Recaps
Y&R’s Jason Thompson and Melissa Claire Egan Deliver the ‘Power Performances of the Week’
Get your Emmy reels ready, Jason Thompson (Billy) and Melissa Claire Egan (Chelsea), with your riveting scenes from this week’s episodes of The Young and the Restless.
The drama continued this past Monday after the stunning cliffhanger the Friday prior, where Chelsea was getting ready to jump off the hotel roof as her depression over took her, and she felt ending her life was the only way to stop the voices in her head. Just as Chelsea is ready to step off the ledge, Billy appears. Now realizing he is in way over his head, when confronting someone who is in the middle of a suicide attempt, he does his best on the fly to save Chelsea.

Courtesy/CBS
Eventually, when Chelsea won’t get off the ledge, Billy climbs up on the ledge next to her. Chelsea wants to be alone. She cries, “It hurts every single day when I wake up. I don’t want to wake up anymore.” She goes on to say, “I’ve hurt so many people. I don’t think I deserve happiness. Maybe I’m just not meant for this world.” Billy thanks her for sharing that with him, but suggests they get down from the ledge and they can just talk. He tries to assure Chelsea that there are people who love and care about her, but she disagrees. When the subject goes to her sons, Connor and Johnny, and how Victoria (Amelia Heinle) wanted her to stay away from Johnny, it affected her seismically. When Billy tells her to get down from the ledge, she kisses him and tells Billy he is a good man with tears in her eyes. However, she begins to jump anyway! Billy manages to grab her and pull her down from the ledge, and ultimately, saves her life.
Now with his coat around her to keep her warm, Billy promises Chelsea she will find her way out of the hell she finds herself in. Adam (Mark Grossman) finds them as Billy escorts Chelsea off the roof to get her inside, and to her hotel suite, without explaining anything to his enemy.
Once in Chelsea’s suite, Billy tells Chelsea he’s not leaving her alone. Chelsea is angry that he saved her from jumping, telling him that he had no right and he took that choice from her. Billy tells her it’s not a choice she would have made two weeks ago or two weeks from now. He was not going to allow her to do that to herself, or her sons.

Courtesy/CBS
Billy admits he doesn’t know how to handle any of this, and is not sure what exactly do, but he’s staying put. Chelsea admits, “I keep hearing voices.” She also talks about a previous kiss with Billy and how it was a mistake, and how Connor and Johnny are better off without her, stating, “The world is better off without me!” Billy asks her not to say that, as he is getting increasingly more lost and what to do for Chelsea and is desperate for some help.
When Chelsea admits she is worn out and needs to sleep, Billy helps her to her bed, and tucks her in. Then he, sits on the edge of the bed in tears and overwhelmed. In a smart move, Billy contacts Sharon (Sharon Case), and tells her about Chelsea: “She wanted to end her life, Sharon”. Billy hopes Sharon knows what to do because Chelsea’s feelings haven’t changed and she could try to end her life again. Sharon tells Billy they need to get Chelsea into a mental health facility with professionals.
Once Sharon arrives at the suite, and in another emotional moment played to perfection by Thompson, Billy recalls the night his daughter Delia died, and how he held her in his arms before the ambulance arrived and how minutes seemed like hours. He told Sharon, all he could do was hold Delia and tell her she would be OK, but he knew in his gut she wasn’t going to make it. Billy shares “I had the same feeling tonight”. Feeling inadequate on how he tried to help Chelsea, Sharon says he handled it perfectly. It was then Billy admits, he couldn’t save his daughter, but he won’t let the same thing happen to Chelsea.
When Chelsea stirs in the bed, she calls out for Billy. He tells her Sharon is with them now. Billy explains he called her as he needed some help on how to deal with this. Stunningly, Sharon makes inroads with Chelsea assuring her that she is there to help her, expressing: “Trust me. And if you can’t trust me, trust Rey. He saw the good in you and gave you another chance. Don’t throw that away.” It is then that Chelsea agrees to let Sharon and Billy help her.

