Thomas seems to become obsessed, and laser-focused on people like Hope, and now Brooke.  What has happened to him?  How are you playing this behavior pattern of his that we are seeing established?

MATTHEW:  Some of the most successful people in the world are people who obsess over things.  I think Thomas is like that, but I think that since Caroline’s death, his obsessive nature has been so focused on things other than fashion.  They aren’t his job and what his talents are, which is where he should focus all of that energy, but instead it’s been on his son needing a mother.  So, getting Hope in his life was key to him, and with Brooke, it’s a woman who has destroyed his entire family.  He wants his dad to be better off.  He wants his entire family to be better off.  He honestly feels that they would be better off without Brooke in their lives, and so that is what he is focused on.  I don’t think it’s necessarily a bad attribute to have when it is focused in the right direction, but for Thomas, since the death of Caroline, his focus has been on things that are a little abstract and are not necessarily objectively sound decisions.

Photo: JPI

What was interesting was that I did not know how they were going to be able to save the character of Thomas on the B&B canvas after all that he has perpetrated.  But then, there were scenes in the hospital where he is recovering from his “fall”, and Thomas is having big emotional scenes with Ridge and Steffy.  In those moments as the viewer, you say to yourself: “Oh, they’re going to redeem him,” but then they don’t.  He goes right back to a new vendetta.  What did you think of those plot twists?

MATTHEW:  The interesting thing about this character is that I don’t think this guy is a bad guy.  I think he is a guy who is doing a lot of bad things, but I think a lot of people can relate to him and the struggles that he is dealing with: being a single father and having a rough childhood with his family being broken up.  This is a guy who wants his father to approve of him and respect him and he has never really felt that way.  I think a lot of people out there know what it’s like to have a parent who they just want approval from but can’t get it … couple that with the fact that he let his sister down.  Everybody knows what it is like to think that they are making the right decision and end up making the wrong decision and possibly hurting someone in the process … and the kind of shame that you feel from doing something like that.  I think this makes Thomas an interesting character where viewers could say, “Well, he is doing bad things, and I don’t agree with anything that he is doing, but I can relate to him, and I want him to be better, and I want him to get better and become the good person we all know he can be.”  Yet, Thomas just keeps making all of the wrong decisions.

Photo: JPI

I predict that in short order, Thomas will be in cahoots with Shauna (Denise Richards)!

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MATTHEW:  Okay, we shall see.  (Laughs)  They have aligned interests; especially at the moment, when it comes to removing Brooke from that situation.  I think with Shauna, it’s fun that Denise Richards has come into this role and what she has done with this character.

Denise Richards is doing a great job in the role.

MATTHEW:  She’s amazing, but I think that behind the thought process she has is this woman, Shauna, who is not so dissimilar from Thomas, and is willing to blur the lines of what is acceptable and morally sound to make sure that she gets what she wants.

Photo: JPI

When you were taping those emotional hospital scenes where Thomas admits he has lost his way, and reaching out to his dad to try to find forgiveness, how were playing those scenes with Thorsten Kaye?

MATTHEW:  I respect Thorsten a lot as an actor.  I just love having scenes with him because I feel like we play off of each together so well.  When we enter a scene together, we are both in it.  When you are both in it, something real happens from that, and those real moments are kind of magical in a way, and it makes you feel great about the work that you do.  Thorsten shows up, and he’s prepared, he knows what he is doing, and at the same time, there is this connection between father and son.   I think Thorsten and I have definitely done that as father and son, and Jacqui and I have done that as brother and sister.

Since the show usually has you shirtless or sneering in scenes (laughs), I was so happy that they finally let you have some crying scenes.  It was at the point that the audience was able to see you bring another emotional level and dimension to the character.

MATTHEW:  I think he is not a guy who breaks down and cries very often.  It takes something very serious (especially for him) to get to that point.  For Thomas, the most important thing in the world is family, and he has kind of destroyed his relationship with his own family with what he has done, and I think that from the inside out is what breaks him.

