How do you bring in three hot guys to a soap when they are unrelated to anyone else on the canvas, and make it work? First, make sure the eldest one takes his shirt off in various scenarios, and sleeps around while professing his love for one of the town’s good girls, and stealing her from her beloved boyfriend. Next, while trying to get your car out of a parking garage, another beloved female character stumbles into a hostage situation with another young strapping, good-looking guy, who later turns out to be misunderstood. And then, take another guy who is already part of the core younger set on the show, and dating the daughter of one of the most identifiable characters on the soap, and add him into the mix as the other guy’s brother! So did it work? The answer is, now it does, with a resounding, “yes”!
One Life to Live’s David Gregory (Ford), Nicolas Robuck (James), and Lenny Platt (Nate) are the brothers’ wunderkind, whose looks put everyone else to shame! And, as a soap opera band of brothers, they are also well on their way to melting some viewers hearts, or making them mad as hell! Then, throw in a great soapy twist; that they all come from an abusive (unseen and un-cast) father, and from a runaway mom! And, when that runaway mom turns out to be actress Jessica Leccia (Inez) and she shows up in Llanview, the story possibilities and complexities become endless.
On-Air On-Soaps chatted with the three on-screen amigos, Gregory, Robuck, and Platt, to find out about brotherly love or dissidence, shirtless scenes, playing opposite their leading ladies, working with the fantastic Leccia, and if they feel there are real similarities in their looks and with each other’s personalities. And, we get a preview of their on-screen feuds with Brody, Cole, and Matthew, which heat up next week. So watch out, as we end the summer and head into fall. You still may need to find a room to cool off in after watching these guys on screen. Here are the Ford Boys!
David, let’s start with the eldest Ford brother. Robert, better known as “Ford”, had become quite the scoundrel, and to say he was a womanizer would be putting it mildly. But now it seems the show is making efforts to redeem the character. Were you surprised by that? It makes sense, because how could they keep him around?
First, I was glad. Not that I wanted to be a squeaky clean guy, but they are adding elements that make him why the way he is. A lot of directors I have worked with since have told me, “We don’t want him to lose his fire, because that is what kind of makes him interesting.” So that is not going away, but once he brought in family members, it allowed us to see, not that he is justified in the way he is, but that it makes more sense. So I don’t know if it’s as much that Ford is being redeemed, as much as it is explaining to people why he is the way he is. I like he is still in a grey area.
Did you know when you came back to the show earlier this year, that you would then have a brother, James, added into the mix?
Not at all. We were actually shooting scenes in the episode that featured the band Lifehouse. They performed on our show. And that was the day that our EP Frank Valentini, came up to me and said, “You are going to get a brother.” I was really excited about that. Then, once Ford ended up in the hospital, Frank says, “Oh yeah, you might have another one, too.” And I went, “What?” I knew they were bringing somebody in to play James, but I did not know that Lenny’s role was going to get tied in to this at all. That was a surprise, because he was already on the show.
Nicolas, did you screen test with Kristen Alderson (Starr) or David when you landed the role of James?
I originally tested for a role that was not for Ford’s brother, James. I was screen testing just to be a love interest for Kristen Alderson, and when they hired me they said, “They really look alike. Why don’t we bring him on as Ford’s brother?” And that is how that magic happened! (Laughs)
When you look at David now, do you see how you two guys could be brothers?
Yeah, sometimes. When I am on set and watching the show, I will go, “Oh that’s me, and then I go, never mind!” (Laughs) Sometimes at a quick glance I think it’s me, or if I see a picture of David in a magazine. People get us confused quite a bit and actually last week, I was called, “Nic Gregory”. (Laughs)
Two weeks ago, I was walking down the studio hallway and Brittany Underwood (Langston) called me David. She went, “Hi, David.” And, I turned around and went, “What are you talking about?” (Laughs)
Brittany and I have gotten pretty close on the show, so if she mistakes me for Lenny, then I don’t know what to think! (Laughs)
I think the first time I was getting a hint of it was when Renata, who is one of our make-up artists, looked at the screen and Nic was doing a scene with the character of Cristian and she said, “You guys look alike.” And I thought, “Yeah, we do.” Then when I found out that I was going to be David’s brother…well, I have a close friend from home who watches the show and thought David was me in a scene! So, I think Julie Madison (OLTL Casting Director) did a great job of casting, because it works.
Nicolas, we have gotten to see over the past several weeks a gamut of emotions from you. Not only is James this cocky guy, but there is some depth to him, too. Is it easier for you to play the tough guy, or the more sensitive side of your alter-ego?
What is kind of hard for me is to play the tough guy jerk that does not care sometimes, because I do tend to be more emotional, and that is easier for me. I have to go someplace and pull from something to be who James really is, which is somebody with a bad past, and who is tough on the inside and out. That can be a bit of stretch for me, but I do what I can to make it work.
OK, let’s get to this big question that has been on everyone’s mind. (Laughs) What did you think when they told you that your pet name for Starr was going to be “Twinkle”?
I laughed and I said, “You have got to be kidding me!” I was like, “I don’t know if I can say this seriously and mean it.” But I got use to it. At first, Kristen laughed at it, too, but she got used to it. Now, we call each other pet names.
Each of you has stolen the hearts of three young ladies in Llanview, or shall we say, well on your way to do doing so. Let’s start with the relationship between Ford and Langston. David, do you think now these two have a fighting chance at a real relationship? But more importantly, does Ford truly love her?
Love is a weird word for Ford, because his mother was never around. Love from a female, in general, Ford only knows how to get it one way, or at least his version of it. So, I think whatever the closest thing to love that he can feel for a female, he is associating with her and is pretty genuine. I can tell you playing scenes now with Brittany are different in a good way, because when I first came on the show and I was doing so many different sex scenes with so many different women, it just started to feel like I did not know what I was doing. I was new enough to the show at that point, that I was just trying to figure out how to play a scene. Since I have gotten a family, and the scenes are darker and have more substance to it, going back now to love scenes, things make more sense as to how to play that. Brittany and I are now playing more layers to the scenes. The stuff we shot recently had been pretty interesting to play, and I am pretty happy with it so far.
And next week, Brody is going to come out swinging when he finally learns from Jessica that she had a one-night stand with Ford while she was in teen mode. Looks like Ford is headed for some more bumps and bruises!
There is a big confrontation, and because Brody is an ex-navy seal, it may not be pretty and may not be good, because Ford is a self-proclaimed lover, not a fighter. He also knows whatever he gets from Brody he deserves, which also shows that Ford is kind of coming around. I guess it takes a man to take a punch like that, because he knows there is no other action that could be taken.
Your head must be very durable! First, you get smashed in the head with a foreign object, and now another beating is on the way! And, you still look perfect. How is that possible? (Laughs)
I can take so much and my brain is still intact.
