News
Former One Life to Live Co-Head Writer Sam Hall Sues ABC Over Royalties!

Courtesy/TOLN
The former co-head writer of One Life to Live Sam Hall is suing ABC for what he claims are royalties owed when the iconic soap opera transitioned to the web via Hulu and iTunes, and was broadcast during the “Summer Fling With The Soaps” summer soap-block of the revival of the seriesĀ on OWN via Prospect Park, who licensed the rights to both programs from Disney/ABC in 2011.
Hall served as a co-head writer of the soap opera in the mid-1980s, filed a lawsuit in New York state court.Ā According to the complaint, ABC made a deal in 1984 with Wildercliff, Ltd. for Hall’s writing services. The agreement is said to have entitled Hall to a weekly royalty “as long as the One Life to Live series is broadcast.”
The Hollywood Reporter details,Ā “A copy of the agreement was included as an exhibit in the lawsuit. The royalty payment was $1,000 per week, and it’s not spelled out whether “broadcast” is restricted to network television. Hall says he got those weekly royalties until Jan. 13, 2012, when the series ended on ABC.Ā Now, Hall is stepping up to stake a claim that his old contract entitles him to royalties from that period.
“Each week during which such exhibitions by each authorized entity occurred Hall was entitled to be paid the weekly royalties,” says the complaint. “Despite due demand, Hall has not been paid any of the weekly royalties to which he is entitled for the exhibition of the series by Prospect Park Productions, iTunes, Hulu and OWN, which total in excess of $50,000.”Ā Ā Ā ABC could not be reached for comment.
So what do you think of the latest legal problems involving One Life to Live?Ā Let us know!
News
Susan Flannery and Ian Buchanan Visit the Set of ‘The Bold and the Beautiful’; Daytime Emmy Winners Reflect on Show Then and Now

The one and only Susan Flannery (ex-Stephanie Forrester)Ā dropped in to see her former co-stars on The Bold and the Beautiful at their Sunset Las Palmas Studio in Hollywood, along with her good friend and another B&B co-star Ian Buchanan (ex-James Warwick)Ā on Tuesday October 20.
It was the first time in a very long time that The four-time Daytime Emmy winning actress was reunited with Katherine Kelly Lang (Brooke), Jacqueline MacInnes Wood (Steffy), executive producer and head writer, Brad Bell, Jennifer Gareis and even her TV sister, Alley Mills (Pam, B&B now Heather, GH) showed up for the day too!
Flannery played the Forrester matriarch from 1987 until 2012. It was then that after playing the part of Stephanie for 25 years that Susan made the decision to retire from acting and in one of the most heartbreaking sendoffs, passes away from lung cancer in Brooke’s arms in November of 2012. During her B&B tenure, Flannery won 3 of her 4 Daytime Emmys, the other being for her first soap role as Laura Horton on Days of our Lives back in 1975.

Photo: Bell-Phillip TV
As for Ian Buchanan, he played Dr. Warwick, psychiatrist, from 1993 to 1999.Ā He returned for other runs in 2014 and 2017.Ā Buchanan took home his Daytime Emmy in 1997 for his work as James. Soap fans also remember, Ian as mobster Duke Lavery on General Hospital, and Dr. Greg Madden on All My Children,
Both Susan and Ian shared their thoughts on coming back to The Bold and the Beautiful, for Susan 14 years later since he exited and for Ian close to 9 years since his last appearance below.
Susan said, “Itās definitely like coming home in a way, even though itās not the same studio. Itās really lovely to see old faces and old faces with new faces. It takes you back mentally. You start remembering what it was like back then, even things like how much your feet would ache at the end of the day from wearing six-inch heels. It was just lovely to be back and see everybody.ā

Photo: Bell-Phillip TV
Ian expressed, āItās a mind trip, you know. When I was sitting looking at the big Forrester set, it was like stepping back in time, almost. It takes you back mentally, and you start remembering what it was like when you were here before.”
“Itās lovely to see all these people again, even if you donāt know everybody,” explained soap vet Buchanan. “Thereās something really special about coming back and seeing the show and the people who have been part of it for so long.”
So, happy to see Susan and Ian with some of their former castmates? Do you think Stephanie and Brooke is one of the greatest frenemy stories in daytime history? Let us know your thoughts in the comment section below.
Beyond the Gates
Tabitha Brown and Kandi Burruss Guest Star on ‘Beyond the Gates’ for Dani’s ‘Welcome to Your Life’ TV Special; What Could Go Wrong?

