Interviews
Y&R 45 INTERVIEW: Janice Lynde and Jaime Lyn Bauer Reflect On Portraying The Brooks Sisters, Their Storylines, On-Screen Loves, & The Ups and Downs Of Being Soap-Famous!

Photo Credit: JPI Studios
When The Young and the Restless make its unforgettable debut on CBS back on March 26, 1973, daytime audiences would soon be deeply entrenched in the perils, the loves, and the betrayals of two sisters from the wealthy Brooks clan – Leslie and Lorie Brooks. Played to perfection by Janice Lynde (Leslie) and Jaime Lyn Bauer (Lorie), “sibling rivalry” was given a whole new name.
Leslie was the talented concert pianist, who found it difficult to open up, while her sister Lorie was more out-going and ruthless, determined to never play second fiddle. These two were seemingly always in love with the same men, and Lorie even drove her sister to a mental breakdown, making Y&R must-see drama.
As part of Y&R’s 45 year anniversary celebration, Lynde and Bauer were asked back to the series to reprise their signature soap roles. Janice had left the soap in 1977, while Jaime had stayed with the show through 1982, with a few reprisals along the way in 1984 and 2002. In this candid, touching, and often humorous chat, the two powerhouse actress talk about what it was like being front and center on a new soap opera that took off like a rocket, shared some fond memories and backstage tidbits, reflected of their triumphs and struggles, gave us the real deal on their former leading men, including John McCook (Ex-Lance, Y&R, now Eric, B&B), plus how the late Jeanne Cooper (Katherine) impacted their lives and more.
What a treat it was to walk down memory lane with these two, who were a main part of the reason, we all fell in love with Y&R in the first place. #YR45 begins for us here with this chat with Janice and Jaime.
At the beginning of Y&R, you got cast as Leslie and Lorie Brooks. How did you land the parts in the first place? What happened that led you to Genoa City?

Photo: CBS
JANICE: I was cast in New York. John Conboy (original executive producer, Y&R) flew me out on a Saturday, and Sunday morning at 2am, we made a deal. Bob Fosse kept saying, “No, no. You can’t do this. Ask for more money!” They had already started taping with someone else in the role, but I started on a Monday and taped five shows. So it was all a whirlwind.
Were you like, “What did I get myself into?” (Laughs)
JANICE: It’s terrible to admit it, but I had never had seen a soap. I came up through classical music the opera, and theatre. I had never watched television that much. It was my first experience even seeing one, and it was thrilling.
JAIME: For me, it was kind of wild. I was coming out of a casting director’s office and it’s my third week in the business! I am walking down the hall and this other casting director says, “Would you come in here and read this? It’s not really anything.” It was for The Young and the Restless, but he would not admit it was for the show. So I read for him and I leave, and don’t think anything of it. Now, I had already been cast to play this android sidekick for Gene Rodenberry’s show. At that point, Universal had offered me one of the last player contracts, and then Y&R came about and I interviewed with John Conboy. I had been a model, previously, He wanted me to do a screen test, and then I had a choice between three years on a soap, or seven years at Universal. So I said to myself, “I will do the three years, because nobody watches the soaps so they would pay me to act and I would learn.” The first six months of the show I was a wreck. It was live to tape; you could not make it a mistake.

Courtesy/CBS
JANICE: I was so awaiting her casting, because John kept teasing me with “You are going to have a sister, and then Leslie will have a breakdown…”
JAIME: Instead, I was the one having the breakdown … (Laughs)
JANICE: When Jaime came on the show, she was so gifted and lovely, but she hadn’t done a lot. I use to take her home! She would follow me up Laurel Canyon and I would make pasta, and I would say, “I’m going to make pasta, and we are going to rehearse.” That is how we worked out our scenes the first couple of months.
Everyone hated Lorie. However, she was one of the first soap opera characters to go from ‘throw-something-at-the-TV-hated’ to a beloved heroine! And along the way, poor Leslie suffered that mental breakdown, thanks to Lorie!
JANICE: They did the story of her breakdown so well. I’m very proud of it, because I went into a locked ward in LA and I did research, and I made notes. The cast of women were extraordinary.