He did mess up his hair a little bit.
Lenny, your love interest on the show is Kelly Missal (Dani). How has it been being paired with her? And, I also heard you were somewhat trepidatious singing and dancing in the musical event: Starr X’d Lovers. How did you get through that?
First of all, working with Kelly is fantastic! She is incredibly talented and it was easy to hit the ground running with her. As far as the musical goes, I had no real musical theatre training, and never sing out loud unless I am at a karaoke bar. (Laughs) So it was a little intimidating. But it was exciting to step out of my comfort zone, and if you had asked me six months ago would I be up for it, the whole thing would scare me to death. I was amazed how it was done, with the choreography and the direction, and it was surprising. I was proud of how it turned out. And then to go on The View, which is surreal, and perform a number, was a lot of fun. I am glad I did the musical. I learned a lot about myself, and I grew as an actor to do be able to do something I am not comfortable with.
So when you came on to One Life to Live, was it just for the musical, and then they extended your stay? Or, was there always a plan to keep you?
I don’t know, but they kept me around. At first, it was just for the musical, as far as I knew. Then I started entering into other storylines, and then this rivalry with Eddie Alderson’s character (Matthew) developed. I have been very fortunate.
Next week Matthew and Nate are also going to get into it! There is some bad blood there, too. After all, Nate stole Matthew’s girl, Dani! The face-off happens on a basketball court!
Yes, it’s great. Matthew is accessing his genetic ability that is inside of him, which is fun to see. I tell you what… Eddie is one of the best people to work with. He is a great guy and super-talented. You can see him portraying Matthew now, and relishing this other side to his character, and it sort of comes out ten fold on camera. He plays it with such gusto and it is a pleasure to work alongside him. These basketball scenes are pretty fun, because some elbows and shoves were thrown and it is interesting to see where Eddie takes the character.
Nicolas, how is working with Kristen Alderson? You have the added complexity of coming in between one of the most beloved couples on the show, which fans have rooted for and invested in for many years, Starr and Cole. And I might add, how about those “in-your-face” scenes during Dorian’s failed wedding to David, where an arrogant James continually irked Cole on with text messages!
Kristen, really showed me the ropes early on, and she really made me feel part of the family when I started. She gave me pointers and tips on how to feel comfortable, and was very supportive. I like our scenes together, and because we are friends off-set, I think we have a lot of chemistry on-set. As for being the “thorn” in Cole Thornhart’s side (laughs), it’s fun, but it’s separating an iconic pair. I was kind of hesitant as to what the feedback would be, because people root for Cole and Starr, but happy couples only last so long on soap operas. So getting in between them and in the mix has been a lot of fun. I like how James handles the situation a lot.
I love how he just inserts himself into situations involving Starr, and tries to get her riled up, which I think is really refreshing. And, he seems also very confident that deep down Starr shares the same feelings he has for her.
Confident is the perfect word, and typically in my own life I tend to avoid confrontation, and James is right in the face of it. So I really like playing that, and I like to bring a different side of myself to the set, which I like.
Will we continue to see more and more sexual tension between Starr and James?
Yes, you can say that.
Soap fan favorite, Jessica Leccia, has come on to One Life to Live as your mother, Inez. The pivotal episode where each of the brothers learned that they were related, and that she finally divulged the gut-wrenching truth, were key to the future success of this on-screen family. In it, Inez admits that Nate is Robert and James’ brother, and that she ran way while pregnant with him from their abusive father, Eddie Ford. Inez also left Robert and James behind with their father! Did you feel a heightened sense and awareness that these scenes had to be good? And, what did each of you feel about them and how your character reacted?
Yeah, it really was a key moment, because it was coming to terms with something we did not know of, or we thought was a lie to begin with, and from the get-go. Then to find out the truth that we had another brother, drove something between all of us as a whole. James, being the middle brother, was a little more level headed and a little more emotional about the whole thing. He was left out of what the truth really was, and Ford being the older brother, did really know more of his mother than James did. I think we really got to see that in that episode. I was really pleased on how that turned out.
It was a great scene. There was a lot of pressure, obviously, because it was really solidifying all these relationships and bringing them together. I thought what was interesting for me as an actor, was that Nate was the one who was taken away while he was still in his mother’s womb. He never saw his father and never knew about that aspect of their lives. I thought it would be totally fascinating that the one brother who had the least contact with his father, would be the most like him. So I wanted to portray the son, with whom all these lies built up, and instead of making Nate cry, it brought all this rage out in him that I thought would be interesting to access. Inez wanted to take Nate away from this violent upbringing, yet he still has a piece of that inside of him. So I thought it would be interesting to take Nate to that place. Jessica was great, and I learned a lot from those scenes and was extremely happy with how they came out.
I struggled with those scenes. At that point, there was a scene that aired in July where Inez and Ford talk in James’ hospital room when James was out having tests run. Ford is trying to put everything together, and going after his mother, but as much as he does by the end of the scene, he is completely worn down and turns away from her and is upset. So, by the time this all goes down with the rest of the brothers and mom (and she shows up) I think Ford knows exactly what is going to go on, and it is something he has been trying to put off. I think at that point he is numb. What I struggled with in playing those scenes, was playing numb actively. He is not going to be as emotional as James, and he is not going to fly off the handle as much as Nate, but he has definitely dealt with this all. Ford has had a lot longer to digest this than the other boys have. I think what upsets him in his mind is he was trying to do the right thing and it backfired on him. Now, Nate is upset and pounding on a table and it reminds him of his dad. Then, seeing how much it hurt James to not even know, and again him being the middle one and being sensitive, and struggling with not being able to be around mom, that is something Ford has dealt with, but Ford manifested it in other ways. Like you said earlier, we each have a different dynamic to play which made those scenes interesting. And at the same time, it was difficult to make sure it was done correctly. We had to repeat the actions, but Jill Mitwell who directed the scenes, was very adamant about that if we felt we needed to do it again, then we could go back. We spent a lot of time on those scenes, which in the soap opera world is very rare. You do one take and you are finished. We were given a lot of rehearsal and a lot of time to run it and talk about it. Jill was excited to direct the scenes, and she told us she had been anticipating this for about six weeks. I felt like she was on our side before we did it. I feel like it really fleshed out all the boys individually, and for such a new family on the show, Frank has been talking to us that we have to make the audience care. I think the show has done a really good job of giving us material to work with to allow us to do that, and to flesh things out for the audience.
There must be some Jessica jokes on the set. I mean, she is this beautiful woman with three strapping young men as her sons, and she is not that old herself! In fact, Jessica in real life just had a baby girl last year! (Laughs)
I think my real mom is very jealous that I have this very attractive, very young mother. (Laughs) Jessica is fantastic and she has a rabid fan base! I was surprised. I am on Twitter, and I mentioned I was really happy to be working with her and I must have got like 30 messages, saying, “We are so happy you are working with her, but you better be a good boy to Jessica.” It’s been a blast!
