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The Adrienne Frantz Interview – The Bold and the Beautiful

Photo Credit: Gilles Toucas

Amber is back stirring the pot for the residents of Los Angeles on The Bold and the Beautiful and no one is safe from her lies!  And that means it gives actress Adrienne Frantz some deliciously devilish dilemmas to play as her soap alter ego.  You see, Amber has decided to lie about her baby’s paternity and go for the gold!  I mean, what else is this ultimate gold-digger supposed to do?  Then enter her mother, Tawny, and sidekick Carl, and we have a slight throwback to the heyday of Amber when she first appeared on the B&B, but with a new twist!

On-Air On-Soaps caught up with one of the series boldest soap stars to talk about her current storyline which has her trying to twist the Spencer boys, Liam, and his dad Bill, around her finger for her own gain.  But, could she actually be falling in love with Liam? And, can she avoid being snuffed-out by his dear old dad?  Adrienne Frantz fills us in on Amber’s latest schemes and how she makes the gal one of the most outrageously fun characters to watch in daytime.

Later in our chat, we get a glimpse into Adrienne’s personal life, and her thoughts as she prepares to walk down the aisle with the love of her life, Scott Bailey, in the fall of this year.

Always refreshing, direct and good fun, and a girl who knows what to do with her God-given acting chops… here’s what Ms. Frantz had to say!

MICHAEL:

Now that we are seeing that Amber is being her opportunistic self… and the Amber you talked about portraying when you returned to B&B… did you know that this was where the story was going to go when Brad Bell (B&B EP and head writer) brought you back to the series?

ADRIENNE:

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Yeah, I think Amber needed to get back to her roots.  Everybody loves the wild and crazy Amber and her being unpredictable, and that you don’t know what is going to happen with her.  I am very happy playing Amber the ways things are.

MICHAEL:

We have Carl and Tawny back in the mix now, too.  So, do you feel this storyline is in any way an Amber redo of what she had done previously?

ADRIENNE:

No, not at all.  This is like coming back into the picture, and she has her eyes on Liam. Before, it was she and Rick and a little love affair.  She was young and a kid, and even though her mother pushed her into it, she got pregnant from being wild and crazy.  She did not manipulate anyone to get her pregnant.  So I think this is a completely different story, and people will see that more as it unfolds.  I just love what we are doing.  It is a lot of fun.  And, it is a lot of fun to play in scenes with Don Diamont (Bill), and how much Bill hates Amber.  It’s good to have that arch-rivalry kind of deal.

MICHAEL:

That is really cool to see the two soap vets working together, but also the whole gas lighting of the Amber arc of the storyline!  How do you feel about the beach house scenes and the failed attempt on her life?  Do you think Bill will continue to try and scare her to death?

ADRIENNE:

I don’t know, maybe.  I think everyone has been enjoying doing it and shooting it, so we shall see what might happen next.  I think it’s a fun story for everyone and will definitely keep you intrigued, because nothing is going to happen like anyone thinks is going to happen, I can tell you that.

MICHAEL:

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Give us the Amber back-story on how this was all set in motion.  It all originally started when she liked Oliver, right?

ADRIENNE:

Oliver is her buddy, or her “friend with privileges.”  And they were just having a good time, and then she tries to help him get Hope back, because she felt so bad about what she did.  Amber never does anything maliciously.  It is not something contrived.  She goes more or less, “Oh, God.  I didn’t think about what the consequences would be.”  So she was just helping out Oliver, and they hooked up one night and had some crazy sex, and Amber finds out a little while later she is pregnant.  She knows it’s Oliver’s kid and there is no doubt about that in her mind.  But Oliver is so in love with Hope, and she knows he wants Hope more than anything in the world.

MICHAEL:

And he has no money!

ADRIENNE:

And he has no money, but part of it is that he wants Hope more than anything and he wants that life, and Amber is really desperate for love in some way.  She wants someone to hold her and spend time with her, and have someone that cares about her.  Sometimes when you get a little desperate you do things, and sometimes they wind up another way just by accident.  The whole Liam thing she did not intend on saying, “Oh, this is your baby,” right away.  She was just having a little fun and went over to his house, and he woke up and he is like, “Oh, my Gosh.  We slept together!”   And Amber goes, “No, we didn’t.”  But then she is like, “Wow, that is a good idea.” And she did not know she was pregnant at the time.  So it’s Amber being Amber.  She never flat out admitted it, but she said, “We slept together.”  But then she did not flat out say that they had sex.  Liam thinks they had sex and then Amber ends up pregnant, and she does not know what to do.  First, she wants to tell Oliver.  Then she knows at the same time she can’t tell him, because it will ruin his relationship with Hope.  So she blurts out to Oliver that it is Liam’s kid and don’t worry about it.  So then, she is just weaving herself into a giant trap…as always!  I think people will get a kick out of all the twists and turns.  I am also so happy to be working with Andrea Evans (Tawny) again.  She adds such comedy to the show and she is just fantastic.

MICHAEL:

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I know, and here comes Tawny and she is at her gold-digging best, and she wants to help Amber get the money!

ADRIENNE:

For Amber, more than anything she just wants to have a secure life for her child.  Since she has lost two children, there is no way she is going to lose this one, or let something happen to this kid.

MICHAEL:

That gives you such great sub-text to play.  Can you see Amber being a good mom?

ADRIENNE:

Oh, definitely.  I see her giving her all and herself to this child.  And that is the big difference.  She is not doing this for herself; she is doing this for her unborn child so the baby can have a good life.  She knows she did not have a father.  And with Liam, he did not have a life like that either.  He was not raised with a father, either.  So there are a lot of similarities, and with Amber, Liam can be himself, in a way.  He does not have to be all prim and proper like he is with Hope.  So it is a different type of relationship that they have.  He kind of does not see Amber as horrible as Hope sees her.

MICHAEL:

Coming up, she wants to dissuade Liam from Hope.

ADRIENNE:

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Well, she wants Liam!  She knows that Liam is her way for her baby to have a good life, and that is what she is trying for the hardest…. to have her baby have a good life.  Liam is her target, Liam is in her eye, and that is it, and that is trouble.  Once Amber has her eye on you, that is trouble. (Laughs)

MICHAEL:

Do you think she has any romantic feelings toward Liam?

ADRIENNE:

I think she sees the way Liam is and how sweet and caring he is, and what a good person he is.  She wants so badly for someone to feel that way about her.  She is jealous of Hope. She wants what Hope has.  She wants somebody to love her like that.  She has feelings for Liam because she wants him to love her.

MICHAEL:

Do you think Amber is still attracted to Oliver?

ADRIENNE:

I think the thing with Oliver was not a “love attraction” thing.  They were just friends who were having sex.  He is her confidante and buddy.

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MICHAEL:

You and Scott Clifton (Liam) are very interesting actors.  You both are very quirky, and I mean that in the most flattering way, as the performances are so original.  What is Scott like to work with?

