When the nominees were announced last week for the 51st annual Daytime Emmy Awards, six women wound up in the Outstanding Lead Actress in a Drama Series category and that included The Bold and the Beautiful’s Annika Noelle (Hope Logan) who had quite the heavy on-screen story.

For months, Hope initially tried to hold her marriage to Liam (Scott Clifton) together, gave into her passion for Thomas (Matthew Atkinson), and became a stronger more independent woman in the process. Noelle was previously nominated in 2020 in the Outstanding Supporting Actress category, but this marks her first-time presence in the highly-coveted Lead Actress race.

On Friday, April 26th, The Bold and the Beautiful celebrated their leading 12 nominations, as well as being the show with the most acting nominations going into the 51st annual Daytime Emmy Awards set to air live on Friday, June 7 at 8 p.m. ET on CBS and streaming on Paramount+.

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During the on set celebration, when B&B’s Emmy-nominated executive producer and head writer, Brad Bell, introduced each of the acting nominees, they took a moment to address their colleagues, and for Annika, her speech was touching and emotional. She expressed, “I’m so grateful to Brad Bell for believing in this dark brunette, and allowing me to be a part of this family. And when we say that we’re a family, it’s not just because we get along. It is really because we are here for the majority of the year with each other. I know for a lot of people, 2023, was a difficult year.  The thing about this beautiful show is that it was my constant, and it’s what I could depend on during a tough year. And there are beautiful days like this when you come in and everything in your life is going amazingly. And then, there are days where your world is falling apart. And the crew, honestly, you guys kept me afloat this year and that’s why this is so meaningful to me.”

Photo: MFTV Inc

Annika added, “I don’t think I could have gotten through this year without the love and support from this family. So, thank you for being there for me on days that I needed the strength and you gave that to me. I’m so grateful to my co-stars and who I get to share these beautiful scenes with. I just wanted to say, I appreciate all of you and thank you so much. You all mean more to me than you will ever know.”

Michael Fairman TV caught up with Annika immediately following the Emmy nominee celebration, to her thoughts on this momentous occasion in her professional life and what it means to her personally, plus what did she choose for her scenes when Hope had such, shall we say, a torrid year of story to choose from. Here’s what she shared below.

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Dare I say, I called this nomination for you? Back on New Year’s Eve, I revealed My “Best Of” Picks for 2023 and I had you as the Best Overall Performance by an Actress for the year, and alongside your fellow nominee, Cynthia Watros (Nina, GH), to boot!

ANNIKA: Thank you for believing in me that I could do it.

How did you to tackle your Emmy-nominated reel and what you were hoping to showcase?

ANNIKA: I was just so grateful to have the story to be able to pick from, and to really try to show the character growth and the arc of everything that happened to Hope Logan in the past year. For me, I really wanted to take the voters on a journey from her really being heavily influence by everyone’s opinions and everyone else’s voices, to her really coming into her own and going, “I don’t care if it’s the right or wrong choice, it’s my choice.”

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What scenes did you end up submitting the landed you this Lead Actress Emmy nomination?

ANNIKA: I started with this great scene that our producers, Casey Kaspryzk and Rachel Herman actually remembered, where Hope walks in on her mother in her lingerie flirting with Ridge. And they remembered that scene. So, that really launched us off to Hope being kind of in this deep denial of, “I’m nothing like you. I’m not going to follow in your footsteps. I don’t have feelings for Thomas.” Cut to Liam confronting her about watching her give into her desires in Rome. And him saying, “Where were you Hope? At the Colosseum?” and then kind of in a roundabout full circle way, Brooke finding Thomas and Hope in bed together and then Hope really kind of going toe to toe with her mother. Then, ending with her kind of fully coming into her own as a woman and saying, “You wanted a divorce, Liam, here’s your divorce.” I really wanted to show the journey of her finding her own voice and advocating for her own choices and finding that inner strength, basically.

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Was choosing the reel difficult given you had so much material within the 2023 calendar year of eligibility to consider?

ANNIKA: It was hard to pick and choose. There were a few I ended up leaving out. There was a really beautiful scene with Thomas where she realizes he overheard her kind of talking ill of him. That one was really hard to let go of.  I was also considering another scene with Liam where they actually signed the divorce papers. I’m just so grateful to even be able to have the material to choose from.

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How did you find out you were nominated?