As previously announced, Beyond the Gates is bringing chef, author and actress Tabitha Brown and Grammy Award-winning songwriter, singer and actress Kandi Burruss to Fairmont Crest in a special episode of the CBS daytime drama airing Thursday, October 22.
In the episode, Daniās (Karla Mosley) best friend Pamela Curtis (Cady McClain), arranges a āWelcome to Your Lifeā television special for her. As it turns out, Brown will play the show’s host, Tia Allen, while Burruss takes on the role of Dani’s first modeling agent, Kalista Kilroy, who turns the celebration of her life into a bad trip down memory lane.
Dani’s parents Anita and Vernon (Tamara Tunie, Clifton Davis), sister Nicole (Daphnee Duplaix), and daughters Chelsea (RhonniRose Mantilla) and Naomi (Arielle Prepetit) all join the show to celebrate and support her but also witness how things so south. Also appearing in the episode are Molly Figueroa as Tatum Stewart and fan-favorite Anita Williams (Tunie) impersonator Jackie Tyree!

PhotoL JPI
THE 411 ON TIA AND KALISTA
Speaking with TV Insider, about their soapy experience in Fairmont Crest, Tabitha Brown previewed about her host with the most,Ā āTia is very professional, but sheās a girlās girl. She is a protector of women and wants to tell their stories in a beautiful way, but she also wants to make sure theyāre seen in a very good light.ā
However, Burruss previews that Kalista arrives with a score to settle. āSheās spicy,ā shared the recording artist. āI always love playing somebody that has come to start trouble. Itās always fun to play a villain of sorts, but Kalista feels like sheās been done wrong and sheās hurt by what she feels has been done to her. So Kalista is stirring up trouble, but she feels justified putting Dani on blast. Kalista is ready for some payback.ā
Beyond the Gates is produced by CBS Studios, as part of the CBS Studios/NAACP Venture, in partnership with P&G Studios, a division of Procter & Gamble. Created by head writer Michele Val Jean, executive producers include Val Jean, Sheila Ducksworth, Julie Carruthers, Tracey Thomson, Leon W. Russell, Derrick Johnson, Anna Saalfeld and Lela Coffey.
Beyond the Gates is broadcast weekdays on CBS (2:00-3:00 PM, ET/1:00-2:00 PM, PT) and is available to stream on Paramount+**.
So, looking forward to this special episode of Beyond the Gates when Dani is put on a blast during a blast from her past and Welcome to Your Life TV special? Share your thoughts via the comment section.
Days Of Our Lives
‘Days of our Lives’ Reveals Kyle Pryor Cast as Dominic Marino

For months now, Days of our Lives has teased the character of Dominic Marino. In recent weeks, viewers learned that Marino is on the down low working with Sami Brady’s (Alison Sweeney) apparent fiancĆ© ‘Dante Vitali (Franco LoPresti), and that he is the never-before-heard-of child of Stefano DiMera (the late Joseph Mascolo) and Marlena Evans (Deidre Hall)!
Up until now, the Peacock streaming soap opera has never revealed his face, but that all seemed to change on the Tuesday, October 2o episode of DAYS. In story, Dante met Sami’s parents for the first time, Roman (Josh Taylor) and Marlena.
He shows them a photo of Dominic, which he happened to have on his own phone and even commented he kind of looked like he could be Marlena’s son. The photo, which has quickly made it around Soap Twitter/X, revealed that British-born actor Kyle Pryor is the man in the photo and eagle-eyed viewers actually located said photo on Pryor’s Instagram.