ADRIENNE:

Scott and I have a great relationship together. We have a very special chemistry, and he is such a great actor.  It’s easy to work with him.

MICHAEL:

Do you feel you are a “quirky” performer?  How do you see yourself in this medium?

ADRIENNE:

I try to do my own thing. You have to be really confident in your character and really know what you are doing, and as an actress, trust your instincts.  If you can do that, you can create some gold.

MICHAEL:

How is working with Don Diamont?

ADRIENNE:

It is great!  Don’s character of Bill hates Amber, so it makes for fantastic television. Amber looks at him, and he does not intimidate her.  Bill Spencer likes everybody being intimidated by him.  He is in control of everyone and he can’t do that with Amber, and I think it drives him nuts!  She says to him, “Hey, grandpa!”  She does little things to get at him.  I think that is what makes her fun!

MICHAEL:

Is Carl infatuated with Amber?

ADRIENNE:

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I don’t know! (Laughs) I think he is infatuated with Tawny. (Laughs)  I think he wants Tawny. It’s hysterical.

MICHAEL:

Is there one moment with Andrea since she came back to B&B, that you could tell our readers that the two of you had a moment where you cracked up, or went up on lines?

ADRIENNE:

Oh, my gosh, we are laughing 24/7. We have so much fun working together, and it’s almost as if we have never stopped working together.  She is the best mother ever! (Laughs) She just makes me laugh.  She is not afraid to dive into that character, whatsoever.  It’s like an anything goes kind of deal.

MICHAEL:

Amber and Liam made their first decision as parents last week on B&B, when they went for the baby’s first ultrasound.

ADRIENNE:

There are definitely big steps towards their relationship being made that Amber is really happy about.  She kind of feels she is doing the right thing at this moment…which means it will all backfire, and then be a lot of fun to watch! (Laughs)  No, seriously, I am really enjoying this.  I am glad that I am getting to be Amber the way she is intended to be.  It is a lot more fun than being all sweet and innocent all the time.  Being the wild and crazy gal was the way she was written in the first place, and so it now makes it a lot more fun for me to come back home.

MICHAEL:

Speaking of your CBS home, B&B just celebrated 24 years on the air.   So off the top of your head, what was your favorite B&B Amber moment of all-time?

Coutesy/CBS

ADRIENNE:

I would have to say, and this was years ago, when she was pregnant with Rick’s baby, and her baby died, and so she passed off another baby as her own.  I have to say those were some of my favorite moments.

MICHAEL:

But now she is in a way passing off another baby!

ADRIENNE:

But now, she is more prepared to be a mother, and she is now thinking of somebody else and not just herself.  I think she feels bad about what she is doing, and you never know if she could flip and just tell the truth.  A lot of times I think she just wants to blurt it out, and go, “Hey, I’m sorry.  I am not a bad person.”  I think that is why she and Oliver get along so well. A lot of people look at Amber like she is some evil person, but she is not.  She is misguided, and she never had a strong family to tell her what to do and not to do in her life.

MICHAEL:

I know coming up, Amber is going to use her sexual wiles to try and distract Liam from thinking about Hope.

ADRIENNE:

Maybe!  But when it comes to Amber, I think there is always the possibility of a flirtation and throwing herself out there to somebody.

MICHAEL:

Does she hate Hope at this point?

ADRIENNE:

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I think she can’t stand everything that Hope represents.  She has been given everything in her life and Amber has had to work so hard.  And Hope just has been given this perfect little life, and so yeah, Amber cannot stand Hope!  She wants to have that life and no one has ever offered that to her.

MICHAEL:

How is Kim Matula (Hope) to work with?

ADRIENNE:

Oh, she is wonderful.  She is a delight to work with, and it’s fun being the character that makes the other girl cry!

MICHAEL:

You bad girl!

ADRIENNE:

Yes, I am a bad, bad girl. But it is more fun, I think, than playing the good girls. But, the good girls get to have their fun, too, but not as much fun as the bad girl.

MICHAEL:

How do you like the new opening sequence to B&B?

ADRIENNE:

I am really weird about change, but I like the new opening.

MICHAEL:

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Are there any other projects on the horizon?  You were working so diligently on your music career and exploring other roles in films a few years back.  What is the status?

ADRIENNE:

Right now, I have a lot on my plate.  I am getting married this year, which is a huge thing!  But right now, I am focusing on Amber and I have good storyline coming up.  I am always up for doing different things, but I am really having fun with Amber right now.

MICHAEL:

So you and former Guiding Light star, Scott Bailey, are engaged and preparing to be wed.  What kind of wedding are you going to have?  Will it be big, or small and intimate?

ADRIENNE:

I think we are going to do a really big wedding.  We are getting married on 11-11-11.  So it’s going to be fun.  I will have all our families there and my B&B family…. all the B&Bers!

MICHAEL:

Since you are always original in fashion, have you found or worked on finding the knockout wedding dress for you?

ADRIENNE:

I have not even tried wedding dresses on yet, but I will do it.  I will do it.  I promise.

MICHAEL:

Why is Scott the guy for you?

ADRIENNE:

© JPI Studios

He is my soul mate and he fills me completely.  I get happy waking up and going to sleep knowing that I have found my soul mate, and that I get to be with my best friend for the rest of my life.  We should have done it earlier.  We were friends for years. You see, you never know.  So I am telling all the people out there, keep your eyes open for your best guy friend, because you never know.  We never kissed for seven years, and once I kissed him I knew he was my soul mate.  Our first response to each other was, “Why didn’t we do this years ago?”  And then three months after that, he is designing a ring for me. And then three months after that, he asked me to be his fiancé.

MICHAEL:

Scott is not too shabby on the eyes, either!

ADRIENNE:

Yeah, I know, right?  I know he is gorgeous.  It just sucks so much! (Laughs)  He is so wonderful, and I adore him.  I got the greatest guy ever, and he loves me so much and it is fantastic.  He loves me for exactly who I am, and that is amazing.

MICHAEL:

I also think it is a compliment to you that you have another special guy in your life, and that is Brad Bell.  The two of you seem to have an amazing and enduring professional collaboration.

ADRIENNE:

We have a great relationship and he is like a buddy.  He knows how to write Amber so well, and he knows how to push me to the limit of what I can do, and then he will write it for me, and push me to the limits.  Whether it is a big dramatic story or comedy, he lets me go with it.

MICHAEL:

Do you ever think Amber and Daniel were a good pairing when you were over at Y&R?

ADRIENNE:

I think so, but I think they could have gone in different directions with it, but they did make a good love story.  And, it is always fun to have a good love story.

MICHAEL:

Where is the little Kid… little D?

ADRIENNE:

It’s actually Deacon’s kid, and so when Deacon was in prison, she was taking him to a boarding school up in Ojai.

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MICHAEL:

In closing, what would you say to the Amber fans to look forward to from her in April?

