Connect with us

Interviews

3

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

Photos: JPI Srudios?NATAS

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

Leave a comment | 3 Comments
Advertisement

3
Leave a Reply

avatar
2 Comment threads
1 Thread replies
3 Followers
 
Most reacted comment
Hottest comment thread
3 Comment authors
PatrickCid Weinbergdavlestev1 Recent comment authors
newest oldest
davlestev1
davlestev1

And that’s why the daytime Emmys will NEVER be televised again. Two tone deaf people claiming that no fans want to see them there anymore and would rather watch on Facebook. TOO FUNNY. I remember just how important and popular the televised shows were. So popular the network that aired them each got to air a splashy nighttime episode of their most popular soap in the evening, one hour after or before. Watching Doug Marlands turn as head writer on the Doctors (retro tv) also shows the power of what our soaps used to be. Aside from those hideous scenes of Jada Rowland taking over as carolee and constantly meeting Steve Steve and nothing else for weeks on end LOL.

Cid Weinberg
Cid Weinberg

Radio to TV to Internet…when we embrace it, it’s amazing. Nothing stays the same. I get it and always thought The Daytimes Emmy’s belong on during the day too. I do not watch live TV like before & watch Online. There are other avenues, not just Facebook. The rest of the world does, can reach a larger audience. Producers can do both – produce for live TV & Online. Fantastic to be able to view old soaps & The Sopa Art Form as it matured, correct? Lucky & makes one smile doesn’t? The soaps still have power, they just don’t need to remember…not throw in the towel & challenge themselves, again.

Patrick
Patrick

David Michaels : “you” are completely – OUT – of your mind.

Maurice Benard is not an every day player any more. his role and character are continually in question by the fan mindset. by your wanting to showcase a humane streak in him with “ALTZHEIMERS” has not swayed the audience one bit. GOD he’s old and showing it. NOW that the “RULES” of submitting have changed… MAURICE BENARD , WAS ABLE TO GIVE A STORY ARC , 20 MINUTES LONG. lets cap off this submission with a song from Frank Sinatra with dear old dying daddy.

WHICH if you knew the history.. has not changed one bit of history with this father/son estrangement. he nutted up before ONE iota or semblance of any kind of relationship surfaced. NOT ONE IOTA of emotion real made it to reel.

even with the powerhouse performer Max Gail is… who propped his fellow castmates at ever whim . still

we got nothing , of communication of any kind… that was relatable. Sonny was always the reactor.. and just drew blank. camera fade.

HOW CAN YOU SAY : that his fellow nominees … would slight themselves and just give a wasted acknowledgment away ???? are you that daft ? of course you are scrambling for credibility. OH MY GOD… Jon Lindstrom / Tyler Christopher / Billy Flynn / Peter Bergman… I watch these shows 365 days a year… for decades… yeah, fault the non entity. Whomever : the emmy panelists… NEED to be in question… just like in best lead actress… the emmy panelist voters SUCKED THE LIFE OUT OF THE EMMY .

Grand Hotel

Denyse Tontz and Lincoln Younes Preview Forbidden Romance & Intrigue As ‘Grand Hotel’ Premieres

When Grand Hotel opens its doors to its audience tonight on ABC (10PMET/PT), it will have a very familiar feel to soap fans for several of its series regulars and its executive producer all come from the world of daytime or serialized storytelling.

Executive Producer, Eva Longoria (Ex-Y&R, Desperate Housewives, Devious Maids, Telenovela) brought to the screens a provocative drama with Miami Beach as its backdrop of the last family-owned hotel (by the Mendozas) with a contemporary take of an upstairs/downstairs story of 2019.

Former General Hospital’s Bryan Craig plays Javi, who is joined by two other soap notables; former All My Children reboot star, Denyse Tontz (Ex-Miranda Montgomery) and Australian-born actor, Lincoln Younes (Ex-Casey, Home and Away) who’s characters are interlocked in some very sexy and mysterious ways.