Courtesy/CBS
Next, they bring Chelsea to a mental health facility where Sharon meets the therapist Ms. Lawson. Despondent in the room, Billy gets Chelsea to snap out of it, when he asks her if she realizes what is happening. She then panics realizing where she is. Billy assures her she’s in a much better place than before. Billy vows he will go through this with her, and be there when she needs him. Billy also assures her that Connor will be well taken care of, and she should concentrate on getting better so she can enjoy Thanksgiving with her son.
Once alone with the therapist, Chelsea doesn’t think she wanted to die, she just didn’t want to be out of pain. She admits she felt alone, unworthy, and that her presence was ruining other’s lives. In tears, Chelsea admits she needs help, and wants to get better, but she doesn’t know if that will even be possible.
While clearly this entire situation will bond Chelsea and Billy forever, it cannot be overstated how impactful this story was for anyone who has considered ending their life, is struggling with depression, or for those on the other side of it; thrust into a desperate situation they have never had experience with while knowing one wrong move, or one wrong word, could send the person over the edge.

Courtesy/CBS
Jason Thompson played all the beats so realistically that you could feel Billy’s struggle, and yet his willingness to see this through with Chelsea however it would turn out. Melissa Claire Egan took viewers on an emotional rollercoaster as all of Chelsea’s raw pain was exposed and tapped into someone who felt they had nothing left to live for. The writing of this story arc was also effective, and we can only hope Y&R stays on track and sees this important story on mental health through.
For these very effective scenes, Michael Fairman TV names Jason Thompson and Melissa Claire Egan’s work The Power Performances of the Week.
So, what did you think of the Billy and Chelsea scenes? What did you think of Jason and Melissa’s work? Do you think Billy and Chelsea will wind up in a relationship together, when Chelsea gets out of her depression and deals with what’s been troubling her … or do you want Billy to remain with Lily (Christel Khalil)? Share your thoughts in the comment section below.
No thanks. That’s a horrible message to send. She also raped him but let’s just forget about that to push this nonsense RME.
Agreed.
No. Great scenes and actors but not into them as a pairing at all. The rape history is ugly. Prefer him with Victoria or Lily.
I think making Chelsea a couple with the person she wanted and rejected her only after she threatened suicide sends a very dangerous message about getting your heart’s desire so no, I hope they pair Billy with Sharon instead.
The idea of them as a couple disgusts me but I liked the acting.
Stunning work from both and a happy surprise for me since I’ve never cared for Jason Thompson’s version of Billy. But he REALLY delivered here and made the story even more poignant. Lily and Billy never worked for me; there’s more chemistry in a bath mat. So, I’m game for a friendship with Chelsea but she’s got a ways to go before falling in love (or into bed) with anyone.
Feeling lost and at your final limit isn’t nonsense. Not everyone can push their way through. No, I don’t like Chelsea and Billy as a couple and I hope they allow Chelsea to get past this and find a purpose.
I was all set not to watch this story. But while I didn’t like the subject matter ended up watching anyway. It was extremely well done by Jason (Billy) and Melissa.(Chelsea). But add me to the list that doesn’t want to see them together. In fact I can’t recommend Chelsea to anyone I’ve seen so far. Liked Billy with Lilly when they actually worked together as a team, before the merger. Hope they recapture those feelings.
MCE is amazing – I’ve always known she could deliver having first seen her on AMC when she and Billy Miller were brother and sister and had terrific scenes. Hard as this subject is, it is a great showcase for her talent. It’s also great to see Jason T. deliver and have something to get his teeth into. He has not had a story that show his talent for a long time.
That said, I don’t know why all these posts refer to the possibility of a pairing between these two. Billy is being an amazing friend to Chelsea and I can see this being a bond between them as the article states. Why do we always have to go to romantic pairing talk; men and women can be great friends for heavens sake and hopefully this will remain a real friendship.
Perfectly stated! I 100% agree with you JenW
I would be open to a Chelsea and Billy pairing 2.0
Jason and Melissa both deserve an Emmy for their performances and I would love to see Billy and Chelsea get together on the show .He and Lilly have no chemistry and she is too superficial .
General Hospital
GENERAL HOSPITAL: Sonny Tells Dante, “I Don’t Want a Son Like You,” While Michael Tells Brook Lynn to Bide Her Time Till Chase and Willow Have an Affair

