Interviews
B&B’s Jacqueline MacInnes Wood Shares Her Emotions & Reactions On Her Second Daytime Emmy Win for Lead Actress
Last Friday night on CBS broadcast of the 48th Annual Daytime Emmy Awards, The Bold and the Beautiful’s Jacqueline MacInnes Wood (Steffy Forrester) took home the gold in the hotly contested Outstanding Lead Actress in a Drama Series category. This marks Jacqui’s second win.
MacInnes Wood’s performance in Steffy’s opioid addiction storyline, that aired in 2020, was the ticket to victory for the talented young actress and new mom to her second son, Lenix.
As viewers saw, the Emmy telecast was pre-recorded including all the nominees taping acceptances speeches ahead of air; with the winner being revealed for the very first time on the broadcast.
Michael Fairman TV caught up with Jacqui post-Emmys, to find out how she felt about her speech, her emotions at having her name called for the second time in her career, and how she felt Steffy’s addiction storyline resonated with so many people at home, and obviously, the Emmy voters. Here’s what she had to say …

Photo: NATAS/CBS
What was it like for you to do have to pre-tape your acceptance speech? Yours, actually came off very in-the-moment, because you kind of stumbled over a word, but it seemed like you were very excited.
JACQUELINE: Yeah! I was very excited. Of course, it is strange to do it that way. I am very grateful that I was up to my nose in The Bold and the Beautiful scenes and dialogues in the week and the days before, that whole week. I wasn’t sitting around going, “I’m going to rehearse this in the mirror.” I just wanted it to be very heartfelt and real. I wanted to make sure it wasn’t like last time – I truly was not expecting it the first time I won. I think that this time I wanted to be mindful of who to thank and talk about the story, which was so important to bring up opioid addiction, and I really wanted to thank Brad Bell (executive producer and executive producer, B&B) for giving me this story, and allowing me to tell it, because it was such an important message to tell. Even though this year’s Daytime Emmys were shot differently, I was still nervous. I was so excited to get on a stage. Last year, we were on a Zoom, so it was nice to be able to do this on a stage again.
So where were you on Emmy night? Were you watching the broadcast at home?
JACQUELINE: I was at home, and I was with my friends and my family. To be honest, it was such a fun way to do it. Even though it was so wild the way that we shot it – they do this on RuPaul’s Drag Race. Sometimes they’ll do it live, but everyone has their acceptance speech. I was just happy during the Emmy taping day to be dressed up, wearing high heels, and to be with my cast, Then, I got to celebrate watching it with my friends and family. It was so cool to find out in that moment, then afterwards we ended up going out. We went to Ronn Moss’ (Ex-Ridge, B&B) house for a party, where Ronn was performing, and it was great to be with some of the cast and have everybody together. So, we danced the night away, and it was so much fun. I wouldn’t have had it any other way. Of course, if we had been able to be at the Daytime Emmys that way would have been great, but it was nice to be able to go, “Okay, I can celebrate in my casual clothes, and dance, and not be uncomfortable.”

Photo: JMW Instagram
Were your children, Rise and newborn Lenix, with you watching when their mom won her second Daytime Emmy?
JACQUELINE: My children were with me, and we celebrated together, and of course they don’t really understand what is going on, but they just saw all of us jumping around. I probably scared my 4-month-old. My mom ended up watching them. Then, we all went out. So, it was a good night.

Photo: HutchinsPhoto.com
Did you have an inkling that you were a frontrunner to take home the gold as Lead Actress for your work in Steffy’s opioid addiction storyline?
JACQUELINE: Were there times when I thought I could win? I wasn’t sure, but I knew what we did was very special. The first time I won, I was very proud of myself knowing I had to do all of these long scenes, but I was not expecting to win. This time, I thought there was a possibility, and I wouldn’t say that it’s all because of me. I know it’s cliché, but honestly those days when we were filming, you could just feel the energy. Everyone brought it. We do film so quickly, and some performances are great, and some of them aren’t, whether it’s because you don’t sleep that night, you don’t know your dialogue that well, you don’t understand why your character is doing a certain thing, but you’re trying to figure it out. When we were filming these scenes, I thought it was just such an important story to tell, and I felt like everyone gave it 110%. I looked at everyone, and I knew we were all connected, and even though it was such a heavy storyline, there was something so magical those days and those weeks of filming. I was so proud of everyone, and it wasn’t something that was like, “Here I am forcing myself to cry,” I was like, “I am just going to be in this scene and really tell this story that millions of people have gone through.” When I watched back those scenes after they initially aired, it was not only about the cast, but it was just how the audio had been added, how the directing was done (since we had to be six feet away from each other because of Covid-19 protocols) which made it all come to life.
Did you think when you came into this medium that you wind up being a two-time Daytime Emmy-winner? Was it something that you aspired to have?
JACQUELINE: I think yes and no. I can’t sit there and say, “No, I didn’t.” I have goals for myself, and you want to manifest some things, so I wanted to visualize that one day. I’m in this industry, and I want to do the work, and I eventually wanted to have the Emmy one day, absolutely. I’d be lying if I said, “I just want to go with the flow, and if I get an award, great.” No. I definitely thought about it and said, “Okay, this is something that I do want one day. I didn’t think I’d have two! I just wanted an award, one day. So, I think that’s amazing in itself, but I am very honored.

