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B&B’s Annika Noelle Chats On Her First Daytime Emmy Nomination For Hope’s Emotional Journey Back to Beth

Photo: Gilles Toucas/Bell-Phillip Prods

The Supporting Actor and Actress in a Drama Series are often the highly-competitive categories in the annual Daytime Emmys, because they usually contain the most entrance vying for the final 5 or 6 coveted spots.

This year, after all of her soap alter-egos sturm and drang, Annika Noelle found herself with a nomination for her riveting work as Hope Logan on The Bold and the Beautiful.

As fans of the CBS Daytime drama know, Hope went through hell and back and hell again as she was led to believe that her baby girl had died, only to later find out that the little bundle of joy was adopted by Steffy (Jacqueline MacInnes Wood) in a heinous scheme put in motion by Dr. Buckingham (Wayne Brady). As the story unraveled, more and more people found out about the switch and kept it from Hope, chief among them Thomas (Matthew Atkinson), but all’s well that ends well when Liam (Scott Clifton) with a big assist from Douglas (Henry Joseph Samiri) figured out that Beth was Phoebe … and that set the stage for even more emotional drama.

Following the news of her nomination, Michael Fairman TV chatted with Annika Noelle, to get all the feels of this defining moment in her daytime career – cracking the glass ceiling and getting into a select group of actresses for the first time whose work has been deemed “Outstanding”. Here’s what Annika shared on her reaction to that great Emmy news!

Photo: JPI

Were you shocked and surprised when you learned of your Supporting Actress in a Drama Series nomination?

ANNIKA:  Yes!  I’m over the moon and so eternally grateful for it.  It means a lot to have the work I’ve done this last year get recognized by everyone.  It’s my first Daytime Emmy nomination, and now I get to say that.  It’s just a cool thing.

I can’t think of anyone who cried more in last year’s TV season than you as Hope.  That whole year was so heavy with the baby switch storyline and Hope’s journey back to her biological daughter.

ANNIKA:  It was.  Honestly, it took a lot out of me, and it was a lot to go through, and it really was a marathon.  I’ve never had to go through something like that as an actor, but I’m just glad that I made it out to the other side to get to experience this.

Photo: JPI

I was worried someone was going to have to pick you up off the floor from all the weeping! It must have been draining.

ANNIKA:  I can’t tell you how many times I was just like, “Do I have to cry? Do I have to though?”  I’m just really grateful that Hope finally got her baby back.  It was so funny when the fans would be like, “When is she getting her baby back?” and I’m like, “Trust me, no one wants it more than me.”

Were you watching the nominations unfold on The Talk?  How did you find out you were officially a nominee?

ANNIKA:  I went for a walk around the LaBrea Tar Pits because I didn’t want to be focusing on that, but I have family in Boston who were going to watch The Talk and let me know.  However, I guess the Mayor of Boston interrupted right before they started reading the nominations.  They were so pissed.  So, I was like, “Okay, I guess I’m not going to find out for a while,” and then the phone started ringing, and it was Brad Bell (executive producer and head writer, B&B).  Your heart kind of goes up in your throat when you see his name on the caller ID! I picked up and he said, “Congratulations,” and I proceeded to probably make him deaf because I was so excited. (Laughs)

Scott Clifton was your scene partner in so much of the arc of this storyline.  Did he say anything to you once you got nominated?

ANNIKA:  Oh yeah! We exchanged quite a few text messages with each other.  I thought he should have submitted himself this year.

Photo: JPI

I was so surprised when I found out that he didn’t enter the competition, because he did some incredible work.

ANNIKA:  It’s amazing the work that he did, and he was right by my side every step of the way during this incredibly difficult storyline, and honestly, I could not have done it without him … or Jacqueline MacInnes Wood, because they honestly were such great support systems for me as an actor and also as friends.  Honestly, I feel like this nomination is everyone’s.  It was such an ensemble effort.

Photo: JPI

What scenes did you submit that landed you the nomination?

