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Mishael Morgan Talks on Her Return to Y&R and Tackling the New Role of Amanda Sinclair

Photo: Monty Brinton/CBS

So, just how did The Young and the Restless lure back one of the series most powerhouse actresses to take on a brand-new role? Mishael Morgan, who earlier this year was nominated for a Daytime Emmy for Outstanding Supporting Actress in a Drama Series for her gut-wrenching final performances as Hilary Curtis, reveals in a new interview with Michael Fairman TV, what went down to bring her back to the CBS Daytime drama.

As fans know thus far, after appearing as ‘Ghost Hilary” through the late spring and summer, Y&R’s creatives worked behind the scenes to get Morgan back on screen without tainting Hilary’s ultimate demise.  That is when they came up with the role of the sexy yet tough lawyer, Amanda Sinclair.

So, enter Mishael in a new wig and style that defines Amanda as her own character.  Question is, since Amanda is a dead-ringer for the late Hilary, are they related? And, what will ultimately be proven to be in her DNA?  In story, Amanda entered the scene as the often-mentioned Chance Chancellor’s attorney.  She shows up in Genoa City to contest the legitimacy of the late great Katherine Chancellor’s will and the fortune she left to Devon (Bryton James).  With Devon directly in Amanda’s line of fire it sets the stage for potential fireworks down the line.

We sat down with Mishael backstage at Y&R for this informative and entertaining chat as we officially welcome back this truly kick-ass performer.  Here’s what Mishael shared below.

Photo: JPI

What transpired behind the scenes to make it possible for you to come back to Y&R?

MISHAEL:  Tony Morina (executive producer, Y&R) kind of gave me a little bit of a heads up.  They called me back to come in and do the ghost episodes as Hilary, and it happened really quickly.  It was like, “Hey, Mishael, do you think you can do this?  Yeah?  Okay.  We’ll work it out with your team.  Alright.  We’ll see you tomorrow.” (Laughs) It was really, really fast.  I was hesitant for a second about the whole Hilary ‘ghost thing’, because I felt good about how we wrapped up Hilary’s storyline.  I’d only left for a couple of months, and I still felt funny about it, but I was like, “I’ll do it.  She’s a ghost … so she hasn’t returned from the dead.  So, it’s fine.”

Originally, I was concerned that they were going to have you as Hilary keep popping up as a ghost to Devon for an indefinite amount of time; when the show has already done that with Jack Abbott (Peter Bergman) and his father, John (Jerry Douglas).  Because of your previous performances, and Emmy-nominated performance for the final arc of Hilary’s story, I thought, in the end, it might detract from that.

MISHAEL:  Yes, and I think that’s how I felt too, but I agreed to do it because they said that it was going to be a max of seven episodes.  So, while I was doing that, Tony was on set watching the scenes.  Next, he just called me up and said, “Well, how do you feel about coming back?”  I was like, “Coming back?  Hilary is dead.  Like, Hilary is dead-dead.  Is this going to be an alternate universe?” (Laughs) He said, “Well, no.  You’d be coming back as a different character.”  That was really intriguing to me, because one of the reasons why I left was because I felt like creatively I’d played a character from beginning to end, and it felt like it would just be nice to go off and play somebody new.  I never in a million years thought that I could come back to Y&R and actually play someone new!  That was weird to wrap my head around when they said, “You’d play a new character,” but then when they said she was going to me a lawyer, my ears really perked up! I’ve always wanted to play a lawyer, because I have the background where I wanted to be a lawyer in real life.  So, then I’m like, “OK. Now I get to play a lawyer on TV.”  They really got their hooks in to me with that … and just hooked me in from there.  Then, I got open to the idea and the story that Josh Griffith (head writer, Y&R) wanted to tell.

Photo: JPI

Once you learned the idea of the story from Josh, it seemed that things happened very quickly!  We all found out about your return via a social media post where you got to tell the fans yourself that you were coming back … but as a new character.

MISHAEL:  It happened relatively quickly in terms of me tentatively coming back, but then they still had to write the story.  So, everything wasn’t really confirmed until a couple of weeks before I started taping again.  We were in talks for about two months, and we worked it all out.  I said, “I’d do it,” and then it was 100% confirmed around August of this year, and I was airing in September.  It was kept was very, very quiet.