Tontz, plays Alicia Mendoza the strong-willed daughter of the Mendoza clan, who is fresh out of business school… and who will make a huge discovery about her dad, but is also set to embark on a romance with a new staff hire!  And that staff hire is Danny played by Younes, whose character Danny is not who he says he is at all … and he has one goal in my mind which brought him to the hotel … but things get complicated for him when he feels a massive attraction to the hotel owner’s daughter … Alicia!

Michael Fairman TV took part in a press roundtable discussion with Tontz and Younes to get some teasers of what’s to come when Grand Hotel premieres.  Here’s what they shared in some questions posed by us and others below.

Photo: ABC

Danny and Alicia definitely have an instant attraction in the season premiere. Where can you tease that it might go?

LINCOLN:  Well, it can go in a number of directions, but hopefully towards a positive one.  They each have their own motivations for why they’re at the hotel.

DENYSE:  Alicia’s main goal, or at least from the beginning, is to prove herself, just having graduated business school and sort of step into her mother’s shoes a little bit. She’s had a lot of pressure on her for most of her life to sort of fill that role and keep the family together.  I think it’s really tough to have to juggle that and the desire to explore this potential romance with this person who is so intriguing to her.

LINCOLN:  I think with Danny, his reasons are kind of unknown as to why he’s at the hotel.  He comes in as a new employee, but there is something off about him.  It is complicated by the arrival of Alicia and the chemistry the kind of ensues between them.  I think that’s kind of the interesting thing to watch is them navigating their priorities and their initial motivations with the inevitable chemistry and dynamic that has appeared.

Photo: ABC

The main family in Grand Hotel is Hispanic.  And what is intriguing about the premise is that their ethnicity is not the backdrop of the story, it’s just who they are.  Would you agree?

LINCOLN:  Eva is kind of a trailblazer in that way because this is about the story of a family, and a hotel, and the guests, and the employees, and the employers, and all of the different things these people go through.  It’s not so much the color of their skin and their background.  I think as soon as you take away the magnifying glass of how a person appears and really look at what is going on inside, that’s a step in the right direction.

DENYSE:  I think that even though we are really a diverse cast and crew, that really has nothing to do with the actual premise of the show, and I think that’s really cool even to just see that.  To just play a character who happens to be Hispanic, and that’s not the central theme of this character, I think there really are no stereotypes that are perpetuated in any way.

LINCOLN:  It’s the perfect melting pot of culture, and the fact that it is set in a hotel where anyone from any part of the world can come into, it creates this show that I don’t see anything like this on TV, and that’s very exciting.

Do you see Danny and Alicia as a duo to root for with their dysfunction and all throughout the series?

DENYSE:  I think there is this sort of allure to the forbidden romance aspect of it all.

LINCOLN:  They have these obstacles in front of them.

DENYSE:  But you want it to happen. (Laughs)

LINCOLN:  You want it to happen, and it’s just against all odds.  That complicates things.

Photo: ABC

You have such a great cast to work with; chief among them Demián Bichir, Roselyn Sanchez (Devious Maids)!

DENYSE:  Oh man, working with Demián and Roselyn and Eva Longoria was a dream.  They’re each so special in their own way.

LINCOLN:  Three powerhouses.

DENYSE:  Yeah, three powerhouses and very different.  They each have their own way of approaching a scene.  Demián is mostly a movie actor, and it really shows in the way he approaches scenes, and the way he is not glued to the lines, and it’s kind of cool to watch him and learn from him in that way.  He’s so funny too.  He makes it a really comfortable environment, and you feel safe to try stuff.   Eva … same thing.  She has a clear vision for what she wants.  She can direct in such a way that I think a lot of directors can’t, because she has been on the other side of the camera, and she has got a really good perspective.  I think she’s really great at articulating what she wants you to do.