ANNIKA:  I submitted as the initial scene when Hope finds out about Beth (where Liam tells her that Beth didn’t make it) and she starts out thinking that Beth is still alive and then gradually the denial fades away and the reality sets in.  Then, the second scene I submitted was where she is kind of emotionally checked out, and then, Sally (Courtney Hope) comes in with that poor puppy dog to try to cheer her up, and obviously that backfires on Sally.  That was actually a very difficult scene to shoot because here was this little puppy dog looking up at me, and I had to just freak out.  The third scene was on the rooftop where Hope finally finds out that Beth is indeed alive, and that Thomas has been lying to her.  Then, the fourth scene was the hardest one to pick, but I’m really glad that I went with it.  It’s just this really quiet, intimate moment between Liam and Hope when they’re alone with Beth again for the first time as a family.  Then, Liam and Hope share their first kiss as a family again.  The final scene was where Hope gets to slap Flo (Katrina Bowden) and you get to see the momma bear come out.  I really tried to tell a story.  I really tried to show an arc of that 8-9-month saga, and luckily, I had the material to choose from to do so.

You played the Emmy game very smartly, because the reels that work, in my experience, have been the ones that tell the arc of the story, so that anyone who doesn’t know the show can follow beat to beat to beat.  I think those are always the reels that ultimately grab the voters.

ANNIKA:  I think that’s something that I had to learn too from other actors, and the advice that I had gotten, and getting to actually watch and vote last year.  I thought of it more as an actor’s reel.  I tried to do show versatility as an actor.  So, hopefully we will see what happens.

Photo: JPI

Are you familiar with the work of any of the other actresses nominated in your category …Tamara Braun (Ex-Kim, GH), Rebecca Budig (Ex-Hayden GH), Christel Khalil (Lily, Y&R), and Susan Seaforth Hayes (Julie, DAYS)?

ANNIKA:  Oh, yes, and I am nothing but honored to be in a category with such amazing performers.  It takes so much in general to be a daytime actor, and to even be in this category with these other performers, it’s huge.  .

Katherine Kelly Lang (Brooke), your on-screen mom is nominated for Lead Actress this year too!

ANNIKA:  I know!  I’m praying it’s her year, and Heather Tom (Katie) also did such beautiful work with the kidney storyline, and Thorsten Kaye (Ridge) just broke my heart with the divorce and the Thomas storylines.  It’s kind of all in the family in a way with our characters, but everyone did such beautiful work, and I’m rooting everyone on.  It’s nice that Katherine and I as an on-screen momma/daughter got to celebrate that together.

Photo: JPI

Did Katherine give you a call, or did you communicate, after the nominations were announced?

ANNIKA:  Yes, we talked, and then, ironically for about a year and a half, I had saved a bottle of Dom Perignon that I had received as a gift from her boyfriend, Dom Zoida.  I was always just saving it for a special occasion.  When I told her that, she was like, “I can’t believe you’ve been saving it this long!  We are going to have a toast tonight and celebrate!”  I was like, “Are you sure we don’t want to save it in case there’s other good news … maybe?”  and she was just like, “No!  We’ll get you another bottle.  We are toasting tonight.”  So, that was just a really beautiful moment because she really brought me in and showed me the ropes as a veteran on the show, and as someone who knows B&B and the dynamics so well.  I’ve learned a lot from Katherine, and I have nothing but respect for her.  She is one of the hardest workers I know; she does not stop, and I have such admiration.  I wish I were in half as good shape as she is!  It’s a special feeling to be able to share this with her.

You followed in Kim Matula’s (Ex-Hope) footsteps on the show.  That was no easy feat, and to make the role your own was beautifully done.  That has to feel good.  It’s not easy to play a role that someone else made ‘soap-famous’.

ANNIKA:  It’s funny, because Mark Grossman (Adam, Y&R) and I started around the same time – him on Y&R and me on The Bold and the Beautiful, and even Matthew Atkinson as Thomas – everyone has kind of left their own mark on these characters as recasts, and it’s a challenging thing to do, stepping into someone’s role, especially with someone who originated the character. It’s a nice validation that you’re doing something right.

You and I will remember your humble beginnings on Venice the Series.

ANNIKA:  It’s such a crazy full circle too, because Hillary B. Smith (Ex-Nora, OLTL and Guya, Venice the Series) was my mentor in high school.  I would look up to her and be like. “She’s been nominated and won Daytime Emmys! Well, maybe one day I could …” Hillary was someone who I called and talked to for a long time before submitting.  I also have to give thanks to Crystal Chappell (Ex-GL, Days and Venice the Series), for seeing something in me and taking a chance on me when I was green as an actress.