Photo: Peacock
Deadline revealed Pryor started taping atĀ the end of 2025 and will first be seen in the role, on air Monday, November 2.Ā In addition, Days will celebrate its 61st Anniversary with two special episodes featuring Dominicās arrival, as well the returns of Tony and Anna DiMera, played respectively by Thaao Penghlis and Leann Hunley, on Friday, November 6 and Monday, November 9.
Those in the know, are are that Pryor previously held series regular roles on Australia’s Home and Away, and the UK’s Hollyoaks and guest starred on Emmerdale. In an ironic twist, Pryor appeared in the series Spartacus: Blood and Sand which is the same action series his apparent TV brother, Dan Feuerriegel (EJ DiMera), once appeared in before coming to DAYS.
So excited to see Kyle Pryor take on the role of Dominic Marino as Days of our Lives sets its anniversary story to kick-off with is arrival in Salem? Share your thoughts in the comment section. And in case you missed our latest conversation with Conner Floyd (Chad DiMera) he weighs-in on how Dominic’s appearance will shake things up in Salem. You can check that out below.
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Out of control!
OWN is a network and networks broadcast. Sounds like ABC needs to pull out the checkbook and pay up. Happy to see someone light a little fire under them and stand up for themselves! Too bad ABC can’t be sued for bad decision-making, as in the decision to axe a couple of great soaps. They’d be bankrupt if that could be done…
“Too bad ABC canāt be sued for bad decision-making….” I’ll drink to that.
Me too!
and so will I.
There are potentially two areas were ABC could be liable for what they did to AMC/OLTL. Disney/ABC owns many stations which are licensed by the FCC and so they are supposed to operate “in the public interest.” A case could be made that they put profits ahead of the viewer’s interests. Disney is a publicly traded stockholder owned corporation and so are regulated by the SEC. A case might be made that they did not operate in the shareholders best interest by scrapping potentially profitable properties with AMC/OLTL. I am a bit surprised a fan group hasn’t tried this by now. Just a thought. š Let the suing commence.
(Working late and bored)
Legally in the entertainment business, A Broadcast Network is a network that has affiliate all over the country like the ABC CBS and the newer diginets Like Me TV Antenna TV and Retro TV. Cable is a different thing. Just as ONLINE Viewing is a different thing, they all have their own rules.
The cost for a Cable channel like Familynet to air NEWHART is less then what a Broadcast Network like ME TV would have to pay. That is what ME TV said on their Facebook page.
When Prospect Park first started with the plan to go ONLINE they had to work with the Unions, to lower the cost. based on the fact that it will be airing online and downloaded.
If this lawsuit prevails, it’s not a good thing as this will be an added expense to any hope whatsoever of these 2 shows EVER finding an online home. This would be the final nail in the coffin.
I remember seeing the name Sam Hall in the closing credits. THIRTY FREAKING YEARS AGO!!!!! What is wrong with some people that they would rather sue than work for a living???
Royalties are a standard part of contracts for creative services; in the case of soaps, they recognize that creative contributions have value well beyond the immediate need they fill. (I don’t know if it’s still the case, but I know that at least as recently as the early 2000s, headwriters on P&G soaps got royalties so long as any character they created while they were headwriter was still part of the show.) Soap creators get royalties so long as the soap they create is on the air; I don’t see anything wrong with headwriters negotiating similar provisions. (Whether $1,000 a week forever is reasonable is an open question and debatable, of course, but apparently somebody thought so at the time the contract was negotiated, or he wouldn’t have gotten it, and if that’s what the contract says, they should pay up.) Another thing to keep in mind: in the mid-1980s, soaps were still enormously profitable for the networks–they even supported nighttime television. $1,000 a week for life might not have been an unreasonable cut to expect, though of course it seems outrageous by today’s standards, with soaps so much less profitable.
I don’t think it has as much to do with laziness as with recognition that there was no job security and that soap writers got hired and fired, often on what amounted to whims. That was true in the 1980s and is equally true or more so today. I doubt anybody is getting the kind of contract clause any more that’s being discussed here, but I would not hold it against them if they did. To me, it’s not all that different from a pension, in a field with no job security and no retirement plan.
$1,000 dollars a week for one person is $52,000 dollars a year for 1 person not even involved in the show anymore. Though ABC did agree to that contract so you get what you pay for, but it’s no wonder it costs over $50 Million a year to produce 1 soap
gees… perhaps all of OLTL fans could sue ABC for breaking our hearts and cancelling our beloved show…
just as absurd !
I hope everyone sues ABC. In fact maybe all the fans of AMC and OLTL could have a class action lawsuit based on our pain and suffering! Maybe we could all get disability. I know I have suffered and am not able to cope with life as well as I used to! As always, boo to all things ABCDISNEY!
I dont think he’ll win…technically speaking Prospect Park was now responsible for airing the show on OWN not ABC regardless if ABC still owned the series, so Sam Hall it seems could only sue if ABC was airing the show which they are not so it seems the contract would no longer be valid unless it includes another co. airing the show on a network other than ABC…i know nothing about these things so my comments probably dont matter…Sam Hall used to write for another soap Dark Shadows and his late wife Grayson Hall appeared on it as Dr. Julia Hoffman who attempted to cure Barnabas Collins of his vampirisim and fell in love with him…she also played other characters on the show during various time travels storylines and also appeared on OLTL with Nancy Barret and the late Anthony George who also appeared with her on Dark Shadows!