LINCOLN:  Yeah, she’s very meticulous.  I think the thing about all of the people who you’ve just mentioned is that they all have levity.  They are all very specific, but they are all very authentic.  That carries through in both their acting and how they carry themselves off set.  That was really great to kind of learn from them.

Photo: ABC

Many in the cast are from daytime dramas, or soap operas previously, including both of you!  Was that a coincidence in the producers casting choices, you think?

LINCOLN: I think, just knowing Eva so well now, and Brian and Ben, the creators behind it, they searched long and hard for the people they wanted to play the roles.  So, it might just be a happy coincidence.

When the scripts came out, how did the cast handle the twists?

LINCOLN:  There was a lot of speculation going on.  There was a lot of gossiping on set and off set.

DENYSE:  Lots of gossiping, stealing scripts… a lot of bombshells though.  There really is no shortage of plot twists.  A lot of these characters you think are going to start out a certain way, and then you find yourself completely changing your opinion of them halfway through the season. Without giving too much away, nobody is really who they appear to be.

Photo: ABC

How do you both feel about the fact that the wait is over and Grand Hotel is finally premiering?

DENYSE:  It’s super exciting.

LINCOLN:  It’s very surreal.  This is my first American show, so I have no idea what to expect.  I just go to Denyse for advice.  I’m like, “What do I do?”  (Laughs).  It’s all very exciting.  I think when you love a project; there is another element when it is released to the public.  Everyone on the show loves it.  Everyone is so passionate about it.  So, I just hope that the audience feels the same and that we get to keep doing it.

So will you be checking out Denyse, Lincoln, Bryan, Eva and more on Grand Hotel?  Share your thoughts via the comment section below. But first check out this promo for the kick-off tonight!

Continue Reading

General Hospital

GH’s Cynthia Watros Talks On Taking Over The Role Of Nina & Ingo Rademacher Dishes Jax’s New Love Interest

Today on June 3rd, Daytime Emmy winner, Cynthia Watros is set to begin taping all-new episodes of General Hospital as she steps into the role of Nina Cassadine, last played by Michelle Stafford, who has left the ABC daytime drama series and headed back to The Young and the Restless to reprise her signature role of Phyllis Summers.

Watros, best-known for her delicious portrayal of Annie Dutton on Guiding Light, and who was last seen on daytime on Y&R, is back to the grind of the soaps taking on the complex Nina.  Add to that, it is clear that GH is setting up a potential love triangle, or new love interest for her, now that Jasper Jacks is back in Port Charles with GH fan favorite Ingo Rademacher returning to the show.

Last month on the recent GH Nurses’ Ball episodes, we saw Nina (then Stafford) lock eyes with Jax, and the two demonstrated an instant attraction to each other.  Add to that in story; Jax was revealed to be the new 50 percent owner of Aurora Media, which Nina’s Crimson Magazine falls under, putting them in each other’s path in more ways than one.

Michael Fairman TV chatted with Cynthia and Ingo along with other members of the media at last week’s ABC Summer Press Roundtable junket, and here were some intriguing and insightful moments from the conversations below.

When we asked if Cynthia had a conversation with Michelle Stafford on taking over the role of Nina, Watros responded: “I did.  We had lunch together, and I have to say, Michelle is an amazing, lovely, giving woman.  Just to be able to sit across from her and talk about Nina and to talk about the show, I was just in awe of her generosity.  I will always be a fan of Michelle’s.  She actually reached out to me and said, ‘If you ever want to call or text…’ and I said, ‘Let’s have lunch!’  So, we found and afternoon and spent like three hours just talking about it.”