Photo: CBS
Both your characters seemed to have a penchant for falling in love with the same man. Let’s start with Brad Eliot, played by Tom Hallick. How was Tom to work with?
JANICE: He was heaven to work with, easy to work with, and really solid.
JAIME: He always had his lines down.
Lorie wanted Brad all to herself!
JANICE: Lorie told Leslie that Brad wanted her, which destroyed me! (Laughs)
JAIME: Well, of course, everyone wanted me! (Laughs) Don’t be ridiculous. (Laughs) Leslie was so insecure that she couldn’t believe the guy wanted her. She was a child prodigy, but socially inept! She did not know how beautiful and talented she was, and that she was the true rose. But you got to give it to Lorie, because she was the second child, and the second child always has the rough times.

Photo: CBS
After Tom Hallick, the two of you worked in romantic storylines with the Prentiss brothers, Lance (John McCook) and Lucas (Tom Ligon). How were those two to work with?
JANICE: I worked with John first, and fell in love with John.
JAIME: He was hard not to love!
JANICE: At one point, I was in discussions about doing TV specials, and what the format would be like, and then John came on the show. I did several scenes with him where Lance was running around the world following Leslie at every concert. John is a great musician and so funny, so we were thinking about doing these specials together.

Courtesy/CBS
JAIME: I loved both Tom and John and they were so different as people. I remember a funny scene with Tom. I am pregnant, and they are taping pencils on the floor because my belly is so big, and I can’t see my mark. Tom is supposed to pull me in his arms and kiss me passionately. I said to him, “You need to feel my stomach,” and he pulls me to him with this big embrace, and bounces off me, and screams! (Laughs) We had to do the scene over again, obviously. (Laughs)
When you think back to your time on Y&R, what were some of your favorite scenes?
JAIME: One of the dramatic ones for me was a scene that I did with the actor who played our father, Robert Colbert (Stuart Brooks). He had started putting Lorie down, and Lorie started responding back. It got really ugly between us. I sat down afterwards and people came up to me and went, “Oh, my Gosh. That was brilliant.” I was sitting on a bench, and I was shaking uncontrollably, and I am like, “Where did that come from? “ One of the funnier scenes, because we were doing live tape, was with John McCook (Ex-Lance, B&B, now Eric B&B). We were jumping on this bed together, but we had no idea that it was actually two beds, and they separated, and the two of us went down right in the middle of it, and we just had to go with it. The two of us just started laughing and joking.

Photo: CBS
JANICE: I would say … I did love the story of Leslie being in the mental institution. I thought it would bring awareness, help some people, and not be such a stigma anymore. There were so many interesting things within that.
JAIME: Even though it’s nice doing comedic stuff, and John McCook was very funny, truly for actresses that are more serious, the best parts are playing the complex characters. You have to do the research, you have to think, and you have to study people all of the time. John McCook took me into the control room one day and he ran a tape of something I just had done, and he said, “See that! That was really sexy!” I said, “What?” He said, “What were you thinking when you did that?” Of course, I didn’t know.
Wait … but, Lorie was the sexy one!
JAIME: But you know what I used to do? I used to go to Hugh Hefner’s on Friday night’s because he had free meals there. I was watching people on the stairs, and that is how I learned how to play Lorie. I also knew watched this woman I knew just turn it on a dime with this sexual energy toward either a young man, or a very old man. So between her, and Hefner’s, that is how I developed Lorie.
Can you recall some of the fans reactions you received, or were on the other end of, if people would see you at personal appearances, or, out and about, or, via fan mail? Back then, there was no such thing as social media for everyone to let out their opinions and feelings.

