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The Bold and the Beautiful & The Bay Win Big At 45th Annual Daytime Creative Arts Emmy Awards!

Photo Credit: JPI Studios

It was a good night to be BOLD! The CBS Daytime drama series, The Bold and the Beautiful racked up the most Daytime Emmys; along with the iconic children series, Sesame Street last night at the 45th Annual Daytime Creative Arts Emmy Awards.

The show honors the best in behind the scenes crafts for daytime programming, as well as handing out key acting honors in the digital drama series arena.

The ceremony held at the Pasadena Civic Auditorium saw B&B take home 7 honors including: Outstanding Lighting Design for a Drama Series, Outstanding Drama Series Technical Team, Outstanding Live to Tape Sound Mixing, Outstanding Music Composition for a Drama Series, Outstanding Make-Up, Outstanding Costume Design, and Stunt Coordination.

The Bay took home 5 Daytime Emmys for Kristos Andrews, Outstanding Lead Actor in a Digital Drama Series, Jade Harlow, Outstanding Supporting Actress in a Digital Drama Series, Eric Nelsen, Outstanding Supporting Actor in a Digital Drama Series, Gregory J. Martin for Outstanding Direction of a Digital Drama Series, and Patrika Darbo for Outstanding Guest Performer in a Digital Drama Series.

General Hospital picked up three awards including the ninth Daytime Emmy for Casting Director extraordinaire, Mark Teschner.  The ABC soap also won Outstanding Song for “Who I Am”, and Outstanding Art Direction.

The Young and the Restless picked up the prize for Outstanding Multi-Camera Editing for a Drama Series, and Outstanding Hairstyling for a Drama Series.

Former daytime stars, Michael Park (Jack, ATWT) and Kristolyn Lloyd (Dayzee,-B&B) also received Emmys for their Today Show appearance performing songs from the Tony-winning smash, Dear Evan Hansen.

So, what do you think about the night’s big winners at the Creative Arts Emmy Awards? Comment below.

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dmrTimmmlinjaybird369rpm Recent comment authors
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eddie
eddie

Can you please put a link on your twitter tomorrow so people who do not have facebook can watch the show.Also, the first 20 minutes of the red carpet coverage on facebook last night was not scene.During this time I went to you tube and their was no sound but we saw the people walking around for 20 minutes.Did anyone tell you about these problems?

Violet Lemm
Violet Lemm

Eddie, you can see just about anything to do with the Emmys on UTube

Phyllis Fontaine DeMarco
Phyllis Fontaine DeMarco

Congratulations to all who were nominated and won. Shout out to Miss Beehive And RC Cates- didn’t win, but loved the song and music and Miss Beehive’s lovely voice on YR.
I can see how Bold won best costumes-despite most scenes taking place on a mattress.
I am pretty sure the costumers are behind all the great frocks and designs the Forresters-and Spectras are credited with.
The ceremony and red carpet lasted hours. Kudos to all press covering the event for their tenacity and hope cocktails were available.
Looking forward to tomorrow night’s results and good luck to all. Thanks for the coverage, Michael.

K/kay
K/kay

Proof once again these awards are a joke

K/kay
K/kay

Best casting parking lot Frank I just roll my eyes

Shay
Shay

I do believe that one garnered a collective rolling of eyes, K/kay! It was something that you simply couldn’t make up….

jaybird369
jaybird369

L-O-L

dmr
dmr

HAHAHAHA! No kidding! I can’t stand “Parking Lot Pete,” and won’t watch any episode that he is in-what a joke! His girlfriend continues to pimp him out-on the cooking channel, and at the Creative Art Emmy Awards. So ridiculous! Funny, I swear he wore the same blue suit at the Creative Art Emmy Awards that they always put him in on GH!

xmascarol
xmascarol

I agree the Bold and the Beautiful stinks it is so boring I tried to watch it and it does not peak my interest.What about Days ?Boy did they ever get robbed.How can they have ignored Days they have the best stories on now?

dmr
dmr

I can’t sit thru the Liam, Steffy, Hope-all 22 minutes of it, every single day. No thanks. Can’t stand either of them!

jaybird369
jaybird369

K/kay…where B&B is concerned, it’s getting BEYOND OLD AND STALE watching that Bill/Brooke/Ridge and that Hope/Liam/Steffy silliness!!!!! At this point, I don’t think that Bradley Bell has a CLUE as to how to run B&B…AT ALL!!!!! Moron.

Have a good one, K/kay.