Photo Credit: ABC

Since Watros has brought the cray-cray to her best known role of Annie on GL and is so adept as an actress to go from that to playing grave reality, Cynthia weighed in on how she sees Nina and the challenges of being a recast in a soap role: “Nina has all of this stuff that I can’t wait to play.  She’s got stuff that she hasn’t explored for a long time because her life is going pretty well right now.  What happens though when your life doesn’t go really well?  You start exploring those things that you thought were sleeping a little bit, you know, that weren’t necessarily bubbling up to the surface.  So, I like it all: when a character’s life is going well and when a character’s life is not going well. Because I’m playing Nina now, it’s going to be different.  It’s going to be challenging.  It’s the first time I’ve ever taken over a role that someone else has played.  I don’t want to totally go off, so people go, “Wow.  Nina’s totally different,” but of course, I want to make it my own.  Again, I’m an actor who likes to use all of the tools.  I like it all … the funny, the not so funny, the playful, and the crazy.”

As to the timing of Watros returning to the soaps at this time in her life … and how it went down that she landed her new gig at GH, she revealed: “It sounds not very dramatic, but I got a phone call.  Just a phone call asking, ‘Would you be interested?’  Guiding Light will always be in my heart because I had such a good time doing Annie, and I was on Young and the Restless and Another World for half of a second.  So, daytime has always been in my life and in my world.  My last show was in Atlanta, and my daughters were in high school in LA, and it’s hard to go back and forth for them, for me, and for my life as a mom.  So, I kind of took my acting and said, ‘Well, I’m going to slow it all down until they graduate high school.’  They graduate high school June 2nd and I start GH June 3rd.  So, it just seemed like it just made sense.”

Photo: ABC

As to what the future holds for Nina as she takes over the role, Watros shared: “I can tease that I get to play with this guy (Ingo) a lot, and Nina is trying to find a stronger role in the magazine where she is really going to step up in making that a success and her love for the magazine , and trying to navigate her relationship with Jax.”

Cynthia will also get to work with Nina’s present love interest, James Patrick Stuart (Valentin), which the actress is also excited about:“I have to say, I have not met him, but I have been watching the show, and he is just phenomenal.  I love his character.  I love how he is this sort of like bad guy, but it seems like the women really dig him.”

Watros says she is excited to work with Maura West (Ava), Laura Wright (Carly), and Billy Miller (Drew) from the cast.  She has previously worked with Laura and Billy in her soap career. As to her nerves for her first week at the ABC studios where GH is taped, Cynthia shared that she is: “Less nervous, more excited. I feel like a 20-year-old back in soaps.  I remember Kim Zimmer (Ex-Reva, Guiding Light) back in the rehearsal room, and I was off script, and she was on the show for a long time before me, and I was new. I was yelling my lines, and she goes, ‘Excuse me! Can you tell this actress not to act so early in the morning?’ (Laughs) I feel like I’m going to do that again.  So, I’ve got to tone it all down.” (Laughs)

Photo: ABC

For Ingo, he certainly has a view as to how Jax fits into the canvas of Port Charles: “Jax is to me, and I’ve only just been able to put it into words now that Captain America came out, but he’s ‘Captain America’.  He’s all about fairness.  If he sees a bully, he will stand up for the person who is being bullied.  So, that’s who he is.  He’s the white knight.  He’s the person who will always do the right thing.”

Now that Jax has big time ownership in Aurora Media and thus Crimson, does he see the sparks flying with Nina? Ingo reveals: “Yeah, basically he walks in, and she goes, ‘What are you doing in my office?’ and he goes, ‘Actually, it’s my office.’  When I heard about him doing that magazine, I was a little surprised because that’s usually much too small for Jax.  He’s more of a Richard Gere in Pretty Woman character, corporate leader, takes corporations apart, sells pieces … this is, I think really for his daughter, Josslyn (Eden McCoy).  He’s thinking about the future.  Also, to keep him busy in an actual job that he might be good at.   I think it’s a big change in lifestyle for him where before it was about businesses which were much more global.”