On the Thursday, October 1 episode of General Hospital, both Sonny Corinthos (Maurice Benard) and Michael Corinthos (Rory Gibson) had some things to say and what they had to say didn’t go over well with whom they were talking to!
Sonny had a confrontation with his son, Dante (Dominic Zamprogna), while Michael leveled with Brook Lynn (Amanda Setton) over Chase (Josh Swickard).
GH is setting up a scenario where everyone is going to make it look like Sonny was responsible for having Sidwell (Carlo Rota) beat up in Pentonville; while viewers already know Ava (Maura West) and Drew (Cameron Mathison) were behind it.

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A VISIT WITH DAD
Now, Dante comes to Sonny’s house. He wants to know straight up from his dad if he ordered the attack at Pentonville. Sonny flatly denies any culpability or responsibility, but Dante refuses to believe him.
Dante informs Sonny he has video footage of Sully and Vito at the prison. Sonny explains to Dante he doesn’t know why Sully beat up both Curtis and Dante. Things escalated when Sonny was deeply hurt that Dante refused to believe him. Dante says he was disappointed that his father didn’t respect him enough to be truthful with him!
Sonny asks Dante to consider that he was being set up. He says all he did was to tell Vito to instruct Sully to keep a watchful eye on Sidwell, not to harm him. No matter what Sonny said, Dante continued hammering him with how he knew deep down, even though he said he left the mob, he had to finish off Sidwell for himself.
Next, Sonny explains everything he has ever done was to provide for and to protect his family. Dante fired back that he doesn’t want to deal anymore with Sonny’s half-baked truths. As the two men argue, Gio (Giovanni Mazza) shows up at Sonny’s front door and overhears Sonny losing his temper and shouting at Dante, “Get out of my house! I don’t want a son like you!” The scenes featured an excellent performance by Maurice Benard.

Courtesy/ABC
MICHAEL THE MANIPULATOR
While this is going down, outside the Quartermaine boathouse, Brook Lynn opens up to Michael about living at the Q’s with Chase being there, since he only came back due to legal advice from his lawyer, Monet Mitchell (Blythe Howard).
Brook Lynn questioned whether they should get legally separate. Michael insisted that would be a big mistake. When she asks why, Michael tells Brook Lynn to bide her time until Chase and Willow (Katelyn MacMullen) have an affair; then she’d have full custody of Phoebe.
An angered Brook Lynn pushed Michael into the water and accuses him of moving Willow back into the gatehouse with intent on putting Chase and Willow in closer proximity and sacrificing Brook Lynn’s family in the process. As the two cousins bicker, Chase shows up asking Brook Lynn if she is OK. Michael punctuates their talk with “You know, I’m right.”
CURTIS FIGURES OUT A WAY TO GET OUT OF THE SLAMMER
At GH, Willow visits Curtis (Donnell Turner) in his hospital room. Curtis wants Willow to get him pardoned and keep him out of jail, and in return, he will help her nail Sonny.
Next, Willow tells Dr. Tristan Roberts (Dean Geyer) she wants Curtis held for observation for three more days. He agrees to do so under one condition, that she understands that he may need to call in a favor from a congresswoman.
So, what did you think of how Dante accused his father and refused to believe Sonny’s answers? Is this the end of their father and son relationship for good? Is Michael the most manipulative person of all, except for Willow? Do the two deserve each other? Do you want Chase and Willow to have an affair? And what of Curtis? Does he have many redeeming qualities left? Share your thoughts via the comment section, but first check out the talk Michael had with Brook Lynn.
General Hospital
GENERAL HOSPITAL: Ava and Drew Revealed to be Behind Framing Sonny for Sidwell’s Prison Beatdown

