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Y&R 45 INTERVIEW: Janice Lynde and Jaime Lyn Bauer Reflect On Portraying The Brooks Sisters, Their Storylines, On-Screen Loves, & The Ups and Downs Of Being Soap-Famous!

Photo Credit: JPI Studios

When The Young and the Restless make its unforgettable debut on CBS back on March 26, 1973, daytime audiences would soon be deeply entrenched in the perils, the loves, and the betrayals of two sisters from the wealthy Brooks clan – Leslie and Lorie Brooks.  Played to perfection by Janice Lynde (Leslie) and Jaime Lyn Bauer (Lorie), “sibling rivalry” was given a whole new name.

Leslie was the talented concert pianist, who found it difficult to open up, while her sister Lorie was more out-going and ruthless, determined to never play second fiddle.  These two were seemingly always in love with the same men, and Lorie even drove her sister to a mental breakdown, making Y&R must-see drama.

As part of Y&R’s 45 year anniversary celebration, Lynde and Bauer were asked back to the series to reprise their signature soap roles.  Janice had left the soap in 1977, while Jaime had stayed with the show through 1982, with a few reprisals along the way in 1984 and 2002.  In this candid, touching, and often humorous chat, the two powerhouse actress talk about what it was like being front and center on a new soap opera that took off like a rocket, shared some fond memories and backstage tidbits, reflected of their triumphs and struggles, gave us the real deal on their former leading men, including John McCook (Ex-Lance, Y&R, now Eric, B&B), plus how the late Jeanne Cooper (Katherine) impacted their lives and more.

What a treat it was to walk down memory lane with these two, who were a main part of the reason, we all fell in love with Y&R in the first place.  #YR45 begins for us here with this chat with Janice and Jaime.  

At the beginning of Y&R, you got cast as Leslie and Lorie Brooks.  How did you land the parts in the first place? What happened that led you to Genoa City?

Photo: CBS

JANICE:   I was cast in New York.  John Conboy (original executive producer, Y&R) flew me out on a Saturday, and Sunday morning at 2am, we made a deal.  Bob Fosse kept saying, “No, no.  You can’t do this.  Ask for more money!”  They had already started taping with someone else in the role, but I started on a Monday and taped five shows.  So it was all a whirlwind.

Were you like, “What did I get myself into?” (Laughs)

JANICE:  It’s terrible to admit it, but I had never had seen a soap.  I came up through classical music the opera, and theatre.  I had never watched television that much.  It was my first experience even seeing one, and it was thrilling.

JAIME:   For me, it was kind of wild.  I was coming out of a casting director’s office and it’s my third week in the business! I am walking down the hall and this other casting director says, “Would you come in here and read this? It’s not really anything.”  It was for The Young and the Restless, but he would not admit it was for the show.  So I read for him and I leave, and don’t think anything of it.  Now, I had already been cast to play this android sidekick for Gene Rodenberry’s show.  At that point, Universal had offered me one of the last player contracts, and then Y&R came about and I interviewed with John Conboy.  I had been a model, previously, He wanted me to do a screen test, and then I had a choice between three years on a soap, or seven years at Universal.  So I said to myself, “I will do the three years, because nobody watches the soaps so they would pay me to act and I would learn.”  The first six months of the show I was a wreck.  It was live to tape; you could not make it a mistake.


JANICE:  I was so awaiting her casting, because John kept teasing me with “You are going to have a sister, and then Leslie will have a breakdown…”

JAIME:   Instead, I was the one having the breakdown … (Laughs)

JANICE:  When Jaime came on the show, she was so gifted and lovely, but she hadn’t done a lot.  I use to take her home!  She would follow me up Laurel Canyon and I would make pasta, and I would say, “I’m going to make pasta, and we are going to rehearse.” That is how we worked out our scenes the first couple of months.

Everyone hated Lorie.  However, she was one of the first soap opera characters to go from ‘throw-something-at-the-TV-hated’ to a beloved heroine!  And along the way, poor Leslie suffered that mental breakdown, thanks to Lorie!

JANICE:  They did the story of her breakdown so well.  I’m very proud of it, because I went into a locked ward in LA and I did research, and I made notes.  The cast of women were extraordinary.

Photo: CBS

Both your characters seemed to have a penchant for falling in love with the same man.  Let’s start with Brad Eliot, played by Tom Hallick.  How was Tom to work with?

JANICE:  He was heaven to work with, easy to work with, and really solid.

JAIME:  He always had his lines down.

Lorie wanted Brad all to herself!

JANICE:  Lorie told Leslie that Brad wanted her, which destroyed me! (Laughs)

JAIME:  Well, of course, everyone wanted me! (Laughs)  Don’t be ridiculous. (Laughs)  Leslie was so insecure that she couldn’t believe the guy wanted her.  She was a child prodigy, but socially inept!  She did not know how beautiful and talented she was, and that she was the true rose.  But you got to give it to Lorie, because she was the second child, and the second child always has the rough times.

Photo: CBS

After Tom Hallick, the two of you worked in romantic storylines with the Prentiss brothers, Lance (John McCook) and Lucas (Tom Ligon).  How were those two to work with?

JANICE:  I worked with John first, and fell in love with John.

JAIME:  He was hard not to love!

JANICE:  At one point, I was in discussions about doing TV specials, and what the format would be like, and then John came on the show.  I did several scenes with him where Lance was running around the world following Leslie at every concert.  John is a great musician and so funny, so we were thinking about doing these specials together.


JAIME:   I loved both Tom and John and they were so different as people.  I remember a funny scene with Tom.  I am pregnant, and they are taping pencils on the floor because my belly is so big, and I can’t see my mark. Tom is supposed to pull me in his arms and kiss me passionately.  I said to him, “You need to feel my stomach,” and he pulls me to him with this big embrace, and bounces off me, and screams! (Laughs) We had to do the scene over again, obviously. (Laughs)

When you think back to your time on Y&R, what were some of your favorite scenes?

JAIME:  One of the dramatic ones for me was a scene that I did with the actor who played our father, Robert Colbert (Stuart Brooks).  He had started putting Lorie down, and Lorie started responding back.  It got really ugly between us.  I sat down afterwards and people came up to me and went, “Oh, my Gosh. That was brilliant.”  I was sitting on a bench, and I was shaking uncontrollably, and I am like, “Where did that come from? “ One of the funnier scenes, because we were doing live tape, was with John McCook (Ex-Lance, B&B, now Eric B&B).  We were jumping on this bed together, but we had no idea that it was actually two beds, and they separated, and the two of us went down right in the middle of it, and we just had to go with it. The two of us just started laughing and joking.