Photo: CBS

As to what is behind Jax’s attraction to Nina, Ingo summed it up by sharing: I think Jax is attracted to Nina the first time he sees her.  I have a feeling he already knew who she was the first time he sees her at the Nurses’ Ball, because he’s been studying Aurora Media before purchasing it.  He’s done his background work, and to piss off a Cassadine is just a bonus.  Also, I think what is interesting for Nina’s character is the two different guys.  She’s engaged to this more mysterious character, and then, you’ve got this jolly, upfront one going, ‘Hey!  How’s it going?  Everybody having a good day?’ (Laughs)  He’s very confident as well, but in a different way.  I think it’s nice for the story for Nina to be tugged between two completely different men.”

So, excited to see the debut of Cynthia in the role of Nina? Are you up for a triangle between Jax/Nina/Valentin? Share your thoughts via the comment section below.  But first, watch Cynthia’s Emmy-winning moment as Lead Actress in a Drama Series for her work on Guiding Light.

Continue Reading

Days Of Our Lives

DAYS Arianne Zucker, Stacy Haiduk & Paul Telfer Talk On Masks, Villainy & Their Wildest Storyline Yet

Take three great actors, add a prosthetic mask into the equation, and let them have at it! That’s just what NBC’s Days of our Lives is in the midst of serving up to its fans with this latest plot device and twist.  Last week, it was revealed that the nefarious Kristen DiMera (Stacy Haiduk) is alive and well and pretending to be Nicole Walker (Arianne Zucker) donning a mask, a voice alternating device, and some other body tweaks!  The goal …  to be with Brady Black (Eric Martsolf) and she will do anything to accomplish that!

Enter Xander (Paul Telfer) who has been in the thick of the plot being the only one we know of, so far, who knows that Kristen is parading around as Nicole.  They hatch their next moves inside a room at the Salem Inn.  They even went so far as to set it up to appear that Nicole’s daughter, Holly was killed, so she could blame Eric (Greg Vaughan) and cause a break-up of the long-suffering lovebirds and play it off as she needs to be consoled by Brady!

Michael Fairman TV chatted in an entertaining and wickedly funny interview with Arianne Zucker, Stacy Haiduk, and Paul Telfer to get the lowdown on what happened when they learned they would be wearing or working with a mask, how they pulled off the emotions in the storyline twist, and what to look forward to from here.  Under the clever pen of head writer, Ron Carlivati looks for the hits and twists to keep coming as this storyline continues to rock the world of Salem for some time to come.  Here’s what Arianne, Stacy, and Paul had to say about their latest on-screen predicaments and schemes!

Ari, at what point did you know that you really weren’t Nicole … and that you were Kristen playing Nicole?

ARIANNE:  I actually didn’t find out until a little bit after the van went off the road in the storyline; thinking it was Holly who was killed.  Sometimes, the less I know makes it fresher, and I think if I had known before those scenes, and the scenes with Eric (Greg Vaughan), and when I first came back, I would have had a little too much Kristen on my mind, and I don’t know if I could have been as raw as I felt in those scenes.  So, anyway that’s my long explanation.  I found out after I started back on the show! (Laughs)

Photo Credit: JPI Studios

Additionally, did you have a conversation with Stacy about certain mannerisms hat Kristen has if you’re “masquerading” as Nicole?

ARIANNE:  Our co-executive producer, Albert Alaar had talked to me about watching Stacy because everything was happening fast.  Stacy and I really hadn’t had a chance to even talk to each other even from the last round of me being thereI remember Stacy was inundated with dialogue up the wazoo when I came back for that twelve-episode arc.  So, because of all of that, Albert said, “Watch Stacy! Watch her mannerisms, watch what she does,” and then I’ll throw a little Ari in it.  I just hope that I do as good of a job as Stacy does.

Paul, you and I talked about this on the NBC ‘Inside Salem’ podcast, when we played back for you (for the first time) the clip of Kristen taking off her Nicole mask.  Xander had the perfect set-up line for the reveal: “The part of Nicole Walker is being played by Kristen DiMera!”  Did you not have a good laugh doing that scene?  How did you get through doing that moment?

