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Y&R 45 INTERVIEW: Janice Lynde and Jaime Lyn Bauer Reflect On Portraying The Brooks Sisters, Their Storylines, On-Screen Loves, & The Ups and Downs Of Being Soap-Famous!

Photo Credit: JPI Studios

When The Young and the Restless make its unforgettable debut on CBS back on March 26, 1973, daytime audiences would soon be deeply entrenched in the perils, the loves, and the betrayals of two sisters from the wealthy Brooks clan – Leslie and Lorie Brooks.  Played to perfection by Janice Lynde (Leslie) and Jaime Lyn Bauer (Lorie), “sibling rivalry” was given a whole new name.

Leslie was the talented concert pianist, who found it difficult to open up, while her sister Lorie was more out-going and ruthless, determined to never play second fiddle.  These two were seemingly always in love with the same men, and Lorie even drove her sister to a mental breakdown, making Y&R must-see drama.

As part of Y&R’s 45 year anniversary celebration, Lynde and Bauer were asked back to the series to reprise their signature soap roles.  Janice had left the soap in 1977, while Jaime had stayed with the show through 1982, with a few reprisals along the way in 1984 and 2002.  In this candid, touching, and often humorous chat, the two powerhouse actress talk about what it was like being front and center on a new soap opera that took off like a rocket, shared some fond memories and backstage tidbits, reflected of their triumphs and struggles, gave us the real deal on their former leading men, including John McCook (Ex-Lance, Y&R, now Eric, B&B), plus how the late Jeanne Cooper (Katherine) impacted their lives and more.

What a treat it was to walk down memory lane with these two, who were a main part of the reason, we all fell in love with Y&R in the first place.  #YR45 begins for us here with this chat with Janice and Jaime.  

At the beginning of Y&R, you got cast as Leslie and Lorie Brooks.  How did you land the parts in the first place? What happened that led you to Genoa City?

Photo: CBS

JANICE:   I was cast in New York.  John Conboy (original executive producer, Y&R) flew me out on a Saturday, and Sunday morning at 2am, we made a deal.  Bob Fosse kept saying, “No, no.  You can’t do this.  Ask for more money!”  They had already started taping with someone else in the role, but I started on a Monday and taped five shows.  So it was all a whirlwind.

Were you like, “What did I get myself into?” (Laughs)

JANICE:  It’s terrible to admit it, but I had never had seen a soap.  I came up through classical music the opera, and theatre.  I had never watched television that much.  It was my first experience even seeing one, and it was thrilling.

JAIME:   For me, it was kind of wild.  I was coming out of a casting director’s office and it’s my third week in the business! I am walking down the hall and this other casting director says, “Would you come in here and read this? It’s not really anything.”  It was for The Young and the Restless, but he would not admit it was for the show.  So I read for him and I leave, and don’t think anything of it.  Now, I had already been cast to play this android sidekick for Gene Rodenberry’s show.  At that point, Universal had offered me one of the last player contracts, and then Y&R came about and I interviewed with John Conboy.  I had been a model, previously, He wanted me to do a screen test, and then I had a choice between three years on a soap, or seven years at Universal.  So I said to myself, “I will do the three years, because nobody watches the soaps so they would pay me to act and I would learn.”  The first six months of the show I was a wreck.  It was live to tape; you could not make it a mistake.

Courtesy/CBS

JANICE:  I was so awaiting her casting, because John kept teasing me with “You are going to have a sister, and then Leslie will have a breakdown…”

JAIME:   Instead, I was the one having the breakdown … (Laughs)

JANICE:  When Jaime came on the show, she was so gifted and lovely, but she hadn’t done a lot.  I use to take her home!  She would follow me up Laurel Canyon and I would make pasta, and I would say, “I’m going to make pasta, and we are going to rehearse.” That is how we worked out our scenes the first couple of months.

Everyone hated Lorie.  However, she was one of the first soap opera characters to go from ‘throw-something-at-the-TV-hated’ to a beloved heroine!  And along the way, poor Leslie suffered that mental breakdown, thanks to Lorie!

JANICE:  They did the story of her breakdown so well.  I’m very proud of it, because I went into a locked ward in LA and I did research, and I made notes.  The cast of women were extraordinary.

Photo: CBS

Both your characters seemed to have a penchant for falling in love with the same man.  Let’s start with Brad Eliot, played by Tom Hallick.  How was Tom to work with?

JANICE:  He was heaven to work with, easy to work with, and really solid.

JAIME:  He always had his lines down.

Lorie wanted Brad all to herself!

JANICE:  Lorie told Leslie that Brad wanted her, which destroyed me! (Laughs)

JAIME:  Well, of course, everyone wanted me! (Laughs)  Don’t be ridiculous. (Laughs)  Leslie was so insecure that she couldn’t believe the guy wanted her.  She was a child prodigy, but socially inept!  She did not know how beautiful and talented she was, and that she was the true rose.  But you got to give it to Lorie, because she was the second child, and the second child always has the rough times.

Photo: CBS

After Tom Hallick, the two of you worked in romantic storylines with the Prentiss brothers, Lance (John McCook) and Lucas (Tom Ligon).  How were those two to work with?

JANICE:  I worked with John first, and fell in love with John.

JAIME:  He was hard not to love!

JANICE:  At one point, I was in discussions about doing TV specials, and what the format would be like, and then John came on the show.  I did several scenes with him where Lance was running around the world following Leslie at every concert.  John is a great musician and so funny, so we were thinking about doing these specials together.

Courtesy/CBS

JAIME:   I loved both Tom and John and they were so different as people.  I remember a funny scene with Tom.  I am pregnant, and they are taping pencils on the floor because my belly is so big, and I can’t see my mark. Tom is supposed to pull me in his arms and kiss me passionately.  I said to him, “You need to feel my stomach,” and he pulls me to him with this big embrace, and bounces off me, and screams! (Laughs) We had to do the scene over again, obviously. (Laughs)

When you think back to your time on Y&R, what were some of your favorite scenes?

JAIME:  One of the dramatic ones for me was a scene that I did with the actor who played our father, Robert Colbert (Stuart Brooks).  He had started putting Lorie down, and Lorie started responding back.  It got really ugly between us.  I sat down afterwards and people came up to me and went, “Oh, my Gosh. That was brilliant.”  I was sitting on a bench, and I was shaking uncontrollably, and I am like, “Where did that come from? “ One of the funnier scenes, because we were doing live tape, was with John McCook (Ex-Lance, B&B, now Eric B&B).  We were jumping on this bed together, but we had no idea that it was actually two beds, and they separated, and the two of us went down right in the middle of it, and we just had to go with it. The two of us just started laughing and joking.