I had scenes with Jessica recently, and she really brings some kind of maternal element to the set. She is very comfortable and poised and that makes you feel that relationship between the two. Off- set, we joke that mother is always watching our backs!
We are closer in age to her, and so she is able to switch gears so fast. So, I will be having a conversation with her and before we start shooting, and when they countdown “5, 4, 3, 2, 1” something switches in her and you can see it. All of a sudden she is our mom, other than that she is one of the kids.
Should fans expect more mother/son scenes between Ford and Inez since these two have to try to deal with the fallout the most?
There are a lot of unresolved issues that Ford needs to deal with her on. I know James is interested to explore, “Oh, I have a mom now,” and Lenny’s character of Nate has always been around her, so I would say, “yes” there will be more.
Who from film, primetime or daytime, could you see cast as the Ford brother’s abusive father, and why?
I think Jeffrey Dean Morgan would make a believable dad for the Ford brothers. He looks like and portrays well a rough and tough guy who could land some good punches! He also looks like he’s paid his dues in a chop shop or two. Not to mention he resembles us all in some way, shape or form. I would really like to have Matt Damon play our dad. I think the three of us would be a good mix between Matt Damon and Jessica Leccia. He’s a phenomenal actor, one of my favorites, and I believe he could pull off the brutal and abusive father seamlessly.
Mickey Rourke. I know he’s in everything these days and this might be cliché, but I think he’d be ideal. I always imagined Eddie Ford as a mix between the “Duke” character in the film Pusher II and the Marlboro Man. I think Rourke would embody this character both physically and emotionally with surgical precision. Eddie is a violent and imposing man, but he’d have to also have remnants of the “sweet boy” Inez once fell in love with. Rourke would portray this perfectly. Now whether or not he’d lend his talents to our show is another thing. But one of the cast members of The Expendables, just made an appearance on Daytime, so why not two…
Lenny, that is one epic answer. Well said. In keeping with the tradition of OLTL alums returning, I could see Joe Lando (Sully on Dr. Quinn Medicine Woman) as Eddie. Or Mel Gibson – I know it sounds strange but I think it could work. Both men look like what I’ve always pictured Eddie Ford. And I think it would be interesting to see. But Lenny, well played!
David, what did you think when you found out that Ford actually slept with Jessica! For months, the show left it very ambiguous and we did not know who was telling the truth, or if she ever had sex with him during her nightmarish evening!
In love scenes on daytime, there are only certain things you can do, so I was not sure how far we had gotten. They left it purposely vague to surprise the audience, and then they eventually find out. I had an idea that I was in question, and I liked that, because it also showed a different dynamic of Ford. I think because he is the oldest brother, I think he has that sense of responsibility that is innate in him. But “father” in his world is a negative connotation, and the thought now that he might have to be one, brings out a side of him that is full of conflict. I really like how that is being written.
I was also really floored by Ford’s caring reaction to Jessica when she came to him, when she needed to know his medical history/blood type so she can check for the Rh factor that could potentially harm her unborn baby, and he jumped to it, willing to help. That being said, how is working with Bree Williamson (Jessica) in this complex baby saga?
Bree is fantastic! I was intimidated because I knew she was nominated for an Emmy. I was like, “Oh, my God. She could win this year.” I was trying to be calm about it. But, the best compliment I can give her was when we were doing the scenes where I was seducing her in my room. She kissed like a sixteen year old girl, and I don’t mean that in a bad way. I mean that I literally felt she changed her vibe for the scene, and it was cool to work off of her, and still is.
David, you clearly have had more shirtless scenes in one year than any soap opera actor… ever! And from where the fans are standing, that is all good! (Laughs) So, how do you guys like doing the half-naked scenes? No problems I assume, being labeled “Soap Hunks”?
I think it’s neat that we are more appreciated as a whole than we are individually. I was combined kind of, and I think that is neat. That the idea is we are brothers, like the brothers in The Godfather or Tombstone. They are better as a pack, and it needs to gravitate towards that, like, “Look! They are genetically the same!”
It’s funny, because Nate is seventeen or eighteen and I exercise pretty regularly. I don’t remember being that large in High School. It’s TV world and all good. I am young and it’s fun doing the shirtless stuff, but its tough being shirtless next to David.
Well, I know the fans are taking well to it, but me on the other hand, I feel uncomfortable on set with my clothes off. I have done quite a few scenes already, and in underwear and towels. I feel very aware of myself on-set and that is every actor’s enemy. So, I could do a little more clothes scenes.
I have been appreciative that I can put on a shirt and focus on a scene to what is really going on as opposed to, “Oh, I got to be doing my push-ups!” And you know, with Mark Lawson (Brody) and David Fumero (Cristian) on set, it’s a lot to keep up with.
Of the three of you, which one is the prankster?
None of them are funny. I hate working with them! (Laughs)
I would say, because we all have birthdays pretty close to each other and we are all Leo’s…. I would say we have similar personalities, and we know when to let the others shine.
It depends on the day.
Nate does a lot of work to prepare for his scenes, like a novel (laughs) which is admirable.
Nicolas, what were you surprised to find out about your on-screen brothers, Lenny and David?
David was a trained dancer. And, I did not know Lenny’s favorite band was Nine Inch Nails.
David, what did you find out?
We share a love for movies. I came in one day to get a script, and Lenny was here to shoot something. We talked about an hour and half about movies, and I thought it was only 20 minutes. But we talked about these old movies we liked and style and directors. We have all gone to see movies together and these are guys you can talk shop with, but not that I am surprised about that, but to carry on an intelligent conversation for a period of time on style or something, I think its very impressive. It’s not, “Oh, I want to be here because I want to be on TV.” They want to do good work and they are serious. They know when and how to have fun at the same time, and you can’t really always expect that with someone you have to work closely with. You just hope that it comes out that way, but with both of them, I know I am two for two!
And finally Lenny, any tidbits you can share with the viewers as we wrap up our visit?
I do want to add that I think I am fortunate to work with two other guys that I have so much chemistry with. We are playing brothers, and so it’s important for us to get along. It’s important for us to work well on camera, but we hang out outside of work, too. Since we get along well, that can only enhance our performance and that will show on camera, and that bond will be stronger. I think what is also important to point out is that I have met some wacky actors in my day, and to meet two guys where we see eye to eye professionally and socially, is great! So I would say; we are just able to really communicate on many levels.
GH’s Tamara Braun Talks On: Kim’s Plight With Her Son Oscar, Her Relationships With Julian and Drew & Coming Home To Port Charles
When Tamara Braun stepped back on to the canvas of General Hospital back in November of last year, the one-time and wildly popular Carly Corinthos #2 was now taking on the role of Dr, Kim Nero – a single mom of a teenage son (who is very protective of him), top-notch gynecologist in the medical profession, and a woman with a past with Drew Cain (Billy Miller). It was eventually revealed that Drew is her son Oscar’s (Garren Stitt) biological father.