Photo Credit: JPI Studios

PAUL:  Oh, yeah, I was laughing my ass off the whole time.  This is an insane storyline with masks and doppelgängers.  But, it looks great on-screen, and that way it’s edited.  So, I was really happy.

STACY:  There was one moment when Nicole would hold steady to unfold the neck.   So, Ari started that to the point where I’m pulling it off completely.  I think it’s cool.  It’s “Mission Impossible”.  How nice!

PAUL:  That’s what I going to say.  If Tom Cruise can make a hundred million dollars doing this stuff …

STACY:  … then, we can do it!

ARIANNE:  Right?  We can make a quarter of a quarter of a quarter of a quarter of that.

STACY:  We’ll make it look good!

What is the real deal between Xander and Kristen?  They are conspiring and in cahoots, but there’s this underlying sexual tension between them.  I think Xander respects Kristen in a way, because she can one-up him!

Photo Credit: JPI Studios

PAUL:  I think every character who Xander has interacted with who isn’t a member of his family, he’s trying to either get something from, or get into bed with, and he can’t really do either with Kristen, because she’s crazier and more dangerous that he is up until this point.  That’s certainly the way that it feels.  The way Stacy plays it, she is not to be messed around with. Honestly, I think that turns him on.

STACY:  Yeah, there you go.  That sounds good. (Laughs)

PAUL:  I mean, it makes sense.  Just like, “Wait a minute.  This is a bit spicier than I’m used to,” so, he’s excited, but at the same time he knows which side his bread is buttered on, and he doesn’t want her to murder him!  (Laughs)

STACY:  Well said.  I like that. (Laughs)

Photo Credit: JPI Studios

So, what does Kristen think of Xander at this point?

PAUL:  That, he’s a useful idiot.

STACY:  She actually needs him to go out into the world because she can’t leave.  When she does, she has to leave as Nicole, and then it becomes a whole other storyline.

PAUL:  It’s fun because Kristen is actually the boss, and Xander is convinced that they’re actually partners and that becomes our whole dynamic where she’s treating him as her lackey, but he’s like, “No, we’re partners, because I know your secret.”  Then, it becomes kind of a bargaining chip between the mask and all of that.  It’s so crazy because certain evil characters when they come back, they have to come back in disguise; whereas Xander’s always quite happy to be just jogging through town square with his shirt off after holding someone ransom or kidnapping a baby like, “Ah, whatever.”

Photo Credit: JPI Studios

Arianne, it’s been awhile since you got to play the villainess side of Nicole, and with this return to DAYS you get to play that side of her as well, even though it’s really Kristen. Do you enjoy playing the bad girl?

ARIANNE:  Stacy and I were just saying today that you have these conversations about the villain character, (and Paul, I’m sure you’ve felt a lot of this too) people hate you or they love to hate you, and you’re like, “Hey, it’s a good thing because I’m doing my job if you hate me,” but in order for the storyline to move, you’ve got to have a villain.  Nicole used to be kind of villain-ish but playing someone like Kristen who is such a valued villain on this show is just … oh, my God!

Stacy and Paul, what do you think is the most heinous thing your characters have done so far?

STACY:  The most heinous?  (Laughs). Wow.  You know what’s funny is that she’s done all of these things, and I don’t think she thinks what she does is bad.

PAUL:  It’s so funny because you totally would expect her to be like, “The other characters are evil.  We’re the good guys!”

STACY:  I mean honestly, so she kidnapped Nicole, and took her baby.  There’s Marlena and the window.  I mean, it’s hard when she’s done all of these crazy, horrible things.  I’ve just really enjoyed playing her because she’s smart, she’s sassy, she’s this brilliant, deviant person who just wants one thing, and there’s one thing on her mind, and everything else gets in her way.

Photo Credit: JPI Studios

Is the one thing Brady?