Photo: CBS
JAIME: I remember driving down Sunset Blvd one night and we were in a convertible, and another convertible is next to us, and they start shouting at me, “Oh, my God! It’s Lorie! It’s Lorie. We hate you!” Then they go, “No, no, no. We love hating you!” There was another time where I was shooting a movie of the week with Leslie Nielsen, and he saved me. I was sitting in the lobby in a building in Century City waiting to be called to set. This woman comes up to me in the lobby and she literally puts her hand around my throat. She must have just watched me on TV in her room upstairs. Leslie helped me get her off of me. People hated me, but it was a compliment. What was so amazing for me as a human being is that I never knew what sexy was?
JANICE: I don’t buy that for one second! (Laughs) For me, I had amazing reactions. I was at a dinner one night and Dean Martin came up to me and said, “You are my favorite actress and singer.” He then asked me to open for him in his nightclub act, and we became very close friends. Then, in either second or third year of Y&R, because we were all seen internationally there was this incident. I was in the Sistine Chapel and trying to get away from it all, and needed a vacation. All of a sudden I this place where you take a vow of silence before you enter it, someone yells, “Leslie!” Then everyone was crowding around me, and then the Vatican guard grabbed me and helped me out of the chapel. But then I was told the Pope wanted to meet me, and we did! The scariest one was at the Farmer’s Market near CBS and these three women came up to me and said, “What are you doing out? What can we do for you? You need care!” I swear, if they knew where to take me they would have taken me to some mental institution!”
In the mid 70’s, the most compelling story on the soaps was centered around Leslie and Lorie, and the other two Brooks sisters, Chris (Trish Stewart) and Peggy (Pam Peters). But Jaime, what I want to know is … what did you think of K.T. Stevens (Vanessa) when Vanessa was always wearing that veil over half of her face? (Laughs) I always wanted to just yank it off of her! I know Vanessa’s face was supposedly disfigured from a fire, but I didn’t understand why she was always wearing it! (Laughs)

Photo: CBS
JAIME: Vanessa was really evil, but K.T. Stevens on her own was so sweet, loving, and supporting. Vanessa killed herself and blamed it on Lorie! Sometimes, I wanted to rip her veil off so bad, too! (Laughs)
Y&R always had the most beautiful cast, along with the exceptional writing, the singing, and the production values that set the bar high after it debuted in 1973.
JAIME: We were one of the first soaps to also do important topics for the times. We did storylines on: breast cancer, rape, and mental illness.
Janice, at one point did you decide to leave Y&R?
JANICE: There was never time to have a vacation, and I was working so hard without a break. If not for that, I would have stayed a long, long time. Bill Bell (Y&R co-creator, and head writer) and John Conboy were great to work with, and were great about letting us out to do other projects, but the show was garnering a lot of ratings so the hours just became insane for me.
JAIME: And remember in those days, daytime shows paid for primetime. So we were so important to the network that we were not given a break. I walked illegally, because I thought I just have to escape. I got on a plane to Hawaii and I stayed at a girlfriend’s house there for two weeks. I came back to Y&R and had a meeting. I said in my negotiations that I do want all the women to have their own dressing rooms, and this is before AFTRA had any strength at all as a union.
Jaime, what happened when you decided to exit Y&R?

Photo: CBS
JAIME: I couldn’t take it anymore. I am nine years in, and the only reason anyone replaced me was when I was on maternity leave and having babies. When I came back I was working five or six days a week, and had kids at home. At one point, I could not even think of my own name, and I got scared. I went to them and said, “I need you to put a ceiling on the number of episodes I work a week, unless it’s a big storyline.” We were just so successful at the time that they couldn’t do it, and so I left. Then, Bill Bell, God bless him, because I had said to him and John (in tears), “please don’t make me feel guilty’:, did something so unbelievably touching. What Bill didn’t tell me was that he fired everyone to do with the Brooks’, and in our entire storyline, because I was his favorite character. I think that was because I was named after his daughter, Lauralee, and he couldn’t envision the show without the character, so he had to change it and make it a whole new show. I will thank him forever for that, because if I had known I would have stayed. I loved Bill and John, and I would have done anything that I could for them.
There was another tremendous actress when you started at Y&R, the incomparable and iconic, Jeanne Cooper (Katherine). What was your relationship like with Jeanne?
JAIME: Jeanne was a second mom to me. The first play I did was Plaza Suite, and we were in the same play together, and it was a touring company. I went to the director before we opened on opening night and I said, “I think you made a mistake. I don’t think I can do this. I don’t think I’m funny.” He goes, “Nope. I haven’t made a mistake. You will be just fine.” Well, I cried for two hours the day of opening night, because I was terrified. But it was Jeanne Cooper who stood there, and had her arms around me saying, “You’re going to be fine. You will see.” My cue came and she is standing there, and she literally shoved me onto the stage. Jeanne was an amazing, sweet, incredible woman and at a time I was dating her son, so I was over at ber house a lot of the time, so we were tight.