Are you still figuring out what Amanda’s back-story is?

MISHAEL:  I am.  I feel like every writer is a little different, and I feel like Josh likes to keep things very close and tight to his chest so that you kind of don’t know what’s happening.  Josh gives you enough information to play a little bit of something that is coming down the pike, but he doesn’t really disclose everything.   I’ve gotten little hints, and I kind of know where we are going, but I still don’t know the whole back-story of Amanda.  I’m still trying to figure her out.  If she’d been the polar opposite of Hilary, I think it might have been easier, but if you read her description, she’s very much like Hilary: A-type, strong, driven, all of those things.  Hilary had this very malicious, unscrupulous side to her, but I don’t know if Amanda has that.  In terms of the general description of the character, they’re very similar, which I was happy about just because I like playing strong women on TV.  If they had said, “We’re bringing on this character, and she is homeless” … or somebody who was super quiet… that would pose a different set of things for me as an actress.  I think seeing strong women of all different colors, shapes, and sizes is so important right now on TV, and it is very relevant.  I am happy to be a part of that.

Photo: JPI

What was it like playing all of these entrance scenes as Amanda where your former and current scene partners had to suspend belief? There’s Bryton James, Christel Khalil, Daniel Goddard, Jess Walton, and you, and Amanda walks in like, “Hey there!” (Laughs)

MISHAEL:  We just laughed about it.  It’s one of those things that is so funny, and it can only happen in the world of soaps.  A lot of the fans said, “This is weird,” in the beginning, but the fans love the show, and they accept it, and they do suspend their disbelief, and then it becomes normal.   We just had fun with it.

You’re like, “Hi, do you like my new hair?” (Laughs)

MISHAEL:  That was the thing too.  (Laughs) I don’t even think Christel even saw my hair until she came to set, and she was like, “Oh wow! I like your new hair.”

Photo: JPI

What happened when you and Christel taped the scenes where Lily sees Amanda for the first time, after the former contentious relationship of Lily and Hilary that ultimately changed the course of both their lives?

MISHAEL:  For me, it was super fun and easy because I don’t know any of the Hilary/Lily back-story.  I just play very oblivious like,“Hi, I’m just here.” (Laughs)  So, it’s very easy for me, but I almost envy a lot of the other characters who have to play all of these layers because Lily does have that back-story because she was charged for Hilary’s death, and the guilt associated with doing something like that, and also the hate that she had for Hilary.  Then overcoming that hate, and then going on that entire beautiful journey that they had together as women.  But now having that as a layer, and adding on top of it this woman who looks exactly like Hilary, but is a completely different person, is really interesting. Even for Bryton, I feel like he has a golden opportunity as well, because to have that love of your life, and then a new love of your life there in Elena, and then see a woman who looks just like your ex-wife is, I’m sure, really difficult.  Your mind would just be exploding!

How did Bryton find out that you were coming back, and what was his reaction to the news?

MISHAEL:   Well, I came in for the ghost episodes, and I just couldn’t hold it in any longer.  I told him before we finalized this new deal.  He’s a friend of mine.  I wanted to get his opinion, and he was like, “You should do it!”  I was like, “Really?  It feels so weird because I just left a year ago, and I was so happy and content with leaving, so it feels weird to come back.”  He was like, “No, it will be fine.”  He’s like, “The fans will love you either way.  They’ll want you back.”   I was worried about how the fans would feel because it is such a quick return.

Photo: JPI

What is the feedback you’re getting from the fans thus far on your transformation from Hilary to now Amanda?

MISHAEL:  I feel like it’s pretty positive for the most part.  There are always going to be a couple of fans who are skeptical … or who don’t like the storyline … and even if they don’t like it they say, “This is kind of weird to bring her back as a different character.  We miss Hilary, but we love that Mishael Morgan is back, so, that kind of makes it all OK.”

The story that brings Amanda to Genoa City revolves around the legitimacy of Katherine Chancellor’s (the late Jeanne Cooper) will, and she comes in and says there was a counterfeit will etc.  She’s the messenger at this point and her client is Chance, correct?

MISHAEL:  Yes, Amanda’s client is Chance.

Isn’t she starting to question the legitimacy of her client?