STACY:  Brady, Brady, Brady, and I think even Xander has to repeat it over and over again.  We were playing in rehearsal, and I think I had him do that.  I don’t remember the line, but I said something, and he goes, “Brady Black,” and I go, “Say it again,” just because I want to hear him say it again.  That’s her driving force.

What did Greg Vaughan and Eric Martsolf say when they found out about what the twist was?  Did you tell them?  How did they find out?

ARIANNE:  Well, Eric Martsolf always has a great chuckle.  He has a great laugh, and I think Greg Vaughan just stared at me for a minute.  Then, I told him about the mask process … about making the mask …. and how I thought I was going to pass out and die.  (Laughs)

Photo Credit: JPI Studios

Is putting on the mask an extremely weird experience?  How long does it take to put on? 

STACY:  About an hour?  It’s quick, and I thought we were going to suffocate when we were under that because I’ve never done my whole face before, but I’ve done body things. Make-up department is like, “You’re going to be fine.”  It was heavy too, really heavy.

ARIANNE:  Yeah, and because it’s so heavy, after a while, it starts to pull your skin down a little bit, and you’re like, “No, no!” (Laughs)

Did anybody else go running around with the mask on?

PAUL:  Oh yeah.  Everybody!

I knew it!

ARIANNE:  How could you not?

Photo Credit: JPI Studios

So, what is the relationship between the real Nicole and Xander, which we saw play out before her death?

PAUL:  She’s my wife!

So, Xander sees Nicole as his wife?

PAUL:  I’m happy to give Xander’s perspective on Nicole, and then Arianne can feel free to correct it.  (Laughs)

ARIANNE:  Alright, that sounds good.

Photo Credit JPI Studios

PAUL:  The way I’ve tried to handle it over the years in our ins and outs of this failed romance is that they’ve saddled poor Arianne with: this psycho chasing after her, and kidnapping her and her baby, and whisking her off to foreign lands – and also to Nashville.  When Xander first came into town, before they decided to make him a total psychopath, it was all working nicely, and Nicole wasn’t really on the up and up with Xander, and she wasn’t really honest about what her intentions were.  Meanwhile, Xander was involved in all of this chicanery with Serena, so once that metastasized into full-blown evil, and Nicole was aware of this, it shifted from, “I just really wanted to take this girl to the movies,” to, “Well, I guess I have to kill her now.”  (Laughs)  So, I think he’s just been playing that out ever since.  “Well, if I can’t date her, and if she won’t love me, then I guess I just have to torture her for the rest of her days.”  I think now on the other side of her supposed death, I think Xander has probably reconciled that his twisted romantic notions, or torture, or whatever he was doing with Nicole, is probably over, and he’s moving on to greener, more alive pastures like Sarah.  To be fair, I do think they’ve purposely made it confusing.  Not just for the audience, but for us.  There’s a real sense of, “Am I playing this to Nicole as Kristen, or do you want me to play this just to Nicole?”  Very often they just go, “No, just play it to Nicole,” because it’s funnier if for Xander it just occasionally slips his mind because she looks just like Nicole.  I’m kissing her… like he’s just enjoying the fact that he can.  “I never really got to kiss Nicole much, but this is Nicole’s face, so I’m going to.”  (Laughs)

ARIANNE:  That’s hilarious.

Ari, what would you say is their relationship?

ARIANNE:  Well, I’m certainly not as long-winded as that.  (Laughs)

PAUL:  He’s a creep!

ARIANNE:  He is a creep.  What cracks me up coming from Nicole is, “Ew, what a jerk.  He’s so gross.  Yuck, yuck!”  Like, really?  You’re not going to make that one work, huh Nicole?  When you reach that far back to the history of Xander and Nicole, it doesn’t have a lot of depth for the two characters because the next thing you know he’s trying to kill her and Eric.  It’s like that scary online dating when you go on one date and it didn’t work out because that guy is going to kill you.

PAUL:  Xander is like the ultimate bad Tinder date.