Photo: CBS

JANICE:  I would say … I did love the story of Leslie being in the mental institution.  I thought it would bring awareness, help some people, and not be such a stigma anymore.  There were so many interesting things within that.

JAIME:  Even though it’s nice doing comedic stuff, and John McCook was very funny, truly for actresses that are more serious, the best parts are playing the complex characters. You have to do the research, you have to think, and you have to study people all of the time. John McCook took me into the control room one day and he ran a tape of something I just had done, and he said, “See that! That was really sexy!”  I said, “What?” He said, “What were you thinking when you did that?”  Of course, I didn’t know.

Wait … but, Lorie was the sexy one!

JAIME:  But you know what I used to do?  I used to go to Hugh Hefner’s on Friday night’s because he had free meals there.  I was watching people on the stairs, and that is how I learned how to play Lorie.  I also knew watched this woman I knew just turn it on a dime with this sexual energy toward either a young man, or a very old man. So between her, and Hefner’s, that is how I developed Lorie.

Can you recall some of the fans reactions you received, or were on the other end of, if people would see you at personal appearances, or, out and about, or, via fan mail? Back then, there was no such thing as social media for everyone to let out their opinions and feelings.

Photo: CBS

JAIME:  I remember driving down Sunset Blvd one night and we were in a convertible, and another convertible is next to us, and they start shouting at me, “Oh, my God!  It’s Lorie! It’s Lorie. We hate you!”  Then they go, “No, no, no. We love hating you!”   There was another time where I was shooting a movie of the week with Leslie Nielsen, and he saved me.  I was sitting in the lobby in a building in Century City waiting to be called to set.  This woman comes up to me in the lobby and she literally puts her hand around my throat.  She must have just watched me on TV in her room upstairs.  Leslie helped me get her off of me.  People hated me, but it was a compliment.  What was so amazing for me as a human being is that I never knew what sexy was?

JANICE:  I don’t buy that for one second! (Laughs)  For me, I had amazing reactions.  I was at a dinner one night and Dean Martin came up to me and said, “You are my favorite actress and singer.”  He then asked me to open for him in his nightclub act, and we became very close friends. Then, in either second or third year of Y&R, because we were all seen internationally there was this incident.  I was in the Sistine Chapel and trying to get away from it all, and needed a vacation.  All of a sudden I this place where you take a vow of silence before you enter it, someone yells, “Leslie!” Then everyone was crowding around me, and then the Vatican guard grabbed me and helped me out of the chapel. But then I was told the Pope wanted to meet me, and we did!   The scariest one was at the Farmer’s Market near CBS and these three women came up to me and said, “What are you doing out?  What can we do for you?  You need care!”  I swear, if they knew where to take me they would have taken me to some mental institution!”

In the mid 70’s, the most compelling story on the soaps was centered around Leslie and Lorie, and the other two Brooks sisters, Chris (Trish Stewart) and Peggy (Pam Peters).  But Jaime, what I want to know is … what did you think of K.T. Stevens (Vanessa) when Vanessa was always wearing that veil over half of her face? (Laughs)  I always wanted to just yank it off of her!  I know Vanessa’s  face was supposedly disfigured from a fire, but I didn’t understand why she was always wearing it! (Laughs)

Photo: CBS

JAIME:  Vanessa was really evil, but K.T. Stevens on her own was so sweet, loving, and supporting. Vanessa killed herself and blamed it on Lorie! Sometimes, I wanted to rip her veil off so bad, too! (Laughs)

Y&R always had the most beautiful cast, along with the exceptional writing, the singing, and the production values that set the bar high after it debuted in 1973.

JAIME:  We were one of the first soaps to also do important topics for the times.  We did storylines on: breast cancer, rape, and mental illness.

Janice, at one point did you decide to leave Y&R?

JANICE:  There was never time to have a vacation, and I was working so hard without a break.  If not for that, I would have stayed a long, long time.  Bill Bell (Y&R co-creator, and head writer) and John Conboy were great to work with, and were great about letting us out to do other projects, but the show was garnering a lot of ratings so the hours just became insane for me.

JAIME:   And remember in those days, daytime shows paid for primetime.  So we were so important to the network that we were not given a break.  I walked illegally, because I thought I just have to escape.  I got on a plane to Hawaii and I stayed at a girlfriend’s house there for two weeks.  I came back to Y&R and had a meeting. I said in my negotiations that I do want all the women to have their own dressing rooms, and this is before AFTRA had any strength at all as a union.

Jaime, what happened when you decided to exit Y&R?

Photo: CBS

JAIME:  I couldn’t take it anymore.  I am nine years in, and the only reason anyone replaced me was when I was on maternity leave and having babies. When I came back I was working five or six days a week, and had kids at home.  At one point, I could not even think of my own name, and I got scared.  I went to them and said, “I need you to put a ceiling on the number of episodes I work a week, unless it’s a big storyline.”   We were just so successful at the time that they couldn’t do it, and so I left.  Then, Bill Bell, God bless him, because I had said to him and John (in tears), “please don’t make me feel guilty’:, did something so unbelievably touching.   What Bill didn’t tell me was that he fired everyone to do with the Brooks’, and in our entire storyline, because I was his favorite character.  I think that was because I was named after his daughter, Lauralee, and he couldn’t envision the show without the character, so he had to change it and make it a whole new show. I will thank him forever for that, because if I had known I would have stayed.   I loved Bill and John, and I would have done anything that I could for them.

There was another tremendous actress when you started at Y&R, the incomparable and iconic, Jeanne Cooper (Katherine).  What was your relationship like with Jeanne?

JAIME:  Jeanne was a second mom to me.  The first play I did was Plaza Suite, and we were in the same play together, and it was a touring company.  I went to the director before we opened on opening night and I said, “I think you made a mistake.  I don’t think I can do this. I don’t think I’m funny.”  He goes, “Nope.  I haven’t made a mistake. You will be just fine.”  Well, I cried for two hours the day of opening night, because I was terrified.  But it was Jeanne Cooper who stood there, and had her arms around me saying, “You’re going to be fine.  You will see.”  My cue came and she is standing there, and she literally shoved me onto the stage.  Jeanne was an amazing, sweet, incredible woman and at a time I was dating her son, so I was over at ber house a lot of the time, so we were tight.


JANICE:   Jeanne was the cast mom.  It was such a joy, because we were all very collaborative. There were times I was given a script late on one day and had to do a big song and dance the next; like this one in Lance’s apartment, where he dares Leslie to come out of her shell so she can perform at this party. (Laughs)  I said to Jeanne, “How am I going to do this?  There is not even the staircase, or full set to work with up yet.” She said, “I have an event, but I will meet you at midnight.” We got Bob Fosse on speaker phone, because the number was “If You Could See Me Now” from Sweet Charity, and between Jeanne and Bob, and me, running up the stairs and landing on top of the piano, we got it figured out.  But Jeanne would do things like that. She would do anything for the work.  She was a great friend, and a brilliant talent, and had some demons, but she conquered them.