Courtesy/CBS
JANICE: Jeanne was the cast mom. It was such a joy, because we were all very collaborative. There were times I was given a script late on one day and had to do a big song and dance the next; like this one in Lance’s apartment, where he dares Leslie to come out of her shell so she can perform at this party. (Laughs) I said to Jeanne, “How am I going to do this? There is not even the staircase, or full set to work with up yet.” She said, “I have an event, but I will meet you at midnight.” We got Bob Fosse on speaker phone, because the number was “If You Could See Me Now” from Sweet Charity, and between Jeanne and Bob, and me, running up the stairs and landing on top of the piano, we got it figured out. But Jeanne would do things like that. She would do anything for the work. She was a great friend, and a brilliant talent, and had some demons, but she conquered them.
How did it come about that you are returning to Y&R on-air this week as part of their 45th anniversary episodes?

Photo: CBS
JAIME: I was laying on the beach in Cancun, and I get a call. I go, “What? Who? The Young and the Restless? You want me to return for their anniversary? Sure … just let me know. “
JANICE: I got a call while I was in a ballet class in New York. I was at the ballet bar, and I get a call from my agent. So, I thought I should go out in the hall and take this. I ran out and I said, “Really?” My agent said, “How do you feel about that?” I said, “Absolutely, would love to do it. It’s a reunion!” But honestly, I didn’t believe it was going to happen, because I had gotten a lot of calls over the past years and decades and we could not work it out, for one reason or the other. This time we did, and I was so excited to be back.
Did you think Y&R would have lasted this long, from when it began?
JAIME: I am not surprised at that at all. It has been number-one overall for a reason. The writing has been quite good. They still have that great look and that great lightning.
What would you want to say to Y&R as it celebrates its 45th anniversary?