MISHAEL:  Yes, but I think she still believes that it was Chance.  She’s kind of wondering now … because she even accuses Jill (Jess Walton).  She’s like, “It’s your grandson.  He’s all out to lunch.  He’s not getting back to anybody.”  Jill is very much in the headspace where she is like, “Well, this is probably not my grandson.”  Amanda is like, “I’m pretty sure it is.”  So, I think Amanda still thinks that it is Chance, even if he is a criminal, and even if he is doing something tricky.

Photo: JPI

How did Amanda get contacted by Chance in the first place to take this case?

MISHAEL:  It was an email, and then Amanda spoke to him on the phone …  or at least to who she believed was Chance.  He signed the papers, he scanned them over, and he forwarded Amanda the retainer. She had no reason not to believe that it was him.

So, when Amanda came to see Devon and company, she had no idea that there was this lookalike of her that was intertwined with this family?

MISHAEL:  No, but then after Devon tells Amanda about all of this, she sees pictures of Hilary online, but this is all done off-camera.

Does Amanda now suspect that she could be a twin? 

MISHAEL:  I think so.  I’m kind of playing that or keeping that there.  I’m kind of playing that as part of the reason why I want to stay in town because Amanda is intrigued by this other person who looks like her.  This could possibly be family.  I think it adds an extra layer as to why she wants to stay on Genoa City.  It is not just because she likes this person, or that person.  I think it is because she wants to figure out her connection to this person who looks just like her.

Photo JPI

We’ve seen Amanda be a little shifty.

MISHAEL:  Maybe a little bit. (Laughs)

What do you think we, as the audience, should be feeling at this point about Amanda?

MISHAEL:  I think we just have to wait and see.  Hilary had a lot going on before I left, and this is a new character who is slowly building.

I think that one of the things that daytime shows often have done wrong is that when they bring in a new character, they shove them down the audience’s throats too fast that they get sick of them.  I don’t know if that’s the tactic for the emergence of Amanda, more of a slow burn?

MISHAEL:  I feel like they are definitely doing a good job of building her character slowly and adding layers.  It’s not all coming out right away.  I feel like people should be feeling excited to try and figure out who this woman is because that is what it is eventually going to be leading to.  Right now, we are all just together in trying to figure out who she is.  I feel like everybody is really excited (and I am too) to get going, but even when Hilary came to Genoa City, it took about a year for her to catch her stride.  I think it’s going to take a while to really understand the meat of this character and how she fits into everyone’s lives.

Photo: JPI

Do you think Amanda feels badly about what is going on with Cane and Devon with the will, and how it would change both their lives forever?

MISHAEL:  Yes.  I definitely think that she feels badly about that.  In the beginning, it was very much her job.  I think when Devon is contemplating giving over his fortune, it makes Amanda see him in a different light, and her empathy for him starts to increase because she sees that he is a good guy, and that there wasn’t anything that he did that was malicious.

I think there is an attraction brewing here between Devon and Amanda.

MISHAEL:  Possibly.  I mean … Devon was attracted to someone who looked like Amanda.

Photo: JPI

Will she like him if he has no money, though?

MISHAEL:  I don’t know… I mean, Hilary definitely wouldn’t. (Laughs)

What do you think about working with Brytni Sarpy (Elena)? I see a triangle or quadrangle brewing and I see catfights in your future!

MISHAEL:  I love Brytni.  I definitely see that because Elena is definitely in the state of mind where she can’t stand this Amanda character.  The second she walked through the door, she couldn’t stand her.  I’m sure there are going to be some catfights coming.  I’m sure that it is going to be very entertaining for everybody! We’ll see.

Because you were considering being a lawyer … wait until you get into the courtroom set for some scenes!

MISHAEL:  I know, I’m excited for that!

Christian LeBlanc (Michael) always loves the courtroom monologues because he says it’s like doing a stage play.  Will you be up for that?

MISHAEL:  I think it’ll be ready for it.  I had a little one already to kind of warm up.  I won’t tell you what it was about.  I was like, “I can do this,” and I think it would have been even more fulfilling if there were an actual jury there where it feels like you’re performing.

