OH, I miss OLTL too, especially when the series delved into social issue stories. Agnes Nixon created such wonderful programs that served as platforms for entertainment and discussion. They say this is a golden age of television but it seems daytime drama is being left out. Only four soaps left on the air. Shouldn’t the genre be enjoying a revival with all this opportunity for original programming on broadcast, cavle, and streaming services?

You are so right. That theme song was a tremendous let down after the wonderful Tour of Llanview.
“Here’s what to do when you don’t find the rainbow’s end, this time……”

The Linda Gottlieb/Michael Malone/Josh Griffith years of OLTL (1991-1995?) were truly some of THE best years of soap storytelling. I was just remarking on Daytime Confidential site how engrossing, engaging, and energizing was the writing during that era, from the Billy Douglas coming out to priest Andrew Carpenter story to Viki’s growing attraction to Andrew’s father General Carpenter and the break-up of her marriage to Clint (who became a bigot at the time in response to Billy) to the introduction of Marty Saybrooke and her eventual gangrape at the hands of Todd Manning, who only later was revealed to be Viki’s half-brother and child of Victor to the ensuing trial with Nora Gannon, who was terrorized by Todd later. Wow! Even up to 1995, when Viki split again, this time into Niki, Jean, and Tommy, all of whom terrorized Dorian down in that basement of the Lord mansion! Such entertaining years, rather like that golden age of storytelling on AMC in the late 80s with the Palmer/Natalie/Ross/Ellen/Mark/Elizabeth/Julie/Nico saga that was storyline gold for about a year and a half. … I too found the OLTL opening during that time to LOOK generic, but never SOUNDED generic! The music that Gottlieb and her music directors used during those years was elegant and riveting and beautiful and really enhanced the drama unfolding onscreen (i.e., the beautiful Pavane for a Princess that played during Megan’s hospital death scenes — how appropriate! That chilling music that would spill out when Alex Olenov would slink down her penthouse steps or appear sinisterly in any scene; the Debussy piano pieces that played in the background as Max and Blair fell in love, Blair first played by an Asian actress before Kassie DePaiva; the theme music for Todd Manning when he was evil) — I still remember it all! Why can’t soaps write and produce like that anymore? I know they don’t have the budgets they used to, but has creativity and engaging storytelling been hijacked as well? #missingmyoldoltl!

Alan, all of those storylines you mentioned were executed with heart and soul. They were told with such love and sensitivity. They were not rushed, and they were topics that so many of us could relate to, even if they did not hit our homes, per say. They were real, adult topics that we could relate to because perhaps our friends, family, neighbors, dealt with these issues, and because they were the focus on news programs and in society. I miss the days when daytime television focused on real, human element storylines. Both AMC and GH did an astounding portrayal of the AIDS epidemic. I remember crying and crying during those scenes with both Cindy and Stone. WOW.

What a great memory you have Al! I do remember many of those stories and yes they were groudbreaking!