Photo: JPI

Speaking of shirtless scenes; in a short amount of time you have been with the show, I think you may have set a record there.

MATTHEW:  (Laughs) Yep.  It’s all the time because the wardrobe sends me mostly pants – no shirts (Laughs).

Obviously, there is the issue of Thomas’s son, Douglas … and will he lose him because Hope and Liam want to gain custody of him. Brooke wants Thomas out of Douglas’ life for good.   This poses a major obstacle for Thomas moving forward. Agree?

MATTHEW:  Sure.  However, Brooke has no legal right to stand on.  You can’t just take a guy’s son.  There’s no legal way to do that, but they can try their hardest to either sign adoption papers or sign over custody, or something like that, but there’s not a legal way they can go and just take his son.  There are a lot of people who I understandably think Douglas would be better off with being raised by Hope and Liam, but I think Thomas has a point of view too, and just because he is going through a bad part of his life at this time, doesn’t mean that he is unfit to be a father.  I think Thomas will prove that he is fit to be father and all the while, a great force to be reckoned with,

Photo JPI

But, Thomas hasn’t been so great to Douglas, either.  Hasn’t he yelled at his son, manipulated him for his own gain, etc?

MATTHEW: Right, this was kind of right before the truth about Beth came out, and Thomas was on this massive downward swirl where he wasn’t thinking clearly; he wasn’t himself. I  think in reality, you have a person who went off the rails, he wasn’t being himself, he found the person he wasn’t, and I think that the “accident” of Brooke pushing him off a cliff, the slip, kind of clarified his intention in life to be a good, standup person from here on out.  So, I think his priorities are straight now, and I think he is thinking clearly.  I don’t think he is in the same mental state that he was before, but that doesn’t necessarily mean that he won’t be manipulative and that he won’t get what he wants, because he will.  There was a time that he went through a headspace when nothing was really clear for a minute, and he didn’t really have any moral backbone, but I don’t think that moving forward you’re going to see a Thomas Forrester that would hurt his son.  You’re going to see a Thomas Forrester who will stop at nothing to protect his son.

How does Thomas feel about Hope now, especially since Hope wants to raise Douglas? 

MATTHEW:  Well, here is what I will say; I think that Thomas has always had a love for Hope. I think he respects her as a person, I think he has seen her be a mother to his child, and that is undeniable … how much of a connection that she has to Douglas, and she is incredibly important to him.  Thomas can basically discard any Logan except Hope.  Hope is kind of his kryptonite.  So, going forward, I think you’ll maybe see a guy who wants to discard Hope as a person who he cares for (her and the rest of the Logans), but he may not be able to do that, because she has got a place in his heart that he can’t compartmentalize and leave behind.

Photo: JPI

What can you say about working with Annika Noelle, because you as Thomas had been terrorizing Hope for many months?

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MATTHEW:  Well, she’s a sweetheart, but also, secondly, she is a badass.  She could kick my butt any day of the week.  So, I just had to make sure that in between takes I said, “You understand that I wouldn’t do this to you.”  She’s so sweet, and she was actually one of the first people to talk to me about taking over a role on the show, because she had been one of the most recent people to take over a role, and that was something that was really hard for me.  Coming into a character that has already been there for 30 years, you have a lot to live up to.  She was amazing from the beginning just helping me through that process.

On that note, what did you think of the epic fight scene on the rooftop opposite Scott Clifton; right before all the truth came out to Hope that Beth is alive and Thomas was lying to Hope and up to no good?

MATTHEW:  So much fun.  The shots they got were incredible.  Shooting those fight scenes was so much fun and I love Scott to death.  So, every time we get to work together it’s fun, but just getting outside and literally pretending to beat the crap out of each other is a blast.  We got to go out to Malibu, and I got to fall over a cliff.  What else can you say about that? (Laughs)

Photo: JPI

There is another interesting relationship Thomas has on B&B, and that is with his friend, Vinny.  How has it been creating the on-screen dynamic with Joe LoCicero (Vinny) as these two scheming dudes?