Photo: JPI

What kind of lawyer is Amanda?  Does anyone know? (Laughs)

MISHAEL:  Well, right now she specializes in estates and trusts, but the one thing that I do know about attorneys is that technically with your license you can kind of do anything.  It is just that your experience will be in a specific area.  So, certain people may not want you to defend them, because you’ve never defended people in these cases.  I feel like it is not the same as a surgeon.  A surgeon specializes in the heart, and they don’t really do anything else, but as an attorney, you can kind of do anything.  You can defend anyone if the price is right and you feel confident.

When you were thinking of being a lawyer, did you think of the kind of lawyer you wanted to be?

MISHAEL:  Well, when I wanted to be a lawyer, I wanted to be an international human rights lawyer.  So, something very different.  I wanted to save the world.

You know what they should do?  Maybe Amanda could have a courtroom show.  Instead of Judge Judy, it could be called Judge “Mandy”!

MISHAEL:  Put people in their places.

That’s if Amanda doesn’t get a talk show gig on the side, like Hilary did with GC Buzz! (Laughs)

MISHAEL:  With the courtroom cases, and the talk show, that would be a lot.

Photo: JPI

We talked about Hilary and taking her through everything she had gone through, and it really was the perfect ending when she passed.   Do you look back on that time and that work which we all loved so much?

MISHAEL:  Yes, I do.  I still look back on it, and I feel so blessed to have gone through that journey with her and to have created such a great character.  There are times when I’m like, “Yeah, coming back as Hilary would have been a lot of fun,” because I read the lines, and I know how Hilary would say everything, and now I have to figure out how Amanda says it – and it never feels the same, because I got so used to this being Hilary’s home.  I feel like Amanda is a little more like me, so there is a little less playfulness happening.

You want more of that which is reminiscent of Hilary, or not as much with Amanda?

MISHAEL:  I feel like naturally there is not as much now with Amanda, but I do want more of the playfulness to happen. It’s fun to play that on camera.  I feel that’s the fun of acting and pretending in that you get to be less of yourself, and more like a character.  Hilary was so different from me that it was just so fun to play her.  I feel like I’ve got to find those things in Amanda that make her unique and different that I can indulge in.

Photo: MMorganInstagram

In real-life you’re now a mom of two.  When you leave your kids to come to work, is it hard for you?

MISHAEL:  It is, but it’s okay because my husband stays at home with them.  We bounce back and forth.  He doesn’t work when I am working, and the days when I am not working, I am at home, and I get to enjoy time with them.  Then, when I am working, he stays home, and he gets to enjoy time with them.  It sucks to leave them, but at the same time it’s great to know that they are getting to spend time with their father, and I’m getting some ‘me time’.  I think that is necessary, because being a stay at home mom was a lot harder than I thought.  It is exhausting, and you are always on call.  You feel like you’re a surgeon.  It is just too much at times.

You always have the best Instagram photos with your kids and their outfits.  Are you going to have them dressed for Halloween?

MISHAEL:  Oh, yes.  They are going to dress up.   My son is going to be a firefighter, and I am going to be the fire, and my husband is going to be the fire hydrant, and my daughter is going to be the fire dog, the little Dalmatian!

Were you thrilled that you had a daughter this time, after previously having a son?

MISHAEL:  Yes.  At the time, I was okay with whatever the gender turned out to be.  I know everybody says it, but as long as they’re healthy, that is the most important thing.  I even thought about if I did have another boy, there would be that brother bond.  I grew up with sisters so to give him a brother would have been great, too.  Everybody always wants to have one of each because you want to be able to see what a boy would look like, and what a girl would look like, and their temperaments and all of that.  So, it’s nice that we got one of each.  We are happy.  We are good.  No more kids in my future.  (Laughs)  I shouldn’t say that too much because what if I do get pregnant, and my kid is like, “I was definitely an accident, Mom?” (Laughs)

We don’t know who Amanda has ties to at this point, but would you like to see her in another romantic relationship with some guy who is not Devon?

MISHAEL:  I would like to see that just because it would be something that kind of defines her as her own kind of person with her own journey and her own likes and her own dislikes.  I even feel that if she just ends up with Devon, it would be kind of weird.  We don’t know if Hilary and Amanda are related, but if they are related somehow, you would not have the same experiences, you would not have the same connections as this person.  As far as who I would want to work with, I don’t know.  I don’t know how to judge.  Well, Sean Dominic (Nate) has been awesome.  It would be kind of cool to be with Sean character-wise, because if Amanda ends up with Nate, that’s a relative of Devon, so Devon would have to see that all of the time … so that’s interesting.

