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Days Of Our Lives

DAYS Casey Moss and Camila Banus Hit All The Right Notes In Emotional Suicide Prevention Story Arc!

Courtesy/NBC

Courtesy/NBC

In the pick-up of the haunting episode of Wednesday’s episode of DAYS, Thursday’s episode brought out the hankies, as we witness what happens to JJ (Casey Moss), after he intends on ending his own life by going to Horton Town Square on Christmas Eve to do it.

However, a knock at his door changes everything when none other than Gabi (Camila Banus) shows up.  A smart Gabi notices JJ is in his police dress uniform. She knows from her brother, Rafe (Galen Gering) that an officer only dons that for weddings and funerals. She then notices the pile of letters on the desk, and shockingly finds the one that is addressed to her and opens it.  Gabi begs JJ to tell her this is not what she thinks it is … a suicide note!

Once realizing the full scope of what JJ is about to do, Gabi reveals that even she contemplated suicide when she was in prison, but knew if she were to take her own life that would only cause more pain and guilt for her loved ones.  No matter what she says, JJ cannot ease his pain and guilt over shooting Theo (Kyler Pettis), and pulls out his gun to go to the Horton Town Square to end his life.  A desperate Gabi tries to delay him as she rips open each letter he wrote and reads them aloud.  She then opens the gift she came to give him from her daughter, Ari and forces him to look at it.

Then, in one of the most hankie-inducing moments of the soaps 2017, JJ breaks down and cries, as he puts his gun away, and Gabi hugs him.

Gabi does the selfless thing for a friend in need, and offers to stay with him through the night with her goal to keep an eye on him through this difficult time.

Next, Gabi helps JJ get out of his police uniform, and asks him to tell her that he will go talk to someone tomorrow for help.  JJ says he will.  He thanks Gabi for everything.  While there is a soapy plot twist at the end of the episode, where Lani (Sal Stowers) misinterprets a hug between JJ and Gabi which sends her reeling, the episode also ends with a message and the number to call for the suicide prevention hotline for those in need.

So, what did you think of the scenes between Casey and Camila as JJ and Gabi in this emotional episode? Comment below!

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Llanviewer717
Guest
Llanviewer717

Casey Moss and Camila Banus gave excellent performances. You really felt Gabi’s desperation and determination to stop JJ from going through with his suicide. And poor JJ is a broken, exhausted soul. Casey and Camila work great together.

nancy dillingham
Guest
nancy dillingham

Understated, heartbreaking performance by “JJ.” Great “one-man” solo performance. Painfully realistic. Kudos.

LeeAnn
Guest
LeeAnn

Phenomenal episode ! All the acting was top notch. This show is on fire. Casey really brought his A game, I was in tears. I believe that was an Emmy worthy performance.
The suicide prevention number at the end of the show was a great moment as well.

Mo
Guest
Mo

Gabi did a good job, but why didn’t she call Jen or someone else???? Marlena.

Jimh
Guest
Jimh

Days has sure improved…you should had printed that suicide prevention number at the end!!!…Merry Christmas and Happy New Year Micheal Fairmen-no one does a soap site better then you…wonderful interviews and stories ect-you keep us well informed and we all appreciate it,,,,and Happy Hanukka (spelling) and Merry Christmas and Happy New Year to all!!!!

nancy dillingham
Guest
nancy dillingham

They did print it after the solo performance of “JJ.”

Josh Anderson
Guest
Josh Anderson

Well acted, sad subject, handled delicately and in a sensitive manner. NOW let’s move on – enough – let Abe have a Christmas Miracle and let Theo come magically out of his coma – he looks great by the way for someone who’s been in a coma for weeks –
Okay, so now Lani comes in and sees JJ with Gabi – and probably will jump to the wrong conclusion. Wouldn’t it be nice if JUST ONCE a character can catch someone in a compromising position and give them the benefit of the doubt?

me
Guest
me

While I can appreciate the effort to bring this topic to light, the huge problem here is that once again an unqualified writer has left people with the impression that all you have to do is cry it out and get a hug and then everything will be all better. Snap, crackle, pop: the whole problem is solved, from start to finish, in a matter of days. That’s an awful thing to do. If you’re going to do this, do it right or don’t do it at all.

Antonio
Guest
Antonio

What is a qualified writer? Ron Carlivati is doing the best work of his career. Also, Gabi stopped the suicide attempt, but did not solve any problem. She repeatedly told JJ that he has to go to therapy. Shouldn’t we watch a few more episodes before judging?

Ray
Guest
Ray

I am not sure this episode could have been any better. Casey Moss was amazing. There have been so many great performances on the show since Ron C joined the show. Camilla Banus is the most gorgeous woman on daytime and has the acting talent to match. The scenes on Friday show with Jennifer and Abe were outstanding.