Courtesy/CBS
JANICE: “You are the tops! And 45 more …”
JAIME: “45 more that would be brilliant … than we can actually show up at 90!” (Laughs)
So, what were your favorite memories and storylines of The Brooks sisters? Are you glad Y&R asked Janice and Jaime back for the anniversary episodes? What did you think about Janice and Jaime recalling the beginning years of Y&R? Share your thoughts via the comment section below!
That was 1973 — the Brook Sisters..
I wasn’t yet born.
But– I’m looking forward to seeing them it will be interesting and even fun to go that far back..
Same here, SuzieQ…But, I am very familiar with all these characters….my Gran is a great storyteller—I feel as if I had been there 45 years ago watching with her…..looking forward “seeing” them again. LOL.
Aside: through all this, I must give praise to Marla, again….WOW!!!!…. gets better and better.
Dina’s disdain with Ashley is soooo pungent but a revelation at the same time. She resents her daughter because she’s a constant reminder, subconsciously, of what she did to John…..
It would be the greatest twist and sweet irony if Jack were the Pro’s son. HaHa….
PS…or, Jack is the issue of another affair. OOOOUUU-LALA!!!! Are any of Dina’s children John’s, su??
I am the one and only (both sides of family) that ever watched a soap..
ahaa I’m virgin soap family ..
Looks like Traci is going to be the only genuine article Abbott to spring from John’s loins and Dina’s womb, CeeCeeGirl! How ironic is that? From the beginning, this girl was always the awkward, odd child out, constantly paling in comparison to her handsome older brother Jack and glamorous big sis Ashley, and now both are apparently not even real Abbotts…what an identity crisis, eh???
What a wonderful interview, Michael. So happy to see original veterans, such as Janice Lynde and Jaime Lyn Bauer back in Genoa City. What a beautiful way to celebrate The Young and the Restless‘ 45th anniversary! I’m hoping this might lead to more appearances, though, I don’t know if these two are the ones who might be making further appearances past the anniversary. Hearing them speak about their time on the soap, and even Bauer’s words about her asking to leave, were powerful. They helped change the face of daytime during a time when daytime was most powerful.
OMG: I feel for Jaime Lyn Bauer… she had two predicaments… CLOSE TO HER HEART. maintain her STAR reign… or go home to her children.
this is why I feel for women… who make the sacrifice.
for the heck of it…. I wonder how long she coulda woulda shoulda stayed … past her original 9 years. she committed to 6 more years past her 3 year contract.
“… We were just so successful at the time that they couldn’t do it, and so I left. ”
that’s a lot of tears … heart mind and soul ripped torn and tattered. The love of a mother…. hats off and salute.
I LOVE THIS WOMAN… only know … her work @DAYS of OUR LIVES. ALL the proof you need… she came back… conquered.. persevered.. and is loved that much more.
TAKEN from Wiki : “The one time Miss Phoenix beauty contest winner is best known for her two long-running soap roles: Lorie Brooks on The Young and the Restless, which she played from 1973 to 1982 with reprises in 1984 and 2002, and Dr. Laura Spencer Horton on Days of Our Lives.[1] The character of Laura, previously played by Susan Flannery and Rosemary Forsyth (among others), had not been seen in 13 years. She played Laura from 1993 to 1999 with reprises in 2003, 2010 and 2013.”
@DAYS NEEDS to bring Laura back… seeing as how her granddaughter ABS is using grandma Laura as one of 3 identities. HELP my Abs. Jaime Lyn as Laura always brought a warm familial vibe to all her foundlings…. when she had to… rear itself… she rose and culled from whatever it took…. and knowing her “fragile” state even then… made us , the audience cheer her on that much more… we cared about Laura.
it’s nice to salute you Ms. Bauer.
Jaime Lyn was one of daytime’s most quintessential soap goddesses! So sleek, slim, statuesque and drop-dead gorgeous in all of her designer finery! Her character was of a time and place when women each had their own highly-distinct looks, not the cookie-cutter botoxed features that we see today….how I miss those golden days when the soaps were an endless parade of exquisitely original beauties decked out in the latest and greatest fashions! What a feast for the eyes they were! Welcome back, Lorie Brooks!
I have yet to read the interview but I am so excited to have them back and wish they were back permanently for I loved Y&R from the beginning till 2006…I started watching again when Sally and Kay returned as headwriter and story consultant…I started to stop watching once Sally and Kay left but decided to stick with it through the 45th anniversary and I haven’t been impressed Mals writing until this past week and not I am interested in where it goes from here…
I failed to mention that I have the conversation on a cassette tape of when Leslie was asking Lorie to help her unlock the key to her past for Leslie didn’t know what happened to her for losing her memory….such a wonderful and very well acted storyline and oh how I miss those days…
I just finished reading the interview, LOVED IT and again how I miss these two beautiful ladies on this show…I loved all the storylines with Lorie and Leslie, they were all great…but the two that really come to mind is of course the sister rivalry and the Lorie and Vanessa storyline with Vanessa staging her own death and setting the stage to make it look like Lorie pushing Vanessa over the balcony, CRAZY WONDERFUL storyline…I remember Vanessa yelling, STOP LORIE, STOP and Vanessa KEPT on saying this LOUDLY and Lorie was wondering what on earth was going on with Vanessa and trying to calm her down and then Vanessa jumps off the balcony and Lorie is so distraught, it was SHOCKING and LOVED the DRAMA and then the trial and then Lucas blaming Lorie at Vanessa’s funeral…Lucas looking and screaming at Lorie, saying to Lorie, look Lorie, LOOK WHAT YOU DID TO MY MOTHER…with the dramatic and beautiful background music going, SO GUT WRENCHING and so miss these days of GREAT SOAP WRITING where you didn’t want to miss a DAY…