MATTHEW:  I like it, and I love Joe.  This dynamic between these two guys is really funny because you have this shrewd, alpha male, Thomas Forrester, who is extremely driven, and insanely smart, but also very manipulative and he has got a thousand things going on.  On the flipside, you’ve got Vinny, who is just this guy who he has been friends with for a really, really long time, who just kind of lives life.  He is living in his apartment in Venice, he sells some not so legal substances just to his friends, and he’s a decent guy.  It’s just fun when we have these scenes together, because essentially you’ve got him looking at me like I’m an alien creature, and thinking, “I don’t understand this guy.  I don’t know why he is acting this way, but who cares; I’m going to eat my Chinese food.”  (Laughs) I think it kind of grounds some of those scenes especially when you see Thomas going off that rails, and his friend doesn’t even seem to notice. (Laughs)

I know! (Laughs) Thomas has got his own sidekick.

MATTHEW: I think Vinny wants to give sound advice, but he gives all the worst advice.  He’s like, “Well, the way you described it Thomas, it sounds like a good idea, so yeah, go ahead with that,” but maybe doing a little behavioral cognitive therapy and questioning would be good for Vinny.  He just kind of goes, “okay,” (laughs) but I think that’s what makes those scenes so much fun.

Photo: JPI

Having appeared on The Young and the Restless previously you know how soaps go.  There is always this fear of: “Will they kill me off if my character has gone too far?” Did at any point in Thomas’ storyline, and as you got the scripts and read all the terrible things Thomas was doing, that the character might get murdered, kicking off a murder mystery, and you’d have to make an exit?

MATTHEW:  I’d had discussions with Brad Bell (executive producer and head writer, B&B) and I kind of knew where the character was going, so I kind of knew that he was going down a rabbit hole, but that Thomas wasn’t a lost cause.  I knew that he would at least be present for the upcoming short future that I know of, that Thomas wasn’t going to find his demise, which was very nice of Brad to give me that insight into the character to not only know what was coming up, but also know where his head is at by this point.  It helps me with the character work that I do for each scene and prep for each day; because I know where Thomas’ head is going to be at two weeks from now.

Photo: JPI

Have you had any interactions with fans, or are you checking out on social media what the viewers are saying about Thomas?  Do they love him?  Hate him?  Is there a great debate going on?  What is your take on where Thomas sits with the audience?

MATTHEW:  Oh, yeah.  I definitely pay attention.  The fans are the reason I have the job that I have.  All the feedback that I have seen is positive, and by positive, I mean that it is emotionally effective.  Now, that doesn’t necessarily mean that people are happy with Thomas because most people are not happy with Thomas.  They don’t like what he is doing, and that obviously gets them angry or sad or whatever, but that is kind of the point of the show.  If you’re watching a bunch of characters who are all great people and who all do nice things, then it wouldn’t be that much fun to watch.  You’d be watching 40 Liam’s talk to each other, and it would be like, “Yeah, it’s just another day in Happy World.”  (Laughs)  I think that Thomas especially has been such a driving force in the last couple of months and caused a lot of drama.  I think there are a lot of storylines that people have connected to in the past that are really making people enjoy the drama happening now. You have the people who hated Ridge getting together with Brooke in the beginning that are happy with what Thomas is doing now.  You have the people who are pro – Liam and Steffy.  Thomas has been a big advocate of that since the beginning.  There are some people who just can’t stand Thomas and don’t like him, and he makes them mad, but the reality of it is that there is a thin line between love and hate.  So, as long as they love me or hate me, I’m happy.

So, have you been enjoying Matthew’s portrayal of Thomas? Do you think he will rip Brooke and Ridge apart for good and succeed in his plans? Do you think he should somehow pay for his manipulations? Share your thoughts on the current B&B storyline involving Thomas via the comment section below.