Now as viewers have seen on recent episodes of the ABC soap opera, Oscar’s life looks like it could very well be cut short after the story shocker that now has the young teen diagnosed with an inoperable brain tumor from cancer. Kim had kept the truth from her son until he confronted her upon learning the news on his own (with an assist from Cameron) and putting two and two together. This sets the stage for some difficult and heartbreaking moments ahead.
As for Braun, she rose to the top as one of soap operas most critically-acclaimed actresses after having the challenging task of taking over the role of Carly #1 in 2001 from three-time Daytime Emmy winner, Sarah Brown. Tamara not only met this challenge, but made Carly her own scoring an Emmy nod along the way. After departing GH in 2005, Tamara returned to daytime in 2008 in the role of Ava Vitali on Days of our Lives, which indeed earned her an Emmy. Next, she headed to Pine Valley and All My Children to take on the role of Reese Williams, the love interest to Bianca Montgomery (Eden Riegel), who eventually married from 2008-2009. Tamara even came back to DAYS for awhile in the role of Taylor in 2011, and later reprised the role of Ava in 2015-2016. With an impressive resume, GH is lucky to have her back and Braun finally felt the time was right to take on a new role on her first soap home upon her return in 2017. Viewers hope that they get to see more of those emotionally raw, honest performances that Braun is known for as more layers of Kim are revealed,
Michael Fairman TV caught up with Tamara to get her take on: the latest storyline involving Kim, Oscar and Drew, where Kim’s relationship with Julian Jerome stands, and how she feels it’s important to shed light on causes of the day needing our help and how we can all ultimately live in a kinder, more thoughtful world. Here’s what Tamara had to shared below.
In the episodes we saw last week, Kim had no choice but to tell Oscar the truth. What have you thought about this whole story where now Oscar is hating his mother, and upset with her, when she did not come forward with the truth about his medical condition to him, because in her mind she was protecting him?
TAMARA: Yes, that was reasoning. She did all of this to protect him so that he could have a normal teenage life without all of that hanging over his head. What do I think of it? I think that it has been hard for me, Tamara, to play. It has been hard for me to wrap my head around why a physician would not tell her son that he’s ill. It’s also been hard for me to wrap my head around because the way the writers have made Oscar and Kim’s relationship such a beautiful one that has been seemingly full of honesty and openness, that they can really talk to each other, which is one of the things that I really like. In terms of the storyline, what it does do is create conflict which is what’s needed in shows. Things can’t be ‘happy, happy, joy, joy’ all of the time, so it’s created conflict for Oscar and Kim and now Drew, because Kim dragged him into keeping the secret too for a little bit.
We just also learned that Kim’s reasoning to come to Port Charles in the first place was indeed because of Oscar.
TAMARA: Like Kim said, she came because she did an ancestry report, and it turned out that he has relatives in Port Charles. So, she wanted for them to get the opportunity to know him and him to get the opportunity to get to know them. I’m sure we will learn something about Kim’s past which would explain why in her mind she felt this was the right thing to do. We know that it seems like a very controlling thing. As a mother, take the physician out of it, I still think that Kim would have shared his diagnosis with him, but I don’t think one ever knows what they would do in that situation. You think you know what you would do, but perhaps she felt that she could control it; she could figure it out. Perhaps, Kim felt that because she is a physician she’ll find some answer, and she’ll be able to fix it. These are the questions, and these are the things that as an actor, I have to put in my head because it’s not what I believe I would do. It’s not even what I believe the character of Kim as I knew her would have done, but it’s what the writers have written. So, they have to have a reason, and I think that it has got to be more than just to create conflict. That’s what stories rely on. It’s soap, and a lot of people on soaps have to do crazy things and find out ways to justify them when they seem out of character.
You’re right. Kim and Oscar had a very open relationship. Yes, she was a “controlling mother,” if you want to say that, but they were honest with each other. Garren Stitt has been very endearing in the role. What can you say about working with him?
TAMARA: I just adore Garren. I have adored him from the minute I met him. I think he’s a lovely, sweet, kind person, and I feel so fortunate to get to play his mom. I really do. I think he’s wonderful, and I’m lucky.
Now as to the situation with Drew, Kim truly did not know he was in town when she got to Port Charles, right?
What does she feel towards Drew now, and does this situation ultimately draw them closer together?
TAMARA: I think it absolutely draws them closer together, because now they have to deal with Oscar. Because once Kim accepted Drew back into their lives (she thought he was dead long ago), she opened up her arms to him in the capacity of being a father for Oscar. Kim has had to deal with everything with her child all on her own for fifteen years. It’s just been the two of them. So, I think that at some point it has got to be difficult to allow someone else in to help make decisions, and to lean on, and to co-parent with. I think it was difficult at first, but I think now she is grateful to have him to share it with, even though they may not see things eye-to-eye all of the time.
Do you foresee Kim and Drew, at any point, growing closer romantically?
TAMARA: I don’t know. It’s not looking like that. It’s looking like a nice friendship and one that is very caring and understanding, but as of now, I don’t see hints of it. You never know. As you know, it’s a soap. Anything could happen.
How has it been working with Billy Miller? He has also done some wonderful work as the devastated father.
TAMARA: It’s been great. The last few scenes that we had to do, there have been those special moments you get as an actor where the angels are just with you. It all just kind of connects and flows together. I think we’ve been lucky to have gotten a few of those as of late, and that’s been really nice.
In story, it was revealed that Oscar could enter an experimental trial that could help his tumor and the cancer, is that what Kim wants her son to do?
TAMARA: Absolutely, because she feels anything that could possibly save his life or give him more time, she wants for him.
I also like that they made Dr. Terry Randolph (Cassandra James), Oscar’s pediatric oncologist.
TAMARA: Yes. Cassandra is really lovely to work with, and she’s just a lovely human being as well. I’m fortunate right now. I get to work with some lovely people.
Do you think Kim’s going to let Julian (Will deVry) know about what she is dealing with?
TAMARA: Julian does not know. Oscar doesn’t want anyone to know and especially Julian. He wants his mom and dad together, so he’s decided not to let Julian know. I think only for those reasons. Kim really didn’t honor Oscar by keeping this news of him being ill from him, so she has to honor him in his request not to share this with Julian.
Is Kim aware of how Cameron (William Lipton) is trying to maneuver himself into a relationship with Josslyn (Eden McCoy)? Does she understand what’s going on there?
TAMARA: Kim doesn’t know anything about it.
Does Kim want Josslyn to be with Oscar?