I remember us talking on the set of Venice, and I remember you shooting your scenes as a recast in that show too at an apartment!  They threw you right into the fire.

ANNIKA:  Yep, and Susan Flannery (Ex-Stephanie, B&B) was directing a few of those episodes!  So, it was like… who would have thought that years later…?

Photo: JPI

I would ask you, what you are going to wear, but there is no red carpet that I know of, for a virtual Emmys this year!

ANNIKA:  I am so conflicted.  I’m like, “Do I wear PJs, or do I get glammed up and wear a beautiful gown?” (Laughs) I am the most comfortable in flannel and no makeup, so I’m like, “Okay, if I have to get glammed up, how on earth am I going to do my own hair because I don’t even know where to begin with that.” So, we’ll see, I guess, we’ll see!

It will be interesting to see what the virtual ceremony will look like.

ANNIKA:  I have a feeling that my cat might be a part of the awards ceremony.  He is going to try to steal the spotlight, a little.  Like an All About Eve moment happening here with Henry who I call “Burrito Man”.  He has his own Instagram.  It’s @theburritomankitty, and if there is a camera, let me tell you, he will try to interrupt.  That’s Burrito Man for you.  He’s a little diva.

Photo: IG

How have you and ‘Burrito Man’ been doing during the coronavirus pandemic?  How are your spirits? 

ANNIKA:  Well, this nomination has certainly been a silver lining.  It certainly has brightened the mood a little bit. It’s been pretty difficult feeling a little isolated, but The Bold and the Beautiful has been having Zoom happy hour every Friday where we will all get on in the late afternoon and catch up with everyone and have a little drink.  So, it’s been nice because I miss everyone.  We really do become like family.  That’s helped a lot, and then just… puzzles.  I’m doing a lot of puzzles, Michael.

Photo: JPI

In closing, many times you see a lot of the same names nominated in the acting categories at the Daytime Emmys, so it’s nice to see when someone new breaks through.  Kudos to you!

ANNIKA:  Honestly, that means a lot.  It was a lot, especially as a newcomer to daytime.  It really was sink or swim, but luckily, I have an amazing cast there supporting me and holding me up on those days where it was stressful, or where I would break down just because it was so demanding.  I can’t tell you how many people were there for me like: John McCook (Eric, B&B), Katherine Kelly Lang, Heather Tom, Jacqui, and Scott, these people championed me, urged me on, and believed in me.  I also have realized that I am a bit more of a method actor than I thought I was. (Laughs)  I might have taken some of the work home with me.  Queer Eye and RuPaul were cheering me up because it was a lot. (Laughs)  I just want to express my utmost gratitude for this honor and wish all the best of luck to the other nominees.  I have so much respect for everyone in this industry from the directors and our crews, all the way down to us actors. It’s a lot to do what we do in daytime with the budget and the time constraints that we have.  It really is a team effort.

So, were you happy to see that Annika scored a Daytime Emmy nomination for her hard work and being at the epicenter of the baby switch storyline on B&B? Comment below.

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Richard Danner
Guest
Richard Danner

I can’t wait to see her take the gold home. The storyline was all over the place but her acting was EXCELLENT.

Ramona M Pierce
Guest
Ramona M Pierce

Yes, Annika Annika trulying deserves it and Ive believing and having th3 strongest faith, she’s be the Winning with the DAYTIME

Crazywitch003
Guest
Crazywitch003

Yes hope you did a wounderful job whit the baby switch storyline congrats to you on getting your first Emmy Award

Star
Guest
Star

Annika gave amazing performances last year and I wish her all the best moving forward in her career. I am hoping she gets the win, she deserves it!

Angie Hitchcock
Guest
Angie Hitchcock

Yes, I am so happy Annika scored a daytime Emmy nomination. I think she deserves to win this Emmy Award. She was Awesome in the baby Beth storyline.

Tina Browder
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Tina Browder

Yes I love Annika and she is an amazing actor!! Her performance was amazing and there is no on way that she will lose! She’s awesome!

