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THE EILEEN DAVIDSON INTERVIEW – THE YOUNG AND THE RESTLESS

On “Y&R” and its crossover “B&B” she has played Ashley Abbott on numerous occasions over the past few decades. In October of 2008, Ashley returned to Genoa City with a rekindling of the legendary Victor/Ashley romance during the show’s Paris remote. But this time under very different circumstances. Will the relationship be fully explored and be built to last?

Actress Eileen Davidson shares her thoughts on: the show’s plans for Ashley and Victor, past attempts at “B&B” for her character’s love life, working with Eric Braeden 20 years later, and what makes this Abbott a force to be reckoned with.

EileenMain11.jpgMICHAEL:

Victor and Ashley’s romance is getting another chance after several missed opportunities during the last few times you were on the “Y&R” canvas. Did you know when you came back to the show this time that a romance with Victor would be imminent?

EILEEN:

Not initially, because they approached me last April.
By summer time they told me that’s what they
were planning.

MICHAEL:

Once you were told, I’m sure you felt good about it.

EILEEN:

I felt good about coming back before. Frankly, I had mixed feelings because it’s a real tricky subject, and it all depends on how it’s handled. It seemed they were bringing them back together rather quickly, but when I realized that the whole back drop with Paris and everything, it made sense. Victor and Ashley… they are sort of thrust together by circumstance, so she is not quite sure where it’s going. I have been trying to play it like that, because what intelligent woman wouldn’t under those circumstances?

MICHAEL:

She is treading water a bit….

EILEEN:

I don’t want to have her go 100% right back in like nothing happened. She has lived a lot of lifetimes, since the last time Ashley was with Victor. And so there has to be a little trepidation. There is still a little bit of trepidation, but it’s also the feeling that she needs to figure out what this is.

MICHAEL:

Was Ashley surprised that the old feelings were there, or did she know the feelings deep down would be there for Victor?

france33.jpgEILEEN:

I think that’s why she was kind of afraid to go save Victor in the first place. If there were nothing at stake, it would not be a problem. She has been down that road too many times and has been burned. Why would she want to go back in?

MICHAEL:

Nikki asks Ashley to go find Victor, and I really did like the plot device. Did you?

EILEEN:

I do like the plot device. I think Ashley was being sensitive to Nikki, and I know people are going to read what they want to read into that. But she does not want to hurt Nikki. She is trying to make peace with people in her life, but Nikki is coming at it as if she is all kind of pissed off with the whole thing.

MICHAEL:

It seems its been Ashley’s personal project to clear Victor.

EILEEN:

I think she knows he kind of has to do that, or there is no need to go forward. He needs to face the charges and the demons of his past, and to go forward.

MICHAEL:

You had left “B&B” and are now back to “Y&R”, and have gone back and forth. How is that for you?

EILEEN:

It’s really nice and I feel comfortable in both places. It’s a nice situation.

kyle.jpgMICHAEL:

Do you feel like your time on “B&B” was another botched opportunity for you and Ashley? When we last did an interview together it was you, Kyle Lowder (Rick, “B&B”) and me, discussing how things had fizzled on air with your on-screen romance; and the characters at that point had nothing to do!

EILEEN:

I got fired from “Y&R” and Brad
Bell picked me up and employed
me at “B&B”. I had the opportunity
to work with people and do something
different than I had been doing over
at “Y&R”. I am actually grateful now. I think Brad gave me the opportunity to breathe new life into Ashley. Things change. It did not work out the way I was hoping it would, but I don’t blame anybody for that, or have any ill will. The bottom line is it’s a really hard gig to figure out story, and story that works. I have learned the way Brad and other writer’s work: that is, that something will appear and you go with it. How can I feel bad about being employed, and being treated exceptionally well? They wanted me back over here and it’s like
I never missed a beat. So I think I would be incredibly
ungrateful if I had anything but gratitude to Brad Bell
and the show.

MICHAEL:

I think it’s a testament to you as an actress and to your on-screen popularity, as well. But on “B&B” it’s a lot less show to tape, so that must have worked well with your family life.

EILEEN:

Definitely! I got a lot of family time. It’s incredible. A lot of the cast has families or kids…. Ronn Moss (Ridge), Katherine Kelly Lang (Brooke), and Lesli Kay (Felicia). I like them all so much, and Kyle Lowder, too. And by the way, I happened to see a scene with Kyle the other day, and I love what they are doing with him. I love him mean. I was like, “Oh my God. I wish they would have had him mean when I was there!”

MICHAEL:

It was rough for Ashley on “B&B”. She seemed to float around with no real family ties.

EILEEN:

On “Y&R” it’s a better fit on the level of having history and connections to people than at “B&B”.

