Interviews
Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John
Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.
However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.
Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!
Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI
Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful. What did you think about the process that you went through to make these right for Kristoff and the character of Neil?
TONY: Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me. But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level. Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS
Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.
TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff. All the eulogies that people were doing were a page and a half to two pages. They were really long, but you could feel the emotional tension, and you could feel how people just felt. Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved. Sometimes you love people, and sometimes you say somebody is beloved. Whenever you saw him, he put a smile on your face. He made you feel like he really cared about you. Those shows came together really out of this feeling of love. We did two whole shows that day. We did that whole show and the show that came after it. I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other. I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together. Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI
At what point did you decide, “We are going with this to submit for the Emmy!”
TONY: I actually knew that day. I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.” The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness. When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way. I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI
Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother. How was it having him on set with you to share this experience?
TONY: Shemar was amazing. He was there until the bitter end of our tape day. He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody. I would say this was the the most amazing experience I have ever had.
What do you think Kristoff would say? I think he would be very proud that you gave Neil a real proper sendoff.
TONY: Absolutely. I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it. He was a part of that community. He was a part of Genoa City. Those were his friends and his family. Would Kristoff feel he deserves that? I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him. I think that would have meant the world to him. I really do.

Photo: CBS
I loved your acceptance speech. I thought it was one of the better ones of Emmy night.
TONY: Thanks so much. Matt Kane (publicist, Y&R) has been amazing. He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds. I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people. I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people? So, I really appreciate you saying that.

Photo: CBS
What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?
TONY: Well, personally, I am enormous fans of both people. I like when nice, good people have nice things happen to them, and you know them. First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family. I love Bryton personally, and he laid his heart out there. As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor. I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work. I’m impressed by him. I’m just as impressed by who Jason is. I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage
During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured. What can you say about your time working with her at Y&R and over your career?
TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio. She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.” (Laughs) We miss her terribly. She was really a loved person, and she was just fantastic at what she did. I just miss her as a friend.

Photo: JPI
And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently.
TONY: Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.
I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series. What can you say about Eva?
TONY: She is such a lovely person and she did a great job for us. I’m just glad for her because I know she had ever won before.

Photo: JPI
One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully. I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?
TONY: Eric feels as deeply as anybody who I have ever known. Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor. Eric has a depth and is a fantastic actor, and he knows how to use his talent. He actually called me last night and left a message. He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes. It was really very funny. He’s not used to seeing me on TV, and so he just laughed. It was hilarious.
What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.
Congratulations to Y&R on your win ❤️❤️❤️
Well deserved, well deserved, well deserved. #YR was the odds on favorite to win it again this year, Kudos to the entire cast, producers, directors, writers (Y&R was robbed of the Writing Emmy), camera people, make up, wardrobe, lighting and so on.
I can remember watching those episodes and bawling my eyes out, in the same way that the episodes for Jeanne Cooper (Katherine Chancellor) did.
Personally I think it’s pretty embarrassing that they submitted two episodes centered around their black characters to win an Emmy, but those characters were either let go or put on the back burner for the rest of the year. If they’re good enough for Emmys, they should be good enough to regularly lead story like the white characters.
I thought the reel Y&R submitted from Kristof‘s funeral, he portrayed Neil winters. He wasn’t terminated from the show, he passed away. They had to write the character in the same way to honor him and his legacy on the show, and how well loved and respected he is. So what black character are you talking about?
My problem was that Y&R wasn’t good hardly at all during 2019. The writing was mostly awful. It won because it submitted the right episodes but that doesn’t make it deserving. GH was the most consistent show in 2019 and deserved to win but it submitted one great episode and one poor choice (the Christmas Carol nonsense). Days was the 2nd best and submitted well. B&B had the one storyline about baby Beth but was otherwise repetitious and dull in 2019. I disagree that it was well-deserved; GH deserved to win for it’s entire year and simply made a mistake with their second episode submission.
Freeman, the problem with you is you’re looking at the whole year’s work instead of the reels submitted.
Interviews
Joe Hendry Talks WWE Microdrama Collab ‘Agent of Shadows,’ New Music, and What’s Next! (Exclusive)

The motto, “I believe in Joe Hendry” is catching on even outside the WWE Universe! The Scottish-born pro wrestler is having a banner October (well not so much on this week’s Monday Night Raw), but with the release of his new album Beyond Belief and appearing in WWE’s first-ever microdrama Agent of Shadows in its partnership with vertical leader ReelShort.
On Friday, October 23, ReelShort launched Agent of Shadows on its mobile-first storytelling platform that is available in more than 100 countries, reaching more than 70 million monthly active users.
Hendry joins fellow WWE stars Drew McIntrye, Jacob Fatu, plus Booker T, Michael Hayes and Nikkita Lyon and more in the cast as they mix it up with microdrama leading men, Chase Mattson and Marc Herrman, in the action-packed series.