Kevin C
Kevin C

CONGRATS to B&B winning for best Outstanding Music Composition which I totally agree with for Jack Allocco and David Kurtz compose the music and they use to be with Y&R which I so wish they were back at Y&R, to me they are the tops in their craft…

rpm
rpm

Casey Moss not winning proves these award shows are a joke as soon as rome flynn won i shut the computer down goodbye

dmr
dmr

Rome whined last year, about not being nominated or winning. Can’t believe he won this year! What a total joke!

lin
lin

There was problems with my online feed. Buffering and I have good internet speed. I missed best supporting actress. , and part of the GH 55th clips. Don’t know what happened. I wish it were on Tv. As far as the awards themselves, I was disappointed GH did so poorly. I thought the Joely Fischer sang beautifully, but the song should be a background to the In Memoriam. Not her fault the song should be quiet and be secondary to the video. I didn’t feel the song was the proper song for the mood, but she sang well. I felt the female co-host’s banter was improper in these days . Just my opinion. If she were a man and Mario was a woman, everyone would agree.

Timmm
Timmm

Not a Days fan but happy for their fans. Greg Vaughn’s win was awesome! I wish Marla would have won but Cam is so good, I am cool with her win. As far as GH’s big casting win, I agree, even though Frank screws over GH’s legendary characters, he and Mark do find good actors such as Greg Evigan and Max Gail and these two did and are making an an amazing impact as Jim and Mike.

Breaking News

Brandon Barash Replaces Tyler Christopher At DAYS

According to reports from Soap Opera Digest and Daytime Confidential, former General Hospital favorite Brandon Barash has temporarily replaced Tyler Christopher, in the role of Stefan DiMera at Days of our Lives.

Photo Credit: JPI Studios

Brandon played mobster Johnny Zacchara on GH from 2007-2016.

Because DAYS tapes well in advance; look for Barash to hit the air sometime in early 2019.

What are your thoughts on Brandon as temp replacement for Tyler as Stefan O? Comment below.

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Breaking News

GH’s Maurice Benard Takes On Role Of John Gotti In Upcoming Lifetime Movie

Who better to use their mobster experience playing the iconic role of Sonny Corinthos on General Hospital, and put it to good use, when taking on the role of a real-life mobster than Daytime Emmy winner, Maurice Benard?

As revealed over the past weekend, Maurice Benard is hard at work filming a Lifetime Movie based on the life of Victoria Gotti called “The Victoria Gotti Story”.

Sharing the news via his social media, Benard expressed: “Thank you lifetime and everyone involved 4 a Beautiful opportunity.”

Recently, John Travolta played the notorious New York mobster in the movie Gotti released earlier this year.

The infamous Gotti, had a wife and a daughter both named Victoria.  So as to which point of view the film is focusing on is yet to be released.

So what do you think of the casting of Maurice as John Gotti? Intrigued to see the Lifetime Movie when it debuts? Comment below

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General Hospital

General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives

“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other.  At least this way I could leave some good feelings, instead of disappearing before your eyes.”  Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home.  These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).

When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect.  What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major.  Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.

In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.

Gail has been a revelation in this role.  A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.

On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s.  So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.

Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.

You’re portraying a person suffering from Alzheimer’s and play the progression of the disease.  Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?

Courtesy/ABC

MAX:  It’s more like an urge, or a calling to find some kind of truth in it that I can connect with.  One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else.  “Where am I going?”  This has happened to me many times in life.  For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it.  I knew I’d gotten home somehow.  So, it’s not out of my realm.  I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function.  We are kind of on the cusp of that in story at GH.  I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working.  Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.

The story has been so effective.  You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey.  It’ll be interesting to see how far they will take this with Mike.  Will we actually see him not being able to communicate anymore?  How far will the writers go to show the horrific aspects of Alzheimer’s? 

MAX:  I’m not sure.  You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it.  Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level.  I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember.  They’re trying to find a place for Mike within all of the interwoven drama of General Hospital.  I, frankly, had no idea how complex the range of storylines was.  Mike doesn’t really have control over his story.  I don’t want that as an actor.  Mike has some intentions that are really important to him.  I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed.  I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father.  Sonny’s formative experiences growing up were then with his abusive stepdad.  Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s.   It’s a wonderful challenge to be presented with.

Courtesy/CBS

You brought up that Mike is seemingly very sweet in his demeanor now.  My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman.  As the disease took hold of her, she became very sweet.   She became almost childlike.  The fire had gone out of her eyes.  You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son.  In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc.  Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof.  However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore.  That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son. 

MAX:  Right and he doesn’t know if he’s around friends or around enemies.  This can be true of Alzheimer’s patients.

I had that happen with my mother when she came out to Los Angeles to see me for the last time.  She was out of her element, she was confused, and she broke down and cried in the hotel room.  She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.”  It was heartbreaking.   Later, she had a moment of clarity and realized more of what was going on.  I think it’s those in-and -out moments that you portray so well on-screen.  I feel that they are very realistic to what I, and others, have experienced.

