Connect with us

Days Of Our Lives

8

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

Courtesy/NATAS

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

READ MORE
Comic Genius, B&B Guest Star & Daytime Emmy Winner, Fred Willard Dead At 86

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

READ MORE
TODAY: 'Guiding Light' Reunion With Some Of Springfield's Most Notable

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

Leave a comment | 8 Comments
Advertisement

8
Leave a Reply

avatar
4 Comment threads
4 Thread replies
4 Followers
 
Most reacted comment
Hottest comment thread
4 Comment authors
Jamesdavlestev1LizzyMaddy Recent comment authors
newest oldest
Maddy
Maddy

What do you want to change ? Daytime is dead disgusting storylines actors who think they are important and choose who they will be paired with please cancel them all they deserve it!!!!

Lizzy
Lizzy

This sounds ridiculous. How can you have a daytime emmys wihtout the soaps. a digital drama is not a drama and the daytime emmys aren’t even on tv anymore. I won’t watch if my shows aren’t there.

davlestev1
davlestev1

What audience growth is he talking about? They’re not even aired. Is he suggesting Facebook is a television audience? You lost my interest at that point in this article. You truly lost it when he suggested, if soaps don’t show up this year, see you later bye, and accept what happens when you do come back. What a joke.

James
James

With Facebook having recently launched its own streaming service, Facebook Watch, long-form programming beyond just short-form content is gaining a foothold.

The success of the US remake of the Norwegian series SKAM in the service this year showed that there is an audience for television-quality content in a digital platform.

davlestev1
davlestev1

Hi James. I use Facebook as a touchstone for family and old childhood friends only. Not as a broadcast network. That platform has enough problems just trying to keep it’s original purpose in check. I doubt very seriously watch Facebook will will even be a ” Thing” after a fashion. What wasn’t addressed.. Why the Emmys aren’t televised, and what could be done to make that happen. You can say and hope a lot of things. It ain’t necessarily true tho. Yeah there’s an audience for TV type content digitally. Just not Facebook. My opinion.

davlestev1
davlestev1

That edit button is a beautiful thing Michael Fairman TV.

James
James

Facebook, like any platform needs to grow out in order to remain relevant in the long-term, just as how radio and television started out as mediums that were meant to spread only information but became more than that. It is similar to how Netflix transitioned from being an online video rental service to a fully fledged streaming one over the course of the past decade.

Seeing how Facebook alone have essentially replaced online social forums as fans migrated to the platform to talk about things with regards to their favorite shows, whether through private groups, public fanpages or the official accounts of the shows themselves, the audience engagement rate is high. You can tell by the hundreds of comments left under a single post from the DOOL official fanpage alone.

It would be foolish to ignore that potential in tapping an audience who will no doubt watch a video about their favorite daytime shows, which made sense for Facebook Watch to serve as the streaming home of the Daytime Emmys.

The award show is no longer pulling the numbers it used to have from the era of lesser competition on terrestrial television, being bumped to cable where it got even less, and sponsors unwilling to buy ad spots. In fact, just about every American award show has seen their numbers dropping per annum. We all have to accept that the marketplace isn’t what it used to be, and we either concede or become a trailblazer, which NATAS is trying to do by having the show air on an online platform. If the engagement is high, the views meet the needed threshold, and the actual award show doesn’t suck, then we got ourselves a winning combo for the fans, for the industry, for everyone.

James
James

With the rise t of original scripted content on streaming services like Hulu and Netflix, can a show like House of Cards be on the same category as a smaller production such EastSiders (both available on Netflix worldwide) on award shows like the Emmys?

Breaking News

California Gov. Gavin Newsom Reveals TV & Film Production Restart June 12th; But May Not Include LA County

There was some significant signs that Hollywood and the state of California’s show business production looks to be gearing up for a restart after all TV and film production was halted a few months ago as the coronavirus pandemic hit the state, our country, and the globe.

The reopening for production may not include L.A. County, however, which is the epicenter of the state’s show business production.

According to Deadline: On Friday, Governor Gavin Newsom announced that the state could begin TV and film production as early as June 12th.  While the California Department of Public Health released the following guidelines:  “Music, TV and film production may resume in California, recommended no sooner than June 12, 2020 and subject to approval by county public health officers within the jurisdictions of operations following their review of local epidemiological data including cases per 100,000 population, rate of test positivity, and local preparedness to support a health care surge, vulnerable populations, contact tracing and testing. To reduce the risk of COVID-19 transmission, productions, cast, crew and other industry workers should abide by safety protocols agreed by labor and management, which may be further enhanced by county public health officers. Back office staff and management should adhere to Office Workspace guidelines published by the California Department of Public Health and the California Department of Industrial Relations, to reduce the risk of COVID-19 transmission.”