Courtesy/CBS
So, during the Lead Actress nominee package during the Daytime Emmy broadcast, they showed the gut-wrenching clips of yours, where Steffy admits in front of Ridge, Liam and Finn, “I’m addicted. I’m addicted. I have a problem.” Do you remember performing those scenes?
JACQUELINE: You know, you remember it sometimes as if you’re out of your body. In that moment, I remember being so in my body, but in a good way. To say those words, to finally realize how heavy – even in talking to you right now – my body feels heavy. I felt the weight of what Steffy was finally admitting. It broke Steffy, and it broke me. I’ve never been in that position, but I did my research, and I looked up people who have suffered from addiction and the families, and to look over at Thorsten Kaye (Ridge) and see the heartbreak in his eyes, in Ridge’s eyes, to see what Steffy was doing to other people – she realizes in that moment, “Oh, my God. I am addicted.” Looking back at those scenes, there is just so much truth in them, and for so many people who have been there. It just breaks my heart that people have to go through this every day. People sent me messages from all over the place, it was amazing. I couldn’t believe the number of direct messages they sent me on my Instagram. It was pretty incredible.

Courtesy/CBS
Your performance just felt so raw and real, which is why I think it registered with people who have been in that situation, and for the peer vote for the Emmy. Whenever I talk to other actors about what they look for in judging other performers work, they always say they look for the truth. They don’t want to see a false note delivered in a performance.
JACQUELINE: Absolutely. For sure. That’s why I’m so proud of everyone in the scenes because they all gave that. It wasn’t like you look over at a cast member and went, “Oh, what’s my line?” We were there. It just gave me goosebumps. It isn’t just my award. It was everybody’s award. When you get to really feel like you’re really alive in these scenes, living in those scenes, it’s such an incredible feeling. After this win, I am just riding the wave right now and really just enjoying it.

Photo: MFTV Inc.
Well, I’ll finish on this last question: How do you rate our Emmy photo together this year? (Laughs) We have well-documented our issues taking a decent photo together; usually because we break up laughing trying to take one.
JACQUELINE: (Laughs) I mean, okay … I am happy that we had those LED bars of light. We have to have LED lighting around us 24/7. So, I’ll give it a 9.5 rating Moving forward, we need indoor, 3-4 LED lights, and we’ll be good. Now that I have two Emmys, I’m going to be asking for that lighting moving forward … now that I’ve turned into a diva. (Laughs)
Share your congratulations to Jacqui via the comment section below … and let us know your thoughts on her winning her second Daytime Emmy – this time for Steffy’s powerful opioid addiction storyline. But first, check out our red carpet interview with more with the eventual Lead Actress Emmy winner.
To be honest I was extremely unhappy that Genie and/or Nancy did not win ): Crocodile tears wins Emmys unfortunately. JMW is a fine actress but I wanted, actually needed, for a GH actress to finally win, it has now been robbed of a Lead Actress Emmy 5 years in a row. I know others just loved JMW’s reel but I felt the achievements of Genie and Nancy, with more subtle performances throughout 2020, were far more deserving of recognition. Here’s hoping GH wins Lead Actress next year – so far this year I want Kirsten Storms to win for her phenomenal performances as Maxie Jones in the Peter/Louise storylines.
Seeing as how we have no place to make comments anymore, I am just putting this here because it has to do with Steffy Forester. Please tell me they are not having Paris move in with Steffy and Finn to create some sort of triangle. She definitely likes what she sees looking at Finn. I never thought of her that way. Hope she’s not going to be worse than Zoey.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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