For Emmy consideration:
Eileen Davidson (Susan)
Alison Sweeney (Sami)
Chandler Massey (Will)
James Reynolds (Abe)
Ari Zucker (Nicole)
Casey Moss (JJ)
Lauren Koslow (Kate)

nancy dillingham
Guest
nancy dillingham

Camilla is that–a beauty! She nicely played off Casey–well done!

Michael
Guest
Michael

Good stuff Would have been better if she had accompanied him to a hospital as far as helping people know what to do but have to make some allowances for soap twists

downtownla
Guest
downtownla

While it was nice to see Casey’s performance, I do think it’s problematic that this story about the shooting of a young African American male has now shifted to being a story about the white police officer. This story should be centered on Abe and the African American family instead.

4ever DAYS
Guest
4ever DAYS

I think DAYS is telling the story in a balanced way because ALL LIVES MATTER, downtownla.

downtownla
Guest
downtownla

The situation isn’t balance in real life. African Americans are being targeted by the law enforcement. And to say All Lives Matter is like saying, “Save the Dolphins” is a dumb campaign because ALL ANIMALS MATTER. The way the past two days has played it, it’s Abe who has to apologize for being a jerk. His son is shot, but he is the one that is wrong because he did not give forgiveness, the way a kind white person gave him forgiveness all those years ago. So is the lesson in real life that blacks should forgive all the white… Read more »

Satan
Guest
Satan

Yeah, this was not a credible foundation to do a story about police shootings, because (despite Abe’s irrational, emotion based take on the situation) nobody is really going to believe that JJ had any racist intent in shooting Theo, nor does anybody believe that Theo was a hardened criminal. UNLIKE most of the shootings that have made headlines in recent years (and Hell only knows how many that happened before cell phone cameras caught them in action) this tragedy was purely one of a misunderstanding. The scanner that Theo was holding that night DID look like a gun, from a… Read more »

Jillie
Guest
Jillie

So let me see…according to you we shouldn’t see the pain and turmoil that both families are in? It is not like they were strangers. Their families have been intertwined for decades. Shame you feel that way.

Jules
Guest
Jules

I totally see this as a legitimate concern. It does feel like they are downplaying the “white cop shoots an unarmed BLACK man” aspect to this story, even though it’s been promoted as one of the major layers to this story.

I think because this is a soap opera and they can show so many perspectives, seeing the aftermath for the officer is totally acceptable. But I would agree they aren’t telling the AA side of this story nearly as clearly or precisely.

Josh Graham
Guest
Josh Graham

I actually think they handled a topical subject matter pretty well – everyone had “their say” from “their perspective” – it’s too bad that in real life, victims don’t magically come out of their coma – If the writers get ‘too preachy’ it would turn-off the Viewers, and, this is a Soap, not an In-Depth Documentary on how many innocent victims are shot by Police.

nancy dillingham
Guest
nancy dillingham

And I feel it did that also.

downtownla
Guest
downtownla

The story is solid and well-done as a soap story. Lots of twists and good acting. However, don’t try to connect it to the current crisis in America. It has nothing to do with it and there is nothing to learn from watching this soap.

4ever DAYS
Guest
4ever DAYS

I’m going by what was shown on DAYS, downtownla. Viewers saw JJ was within his right to shoot Theo because he thought Theo had a gun and Theo turned around with the “gun” raised. We saw JJ agonize over his decision to shoot. We saw Abe relentlessly attack JJ’s actions. We heard Abe mention of the “black boy wearing a hoodie”. The insinuation was there. There was even a conversation between Eli and Gabi about the ” appearance” of the shooting. I understand the realities and unjust situations of the world involving innocent blacks being shot/murdered by cops, but I… Read more »

4ever DAYS
Guest
4ever DAYS

Just to be clear, downtownla, Abe had every right to be angry because he was grief stricken. That was good, but it was also good when he saw clearly through his anger/grief that JJ wasn’t a racist, rogue, cop turned attempted murderer.

vinman
Guest
vinman

Kudos…Camilla & Casey!!!

Rodd
Guest
Rodd

Emmy-worthy. Plas, so much more. Kudos to Camila and Casey!

Jules
Guest
Jules

I didn’t think it should have been Gabi that found and stopped him. She didn’t seem like the best person to get through to him, even with their past history. It kind of felt out of the blue. But then having seen why- the bad timing for his ex-girlfriend to walk in and find comfort in Gabi’s current beau’s arms- I got it….it progresses story.

That said, those scenes were very well done. Camilla did a beautiful job, and Casey is ripping his guts out in this storyline.