Courtesy/ABC

MAX:  I appreciate that and sharing that with me, because you never know as an actor.  That place of “Where am I?  What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed.  I don’t remember the words.”  It was, “I don’t know where the f**k I am.  I thought there was a band there, but there’s not.”  So, in a way, I just had to be there on this big soundstage and just feel this big space around me.  I could barely see that there were people out there.  It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this.  He doesn’t have to freak out and get accusatory.

Courtesy/ABC

What has it been like working with Maurice Benard as your on-screen son?  Do you watch back your scenes together and ever go, “Oh, that was great!?”

MAX:  Yes, there have been a lot of those!  There are some scenes that are so emotionally focused, and we get a lot of delight in each other.  He has been playing this character in this situation for so long, so it’s just kind of in him.  Maurice has presence.  I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots.  I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway.  When this part came up, a soap hadn’t really been on my radar.  I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB.  One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character.  I thought, “Wow, that’s really interesting.  This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.”  I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.

Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.

MAX:  It’s mutual.  We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment.  Although, I would love for Mike to have a moment of self-observation where he goes, “Gee.  I cry a lot more than I used to.”  I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.

Courtesy/ABC

There was a part of my mom that knew something was wrong.  She’d go, “Why am I crying?  I don’t know why I’m crying.”  She got confused as to why she was feeling that.  She couldn’t connect it all, and at times she kept saying, “I don’t understand.  I don’t understand.”  Those were the things she would try to express.

MAX:  I have a feeling that Mike has those moments too, but he finds a way for it to be okay.  There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.

Photo Credit: JPI Studios

Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera.  While now being at GH, have you found any commonality within the experience?

MAX:  If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years.  One of the things that really resonates is that when we started shooting the studio audience laughed too easily.  We would end up retaking the scenes.  Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script.  Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own.  Frank has a really wonderful eye.  He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment.  I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.

Courtesy/ABC

Vernee Watson has been amazing as Stella, who is also Mike’s social worker.  Does Mike have romantic feelings toward Stella?

MAX:  Vernee is wonderful.  I didn’t know Vernee had been on the show when I came on board.  She won an Emmy, and I’m not surprised.   She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection.  For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white.  I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American.  So, in my world that is not a big deal.   I think there’s an affinity there between Mike and Stella.  You know, he’s alive.  He’s old, but he’s not dead.  There’s an ease with women he likes.  I think there are a whole lot of reasons for them to not get involved.  One is just professional, and she’s a social worker.  We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.

 

What do you think about how Mike knows about who was buried at Charlie’s Pub?  He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar!  This storyline ties in to Sonny’s mobster dealings as well.

MAX:  Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny.  Of course, it reveals certain things about Mike that he’s never revealed to anybody before.  So, that’s kind of cool.  I think when he knows what and how much sometimes is not clear.  That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story.  They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions.  So, we knew elements going into it and that sometimes I  didn’t know what the writers are really intending.  In terms of Mike, he’s kind of back and forth in certain moments.  I have to resist the idea that they trap me by just being careless.  I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.

Courtesy/GoodDayLA

You appeared on the morning show Good Day LA  a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement.  What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?

MAX:  It was great to do.  Maria had sent out a tweet that is was wonderful what was going on, on General Hospital.  On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men.  So, then Laura and I sat down and did an interview alongside Maria.  We actually had a nice conversation before.  They did a web interview also as a follow-up.  That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing.  Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject.  I’d love to see an ongoing conversation online amongst people who can share their stories with each other.  That’s a lot of what they’re doing.  They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver.  Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist.  I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time.  There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.

Courtesy/ABC

You were my favorite character on Barney Miller as Detective Wojciehowicz!  I think for many who watched the show you were, too!

MAX:  I think “Wojo” ended up being the heart of the show.

Max, you’re helping people through your beautiful performances including me.  Congratulations on that.   I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.

Photo: IMDB

MAX:  Well, I really appreciate your questions.  I’m just planting that seed.  That is really what I would like to do after talking to you and so many people.  That’s something I’d like to put out there.   We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again.  I’m looking to help people out there in the world who are watching and are looking to share in the conversation.

So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny?  What have you thought of Max Gail’s performance throughout his GH run?  Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s?  Share your thoughts via the comment below.

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Video du Jour

This weekend we mourn the loss of General Hospital’s beloved Susan Brown who played Gail Baldwin. Here is her final scene from 2004 when Gail and her husband Lee (the late Peter Hansen) showed up at Lila’s funeral and had an exchange with Alan and Monica. Share your thoughts on Susan’s passing via the link below. Leave A Comment

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