If you thought that the person responsible for the Pentonville brawl that saw Sidwell (Carlo Rota) and Curtis (Donnell Turner) taken to General Hospital was Sonny Corinthos (Maurice Benard) or even Sidwell himself, you were dead wrong! On the Wednesday, September 30 episode of GH, it turned out that the culprits were actually Ava (Maura West) and Drew (Cameron Mathison).
In story, Drew apparently bankrolled the attack on Sidwell and framing Sonny. He told Ava their planned worked (she came up with it!) but was horrified when Drew informed her that Curtis got caught in the crosshairs. Ava is visibly upset because of her longtime friendship with Curtis’ daughter, Trina Robinson (Tabyana Ali). Drew tried to make Ava see the bright side. Curtis was witness to it and his presence will cast doubt on Sonny’s claims to that he had gotten out of the mob and gone legit.
Later, Vito shows up at Drew’s. They informed him that his guy on the inside of the slammer made a big mistake by hurting their friend and ordered him to leave town.

Courtesy/ABC
BOATHOUSE BRAWL
In other major developments, Danny (Asher Antonyzyn) and Rocco (Finn Carr) have a blow out fight as Danny blames his “brother” for the reason Charlotte was sent off to boarding school.
Rocco told off Danny for Charlotte’s (Bluesy Burke) reckless behavior and he explains he had to protect his sister. He went in on Danny saying that his mother Lulu (Alexa Havins) has been right to send Charlotte to boarding school and far away from Danny.
However, Rocco went a bit too far when he shouted, “And if your mom was alive, she would send you away too!” Next, Danny punched out Rocco, leading to a terrible brawl. An angered Danny yells at Rocco to, “Stay away from me and everyone in my family. And don’t you ever mention my mom again!” Danny storms off.

Courtesy/ABC
Now alone outside the boathouse, Rocco flashes back to his first kiss with Scout (Kayden Brenna Tokarksi), hoping that his fight with Danny will not escalate and ruin their budding romance. Meanwhile, a bloodied-mouth Danny heads over to Sonny’s and Jason (Steve Burton) is there at the same time. He then admits that he has a bad fight with Rocco and they are both beaten up.
WILL SCOUT WISE UP?
At the end of the episode, Scout, who had a fight with Alexis (Nancy Lee Grahn) over Drew, and who keeps telling everyone how good a man her dad truly is, comes upon a suspicious scene.
Scout hides behind the wall outside Drew’s. She sees her dad, Ava and Vito talking. Next, Scout seems to overhear Vito assuring Drew and Ava that their business dealings are done, and he’ll be leaving Port Charles for good.
So, what did you think of the reveal that Ava and Drew were behind framing Sonny for the prison beatdown of Sidwell (and Curtis)? Do you think Danny and Rocco’s relationship can be repaired, or do you think the teenagers will continue to be at each other’s throats? Finally, do you hope Scout gets a clue and stops thinking her dad walks on air? Weigh-in via the comment section, but first check out how Ava and Drew conspired below.
AEW
‘AEW Dynamite’ Pays Tribute to PAC Following the Death of Benjamin Satterley in Emotional, Moving, Pitch-Perfect Episode