EileenPink.jpgMICHAEL:

In a recent scene, the show brought back the old Abbott bickering breakfasts with Beth Maitland (Traci), Peter Bergman (Jack), you, and Billy. How is working with Billy Miller, as the new Billy Abbott?

EILEEN:

He is terrific! I like him very much. I have not done a lot of work with him yet, but it feels fine and nice. I worked with the new Abbe recently, and she is fifteen.

MICHAEL:

How did that come about? With in a blink of an eye, Abbe really suffered from a severe case of SORAS!

EILEEN:

Well, (A)…. they aged Noah and so they had to age Abbe if they aged Noah. And (B)… I now have a teenage daughter and I love it!

MICHAEL:

How is working this closely again with Eric Braeden as Victor?

EILEEN:

It’s very nice! Eric and I have a certain kind of groove we get into when we are working together. I think it works for the characters as well, that we are getting reacquainted as actors and as characters. I think that will work for us.

MICHAEL:

Should we expect there to be a commitment for a while in telling the Victor/Ashley romance?

EILEEN:

Reading ahead, there are a lot of problems with family coming up. It’s a good thing to have Ashley and Victor connected, and have Jack as the foil. It works so well.

MICHAEL:

What do you think is at Ashley’s core? What drives her?

EILEEN:

She basically is trying to get her life on track. She has been roaming around for a long time. I think at this point, coming back home and reconnecting with Victor is a real attempt at putting down some serious roots and figuring things out. Going into this relationship with Victor, and going in with her eyes open…. not knowing what’s going to happen with this because they never had any closure… is certainly something that drives her, as well.

MICHAEL:

How was the Paris Remote? Did you like it?

EILEEN:

I did. I thought it was epic. It was a lot of work, but I thought it was awesome!

eileen.jpgMICHAEL:

I hear that the Paris remote and schedule was very daunting at times?

EILEEN:

Yes, we got in on Sunday. Then Sunday afternoon we had a meeting, and then we went and did photo shoots, press conferences, talks shows… and I would have to shoot with early morning call times. Then, my son got sick so I had to take him to the hospital. Thank God it turned out to be nothing. The stuff I was supposed to do Thursday afternoon, I had to do Friday morning and that was all the stuff on the Seine with Victor. Then we had a luncheon with fans, and that evening was the Sony party. I had more publicity to do than anyone else, it seemed. I had new things added onto my plate everyday. In fact, there was a big party on Friday night after the Sony party that Billy Bell was doing for all of us, and I just couldn’t do it. It was this big fancy, expensive restaurant in Paris, and I was getting sick. I was so disappointed. Finally, when you get a chance to have fun! I was so wiped out. It was that kind of a trip, and I was back to work right away.

MICHAEL:

What did you think of “Katherine’s” funeral scenes, where you were sitting in the pew waiting for Victor and you knew as Ashley what was going to happen?

EILEEN:

I did not see the scenes, but I liked it and I thought it was a great set-up. I hope I did not come off as being too huffy! I was trying to play it as I am being protective of him, and that this is going to rock everybody’s world when he shows up!

MICHAEL:

What does Ashley think of Nikki?

EILEEN:

I think she’s thinks she is not stable. She is too emotional and freaking out all the time.

MICHAEL:

And Ashley is a much more controlled character?

EILEEN:

She is desperately more in control now, given her situation.

MICHAEL:

Wouldn’t you like to see her have a breakdown again?

dial11.jpgEILEEN:

No, I don’t think so, not for a while. She needs to have some stability and a life, and then she can have a breakdown. But you have to establish that first.

MICHAEL:

How is your book doing?

EILEEN:

Its doing great! I did some recent book signings over in Southern California. “Death in Daytime” is a mystery novel. It’s based around a female actress who is on a soap and all the things that go on behind the scenes, and then some. The second book is coming out in a few months, “Dial Emmy for Murder”. Basically, this is a soap opera series. The lead character is Alexis Peterson, who is an actress on a soap. In the first book, she is on the “Yearning Tide” and in the second book she is on “The Bare and the Brazen”, where she is presenting at the Emmys and the person she is presenting with is nowhere to be found. I just pitched the concept of the third one. It’s all about death! (She laughs) It’s available at Barnes and Nobles and Amazon.com.

MICHAEL:

What can we say is coming up for Ashley in 2009?

EILEEN:

More of Victor and Ashley, and a bumpy
ride. I am going to give it a shot. I like
that they are both giving their romance
a shot… and they are hoping it’s the
right time.

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

The Michael Channel

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Power Performance

Nancy Lee Grahn as Alexis

General Hospital

Airdates: 4-8-2021

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