How did it come about that you are returning to Y&R on-air this week as part of their 45th anniversary episodes?

Photo: CBS

JAIME:  I was laying on the beach in Cancun, and I get a call.  I go, “What?  Who? The Young and the Restless? You want me to return for their anniversary? Sure … just let me know. “

JANICE:  I got a call while I was in a ballet class in New York.  I was at the ballet bar, and I get a call from my agent.  So, I thought I should go out in the hall and take this.   I ran out and I said, “Really?”  My agent said, “How do you feel about that?”  I said, “Absolutely, would love to do it.   It’s a reunion!”  But honestly, I didn’t believe it was going to happen, because I had gotten a lot of calls over the past years and decades and we could not work it out, for one reason or the other.  This time we did, and I was so excited to be back.

Did you think Y&R would have lasted this long, from when it began?

JAIME:   I am not surprised at that at all.  It has been number-one overall for a reason. The writing has been quite good.  They still have that great look and that great lightning.

What would you want to say to Y&R as it celebrates its 45th anniversary?


JANICE:  “You are the tops!  And 45 more …”

JAIME:  “45 more that would be brilliant … than we can actually show up at 90!” (Laughs)

So, what were your favorite memories and storylines of The Brooks sisters? Are you glad Y&R asked Janice and Jaime back for the anniversary episodes?  What did you think about Janice and Jaime recalling the beginning years of Y&R? Share your thoughts via the comment section below!

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Michael (not Fairman)MarieShayModiane Recent comment authors
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That was 1973 — the Brook Sisters..
I wasn’t yet born.
But– I’m looking forward to seeing them it will be interesting and even fun to go that far back..


Same here, SuzieQ…But, I am very familiar with all these characters….my Gran is a great storyteller—I feel as if I had been there 45 years ago watching with her…..looking forward “seeing” them again. LOL.
Aside: through all this, I must give praise to Marla, again….WOW!!!!…. gets better and better.
Dina’s disdain with Ashley is soooo pungent but a revelation at the same time. She resents her daughter because she’s a constant reminder, subconsciously, of what she did to John…..
It would be the greatest twist and sweet irony if Jack were the Pro’s son. HaHa….


PS…or, Jack is the issue of another affair. OOOOUUU-LALA!!!! Are any of Dina’s children John’s, su??


I am the one and only (both sides of family) that ever watched a soap..
ahaa I’m virgin soap family ..


Looks like Traci is going to be the only genuine article Abbott to spring from John’s loins and Dina’s womb, CeeCeeGirl! How ironic is that? From the beginning, this girl was always the awkward, odd child out, constantly paling in comparison to her handsome older brother Jack and glamorous big sis Ashley, and now both are apparently not even real Abbotts…what an identity crisis, eh???

Scott (ATWT Fan)
Scott (ATWT Fan)

What a wonderful interview, Michael. So happy to see original veterans, such as Janice Lynde and Jaime Lyn Bauer back in Genoa City. What a beautiful way to celebrate The Young and the Restless‘ 45th anniversary! I’m hoping this might lead to more appearances, though, I don’t know if these two are the ones who might be making further appearances past the anniversary. Hearing them speak about their time on the soap, and even Bauer’s words about her asking to leave, were powerful. They helped change the face of daytime during a time when daytime was most powerful.


OMG: I feel for Jaime Lyn Bauer… she had two predicaments… CLOSE TO HER HEART. maintain her STAR reign… or go home to her children.

this is why I feel for women… who make the sacrifice.

for the heck of it…. I wonder how long she coulda woulda shoulda stayed … past her original 9 years. she committed to 6 more years past her 3 year contract.

“… We were just so successful at the time that they couldn’t do it, and so I left. ”

that’s a lot of tears … heart mind and soul ripped torn and tattered. The love of a mother…. hats off and salute.

I LOVE THIS WOMAN… only know … her work @DAYS of OUR LIVES. ALL the proof you need… she came back… conquered.. persevered.. and is loved that much more.

TAKEN from Wiki : “The one time Miss Phoenix beauty contest winner is best known for her two long-running soap roles: Lorie Brooks on The Young and the Restless, which she played from 1973 to 1982 with reprises in 1984 and 2002, and Dr. Laura Spencer Horton on Days of Our Lives.[1] The character of Laura, previously played by Susan Flannery and Rosemary Forsyth (among others), had not been seen in 13 years. She played Laura from 1993 to 1999 with reprises in 2003, 2010 and 2013.”

@DAYS NEEDS to bring Laura back… seeing as how her granddaughter ABS is using grandma Laura as one of 3 identities. HELP my Abs. Jaime Lyn as Laura always brought a warm familial vibe to all her foundlings…. when she had to… rear itself… she rose and culled from whatever it took…. and knowing her “fragile” state even then… made us , the audience cheer her on that much more… we cared about Laura.

it’s nice to salute you Ms. Bauer.


Jaime Lyn was one of daytime’s most quintessential soap goddesses! So sleek, slim, statuesque and drop-dead gorgeous in all of her designer finery! Her character was of a time and place when women each had their own highly-distinct looks, not the cookie-cutter botoxed features that we see today….how I miss those golden days when the soaps were an endless parade of exquisitely original beauties decked out in the latest and greatest fashions! What a feast for the eyes they were! Welcome back, Lorie Brooks!

Kevin C
Kevin C

I have yet to read the interview but I am so excited to have them back and wish they were back permanently for I loved Y&R from the beginning till 2006…I started watching again when Sally and Kay returned as headwriter and story consultant…I started to stop watching once Sally and Kay left but decided to stick with it through the 45th anniversary and I haven’t been impressed Mals writing until this past week and not I am interested in where it goes from here…

Kevin C
Kevin C

I failed to mention that I have the conversation on a cassette tape of when Leslie was asking Lorie to help her unlock the key to her past for Leslie didn’t know what happened to her for losing her memory….such a wonderful and very well acted storyline and oh how I miss those days…

Kevin C
Kevin C

I just finished reading the interview, LOVED IT and again how I miss these two beautiful ladies on this show…I loved all the storylines with Lorie and Leslie, they were all great…but the two that really come to mind is of course the sister rivalry and the Lorie and Vanessa storyline with Vanessa staging her own death and setting the stage to make it look like Lorie pushing Vanessa over the balcony, CRAZY WONDERFUL storyline…I remember Vanessa yelling, STOP LORIE, STOP and Vanessa KEPT on saying this LOUDLY and Lorie was wondering what on earth was going on with Vanessa and trying to calm her down and then Vanessa jumps off the balcony and Lorie is so distraught, it was SHOCKING and LOVED the DRAMA and then the trial and then Lucas blaming Lorie at Vanessa’s funeral…Lucas looking and screaming at Lorie, saying to Lorie, look Lorie, LOOK WHAT YOU DID TO MY MOTHER…with the dramatic and beautiful background music going, SO GUT WRENCHING and so miss these days of GREAT SOAP WRITING where you didn’t want to miss a DAY…


I was 11 when the show started and I would watch it at my sisters house when I was out of school, which was a lot!! I will always remember the Brooks family and Jill’s family. They are Y&R to me.