Photo: CBS

JANICE:  I would say … I did love the story of Leslie being in the mental institution.  I thought it would bring awareness, help some people, and not be such a stigma anymore.  There were so many interesting things within that.

JAIME:  Even though it’s nice doing comedic stuff, and John McCook was very funny, truly for actresses that are more serious, the best parts are playing the complex characters. You have to do the research, you have to think, and you have to study people all of the time. John McCook took me into the control room one day and he ran a tape of something I just had done, and he said, “See that! That was really sexy!”  I said, “What?” He said, “What were you thinking when you did that?”  Of course, I didn’t know.

Wait … but, Lorie was the sexy one!

JAIME:  But you know what I used to do?  I used to go to Hugh Hefner’s on Friday night’s because he had free meals there.  I was watching people on the stairs, and that is how I learned how to play Lorie.  I also knew watched this woman I knew just turn it on a dime with this sexual energy toward either a young man, or a very old man. So between her, and Hefner’s, that is how I developed Lorie.

Can you recall some of the fans reactions you received, or were on the other end of, if people would see you at personal appearances, or, out and about, or, via fan mail? Back then, there was no such thing as social media for everyone to let out their opinions and feelings.

Photo: CBS

JAIME:  I remember driving down Sunset Blvd one night and we were in a convertible, and another convertible is next to us, and they start shouting at me, “Oh, my God!  It’s Lorie! It’s Lorie. We hate you!”  Then they go, “No, no, no. We love hating you!”   There was another time where I was shooting a movie of the week with Leslie Nielsen, and he saved me.  I was sitting in the lobby in a building in Century City waiting to be called to set.  This woman comes up to me in the lobby and she literally puts her hand around my throat.  She must have just watched me on TV in her room upstairs.  Leslie helped me get her off of me.  People hated me, but it was a compliment.  What was so amazing for me as a human being is that I never knew what sexy was?

JANICE:  I don’t buy that for one second! (Laughs)  For me, I had amazing reactions.  I was at a dinner one night and Dean Martin came up to me and said, “You are my favorite actress and singer.”  He then asked me to open for him in his nightclub act, and we became very close friends. Then, in either second or third year of Y&R, because we were all seen internationally there was this incident.  I was in the Sistine Chapel and trying to get away from it all, and needed a vacation.  All of a sudden I this place where you take a vow of silence before you enter it, someone yells, “Leslie!” Then everyone was crowding around me, and then the Vatican guard grabbed me and helped me out of the chapel. But then I was told the Pope wanted to meet me, and we did!   The scariest one was at the Farmer’s Market near CBS and these three women came up to me and said, “What are you doing out?  What can we do for you?  You need care!”  I swear, if they knew where to take me they would have taken me to some mental institution!”

In the mid 70’s, the most compelling story on the soaps was centered around Leslie and Lorie, and the other two Brooks sisters, Chris (Trish Stewart) and Peggy (Pam Peters).  But Jaime, what I want to know is … what did you think of K.T. Stevens (Vanessa) when Vanessa was always wearing that veil over half of her face? (Laughs)  I always wanted to just yank it off of her!  I know Vanessa’s  face was supposedly disfigured from a fire, but I didn’t understand why she was always wearing it! (Laughs)

Photo: CBS

JAIME:  Vanessa was really evil, but K.T. Stevens on her own was so sweet, loving, and supporting. Vanessa killed herself and blamed it on Lorie! Sometimes, I wanted to rip her veil off so bad, too! (Laughs)

Y&R always had the most beautiful cast, along with the exceptional writing, the singing, and the production values that set the bar high after it debuted in 1973.

JAIME:  We were one of the first soaps to also do important topics for the times.  We did storylines on: breast cancer, rape, and mental illness.

Janice, at one point did you decide to leave Y&R?

JANICE:  There was never time to have a vacation, and I was working so hard without a break.  If not for that, I would have stayed a long, long time.  Bill Bell (Y&R co-creator, and head writer) and John Conboy were great to work with, and were great about letting us out to do other projects, but the show was garnering a lot of ratings so the hours just became insane for me.

JAIME:   And remember in those days, daytime shows paid for primetime.  So we were so important to the network that we were not given a break.  I walked illegally, because I thought I just have to escape.  I got on a plane to Hawaii and I stayed at a girlfriend’s house there for two weeks.  I came back to Y&R and had a meeting. I said in my negotiations that I do want all the women to have their own dressing rooms, and this is before AFTRA had any strength at all as a union.

Jaime, what happened when you decided to exit Y&R?

Photo: CBS

JAIME:  I couldn’t take it anymore.  I am nine years in, and the only reason anyone replaced me was when I was on maternity leave and having babies. When I came back I was working five or six days a week, and had kids at home.  At one point, I could not even think of my own name, and I got scared.  I went to them and said, “I need you to put a ceiling on the number of episodes I work a week, unless it’s a big storyline.”   We were just so successful at the time that they couldn’t do it, and so I left.  Then, Bill Bell, God bless him, because I had said to him and John (in tears), “please don’t make me feel guilty’:, did something so unbelievably touching.   What Bill didn’t tell me was that he fired everyone to do with the Brooks’, and in our entire storyline, because I was his favorite character.  I think that was because I was named after his daughter, Lauralee, and he couldn’t envision the show without the character, so he had to change it and make it a whole new show. I will thank him forever for that, because if I had known I would have stayed.   I loved Bill and John, and I would have done anything that I could for them.

There was another tremendous actress when you started at Y&R, the incomparable and iconic, Jeanne Cooper (Katherine).  What was your relationship like with Jeanne?

JAIME:  Jeanne was a second mom to me.  The first play I did was Plaza Suite, and we were in the same play together, and it was a touring company.  I went to the director before we opened on opening night and I said, “I think you made a mistake.  I don’t think I can do this. I don’t think I’m funny.”  He goes, “Nope.  I haven’t made a mistake. You will be just fine.”  Well, I cried for two hours the day of opening night, because I was terrified.  But it was Jeanne Cooper who stood there, and had her arms around me saying, “You’re going to be fine.  You will see.”  My cue came and she is standing there, and she literally shoved me onto the stage.  Jeanne was an amazing, sweet, incredible woman and at a time I was dating her son, so I was over at ber house a lot of the time, so we were tight.