Patrick
Guest
Patrick

WATCHED , today ep’ 12/25/17

James Reynolds blew me away. his scenes with JJ prior to the “miracle” of Theo … w/his family by side.

Abe Carver … knocks me out and over. APPLAUSE

AND YEAH – SO – many – DAYS cast members are , should, and be deserving of emmy nods.

Casey Moss – you have grown. as a person and in your craft. LOVE YOUR WORK

fginaspy
Guest
fginaspy

Excellent performances by CM, CB, MR and JR. The story is still being told. Many aspects of story: the black young man, the police officer and family members of both. It is not just one character’s story.

Chrystie-Delancey
Guest
Chrystie-Delancey

These scenes were so beautifully delivered and I really appreciated the fact that they highlighted the friendship between JJ and Gabi. I have found myself going through mood swings and depression this year (new for me) and of all my family in my life (I am a married mother of two little boys), it was my younger, married, and recently became a father, male friend who always noticed when I was not myself. HE was the one who seemed to reach me when I was in despair and just knowing he was there for me made all the difference in… Read more »

Celia
Guest
Celia

Yes, yes, and a thousand times, yes, Chrystie!!!!!!!! Incredible performances with both underlying and obviously poignant social issues…..
Now, here come more juicy, bad-girl ( and bad-boy, if Stefano makes an appearance) scenes …..VIVIAN!!!!! All the way, milady. Do your thing!!!!
Stefano and Vivian are behind the DiMera “hacking”…… licking my lips in anticipation……

viewer88
Guest
viewer88

And then, there was the day after.

The JJ, Gabi, Lonny, Eli switcheroo was so contrived, stupid and poorly written, that Days may well be on it’s way to the cartoon GH was when RC got fired.

Just sayin?

janet
Guest
janet

I have never really been a fan of Gabi’s, but this episode changed all that. These two actors hit it right out of the park. I was almost in tears watching JJ and his taking all the blame. His pain. This is also the first time I have not liked Abe. He has been the worst. His son broke the law, and everyone else is guilty. BS. JJ did exactly what cops are trained to do. Theo pointed what looked like a weapon, cops have seconds to respond. Or they could be shot. JJ responded. Hope should have told Abe… Read more »

Days Of Our Lives

DAYS Alison Sweeney on Working with Bryan Dattilo: “28 Years Later, Some Things Never Change. Still Laughing Between Takes and Grateful to Have Such a Talented Supportive Co-Star”

This week, Days of our Lives viewers have witnessed that Sami Brady DiMera (Alison Sweeney) and Lucas Horton (Bryan Dattilo) hit the sheets, and Lumi fans everywhere rejoiced!

On and off, for almost three decades. Alison Sweeney and Bryan Dattilo have played the relationship between these two exes who share children together to the hilt, because Sami and Lucas’ history is well … complicated.

But, what will happen if and when EJ finds out that Sami had sex with her ex? Stay tuned.

In the meantime, Alison took to her Instagram and shared her thoughts alongside photos of her and Bryan, then and now.

Over the years, Bryan had remained one of Alison’s good friends.

Sweeney expressed: “I have always had such fun working with @bryan.dattilo !! 28 years later, some things never change. Still laughing between takes and grateful to have such a talented, supportive costar. Thanks @nbc for this great archive photo! And so grateful to @nbcdays for the incredible opportunity to play Sami.”

What did you think of the scenes where Sami and Lucas slept together and its aftermath thus far? Comment below.

 

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A post shared by Ali Sweeney (@alisweeney)

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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Breaking News

REPORT: Dan Feuerriegel is DAYS New EJ DiMera

Could Days of our Lives finally found their new EJ? Rumors have been circulating on the internet for weeks that the character of EJ DiMera may finally have a new face and a new actor portraying and heading back to Salem, especially since Sami (Alison Sweeney) is back on the canvas.

The role was previously played by longtime fan favorite James Scott, who had made it very clear he would never return to Days of our Lives.

Photo: DFeuerriegelIG

Now according to Daytime Confidential and their report from setside sources, the new EJ will actually be played by former Spartacus actor Dan Feuerriegel.

The Australian-born actor has been seen in Starz’ Spartacus franchise in the role of Agron.

According to the report, look for the new EJ to make his debut sometime this summer.

DAYS fans know that in story, EJ was brought back form the dead, from the serum from Dr. Rolf, but then was injured in an explosion and had reunited with Sami and had been recovery in Europe.

So, if this reports turns out to be true, what do you think of the new EJ? Comment below.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

The Michael Channel

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Power Performance

Nancy Lee Grahn as Alexis

General Hospital

Airdates: 4-8-2021

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