News
Former One Life to Live Co-Head Writer Sam Hall Sues ABC Over Royalties!
Courtesy/TOLN
The former co-head writer of One Life to Live Sam Hall is suing ABC for what he claims are royalties owed when the iconic soap opera transitioned to the web via Hulu and iTunes, and was broadcast during the “Summer Fling With The Soaps” summer soap-block of the revival of the seriesĀ on OWN via Prospect Park, who licensed the rights to both programs from Disney/ABC in 2011.
Hall served as a co-head writer of the soap opera in the mid-1980s, filed a lawsuit in New York state court.Ā According to the complaint, ABC made a deal in 1984 with Wildercliff, Ltd. for Hall’s writing services. The agreement is said to have entitled Hall to a weekly royalty “as long as the One Life to Live series is broadcast.”
The Hollywood Reporter details,Ā “A copy of the agreement was included as an exhibit in the lawsuit. The royalty payment was $1,000 per week, and it’s not spelled out whether “broadcast” is restricted to network television. Hall says he got those weekly royalties until Jan. 13, 2012, when the series ended on ABC.Ā Now, Hall is stepping up to stake a claim that his old contract entitles him to royalties from that period.
“Each week during which such exhibitions by each authorized entity occurred Hall was entitled to be paid the weekly royalties,” says the complaint. “Despite due demand, Hall has not been paid any of the weekly royalties to which he is entitled for the exhibition of the series by Prospect Park Productions, iTunes, Hulu and OWN, which total in excess of $50,000.”Ā Ā Ā ABC could not be reached for comment.
So what do you think of the latest legal problems involving One Life to Live?Ā Let us know!
General Hospital
‘General Hospital’s’ Cynthia Watros Honors Former ‘Titus’ Co-Star Stacy Keach Following His Passing
General Hospital star Cynthia Watros, who can currently be seen in on the ABC soap opera in the role of Nina Reeves, has had a enduring career in television. That included her time on the 2000-2002 Fox sitcom, Titus.
In Titus, Watros starred along with Stacy Keach as Erin Fitzpatrick and Ken Titus, respectively. After the November 10th news that Keach had passed away at 85 while living in Poland, Cynthia took to her Instagram on Thursday, November 12 to pay tribute to the great actor.
Watros expressed, “My first prime time show was along side Stacy. I loved him instantly. What an amazing talent and man.❤️”
Photo: ABC
In Titus, Stacy played stand up comedian Christopher Titus’ heavy-drinking, chain-smoking, five-times-divorced father who frequently pulled cruel pranks and tried to toughen his kids up. Cynthia played by Christopher’s level-headed, big-hearted girlfriend trying to build a normal life with him. In fact, Cynthia’s role on the sitcom was first series regular role after her Daytime Emmy run of Annie Dutton on Guiding Light which ran from 1994-1998.
STACY KEACH’S WIFE ON HIS PASSING
Keach’s wife, Malgosia shared the news of the actor’s death publicly in a statement with PEOPLE. Malgosia expressed, that Stacy had, āa long and difficult battle with a serious heart condition and heart failure.”
She added, “Stacy peacefully departed this world. He fought for so long, with extraordinary courage, determination and strength. He was a true warrior, facing his illness with the same remarkable spirit and resilience that defined his life.ā
MaÅgosia continued, āStacy was not only a legendary actor, admired and loved by audiences the world over, but also my beloved husband, my companion and the heart of our family. His passing leaves an immeasurable emptiness in our lives. But his extraordinary spirit, his unforgettable voice and the love he gave so generously will remain with us forever.ā
Now, let us know do you remember when Cynthia made her sitcom debut in Titus? Share your thoughts via the comment section on Cynthia’s many TV roles and the passing of Stacy Keach in the comment section. But first, check out the very first episode of Titus with Cynthia Watros below!
Beyond the Gates
āBeyond the Gatesā Emmy Winner Ambyr Michelle Wants to Compete on āDancing with the Starsā: āPick Meā (Exclusive)
Soap opera fans are always clamoring for when Dancing with the Stars reveals their cast each season, that they would include a familiar face from daytime drama, but it rarely happens, if ever, anymore.
Over the last several years, the series has leaned heavily into casting celebrities with massive TikTok or Instagram followers, which in turn, have helped this season and last have their best ratings numbers in years.
But, how about for next season’s cast of Dancing with the Stars, that it could include newly-awarded Daytime Emmy winner, Ambyr Michelle (Eva Thomas) of Beyond the Gates?