Courtesy/CBS

JANICE:   Jeanne was the cast mom.  It was such a joy, because we were all very collaborative. There were times I was given a script late on one day and had to do a big song and dance the next; like this one in Lance’s apartment, where he dares Leslie to come out of her shell so she can perform at this party. (Laughs)  I said to Jeanne, “How am I going to do this?  There is not even the staircase, or full set to work with up yet.” She said, “I have an event, but I will meet you at midnight.” We got Bob Fosse on speaker phone, because the number was “If You Could See Me Now” from Sweet Charity, and between Jeanne and Bob, and me, running up the stairs and landing on top of the piano, we got it figured out.  But Jeanne would do things like that. She would do anything for the work.  She was a great friend, and a brilliant talent, and had some demons, but she conquered them.

How did it come about that you are returning to Y&R on-air this week as part of their 45th anniversary episodes?

Photo: CBS

JAIME:  I was laying on the beach in Cancun, and I get a call.  I go, “What?  Who? The Young and the Restless? You want me to return for their anniversary? Sure … just let me know. “

JANICE:  I got a call while I was in a ballet class in New York.  I was at the ballet bar, and I get a call from my agent.  So, I thought I should go out in the hall and take this.   I ran out and I said, “Really?”  My agent said, “How do you feel about that?”  I said, “Absolutely, would love to do it.   It’s a reunion!”  But honestly, I didn’t believe it was going to happen, because I had gotten a lot of calls over the past years and decades and we could not work it out, for one reason or the other.  This time we did, and I was so excited to be back.

Did you think Y&R would have lasted this long, from when it began?

JAIME:   I am not surprised at that at all.  It has been number-one overall for a reason. The writing has been quite good.  They still have that great look and that great lightning.

What would you want to say to Y&R as it celebrates its 45th anniversary?

Courtesy/CBS

JANICE:  “You are the tops!  And 45 more …”

JAIME:  “45 more that would be brilliant … than we can actually show up at 90!” (Laughs)

So, what were your favorite memories and storylines of The Brooks sisters? Are you glad Y&R asked Janice and Jaime back for the anniversary episodes?  What did you think about Janice and Jaime recalling the beginning years of Y&R? Share your thoughts via the comment section below!

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Michael (not Fairman)MarieShayModiane Recent comment authors
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su0000
Guest
su0000

That was 1973 — the Brook Sisters..
I wasn’t yet born.
But– I’m looking forward to seeing them it will be interesting and even fun to go that far back..

Celia
Guest
Celia

Same here, SuzieQ…But, I am very familiar with all these characters….my Gran is a great storyteller—I feel as if I had been there 45 years ago watching with her…..looking forward “seeing” them again. LOL.
Aside: through all this, I must give praise to Marla, again….WOW!!!!…. gets better and better.
Dina’s disdain with Ashley is soooo pungent but a revelation at the same time. She resents her daughter because she’s a constant reminder, subconsciously, of what she did to John…..
It would be the greatest twist and sweet irony if Jack were the Pro’s son. HaHa….

Celia
Guest
Celia

PS…or, Jack is the issue of another affair. OOOOUUU-LALA!!!! Are any of Dina’s children John’s, su??

su0000
Guest
su0000

I am the one and only (both sides of family) that ever watched a soap..
ahaa I’m virgin soap family ..

Shay
Guest
Shay

Looks like Traci is going to be the only genuine article Abbott to spring from John’s loins and Dina’s womb, CeeCeeGirl! How ironic is that? From the beginning, this girl was always the awkward, odd child out, constantly paling in comparison to her handsome older brother Jack and glamorous big sis Ashley, and now both are apparently not even real Abbotts…what an identity crisis, eh???

Scott (ATWT Fan)
Guest
Scott (ATWT Fan)

What a wonderful interview, Michael. So happy to see original veterans, such as Janice Lynde and Jaime Lyn Bauer back in Genoa City. What a beautiful way to celebrate The Young and the Restless‘ 45th anniversary! I’m hoping this might lead to more appearances, though, I don’t know if these two are the ones who might be making further appearances past the anniversary. Hearing them speak about their time on the soap, and even Bauer’s words about her asking to leave, were powerful. They helped change the face of daytime during a time when daytime was most powerful.

Patrick
Guest
Patrick

OMG: I feel for Jaime Lyn Bauer… she had two predicaments… CLOSE TO HER HEART. maintain her STAR reign… or go home to her children. this is why I feel for women… who make the sacrifice. for the heck of it…. I wonder how long she coulda woulda shoulda stayed … past her original 9 years. she committed to 6 more years past her 3 year contract. “… We were just so successful at the time that they couldn’t do it, and so I left. ” that’s a lot of tears … heart mind and soul ripped torn and tattered.… Read more »

Shay
Guest
Shay

Jaime Lyn was one of daytime’s most quintessential soap goddesses! So sleek, slim, statuesque and drop-dead gorgeous in all of her designer finery! Her character was of a time and place when women each had their own highly-distinct looks, not the cookie-cutter botoxed features that we see today….how I miss those golden days when the soaps were an endless parade of exquisitely original beauties decked out in the latest and greatest fashions! What a feast for the eyes they were! Welcome back, Lorie Brooks!

Kevin C
Guest
Kevin C

I have yet to read the interview but I am so excited to have them back and wish they were back permanently for I loved Y&R from the beginning till 2006…I started watching again when Sally and Kay returned as headwriter and story consultant…I started to stop watching once Sally and Kay left but decided to stick with it through the 45th anniversary and I haven’t been impressed Mals writing until this past week and not I am interested in where it goes from here…

Kevin C
Guest
Kevin C

I failed to mention that I have the conversation on a cassette tape of when Leslie was asking Lorie to help her unlock the key to her past for Leslie didn’t know what happened to her for losing her memory….such a wonderful and very well acted storyline and oh how I miss those days…

Kevin C
Guest
Kevin C

I just finished reading the interview, LOVED IT and again how I miss these two beautiful ladies on this show…I loved all the storylines with Lorie and Leslie, they were all great…but the two that really come to mind is of course the sister rivalry and the Lorie and Vanessa storyline with Vanessa staging her own death and setting the stage to make it look like Lorie pushing Vanessa over the balcony, CRAZY WONDERFUL storyline…I remember Vanessa yelling, STOP LORIE, STOP and Vanessa KEPT on saying this LOUDLY and Lorie was wondering what on earth was going on with Vanessa… Read more »

diane
Guest
diane

I was 11 when the show started and I would watch it at my sisters house when I was out of school, which was a lot!! I will always remember the Brooks family and Jill’s family. They are Y&R to me.