READ MORE
TODAY: As the World Turns Online Reunion # 2 With More Oakdale Favorites

For LA County,  on Friday, the same day the guidelines were announced they saw a slight increase in hospitalizations, which could cause delays in getting production started.  “This has been a slight increase over the last three days in the number of people hospitalized,” said Los Angeles County Public Health Director Barbara Ferrer, “and we’ll need to make sure that we’re not starting to see a significant increase in the number of people requiring hospitalizations.”

Newsom has said modifications to regional guidance would be allowed so long as there are attestations at the county level that there are adequate plans in place should a rise in COVID cases be seen again.   As of May 18, when L.A. filed its attestation, the county had a stable or declining number of patients hospitalized for COVID-19.   However, there has been an uptick in cases as of Friday which could effect the production restart in Hollywood as well as the noted uptick in hospitalizations; all of which are measures in the protocol guidelines that need to be on the decline for things to move forward.

So the question remains: if there is a surge in Los Angeles in COVID-19 cases production could again be delayed getting started back up and running? So what do you think about the June 12th date for the state of California to start TV and film production? Do you hope your favorite soaps get back into production as soon as possible, or do you want to make extra sure that all your favorites will be safe and sound when they tape new episodes?

 

READ MORE
TODAY: 'Guiding Light' Reunion With Some Of Springfield's Most Notable
Continue Reading

Days Of Our Lives

Wally Kurth Talks on His Daytime Emmy Nomination For DAYS As Justin’s World Is Turned Upside Down

You kind of know when you are handed the ball in the world of daytime drama, and it’s your turn to shine, especially when you get meaty material that runs the gamut of emotions. And this past Emmy season, Days of our Lives’ Wally Kurth delivered the performances of his soap career (although we suspect there is some more to come in 2020!) in the role of the grieving Justin Kiriakis.

For Wally not only played grief, but starting life anew in a romantic entanglement that can be all too familiar when someone tries to move on after the loss of the love of their life. Add to that, the complication that his son’s husband, was believed to be the person who caused the accident that killed his wife, Adrienne (Judi Evans), and with that the deck is stacked for an emotional fallout that landed Kurth in the running for the Outstanding Supporting Actor in a Drama Series at this year’s 47th annual Daytime Emmy Awards to air on CBS on Friday night, June 26th, albeit in a virtual presentation.

While Wally is getting many accolades for his work on DAYS, let’s not forget the double duty he pulls on General Hospital, where this week his Ned Ashton. This week Ned is front and center during the encore presentations of the GH’ Nurses’ Ball episodes, which feature Wally singing his heart out in numerous memorable performances through the years.

Michael Fairman TV chatted with Kurth to get his thoughts and insight into his well-deserved acting nomination for DAYS, plus to find out his favorite GH Nurses’ Ball performances, and much more. Here now is what Wally had to say about it all.

Photo: JPI

I am so thrilled about this nomination because you know, I willed this to happen.  I was like, “It’s got to happen!” (Laughs)

WALLY:  You actually were saying that, and you have been very supportive and positive.  I appreciate it.

What did you end up submitting? I believe I gave you “Power Performance of the Week” honors on my site for some of them, too.

WALLY:  I do try to put together a little story in my submissions for Emmys.  I think that’s kind of important because if you’re asking someone to watch 8 or 9 minutes of just you… I didn’t want to just (not that I had this material) but bludgeon them with one sad, sobbing scene after another.  I wanted to give them a whole range of Justin and a little story.  So, I did start off where Justin was asking Adrienne to marry him, and Justin is very happy, and it’s all good, and he gets down on his knee, and you see her, and it’s like, “This is something really good,” and I also wanted to include a scene with Judi Evans in my reel.  Then, I cut to where it’s a year later, and Justin is with Kayla (Mary Beth Evans) in their apartment. They are already living together, and they are discussing the anniversary of their marriages, and about the sadness of Adrienne, and she’s talking about Steve (Stephen Nichols), and then she brings up having to tell me that Adrienne died.  So, that was obviously in a flashback that happened six months earlier; where Justin is obviously very upset, and scared, and doesn’t want to hear it, and breaks down, and Kayla comforts him. Then, I did the continuation where Justin tells Kayla how much she has meant to him, and how he felt like he wasn’t going to survive, and how she came to his aid in a way to make him feel like he really has something to live for.   Then, at the very end, I did two scenes with Will (Chandler Massey) in the jail which is where Justin confronts Will, who obviously Justin thought was responsible for killing Adrienne.  It was a really lovely, really well-written scene where Justin tells him, “You’re a son to me, and you can be disappointed with a son, and you can be hurt by a son, but you never stop loving him.” I think it showed a nice range of the anger, the hurt, the happiness (because Justin tells him about Kayla), so you get an idea of what happened to Justin last year.  I thought it was a good collection of scenes that told a little story, and you could see the range of what Justin went though.  Evidently, it worked on some level because I got nominated.