Photo: ReelShort
A NEW FRONTIER FOR WWE SUPERSTARS
As the story begins, the world’s greatest secret agent must protect and care for his 6-year-old daughter while posing as her nanny. Now, without revealing his true identity, he must win his daughter’s (and her mother’s) trust, while secretly thwarting corrupt suitors, mafioso strongmen and even a megalomaniacal billionaire who’s using his family to get to him. What could go wrong?
Michael Fairman TV chatted with Hendry on his ascension and rise in the ranks of the WWE, bringing his brand of satire, music and singing to sports entertainment, plus his thoughts on branching out into the acting world of motion pictures, microdramas and more. The full conversation can be seen with Joe on You Tube’s Michael Fairman Channel.

Photo: ReelShort
JOE HENDRY ON PLAYING … JOE HENDRY
Unlike the other WWE superstars in Agent of Shadows, Hendry is taking on the role of … himself! Seems like it may not be then been too much of a stretch to play or is it? Joe explained, “I don’t know how much of this I’m allowed to reveal, so I’m sure there’ll be a lot of fun in discovering what that is. But what I will reveal is what I think is the best thing about my involvement … everyone else plays a character and I play Joe Hendry. So, I’m very pleased about that.”
Speaking on his background, Joe explained, “For those of you who don’t know, I’ve been a wrestler for 14 years, but I kind of had a mainstream crossover in 2024 when my music video became a meme. It did really well in the charts. I’ve now been able to carry that forward and I’m in one of those positions where I can just appear as myself.”
“This is the first film-type project I’ve been a part of,” elaborated Hendry. “I think that’s why WWE stars crossover so well into movies, because we’re so used to having to do everything in one take, whereas in Hollywood you may get as many takes as you need. In microdramas, you can look at these chapters as well. So, let’s say you manage to get through the first give chapters on your way to work or whatever, you can always come back to that. I think’s its a smart combination for storytelling.”

Photo: WWE
NEW LP TRACK LIST INCLUDES ‘FIRE LOGAN PAUL’
Back on October 5, Hendry released his LP Beyond Belief filled with hilarious and clever send-ups. The track list includes: Tables, Ladders and Chairs, Fire Logan Paul (the social media phenom and pro wrestler), Give Joe Hendry Every Single Belt and more. Hendry added one more favorite, that is his latest single and music video!
“The other main one is If You Don’t Love Joe Hendry, and the lyrics are, ‘If you don’t love Joe Hendry, then, you’re a useless piece of … ‘ So, I think we should fire Logan Paul, and I think we should give Joe Hendry every single belt. I just think these are sensible messages we have to get out to the world.”
The album was completed in what some would consider lighting speed! “We had a lot of fun recording these, but it was done so fast. It was actually a lot of pressure to get it done. I wrote the album except Fire Logan Paul in a span of four days. It was pretty intense. We recorded all the vocals in five hours, which is insane,” recalled Joe. “But it’s kind of what I was talking about before. In WWE, everything is done live. We do not have retakes. So, I think being a WWE superstar has prepared me well for producing other forms of media quickly.”

Photo: WWE
TEENAGE DREAMS BECOME A REALITY WRESTLING RANDY ORTON
Back in the squared circle, Hendry has been in a feud with the Judgment Day, and in particular of late with JD McDonaugh on Raw. But taking a look at his rise from NXT to TNA to WWE, Joe reflected on his heart-stopping moment at WrestleMania 41 against one of his legends, Randy Orton.
“I remember being 15 and kind of imagining being a pro wrestler. I also remember specifically thinking, ‘What if I had a feud with Randy Orton?’ And then, I became a wrestler when I was just about to turn 25 and all these years later, it happened!
“It such an unlikely story,” said Joe of getting the call he would be facing the 14-time WWE champion. He added, “I’m so grateful that I’ve had that moment early on in my WWE career and it kind of takes the pressure off, because it doesn’t get any bigger than that. So now, I can focus on my goal which is just to get better all the time; improve as a wrestler all the time. I can see the progression in myself. I’m gaining skills and confidence all the time.”