Angela Evans
Guest
Angela Evans

I can’t wait to see Annika win. She did a perfect job

Linda Kelly
Guest
Linda Kelly

It usually takes a lot for me to cry, but watching Hope agonize over finding out that her baby died brought me to tears. Annika deserves recognition for her intense ability to portray this grieving mom!

clb
Guest
clb

Annika is the best pick and acting chance for Bold and Beautiful this year. Great story (Baby Beth) and some of the best acting and exhilarating scenes (rooftop revelation) of the year. I predict she will win unless the Academy disappoints again. Congrats!

anne
Guest
anne

I hope Annika wins the Emmy.

Julie foxy
Guest
Julie foxy

Annika’s performance all throughout the Beth storyline was A+ fantastic. She conveyed so many emotions. It was truly an emotional rollercoaster but no doubt she deserves to win an Emmy.

Interviews

NATAS President and CEO, Adam Sharp, Shares Details On Digital Drama Daytime Emmys, Ceremonies During COVID-19, and Keeping Winners A Secret

On Tuesday, The National Academy of Television Arts and Sciences announced the hosts for the upcoming final two, of three, Daytime Emmy virtual ceremonies.  First up on July 19th is the Digital Drama Daytime Emmys with Queer Eye for the Straight Guy’s Jai Rodriguez presiding over the night.  Then look for The Real’s Loni Love to take us through the Children’s, Animation and Educational Emmy Awards on July 26th.

Coming off a successful 47th Annual Daytime Emmy Awards back on broadcast TV for the first time in 11 years, and doing it during COVID-19 where everything had to be done remotely was no easy feat, and it was no easy task of ensuring the winners names would not leak before air in a pre-taped ceremony. But, NATAS President and CEO, Adam Sharp, and his team put together some safety measures that kept the drama alive of just who would win come Emmy night.

Now, heading into two more shows, Sharp chats with Michael Fairman TV and gives some Intel on what to watch for and look forward to on these upcoming ceremonies and just how the CBS broadcast of the Daytime Emmys came together and much more.  Here’s what Adam had to say.

Photo: CBS

So, let’s talk for a minute about the Digital Drama categories.  How many categories will you be doling out that night?  The Bay took home Outstanding Digital Drama Series already at the 47th Annual Daytime Emmys.

ADAM:  Seven: Two Leads, Two Supporting, Guest Performer, plus writing, and directing for a Digital Drama Series.

My understanding is that the Digital Drama Daytime Emmys will be live; as opposed to how the 47th annual Daytime Emmys were pre-taped?

ADAM:  Yes.  That’s the plan!

Phoo: CBS

How do you feel about that?  It certainly can add some unpredictability to the show.  I think people are a bit more forgiving in the imperfection of trying to deliver programming during COVID; because they’re now used to seeing their favorite performers on Zooms or whatever platform is being used.

ADAM:  I think with the telecast, from a production standpoint, we certainly played it somewhat safe, at least technically – in that everything was pre-taped and so on.  With our near decade away from being on a network and in primetime, I think there were a lot of advantages to that.  The program moved really quickly because you didn’t have to keep waiting for people to walk down the aisle.  I think it was great seeing the stars in their homes as well.  It felt really warm and intimate, which is important for Daytime because it is the most intimate part of television.  It isn’t something that you binge for 12 hours, and then wait a year to see what they offer next.  It a part of your daily life and you make a connection to these people.

How do you feel the response was to the 47th annual Daytime Emmy Awards on CBS?

ADAM:  The feedback we’ve been hearing has been really positive.  I think people liked the feel of the show, the earnestness and that intimacy, and I think people appreciated the steps we took to at least try to be at as close to tradition as possible; in that a lot of people sort of rolled their eyes initially when we said, “Everyone is going to record an acceptance speech,” but then, I think when the show actually aired, and people realized the nominees still didn’t know if they won, the presenters didn’t know who won, the hosts didn’t know who won.

Photo: CBS

Is it true that the presenters also recorded different, “The winner is” versions?