Courtesy/NBC

In the scene with Will, doesn’t Justin also tell him, “Don’t give up on life?” in a very hankie-inducing moment?

READ MORE
Former Y&R Star, Emily O'Brien Set to Debut On Days of our Lives

WALLY:  Yes.  “Don’t give up.  Don’t give up on life,” which is really positive… even though he started the scene like, “I don’t even want to talk to this guy.”  Justin is there talking to Ben (Rob Scott Wilson), and Will kind of surprises him. So for Justin it;’ like, “Now I guess I’ve got to talk to Will about this,” and so he is still angry, he is still hurt, and you’re right, at the end, the scene has sort of transformed him in a way.  So, all of that stuff was just really nice, really nice scenes to get to play and very emotional.

I’ve watched most everything on the soaps from the performances to the storylines, and that one scene with the two of you was one of the best scenes I have seen in long time.  It was just so good from the writing to the execution of it. 

WALLY:  Oh yeah, I can’t even imagine a scene that was as good. Thank God that scene aired in December.  My story really didn’t get started until October/November, and all of those scenes that I included were from October, November, and December.

So, what did you think then when you found out that Chandler, along with you, and Paul Telfer (Xander) are all in the Supporting Actor category together?

WALLY:  I love it.  How great is that?  I love both of those guys.  I mean, I am such a fan of both of them.  Chandler kind of gets nominated every year, so I wasn’t surprised there.

Photo: JPI

Well, he had one year, as he pointed out to me (laughs), that he didn’t get a nomination. But, Chandler has been pretty much a perennial nominee every time he submits!

WALLY:  Yeah, Chandler just delivers.  He is a really an outstanding actor Paul, I think is great.  I love the character.  I was kind of surprised and happy for him because sometimes his character gets overlooked; just like the bad guy with the smarmy smirk and the great English accent.  So, there you go.  It’s terrific.  I think people saw more to his performance, and they should.  He works on a lot of different levels, and Paul brings a lot to the game.

And obviously, you know James Patrick Stuart (Valentin, General Hospital), since you work on that show too, and he is also nominated in your category. 

WALLY:  Yeah, and I have been a big fan of his too.  So, I was really delighted.  I called him up and left a message.  I love James.  We did a thing last year together where we went back east and played some music in some clubs,   I always think that James should be nominated.  He does such an exceptional job at bringing that character to life.  That’s not an easy thing to do either.  It’s kind of like a Xander character, and so, it is nice to see my fellow actors see the complexity in their performances and appreciate it.

Photo: JPI

Last week’s DAYS airshows contained scenes where Justin confronts Orpheus (George Delhoyo), over killing Adrienne, and Justin also goes to visit Adrienne’s grave.  I think you have another run of shows next year to submit for the Emmys (Laughs)

WALLY:  I do like to include the big four emotions that an actor has to play:  happy, sad, angry, and fear.  That is a scene where you get to see Justin really angry.  So, I will probably look to that as you get to see the anger part of the character, which I think is important.  You don’t get to see Justin very angry and lose it like that.

No, and that’s what was so great about it.  George was a great scene partner, though.

WALLY:  Oh, he was great.  George and I had a great time.  It was really awesome.  I mean, it was a challenge because it was very tricky, especially when Steve (Stephen Nichols) and Kayla (Mary Beth Evans) came in because you know; there is a part of the character that is just like, “Please, just let me shoot.  Just let me fire a bullet and just put it over his head or something, or maybe his hands are shaking so much that he misses the target!”  I don’t know, but you do just want to let him shoot, just one bullet.  (Laughs) Another moment that I really, really loved – and I’ll probably include it next year in my submission -was that scene with Suzanne Rogers (Maggie) at the hospital.  They gave me a beautiful speech to tell her that she should be her judge and jury and sentence herself to death, a beautiful speech about how she reminded me of Adrienne.  It brought out a different side of Justin that you don’t usually see.