ANNIKA: Eva Basler, our VP of Communications & Talent Relations, called me and it meant so much to me to get that call from her. I tend to get nervous and have anxiety, so that day I just had to not think about it. So, I was out on a walk with my love, and my dog. We’re just in the middle of a cul-de-sac and my phone starts ringing. And it was the best surprise ever! Then, when I found out that Katherine Kelly Lang (Brooke, B&B) got nominated alongside me, I immediately FaceTimed her. It was the funniest thing because she literally picks up and she is wearing a sun visor and sunglasses wrapped up on top of a horse as she’s in the middle of a mountain and in a valley on this beautiful white horse. It was the most picturesque thing.

Photos: ABC, JPI, NBC

I believe you know some of the women you are nominated with, obviously Katherine, but also Tamara Braun (Ava, Days), Finola Hughes, (Anna, GH), Cynthia Watros (Nina, GH) and Michelle Stafford (Phyllis, Y&R). What are your thoughts on these nominees?

ANNIKA: Well first, I’m just so excited to be in this category with the other women. Tamara Braun, who I was nominated with previously in the Supporting Actress category I’m excited that she’s in this category with me. Michelle Stafford, who I see in the hallway all the time, is great, and Finola Hughes, I’m just like obsessed with from afar. I even watched her on Watch What Happens Live!  Cynthia, I hear her work is tremendous, and with Katherine, I’m just really grateful to get to share this with her. To be honored amongst these legends of daytime is amazing. Just to be seen in that way, that means more to me than anything.

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You mentioned during B&B’s on-set Emmy celebration that this past year was a difficult one for you, and that everyone at the show really helped you through it. What meaning would winning the Emmy hold for you?

ANNIKA: That would be overwhelming. I wouldn’t even know how to describe it – an honor, a privilege, a blessing? It would mean the world to me, especially after this past year. That’s why it’s so significant, because even on the darkest days, the storms passes. You just have to hold on for that brighter day.

So, what did you think about the scenes Annika submitted for Lead Actress? Were they some of your favorite moments from the Emmy season? Share your thoughts via the comment section below.

When the nominees were revealed for the Outstanding Supporting Actress in a Daytime Drama Series for the 51st annual Daytime Emmy Awards, a fresh face was in the running for the first time as The Young and the Restless Allison Lanier (Summer Newman) scored her very first Emmy nod.

Lanier took over the highly-coveted role of Nick (Joshua Morrow) and Phyllis’ (Michelle Stafford) daughter from two-time Daytime Emmy-winner Hunter King, who won gold for this role in the now defunct Younger Actress in a Daytime Drama Series category.

During the Michael Fairman Channel’s 2024 Daytime Emmy Nominations Special on Friday night, April 19th, Allison was one of the nominated guests, who shared her reaction to the news that she was a first-time Emmy nominee earlier in the day.

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When speaking of how challenging it can be to be a recast on a soap, and in particular on the top-rated drama, The Young and the Restless, Lanier filled us in how she dealt with it.

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Allison related, “I’m decent at compartmentalizing, but yes, it was daunting. Being a recast is daunting. Going on a show, especially, one where we work the way that we do, that’s just daunting in and of itself. I do think that when you’re sort of having to follow in somebody’s footsteps, they’re (the audience) automatically going to compare you to somebody else. That’s daunting. But I do think that I was able to hold that was happening for me, but also I have to ignore that and I do have to make it my own thing, because we’re different people. We’re bringing different things to the character and that was really the only way forward for me.”

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When speaking of the nominees along with her in the Supporting Actress category, of course, she is close with Y&R co-stat and fellow nominees, Courtney Hope (Sally Spectra): “I’m not as familiar with everybody from the other shows quite yet, but I can’t wait to get to know them and to see what they’re putting out there and watch their episodes and their scenes. However, I am so glad that Courtney Hope is nominated in this category. Her storyline was so heartbreaking and the way that her and Mark Grossman (Adam Newman) played that, it just like shot me straight in the heart.”

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As far as what scenes were on her nominated-reel, Allison shared she first had a reel of 30-minutes in length, just to see how all the scenes played out she was considering, before whittling it down: “So, what ended up on my reel was Summer confronting Diane (Susan Walters) directly after the gala after Phyllis “died.”  It’s this kind of heartbreaking moment of anger mixed with pain and grief. I included the scene where Kyle (Michael Mealor) informed Summer that it is time for a divorce in her hotel suite. There was also one scene with Daniel (Michael Graziadei) after Summer knew Phyllis was alive, and I also had another scene with Michelle Stafford when Summer found out that her mother was alive.”

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To check out the full interview with Allison, watch the Daytime Emmy Nominations Special below featuring ten of this year’s nominees chatting live.

Now let us know, do you think Allison has made the part of Summer her own? Happy to see her nominated? Comment below.