Photo: WWE
SHOULD JOE STAY GOOD OR TURN BAD?
The proverbial question had to be asked, “Does Joe prefer being a babyface or would he like to see a heel turn? Hendry replied, “Interesting question. Never say never. You just never know. Anything can happen in the WWE. It’s funny, originally, my character was designed by me to be hated, and people just happened to like it! You can’t force it. The audience is going to tell you. They are a huge part in dictating our paths as wrestlers.”
Check out Joe in Agent of Shadows by visiting ReelShort.com to download the ReelShort app on Apple and Android devices. You can also check out @ReelShort on YouTube.
You can also watch our full conversation with Joe Hendry now on the Michael Fairman Channel below.
Now let us know, will you check out WWE’s first microdrama, Agent of Shadows? Do you get a kick out of Joe Hendry’s songs and how it relates to his feuds in the WWE and his rise in the ranks of pro wrestling? Hoping Joe stays a babyface or would you like to see him turn heel? Weigh-in via the comment section.
Beyond the Gates
‘Beyond the Gates’ Mike Manning Talks Smitty’s Emotional Visit with His Mother (Exclusive)

This week on all-new episodes of Beyond the Gates, as Smitty (Mike Manning) continues to be framed and in hot water for the murder of Dr. Lia Whitmore, he gets some familial back-up when his never-before-seen mother, Jenny Smith arrives in Fairmont Crest to see her son.
Jenny is played by Jennifer Van Horn who made her Beyond the Gates debut on the Wednesday, October 21, which was the same day that Outstanding Supporting Actor in a Daytime Drama Series Emmy nominee, Mike Manning participated in a livestream chat on You Tube’s Michael Fairman Channel.
In story, as Smitty was at home, he received a surprise visit from his mother, who resides in Ohio. Jenny came to support her son through this difficult time. Smitty made note of his disappointment that his father didn’t come with her on the trip, sharing that he knows his dad has never been comfortable around wealth or the Duprees. Smitty also acknowledged how his father didn’t approve of becoming a journalist or moving to the DMV. Later, when Smitty’s husband, Martin returned (Brandon Claybon) he walked in on Smitty getting a pep talk from Jenny.

Courtesy/CBS
SMITTY’S MOM ARRIVES
Manning addressed how he had to keep the appearance of Smitty’s mom on the down low. “I do have a mom now. Yes.! I couldn’t talk about it to anybody. Jennifer Van Horn who plays my mom was so lovely and so nice, and she was great. I love Smitty having some backstory and having a parent.”
And there could be even more Smitty drama to come! Mike shared, “They mentioned Smitty’s father too, so they kind of plant the seeds for maybe more to come, which is nice. I think it really shows that there’s just one more level to the community that is surrounding Smitty. One of my favorite scenes from this entire storyline is when Smitty gets hauled into jail and the entire Dupree family shows up and they all start taking shots at Jacob (Jibre Hordges) and everyone at the police station.”
BEING EMBRACED BY THE DUPREES
Manning, in particular, recalled a moment from fellow Daytime Emmy nominee, Tamara Tunie (Anita Dupree). “I loved when Anita goes, and this is not verbatim, but it was something along the lines of, ‘If Smitty’s not home for dinner, you’re gonna be hearing from Anita Dupree.’ Then, Vernon (Clifton Davis) says something, and Kat (Colby Nixon) comes in and she’s giving him so much sass. I remember watching the episode just being so touched that the entire Dupree family is wrapping around Smitty like this shield, this cocoon. So, it makes this storyline of him being framed a little bit easier to swallow.”