The show was such a gem in the 70’s and so forward-thinking. I note the ladies mention the lighting – it was so flattering compared to other shows of the time. And the cast was already an attractive group! And Leslie-Lorie-Lance-Lucas – the Alliterative Quadrangle! Easy to poke fun at – but a riveting story, thanks to the actors. Looking forward to seeing this week’s reunion!


Didn’t watch then. I have seen Jamie on Days so I’m familiar with her, but not on Y&R.

Looking forward to seeing them and what brings them to town.


I was 9 when Y&R started and I remember it vividly still. I was so bummed when the Brooks family was gone that I stopped watching. I started again for a bit when Lily and Daniel were together and Cassie died. Still a great show though not one I regularly watch. What a blast from the past though. Great interview1




I was about 15 when they went on the air and was so impressed by the production values. It was the first Hollywood daytime drama I watched. I loved the Brooks family and now I know why they were written out. Thanks for the interview, Michael. I was thrilled when Janice Lynde showed up on my favorite soap One Life To Live. One other thing that I enjoyed on early Y&R was the use of music and songs. If I recall, Leslie’s song was “If A Picture Paints A Thousand Words”, loved when they used the song “Bless The Beasts And The Children” I think it was played for the character of Chris. So many good memories of the first 20 years of this show.

Kevin C
Kevin C

Hey Max, you are right on with the music and the song that Leslie sing, a Bread song, IF…and I loved when the played Bless the Beast and the Children…and like you said such good/great memories of the first 20 years of Y&R…


It’s so great to have the Brooks sisters back again! I remember their rivalry over men and when Dennis Cole played Lance. Vanessa hated Laurie and I remember when she jumped off the balcony to her death and made it look like Laurie pushed her. A definite jaw dropping moment for that show. I also loved the episodes featuring Leslie’s concerts. Incredible moments. It would be nice to have Y and R revisit some of the history with these old characters again including the Fosters. Its great to have them back and I hope to see more of them in the near future! Happy 45th Y and R!


THANK YOU FOR THE INTERVIEW! It was great to read what a couple of the original cast members thought of the show, their characters, and the trend they set for daytime programming.

My favorite Brookes family storyline was Jennifer Brookes’ breat cancer– the reaction of Stuart, how each daughter struggled with it, and the beautiful and agonizing depiction given by the actress who played their mother… as Kevin and Max noted in earlier posts, THE MUSIC brought the great acting and the great dialogue together.

Also, loved the courtroom scenes regarding Lorie being accused of Vanessa’s death– great drama, especially when she was found innocent– her lawyer was great and she played the role to perfection… again, the MUSIC made it all pop!

Hope the new writing regime respects the efforts of those original cast members and pays homage to them throughout the year! Would love to see others return for a brief stay.


They should bring Lorie back permanently and give us a new generation of Brooks characters. Surely Lorie has kids?


I didn’t think much of Janice’s acting yesterday. A little blah. Maybe she has been out of practice.

I didn’t know all the history with the Brooks and Jill so it was nice to get to find out. I thought, Jill sure likes wealthy older men and then Billy said it! Yes!

Karen R
Karen R

I was watching back then, loved the Brooks family and the Fosters. Jill, her mom and brothers. Been watching it throuout the years And it is still my favorite.


I miss the Brooks family.


I am not familiar with the past storyline; and although I found the scene to be funny, I also found it to be awkward. I’m not a “Jill” fan, so I wasn’t too keen on this, but it was funny and “catish.”


I thought it was a bit awkward too. The two sisters sitting at the bar and then Jill. It looked weird.


I was hoping they would share more of the 45 year old history through flashbacks this week!! I was also hoping to see the Brooks sisters for more then 2 whole minutes!!! The other storylines can wait till next week!


I don’t remember this Leslie. I remember the one with the dark hair and the porcelain complexion. That said, this was a great interview.

Jess Walton still drives me up the wall. I’ve always thought she was a terrible Jill – she’s always so miserable. Being a villain should be fun! At least the other Jill thought it was.

Michael (not Fairman)
Michael (not Fairman)

That was Victoria Mallory, Marie. She took over the role when Janice Lynde left and played it for four or five years. I liked her a lot; probably one of Y&R’s best recasts.

General Hospital

GH’s Tamara Braun Talks On: Kim’s Plight With Her Son Oscar, Her Relationships With Julian and Drew & Coming Home To Port Charles

When Tamara Braun stepped back on to the canvas of General Hospital back in November of last year, the one-time and wildly popular Carly Corinthos #2 was now taking on the role of Dr, Kim Nero – a single mom of a teenage son (who is very protective of him), top-notch gynecologist in the medical profession, and a woman with a past with Drew Cain (Billy Miller). It was eventually revealed that Drew is her son Oscar’s (Garren Stitt) biological father.

Now as viewers have seen on recent episodes of the ABC soap opera, Oscar’s life looks like it could very well be cut short after the story shocker that now has the young teen diagnosed with an inoperable brain tumor from cancer.  Kim had kept the truth from her son until he confronted her upon learning the news on his own (with an assist from Cameron) and putting two and two together.  This sets the stage for some difficult and heartbreaking moments ahead.