Michael
Guest
Michael

The show was such a gem in the 70’s and so forward-thinking. I note the ladies mention the lighting – it was so flattering compared to other shows of the time. And the cast was already an attractive group! And Leslie-Lorie-Lance-Lucas – the Alliterative Quadrangle! Easy to poke fun at – but a riveting story, thanks to the actors. Looking forward to seeing this week’s reunion!

Mo
Guest
Mo

Didn’t watch then. I have seen Jamie on Days so I’m familiar with her, but not on Y&R.

Looking forward to seeing them and what brings them to town.

Marilyn
Guest
Marilyn

I was 9 when Y&R started and I remember it vividly still. I was so bummed when the Brooks family was gone that I stopped watching. I started again for a bit when Lily and Daniel were together and Cassie died. Still a great show though not one I regularly watch. What a blast from the past though. Great interview1

vinman
Guest
vinman

GREATNESS @Y/R….LESLIE,LORIE,CHRIS&AMY BROOKS…ALSO MR.&MRS.BROOKS;along with the FOSTER’S and PRENTICE BROTHERS LANCE&LUCAS…mother Vanessa.Brad,Sally and Robert.And the DUCHESS MRS.C…JEANNE COOPER.#@Y&RHAPPY45.

Max
Guest
Max

I was about 15 when they went on the air and was so impressed by the production values. It was the first Hollywood daytime drama I watched. I loved the Brooks family and now I know why they were written out. Thanks for the interview, Michael. I was thrilled when Janice Lynde showed up on my favorite soap One Life To Live. One other thing that I enjoyed on early Y&R was the use of music and songs. If I recall, Leslie’s song was “If A Picture Paints A Thousand Words”, loved when they used the song “Bless The Beasts… Read more »

Kevin C
Guest
Kevin C

Hey Max, you are right on with the music and the song that Leslie sing, a Bread song, IF…and I loved when the played Bless the Beast and the Children…and like you said such good/great memories of the first 20 years of Y&R…

Farhan
Guest
Farhan

It’s so great to have the Brooks sisters back again! I remember their rivalry over men and when Dennis Cole played Lance. Vanessa hated Laurie and I remember when she jumped off the balcony to her death and made it look like Laurie pushed her. A definite jaw dropping moment for that show. I also loved the episodes featuring Leslie’s concerts. Incredible moments. It would be nice to have Y and R revisit some of the history with these old characters again including the Fosters. Its great to have them back and I hope to see more of them in… Read more »

Ron
Guest
Ron

THANK YOU FOR THE INTERVIEW! It was great to read what a couple of the original cast members thought of the show, their characters, and the trend they set for daytime programming. My favorite Brookes family storyline was Jennifer Brookes’ breat cancer– the reaction of Stuart, how each daughter struggled with it, and the beautiful and agonizing depiction given by the actress who played their mother… as Kevin and Max noted in earlier posts, THE MUSIC brought the great acting and the great dialogue together. Also, loved the courtroom scenes regarding Lorie being accused of Vanessa’s death– great drama, especially… Read more »

beacon
Guest
beacon

They should bring Lorie back permanently and give us a new generation of Brooks characters. Surely Lorie has kids?

Mo
Guest
Mo

I didn’t think much of Janice’s acting yesterday. A little blah. Maybe she has been out of practice.

I didn’t know all the history with the Brooks and Jill so it was nice to get to find out. I thought, Jill sure likes wealthy older men and then Billy said it! Yes!

Karen R
Guest
Karen R

I was watching back then, loved the Brooks family and the Fosters. Jill, her mom and brothers. Been watching it throuout the years And it is still my favorite.

Judith
Guest
Judith

I miss the Brooks family.

dmr
Guest
dmr

I am not familiar with the past storyline; and although I found the scene to be funny, I also found it to be awkward. I’m not a “Jill” fan, so I wasn’t too keen on this, but it was funny and “catish.”

Mo
Guest
Mo

I thought it was a bit awkward too. The two sisters sitting at the bar and then Jill. It looked weird.

diane
Guest
diane

I was hoping they would share more of the 45 year old history through flashbacks this week!! I was also hoping to see the Brooks sisters for more then 2 whole minutes!!! The other storylines can wait till next week!

Marie
Guest
Marie

I don’t remember this Leslie. I remember the one with the dark hair and the porcelain complexion. That said, this was a great interview.

Jess Walton still drives me up the wall. I’ve always thought she was a terrible Jill – she’s always so miserable. Being a villain should be fun! At least the other Jill thought it was.

Michael (not Fairman)
Guest
Michael (not Fairman)

That was Victoria Mallory, Marie. She took over the role when Janice Lynde left and played it for four or five years. I liked her a lot; probably one of Y&R’s best recasts.

Interviews

Y&R’s Amelia Heinle Talks What’s Next For Victoria & Returning To Work With The Newman Clan

Fiftteen years, and two Daytime Emmys later, Amelia Heinle has become a mainstay of CBS’ The Young and the Restless as Victoria Newman; the on-screen daughter of the iconic Victor (Eric Braeden) and Nikki (Melody Thomas Scott).

In Genoa City, Victoria has certainly had her share of issues in the love department, and has battled back time and time again for respect as a formidable power player and businesswoman.

Now with Y&R being back this Monday with all-new episodes; following the production shutdown caused by COVID-19, viewers can expect to see a tougher-stance from Victoria as she fights for what she rightfully believes is hers … and she may just to it by any means possible.

Michael Fairman TV caught with Amelia to get the lowdown on: what’s ahead for Victoria, working with her co-stars, Victoria’s future in business and in affairs of the heart, and much more.  All we can say is “Better watch out Adam (Mark Grossman) and Victor!”  Here’s what Amelia shared.

Photo: JPI

How has it been going back to work at Y&R during the coronavirus pandemic?

AMELIA:  The first week was an adjustment.  There were a lot of different protocols to follow, but now I think we are in week five or so, and things are kind of normalizing a little bit with all of the precautions that we have to take and trying to get used to them.  So, it’s not much different than what’s going on in real life and how all of us are taking precautions to stay safe.  We are kind of coming back a little slower because they aren’t having a bunch of people at the studio at one time.  It’s nice.  It’s been a lot of two-person scenes, and it’s good.  I think it is going to be well-received by the fans when we start airing new episodes Monday.

Did you feel any hesitation going back into production? 

AMELIA:  No, I was glad to go back.  I was really missing everyone and missing the show and working and just the whole thing.  So, I was very anxious to get back.  It feels good.

Are the actors far apart in the scenes … as in six feet apart?

AMELIA:  Yes, I even think the first day we were back; we were like ten feet apart!  (Laughs)  They were very careful, and I respect that.  It’s not easy to do what they’re doing, and they’re pulling it off beautifully.  I’m proud of them, and I’m proud of all of us, because I think everybody wants to be back so badly and to make it work, so they’re just doing what they have to do.