I was 11 when the show started and I would watch it at my sisters house when I was out of school, which was a lot!! I will always remember the Brooks family and Jill’s family. They are Y&R to me.
The show was such a gem in the 70’s and so forward-thinking. I note the ladies mention the lighting – it was so flattering compared to other shows of the time. And the cast was already an attractive group! And Leslie-Lorie-Lance-Lucas – the Alliterative Quadrangle! Easy to poke fun at – but a riveting story, thanks to the actors. Looking forward to seeing this week’s reunion!
Didn’t watch then. I have seen Jamie on Days so I’m familiar with her, but not on Y&R.
Looking forward to seeing them and what brings them to town.
I was 9 when Y&R started and I remember it vividly still. I was so bummed when the Brooks family was gone that I stopped watching. I started again for a bit when Lily and Daniel were together and Cassie died. Still a great show though not one I regularly watch. What a blast from the past though. Great interview1
GREATNESS @Y/R….LESLIE,LORIE,CHRIS&AMY BROOKS…ALSO MR.&MRS.BROOKS;along with the FOSTER’S and PRENTICE BROTHERS LANCE&LUCAS…mother Vanessa.Brad,Sally and Robert.And the DUCHESS MRS.C…JEANNE COOPER.#@Y&RHAPPY45.
I was about 15 when they went on the air and was so impressed by the production values. It was the first Hollywood daytime drama I watched. I loved the Brooks family and now I know why they were written out. Thanks for the interview, Michael. I was thrilled when Janice Lynde showed up on my favorite soap One Life To Live. One other thing that I enjoyed on early Y&R was the use of music and songs. If I recall, Leslie’s song was “If A Picture Paints A Thousand Words”, loved when they used the song “Bless The Beasts And The Children” I think it was played for the character of Chris. So many good memories of the first 20 years of this show.
Hey Max, you are right on with the music and the song that Leslie sing, a Bread song, IF…and I loved when the played Bless the Beast and the Children…and like you said such good/great memories of the first 20 years of Y&R…
It’s so great to have the Brooks sisters back again! I remember their rivalry over men and when Dennis Cole played Lance. Vanessa hated Laurie and I remember when she jumped off the balcony to her death and made it look like Laurie pushed her. A definite jaw dropping moment for that show. I also loved the episodes featuring Leslie’s concerts. Incredible moments. It would be nice to have Y and R revisit some of the history with these old characters again including the Fosters. Its great to have them back and I hope to see more of them in the near future! Happy 45th Y and R!
THANK YOU FOR THE INTERVIEW! It was great to read what a couple of the original cast members thought of the show, their characters, and the trend they set for daytime programming.
My favorite Brookes family storyline was Jennifer Brookes’ breat cancer– the reaction of Stuart, how each daughter struggled with it, and the beautiful and agonizing depiction given by the actress who played their mother… as Kevin and Max noted in earlier posts, THE MUSIC brought the great acting and the great dialogue together.
Also, loved the courtroom scenes regarding Lorie being accused of Vanessa’s death– great drama, especially when she was found innocent– her lawyer was great and she played the role to perfection… again, the MUSIC made it all pop!
Hope the new writing regime respects the efforts of those original cast members and pays homage to them throughout the year! Would love to see others return for a brief stay.
They should bring Lorie back permanently and give us a new generation of Brooks characters. Surely Lorie has kids?
I didn’t think much of Janice’s acting yesterday. A little blah. Maybe she has been out of practice.
I didn’t know all the history with the Brooks and Jill so it was nice to get to find out. I thought, Jill sure likes wealthy older men and then Billy said it! Yes!
I was watching back then, loved the Brooks family and the Fosters. Jill, her mom and brothers. Been watching it throuout the years And it is still my favorite.
I miss the Brooks family.
I am not familiar with the past storyline; and although I found the scene to be funny, I also found it to be awkward. I’m not a “Jill” fan, so I wasn’t too keen on this, but it was funny and “catish.”
I thought it was a bit awkward too. The two sisters sitting at the bar and then Jill. It looked weird.
I was hoping they would share more of the 45 year old history through flashbacks this week!! I was also hoping to see the Brooks sisters for more then 2 whole minutes!!! The other storylines can wait till next week!
I don’t remember this Leslie. I remember the one with the dark hair and the porcelain complexion. That said, this was a great interview.
Jess Walton still drives me up the wall. I’ve always thought she was a terrible Jill – she’s always so miserable. Being a villain should be fun! At least the other Jill thought it was.
That was Victoria Mallory, Marie. She took over the role when Janice Lynde left and played it for four or five years. I liked her a lot; probably one of Y&R’s best recasts.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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