As for Braun, she rose to the top as one of soap operas most critically-acclaimed actresses after having the challenging task of taking over the role of Carly #1 in 2001 from three-time Daytime Emmy winner, Sarah Brown.  Tamara not only met this challenge, but made Carly her own scoring an Emmy nod along the way.  After departing GH in 2005, Tamara returned to daytime in 2008 in the role of Ava Vitali on Days of our Lives, which indeed earned her an Emmy.   Next, she headed to Pine Valley and All My Children to take on the role of Reese Williams, the love interest to Bianca Montgomery (Eden Riegel), who eventually married from 2008-2009.  Tamara even came back to DAYS for awhile in the role of Taylor in 2011, and later reprised the role of Ava in 2015-2016.  With an impressive resume, GH is lucky to have her back and Braun finally felt the time was right to take on a new role on her first soap home  upon her return in 2017.  Viewers hope that they get to see more of those emotionally raw, honest performances that Braun is known for as more layers of Kim are revealed,

Michael Fairman TV caught up with Tamara to get her take on: the latest storyline involving Kim, Oscar and Drew, where Kim’s relationship with Julian Jerome stands, and how she feels it’s important to shed light on causes of the day needing our help and how we can all ultimately live in a kinder, more thoughtful world.  Here’s what Tamara had to shared below.

In the episodes we saw last week, Kim had no choice but to tell Oscar the truth. What have you thought about this whole story where now Oscar is hating his mother, and upset with her, when she did not come forward with the truth about his medical condition to him, because in her mind she was protecting him?


TAMARA:  Yes, that was reasoning.  She did all of this to protect him so that he could have a normal teenage life without all of that hanging over his head.  What do I think of it?  I think that it has been hard for me, Tamara, to play.  It has been hard for me to wrap my head around why a physician would not tell her son that he’s ill.  It’s also been hard for me to wrap my head around because the way the writers have made Oscar and Kim’s relationship such a beautiful one that has been seemingly full of honesty and openness, that they can really talk to each other, which is one of the things that I really like.  In terms of the storyline, what it does do is create conflict which is what’s needed in shows.  Things can’t be ‘happy, happy, joy, joy’ all of the time, so it’s created conflict for Oscar and Kim and now Drew, because Kim dragged him into keeping the secret too for a little bit. 


We just also learned that Kim’s reasoning to come to Port Charles in the first place was indeed because of Oscar.

TAMARA:  Like Kim said, she came because she did an ancestry report, and it turned out that he has relatives in Port Charles.  So, she wanted for them to get the opportunity to know him and him to get the opportunity to get to know them.  I’m sure we will learn something about Kim’s past which would explain why in her mind she felt this was the right thing to do.  We know that it seems like a very controlling thing.  As a mother, take the physician out of it, I still think that Kim would have shared his diagnosis with him, but I don’t think one ever knows what they would do in that situation.  You think you know what you would do, but perhaps she felt that she could control it; she could figure it out.  Perhaps, Kim felt that because she is a physician she’ll find some answer, and she’ll be able to fix it.  These are the questions, and these are the things that as an actor, I have to put in my head because it’s not what I believe I would do.  It’s not even what I believe the character of Kim as I knew her would have done, but it’s what the writers have written.  So, they have to have a reason, and I think that it has got to be more than just to create conflict.  That’s what stories rely on.  It’s soap, and a lot of people on soaps have to do crazy things and find out ways to justify them when they seem out of character.

You’re right.  Kim and Oscar had a very open relationship.  Yes, she was a “controlling mother,” if you want to say that, but they were honest with each other.  Garren Stitt has been very endearing in the role.  What can you say about working with him?

TAMARA:  I just adore Garren. I have adored him from the minute I met him.  I think he’s a lovely, sweet, kind person, and I feel so fortunate to get to play his mom.  I really do.  I think he’s wonderful, and I’m lucky.

Photo Credit: JPI Studios

Now as to the situation with Drew, Kim truly did not know he was in town when she got to Port Charles, right?

TAMARA:  Correct.

What does she feel towards Drew now, and does this situation ultimately draw them closer together?

TAMARA:  I think it absolutely draws them closer together, because now they have to deal with Oscar.  Because once Kim accepted Drew back into their lives (she thought he was dead long ago), she opened up her arms to him in the capacity of being a father for Oscar.  Kim has had to deal with everything with her child all on her own for fifteen years.  It’s just been the two of them.  So, I think that at some point it has got to be difficult to allow someone else in to help make decisions, and to lean on, and to co-parent with.  I think it was difficult at first, but I think now she is grateful to have him to share it with, even though they may not see things eye-to-eye all of the time.

Photo Credit: JPI Studios

Do you foresee Kim and Drew, at any point, growing closer romantically?

TAMARA:  I don’t know.  It’s not looking like that.  It’s looking like a nice friendship and one that is very caring and understanding, but as of now, I don’t see hints of it.  You never know.  As you know, it’s a soap.  Anything could happen.

How has it been working with Billy Miller? He has also done some wonderful work as the devastated father.

TAMARA:  It’s been great.  The last few scenes that we had to do, there have been those special moments you get as an actor where the angels are just with you.  It all just kind of connects and flows together.   I think we’ve been lucky to have gotten a few of those as of late, and that’s been really nice.


In story, it was revealed that Oscar could enter an experimental trial that could help his tumor and the cancer, is that what Kim wants her son to do?

TAMARA:  Absolutely, because she feels anything that could possibly save his life or give him more time, she wants for him.

I also like that they made Dr. Terry Randolph (Cassandra James), Oscar’s pediatric oncologist.

TAMARA:  Yes.  Cassandra is really lovely to work with, and she’s just a lovely human being as well.  I’m fortunate right now.  I get to work with some lovely people.


Do you think Kim’s going to let Julian (Will deVry) know about what she is dealing with?

TAMARA:  Julian does not know.  Oscar doesn’t want anyone to know and especially Julian.  He wants his mom and dad together, so he’s decided not to let Julian know.  I think only for those reasons.  Kim really didn’t honor Oscar by keeping this news of him being ill from him, so she has to honor him in his request not to share this with Julian.

Is Kim aware of how Cameron (William Lipton) is trying to maneuver himself into a relationship with Josslyn (Eden McCoy)?  Does she understand what’s going on there? 

TAMARA:  Kim doesn’t know anything about it.

Photo: ABC

Does Kim want Josslyn to be with Oscar?

TAMARA:  She does, because she knows that Josslyn makes Oscar happy, and to be happy, is what’s most important right now, because that also can help any type of recovery.  When we are happy, or are doing things that make us joyful, or raise our endorphin levels in a positive way, that’s good for health.  That’s good for recovery, and she wants her son to be happy.  What mother doesn’t want her son to be happy?  Especially now, with everything going on.

Kim was having an issue that Elizabeth (Rebecca Herbst) and Franco (Roger Howarth) knew about Oscar’s prognosis.  Do you think she’ll be more lax about that now, or do you think she’ll be more even intense about people not finding out?

TAMARA:  I think she doesn’t want people to know because Oscar now knows, and he doesn’t want people to know.  I think that she wants to keep his confidence.  I think she doesn’t want anyone else to know because she needs to respect Oscar’s wishes.