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Eileen Davidson & Vincent Van Patten Talk ‘7 Days to Vegas’, Their Relationship and Y&R, DAYS & RHOBH

Today’s the day for the highly-anticipated film, 7 Days to Vegas which bows in selected theaters. The motion picture which stars Vincent Van Patten and his real-life wife, two-time Daytime Emmy winning actress Eileen Davidson (Y&R’s Ashley and former Kristen/Susan Banks, Days) is a comedic gambling romp, centering around the character of Duke (Van Patten), an out-of-work actor turned poker player who makes a prop bet that he walk from the San Fernando Valley in California to Sin City, Las Vegas in 7 days.

There are some catches to this bet that make it even more challenging  … Duke has to wear a suit the entire time in scorching heat.  The events in the movie are loosely based on Van Patten’s Hollywood Poker game nights.  7 Days to Vegas features a fictional gang of betting entertainment industry bigwigs, who are hardcore gamblers and of course, jealousy strikes.  Davidson plays Duke’s wife, KC.

Michael Fairman sat down with Eileen and Vincent at their home, and at their famed poker table for the Michael Fairman Channel, to chat about the making of the movie, their relationship and some intriguing tidbits for fans of Eileen’s work on The Young and the Restless, Days of our Lives and her time on Bravo’s hit reality franchise, The Real Housewives of Beverly Hills.

In 7 Days to Vegas, Eileen says that Vincent fashioned her role of KC after their real-life relationship adding, “They are in it together. This is a lifestyle that they both enjoy.  That is what somebody does when there is a home game; you call people up, and make sure who is going to be there.  Van Patten said, “There is a host of the game, and that is her role in the movie.”

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As to the scenes where Duke is walking to Vegas, Van Patten shared, “We shot the film in Santa Clarita, California in the hills and the mountains and all of that, and then we out five days after with a second unit shoot and shot with drones in the desert.  So, I must have walked 10 miles a day, shooting, sweating, but you don’t feel it, because when it’s your baby, it’s a labor of love.”

When asked if she would go back to daytime, Eileen shared she would be back for more Ashley on Y&R: “I am supposed to go back to Y&R in a couple of more weeks. So I am popping in and out at this point.”  Davidson also shared she wishes nothing but the best to Stacy Haiduk who inherited her roles on Days of our Lives as Kristen DiMera and Susan Banks. Eileen said she does not watch the episodes of the show anymore, because it makes her feel sad.  The roles of Kristen and Susan were so close to Davidson’s heart.

In speaking of her time on RHOBH, Van Patten shared, “I think she (Eileen) did a great job. It went by real quick. I think she did like three years on it.  I was in the background carrying her purse, going, ‘Yes, yes, here I come.”  (Laughs)  Davidson expressed: “Listen, reality TV … it’s a crazy, wild, Wild West.”  When Michael asked about the time a drink was thrown in her face, Eileen explained:  “I think Brandi (Granville) felt she needed to be relevant to be on the show, and her role was to be a troublemaker. I understand more of it now.  At the time, I was a deer in the headlights for the first couple of years.”  Vincent shared, “People always ask if this stuff is scripted, and it’s actually not, but you can spice it up”   As to if ‘Housewives’ makes up the drama, Davidson elaborated, “Before the season starts they will ask, ‘What is going on in your life?’, and maybe there is some of that behind-the-scenes stuff.  It didn’t happen with me.  I’m not saying it doesn’t happen, but it is a reality show, but it is also entertainment, and if all we did was sit around, how fun would that be?”

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Watch the full interview below with Eileen and Vincent and make sure to “subscribe” to The Michael Fairman Channel for more celebrity interview features.

Now let us know, will you be checking out 7 Days to Vegas, which will also be available on iTunes and VOD come September 24th? Do you hope there will be more Ashley on Y&R? Share your thoughts via the comment section.

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Y&&’s Eileen Davidson and her husband Vincent Van Patten chat with Michael Fairman about their new film “7 Days to Vegas”, her time on Y&R, DAYS, The Real Housewives of Beverly Hills and their relationship. Leave A Comment

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