TAMARA: She does, because she knows that Josslyn makes Oscar happy, and to be happy, is what’s most important right now, because that also can help any type of recovery. When we are happy, or are doing things that make us joyful, or raise our endorphin levels in a positive way, that’s good for health. That’s good for recovery, and she wants her son to be happy. What mother doesn’t want her son to be happy? Especially now, with everything going on.
Kim was having an issue that Elizabeth (Rebecca Herbst) and Franco (Roger Howarth) knew about Oscar’s prognosis. Do you think she’ll be more lax about that now, or do you think she’ll be more even intense about people not finding out?
TAMARA: I think she doesn’t want people to know because Oscar now knows, and he doesn’t want people to know. I think that she wants to keep his confidence. I think she doesn’t want anyone else to know because she needs to respect Oscar’s wishes.
Do you think that it’s possible that Drew’s twin, Jason (Steve Burton) is somehow the bio-dad of Oscar, and not Drew? The character of Jason has a history of brain injuries and trauma.
TAMARA: I never thought of that! (Laughs) That would be a fun kind of plot twist! I don’t think so because there have been lines a couple of times when Kim is with Jason and she says, “You know, you look exactly like him. It’s kind of hard to wrap my head around that, but you act so differently.” You know what? Even if Jason did have a brain tumor, he is Drew’s twin, and Drew is Oscar’s father, so that does still genetically match and run in the family. It’s an interesting twist there that you bring up!
I remember watching the episode where the audience learned Oscar was dying and I was completely shocked! I had no idea where the writers were going with it after the seizure. When the powers-that-be filled you in on what was going on, what was your reaction to that part of the story?
TAMARA: Illness in any form on a soap gives you something to play. So, that’s good. When they start saying in the dialogue, “terminal,” you’re like, “What!?” But then you also have people saying, “There’s always hope,” so, you never know where it’s actually going to go, or how the story lines will play. I understand how people keep saying that it came out of the blue and they didn’t even hint at that. So, I will say they did write a scene the day that Michael (Chad Duell) lost the baby, and I believe Sonny (Maurice Benard) and Michael were in the church. There was a scene that I was ready to shoot that day, and it was a monologue in the church. It was after Nelle’s (Chloe Lanier) baby had died and after Kim and Nelle had scenes. Kim goes to the chapel and she has a monologue talking to God, and it was a bit of a hint, but they had to cut the scene because the tape day ran long. I didn’t even shoot it. I think that had they had left it in; people would have been like, “Oh, that’s what that meant.” I think now that I see the reaction of viewers and you’re bringing it up, that would have been the moment you could have gone to and said. “Oh! That’s the moment. That’s what she meant,” or when it happened, the audience have been like, “What’s going on? What don’t we know?” I think had that scene been in there, people wouldn’t have been taken aback so much.
So, what would you say the audience can look forward to with Kim coming up? Are we going to see her with a lot of stress on her relationship with her son? Do you see her holding it together, or falling apart?
TAMARA: I think probably all of the above… trying to pull it together, falling apart, a rift between them, trying to bring it back together, making mistakes, doing the right thing … I think it’s everything. I think reality just smacked Kim in the head, and her son… but when you’re so closed and tight about something in life, and when you no longer have control over it… you’ve got your best-laid plans, and you know what they say about your best-laid plans. (Laughs). It explodes, and then you have to deal with the aftermath. So, hopefully we will see some nuance in there. I’m hoping for it. Hopefully, we will see Kim and Oscar work through stuff because people make mistakes; people do the wrong things for what they think are the right reasons all the time. If Oscar is dealing with an inoperable, terminal brain tumor here, then time is of the essence for them to get it together and come together.
Well, I hope that it’s hankie-inducing, poignant and does have those beats for you to play, and they don’t kind of skip story beats. As you said, time is of the essence for them and there is, usually no matter what, an unbreakable bond between mother and son.
TAMARA: I hope so, too! We can keep our fingers crossed for that!
What attributes of Kim do you like playing?
TAMARA: Kim’s no pushover, which I do like about her. She’s strong, but she’s a quiet strong. She doesn’t come at somebody charging, blazing, knocking things down or with a baseball bat like Carly does. She has strength as a woman, and it’s in a very different way.
Do you think Kim is in love with “Charlie” AKA Julian?
TAMARA: I think she loves him. It’s been a long time since she’s been in a relationship. Her primary relationship, for better or for worse, has been her son all these years. She’s made him her number one and didn’t feel she had time or that there was anyone who was worth that time. So, I think that with Charlie, or Julian, whoever the hell he is (laughs)…
… Wait! She knows he’s Julian, right? (Laughs)
TAMARA: Yes, she knows, but she likes to call him, “Charlie” because of the bar. It was a cute little thing from the beginning. I think that he doesn’t pressure her. It’s easy, it’s fun, it’s light, and that’s what I think she can handle right now.
How has it been playing the mother of a teenager? Is that odd for you? It seems like a bit of a jump.
TAMARA: It seems like a jump from what people have seen me do for a long time. If you think about it, the last time people saw me on General Hospital with a kid, it was Michael (formerly Dylan Cash), and I mean, not in soap terms, but in real life terms, he was playing I think 6 when he was 8, and now he’s 23 so he would have been playing 21 if he had stayed.
Is it ever odd for you that you aren’t the character of Carly anymore when you see Michael and characters that you have shared and played emotional attachments with your first go-round on GH? I would suppose as an actress you can switch that on and off, but what about as a person?
TAMARA: Yes, as an actress you switch it off, but as a person Michael is not the same Michael. I think if he had been the same because we were so close, and we were so connected it might have been more difficult. If it were him on set playing him every day, I’d be like, “Hi honey! Hi my son!” He was so in my heart. I think because it’s Chad Duell now playing the part, who is lovely and wonderful, there’s no history with us, and that made it really okay. I loved Dylan as a little boy. I still love him. He stopped in at my fan event, which was wonderful!
When you think back on all of your soap roles, it’s pretty amazing what you’ve done. Although we hated the end of the Reese/Bianca wedding on All My Children, it was the first same-sex wedding, and was a landmark moment. You were a part of it. Forget what happened afterwards, but that moment was key. When you were on General Hospital, you received a Daytime Emmy nomination for your performance as Carly. And then there was Days of our Lives’ Ava Vitali! You got to play the psycho. You won the Supporting Actress Emmy for your performance. Do you think Ava is somehow still alive?
TAMARA: I think she may be alive. I mean, no one really saw. They put a sheet over her and rolled her out. You didn’t see her dead. I mean, come on now. Joey (James Lastovic, Ex-DAYS) can strangle, but I don’t know that he’s that strong. Ava’s got some fire in her.
Such a great role!
TAMARA: I have been really, really blessed to play very strong or pivotal or interesting, dynamic roles on daytime. I have been very fortunate to do that, and I have been very fortunate to work with people who allow me to do my thing. They don’t hamper it. They say, “Go. Go for it.”