Do you think that it’s possible that Drew’s twin, Jason (Steve Burton) is somehow the bio-dad of Oscar, and not Drew?  The character of Jason has a history of brain injuries and trauma.

TAMARA:  I never thought of that! (Laughs)  That would be a fun kind of plot twist!  I don’t think so because there have been lines a couple of times when Kim is with Jason and she says, “You know, you look exactly like him.  It’s kind of hard to wrap my head around that, but you act so differently.”   You know what?  Even if Jason did have a brain tumor, he is Drew’s twin, and Drew is Oscar’s father, so that does still genetically match and run in the family.  It’s an interesting twist there that you bring up!

I remember watching the episode where the audience learned Oscar was dying and I was completely shocked!   I had no idea where the writers were going with it after the seizure.  When the powers-that-be filled you in on what was going on, what was your reaction to that part of the story?

Photo Credit: ABC

TAMARA:  Illness in any form on a soap gives you something to play.  So, that’s good.  When they start saying in the dialogue, “terminal,” you’re like, “What!?” But then you also have people saying, “There’s always hope,” so, you never know where it’s actually going to go, or how the story lines will play.  I understand how people keep saying that it came out of the blue and they didn’t even hint at that.  So, I will say they did write a scene the day that Michael (Chad Duell) lost the baby, and I believe Sonny (Maurice Benard) and Michael were in the church. There was a scene that I was ready to shoot that day, and it was a monologue in the church.  It was after Nelle’s (Chloe Lanier) baby had died and after Kim and Nelle had scenes.  Kim goes to the chapel and she has a monologue talking to God, and it was a bit of a hint, but they had to cut the scene because the tape day ran long.  I didn’t even shoot it.  I think that had they had left it in; people would have been like, “Oh, that’s what that meant.”  I think now that I see the reaction of viewers and you’re bringing it up, that would have been the moment you could have gone to and said. “Oh!  That’s the moment.  That’s what she meant,” or when it happened, the audience have been like, “What’s going on?  What don’t we know?”  I think had that scene been in there, people wouldn’t have been taken aback so much.

Photo Credit: JPI Studios

So, what would you say the audience can look forward to with Kim coming up?  Are we going to see her with a lot of stress on her relationship with her son?  Do you see her holding it together, or falling apart? 

TAMARA:  I think probably all of the above… trying to pull it together, falling apart, a rift between them, trying to bring it back together, making mistakes, doing the right thing … I think it’s everything.  I think reality just smacked Kim in the head, and her son… but when you’re so closed and tight about something in life, and when you no longer have control over it… you’ve got your best-laid plans, and you know what they say about your best-laid plans.  (Laughs).  It explodes, and then you have to deal with the aftermath.  So, hopefully we will see some nuance in there.  I’m hoping for it.  Hopefully, we will see Kim and Oscar work through stuff because people make mistakes; people do the wrong things for what they think are the right reasons all the time.  If Oscar is dealing with an inoperable, terminal brain tumor here, then time is of the essence for them to get it together and come together.

Well, I hope that it’s hankie-inducing, poignant and does have those beats for you to play, and they don’t kind of skip story beats.  As you said, time is of the essence for them and there is, usually no matter what, an unbreakable bond between mother and son.

TAMARA:  I hope so, too!  We can keep our fingers crossed for that!

Photo Credit: ABC

What attributes of Kim do you like playing?

TAMARA:  Kim’s no pushover, which I do like about her.  She’s strong, but she’s a quiet strong.  She doesn’t come at somebody charging, blazing, knocking things down or with a baseball bat like Carly does.  She has strength as a woman, and it’s in a very different way.

Do you think Kim is in love with “Charlie” AKA Julian? 

TAMARA:  I think she loves him.  It’s been a long time since she’s been in a relationship.  Her primary relationship, for better or for worse, has been her son all these years.  She’s made him her number one and didn’t feel she had time or that there was anyone who was worth that time.  So, I think that with Charlie, or Julian, whoever the hell he is (laughs)…

… Wait! She knows he’s Julian, right? (Laughs)

TAMARA:  Yes, she knows, but she likes to call him, “Charlie” because of the bar.  It was a cute little thing from the beginning.  I think that he doesn’t pressure her.  It’s easy, it’s fun, it’s light, and that’s what I think she can handle right now.

How has it been playing the mother of a teenager?  Is that odd for you?  It seems like a bit of a jump.

TAMARA:  It seems like a jump from what people have seen me do for a long time.  If you think about it, the last time people saw me on General Hospital with a kid, it was Michael (formerly Dylan Cash), and I mean, not in soap terms, but in real life terms, he was playing I think 6 when he was 8, and now he’s 23 so he would have been playing 21 if he had stayed.

Courtesy: TBraunTwitter

Is it ever odd for you that you aren’t the character of Carly anymore when you see Michael and characters that you have shared and played emotional attachments with your first go-round on GH?  I would suppose as an actress you can switch that on and off, but what about as a person?

TAMARA:  Yes, as an actress you switch it off, but as a person Michael is not the same Michael.  I think if he had been the same because we were so close, and we were so connected it might have been more difficult.  If it were him on set playing him every day, I’d be like, “Hi honey!   Hi my son!”   He was so in my heart.  I think because it’s Chad Duell now playing the part, who is lovely and wonderful, there’s no history with us, and that made it really okay.   I loved Dylan as a little boy.  I still love him.  He stopped in at my fan event, which was wonderful!

When you think back on all of your soap roles, it’s pretty amazing what you’ve done. Although we hated the end of the Reese/Bianca wedding on All My Children, it was the first same-sex wedding, and was a landmark moment.  You were a part of it.  Forget what happened afterwards, but that moment was key.  When you were on General Hospital, you received a Daytime Emmy nomination for your performance as Carly.  And then there was Days of our Lives’ Ava Vitali!  You got to play the psycho.  You won the Supporting Actress Emmy for your performance.  Do you think Ava is somehow still alive? 

TAMARA:  I think she may be alive.   I mean, no one really saw.  They put a sheet over her and rolled her out.  You didn’t see her dead.  I mean, come on now.  Joey (James Lastovic, Ex-DAYS) can strangle, but I don’t know that he’s that strong.  Ava’s got some fire in her.

Photo Credit: JPI Studios

Such a great role!

TAMARA:  I have been really, really blessed to play very strong or pivotal or interesting, dynamic roles on daytime.  I have been very fortunate to do that, and I have been very fortunate to work with people who allow me to do my thing.  They don’t hamper it.  They say, “Go.  Go for it.”

I love your Instagram posts, and I love when you talk about social issues and things that are important to you.  Could you talk a little bit about how you’re using that platform to make a difference?