Photo: JPI

When I spoke to Chandler about this nomination he related to me, “I am so happy for Wally because I feel like he is often underrated.” You have always been the guy on soaps who is always delivering consistent work, but now you’ve been given a story.  So now everyone can see what you can do or are reminded of it.  It’s hard without a story on the soaps; especially playing the Emmy game.

READ MORE
Comic Genius, B&B Guest Star & Daytime Emmy Winner, Fred Willard Dead At 86

WALLY:  It’s true.  What did Maurice Benard (Sonny, General Hospital) say?  “If it ain’t on the page, it ain’t on the stage.”  It’s really true.  Let’s face it, you can only do so much, and that’s why I don’t get too competitive.  If I lose, that’s totally fine.  I feel like I’ve already won.  Being recognized by my peers, that’s it.  Being nominated is awesome, and honestly, after this, so much of it is the material and what the actors got to do.  It’s sort of out of your control, you know.   I am happy for all of my fellow nominees.  It’s all good at this point.  I’m really, really happy.

Photo: ABC

You’ve been nominated once before, right?

WALLY:  Yes. I’ve been nominated once before, two years ago on General Hospital.  It was the year that Jane Elliot (Tracy) left.  In story, Tracy leaves, so there was all of that emotional stuff to play.  That was the year I also submitted myself for Days of Our Lives too, and I was really proud of that work.  That year saw Adrienne having to choose between Justin and Lucas (Bryan Dattilo), and she chose Lucas.  There were just some really nice scenes there that they wrote for Justin and Adrienne, and she was dealing with cancer.  Anyway, I got nominated for General Hospital, and I learned from that year that I am never going to nominate myself in the same category for both shows.  That’s just stupid.

Well, you’re everywhere.  You’re on the Nurses’ Ball encore episodes right now on GH,  

WALLY:  Oh, isn’t that funny?  All of these Nurses’ Balls, it’s hilarious.

Courtesy/ABC

Are you watching them?

WALLY:  Yes!  I watched parts of them the other night, especially my performances. It looked good; actually, they were really good.  I’m always kind of surprised like, “Wow! The dances … the singing … the production!”  I always feel like there should be more people at the Nurses’ Ball.  Shouldn’t there be more people in the seats? (Laughs)  But other than that, good stuff, good story.  It was fun to see the beginning of Ned and Olivia (Lisa LoCicero) as well, you know that first year where she and Sonny were just breaking up on the red carpet at the ball, and the next year, Ned and Olivia are already together.  This week they aired where I sing with sweet little Brooklyn Rae Silzer (Emma), the Elton John and Kiki Dee duet, “Don’t Go Breaking My Heart.”

Photo: ABC

Do you have one favorite Nurses’ Ball number you performed of all-time?

WALLY:  You know, someone has been posting old Nurses’ Balls from the 90s, and I forgot that I sang “Forever Young” with Amber Tamblyn (Ex-Emily), and that was so sweet.  I also loved singing “Somewhere over the Rainbow,” in the very first one or the second year, we did it. Some of my other favorites include: “I Feel Good,” with the Quartermaine boys, and Robert Palmer’s “Simply Irresistible” – that was fun because I got to put my own vocal stamp on it, and I remember performing George Michael’s “Faith.  It was fun singing that with Lisa.

Courtesy/NBC

So, we know that this year will be a virtual Daytime Emmy ceremony, and we don’t know what that will look like yet.  So, how would you dress for it, if they had a shot of you from home during the broadcast on CBS?

WALLY:  I definitely am going to wear a suit and a tie.  I think that’s important to try to give the Emmys the dignity that it deserves.

So, thrilled that Wally received a Daytime Emmy nod for Outstanding Supporting Actor in a Drama Series? What were your favorite moments of his last year? Are you enjoying seeing his performances on the encore GH Nurses’ Ball episodes? Comment below.

Continue Reading

Days Of Our Lives

DAYS Susan Seaforth Hayes Talks On Her Daytime Emmy Nomination For Julie and Doug’s Emotional Storyline

When you think Days of our Lives, what would it be without the legendary Susan Seaforth Hayes (Julie) and her real-life and on-screen husband, Bill Hayes (Doug Williams)?

This past Emmy season, the beloved duo got a chance to shine, when they were put through a ‘heartbreaking’ predicament – Julie’s heart gives out, she is in need of a transplant, and things take a turn for the worse.

What would life be like for Doug without his Julie? How would she say goodbye to him? Fans clearly felt the sentiments overflowing from this real-life duo capturing the essence of their characters in such a raw and realistic way. So much so, that Susan landed a Daytime Emmy nomination in the Outstanding Supporting Actress category for her work.