Photo: CBS
LOVE OF DANCE TO LOVE OF ACTING
Michael Fairman TV spoke to Michelle about her dance background and if she would love a shot at lifting the Len Goodman Mirrorball Trophy during Wednesday’s November 11, livestream chat on the Michael Fairman Channel.
Ambyr explained to fans (who joined in on the live chat), how she began her show business career. “I started off as a dancer, first and foremost. Acting wasn’t really something I wanted to go after. I did plays when I was younger, but it was just something we did in school, but I really wanted to be a dancer. I moved out to LA to dance, and I fell out of love with dance, which was so weird.”
This year’s Emerging Talent in a Daytime Drama Series winner, added, “I was like, ‘What is going on?’ I moved all the way out here for dance. I found I was forcing myself to go to dance class, and I just didn’t have the passion for it. I was working at this restaurant at the time, and one of my coworker was like, ‘What about taking an acting class out here?'”
Next, Ambyr took the coworker up on the idea. “So, I took an acting class and I fell in love with it that day,” shared Michelle. “I was like, ‘I want to do this for the rest of my life.’ I thought, I would love to book a role, of course, as a dancer, but I think acting has a little bit more longevity.”
Photo: ABC
A SHOT AT THE LEN GOODMAN MIRRORBALL TROPHY
When the talked turned to if Ambyr would consider or be interested in appearing on the ballroom dance competition series, she piped up with, “I would love to do Dancing with the Stars! Pick me!”
As those in the live chat rallied around this idea, it made us think, Ambyr could be the first contestant from Beyond the Gates, and someone representing the soaps. It checks off so many boxes! To which Ambyr replied, “That would be beautiful.”
You can check out the full conversation with Ambyr below.
So, what do you think soap fans? Can we make sure Ambyr’s name gets in front of the producers and casting director for next season’s Dancing with the Stars? Would you like to see her in the competition? If so, who would be your dream pro professional dance partner for her? Let us know in the comment section.
The latest ratings are out for the week of October 26-30, 2026 and the big takeaways include: that CBS daytime’s Beyond the Gates was separated by only 23,000 viewers behind third place (of the soaps) General Hospital! For the last several weeks, Beyond the Gates has been closing the gap on this year’s winner for Outstanding Daytime Drama Series, and continuing to best GH in the key demos.
According to the latest Nielsen ratings breakdown from Soap Opera Network, the final week of October brought Beyond the Gates 1.790 million on average tuning-in and the show set a season high in total viewers. Meanwhile, General Hospital hit a new season low! The long-running ABC soap had 1.813 million for the week, and once again the series did not go over the 2 million mark.
Meanwhile, in the key Women 18-49 demo, Beyond the Gates was firmly ahead of GH with a rating share of 0.21, while General Hospital had 0.17 rating share.Then, in the key Women 25-54 demo, Beyond the Gates was once again ahead of the ABC soap with a ratings share for that demo at 0.30 while GH came in with 0.26.
Photo: CBS
MORE BY THE NUMBERS
In addition and comparatively, Beyond the Gates +22,000 viewers week-to-week, and had the largest gains in viewership year-to-year in daytime TV with +267,000 from this in 2025.. However, General Hospital seems to be going in reverse. The show was down -56,000 viewers week-over-week and down -22,000 year-over-year .
BEYOND THE GATES
Let’s take a look at some of the storylines that had people tuning-in to Beyond the Gates during the ratings week:
Hayley (Marquita Goings) attempted a massive shocker regarding her pregnancy and tried to use it to extract money from Bill Hamilton (Timon Kyle Durrett). Although, Bill saw right through her game, he demanded a paternity test, and made it clear he has no intention of raising the childāplanning instead to pay her off to take the baby and leave. Meanwhile, Hayley confided her plan to her cousin Randy (Maurice P. Kerry).
Jacob Hawthorne (Jibre Hordges) and Naomi Hamilton (Arielle Prepetit) clashed over Jacob’s ongoing investigation into The Impaler, causing significant strain in their marriage. At the same time, Smitty (Mike Manning) considered taking matters into his own handsāincluding potentially heading to Mexico for evidenceāwhile Martin Richardson (Brandon Claybon) worried about what comes next.
Photo: ABC
GENERAL HOSPITAL
Over at General Hospital for the ratings period, the story served up included:
Carly (Laura Wright) and Valentin (James Patrick Stuart) teamed up to investigate what really happened to Jack Brennan (Chris McKenna). Later, Danny (Asher Antonyzyn) leads them to Jack’s dead body.
Jude (Wil Traval) dropped a bombshell claim to Alexis (Nancy Lee Grahn); that he is Phoebe’s father, while Brook Lynn (Amanda Setton) and Chase (Josh Swickard) signed their divorce papers.