ADRIENNE:

I would say in April, to look forward to Amber opening up a whole new can of worms (Laughs) and sinking her teeth into whatever she wants.

MICHAEL:

But wait; will she still be in fear for her life from Bill?

ADRIENNE:

I don’t know. You are just going to have to wait and see.  There is always fear looming, especially when you are carrying around a big lie.

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mmc
Guest
mmc

I have been watching B&B since my beloved ATWT is no more.i have to say ….I hate the character of Amber and i cannot stand Steffy either.Two selfish girls who will do anything to get what they want!And Amber and Liam have NO chemistry at all.Liam might be his fathers son, but unfortunately he doesn’t have the sex appeal of a Bill Spencer and the sexy Don Diamont who portrays him!

Skyla
Guest
Skyla

I enjoyed this interview but honestly I am not enjoying Amber at all these days. I used to love her when she first stepped into LA on B&B and I loved her with Rick. And yes she was misguided even back then but there was a real vulnerability to Amber back then, and she wasn’t with Rick for money, she truly loved him and when she lost their baby she fell apart and latched onto her cousin’s baby as a sot of redemption, as well as to hang on to Rick. She did bad things but her motivations were purer… Read more »

Terry Richard
Guest
Terry Richard

After 15 years I quit watching this train wreck of a soap opera because of this character Franz portrays…this is simply a replotting of material from a decade ago…Let me know when this creature is off the screens so I may go back to watching Stephanie, Brooke, Thomas, Taylor, and Ridge, but as long as this creaton is on I am staying away!

kay killgore
Guest
kay killgore

OK! We got rid of Winsor Harmon, Leslie Kay, Sarah Brown the list goes on for this actress!!!!!!

Kathy
Guest
Kathy

Michael – why not admit that Frantz’ storyline is a rehash of the Rick/Raymond SL awhile ago? B&B is just wrecked with bad writing, repetitive SL, certain characters getting more airtime than others, and this trashing of characters to prop up the worst joke of a “super-couple” Brooke & Ridge? You soap writers need to stop begging at Brad Bell’s feet for interviews & have him fix this train-wreck!

lESLEY
Guest
lESLEY

The scene when Amber was working on Liam to have sex on the couch, darn near made me throw up. She breathed SO MUCH in his face, said all the things that would stop any guy in his tracks. Her sleeping with him just totally ruined it..I knew then this was acting at its worst. I hope Carl busts up her game plan and she moves off into the sunset. Sorry…but if you think this is a good actress that one likes to watch longer then a quick on and off…this writer creator is degrading the class level of his… Read more »

mmc
Guest
mmc

I have never seen a lack of chemistry between two actors.And Scott Chilton does not know how to act sad, heartbroken and sexy.Maybe somebody should give a call to my sweetheart Van Hansis and Eric Sheffer Stevens…..they can show them how true chemistry and good acting looks!

Lisamaria
Guest
Lisamaria

I could not agree more! That scene was so disgusting, but what irks me even more is how they are writing Liam. I was literally yelling at my TV telling him to GO HOME! I mean why would he fall for that crap? Amber is so skanky these days. I can’t wait until she gets busted as well!!!

kitty
Guest
kitty

I dont care what other feel. I am on with Team Amber! The soap would be completely boring if it werent for Amber or Steffie. Hope is such a yawn! Amber is fun to watch, so her character is different from the Y&R Amber but I dont care. Ive enjoyed watching Adrienne Frantz for years. I cant wait to see how this storyline blows up. I am secretly hoping she has a happy life with Spencer, but that would be boring.

Barbara James
Guest
Barbara James

I just can’t stand this Amber story line now. So if there is something better in her role coming up, I sure wish the writers would speed it up before I stop watching all together! She’s (her character) too old for Liam and she has no moral fiber!!

Lisamaria
Guest
Lisamaria

ICAM!!!!

Lisamaria
Guest
Lisamaria

Glad to see so many feel the way I do! I cannot stand Amber right now (and I used to like her). This whole s/l is making me ILL. And I agree about that seductive scene..it was gagworthy! Amber has about as much sex appeal as a pinky nail, and I do NOT see any chemistry between her and Liam either. No offense to the actress, but she’s nuts if she thinks Amber is never malicious. Um..what do you think LYING to a guy that he is the father of her baby and RUINING his relationship with the girl he… Read more »

mmc
Guest
mmc

That seduction scene could have been steamy if the acting was better and there was chemistry between the actors.Even when Oliver looks at Hope you can see something in his eyes that’s so appealing.Somebody made a big mistake by pairing Amber and Liam..Even the kisses are so boring.I’m not being mean , i’m just telling it like I see it!

Tammy H.
Guest
Tammy H.

Great interview! B&B is my second favorite soap (right after OLTL), and Amber has always been my favorite B&B character! I’m so glad she is back home. I know a lot of people think her current storyline is just a redo, but I am really enjoying it! I don’t see a lack of chemistry with the actor playing Liam, but I am more of an Oliver & Amber girl. Let Hope have Liam. Amber should be with Oliver. lol But really, this is a fun story! The only thing I miss from the old days is the closeness Amber used… Read more »

lls
Guest
lls

dah! Liam is not into Amber. I think his acting is mavelous. I can tell by his actions he is not into her. He portrays his dilema over being forced into an 18 year commitment well. I believe his facial expressions, his body laguage, and the way he kisses Amber shows his didinterest in the slut that i to o,d to be seducing Liam and Oliver. I belive she is in herlate 20′. The s/l requires Liam to be indifferant to Amber. The way he kisses Hope reinforces his feelings twards both women.

Alice
Guest
Alice

amber is gross and liam is clearly not into her so why did he sleep with her?????? I didnt get that at all and yes this storyline has been done before with this skanky character lets move on please and bring sarah brown back with a strong storyline shes a gem that was not used to her full potential.

Michael Jenkins
Guest
Michael Jenkins

She is a terrific actress,

jaybird369
Guest
jaybird369

Lately, on B&B, where has Amber been? I miss Amber and Amber’s portrayer Adrienne Frantz totally R-O-C-K-S!!!!! I wish that Amber would pop back up on-screen…and SOON!!!!! Even though Steffi eventually grew on me, Liam and (especially!!!!!) Hope work my nerves. Yikes. More and more, Liam is acting like a lovesick moron and Hope’s wholesome and puritan-like behavior makes me wanna constantly yell at my TV. Again…yikes. The Bottom Line for me: BRING AMBER BACK…NOW!!!!!!

Interviews

Y&R’s Mishael Morgan Talks Amanda’s Gut-Wrenching Scenes With Her Mother, Romance with Devon & Vice-President Kamala Harris’ Historic Moment

Since Mishael Morgan returned to The Young and the Restless as Hilary’s twin, Amanda Sinclair, it’s been a slow burn for the character.  However, recent revelations of Amanda’s childhood past have exposed the emotional wounds and the inner fight of this legal eagle, who is now poised for a romance with her late sister’s husband, Devon Hamilton (Bryton James)!