ARIANNE:  Totally. (Laughs)

Photo Credit: JPI Studios

That is classic.  The bad Tinder date.  That’s basically it.  Xander also apparently feels bad for Maggie (Suzanne Rogers) as she is having her bout with alcoholism.  Is that correct?

PAUL:  Yeah, I’m actually excited to see some of that stuff.  It was great doing it because I love Suzanne to bits.  I was very afraid of ruining Xander by making him too nice, but at the same time when I was first brought on to Days, I wasn’t offered a villain role originally.  Xander morphed into a more severe villain than I’d been led to believe he would be, and it happened quite quickly.  So, I’m actually quite happy to right the ship a little bit back towards he’s bad but he has some occasional glimmers of goodness in him.  So, Maggie really represents that because she’s actually quite nice to him and nurturing in a way that no other character on the show is.  When she has her dalliance with alcohol, he’s one of the few people who doesn’t judge her for it, and we finally get a little bit of Xander’s back story.  I’m actually excited to see those scenes because they felt nice to do, so hopefully they come across well.

Stacy, how did you track this storyline, when Arianne would be playing Kristen as Nicole? 

STACY:  Well if I didn’t get the script, I didn’t know about it.  So, if I wasn’t in the script that time, then I would be looking at Paul going, “What are we talking about?” and then, Ari had obviously already shot those scenes, so they were written for me, so I’m like, “What did I do?  What did I do?” It’s just scenes between Xander and Kristen at the Salem Inn.  Occasionally, you’d get somebody knocking at the door, but then I’d have to quickly put on my mask. (Laughs)

Photo Credit: JPI Studios

So, Ari did you ever have to go to Stacy to get tips about Kristen’s past or anything?

ARIANNE:  It was all about the future moving forward.  I think old, former Nicole had some crazy similarities with current Kristen because it felt kind the same as pulling some things from what she used to do … you know, just a couple of crazy chicks in one crazy character. (Laughs).

The other big part of this is Rolf’s diary that Xander has in his possession.  Is Kristen in cahoots with him on that?  Is she trying to get that from him?

STACY:  I think she is.

PAUL:  Yeah, that’s when she starts to get mad at him; when she realizes that he’s not just being her underling and he’s off scurrying around with his own agenda in the meantime.

ARIANNE:  He’s manipulating and doing his own thing.

PAUL:  I use it to start manipulating Eve (Kassie DePaiva).

So, what would you say to the fans to look forward to?  “You never know who you’re talking to on DAYS?” “Gird your masks?”

ARIANNE:  I definitely think fans know that’s not Nicole the way she is.  And, you never know who is going to give you a shot in the butt and turn you into somebody else.

Photo Credit: JPI Studios

Well, that’s true.  You never know.  One day they’re going to tell you that you’re playing Julie today! (Laughs)

ARIANNE: “Today the character of Julie will be played by…”

STACY: “… you will never guess by whom!”

PAUL:  This was fun.  This is a fun way to do it.  Let’s all do all of our interviews together moving forward!

So, what have you thought of the plot twist? What do you think of the Nicole mask and the performances and comments made here by Arianne, Stacy, and Paul? Share your thoughts via the comment section below.

Continue Reading
Advertisement
Advertisement

Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

The Michael Channel

Recent Comments

  • Mary: “I hope Patsy is feeling better
  • Violet Lemm: “rebecca1, So nice that you think a known murderer should be the toast of the town, while Carly, although being…
  • rose: “rebecca1...looks like sanity has prevailed and Mac is back where he belongs as the commish, at least temporarily. Hope…
  • Peter: “Cynthia is a wonderful actress, I agree with you Rodd. I loved her as Annie Dutton on Guiding Light. She…
  • Johnny: “I will watch this show tonight, hopefully it will be a big hit.
Advertisement

Power Performance

Kin Shriner as Scott

General Hospital

Airdate: 4-2-2019

Advertisement

Popular