Then, Danny caught Rocco (Finn Carr) and Scout (Kayden Brenna Tokarski) sharing a kiss, plus the shocking return of Heather Webber (Alley Mills) capped the week.
Now the questions become; without having much promotional synergy in the ABC day-part to draw more eyeballs it is not helping but hurting General Hospital. It seems Beyond the Gates is also aĀ benefactor of a one-two-three punch of CBS soaps (Y&R, B&B and BTG) and promotion.
However, that still doesn’t take away the fact that Beyond the Gates is close to besting GH in all ratings category as they go head-to-head in some markets across the country.
So, are you excited to see Beyond the Gates climb in the ratings? Are you concerned for General Hospital? Do you think they can stave off Beyond the Gates in total viewers or will the upstart soap overtake them in the next ratings report? Share your thoughts in the comment section.
GENERAL HOSPITAL: Carly Fears Escalating Tensions Between Sonny and Josslyn: ‘I’ve Already Lost One Kid Because of That Man. I Won’t Lose Another’
‘General Hospital’s’ Cynthia Watros Honors Former ‘Titus’ Co-Star Stacy Keach Following His Passing
āBeyond the Gatesā Emmy Winner Ambyr Michelle Wants to Compete on āDancing with the Starsā: āPick Meā (Exclusive)
THE BOLD AND THE BEAUTIFUL: Katie Kicks Bill to the Curb … for Now
RATINGS: ‘Beyond the Gates’ Inches Closer to ‘General Hospital’ in Total Viewers
Y&Rās New Head Writers Share Vision for Genoa City: Contemporary Homage to Bill Bell, Mixing Heightened Escapism and Grounded Reality
THE YOUNG AND THE RESTLESS Preview: Episodes From New Co-Head Writers, Jamey Giddens and Dan O’Connor, Begin to Air
‘General Hospital’ Casts Ayla Bullington as the New Avery Jerome-Corinthos
‘Days of our Lives’ Kyle Pryor Debuts as Dominic Marino and Says of Alleged TV Mom, “Deidre Hall is the Absolute OG, Amazing” (Exclusive)
āDays of our Livesā Celebrates 61st Anniversary: EP Ken Corday Teases New Characterās Arrival in Spring 2027
‘General Hospital’s’ Cynthia Watros Honors Former ‘Titus’ Co-Star Stacy Keach Following His Passing
āBeyond the Gatesā Emmy Winner Ambyr Michelle Wants to Compete on āDancing with the Starsā: āPick Meā (Exclusive)
THE BOLD AND THE BEAUTIFUL: Katie Kicks Bill to the Curb … for Now
B&B’s Sydney Bullock Weighs In on Future of Dylan and Will: ‘I Think She Can Hold on to Him for Awhile’ (Exclusive)
‘Days of our Lives’ Veteran James Reynolds Reveals Parkinson’s Diagnosis
-
News4 days agoY&Rās New Head Writers Share Vision for Genoa City: Contemporary Homage to Bill Bell, Mixing Heightened Escapism and Grounded Reality
-
Previews5 days agoTHE YOUNG AND THE RESTLESS Preview: Episodes From New Co-Head Writers, Jamey Giddens and Dan O’Connor, Begin to Air
-
General Hospital4 days ago‘General Hospital’ Casts Ayla Bullington as the New Avery Jerome-Corinthos
-
Days Of Our Lives1 week ago‘Days of our Lives’ Kyle Pryor Debuts as Dominic Marino and Says of Alleged TV Mom, “Deidre Hall is the Absolute OG, Amazing” (Exclusive)
-
Days Of Our Lives5 days agoāDays of our Livesā Celebrates 61st Anniversary: EP Ken Corday Teases New Characterās Arrival in Spring 2027
-
General Hospital1 week agoGENERAL HOSPITAL: Tracy Leaves Port Charles to Help Dillon; Paving the Way for Jane Elliot’s Temporary Exit
-
News7 days agoB&B’s Lawrence Saint-Victor to Guest Star on ‘Grey’s Anatomy’
-
Interviews2 days agoB&B’s Sydney Bullock Weighs In on Future of Dylan and Will: ‘I Think She Can Hold on to Him for Awhile’ (Exclusive)
Out of control!
OWN is a network and networks broadcast. Sounds like ABC needs to pull out the checkbook and pay up. Happy to see someone light a little fire under them and stand up for themselves! Too bad ABC can’t be sued for bad decision-making, as in the decision to axe a couple of great soaps. They’d be bankrupt if that could be done…
“Too bad ABC canāt be sued for bad decision-making….” I’ll drink to that.