Photo: JPI

So where we pick back up in story; Victoria is pretty upset with Victor and Adam.  How is she feeling about Adam after we learned he supposedly killed a guy when he was a child?

AMELIA:  It was so funny when we came back, I forgot where we were.  I couldn’t remember.  I just was like, “Wait… what happened?” because it was so long ago!

You were like “Who is AJ Montalvo?” (Laughs)

AMELIA:  Yeah!  I totally forgot about that.  I was like, “Was that where we left off?”  (Laughs) We all just kind of just jumped back into the story … and Victoria was pissed off with her father because he, again, gave Adam her position at Newman Enterprises, and made an excuse for why he did it.  So, she is mad again.   I think they thought about my character over the break and made her a little tougher.

Photo: JPI

Do you think Victoria will want payback and be a little more vindictive than we’ve seen her?

AMELIA:  Oh yeah, for sure.  She seems to be channeling Victor more and I am more than happy to play that.  Since I’ve been back, it’s been a lot of fun because they’ve given me a lot of material.

Glad to hear that Victoria will have more of an edge.  At times through the years, the various writers have waffled with her.  Isn’t Victoria supposed to be the most like Victor of all his children?

AMELIA: Yes, she’s supposed to be, and I really like it when they write her to be strong with her father, which sometimes I find that they don’t.  Sometimes, I find she is not as strong with him, and it just depends on the writers we have, or the executive producer at the time, but now they’ve written her holding her own with Victor and passionate about Newman Enterprises.  I’m hoping that they keep going in this direction.  I like playing her A-type personality.  It just makes me laugh.  I get a kick out of the character being so tightly wound and just all about business because it’s fun to play.

Photo: JPI

What does Victoria think about Adam?  Doesn’t she want to strangle him?  What is her modus operandi where he is involved?

AMELIA:  I find her to have this daddy issue, and she is highly jealous of Adam, because he’s always getting a second chance.  What Victor has done to Victoria is really cold-blooded.  He does really keep dissing her business-wise.  She’ll have an opportunity, and we had this great scene a long time ago where he finally gives makes Victoria the CEO at Newman, and it was really nice, and six months later, or whenever, he gives it back to Adam.  So she gets stabbed and then he just gives the position to Adam.  Victoria is always just getting the short end of the stick when it comes to the company.  I think that in several of the new episodes that are coming out soon, Victoria is going to fight for what she wants … finally.  She’s getting a lot wiser to her father and what he does, so I think that’s what you are going to see.

As we come back into the story, Victoria is the CEO, correct?

AMELIA:  Yes.  She is the CEO, and Victor is actually retired.  Before the break, I couldn’t remember who the CEO was when I got back then I realized… it’s me!

Will Victoria use the ammo that Adam supposedly killed somebody as a child, to get rid of him once and for all?

AMELIA:  I don’t know if she ever wants Adam to go to prison.  I don’t think she hates him that much.  I know they write that, but it’s her brother, and I think she is just super jealous of the relationship that her father has with him. Victoria wants to get Adam into trouble, and I think she wants to demoralize him a little bit, but I don’t think she wants him to go to prison or to leave town.  I think there has to be an element of love.  There’s got to be a little bit of love there because they’ve had moments; that is her brother.

How do you think Mark Grossman has been as Adam?  It’s been over a year now since he’s taken over the pivotal role.

AMELIA:  I think Mark’s done such a wonderful job, and he came in like most characters like that, with all of the dialogue, and all of that workload.  I really like him.  He’s a nice man.

Photo: JPI

Where do you think Victoria’s relationship is with her other brother Nick (Joshua Morrow)?  Are they on good terms at this point?

AMELIA:  They;re still in love!  Come on! (Laughs)  I’m just kidding.  We always joke and say, “Nick and Victoria … they’re in love.”  It’s very Game of Thrones.  I haven’t had a scene with Joshua in a while, but they’ve been on good terms for many, many years.  I don’t think they’ve had them be at odds in a while.

So, you don’t think Victoria might get into cahoots with Nick to bring down Adam?

AMELIA:  I don’t know.  That’s a good question.  I haven’t seen any scenes with them together.  I’m sure the show will find a way to loop in everyone when they tie together this story with AJ Montalvo.  But there are some very interesting family dynamics coming up.  There is something Victoria does with her mom, Nikki (Melody Thomas Scott), that I’m not going to say, but something happens with her, and I like what they’ve written so far!

What about a man for Victoria?  Can she be okay without a guy? 

AMELIA:  She’s going to have to be; because I’m going to be six feet apart from whoever! (Laughs)  I don’t know how they’re going to do it.  I can’t wait to see.  They’re going to probably try some new loves, but not with a new character.  There might be some interaction with somebody coming up that I only know about, because I shot it last week. I think it is going to be cool. There’s some romance in Victoria’s future.

Photo: JPI

Okay, so it won’t be a loveless next six months for Victoria?

AMELIA:  No, I don’t think so.  I don’t think they’re going to do that to me.  I thought that too, but they’re teasing something right now, and I find it interesting.

What did you think of Jason Thompson (Billy) winning the Daytime Emmy for Outstanding Lead Actor in a Drama Series back at the end of June?  I know you were in some of the scenes with him that won him the gold.

AMELIA:  It’s about time!  He’s such a great actor.  I can’t believe Jason hasn’t won one till now. It was long overdue; in my opinion.

Do you enjoy the Billy/Victoria dynamic? It can get very messy between them when either they come together or grow apart in story?

AMELIA:  I like it a lot.  Jason is great whenever we have scenes together.  He’s super easy to act with.  He is so natural.  Right now, we are not romantically entangled on the show, so we had scenes a couple of weeks ago that were really nice.  Victoria involved Billy in her business with Newman, which you’ll see later, but now they have a new dynamic, and they have a kid.  I like playing us co-parenting.

Photo: JPI

But they could end up back together at some point, I would think.

AMELIA:  Oh, for sure, 100%.  You know we’re going to go there … forever and ever.  It’s an endless loop.

Y&R just aired a classic episode of J.T. and Victoria’s wedding.  Did you happen to see it?

AMELIA: People were sending me GIFS, and I was like, “Holy crap!  I was so young!” and so was Thad.  He looked like a baby!

Photo: JPI

Do you remember taping those scenes? 