And who better to take on the challenge of trying to make Amanda and Devon a couple to root for then the talented Morgan.  In recent scenes, viewers watched as Amanda learned the harsh reality from her biological mother, Naya (Ptosha Storey), that she gave her and her sister up at birth and never really regretted it! Mishael played those scenes as you would expect for all they were worth and then some.

Michael Fairman TV chatted with the Trinidadian-Canadian Morgan, as the United States marked Martin Luther King Day on Monday – a holiday that holds a special place for her – and then the inauguration of Joe Biden and Kamala Harris as President and Vice-President of the United States on Wednesday and its historical significance.

 

While Mishael shares her thoughts on these moments of our time, we also do a deep-dive into how she created a second life in Genoa City and the challenges of playing a twin and making her unique and different, plus what fans should look forward to in the months ahead, which to us looks like it could be a love triangle between Elena (Brytni Sarpy), Devon, and Amanda.  And, as the second anniversary of the death of Kristoff St. John (Neil Winters) is fast approaching, Morgan opens up about the impact her former co-star had on her daytime career.  Here’s what Mishael had to say about it all below.

Photo: AP

Yesterday was such a historic day watching the swearing in ceremony of Kamala Harris, as Vice-President of the United States.  She is the first woman, first Black woman, first Indian woman, so many firsts to hold this office.  I just wanted to get your thoughts from watching it.  What was it like for you?

MISHAEL:  For me it was such a beautiful moment, and such a defining moment because now there is no person in America who can feel like they can’t do it all, that they can’t make it to the highest level of office, or at least one of the highest levels of office.  I think that is going to transform this country and the world in many ways because the rest of the world really does pay attention to American politics, and to what goes on in America.  I think it will really have a ripple effect throughout the entire world.  For me, it was so exciting to see this moment actually come to fruition because I think that the impact is even greater than we all could imagine.  You never know who you’re inspiring.

Photo: Hustory.com

It was really amazing, and this was also right after Martin Luther King Day and I know you produced your “I Have a Dream” Project.  How was the holiday for you?

MISHAEL:  It was funny because even though I did the MLK project, I didn’t really think that it was something I could really explain to my son.  Then, yesterday my son really wanted to know: “What was Martin Luther King Day about?  Why was it a holiday?”  It was so interesting because I had to come up with a way to explain it to a five-year-old, and what I came up with was so basic but so true.  I just said, “This was a day when Martin Luther King, a very famous man, who was famous because he stood up for everybody’s rights, and he marched to make sure that everybody can do the same things in this country as everyone else no matter how they look,” and that’s what he was.  He wasn’t just a champion for just Black lives.  I think he is a champion for equality, and he is a champion for making sure that we always remember to see each other the same.

Is that what inspired you originally to do your project?

MISHAEL:  Yes.  100%.  I remember being inspired by Martin Luther King as a child when I was learning about him for Black History Month and stuff like that, and then when all of the social unrest happened, I just remembered him again, and it was something that I wanted to explore.  When I started reading about him again, I just became so inspired by him all over again that I wanted to do something, and that’s what really inspired me to do the “I Have a Dream” Project.

Photo: Getty

I just hope that we will make strides in our country in stomping out systemic racism – it’s such a deeply-entrenched issue in our society.  A lot of people talk, but we need action to bring change to the system.

MISHAEL:  That’s the thing, I think that this moment, you can’t stop – like the moment when Kamala Harris got sworn in as our Vice-President – you can’t stop the train now because strides will be made that the next generation will look at as normal, and of what it means to be a Black woman or a woman in this country is going to change forever.  It’s the next generation that is really going to continue to move it forward.  So, I think that at the end of the day.  This will always be something that’s remembered.

Courtesy/CBS

Now on to Y&R, I wanted to tell you that these performances that you gave that recently aired were just great.  I always love it when they give you the ball.  How did you feel about the scenes and the storyline, where we learn the deep pain and hurt of Amanda’s childhood and the truth from her mother?

MISHAEL:  I was so excited to play it because for me, I really love telling human stories.  I love diving into that part of myself, and I really know that a huge part of why I am an actor is because I just have this outpouring level of empathy for every life that’s lived.  When I talk to people, and they tell me their stories, I want to take it on because I want to show that beautiful side of humanity.  So being given this story, I wanted to be very careful with it, because I knew that this is a reality for a lot of people.  I also thought about the fact that twin stories have always been done before, paternity stories have been done before, but I have to make sure that it comes from a truly honest place inside of me and a truly empathetic place.  I was excited to take on the challenge to be true to myself, and be true to my artist, and just find the beauty and the honesty in this real human story.

Courtesy/CBS

Ptosha Storey, who played your on-screen mother, Naya, was amazing in the scenes with you.  What was it like working with her and the gravity of it, where this woman is basically unapologetic that she didn’t want her children and she gave them up, and she did not sugar-coat it.

MISHAEL:  Ptosha was amazing.  I loved working with her.  We really got to kind of know each other a little bit.  She has such an interesting story about coming to LA to pursue acting, taking a break from it, (and I don’t want to speak for her), but then really going full-throttle right now when Black, female characters are being played, and she’s getting an opportunity to get back out there and do what she loves to do.  Just listening to her story was so inspiring to me. We had a true respect for each other when we got on the stage, and I think we made some art.

Photo: JPI

It was almost like watching a two-person play in those scenes.  What did Amanda feel at this point?  Was she hoping that her mother would say, “I loved you.  I wanted you?”  Was she hoping for a different outcome in her head?

MISHAEL:  I think anybody who goes into a search for their parents is hoping for a positive outcome.  I think for her, it was heartbreaking to hear that if Naya could go back and do it all over again, she would have made the same choices, and also knowing that those choices really impacted Amanda’s life in an incredible way.  I don’t think that all of it has come out yet.  I think a lot of the pain and hurt that she had to go through as a child, and the loneliness that she had to go through as a child, and hearing from a mother that she would put you back in that situation because it was more comfortable for her, and the level of selfishness is hard to take. Then there is the anger and everything that would come out of hearing that from your biological mother.  It’s funny because the way that those scenes were scripted, there was no stage direction, which to me, I love, because a lot times it will say like, “in this moment she is going to get a little angry,” or, “in that moment she is going to be sad,” but for those scenes, for some reason (and they were really juicy scenes) they really didn’t give much direction. I appreciated that because then it really allowed me to really just make the scene what I thought it was and just really live in the moment.  I know this was a roundabout way to answer the question, but yes, it was very heartbreaking because nobody expects that somebody would say that to them.

Photo: JPI

It was just so heartbreaking.  I kept thinking, “Maybe she’ll…” but no, Naya just stood her ground on it even though Amanda grew up in a foster home.  She wasn’t the “chosen” twin either!