Photo JPI

How is working with Sean?

MISHAEL:  Lots of fun.  He actually has the same birthday as my dad.  He’s a really cool guy, and we get along great.  That is half the battle because every now and again (and you rarely hear about it) you can’t stand the person you’re working with, and every time you get into scene work with another character, you’re always wondering, “Am I going to get along with this person?”  I love Bryton because we definitely have a special connection when we are on camera and when we are working together.  We’ve known each other for so long, and we’ve done so many amazing scenes together, and I think there is a lot of trust there.  It’s easy to just work with him.  That being said, the challenge of working with another character would be great as well.  We’ll just see where the chips fall.  Either way; I’m going to have a blast.

So, Camryn Grimes (Mariah) and you obviously have this great relationship together on-screen.  Mariah was Hilary’s dear friend.  Did you ever see her performance after Hilary died and her heartbreaking monologue on the set of GC Buzz?

MISHAEL:  Yes, I did.  It was amazing.  She’s an amazing actress.  She’s an amazing person.  I was so happy to work with her, and I am so happy to be back, because we are such good friends.  My first day back on set when I walked in, Camryn was the first person I saw.

Photo: JPI

Did Camryn know you were coming back to the show as Amanda?

MISHAEL:  Yes, she knew I was coming back.  We had a big hug and everything like that, and we were laughing about the fact that she’d come back to Y&R too as a whole different character.  So, I was like, “What pointers can you give me?” I would really love to figure out how Amanda and Mariah can work together.

The big question … I wonder if Amanda will have friends in Genoa City? (Laughs)

MISHAEL:  I think she would.  I mean, I know she is a little uptight, but I think she’ll have friends.  I hope so.  I don’t know who though. Guess everyone will have to stay tuned to see.

So, are you happy to see Mishael back at The Young and the Restless? What do you think of the character of Amanda Sinclair thus far? Do you want to see her with Nate, Devon, or someone else on the canvas romantically?  Do you think it will turn out that Hilary and Amanda were twins? Share your thoughts via the comment section below.

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Stacy
Guest
Stacy

I’d actually would love to see Adam and Amanda hook up they would be explosive!

Semaj Debose
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Semaj Debose

Amanda and Nate have amazing chemistry in there scenes together they would be an amazing couple

GramS
Guest
GramS

I thought I would love Nate as played by this actor. He played a gay man in Greenleaf and was full of personality so I was hoping he would bring some of that personality to y&r and Nate. I see no chemistry between him and anyone. He seems flat and monotone in all of his interpersonal relationships with both male and female characters. We know Mishael can act circles around anyone so the writers need to put her with someone of equal caliber.
Great interview Michael!!

Aurora
Guest
Aurora

If the actor has shown that he can be full of personality once, he can do it again! So, I’m inclined to think that the problem is not with him or the character – but with the WRITING for Nate.

And he is not the only actor or character who could be ever so much more interesting and dynamic with better, more developed writing. I’m getting discouraged with watching wasted potential.

GramS
Guest
GramS

I’m actually sick of all the complaints of writing and writers. We have had several writers in the past 8 years and complaints galore with all of them. Seems they can’t win ever since fans were able to connect thru the internet.

Momo
Guest
Momo

I’m glad to see her back. Just not sure how Amanda will work her way back into everything. Plus, what will make her stay in GC?

Therese
Guest
Therese

I’m elated that Mishael is back! I loved her as Hilary. Still trying to get used to her playing Amanda. But there are a bunch of possibilities for her. I see Nate falling for Amanda and jealousies and problems arising in Devon and his girlfriend’s relationship because of it!

Aurora
Guest
Aurora

Ah yes! Devon’s lovely, elegant girlfriend Elena!

Lots of quad possibilities.

Ramona
Guest
Ramona

Ecstatic that Mischael is back! Amazing actress. Can’t wait to see how they develop the Amanda character and how she is related to Hillary.