AMELIA:  Yes, I remember wearing Melody’s old dress on the show, which was supposed to be Nikki’s old dress.  I remember that I had just had my son, Rowe, so he’s twleve now, so that was almost thirteen years ago, and I remember back then I was trying to lose a little baby weight.  I also remember laughing because my hair looked like I was going to a quinceañera, and I had bows in my hair.  It was so cool to see that.  It felt like it wasn’t that long ago, but it was.  Looking back, it was fun, but I still just can’t get over how young we looked.  Twelve years really ages you!  Maybe it’s the kids, I don’t know!

It’s so interesting, and I was saying this the other day to someone, that in daytime, we’ve all grown up with each other – the people who have worked in the medium, and the fans.  In no other medium can you truly follow an evolution of a person the way you can on daytime.

AMELIA:  It’s so true.  There’s nothing else like it in the whole world.  It’s so cool.

Speaking of Thad as J.T., they ultimately resolved the story of J.T.’s abusive behavior towards Victoria in that a brain tumor was the culprit. How did you feel about that?

AMELIA:  I liked that they did resolve it.  Actually, looking back, Thad did such great work he should have submitted himself for the Daytime Emmys in the Guest Performer category.  I know the wrap-up of the story was a little silly, but the way that it turned out was good because with the brain tumor, he can still come back.  J.T. went to prison for a little bit which is a hell of a lot better than him being buried in Chancellor Park!

When Thad was off the show, did he know that Victoria, Sharon, Nikki and Phyllis buried J.T. in Chancellor Park? (Laughs)

AMELIA:  Yeah, he knew that he was buried there.  We laughed about it.  When he came back, it had to be resolved somehow, and sometimes on daytime you have to suspend disbelief a little bit.

Do you know what was really good about it?  There was still great Victoria/J.T. chemistry.  It was still there through all of the craziness.

AMELIA:  I don’t know if they’d ever have him Thad back, but it would certainly be cool.  It would be nice to just have regular J.T. because he is such a good character.

Photo: JPI

The fans are very much looking forward to all new episodes of Y&R this week.  They’ve been so patient.  I think Y&R did such a great job of coming up with these classic episodes, many of them that people hadn’t seen in such a long time, instead of defaulting to more recent episodes and just re-airing those.  I’m sure you’re hearing that from the fans that they can’t wait to see you guys.

AMELIA:  I thought people would be super excited to have the classic episodes, and I think they were to a certain point.  However, it was also nice to hear that they wanted us to come back because my thinking was, “If they see the classic stuff, I wonder if they’re going to want us back,” and they do, and it’s nice.  They want to see the development of the storylines continue.  They had their fun with the reruns.  They were well-received.

Let’s talk about being part of the iconic Newman clan of Y&R.  Do you enjoy working with Eric Braeden (Victor)?

AMELIA:  If I see that I am working with him (I just thought about this the other day because we hadn’t seen each other), I know that it is always going to be good even if it isn’t the way I want it to be written.  It’s always good.  Eric is just fun to work with, and he usually brings his A-game.  Sometimes we laugh and make fun of the material if it’s silly, but he’s just always on point with being there for you, and being in the moment with you, and supportive of you, and offering ideas respectfully; because he still really cares after all these years.  You can see how much Eric cares about the show, and his character, and making it good.  It’s just always nice to work with him.

Photo: JPI

Has Eric given you advice while on set with him throughout your time together on Y&R?

AMELIA:  We’ve talked about things every now and then.  Sometimes, I’ll just go talk about what’s going on in the show, and sit in his dressing room, and shoot the breeze about stuff.  He’s a really insightful guy, and he’s done a lot in his life, and it’s always interesting to hear his stories.  There’s just no one like him.  Eric is just such a unique man, and I respect him a lot.

And… your on-screen mom, Melody Thomas Scott has got her memoir, Always Young and Restless coming out in less than two weeks!

AMELIA:  I know!  I’m so excited.

Are you discussed in the book?

AMELIA:  I think so, because Melody said she needed a picture of me.  I can’t wait to read it!

Photo: JPI

Is this true that the Newman acting troupe knows their lines like nobody’s business and gets their scenes done quickly?

AMELIA:  It depends on the day.  Sometimes we are.  If people want to get done and get the show going and keep the ball rolling, everybody is on their A-game, and some days, we just come back from lunch and nobody can find their script or their lipstick, but it’s fun either way.  I love it.

Would you say that the Newmans can be an intimidating group on set; especially for newcomers to the show who have their first scenes with them?

AMELIA:  I would say that we are.  I’m not going to lie.  When we are all there, and it’s Eric, Melody, Josh, and me, and then there is somebody new it can be hard for them.  We’ve all been together for so long now that we have our inside jokes and everything.  When someone new comes in, and they’re just thinking they can kind of ease right into it with us, it can work or not work.  Mark Grossman was one that it worked with.  He held his own, but we are always kind, and we always make people feel comfortable and are always complimentary of new actors.  We really are.

Photo: CBS

So, a tough nut to crack those Newmans, but if you crack it, you’re good to go?

AMELIA:  Oh, once you crack it, it’s cracked. You’re “in like Flynn”.

So, excited to see what happens for Victoria in the coming months on Y&R? Who so you hope she is linked with romanitcally? Share your thoughts on our interview with Amelia via the comment section below.

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Interviews

Digital Drama Daytime Emmy Preview: Patrika Darbo Talks On Her Nominated Performance in ‘Studio City’

In Sunday night’s Digital Drama Daytime Emmys (9 p.m. EST/6 p.m. PST) former Days of our Lives and The Bold and the Beautiful star, Patrika Darbo (Ex-Nancy, Ex-Shirley, respectively) is one of the notable nominees of the night for her powerhouse performance as Violet in Studio City.

Darbo is always working on projects in Hollywood, and her resume is long … whether it is in sitcoms like Seinfeld, series like Desperate Housewives, daytime dramas, the hottest digital drama, commercials, and more.

Having a complicated history with the Emmys; Patrika has won a Primetime Emmy for her work in Acting Dead, had her previous Daytime Emmy for The Bay rescinded, and now has a shot at another one when the winner is revealed in the Outstanding Supporting Actress in a Digital Drama Series category in which she is nominated.

Studio City was nominated for 8 Daytime Emmys this year including for Darbo, and series creator and star, Sean Kanan (Ex-GH, B&B, Y&R).  The show tells the tale of the cast of a fictional daytime drama as they navigate through the chaotic world of soap operas and their own very messy personal lives.  In it, Darbo delivers a tour de force monologue which just might have sealed the deal for Emmy voters.  She has already won, along with Studio City castmate, Carolyn Hennesy (Diane, GH), an Indie Series Award for her work, when the two actresses tied in their category.  They are both nominated together again for the Daytime Emmy.