MIHAEL:  No, and she was never chosen, and I think that’s an interesting thing that you said because she was never chosen, and I then even to this day, as a grown woman, she still isn’t chosen, and that I think is heartbreaking.  It’s an interesting thing because I do happen to have a bit of a personal experience with this.  My father wasn’t in the foster system, but he was raised… kind of farmed out to two aunts as a young child and didn’t really get to have a relationship with his parents until he was older, and with his mother, until he was in his 20s.  So, it was so fascinating watching my father.  I just remember always looking up to him and thinking he was so strong, and so powerful, and never cared about what anybody thought, and because of his upbringing, it made him a very driven person, very much like Amanda, but there was a weird sense of wanting to be good enough when his father was around, or when people talked about his father.  It was very fascinating for me to watch that.  It was like I would see my father almost turn into a child again, just wanting that love.  I think it’s because that is so organic to who we are as human beings that it just never goes away, that need to know that your parents love you, that there are two people in this world who no matter what will be there for you, and they will love you.  That’s a hard reality to come to when you realize that’s not true.  I think that’s something that’s really hard for the human spirit to let go of.

Photo: MMorganIG

Yes, and I think what you are saying is also true that you realize as an adult that we are so deeply affected by our childhood and how it plays into our choices, or how we perceive things that happen in our lives.  So, when you think of that, and because you’re a mom, doesn’t it make you feel even more that you want to do right by your kids? That you don’t want to do anything to screw them up in their later years?

MISHAEL:  Yes, it’s true.  It does make you want to be the best person for them and the best example, especially the best example for love.  You want them to feel accepted, and appreciated, and proud, and you want them to know that you’re proud of them.  You want to do everything you can because you think of every single person you may have met who felt like their parents didn’t love them enough, and you want to do every single thing to make sure that your child doesn’t feel that way.  I talked to one of my friends, and they’re like, “My parents never told me that they were proud of me,” and I’m like, “Alright!  Well, Niam, I am so proud of you!” Every day, “I am proud of you!  I am proud!”  It’s like every day I better make sure to tell my kids that I am proud of them, and that I love them.  I was talking to Bryton James about this because I had a disciplinary moment with my son, and you wonder if they are going to take it the way that you take it, but at the end of the day, that might get burned into his memory as “the worst thing that my mom ever did to me,” and meanwhile I thought it was a life lesson that I think he learned.  You kind of have to get rid of that fear that you are going to screw them up because I think it doesn’t matter.  You’re either going to love them too much, or you’re not going to love them enough, and you just have to do the best that you can, and you just hope that it’s good enough.

Photo:JPI

Now, you were brilliant as Hilary on Y&R and had this amazing story send-off, and then you came back to the show as Amanda, a new character.  How has it been to try to define Amanda as her own character without the ‘Hilary-isms’, or does it not matter anymore?  Do you feel you have made the distinction for yourself that they are two very different characters?

MISHAEL:  I feel like now they just are different.  It was active choices that I was making in the beginning, and it was important for me in the beginning.  That’s why, for me, when I was bringing Amanda in, I was trying to stay very steady in my tone and how I spoke because Hilary was very, very up and down, and everything was all over the place.  So, for me, that was my beginning moment, just really focusing on how Amanda spoke and how she conducted herself. I can’t change the way that I look, but I feel that the way that I speak and the way that I carry myself will naturally start to define the character.  After a while, when that becomes more second nature, I feel like more of the character comes through … more of how she is and how she takes things in.  That’s just sort of explaining a bit of my process. It’s just the weirdest situation that I never thought I would ever be in, but I definitely feel like a different character for sure!  I do feel like I know who Amanda is now.  In the beginning, when I read the script, all I heard was Hilary.  I really had to think about how I was going to say things because I didn’t want it to sound like Hilary, and now when I read the script, I see Amanda.  I don’t hear Hilary anymore.  It’s become easier for me now to lean more into the role and get more comfortable with it.

Photo:JPI

Amanda had said to her mother that she was also robbed of her sister.  How does that play into her whole psyche?  She does know that Devon was deeply in love with her sister, and now she has feelings for him too.  Did she want to meet her sister?  Does she feel robbed of that?

MISHAEL:  She feels very much robbed of that.  For me, it was very important that the time when she discovered that Hilary was her sister and that Hilary was gone, that I’m playing that loss properly.  It was important for me because if you couldn’t believe that Amanda’s heart is truly breaking for her sister, then you can’t believe anything else that’s coming afterwards.  This is a really defining moment for me as an actor playing two characters on the show.  It was really important, leaning into the fact that I had a twin, and I’ll have a connection to a person who doesn’t exist anymore, and really letting that break my heart, and break Amanda’s heart.  Once the audience believes that, then they can really believe that Amanda is a different character.  Then, our amazing fans will start to just buy into it, and they will figure it out, and they will work it out, and they will wrap their heads around it, but for me, it was that they had to believe that Amanda’s heart is truly broken for Hilary, otherwise we can’t hook them.  Amanda and Hilary have to become two separate characters in people’s minds.

Right.  So, after the confrontation with her mother, she runs to Devon, and she is torn up, and he consoles her.  This week he asked her out on a date.  She likes this guy, right? 

MISHAEL:  Yeah, I think she does!  He’s the first person that she met when she came to town, and I think she’s always been impressed by how he treated her even when he hated her, and the more that she learned of him, the more she became impressed by who Devon was, and his patience with all of this. In seeing his vulnerability with Hilary, and everything that he went through, and then seeing his heart being broken because of Elena and Nate, I think all of it together is starting to give these two characters reasons to be okay with exploring something that may seem strange to other people, but you can’t control who you love sometimes.

Photo: JPI

Hilary and Devon were such a hugely popular couple.  Do you feel pressure to hit lighting in a bottle, twice?

MISHAEL:  It’s really hilarious because we’re the same people!  Yeah, there is a little bit of pressure because you do wonder if you’re going to be able to create the same magic, especially because Bryton and I have known each other for so long, and we know each other so well now.  Looking back at some of the Hilary and Devon scenes, there is something that is so interesting about it and fun about it because I think Bryton and I were just getting to know each other at the same time.  So, wondering if we are going to be able to recreate that and just make it feel fun and fresh, I think is the worry or the challenge.  I think we will figure it out.  Bryton and I were talking, and the one thing that is missing, or the one thing that we have to get to in terms of the underbelly of Amanda and Devon’s attraction is that Amanda is more like Devon than Hilary ever was.  It’s almost like Devon realizing that the whole journey with Hilary was meant to happen just so that he could meet Amanda.

Isn’t Amanda going to be kind of worried that he was so in love with Hilary and the way that she looked…

MISHAEL:  Well, she doesn’t need to worry because Hilary is dead anyway.  It’s not like she’s coming back!  (Laughs)

Photo: JPI

Since the last time you played an on-screen relationship, Bryton is with Brytni Sarpy in real-life, and Brytni is on the show now, and there is all of that.  What has that been like working with Brytni?