During our 2023 year-end honors at Michael Fairman TV, we named Wally Kurth as our pick for Best Overall Performance by an Actor for his double-turn as both Ned Quartermaine on General Hospital and as Justin Kiriakis on Days of our Lives. So, it was absolutely no surprise to us that Wally landed a Daytime Emmy nomination for his riveting work as a grieving Justin in the Supporting Actor category for the upcoming 51st annual Daytime Emmy Awards.

On DAYS, Justin had been put through the emotional wringer, of first, losing his beloved Uncle Vic, played by the late John Aniston, and then finding out that Victor was the supposed biological father to Justin’s son, Alex (Rob Scott Wilson). If you didn’t reach for the hankies during some of Kurth’s work in these scenes, we don’t know what will make you do so.

Michael Fairman TV caught up with Wally to get his reaction to his fourth Daytime Emmy nomination in the last six years. Kurth was nominated in the Supporting category in 2018, 2020 and now 2024 and Lead Actor in 2021.

In addition, Wally shares what scenes were on his nominated reel, how John Aniston impacted his work, how he has changed as an actor over the years with a new outlook, and being the only actor out there with two long-running roles on two long-running soaps, and much more. Here’s what Wally had to share below.

Congratulations on your well-deserved nomination. You decided to submit yourself this year for Emmy contention in both Lead Actor for GH and Supporting Actor at DAYS, correct?

WALLY: I did. I thought the DAYS reel was a little more dramatic, much more emotional. I had thought with the way the judging goes that it might be a little bit more, winnable, if you will. I enjoyed and was proud of my work at General Hospital, so it’s all good. I’m thrilled. It’s always nice to be nominated.

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What scenes did you ultimately choose for your Supporting Actor reel?

WALLY: I started chronologically, as always, trying to tell a little bit of a story. I actually started with a scene where Justin has to tell Maggie (Suzanne Rogers) that Victor’s (the late John Aniston) plane went down and it was not found. Then, the scene with Bonnie (Judi Evans) where I sort of have to let it all out, and grieve the loss of this man who was practically Justin’s father, but it was his Uncle Vic. We have a little scene talking about Victor, and then there is a short snippet at the funeral where Justin eulogizes Victor. Next, we jump to scene where Justin discovers the letter where Angelica admits that indeed Victor is Alex’s father (Rob Scott Wilson). So then, Justin has to tell Alex, and then I also sort of grieve the fact that I’m no longer his father. Justin basically lost his son. It was very dramatic and very emotional. I was guessing the judges would be like, “Hey! Enough with the crying! Stop, you big baby!” But, they didn’t. They must have thought that it was convincing enough that it felt really truthful at how Justin was upset about these two unfortunate realizations.

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You bring up a really good point. I talk to actors all the time about crying on Emmy reels. Sometimes, many feel it might put voters off. But obviously, this time it worked well for you!

WALLY:  What I liked about the crying scenes was that, like in real life, you’re not crying all the time when something bad is happening, right? I think crying happens and it takes you off guard. It happens without you realizing it. These were all moments when Justin was alone, really. Bonnie comes in the room where Justin is just kind of like dealing with it. And then her coming in, opens up Justin and she is there to hold him. I think that often happens in real life. I thought that was correct for the writers to do that, you know, that Justin would break down when he was alone.

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Did you feel the pressure of wanting to get these scenes when Victor died and at his memorial, just right due to the enormity to it, and to do justice for John Aniston?

WALLY: I allowed myself to use my heartbreak over John Aniston. I loved him. I just sort of allowed his presence for me in the scenes. It was sweet. It was good for me. I’m just thinking about it now and I feel teary-eyed. John was such a sweet man. He led by example, and he really did teach me how to be a professional actor, and he was a mentor. He never told me anything specific, but he was just John, and in the scenes, this was the time for me tell him how I feel.

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Then, you had the heartbreaking scenes with Rob Scott Wilson where Justin tells Alex he is not his father!

WALLY:  I thought that was just really challenging material. As I get older, I just trust the material, and don’t get ahead of myself. I trust myself with the emotion. Just let it happen if it happens. When I first read it, I kind of imagined what it could look like and then you just let it unfold from there.

You’ve got Robert Gossett (Marshall, GH), A Martinez (Nardo, The Bay), Mike Manning (Caleb, The Bay), and Bryton James (Devon, Y&R) all in your category. Robert has won two Daytime Emmys in a row, last year for Supporting Actor and the year before for Guest Performer.

WALLY:  l love Robert. I worked with the character Marshall on General Hospital, and we had so much fun. He’s a great guy and a really good actor. A Martinez is the best guy ever. I have such admiration for him. Whenever I see him, we always really connect and to be in included with him is great. Bryton James, I don’t know, but I know he beat me in this category in 2020. Mike Manning, I didn’t get the opportunity to know when he was at DAYS as he weren’t in scenes together, but I hear good things about him, too.