Already a Lifetime Achievement Award recipient along with her husband, Bill back in 2018, will Susan finally get an award for her acting for her decades of beautiful work on the long-running NBC soap opera? Fans will need to tune-in to CBS on Friday, June 26th to find out with the virtual presentation of the 47th annual Daytime Emmy Awards.  But for now, here is our conversation with Susan.

Photo: NATAS

Congratulations on your Supporting Actress nomination.  You have been racking up a lot of these recently, having been nominated in the same category two years ago, and also receiving the Lifetime Achievement Award along with your husband, Bill Hayes at the 45th annual Daytime Emmys in 2018.

SUSAN:  It’s really nice to be nominated, because I’ve had a few gap years.  I’ve had, what? 25 gap years between the recent nominations.

What scenes did you ultimately chose that landed you the nomination?

SUSAN:  I submitted when Julie dies.  I submitted the farewell montage scenes with Bill Hayes, and they were very moving to us… and we’ll see.  I did not submit anything snappy, or bitchy, or hysterical.  I’ve lost against hysterical every time.  Comedy has never worked.  So, I am going to try the heart and soul of soup opera: not bitchiness, but loss.

Photo: JPI

Can I ask how you got through those scenes with Bill, because it was so touching?  I don’t know how you did it.

READ MORE
OLTL Icon, Erika Slezak Talks On Her 42-Year Run As Viki, Her Llanview Co-Stars & Husbands, and Life Now

SUSAN:  It was very difficult.  I mean, these are the things that make us so connected to the characters and the show.  This is a place where we can show the public what love means to us, which is everything.

They were beautiful scenes.  Do you remember when you did them, if you felt good about them at the time?

SUSAN:  No… no.  I didn’t know.  Everyone on the set seemed happy.  We are blessed to have feedback from out producers now, and they didn’t say, “I think you can do it better,” and, “Another take,” not that we would have anyway, because there is never time to do another take.

Photo: JPI

How did you find out that you were nominated? 

SUSAN:  One of the producers, Randy Dugan called me, or I wouldn’t have found out for a couple of days,

What are your thoughts on this being a virtual Daytime Emmys ceremony because of COVID-19?  We don’t know anything about will play out yet or what that will look like, but it is back on network TV.

SUSAN:  It’s going to be a wonderful surprise.

So, if they have the shot of the nominees, do you think you’d be dressed in comfortable clothes or more formal?

SUSAN:  Well, I’d certainly wear my best earrings if I were at home, yeah.  If my grandson can arrange us to get on the internet (we have a grandson living on our property, and he’s our live-in techy), we will get dressed up, and sit there, if that’s the way to do it.

READ MORE
GH's Eden McCoy Chats on Tackling the Role of Young Carly, Josslyn's love life, and Her Co-Stars

DAYS did very well receiving 22 overall nominations and a lot of your co-stars got nomination as well.

SUSAN:  Yes, an excellent year for nominations for our show.

How many times have you been nominated now? 

SUSAN:  This makes six.

Photo: IMDB

Would it mean a lot to you to get the award?

SUSAN:  The Lifetime Achievement meant a lot.  It wouldn’t be bad to win this year.  I’ll say that.  It would be sweet for the show, since I am now the oldest living cast member of the original family – the original, original.  I’m not the original Julie, but close enough.  So, I think that would be some validation for the longevity of this original storytelling.  People look at the show and say, “Are you part of the DiMera family or the Brady family?”  I say, “I’m part of the Horton family!”

What did your husband Bill say when he found out you were nominated?

SUSAN:  (Yells) Billy, what did you say when you found out I was nominated?

BILL:  Yay!!!

SUSAN:  That’s about right. (Laughs)

Photo: JPI

What a guy!

SUSAN:  I know!  What a guy, what a guy, what a guy!

I was really happy to see your name among the other well-deserving nominees.

SUSAN:  I know you are because I know you care.  Who knows what will happen? It isn’t going to ruin our lives you know, one way or another.  But it was very nice to receive this acknowledgment from my peers.

So, are you glad Susan received a nomination for her work in her emotional storyline? Do you think she should finally receive the Emmy for her performances? Comment below.

Continue Reading
Advertisement
Advertisement

Video du Jour

It’s “Villains Week” on Y&R an that means some Sheila Carter, David Kimball, and Isabella Brana, Check out the promo from CBS Daytime here.  Leave A Comment

The Michael Channel

Recent Comments

Advertisement

Power Performance

Steve Burton as Jason & Maurice Benard as Sonny

General Hospital

Airdate: 5-19/20-2020

Advertisement

Popular