MISHAEL:  Oh, I’m so Canadian!  As soon as I got back to the show, I was like, “I’m so sorry,” and she was like, “Why are you sorry?”  I said, “I just feel very sorry that I’m here.  You guys have your real-life love thing going on, and your on-screen love… I feel weird.  I’m happy to be back on the show, but I’m like breaking up the party!”  She’s like, “No!  It’s fun!  It’s fine!  Maybe we’ll be rivals!”  I’m like, “Yeah, okay it’ll be fun!”

I can see a classic soap bitch-fight on the horizon on Y&R!

MISHAEL:  Brytni has been awesome about it.  That’s been great.  We don’t know where it’s going to go, but it’s going to be fun.  They’re also playing with Devon’s love for Elena still.  They still have a pull.  Devon is still looking at Elena.  So, I think it’s going to be interesting either way.

Photo: JPI

We are going to have the fan wars again for the couples!

MISHAEL:  That’s even more fun!  I always said I’d rather people be fighting for me to be with this person and that person as opposed to just always with one person because then to me, I kind of wonder, “Is it just this one actor who makes me better?”  I want to be an actor who makes everyone better!  That I can work off of anybody and get that chemistry or that thing that audiences are looking for, that’s what I really challenge myself to do.

Photo: JPI

On February 3rd, it’ll be the second anniversary of Kristoff  St. John’s death, which is hard to believe that it will have been 2 years already.  I keep remembering when I first met you.  Kristoff and you were on The Price is Right, but it was also a crossover for your characters, and you were the new girl on Y&R.  Do you still feel his presence at Y&R?

MISHAEL:  A few days ago, I had asked Bryton, who is s actually in Kristoff’s old dressing room, “Do you ever feel Kristoff in there?  In your dressing room?” and he’s like, “No, not really.  Definitely not in my dressing room, but on set sometimes.”  Even though he’s not here, it’s like he’s still with us because you still see him in pictures and sometimes that happens while you are on set doing a scene.  One time, I was on set doing a scene with Christel Khalil (Lily), and I saw a picture of Kristoff in the background, and it’s just kind of a reminder that I think he is always going to be here in terms of his impact on me and my time on the show.  He means a lot to me because I think I am the artist I am largely because of his influence, and how he really took me under his wing and made me feel so comfortable.  He was such a light, and he made acting so fun, but he always had your back as an acting partner and as friend, and I miss him a lot.

Me too.  He was just a wonderful actor too, when you look back on some of the work.

MISHAEL:  Oh my gosh, yes.

Photo:JPI

What does Amanda think of Naya’s other daughter, Imani (Leigh Ann Rose)?

MISHAEL:  She’s just irritated by Imani because she basically got to live the life that Amanda should have had essentially. To watch her be up on her high horse to Amanda, it’s laughable because the amount of hoops and obstacles that Amanda has had to go through to get to where she is standing today, somebody like Imani is just a complete joke to her! In Amanda’s mind, she is who she is just because of the opportunities that she was given and because of the family that she was born into.  It was complete luck, and it had nothing to do with hard work.  In Amanda’s eyes, everything that she is and every ounce of who she is, is because of her determination, and the choices that she made, and the obstacles that she overcame.  So, the way that Amanda looks at Imani is like she is just a person who she doesn’t even think could fathom how insignificant Amanda thinks that she is.  There is a deep-rooted resentment for Imani because I just think that Amanda has been through so much.

Would you like to have more scenes between Amanda and Naya and Imani?

MISHAEL:  Yes.I want more scenes with both of them!  Both of them are so amazing.  So, I’d love to work with both Imani/Leigh-Ann and Naya/Ptosha again.

Photo:JPI

What can you say to the fans to look forward to?

MISHAEL:  I think I would say that Amanda coming to Genoa City was a really big surprise, and I think that those surprises will continue … ff we want to be as vague as possible! I think there are a lot of things to look forward to because this relationship with Devon is definitely going, and I think it will be interesting to watch how Bryton and I figure that out, which will be fun!

Photo: JPI

Big surprises? Hmm.  Are you going to tell me that there are four of you? That Naya really gave birth to quadruplets … and you are about to take on two more roles?

MISHAEL:  Well, you never know!  That’s all I’ll say!

So, what did you think of Mishael’s recent performances where Amanda met her birth mother? Are you rooting for Amanda and Devon to wind up together, or Devon and Elena? What have you thought of Amanda Sinclair vs. Hilary Curtis Hamilton?  Share your thoughts via the comment section below.

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Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. https://members.sagfoundation.org/donate 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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General Hospital

GH Co-Head Writers Chris Van Etten and Dan O’ Connor Interview – “Soapmakers of the Year” Honors 2020

In a year which saw production of your favorite soaps shutdown for several months due to the coronavirus pandemic, everyone in daytime had to pivot.  As original episodes aired, they eventually ran out, giving way to rebroadcasts, while the audience eagerly awaited the return of the current stories.

At General Hospital, once production resumed over the summer, head writers, Chris Van Etten and Dan O’ Connor had teed-up: surprising homecomings (Dante, Britt) shocking twists and revelations, the conclusion of what will become an all-time soap classic, the Alzheimer’s storyline, dipping into the rich 57-year history of the iconic soap to tie story to the present (Laura, Cyrus, Martin), and crafting stories for its A-list cast which gave 2020 some of its finest on-screen moments.  GH became can’t-miss television again, coming back even stronger than its pre-pandemic self; which also kicked the year off in high-style with the reveal of Nikolas to his family, alive and well, and the long-awaited truth about baby Wiley.

Chris and Dan’s depiction of Mike’s heartbreaking battle with Alzheimer’s gave viewers many tears through its unrelenting and realistic storytelling, plus their commitment to air the standalone episode to honor the passing of the 19th amendment of the women’s right to vote in November.  Both were noteworthy, and illustrated what daytime can do best.

 

Each year, Michael Fairman TV gives our highest honor to a creative or creatives who most delivered to its audience and whose quality of work continues to keep us engaged, on the edge of our seats, or reaching for the hankies. That is why this year’s Soapmkers of the Year honor goes to GH scribes: Chris Van Etten and Dan O’Connor.  Shortly after receiving their acknowledgement, the duo spoke to us about some of the 2020 highlights in Port Charles, and how they work so well together to bring their stories to life.  Here’s what they shared.

Courtesy/ABC

First, and foremost, I want to commend you for the Alzheimer’s storyline  As I’ve shared publicly, my mother died of Alzheimer’s, and I have seen the progression of this disease and the effects it has on a family and loved ones, and the person afflicted with it.  You did a beautiful job of telling every beat of the story within the context of what you could do within a soap opera.  What can you tell me about crafting that and seeing it through to the end?  You never abandoned the story, which at times, can happen on daytime.