Courtesy/CBS
MORE OF SMITTY’S BACKSTORY TO BE REVEALED?
Speaking of the scenes between Smitty and his mom, Manning felt, “It was very touching. He spoke about how he loved his mom for what she sacrificed, It was one of those mother-son things, but it was poignantly done. I would like them to explore that more, and Smitty’s family, because, I think that it’ll also help inform some of the dynamic between Martin and Smitty. We know that Martin comes from a long line of successful people, whether it’s in entertainment or politicians. His grandfather’s a senator. So, we understand that he grew up in the country club, basically. We don’t really understand where Smitty grew up yet.”
The two-time Daytime Emmy winner also explained that he has his own origin story for Bradley “Smitty” Smith: “Obviously, I have an idea in my head with the backstory that I’ve sort of decided for Smitty, whether or not that’s exactly what the writers are going to throw at me, eventually, who knows? But, I certainly have an idea of why Smitty is the way he is, why he’s so driven, why he takes risks, why he’s so hungry to prove himself and be successful in journalism and everything else.”
You can check out a scene between Smitty and his never-before-seen-mom, Jenny below. Followed by our live chat with Mike Manning after the episode aired.
Now let us know, do you hope Beyond the Gates explores more of Smitty’s backstory? Did you enjoy the debut of Jennifer Van Horn as Smitty’s mom? Share your thoughts via the conversation below. And make sure to catch Mike on the 53rd annual Daytime Emmy Awards streaming next Friday, October 30 to see if he takes home his third gold statuette!
Interviews
‘The Bold and the Beautiful’ Cast Dish on Steffy, Finn & Carter, Daphne Baby Drama! (Exclusive)

On Thursday’s October 22 episode of The Bold and the Beautiful, it was now “confirmed” by Finn and Li (Naomi Matsuda), two medical professionals, that Steffy has become pregnant as the surrogate for Carter and Daphne! BUT, what everyone doesn’t know (except co-conspirators Steffy and Carter), is that Steffy was already pregnant with Carter’s child after their drunken night together.
In an elaborate cover-up, Carter has pushed the agenda that they will lie through their teeth to their respective spouses so that their one-night tryst never comes to light which produced a baby. How far can Carter and Steffy carry on this surrogacy implantation charade in an effort to give Daphne the child she can’t have? And what twists and turns are in store now?
This week, B&B series stars: Jacqueline MacInnes Wood (Steffy), Tanner Novlan (Finn), Lawrence Saint-Victor (Carter) and Murielle Hilaire (Daphen) sat down for a conversation on You Tube’s Michael Fairman Channel where they took turns giving their reaction to the storyline, discussing their characters motivations behind the baby drama, and what might lie ahead, and bantering about fan’s theories that have been online and more.

Photo: JPI
REACTIONS TO LEARNING OF THE SURROGACY COVER-UP
Tanner Novlan shared he was happy that the writers did not make Finn a doofus with his shocking reaction of “WHAT!?” when Steffy told her husband that she went ahead and had the procedure to become a surrogate while he was out of town.
“It was great that the writers gave him that opportunity (to have that reaction),” shared Novlan. “We’re still having to work through a lot of that, but there’s a lot of little breadcrumbs that it’s nice that Finn picks one up every once in a while and inspects it and doesn’t just keep carrying on.”
Three-time Daytime Emmy winner, Jacqueline MacInnes Wood explained, “I did not expect the storyline, but we are so thrilled. It’s a wild ride. We’re all shocked. I couldn’t believe that we were diving into this kind of storyline and we’re still in the middle of it … in the thick of it.”
DOUBLE DAYTIME EMMY NOMINEE CLEARS THE AIR
For B&B fans thinking that since Lawrence Saint-Victor is an actor and a writer on the soap, and pulls double duty, that he was responsible for creating his frontburner story, he revealed that he has nothing to do with the writers decision on this one. “Not even a little bit, ” shared Saint-Victor. “At first, when Carter was really pushing Steffy, I had a reaction to it. I was like, ‘Oh no, this isn’t good.’ And then, I kind of had to put myself aside and lean into it. My knee-jerk reaction is what the fans are experiencing. I had to get into it and figure out why he’s doing it. But no, I hasn’t nothing to do with it, for those out there that’s thinking I’m manipulating the writer’s room.”