Michael Fairman TV caught up with Patrika to talk playing those heavy emotional moments in Studio City, longevity in Hollywood, and Emmy night.  To watch the first season of Studio City via Amazon Prime Video click here, and to watch the Digital Drama Daytime Emmys click here.  Now here’s what Patrika shared with us.

Photo; JPI

We all knew that your memorable scene in Studio City was so strong.  Your performance is really such a standout that I just thought, “Of course she is going to get nominated for this,” and you did!  How did you feel about this nomination?

PATRIKA:  I have been through the many ways that Sean Kanan has put this show together.  I mean, he has worked on it for a long time.  I read for it with him, as his mom, being a comedy, and now we’ve gone all the way to the dramatic. I think Sean did some pretty good rewrites and gave me some great, meaty material. I so appreciate the fact that he recognized the fact that I am not just a comedic actress, that there is a dramatic part of me.  

Photo: StudioCity

The big moment in Studio City for your character was just so heartbreaking.  Did you deliver that performance in one take?

PATRIKA:  Yes, and then of course I had to do it a couple of times because we had to see it from Sean’s side for his reaction shots to what I was doing.  I come from the school that even though the camera is on my back, it is now on my partner’s front.  So, I tried to give Sean as much to react to when the camera was on him as when it was on me, and I got the same from him, so it was a very nice collaboration.

I watched Sean in that scene.  He was so good in it.  So, whatever you were doing, it triggered such honest reactions from him.

PATRIKA:  I think just as far as actors go; it is not that we always have to remember that it is not about us as an individual.  It is about the end product, and the end product is about who you are working with.  I got from Sean things to work with that made Violet’s emotion’s there, and then I wanted me to be able to take my emotions and give them back to him.

 

Photo: StudioCity

Was it hard to go there for you, to that deep emotional place; that Violent had been traumatized in her not so humble beginnings in Hollywood?

PATRIKA:  You know, I have great admiration for all of these women who have come forward in the whole #MeToo movement.  I have always been a short, round, fat, little character woman, who was never approached in those ways.  So, there were things I couldn’t relate to.  I had to go to my own personal darkness, which is mine to use when I need it, but to try to be sure that I made sure that women who had faced what I was talking about could appreciate that I was showing tribute to them, because that is a horrible thing, and any kind of situation when you are bullied into something that you don’t want to do or taken advantage of, those kind of situations.

For Violet, all of this stemmed from her desire to be in show business; that at an early age she found herself in a horrible situation with a scuzzy show biz type.

PATRIKA:  Yes, she got into town and it was like a dream come true. She got invited to parties, and everything was wonderful, and “Oh, he’s going to put me in the movies,” you know.  I think that’s what happens: Hollywood is so glorious, and kids come in and get off the bus to be a star, and the first thing you have to do is wait tables … and the second thing is sometimes when you are very pretty, and thin, and attractive, and bad things happen, and I’m not just saying it happens just to women.  It happens to young men as well, and it can happen to some older people.  It’s just a thing that we have now identified, and I think people are being made aware of it.

Photo: JPI

It almost seems like you get nominated for all sorts of things in you career: primetime, daytime, stage etc.  Have you ever figured out in your own mind, why you think you get the recognition? 

PATRIKA:  I think because people know me, and I try to give out what I want back.  You know, I treat people the way I want to be treated, which means that if there are a thousand things you’ve got to watch, and you go, “Oh, there’s Patrika, let’s see what she is doing now!  She’s always so nice to me,” they take a look at my work.  Do you know what I am saying?  It’s a numbers game.  We think about how many are in primetime at this moment, and even though there are only four soaps left on the major daytime calendar, there are still the new digital shows that are coming up.  I think I am very fortunate that people know my name, they know me, and they want to take a look and see what I am up to again, and the young actors and actresses that I mentor, and kids who I’ve work with, the most important thing, I always say, is to be nice.  No one should have to tell you that, but sometimes you have to reinforce it and say, “You know what?  The casting assistant today is the casting director tomorrow, the assistant director today is the director tomorrow.  The kid over here is the writer today, and tomorrow he is the show runner.”  I don’t think you should approach your life like “What’s in it for me?”

Photo: wireimage

What did you think of the whole of Studio City?  I think it’s a little gem.  I loved its look and feel, as well.

PATRIKA:  As we go along in this digital world, it is becoming more film-like, more real life looking.  We’ve kind of gotten away from the flat, three-camera take.  It’s bringing more things to life, and people are just enthralled with it. This is the new genre of the hour-long soap.  I think with the attention span of people these days; digital drama they may wind up enjoying more and because it looks more real, they will enjoy it more.

You were in a middle of a firestorm, in 2018, when your Daytime Emmy win for your wok in The Bay was revoked.  Did you at all think about that when you found out you got nominated For Studio City?

PATRIKA:  At first, you kind of go, “Are they giving me this nomination for this reason?” but then you kind of go, “You know what?  It really has nothing to do with NATAS.  It has to do with my peers appreciating my work.  So, I know even though I had some problems in the past, NATAS was so apologetic and they’ve made a lot of changes to try to make sure that things like that don’t happen to anyone else, which I am so appreciative of, but this nomination came from my peers.  So I feel I earned it, and I don’t think it has anything to do with what happened in the past except for the fact that there are changes that are for the good.

Photo: Studio City

Now, you are nominated in the Outstanding Supporting Actress in a Digital Drama Series category along with your Studio City co-star, GH’s Carolyn Hennesy.  You both tied in this category at the recent 11th annual Indie Series Awards as well.

PATRIKA:  Carolyn is wonderful in anything that she does.  I wish Sarah Brown had been nominated for her work in Studio City, too.  She is a wonderful actress. You kind of go, “Oh, they didn’t acknowledge her this time,”  but it’s like she is still in the show, the show is going to keep going, so she will have another opportunity for people to recognize her work.  Listen, Carolyn and I could cancel each other out this time, because people know us and like us and appreciate our work.

Photo: JPI

As a working actress in Hollywood, how to you feel about production starting back now for several shows, and concerns amidst the coronavirus pandemic that has crippled the show business community with the loss of so many jobs over the last several months?

PATRIKA:  I think there are still going to be concerns.  Listen, my husband has a heart problem.  He’s had a couple of stints, so he is going to be a high-risk.  So, if I am asked to go to work, I want it to be very safe where I am going, so when I come home, I don’t bring something to him, or I don’t get anything.  I think we are all going to be a lot more careful, but I think what people have to realize in general is that it is not just the actors who did not have work.  There are the camera people, there’s the director, there’s props, there are the electricians, there are a lot of people involved to make a show, whether it’s a daytime show or it’s a film.  So, things will be a little different.  There are going to be a lot of changes, but I’m hoping that we will at least get back, and are safe, and that we take care of each other.