CHRISNo, we didn’t abandon it.  Soap operas have a power that I am sure we have acknowledged before, to allow audiences to really get to know characters in a deeper and more profound way than I think most other mediums do.  We get to see characters’ lives day in and day out.  For us to tell a story about Alzheimer’s, which is a disease that is devastating in so many ways, not the least of which is the fact that it can take years to develop and years to finally claim a life, we felt that among our audience, there had to be many people who had experienced this in an up-close and personal way.  So that to tell the story too expeditiously would really deny their experience and would take away from their appreciation of the show as a reflection of reality.  Of course, soap operas don’t do that in every sense on every episode, but when you’re telling a story about a disease that people experience every day, you have an obligation to reflect the real-world experience.  So, by bringing it to a close too fast and by doing it in a way that didn’t honor what at times is the horror of the disease, felt like it would be a cop-out.  We wanted to do our best within the constrictions of the medium to depict that; while at the same time, of course, not wanting to leave people so depressed as to not want to tune back in.  It was a really delicate dance.  We are very grateful to have had the support of the network and Frank Valentini’s (executive producer, GH) ingenious production team as well as a great repertory of actors who were willing and able to give their all to this story.

Courtesy/ABC

Maurice Benard (Sonny) did some of his finest work of his career in this story, and you gave him the ball to do it, and Max Gail (Mike) was amazing.  Two standout episodes included: when Mike passed and was taken to heaven by Courtney (Alicia Leigh Willis) and Mike’s funeral episode.  Did you realize when you were writing it, the impact it would have on the audience?

DANAs for the funeral, I’d say that we knew as we were writing it that not only did we want to give the characters and the audience a chance to say goodbye to Mike, but we also wanted to give the performers a chance to say a goodbye to their relationship with the actor, Max Gail as well.  Max is a fantastic, phenomenal actor, and he formed close relationships with many of our performers.  So, when we wrote the episode, yes, we did want to give the audience a chance to say goodbye to the character, but we also knew that because of the close relationships that these performers have made with each other that the actors were going to bring their all, and it was going to provide the audience with some powerhouse performances.

Did you get emotional seeing it? 

CHRIS:  Oh, personally, I cried.

Courtesy/ABC

I know you both love and appreciate the soap genre and understand that the audience often wants a good cry and is invested in these characters.  So because of that; what’s it like for you when you see these emotional moments play out that start in your mind, go to the page, then to the stage, and now are out in the world for people to see and experience?

CHRIS:  I can’t speak for any of the other writers, but I’m not crying when I’m writing it, but I’m crying when I see it realized and how the actors, and the producers, and the directors realize it.  I personally am always surprised by the nuance and the beats that they find that we, in our first draft kind-of-lifestyle that we have as soap opera writers; where we are writing six or seven episodes per week, we don’t have the time or the luxury to really sit with an episode and mine it for every single beat and every emotion. That’s why we have great directors and great actors who take these scripts and find these extra moments.  So, it is really gratifying to watch – yes, to see something that we’ve imagined be produced and personified, but then to see how the production then takes it in other directions, that’s the best.  I think that’s the most gratifying part of writing for a show, not seeing what you’ve written produced, but seeing how it was parented into life.  When you have a baby, I think you have all sorts of ideas about what the baby will be, and then the baby becomes something else as the result of its environment and of the people who are influencing and guiding it along and that may be a bit of a stretched metaphor, but it kind of feels relative.

As co-head writers of General Hospital, how do you work together to come up with long-term story?  What is your process?

DAN:  Chris and I will meet regularly and discuss the long-term stories that we are telling, and plan to tell, and maybe some adjustments that we have to make along the way.  We get to meet with our writers several days every week as we figure out the best way to tell that story in the form of however many episodes we write a week.  Chris and I also write episodes along with our great breakdown script team, and every week we figure out the best way to either stay on the path of the story we are intending to tell, or find new opportunities or new twists and turns we can take along the way.

Photo: ABC

Do you get into friendly, creative disagreements? Is one of you more protective of a certain character than the other? 

DAN:  Chris and I have known each other for close to 15 years at this point, and we are not just colleagues, we are also friends.  There is a certain amount of shorthand that we have with each other which is just invaluable in telling story.  What’s great is that we sometimes come at the story from different angles or we have a different point of view, much like any two fans of the show wouldn’t agree on necessarily everything, but in our discussions about the show’s needs, wants, and haves, and the story trajectory, we ultimately get somewhere better than where either of us could have come up with on our own.  At the same time, there are those moments where we both come to the same idea at the same moment, and that’s definitely when we go, “Okay, we’re onto something good.”

CHRIS:  I can add as a partial translation that I can get really snippy, and Dan has the patience of a saint.  So, often times, I need 24 hours to go away, and sleep on something, and wake up, and say, “Oh Dan, you were totally right about that.  I’m so sorry I was snippy the other day,” and he doesn’t seem to hold it against me.

Do you ever get a writer’s block; as has to happen often with scribes in the unrelenting medium of daytime drama, and if so, I would think having a writing partner would be an asset during those times?

DAN:  I think it’s the nature of the beast.  At a certain point, you might hit a roadblock somewhere, but that’s why having a partner is so valuable that there is somebody else that you can bounce ideas along with, and just as, if not more importantly, our team of writers are always there to sometimes give us even better ideas than what we would have come up with on our own.

Courtesy/ABC

This year you utilized and delved back into a lot of GH history.  How did the idea come about to bring back the character of Jackie Templeton and have former All My Children and NYPD Blue favorite, Kim Delaney, take on the role?

DAN:  Jackie Templeton is a character who has been an Easter egg on the show for many years now.  Whenever we needed to namedrop a famous journalist, she was always our go-to.  It always felt like the character was in the ether of Port Charles for awhile, and we were excited to bring this take-no-prisoners character back and explore her history with Robert (Tristan Rogers), and at the same time, we were finally teed up to tell the story of Finn’s (Michael Easton) falling out with his father and step-mother, and we realized we had a great opportunity to have the character serve both stories and collide with not just Anna (Finola Hughes) and Finn, but Robert as well. Those three played wonderfully with each other. When we heard that Kim Delaney was interested in playing with us, we were just over the moon.  .

Courtesy/ABC

You have also been delving back into Laura’s childhood past and her history. I love that you brought up the death of David Hamilton and her teenage years, which hasn’t been discussed for a very long time on the show while tying it into the present.

DAN:  We were always aware of the story just because we love General Hospital and we love the character of Laura, and there is nothing else like daytime drama, and one of the great things about it is that you can reach decades into the past and expand on stories and themes that the audience actually witnessed. Long reaching history is a tool in our toolbox that not many other series have.  Chris and I love honoring and using our characters’ histories to propel the show into the future with some serious momentum.

Photo: ABC

You created and brought the character of  Cyrus Renault (Jeff Kober) on to the canvas. Was it originally a case of, “We need an uber-villain to come and shake things up,” and then you decided to connect him to Laura?  It’s been an intriguing shocker for viewers.  Jeff is playing the multi-levels of Cyrus with great finesse, and whenever you give Genie something, the fans go nuts, and she, in turn, delivers every time.