I love your Instagram posts, and I love when you talk about social issues and things that are important to you. Could you talk a little bit about how you’re using that platform to make a difference?
TAMARA: I just like to post things that are important to me. There are a lot of people who are using social media for brand identity. I’m glad that I don’t even know what that is. I mean, maybe I should know. (Laughs) It probably would be better for me, but –
You realize on Instagram; if you post a shirtless pic along with a quote from something unrelated and are a guy, or are a very sexy woman, you’re going to get millions of likes.
TAMARA: Yeah, and that’s not my brand. (Laughs) I guess if I had to say what my brand is; it would be “Truth. Real. Honest.” You know, here’s the real deal from me. I think it’s important to bring awareness to what’s going on that touches your heart. I think that if you can shed light on issues in a positive way, to make people think, to make people feel; that is important. I have always wanted to do good things in the world, and you can do that at any place and time in your life as a human being, but when you have a bit of a platform, I believe it is a responsibility to use that to share things of importance to the world for humanity. We’re given this one life. Whether you come back, or whatever you believe this is the one life we have, if we don’t do something good with it, what’s the point? I think there’s too much, “Me, me, me, me, me.” I mean, that’s what this business is, right? But we need to step back, and we need to remember that there is a real world going on out there where people are dealing with issues, and we need to be kind. That being said, I do post stuff of myself, and people want to see it, so I want to give them what makes them happy, but I think that as long as I’m doing that too, I think it also makes people happy to see things good going on in the world, bring light to issues that need light brought on them. I really just feel that we need more kindness. We need more positivity because right now is a really hard time in our world, in America especially. It’s important to be more generous and kind-spirited than what we’re so often seeing these days.
So, what have you thought about the way Kim handled telling Oscar of his cancer diagnosis? Do you hope Kim continues to stay in Julian’s orbit, or would you want her to become involved with Drew? What do you think will happen next in the story … will Oscar survive? What has been your most favorite performance of Tamara Braun of all her soap roles through the years? Comment below.
Y&R’s Hunter King Talks Summer’s Clash With Phyllis, Seducing Billy, ‘Life In Pieces’ & Being Newly Engaged
On The Young and the Restless viewers just watched the summer of … Summer! When the top-rated soap brought back two-time Daytime Emmy winner, Hunter King to the canvas, you knew it was going to be to stir up some major drama. But, little did viewers know that Summer came back a vixen, ready to steal her mother’s man!
Last month, it became game on between mother and daughter after their epic showdown, where Phyllis (Gina Tognoni) got wind of Summer’s attempts to put the moves on Billy (Jason Thompson) and her plans to meet up with him in Philly! (And that spelled trouble for the couple known as “Philly” too) Oh yes, and there was that well-deserved bitch-slap! So, where will it all go from here?
Michael Fairman TV caught up with King where we discussed: Summer’s new attitude, if Summer will get her wish and have sex with Billy, her real-life engagement, and her upcoming return to the CBS sitcom Life in Pieces, and more. Check out what Hunter had to say below.
Summer is so pursuing Billy! When you came back to Y&R, did they tell you we need her to be really vampy and this seductress? What has happened to her? (Laughs)
HUNTER: Yes. I understood where it was coming from, and I was excited to play the same character, but being able to play it totally different. I get to sort of reinvent her. I think when Summer went away she discovered herself, and kind of grew into Phyllis’ daughter … maybe. But I will say, it has been very vampy, and you don’t even know yet what’s to come!
How is working with Jason Thompson?
HUNTER: Working with Jason is great. He is always so professional and prepared and always willing to collaborate on scenes. Jason is just so creative, and so in it, and loves to work so much that he just exudes that the scenes.
Let’s just say when Summer and Billy “finally” hit the sheets … (Laughs)
HUNTER: We don’t yet … we shall see. The way this whole storyline unfolds you think it’s going one way and then there is a twist, and then twists on top of twists. The more layers that come into play you start to understand why everything is happening the way it is.
Now, Summer had no idea that Billy had a gambling addiction, which put this whole spiral of his in motion?
HUNTER: I guess not? (Laughs) It’s hard to know. I would say she evidently did not know about his gambling.
Viewers saw Phyllis slap her daughter in the face as the fight between them escalated; when Summer admitted she was going after her mother’s boyfriend! How was it taping that scene, and working with Gina Tognoni?
HUNTER: She’s amazing! Gina didn’t really slap me, but I will say afterwards they wanted to put red blush on my cheeks, and I said, “Oh, just pinch my cheek instead, and I wound up bruising my cheek.” So Gina goes, “I really didn’t hit her!” It was the funniest banter on set. Gina was scary in those scenes, like a good scary. I went, “Damn!”
On August 18th, you got engaged to your beau, Nico Svoboda. Were you expecting him to propose when he did?
HUNTER: I was so shocked, even though I had wanted it to happen, very much. But, I had no idea when it was coming. It was amazing, and the best day of my life and, we are engaged!
And he got down on one knee for the proposal!
HUNTER: Yes! I thought it was sweet. It’s something you dream about when you are a little girl.
What it is about Nico that makes him the guy for you?
HUNTER: Besides the amazing qualities he has as a person – he’s compassionate, he’s caring, he’s driven, he’s loving, and just cares for others so much – I love the way that he loves me. I have never felt so loved before, and so accepted, and he is very supportive of my career.
Are you excited to go back to your role as Clementine on the sitcom, Life in Pieces? It is slated for a midseason premiere.
HUNTER: I am super excited to be back. We are back taping again I am excited to do the sitcom and Y&R As an actress, it’s so exciting to get to do different things: a sitcom and soaps … why not?! (As noted in the press: King took a three-episode break from Y&R to film some episodes of the sitcom due to a scheduling conflict.)
Then speaking of “All in the Family,” it was just announced, your sister, Joey is coming onto Life in Pieces.
HUNTER: Yes! How crazy. She will be on for a few episodes, and it will be fun. I think we will interact a little bit on the show, and we have never had the chance to work together before.
You and your sister have the funniest Instagram videos. Do you plan those out?
HUNTER: Joey is so funny. It kind of just happens when we get together. Sometimes we film something and sometimes we don’t. But Joey is so much fun and my best friend. She is the funniest person in the entire world, and so it’s just easy to laugh when I am with her.
So, what did you think of the showdown between Summer and Phyllis? Are you glad Phyllis slapped her daughter, or was it a mistake? What do you think will happen next? Will Summer ultimately sleep with Billy? Do you want Summer to end up with Kyle (Michael Mealor)? Will you be checking out Hunter on Life in Pieces? Share your thoughts via the comment section below.