ADAM:  Yes.  The presenters each did five envelope opens, and we internally used a video-sharing application across the production team, and there was a sort of going from government parlance – the classified and the unclassified system – where most of the production team could not see anything that divulged a winner.  While there were eight editors working on the show, there was only one, and then in the last day, two, editors who actually could see who those winners were and fill in those holes throughout the show.  I think that the fact that you then had stars reacting on social media in real-time to their winning, it brought some of live excitement to Emmy night, because I think fans started to realize, “Oh, my God! She really didn’t know she won.”  For example, Kelly Clarkson, who did a very emotional tribute to her mother in the acceptance speech, shared her reaction to her win on social media where you experience the screaming, and jumping up and down on the chair moment.

Yes, that and others provided some very real moments.  When I chatted with some of the winners via Zoom (immediately following the broadcast) those also were so were so raw, and emotional.  I was thrilled that I was able to do that and sort of emulate what the “Winner’s Walk” backstage looked like in a virtual setting.

ADAM:  I think there is a certain aspect that when you are in the auditorium with all of the lights, with everyone there, you’re walking up on the stage to someone, you are so aware that this is a performance, you are so aware of the glare of the lights, and the cameras, and so on, that sometimes it can feel like you don’t have permission to emote. I think in many cases, when people can be at home, I actually thought most of the acceptance speeches seemed a lot more relaxed.  I thought they seemed a lot more natural.  I felt like you were seeing much more of the person as opposed to the performance.  So, that’s something we are going to try to capture on the 19th with the Digital Drama Awards. The envelopes are being sent sealed from the accountants to the presenters.  The control room is not going to know ahead of time who the winners are.  That is going to be at show time to the control room, so they’ll be taking in these close to 50 live shots from around the country throughout the presentation of the seven-category show.  The intent is to do the as much the same on the 26th.  Every day is a learning experience right now.   We have 10 ceremonies to produce this year in the COVID context, and that’s not even looking at 2021 yet.  That gives us a lot of opportunity to experiment, and we are going to get a lot wrong, and we are going to get a lot right.

Photo: CBS

When people watch the Digital Drama Daytime Emmys on July 19th, is it going to be a quick seven categories?  Are there going to be other packages in the show?

ADAM:  So, because it is only seven categories, we are giving the show a little more room to breathe.  Even though we have already awarded the overall top digital drama the night of the 47th annual Daytime Emmys, , we are going to do a little bit of a retrospective of the season of all of the shows, a little bit more than we had time for in the telecast.  There be some conversation before the reveal of the winner. We are experimenting with a few things there that you can’t do in the stage show version, and you can’t do in the pre-tape, but where the live nature of it, and the Zooming nature of it allows it.

Then on the July 26th Daytime Emmys for Children’s, Lifestyle and Animation programming, how many categories will be featured there?

ADAM:  About 20-ish categories, and then another bunch will be presented on social media afterwards the same way we did the night of the telecast.  This is absolutely a bigger show because Daytime is comprised of a hundred categories, and we are not even halfway through giving them out yet.

Photo: CBS

For clarification for the fans who read this, what kind of categories will they see presented in terms of “Family Viewing” or “Lifestyle”, etc?

ADAM:  That is going to include several categories that were not on the telecast.  So, for example, we had Entertainment Talk Show Host, but not Informational Talk Show Host during the telecast.  We had Culinary Show, but not Culinary Host, a lot of the craft categories for those shows, so the Lifestyle block is very much Talk, Travel, Culinary.  Then, we have the Children’s categories: Children’s Animation and Educational Programming, we have the Family Viewing categories, and you’ll recall this year we added a Young Adult track to the competition, so that will be in that show as well and wound up being extremely competitive in its first year.  That was a category that sort of spun out because of the growth of the competition where you had these programs that were still designed for a younger audience.  They were clearly designed for a teen audience, so you wouldn’t put them in a category next to a soap, for example. But they were dealing with more mature themes, and the closest thing in our history was when we still honored “After School Specials” back in the day, but then that category went away as that type of programming went away.  Now, as it started to make a digital comeback, it felt strange to have a nomination that was dealing with teen suicide, pregnancy, opioid addiction … and then the next nominee is… Big Bird!  So, as this genre really grew and it didn’t really have a place in Drama, it didn’t really have a place in Children’s, and now, it’s actually become a diverse enough category to be very competitive on its own, so we are really excited to see that.