CHRIS:  The story of Cyrus has a couple of phases to it.  We wanted to bring on a villain who would not only be an adversary to Sonny, but someone who we could use to really test Jordan (Briana Nicole Henry) and Curtis (Donnell Turner), and we knew going in that the first phase of this story would really hit the Corinthos family and also the Ashfords, and as we developed it, we thought about what the act two would be, and we knew that we had an opportunity to really engage Genie Francis and to expand her sphere and expand her footprint on the show, and by connecting her to Cyrus, who is not your typical face or presence for a soap, but is also not your typical person who I think Laura would encounter in her daily life.  So, we knew, as we really developed Cyrus as a villain, that for Laura to find out that this man is her brother, would really allow us to play with Laura in a different context and in a different light and really give Genie a new kind of challenge.

Speaking of Genie, what did you think when you watched back her performance in the episode where you wrote that Laura has to say goodbye to her comatose daughter, Lulu (Emme Rylan), before she was sent off the canvas to a long-term care facility?

CHRIS:  I mean to me, that’s vintage Laura.  I came to General Hospital personally in the late 80s to early 90s, so my experience of Laura really only begins with her, and Luke (Tony Geary), and Lucky (Jonathan Jackson) at the Triple L Diner.  I think that what we’ve gotten to see with Genie is really reflective of the high emotion that she is capable of delivering.  At the same time as the high emotion, you’re also seeing really small human moments that she really breathes a lot of life into.  I can speak for Dan and myself when we say that we are just really thrilled with what she has been able to bring to the screen.  Thrilled, but I guess not surprised.

Coutesy/ABC

Nelle (Chloe Lanier) was such a great interloper and threat throughout the year in story; whether it’s hatching plots to gain custody of baby Wiley, or her “death” scene and confrontations with Carly (Laura Wright).  However, through all of this, when was it decided to make Nina (Cynthia Watros), Nelle’s biological mother?

DAN:  There are very few things that are as exciting on a soap as a character that makes you wonder what they are going to do next, and Chloe and Nelle provided that role with just gusto.  The truth is, the idea that Nelle was Nina’s daughter has been a part of the conception of that character, and over the last few years, the story evolved, and we ultimately got to reveal the truth to the audience.

Courtesy/ABC

As writers, there has to be characters that are just so delicious and treacherous to write for that you have to get a kick out of it! Chloe Lanier is so good that she makes the audience want to slap Nelle when she takes the dialog and then brings it to the screen.  

CHRIS:  It is tremendous fun.  Yes, yes, we love writing for these characters who are willing to do and say anything to get what they want.  We are constrained when writing for characters who have morality.  It takes a moral character a lot of really difficult circumstances for them to make a decision that might go against the grain, but when you have a character like Nelle, who is not shackled by certain societal norms, then you really get to live out the worst impulses that a person could have, and it’s really fun, especially when you take a really great performer like Chloe and see her as Nelle unleash all of the poison that she’s capable of.  At the same time, she can turn on a dime and rip your heart out a little bit when she turns on the water works.

Photo :ABC

Ava Jerome’s (Maura West) story this year had her moving into a relationship with Nikolas (Marcus Coloma).  We, the audience, didn’t know how that was going to go – if they were just going to use each other, or ultimately fall in love.  Was that the plan all along … that they would develop deep feelings for each other, or did you want to see how it progressed and played out on-screen, and then make that determination?

CHRIS:  I think that once we saw the chemistry between the two actors, we knew we had gold. So, we wanted to take our time, especially the way that it was constructed.  These were two people who had little use for each other emotionally, and in fact, probably wanted to see one another’s downfall, and that’s what makes it so great to write – that these are people who, in a similar vein as Nelle, don’t live by the same rules as most of the rest of us, and therefore, they might do things to each other that the rest of us would not do to anyone let alone whether we like them or not.  That’s what makes Ava and Nikolas so delicious is that from one moment to the next, you don’t know if they’re going to hatch a plot against each other or fall into bed and ravish each other. That’s what I think we hope to continue to play as we go forward because they certainly have very strong, passionate feelings for one another.  When you’re talking about Ava and Nikolas, these are two people who do not have a lot of fans necessarily in Port Charles, and there are a lot of people who don’t necessarily want to see them achieve happily ever after.  Knowing that there was so much initial mistrust and suspicion between the two of them could really provide the foundation for their own undoing or their undoing from someone who does not want to see them happy.

Photo: ABC

Back in November, GH made good use of a standalone episode spotlighting the history of the women’s right to vote and the suffrage movement; just as the presidential election was happening.  What made you decide to write this special show, and how do you feel it turned out as it also spotlighted the female cast?

CHRIS:  We had long intended to honor the one hundred years of American women’s suffrage with a special episode to air on the anniversary of the 19th amendment’s passage, but we missed the date due to the pause in production.  We realized we had a second chance as the election neared.  Going forward was a no-brainer. The biggest challenge was in distilling such an epic story into one episode. We think ABC would do well to consider a spinoff: “Port Charles, 1920”

Courtesy/ABC

You have such a powerhouse cast to write for.  It’s loaded.  It’s got to be a challenge for you to construct the story for GH when you’ve got to front burner people and back burner people, and then you’ve got these huge daytime stars all in one show.

DAN:  It’s an embarrassment of riches to have a cast as talented as we do quite frankly.  We are fortunate enough that we know that we have these amazing performers that we can trust with whatever stories that we throw their way.

CHRIS:  I will say that we do have a great cast.  They’re all wonderful, and when you have a show that is only approximately 35 minutes of airtime on any day, it’s a real balancing act to make sure that everybody gets a story that really is worthy of their talents, and we’ve got one for everybody.  Sometimes it’s just a matter of which story takes precedence in which moment, which is why occasionally some characters aren’t featured on a daily basis, but you can bet your bottom dollar that they will be.  If you were to ask me, “Who are the standouts?”  I would say all of them.  You saw this year: Maurice Benard, Nancy Lee Grahn (Alexis), Maura West, Genie Francis, and Laura Wright (Carly) to name but just a few.  They’ve all done such fantastic work, and we can’t wait to give them more material to give them more moments to shine.

DAN:  A priority of ours is every week, we meet up and look (well, it’s virtual now during Covid-19) at the big board of our cast photos and we go through each character and always make sure that they have some story percolating even if it’s not on the air at the moment.

Photo: ABC

As we close out 2020, and look forward to 2021, any parting thoughts, and perhaps a tease of what GH fans can look forward to in the New Year?

CHRIS:  In general, I would just say that despite all of the challenges of the year, we are really grateful to our cast and the crew back in Los Angeles for realizing and improving the show that we imagined, and we are so excited for everything that is coming in 2021.  We hope to continue to throw a lot of surprises at the audience, and at the same time give them a lot of moments and stories of heart and love and excitement.

So, what did you think of the year in story on General Hospital in 2020? Share your thoughts on Chris and Dan’s comments and their year-end honors via the comment section below.

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