AEW delivered what would turn out to be an tear-filled, exceptionally done tribute to one of their own, Benjamin Satterley. better known as PAC. on the Wednesday night September 30 edition of their signature show, AEW Dynamite.
When the world learned of Satterley’s sudden passing on Sunday, September 27, it came just one day after what would be his final match at AEW All Out the night before. Now, for the first time his death, the AEW locker room, the men and the women who knew him best, gathered together to give “Ben” as they knew him, the send-off he deserved.
The special episode which emanated from the Petersen Events Center in Pittsburgh, Pennsylvania, was filled with emotional speeches, video packages, and matches dedicated to the wrestling favorite, who was one of the greatest to ever do it, and whose life was cut short at just 40-years-old.
TEARS IN HEAVEN
What was so impressive about how AEW produced this episode was they literally broke the fourth wall and allowed their performers to eulogize Satterley and tape them at the arena earlier in the day, sitting in front of the camera and speaking from their hearts.
The same carried through to the matches on the card. Each held significance, and instead of it being babyfaces vs heels, everyone came together to perform for PAC, for Ben, for this special night.
This unity illustrated how close for the most part the brotherhood and sisterhood among professional wrestlers truly is, in the field of sport entertainment, that is often misunderstood for it’s deeper meaning and what these athletes and performers do night after night by putting their bodies on the line.
The show began with a formal dedication from the commentary team led by Excalibur and Tony Schiavone. Next, they tossed to an unbelievable poignant video package featuring Jon Moxley with the Death Riders and PAC by his side (for what would be for the last time) speaking to the camera after his loss for the AEW World Title at AEW All Out. Moxley’s speech spoke to what it means to be a professional wrestler, and to “do things with purpose and give a shit,” which was a reference to PAC’s own philosophy.
PAC’S FAMILY SEND SPECIAL MESSAGE
A ten-bell Salute followed for Ben as the entire AEW locker room and company took to the stage alongside an empty chair representing PAC. As the cameras panned, tears were being shed by many of the wrestlers and referee Bryce Remsburg was visibly upset.
Later in the night, Renee Paquette struggled through reading a statement from PAC’s family back in the U.K. Paquette was emotional as she shared the words of thanks from the family to all those who showed Benjamin Satterley the love since his passing and what he meant to them.
MATCHES FILLED WITH HUGS AND MOMENTS HONORING ONE OF THEIR OWN
As the wrestlers made their way to the ring for their matches, many times they had tears in their eyes. Each wore an armband with the name PAC on it, and often came to the ring in PAC t-shirts, which AEW is selling online to help out Satterley’s family.
Jon Moxley faced Orange Cassidy in the opening bout, with Cassidy visibly upset. In the end, Moxley retained his Continental Championship. However, after the match, Bryan Danielson, who Moxley also most choked out with a plastic bag, splintering their relationship for what seemed like for good, was greeted in the ring by his former friend, who was in tears. The two hugged it out an emotional moment.
Hangman Adam Page was shown next in a video package just overcome with grief over the loss of Satterley. Next, he along with the Young Bucks and Kenny Omega reunited as “The Elite” took on members of the Don Callis Family, defeating them in a four on four tag match.
Cash Wheeler and Jay White each remembered PAC in two more video packages with both becoming overwhelmed with sadness and emotion. Swerve Strickland and his stablemates The New Level came out with the Trios Titles, something very connected to the legacy of Ben, and laid a PAC tribute towel over them in the center of the ring.
Next, in one of the more heartbreaking moments, Ricochet recalled how he and Pac shared a small room with bunk beds early in their careers as young wrestlers and how much he loved Satterley.
That was followed by a non-title bout between Ricochet and AEW World Champion, Will Ospreay. Before the match, the two hugged and in its aftermath. In tribute to Pac, Ospreay delivered his signature move off the top rope to secure the pin. This was an incredible match by two of the best wrestlers in the world.
MORE MEMORIES OF BEN
The match was followed by Will Ospreay’s tribute to PAC, including memories and the lasting impact Pac had on Ospreay from a young age. Later, Swerve Strickland and Darby Allin spoke to the cameras, In addition, Marina Shafir as the sole woman “Death Rider” shared her memories, before the women’s four way tag-match in which she appeared.
The main event featured The Death Riders with Bryan Danielson joining them to honor their fallen member, PAC against more members of the Don Callis family which included the return of Wardlow.
The show concluded with a video package honoring PAC, and closed out with empty chair placed under a spotlight in the ring as the wrestlers surrounded it, while the audience chanted “Thank you, PAC!”
What did you think of last night’s AEW Dynamite and how the wrestlers and the company came together to deliver this poignant episode dedicated to Benjamin “PAC” Satterley? Let us know via the comment section, but first check out the final video package in honor of the late pro wrestling favorite below.
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