General Hospital’s Max Gail Opens Up On Portraying Mike’s Battle With Alzheimer’s & Making A Difference In People’s Lives
“What happens the day I wake up, and you guys are the strangers,” says Mike to his son, Sonny and his wife Carly (Laura Wright). “I left you before to my everlasting regret, but it’s going to happen. I’d do anything if I didn’t have to do it again, but it’s going to happen – one way or the other. At least this way I could leave some good feelings, instead of disappearing before your eyes.” Those words were said during a gut-wrenching scene on Friday’s episode of General Hospital, as Mike tries to come to terms with his deteriorating mental state in his battle with Alzheimer’s, and the hard realization that he may be better off in a care facility, instead of at his son’s home. These scenes, as all the scenes in this storyline, have been exquisitely played by Max Gail (Mike) and Maurice Benard (Sonny).
When Max Gail arrived on the GH canvas as the recast Mike Corbin in a role made soap-famous by Ron Hale, viewers did not know what to initially expect. What they did know was that Max is an accomplished actor with a body of work from primetime dramas and comedies, film, and the stage, and that if he is coming to GH, he must be coming on board for something major. Before GH, suffice to say, Gail is most remembered for his role as “Wojo” on the ABC sitcom Barney Miller that aired from 1975-1982.
In story on GH, Mike, who abandoned Sonny as a child, once again re-enters his son’s life, but soon we learn that he is suffering from Alzheimer’s disease and that the soap is tackling a story that is an important medical, social, and familial issue of our time.
Gail has been a revelation in this role. A clear frontrunner for an Emmy, playing the facets, the levels, the characteristics, and the heartbreak of a person who is slowly losing everything they know near and dear to them, as in the end they are ultimately stripped of their dignity from this most horrific of diseases.
On a personal note, and as part of this conversation with Max, it was important for him and for me to share, that I lost my mother at the end of April of this year to Alzheimer’s. So his work hits close to home, this story hits close to home, as it has also resonated for many viewers who have shared their stories on social media and when Max makes personal appearances.
Here now is this very special interview for Michael Fairman TV with an actor whom we can all agree is touching all of our lives.
You’re portraying a person suffering from Alzheimer’s and play the progression of the disease. Do you feel pressure as an actor to get it right for those who have loved ones, or person’s afflicted with it?
MAX: It’s more like an urge, or a calling to find some kind of truth in it that I can connect with. One of the things I’m inclined towards showing is someone with Alzheimer’s or dementia often just drifts off somewhere else. “Where am I going?” This has happened to me many times in life. For instance, when I was a youngster, I can remember getting in my car, and I’d driven a long way from some party or something like that, and I’d been drinking, and I didn’t remember it. I knew I’d gotten home somehow. So, it’s not out of my realm. I’ve learned that there are no set behaviors really… other than that it usually ends up being really difficult for caretakers, and seemingly really painful for many, if not most people suffering with Alzheimer’s, and losing connection and losing the ability to just function. We are kind of on the cusp of that in story at GH. I think it was originally proposed that I would play the part for just a few months, and to give me an out if it wasn’t working. Maybe, there was a placeholder idea to ship Mike off to a home or something, but the storyline has touched so many people that it has been continuing.
The story has been so effective. You’ve done such an amazing job, and the fans love Mike and what you’re doing with the character, and they’re on board on this journey. It’ll be interesting to see how far they will take this with Mike. Will we actually see him not being able to communicate anymore? How far will the writers go to show the horrific aspects of Alzheimer’s?
MAX: I’m not sure. You know, I’ve had times where I’ve got the scene, I get the writers, and I get the heart of it. Other times, I find where that transition is from where Mike is lucid and clear, and other times what that state of mind is and that switch is, and what that is in behaviors and energy level. I think there’s an ongoing downturn for Mike, and for me as an actor finding something in the moment and finding how it works with things that he does remember. They’re trying to find a place for Mike within all of the interwoven drama of General Hospital. I, frankly, had no idea how complex the range of storylines was. Mike doesn’t really have control over his story. I don’t want that as an actor. Mike has some intentions that are really important to him. I’m trying to find that balance where there are times when he has a pathetic, very sad remorse about what he has missed. I think that underlies his feelings for his son, who he never could quite reach, because of his own failings as a father. Sonny’s formative experiences growing up were then with his abusive stepdad. Finding all of that is really important to do in a way that doesn’t make Mike just this sweet older man with Alzheimer’s. It’s a wonderful challenge to be presented with.
You brought up that Mike is seemingly very sweet in his demeanor now. My mother, who I shared with you died a few months ago from Alzheimer’s was a strong-willed, feisty woman. As the disease took hold of her, she became very sweet. She became almost childlike. The fire had gone out of her eyes. You knew she didn’t know who you were, and so, all of that, as you know is so tough to witness as her son. In terms of Mike and his ultimate care, everyone says they love him and want what is best for him, but that he needs to be taken care of because he gets confused, doesn’t know where he is sometimes. etc. Sonny has been grappling with putting him in a care facility to be looked after, or to keep him with the Corinthos family under their roof. However, Mike has come to a realization that he may need to be in facility all on his own, and doesn’t want to burden his son by living with him anymore. That was a poignant moment, and another one of the best scenes has been when Mike couldn’t remember that Sonny was his own son.
MAX: Right and he doesn’t know if he’s around friends or around enemies. This can be true of Alzheimer’s patients.
I had that happen with my mother when she came out to Los Angeles to see me for the last time. She was out of her element, she was confused, and she broke down and cried in the hotel room. She asked my father, “Why did you bring me here?” and he told her, “We came to see our son.” It was heartbreaking. Later, she had a moment of clarity and realized more of what was going on. I think it’s those in-and -out moments that you portray so well on-screen. I feel that they are very realistic to what I, and others, have experienced.
MAX: I appreciate that and sharing that with me, because you never know as an actor. That place of “Where am I? What is this?” makes me think of that “Summer Wind” moment from the Nurses’ Ball when it wasn’t just, “I’m embarrassed. I don’t remember the words.” It was, “I don’t know where the f**k I am. I thought there was a band there, but there’s not.” So, in a way, I just had to be there on this big soundstage and just feel this big space around me. I could barely see that there were people out there. It’s kind of a terrifying thing to a lot of people, but I think Mike has something in him that makes him want to be okay with all of this. He doesn’t have to freak out and get accusatory.
What has it been like working with Maurice Benard as your on-screen son? Do you watch back your scenes together and ever go, “Oh, that was great!?”