Photo: JPI
COULD FINN AND DAPHNE ALREADY KNOW THEIR SPOUSES CHEATED ON THEM?
Moving forward, might we all be fooled and Daphne and Finn actually know what happened between their spouses? Tanner Novlan weighed-in, “There is a world here where Daphne and Finn, might actually think something else might have happened and think, maybe that’s best (to leave it alone).”
Some viewers believe down the line, the baby will be revealed as Finn’s biological child, since so far, Steffy never took a paternity test. The actors in the story say they have not been told anything different than what they are playing.
“I think that this story’s so wonderfully uncomfortable, everyone’s looking for the way out,” explains Saint-Victor, “If it’s Finn’s baby, then it kind of wraps up. But right now, we’re ‘all gas, no breaks,’ as Jacqui would say. We’re not letting you guys off the easy way here. So, whether it’s Finn’s child or not, that’s not an out.”

Photo: JPI
STEFFY PUT THROUGH THE WRINGER
For Wood, she has been playing the emotional weight of the story. She opened up about how Steffy has processed all that has come at her. “I believe that Steffy would like to think at the very beginning, if she led with honesty and just told Finn, ‘Hey, I was drunk, I was out of my mind and I was angry and hurt and I slept with Carter,’ we wouldn’t be in this situation. Yes, it would’ve been extremely tough, but again, leading with honesty off the heels of Sheila, it would’ve forced Finn to look inward and go, ‘Hey, well, we wouldn’t have been in this situation if you wouldn’t have kept letting your mom, back into your life.”‘
Jacqui elaborated further, “Ultimately, Steffy wanted to feel safe, protected, and her partner, or a man in her life, to come in and say, ‘I’ve got this. You don’t have to worry about this. I’ll protect you.’ And then, obviously having that release with Carter, fast-forward, hearing that moment when she realized what she did, yes, she wanted to tell the truth, but there was something about Carter saying, ‘We can’t do that. We can’t be thinking about ourselves,’ that also resonated with her.”
“Now Steffy’s thinking, she’s selfish, realizing all these people that will be hurt if the truth came out, and how they’ll be crushed. Is it the smartest decision? In the moment, you’re not thinking did you cross all your I’s and T’s. Then in Hindsight, you’re like, ‘Whoa, actually, that was really silly. That was really dumb of us to do.’ But now you’re in it, so you’re going to have to lean even harder.”‘

Photo: JPI
IS CARTER THE VILLAIN OF THIS STORYLINE?
Some viewers also consider Carter as the villain in this piece, something that Lawerence Saint-Victor has leaned into: “I love it wholeheartedly, because Carter doesn’t see himself as a villain. To Carter, it’s like, if you want to keep your family intact, if you want to make sure that we’re not in tabloids, the COO and the CEO of Forrester Creations had an affair, there’s only one way out.”
He added, “And if that means we have to suffer with the lie to make everyone else have a peaceful life, then that’s our punishment. He doesn’t understand why there’s an option here. He gets that Finn would probably forgive Steffy. I think in the back of his mind he said that’s an option. He knows. whether it’s true or not, for him, he knows it’s not an option with Daphne. She will leave. She left when he was on his best behavior. She will leave now. For Carter, there is no option.”
WALKING OUT ON HER MARRIAGE
Speaking of walking out, how does Daphne see her role in all that went down? Murielle Hilaire added, “So when Daphne decided to leave it was not because she wasn’t in love with Carter, it’s when she found out she could not give her husband a child, she was heartbroken. She actually only walked out for three hours. She didn’t want to be selfish, and she wanted him to go and maybe find someone who was fertile. I think. if maybe Carter would have followed her to the airport and begged her not to go, maybe she would have left the airport with him (and maybe what happened between he and Steffy wouldn’t have).
THE FUTURE OF SINN
Sinn fans be on the alert! Novlan punctuated that this may be the toughest challenge in Finn and Steffy’s marriage yet. “All I know is that his family means everything to Finn. The kids, his wife, so for him to walk away from that, it would have to be a pretty big lie and this would be one of those lies. They’re love is definitely going to be tested here.”
You can check out the full conversation on the Michael Fairman Channel below.
Now let us know, do you think Finn could walk out on a pregnant Steffy if he learned of her duplicity? Do you think Finn and Daphne might know their spouses slept together, but are keeping the peace, after all, Daphne wants a baby? How do you see this playing out in the months ahead? Weigh-in via the comment section.
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