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When you are judging Emmy reels, what do you look for when you’re voting on a performance?

WALLY: That’s a really great question. And because let’s face it, there’s just a lot of terrific talent in daytime. This year, I judged two categories. I don’t just go with, “Okay, who’s crying the most.” I really try to go with the one who’s touches me the most, who surprises me and moves me. And so, if you go with that, you’re probably going in the right direction. I also think that upfront you do need to kind of give them something in the first couple minutes that shows you know what you’re doing and don’t make it too repetitive.

Who did you first tell you were nominated?

WALLY: My manager, Michael Bruno called me. I was in Chicago with my daughters having a late breakfast and I knew the nominations were going to happen around 11 am Chicago time. I didn’t tell my daughters about what was happening, just in case, I didn’t get nominated. So, when Michael called, I went, “Oh, boy!” I told my daughters who were sitting at the table with me. So, they were the first two people that I could tell, and that was really nice.  We had champagne which was really funny because I bought three little glasses of champagne, and as soon as I bought it, we toasted. They said, “We don’t really like champagne.” So, I ended up drinking all three glasses. (Laughs)

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What do you think of Eric Martsolf (Brady), your Day Players Band member, and DAYS co-star getting a Lead Actor nomination?

WALLY: I remember, I was like talking to him and I was like, “Eric, are you going to submit yourself?” And he is like, “I don’t know. I don’t really have anything …” And the next thing you know, he’s nominated. I’m like, “Wow! I guess he found something!” (Laughs) I love Eric. I have such respect for him and his gift, and he works really hard. So, I was very happy for him. I’m glad we weren’t in the same category, however.

How many years now have you been playing Justin on DAYS?

WALLY: I started here 37 years ago in 1987. I was there for four years and then I left. Then, 18 years later, Ken Corday (EP, DAYS) invited me back in 2009 and I’ve been on the show now for 15 years. So, I guess a total of 20 years on and off over the last 37 years. Everyone remembers 1987-1991 … those were big, big years for Justin and Adrienne who back then were a supercouple.

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Have you determined who you would thank in your acceptance speech if you win this year’s Supporting Actor Daytime Emmy?

WALLY: I feel like this year I kind of have an idea of what I would say. I think I can remember all of that without writing it down. If I had gotten nominated for both shows, I was definitely going to point out and thank the powers-that-be for giving me dual citizenship and how much I appreciate that. I do think that being on both soaps, I will go to my grave believing that it’s made me a better actor. In fact, since I’ve been doing both shows, I’ve been nominated for Daytime Emmys. I’ve become a better actor. I feel like maybe it’s just that I’ve gotten older and wiser, but I feel as though when I go in there to work, I’m really focused and I’m really prepared. I know I pretty much get one shot to get it. We’re in the business of “one takes” now in the soaps.

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People are so lucky to even have one enduring role in their careers, but you’ve been able to have two, and they’re completely separate characters on two legacy shows; one which just turned 61, General Hospital, and the other Days of our Lives which will soon celebrate 60 years, as well.

WALLY: I didn’t plan on it. I must have done something right. Back in 2009, Ken called me up and invited me back to DAYS. I really jumped in. I’d been out of work for four or five years. I went back with a whole new attitude about the work, about the genre.  In 2004, when I left General Hospital, I was kind of burnt out. Looking back on it, I didn’t have a good attitude and I was just done. I was kind of tired. New writers come in and sometimes, when you have new writers that look at your character differently, it can be very difficult, because you just know that their passion is not with your character. However, in this case, I’m like, “I’m going to take whatever the writers give me and do the best I can and do my job. Let the writers do their job.” I think the writers also know that I really respect them and I’m not going to complain. I’m not going to tell them what to do and I’m going to stay out of it. They have enough to work out. They have enough to do. I’m going to be the problem solver, not the problem creator. There are enough problem creators. Believe me when I tell you that every time I leave those sets, I’m like, “Thank you. I love it.  See you the next time I see you.” I know how lucky I am to do both shows and to have this opportunity to act at my age and still be sent scripts. I love the art of acting. I’d do it for free. The fact that they’re paying me and I am able to do this and work with these great, wonderful, talented actors every day, it’s kind of mind-blowing.

So, will you be rooting for Wally to take home the gold in this year’s Outstanding Supporting Actor in Daytime Drama Series at the 51st annual Daytime Emmy Awards on June 7th live on CBS and streaming on Paramount+? Let us know if you remember his nominated scenes from Days of our Lives via the comment section below and how they affected you.