MAX: Yes, there have been a lot of those! There are some scenes that are so emotionally focused, and we get a lot of delight in each other. He has been playing this character in this situation for so long, so it’s just kind of in him. Maurice has presence. I think when I went in to read for the part of Mike, I had gone through pilot season and had gone in for some interesting pilots. I didn’t feel like I was really connecting in the readings, because most things are by tape these days, anyway. When this part came up, a soap hadn’t really been on my radar. I knew I’d be going in to read with the actor, so I said, “Okay,” and I looked at the material, and then I checked out Maurice on IMDB. One of the things that got my interest was that he has been diagnosed and takes medication to deal with bipolar disorder, and that’s become a part of his life, and it’s become part of his character. I thought, “Wow, that’s really interesting. This is a survivor, and he’s risen to something that takes a certain kind of balance and courage.” I watched some clips, and when I went in for the reading of this kind of an amalgamation scene of what the story elements were going to be, I felt like we connected before we’d even started the dialogue.
Well, Maurice certainly loves working with you! He has been very supportive and vocal about that.
MAX: It’s mutual. We can take really little simple moments, and we can find something deeper in it, and it doesn’t have to be an, ‘I’m going to start crying now’ moment. Although, I would love for Mike to have a moment of self-observation where he goes, “Gee. I cry a lot more than I used to.” I think there are people who are like that, and it’s okay for certain people to cry, and for other people it is not.
There was a part of my mom that knew something was wrong. She’d go, “Why am I crying? I don’t know why I’m crying.” She got confused as to why she was feeling that. She couldn’t connect it all, and at times she kept saying, “I don’t understand. I don’t understand.” Those were the things she would try to express.
MAX: I have a feeling that Mike has those moments too, but he finds a way for it to be okay. There may be a point where someone with Alzheimer’s can’t pull it off anymore, but how we find those and those specifics, I don’t know.
Working on a classic sitcom such as Barney Miller is vastly different than working on a daytime soap opera. While now being at GH, have you found any commonality within the experience?
MAX: If I can take a moment and reflect on Barney Miller, because it was a great experience and one that I found was not so easy to find again over the years. One of the things that really resonates is that when we started shooting the studio audience laughed too easily. We would end up retaking the scenes. Sometimes, we didn’t have the end of the show written, because they tended to let certain things start to show up in the earlier parts of the script. Danny Arnold who was the writer, creator and producer of Barney Miller would always take over the way Frank Valentini (executive producer, GH) does in a way … looking to be respectful of the director, but still seeing things on his own. Frank has a really wonderful eye. He’s much more connected into the overall storylines, the motivations that went into the writing, and what he sees in the moment. I always welcome him on the set because the directors, who have a range of talents and sensibilities, are tasked with coming up with a whole lot of shots to cover, a whole lot of tricky angles, and all of that.
Vernee Watson has been amazing as Stella, who is also Mike’s social worker. Does Mike have romantic feelings toward Stella?
MAX: Vernee is wonderful. I didn’t know Vernee had been on the show when I came on board. She won an Emmy, and I’m not surprised. She is so present and so specific, and she’s very bright and gets what all of these elements are, and so, I think they have a connection. For whatever ways Mike has lived in his like, there isn’t some strange, exotic draw that she is black, and Mike is white. I like that because both my first and late wife, and my second wife, with whom I’ve had children (and we’ve been separated for awhile, but have a great relationship) are African-American. So, in my world that is not a big deal. I think there’s an affinity there between Mike and Stella. You know, he’s alive. He’s old, but he’s not dead. There’s an ease with women he likes. I think there are a whole lot of reasons for them to not get involved. One is just professional, and she’s a social worker. We just shot something where I say something to somebody else about, “back when I still had all my marbles,” you know, he’s in another stage of life, which many people go into gracefully, while many don’t.
What do you think about how Mike knows about who was buried at Charlie’s Pub? He was trying to keep the truth about Charlie Delaney from coming out, which turned into a gas leak that blew up the bar! This storyline ties in to Sonny’s mobster dealings as well.
MAX: Well, this is where they put this effort in the storytelling to connect Mike in some way and be intertwined with Sonny. Of course, it reveals certain things about Mike that he’s never revealed to anybody before. So, that’s kind of cool. I think when he knows what and how much sometimes is not clear. That’s why I started talking about Barney Miller because the other thing was a lot of times when we go together for the table reads, they didn’t have the end of the story. They had a first draft, maybe. Dan would talk about it, and they’d say, “Next week, the main story is going to be this man in his fifties who is coming to terms with the fact that he is gay,” or whatever those underlying themes may be with the different characters reactions. So, we knew elements going into it and that sometimes I didn’t know what the writers are really intending. In terms of Mike, he’s kind of back and forth in certain moments. I have to resist the idea that they trap me by just being careless. I’ve learned that just trying to fix the script often gets you into a place where you “rehearse yourself out of it,” as they say.
You appeared on the morning show Good Day LA a few months back with Laura Wright (Carly), and Maria Shriver, who has founded the Women’s Alzheimer’s Movement. What was that like meeting Maria, and helping get the word out about the effects of this disease and the work Maria is doing?
MAX: It was great to do. Maria had sent out a tweet that is was wonderful what was going on, on General Hospital. On Good Day LA, she talked about her work, particularly focusing on the fact that more women are diagnosed with Alzheimer’s than men. So, then Laura and I sat down and did an interview alongside Maria. We actually had a nice conversation before. They did a web interview also as a follow-up. That was very cool, because Maria is very smart, and I’d never met her, but it was great to see what she was doing. Whatever we are dealing with in the show is sort of my opportunity in the real world to bring awareness and shed light on the subject. I’d love to see an ongoing conversation online amongst people who can share their stories with each other. That’s a lot of what they’re doing. They’re raising money for research, but people need to be able to talk to each other when you’re a caregiver. Coming out of the early sixties and early seventies when I was playing a cop on TV, I never was a fanatic activist. I certainly got the behavior of the Chicago police at a certain time in terms of the energy and conflicts of the time. There was something to think about, but at the same time, I had opportunities to kind of share that all cops aren’t bad, just look at the show, Barney Miller.
You were my favorite character on Barney Miller as Detective Wojciehowicz! I think for many who watched the show you were, too!
MAX: I think “Wojo” ended up being the heart of the show.
Max, you’re helping people through your beautiful performances including me. Congratulations on that. I’ll continue have to have a box of Kleenex handy as I watch how it all unfolds for Mike.
MAX: Well, I really appreciate your questions. I’m just planting that seed. That is really what I would like to do after talking to you and so many people. That’s something I’d like to put out there. We each have our own domains and responsibilities and all of it overlaps, and you can kind of get in touch with that; if you just go around the circle and share it, and then go around again. I’m looking to help people out there in the world who are watching and are looking to share in the conversation.
So, what did you think about the heartbreaking scenes on Friday’s episode of GH between Mike and Sonny? What have you thought of Max Gail’s performance throughout his GH run? Have you experienced the loss, or are watching someone you love, or care about slip away from Alzheimer’s? Share your thoughts via the comment below.
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The Michael Channel
Days of our Lives
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Days of our Lives Peggy McCay Passes Away
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- RecapsOctober 16, 2018
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