Violet Lemm2
Guest
Violet Lemm2

I didn’t like the Hilary character, but am warming up to Amanda, and have read she is possibly a twin of Hilary’s. Now that Devon is on his own, I bet he and Amanda will get closer. He was attracted to Hilary before, so I see history happening. Looks to me like Nate is showing interest in Amanda, but he was also pretty cozy with Elena. I definitely did not like him with Abby. Abby needs a strong, maybe older type. I loved her and Stitch, but that was ruined by bringing in the troubled step-son.

Aurora
Guest
Aurora

Devon is still very much with the lovely woman he has chosen to share his home, his life and his love – Elena. Her leaving to help her Uncle Jett with his medical problems is only short term. She will return; and, to quote Devon when she left, “I will be happy when you come back home.”

So, whatever happens with Devon, Elena, Nate and Amanda may be a story that goes on for a long time.

Violet Lemm2
Guest
Violet Lemm2

Oh Aurora, I bet you believe in the Tooth Fairy too!

Harry
Guest
Harry

Ahem, Violet Lemm, are you suggesting there is no such thing as the tooth fairy? Next thing you are going to tell me is that there is no such thing as Santa Clause!

Violet Lemm2
Guest
Violet Lemm2

Harry, I do believe in Santa, but if the tooth fairy was real, I’d be a very rich lady.

Aurora
Guest
Aurora

Just thought you should know that Devon is not yet “on his own” as you said in your statement. That he is still in a committed relationship with Elena – unlike what you indicated originally. That’s what we are currently seeing in the onscreen story. You spoke about Elena in the past tense and I wondered if you thought her leaving to help her uncle was a permanent departure. It is not and the actress is still taping and her character was included in November previews. Apologies if I misread your comments. We all know that breakups and partner switching… Read more »

Violet Lemm2
Guest
Violet Lemm2

Aurora
Sorry if I offended in any way. I have watched these shows for 100 yrs. and in this case it just seems very probable that sending Elena away gives Devon and Amanda a easier chance to get together. Elena doesnt like or trust Amanda, and it would make it harder for she and Devon to get closer. No, I wasn’t insinuating a permanent departure for Elena, but just an easier and quicker way for Devon and Amanda to get friendlier.
Unless Amanda is a real phoney, wearing a Hilary mask, I think they will get together.

Aurora
Guest
Aurora

I agree that these absences are often contrived plot points. However, knowing what has been publicly shared about actors’s vacation times, I don’t think there will a lot of difference between Elena’s screen absence and Devon’s. In this specific situation,I think that this couple of weeks period may be more about setting up Nate and Amanda in each other’s orbit – rather than Devon and Amanda. This, too, makes sense if one subscribes to the widely-voiced theory that the writers will play a quad with Devon, Elena, Nate and Amanda. It’s not as if the writers haven’t already teased a… Read more »

Violet Lemm2
Guest
Violet Lemm2

I see the points you have made, and agree that this quad as you called them, will indeed be playing musical chairs, so to speak, in the future.
On another note, I think Chelsea will be getting back with Adam and their son. How do you feel about that idea? I think it was inevitable once they were both back in GC, so goodby Nick. Will he ever find the right woman?

Harry
Guest
Harry

I think Mishael is a very talented actress. Therefore, when she left Y&R I thought she was moving on to greener pastures. I feel it’s disappointing to have her coming right back to Y&R playing Hillary’s double. How predictable! How trite! And how boring! In other words, Jimmy crack corn and I don’t care. In fact, I fast forward through her scenes with Duh Yawn.

Lisa Howard
Guest
Lisa Howard

I want to see Amanda send Adam get together. I live that Mishael is bac!

bongo
Guest
bongo

She is so damn boring. Deathly boring. Her flat affect, and dead nasal droning voice. Ugh. BORING.

Patrick Rose
Guest
Patrick Rose

she’s trying, flat dead twist, let her;

A moore
Guest
A moore

After killing Mishael Morgan’s role off as Hillary, I don’t like that they brought her back and now a a twin sister. I don’t like how this is playing out.

Carol Hachey
Guest
Carol Hachey

I am in my early 80’s, and I love Amanda! She is beautiful and an awesome actress for sure. If anyone doesn’t like her, then they are just jealous! Keep up the good work Amanda!!

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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