On virtual Emmy night this Sunday, will you be participating and watching from home?

PATRIKA:  I’ll be at home, absolutely.  I’ll be trying to figure out how to push the Zoom button or the what button, and trying to figure out the computers. I’m a dinosaur in a digital world, but I’ll be doing my best!

So, will you be rooting for Patrika in the Outstanding Supporting Actress in a Digital Drama Series category on tomorrow night’s Digital Drama Emmys? Did you see Studio City and if so, what did you think of it?  Do you hope Patrika comes back to daytime soon? Comment below.

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Digital Drama Daytime Emmys Preview: Graham Sibley Talks On His Nominated Performance In ‘Dark/Web’

In one of the hotly contested contests on Sunday night’s Digital Drama Daytime Emmys, Graham Sibley is going for gold for his riveting and tense performance in the 7-time nominated series, Dark/Web. Sibley’s work had been recognized in the Outstanding Guest Performer in a Digital Drama Series category.

In Dark/Web, Sibley plays Leland, a ride share driver who’s just trying to make it through the night when the app on his phone takes on a frightening intelligence and tells him he has to make the world a better place, even if it means he has to kill to do it.

Michael Fairman TV caught up with Mr. Sibley to get his thoughts on: playing a ride share driver, being given this tour de force role in such a unique series which landed him an Emmy nod, and much more.

And, don’t miss the Digital Drama Daytime Emmys beginning at 9 pm EST/6 pm PST here, and you can watch the entire Emmy-nominated season of Dark/Web via Amazon Prime Video here.

Now here’s what Graham had to share with us below.

Photo: Dark/Web

In Dark/Web, you were in the first installment of the season, correct?

GRAHAM:  Yep, so it’s an anthology show, and there is a narrative through in that goes through it as well. I’m in the first episode.  It’s called, “Rideshare,” and it sort of explores this ride share driver named Leland Adler.

What can you share about your interpretation of what happens in your Emmy-nominated performance?

GRAHAM:  First, I have to say, Boman Modine, Matthew Modine’s son, is a real talent.  He’s just a really adept storyteller, and he wrote a fantastic script for “Rideshare”.  In Dark/Web, each one of these anthology episodes are written and directed by different people. There is an overarching narrative that goes through that, and there are these individual episodes which are directed by other artists, guest writers, and directors.  So, Boman wrote and directed our episode.  He wrote a really complex character who is a new husband and father, who loses his job and is forced to get into the ride share business, and he is kind of desperate, and he needs to provide for his family, and there is sort of dark web that starts to infiltrate this app.  Leland starts hearing a voice through his earbuds, and you don’t know if he is going crazy … or if he is really hearing these things.  You’re assuming he is really hearing these things.  This character is sort of victimized by this presence.  Over the episode, he starts to give into this because the messages he is getting through his earbuds, through this voice, through the dark web, is information about who these people are who are his passengers, and the terrible things that they have done.  He starts to get messages that he should maybe start to get rid of some of these people, and so he takes the leap and does, and that causes this reaction in him.

Photo: IMDB

Dark/Web in its totality is about a genius programmer whose disappearance leads to these strange stories that are interconnected.  When you speak of the ride share theme and episode, it harkens me back to the character of Travis Bickle played by Robert DeNiro in the classic, Scorsese film,Taxi Driver.

GRAHAM:  Oh yeah, of course.  I think as you go through the journey of “Rideshare,” at the beginning of it, you don’t think Leland is troubled.  He is okay, and then by the end of it, you’re like, “This guy is okay, but something is happening, and now he is on this mission, and now he has done these things that he can’t ever go back on.”  It’s interesting, and it’s interesting that you’re making a parallel with Taxi Driver because Travis was convinced what he was doing was right.  I don’t know if my character at first is.

Photo: Dark/Web

You have not been a ride share driver in real life at some point … or have you?

GRAHAM:  You know… I haven’t.  But, I did sign up when I booked this job.  I went through the process of it just so I would know what it was going to be like.

When you submitted your reel for the Daytime Emmys, did you submit a few scenes, or how did you put your submission together for the competition?

GRAHAM:  I had so much material to choose from.  I was so fortunate to be the lead in this episode, and the episode I think is 25 minutes. It was really hard to pare it down, but I got it down to about 9 or 10 minutes that I felt told the arc of his story.

It’s always important to tell an arc because it does feel like, for the most part, the winning reels are the ones where somebody who doesn’t know the show or your character, could literally follow from point A to point B, if they’re a judge.  You have some solid competition in your category as well! 

GRAHAM:  There are some really amazing performances and some really great actors in the guest performer category, so I’m just honored to be in with their names. Rene Hagler had a couple of different episodes in Dark/Web, so we did not share any scenes together, but he is great.  Lin Shaye and I did a movie together a couple of years ago called Grow House, and then I’ve seen Scott Turner Schofield’s work in Studio City, who is amazing, and Mary Beth Pell, … she’s a legend!

Photo: GSibleyInstagram

Of course, you end up nominated the year that it’s the virtual Emmys. So, what will you wear to the virtual Digital Drama Emmys?

GRAHAM:  I don’t know!  I’ll send you a picture! (Laughs)  If you look on my Instagram, my wife. Marilyn and I staged a picture, because we were like, “Well, we are never going to be able to go to the Emmys,” so we staged a picture with our boys in our backyard with a kiddie pool and us lounging with drinks, and I was in a tuxedo, and she was in this beautiful yellow dress.

What are the names of your boys?

GRAHAM:  They are twins, Lyon and KP, and they just had their first birthday on July 2nd.

Photo: GettyImages

Now, let me ask you this. If they say, “The Emmy goes to Graham Sibley,” what would it mean to you if you were awarded a Daytime Emmy? 

GRAHAM:  I think what it would mean to me is that it would sort of be a pat on the back to say, “You did something that made someone else feel something.”  I hope that’s what we are all aspiring to is to either, be in our own lives trying to make someone feel something, or in cinema or in television or the web.  I’d just be like, “I was honored for being truthful, and that’s cool!”

So, intrigued to see Graham’s performance in Dark/Web?  Who do you think will take home the gold in the Outstanding Guest Performer in a Digital Drama Series on Sunday night? Comment below.

But first check out this promo for the Dark/Web series featuring Graham which has been nominated in multiple Digital Drama categories for the Daytime Emmys.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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