Photo: ABC

When you watched the Daytime Emmys, Black Lives Matter was certainly present in a lot of the speeches and moments.  You also included the clip when Al Freeman (Ex-Ed Hall) One Life to Live, won Lead Actor, being the first African-American performer to do so.

ADAM:  There was a lot of need to acknowledge the moment.  So, from the coronavirus standpoint, the whole format of the show was an acknowledgement of the moment, and then certainly in the close, Marie Osmond reminding people to stay safe and stay healthy and so on.  I think that there wasn’t as much of a need to lean in too far on COVID, that was certainly understood.  On Black Lives Matter, I think it was very much raw. It was something that had to be addressed and had to be addressed tastefully.  I think that we were successful in that.  I think the Al Freeman moment was also important there because it did recognize without being too heavy handed that Daytime has always been very much at the forefront on social issues, not just race issues like that, but certainly the first gay marriage on television, the first gay kiss, the first abortion on television.  Now, you look at the show coming up on the 19th for the Digital Drama, where we have the first two trans performers nominated for performance roles, the first drag performer nominated for a performance role, and so in every way, Daytime has been at the forefront.  If you look at the nominees, the winners, the presenters, the Daytime Awards have consistently been the most inclusive, diverse, equitable of the awards ceremonies, and we continue to do that.

Did you have a favorite moment from the Daytime Emmys on CBS?

ADAM: I think for me, Cookie Monster presenting Culinary Show, as he stammers on nominees, and it becomes, “and the nom-nom-nom-nom-nom,” and he eats the envelope, that was something that in the high-stress moments of getting the show together, I could always go back to that cut and get a laugh and break the tension of the room.

Photo: CBS

Over 3 million viewers tuned-in to the 47th annual Daytime Emmys.  Do you think they will be back next year on network TV and on CBS? 

ADAM:  I hope so.  We certainly beat the average for the timeslot since they’ve gone into reruns.  While it was less total viewers than the last time we were on CBS, that was nearly a decade ago where viewing habits were very different.  But I think over 3 million was a very good sign.  I think it was notable that when you watched the show, almost all of the advertisers were traditional daytime advertisers that followed us into primetime.  CBS sold out the show.  There were advertisers who were actually clamoring to buy that time, and they bought every minute of it that was available.  I think we were really firing on all cylinders there.  I think we reengaged with the community.  I was deeply touched that Patrika Darbo accepted her invitation to present because while it was more of a quiet nod to those on the inside of the community than perhaps the audience, I think it was very important closure to some of the past struggles of the show that both of us have recognized those errors of the past, but the community moves forward together.

Photo: HutchnsPhoto.com

You gave Patrika Darbo the duties of introducing the emotional In-Memoriam tribute.  Was your intent to give her that piece?

ADAM:  Yes.  It really was that we, as an academy made a lot of mistakes in the past, and she, through no intention or fault of her own, was the victim of a lot of that.  You know, she didn’t prepare the reel.  She didn’t realize that she wasn’t eligible in the category, and so she, by virtue of that, sort of was the one who then had to bear the headlines of the Emmy being taken away and so on.  So, it is impossible to completely make that up to her, but at least to recognize her and her standing in our community was something that was very important to do.

Photo: JPI

How nervous were you that the winners would somehow be leaked before the 47th annual Daytime Emmys aired?

ADAM:  I was afraid, but I also knew that we were taking every step we could to ensure that security, and in many cases to the point of absurdity.  The logistics of chasing down all of those acceptance speeches, the hours that our lawyer spend on the phone negotiating the leases for video that was never going to be used, basically giving ourselves, for most of the show, five times the amount of work that we needed to just for maintain that security.  Then, even when people did know, keeping that segmented so that nobody would know the whole picture at once.  It definitely brought back memories of my government service.  The most terrifying was probably the hours between delivery to CBS and airing, because that’s when you know it’s getting closed captioned, it’s getting put up on a satellite etc, but CBS are old hands at this.  They do it with every Survivor finale and so on and so forth.  They were great at keeping the secret for us.

So, looking for to the Digital Drama Daytime Emmys that will be live? What did you think about the information shared by Adam on the making of the 47th Annual Daytime Emmy Awards? Comment blow.

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Interviews

Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Interviews

Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Video du Jour

B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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