TAMARA:  I just like to post things that are important to me. There are a lot of people who are using social media for brand identity.  I’m glad that I don’t even know what that is.  I mean, maybe I should know.  (Laughs)  It probably would be better for me, but –

Photo Credit: JPI Studios

You realize on Instagram; if you post a shirtless pic along with a quote from something unrelated and are a guy, or are a very sexy woman, you’re going to get millions of likes.

TAMARA:  Yeah, and that’s not my brand.  (Laughs) I guess if I had to say what my brand is; it would be “Truth. Real. Honest.”  You know, here’s the real deal from me.  I think it’s important to bring awareness to what’s going on that touches your heart.  I think that if you can shed light on issues in a positive way, to make people think, to make people feel; that is important.  I have always wanted to do good things in the world, and you can do that at any place and time in your life as a human being, but when you have a bit of a platform, I believe it is a responsibility to use that to share things of importance to the world for humanity.  We’re given this one life.  Whether you come back, or whatever you believe this is the one life we have, if we don’t do something good with it, what’s the point?   I think there’s too much, “Me, me, me, me, me.”  I mean, that’s what this business is, right?  But we need to step back, and we need to remember that there is a real world going on out there where people are dealing with issues, and we need to be kind.  That being said, I do post stuff of myself, and people want to see it, so I want to give them what makes them happy, but I think that as long as I’m doing that too, I think it also makes people happy to see things good going on in the world, bring light to issues that need light brought on them.  I really just feel that we need more kindness.  We need more positivity because right now is a really hard time in our world, in America especially. It’s important to be more generous and kind-spirited than what we’re so often seeing these days.

So, what have you thought about the way Kim handled telling Oscar of his cancer diagnosis?  Do you hope Kim continues to stay in Julian’s orbit, or would you want her to become involved with Drew?   What do you think will happen next in the story … will Oscar survive?  What has been your most favorite performance of Tamara Braun of all her soap roles through the years? Comment below.

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Y&R’s Hunter King Talks Summer’s Clash With Phyllis, Seducing Billy, ‘Life In Pieces’ & Being Newly Engaged

On The Young and the Restless viewers just watched the summer of …  Summer!  When the top-rated soap brought back two-time Daytime Emmy winner, Hunter King to the canvas, you knew it was going to be to stir up some major drama.  But, little did viewers know that Summer came back a vixen, ready to steal her mother’s man!

Last month, it became game on between mother and daughter after their epic showdown, where Phyllis (Gina Tognoni) got wind of Summer’s attempts to put the moves on Billy (Jason Thompson) and her plans to meet up with him in Philly! (And that spelled trouble for the couple known as “Philly” too)  Oh yes, and there was that well-deserved bitch-slap!  So, where will it all go from here?

Michael Fairman TV caught up with King where we discussed: Summer’s new attitude, if Summer will get her wish and have sex with Billy, her real-life engagement, and her upcoming return to the CBS sitcom Life in Pieces, and more. Check out what Hunter had to say below.

Summer is so pursuing Billy! When you came back to Y&R, did they tell you we need her to be really vampy and this seductress?  What has happened to her? (Laughs)

HUNTER:  Yes.  I understood where it was coming from, and I was excited to play the same character, but being able to play it totally different.  I get to sort of reinvent her.   I think when Summer went away she discovered herself, and kind of grew into Phyllis’ daughter … maybe.  But I will say, it has been very vampy, and you don’t even know yet what’s to come!

Photo Credit: JPI Studios

How is working with Jason Thompson?

HUNTER:   Working with Jason is great.  He is always so professional and prepared and always willing to collaborate on scenes.  Jason is just so creative, and so in it, and loves to work so much that he just exudes that the scenes.

Let’s just say when Summer and Billy “finally” hit the sheets … (Laughs)

HUNTER:   We don’t yet … we shall see.  The way this whole storyline unfolds you think it’s going one way and then there is a twist, and then twists on top of twists.  The more layers that come into play you start to understand why everything is happening the way it is.

Now, Summer had no idea that Billy had a gambling addiction, which put this whole spiral of his in motion?

HUNTER:  I guess not?  (Laughs)  It’s hard to know. I would say she evidently did not know about his gambling.

Photo Credit: JPI Studios

Viewers saw Phyllis slap her daughter in the face as the fight between them escalated; when Summer admitted she was going after her mother’s boyfriend!  How was it taping that scene, and working with Gina Tognoni?

HUNTER:  She’s amazing! Gina didn’t really slap me, but I will say afterwards they wanted to put red blush on my cheeks, and I said, “Oh, just pinch my cheek instead, and I wound up bruising my cheek.”  So Gina goes, “I really didn’t hit her!”  It was the funniest banter on set.  Gina was scary in those scenes, like a good scary.  I went, “Damn!”

On August 18th, you got engaged to your beau, Nico Svoboda.  Were you expecting him to propose when he did?

HUNTER:   I was so shocked, even though I had wanted it to happen, very much.  But, I had no idea when it was coming. It was amazing, and the best day of my life and, we are engaged!

Photo : HKingInstagram

And he got down on one knee for the proposal!

HUNTER:  Yes!  I thought it was sweet.  It’s something you dream about when you are a little girl.

What it is about Nico that makes him the guy for you?

HUNTER:  Besides the amazing qualities he has as a person – he’s compassionate, he’s caring, he’s driven, he’s loving, and just cares for others so much – I love the way that he loves me.  I have never felt so loved before, and so accepted, and he is very supportive of my career.


Are you excited to go back to your role as Clementine on the sitcom, Life in Pieces?  It is slated for a midseason premiere.

HUNTER:  I am super excited to be back.  We are back taping again   I am excited to do the sitcom and Y&R   As an actress, it’s so exciting to get to do different things:  a sitcom and soaps … why not?! (As noted in the press: King took a three-episode break from Y&R to film some episodes of the sitcom due to a scheduling conflict.)

Then speaking of “All in the Family,” it was just announced, your sister, Joey is coming onto Life in Pieces.

HUNTER:  Yes!  How crazy. She will be on for a few episodes, and it will be fun.  I think we will interact a little bit on the show, and we have never had the chance to work together before.

Photo: HKingInstagram

You and your sister have the funniest Instagram videos.  Do you plan those out?

HUNTER:  Joey is so funny.  It kind of just happens when we get together.  Sometimes we film something and sometimes we don’t.  But Joey is so much fun and my best friend. She is the funniest person in the entire world, and so it’s just easy to laugh when I am with her.