This royalty stuff is nonsense. You do a job, you get paid for it. Why should you continue to be paid for that work years later?
Because it’s the law!! Actors still get paid residuals for film and TV work done years ago, and so do writers. In this case the deal Mr. Hall struck with ABC thirty years ago gave him residuals even after he left the show. Let’s say if you were a recording artist and had a hit record back in the 60s, and you discovered that you weren’t getting royalties in 2014 despite that recording being used in commercials, movie soundtracks and the like, you’d demand the back royalties owed you by the record company. You could file suit against the current owners of the record company and win in court. This happens ALL the time. Just ask performers like Martha Reeves, Ronnie Spector, and Tommy James- all of who sued and won back their overdue royalties. Thanks to unions like AFTRA/SAG and in Mr. Hall’s case, The Writer’s Guild of America, laws were created to protect artists so they could get their share of corporate profits. Jonboy, would YOU like to be ripped off by a major corporation when you know that under the law you have a right to earn money for your past work as it is still making money? That’s the case here. Mr. Hall is well within his rights.
I understand what you’re saying within the entertainment business but I don’t “get” it logically. If I do a job for my company, lets say I create a new spreadsheet, should I get paid every time someone uses it? I’ve already been paid for doing the job by my company. ABC, or whoever, paid Hall when he wrote the show. Why should he, or anyone else, be paid again and again for doing something they were already paid for?
Lawsuits are a bane to our existence,
Yet another frivolous reason to keep OLTL off the air.
30 years – come on….but are there other deals like this ?
maybe this is why ABC shut down their soaps, because of bad deals made in the eighties.
Bring back OLTL!
You’d be surprised. When Audrey Meadows signed on to play Alice Kramden in “The Honeymooners”, she had a very smart manager who made sure that there was a clause that she would get residuals ‘in perpetuity’- that is, AS LONG AS SHE LIVED! Who knew back then that the show would be on the air nonstop over the decades? Ms. Meadows got residual checks from that show for decades! Before the laws were changed in the 80s, there were limits as to the years a performer could get residuals from old TV shows.
$1,000 dollars a week. That is the reason why we don’t see Soaps repeated on the Subchannels like ME TV . The cost for the Royalities for music and writers, and actors etc which is much higher for a Broadcast Network then it is for Cable. Plus the fact that Drama’s especially serialized ones don’t repeat that well.
ABC obviously didn’t read the fine print in their own contacts with Mr. Hall and with Prospect Park! This could set a big precedent in regards to online materials and royalties from such programming. I read somewhere that some soap writers will get residuals for years to come as long as characters they created stay on the show. That’s one reason why when a soap changes writers, some writers are more than happy to get rid of some old characters and add some of their own. Considering that Mr. Hall was the head writer at OLTL in its most popular era (mid 70s- mid-80s), he was responsible for a great deal of long-running characters and stories on the show. He created the Buchanans, Tina, Renee, Cassie and others that stayed on for years. It seems like ABC gave him carte blanche with that 1984 contract, and the fact that he got money for years afterwards seems to be in his favor. ABC leased the show (along with characters created by Sam Hall like Clint and Bo Buchanan) to Prospect Park, and he may just have a case against ABC. It reminds me of when Walt Disney signed Peggy Lee to write and records songs for “Lady & the Tramp” in the 1950s. There was a clause in the contract guaranteeing Ms. Lee royalties for all future transcriptions. When the film made it to home video in the 1980s, she sued Disney for royalties, as she argued that the home videos were transcriptions under her 1954 deal. She wound up winning over $2 million in court from Disney! And now that Disney owns ABC, it’s deja vu all over again, only this time it’s a writer regarding one of their shows!
When I think of royalties I think of someone getting paid for their past creative work. Usually residuals/royalties are for the rebroadcast of their show (syndication) – regardless of what network/channel carried it. So as a writer of a soap, when you stop working for that soap – it does not get rebroadcast again (usually) and there would be no royalties. IF it were for characters said writer created ‘as long as they were on the canvas’, then I understand it.
If that truly is the case, then it looks like abc/d may have to pay up.
I’m sure someone will point out that when the contract was made in 1984 – that broadcast meant TV or radio. There was no video on the web, and OWN station isn’t ABC nor did ABC allow OWN to play these new web shows on the OWN station… that would be Prospect.
as far as what someone’s contract said about royalities, wouldn’t all other writers have had similar statements in their contracts as well?
ABC-TV made the worst decision in television History when they cancelled the beloved ALL MY CHILDREN as well as OLTL ~ whatever bad Karma comes their way now is much deserved.
Although I wasn’t overly thrilled with the shows as “On-line” inceptions, I was grateful to see some of the characters and some familiar faces again. Now, who knows if these shows will ever see the light of day again ~ seems doubtful, but one never knows….if the Execs at ABC had half a brain they would combine both shows…
The Hall deal was with ABC and any new deal would be with PP. Most royalty contracts are when the characters the head writer creates is still on the show. He Created Clint and Bo, so it makes since that he has the deal. OWN probly just paid flat licence fee to re-broadcast.
The only way that he might get any more money is because Soapnet I think was carrying reruns of One Life to Live until that station went off the air.
ABC pay MR.Hall his money