Me too!
and so will I.
There are potentially two areas were ABC could be liable for what they did to AMC/OLTL. Disney/ABC owns many stations which are licensed by the FCC and so they are supposed to operate “in the public interest.” A case could be made that they put profits ahead of the viewer’s interests. Disney is a publicly traded stockholder owned corporation and so are regulated by the SEC. A case might be made that they did not operate in the shareholders best interest by scrapping potentially profitable properties with AMC/OLTL. I am a bit surprised a fan group hasn’t tried this by now. Just a thought. š Let the suing commence.
(Working late and bored)
Legally in the entertainment business, A Broadcast Network is a network that has affiliate all over the country like the ABC CBS and the newer diginets Like Me TV Antenna TV and Retro TV. Cable is a different thing. Just as ONLINE Viewing is a different thing, they all have their own rules.
The cost for a Cable channel like Familynet to air NEWHART is less then what a Broadcast Network like ME TV would have to pay. That is what ME TV said on their Facebook page.
When Prospect Park first started with the plan to go ONLINE they had to work with the Unions, to lower the cost. based on the fact that it will be airing online and downloaded.
If this lawsuit prevails, it’s not a good thing as this will be an added expense to any hope whatsoever of these 2 shows EVER finding an online home. This would be the final nail in the coffin.
I remember seeing the name Sam Hall in the closing credits. THIRTY FREAKING YEARS AGO!!!!! What is wrong with some people that they would rather sue than work for a living???
Royalties are a standard part of contracts for creative services; in the case of soaps, they recognize that creative contributions have value well beyond the immediate need they fill. (I don’t know if it’s still the case, but I know that at least as recently as the early 2000s, headwriters on P&G soaps got royalties so long as any character they created while they were headwriter was still part of the show.) Soap creators get royalties so long as the soap they create is on the air; I don’t see anything wrong with headwriters negotiating similar provisions. (Whether $1,000 a week forever is reasonable is an open question and debatable, of course, but apparently somebody thought so at the time the contract was negotiated, or he wouldn’t have gotten it, and if that’s what the contract says, they should pay up.) Another thing to keep in mind: in the mid-1980s, soaps were still enormously profitable for the networks–they even supported nighttime television. $1,000 a week for life might not have been an unreasonable cut to expect, though of course it seems outrageous by today’s standards, with soaps so much less profitable.
I don’t think it has as much to do with laziness as with recognition that there was no job security and that soap writers got hired and fired, often on what amounted to whims. That was true in the 1980s and is equally true or more so today. I doubt anybody is getting the kind of contract clause any more that’s being discussed here, but I would not hold it against them if they did. To me, it’s not all that different from a pension, in a field with no job security and no retirement plan.
$1,000 dollars a week for one person is $52,000 dollars a year for 1 person not even involved in the show anymore. Though ABC did agree to that contract so you get what you pay for, but it’s no wonder it costs over $50 Million a year to produce 1 soap
gees… perhaps all of OLTL fans could sue ABC for breaking our hearts and cancelling our beloved show…
just as absurd !
I hope everyone sues ABC. In fact maybe all the fans of AMC and OLTL could have a class action lawsuit based on our pain and suffering! Maybe we could all get disability. I know I have suffered and am not able to cope with life as well as I used to! As always, boo to all things ABCDISNEY!
I dont think he’ll win…technically speaking Prospect Park was now responsible for airing the show on OWN not ABC regardless if ABC still owned the series, so Sam Hall it seems could only sue if ABC was airing the show which they are not so it seems the contract would no longer be valid unless it includes another co. airing the show on a network other than ABC…i know nothing about these things so my comments probably dont matter…Sam Hall used to write for another soap Dark Shadows and his late wife Grayson Hall appeared on it as Dr. Julia Hoffman who attempted to cure Barnabas Collins of his vampirisim and fell in love with him…she also played other characters on the show during various time travels storylines and also appeared on OLTL with Nancy Barret and the late Anthony George who also appeared with her on Dark Shadows!
This royalty stuff is nonsense. You do a job, you get paid for it. Why should you continue to be paid for that work years later?
Because it’s the law!! Actors still get paid residuals for film and TV work done years ago, and so do writers. In this case the deal Mr. Hall struck with ABC thirty years ago gave him residuals even after he left the show. Let’s say if you were a recording artist and had a hit record back in the 60s, and you discovered that you weren’t getting royalties in 2014 despite that recording being used in commercials, movie soundtracks and the like, you’d demand the back royalties owed you by the record company. You could file suit against the current owners of the record company and win in court. This happens ALL the time. Just ask performers like Martha Reeves, Ronnie Spector, and Tommy James- all of who sued and won back their overdue royalties. Thanks to unions like AFTRA/SAG and in Mr. Hall’s case, The Writer’s Guild of America, laws were created to protect artists so they could get their share of corporate profits. Jonboy, would YOU like to be ripped off by a major corporation when you know that under the law you have a right to earn money for your past work as it is still making money? That’s the case here. Mr. Hall is well within his rights.