So, what did you think of the showdown between Summer and Phyllis?  Are you glad Phyllis slapped her daughter, or was it a mistake?  What do you think will happen next?  Will Summer ultimately sleep with Billy? Do you want Summer to end up with Kyle (Michael Mealor)? Will you be checking out Hunter on Life in Pieces? Share your thoughts via the comment section below.

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General Hospital

General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives

“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other.  At least this way I could leave some good feelings, instead of disappearing before your eyes.”  Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home.  These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).

When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect.  What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major.  Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.

In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.

Gail has been a revelation in this role.  A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.

On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s.  So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.

Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.

You’re portraying a person suffering from Alzheimer’s and play the progression of the disease.  Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?


MAX:  It’s more like an urge, or a calling to find some kind of truth in it that I can connect with.  One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else.  “Where am I going?”  This has happened to me many times in life.  For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it.  I knew I’d gotten home somehow.  So, it’s not out of my realm.  I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function.  We are kind of on the cusp of that in story at GH.  I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working.  Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.

The story has been so effective.  You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey.  It’ll be interesting to see how far they will take this with Mike.  Will we actually see him not being able to communicate anymore?  How far will the writers go to show the horrific aspects of Alzheimer’s? 

MAX:  I’m not sure.  You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it.  Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level.  I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember.  They’re trying to find a place for Mike within all of the interwoven drama of General Hospital.  I, frankly, had no idea how complex the range of storylines was.  Mike doesn’t really have control over his story.  I don’t want that as an actor.  Mike has some intentions that are really important to him.  I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed.  I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father.  Sonny’s formative experiences growing up were then with his abusive stepdad.  Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s.   It’s a wonderful challenge to be presented with.


You brought up that Mike is seemingly very sweet in his demeanor now.  My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman.  As the disease took hold of her, she became very sweet.   She became almost childlike.  The fire had gone out of her eyes.  You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son.  In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc.  Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof.  However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore.  That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son. 

MAX:  Right and he doesn’t know if he’s around friends or around enemies.  This can be true of Alzheimer’s patients.

I had that happen with my mother when she came out to Los Angeles to see me for the last time.  She was out of her element, she was confused, and she broke down and cried in the hotel room.  She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.”  It was heartbreaking.   Later, she had a moment of clarity and realized more of what was going on.  I think it’s those in-and -out moments that you portray so well on-screen.  I feel that they are very realistic to what I, and others, have experienced.


MAX:  I appreciate that and sharing that with me, because you never know as an actor.  That place of “Where am I?  What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed.  I don’t remember the words.”  It was, “I don’t know where the f**k I am.  I thought there was a band there, but there’s not.”  So, in a way, I just had to be there on this big soundstage and just feel this big space around me.  I could barely see that there were people out there.  It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this.  He doesn’t have to freak out and get accusatory.


What has it been like working with Maurice Benard as your on-screen son?  Do you watch back your scenes together and ever go, “Oh, that was great!?”

MAX:  Yes, there have been a lot of those!  There are some scenes that are so emotionally focused, and we get a lot of delight in each other.  He has been playing this character in this situation for so long, so it’s just kind of in him.  Maurice has presence.  I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots.  I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway.  When this part came up, a soap hadn’t really been on my radar.  I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB.  One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character.  I thought, “Wow, that’s really interesting.  This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.”  I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.

Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.

MAX:  It’s mutual.  We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment.  Although, I would love for Mike to have a moment of self-observation where he goes, “Gee.  I cry a lot more than I used to.”  I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.


There was a part of my mom that knew something was wrong.  She’d go, “Why am I crying?  I don’t know why I’m crying.”  She got confused as to why she was feeling that.  She couldn’t connect it all, and at times she kept saying, “I don’t understand.  I don’t understand.”  Those were the things she would try to express.

MAX:  I have a feeling that Mike has those moments too, but he finds a way for it to be okay.  There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.

Photo Credit: JPI Studios

Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera.  While now being at GH, have you found any commonality within the experience?

MAX:  If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years.  One of the things that really resonates is that when we started shooting the studio audience laughed too easily.  We would end up retaking the scenes.  Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script.  Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own.  Frank has a really wonderful eye.  He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment.  I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.


Vernee Watson has been amazing as Stella, who is also Mike’s social worker.  Does Mike have romantic feelings toward Stella?

MAX:  Vernee is wonderful.  I didn’t know Vernee had been on the show when I came on board.  She won an Emmy, and I’m not surprised.   She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection.  For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white.  I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American.  So, in my world that is not a big deal.   I think there’s an affinity there between Mike and Stella.  You know, he’s alive.  He’s old, but he’s not dead.  There’s an ease with women he likes.  I think there are a whole lot of reasons for them to not get involved.  One is just professional, and she’s a social worker.  We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.


What do you think about how Mike knows about who was buried at Charlie’s Pub?  He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar!  This storyline ties in to Sonny’s mobster dealings as well.

MAX:  Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny.  Of course, it reveals certain things about Mike that he’s never revealed to anybody before.  So, that’s kind of cool.  I think when he knows what and how much sometimes is not clear.  That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story.  They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions.  So, we knew elements going into it and that sometimes I  didn’t know what the writers are really intending.  In terms of Mike, he’s kind of back and forth in certain moments.  I have to resist the idea that they trap me by just being careless.  I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.


You appeared on the morning show Good Day LA  a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement.  What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?

MAX:  It was great to do.  Maria had sent out a tweet that is was wonderful what was going on, on General Hospital.  On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men.  So, then Laura and I sat down and did an interview alongside Maria.  We actually had a nice conversation before.  They did a web interview also as a follow-up.  That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing.  Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject.  I’d love to see an ongoing conversation online amongst people who can share their stories with each other.  That’s a lot of what they’re doing.  They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver.  Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist.  I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time.  There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.


You were my favorite character on Barney Miller as Detective Wojciehowicz!  I think for many who watched the show you were, too!

MAX:  I think “Wojo” ended up being the heart of the show.

Max, you’re helping people through your beautiful performances including me.  Congratulations on that.   I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.

Photo: IMDB

MAX:  Well, I really appreciate your questions.  I’m just planting that seed.  That is really what I would like to do after talking to you and so many people.  That’s something I’d like to put out there.   We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again.  I’m looking to help people out there in the world who are watching and are looking to share in the conversation.

So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny?  What have you thought of Max Gail’s performance throughout his GH run?  Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s?  Share your thoughts via the comment below.

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Video du Jour

This weekend we mourn the loss of General Hospital’s beloved Susan Brown who played Gail Baldwin. Here is her final scene from 2004 when Gail and her husband Lee (the late Peter Hansen) showed up at Lila’s funeral and had an exchange with Alan and Monica. Share your thoughts on Susan’s passing via the link below. Leave A Comment

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