I understand what you’re saying within the entertainment business but I don’t “get” it logically. If I do a job for my company, lets say I create a new spreadsheet, should I get paid every time someone uses it? I’ve already been paid for doing the job by my company. ABC, or whoever, paid Hall when he wrote the show. Why should he, or anyone else, be paid again and again for doing something they were already paid for?
Lawsuits are a bane to our existence,
Yet another frivolous reason to keep OLTL off the air.
30 years – come on….but are there other deals like this ?
maybe this is why ABC shut down their soaps, because of bad deals made in the eighties.
Bring back OLTL!
You’d be surprised. When Audrey Meadows signed on to play Alice Kramden in “The Honeymooners”, she had a very smart manager who made sure that there was a clause that she would get residuals ‘in perpetuity’- that is, AS LONG AS SHE LIVED! Who knew back then that the show would be on the air nonstop over the decades? Ms. Meadows got residual checks from that show for decades! Before the laws were changed in the 80s, there were limits as to the years a performer could get residuals from old TV shows.
$1,000 dollars a week. That is the reason why we don’t see Soaps repeated on the Subchannels like ME TV . The cost for the Royalities for music and writers, and actors etc which is much higher for a Broadcast Network then it is for Cable. Plus the fact that Drama’s especially serialized ones don’t repeat that well.
ABC obviously didn’t read the fine print in their own contacts with Mr. Hall and with Prospect Park! This could set a big precedent in regards to online materials and royalties from such programming. I read somewhere that some soap writers will get residuals for years to come as long as characters they created stay on the show. That’s one reason why when a soap changes writers, some writers are more than happy to get rid of some old characters and add some of their own. Considering that Mr. Hall was the head writer at OLTL in its most popular era (mid 70s- mid-80s), he was responsible for a great deal of long-running characters and stories on the show. He created the Buchanans, Tina, Renee, Cassie and others that stayed on for years. It seems like ABC gave him carte blanche with that 1984 contract, and the fact that he got money for years afterwards seems to be in his favor. ABC leased the show (along with characters created by Sam Hall like Clint and Bo Buchanan) to Prospect Park, and he may just have a case against ABC. It reminds me of when Walt Disney signed Peggy Lee to write and records songs for “Lady & the Tramp” in the 1950s. There was a clause in the contract guaranteeing Ms. Lee royalties for all future transcriptions. When the film made it to home video in the 1980s, she sued Disney for royalties, as she argued that the home videos were transcriptions under her 1954 deal. She wound up winning over $2 million in court from Disney! And now that Disney owns ABC, it’s deja vu all over again, only this time it’s a writer regarding one of their shows!
When I think of royalties I think of someone getting paid for their past creative work. Usually residuals/royalties are for the rebroadcast of their show (syndication) – regardless of what network/channel carried it. So as a writer of a soap, when you stop working for that soap – it does not get rebroadcast again (usually) and there would be no royalties. IF it were for characters said writer created ‘as long as they were on the canvas’, then I understand it.
If that truly is the case, then it looks like abc/d may have to pay up.
I’m sure someone will point out that when the contract was made in 1984 – that broadcast meant TV or radio. There was no video on the web, and OWN station isn’t ABC nor did ABC allow OWN to play these new web shows on the OWN station… that would be Prospect.
as far as what someone’s contract said about royalities, wouldn’t all other writers have had similar statements in their contracts as well?
ABC-TV made the worst decision in television History when they cancelled the beloved ALL MY CHILDREN as well as OLTL ~ whatever bad Karma comes their way now is much deserved.
Although I wasn’t overly thrilled with the shows as “On-line” inceptions, I was grateful to see some of the characters and some familiar faces again. Now, who knows if these shows will ever see the light of day again ~ seems doubtful, but one never knows….if the Execs at ABC had half a brain they would combine both shows…
The Hall deal was with ABC and any new deal would be with PP. Most royalty contracts are when the characters the head writer creates is still on the show. He Created Clint and Bo, so it makes since that he has the deal. OWN probly just paid flat licence fee to re-broadcast.
The only way that he might get any more money is because Soapnet I think was carrying reruns of One Life to Live until that station went off the air.
ABC pay MR.Hall his money