Connect with us

Interviews

THE ELLEN AND PORTIA INTERVIEW – PRATT FALLS

Over the past few weeks the online soap world has been abuzz at the hilarious satire called Pratt Falls, which offers a parody on the much maligned head writer of All My Children, Chuck Pratt. The series details Pratt’s fumbles and stumbles with the same sex storyline of fan favorite Bianca (played by Eden Riegel), and her new gal pal, Reese (played by Tamara Braun). In Pratt Falls the virtual animated Pratt has behind close doors chats with his alleged co-conspirator, “AMC’s” executive producer, Julie Hanan Carruthers, who at times during the webisodes (or clips) is the voice of reason against Pratt’s mishandling of “AMC” storylines.

In a very recent TV Guide Interview that added more fuel to the fire for the already disgruntled fans of the Reese/Bianca story, Chuck Pratt blamed the mess on Eden Riegel’s exit for pilot season. “I was led to believe we had her for longer than we really did — suddenly I got word that Eden is leaving now. We got to play everything we wanted to with Bianca and Reese, but not in the time we’d hoped for — in my mind, it was a two-year story,” Pratt continues. “I guess I could have rushed to the wedding earlier so that they’d have had more time together as a married couple and then had them break up, but I think the fans would have been even more unsatisfied with that.”

Regarding Tamara Braun, Pratt said, “If Tamara decided to stay, keeping her on the show as an angry lesbian — with no other lesbian characters on the canvas — would be kind of insane. So we thought about making Reese bisexual — kind of an Anne Heche who bounces back and forth.”

Through the use of the Xtranormal animated application, the creators of this satire have been able to keep in stitches, both soap pundits and fans, (especially fans of Bianca and Reese) and “AMC”, with their snarky observations. After much public fanfare on You Tube, the creators decided to come forth (a few weeks ago) only as their virtual selves, named Ellen and Portia, and give a face to their popular series.

When I approached Ellen and Portia for an interview, I was asked to take part in their virtual world and I happily agreed. I mean, how else could I get into their space? I wanted to chat with the very clever gals, who are now an online sensation. But there was one stipulation that they were adamant about; protecting their true identities, that seem to be akin to the Cape Crusader and his sidekick, Robin! On all accounts, Ellen and Portia seem to speak for many fellow soapers, who through their sharp wit and tongues only want what’s best for their favorite characters on their soaps.

So, I present to you my very special interview with Pratt Falls creators, Portia and Ellen!

View the video on YouTube:
http://www.youtube.com/watch?v=AkxTe9y51zk

prattFalls.jpgHow did you two get the idea to start Pratt Falls? How did you come about the Xtranormal animations?

PORTIA: After reading Pratt’s TV GUIDE interview where he throws Eden Riegel under a bus, we simultaneously experienced the urge to slap Pratt. And that resulted in the satirical smack down now known as PRATT FALLS.

ELLEN: I am quite passive by nature, but Pratt’s blatant lies about Eden Riegel’s contract had me seeing red. If I remember correctly, I posted a ten line mock script on the Bianca/Reese message board. Portia emailed me, asking if she could play around with it and animate it. I said yes. Next thing we know: BAM! (No pun intended).

How long have you been Bianca fans and fans of Eden Riegel?

PORTIA: Always and forever.

ELLEN: Perhaps I shouldn’t admit this, but I followed Eden to “AMC” from Imaginary Bitches. So I’m quite new to Pine Valley. It took me about a month to catch up on a decade’s worth of Bianca storyline on youtube. But now I’m a fan for life. And I will never leave Erica Kane. Ever.

Was there ever a Bianca story you liked, and if so, what was it? She had so many great stories from “coming out” to Erica, to the baby switch and getting back Miranda, etc?

PORTIA: Any story with Bianca in it, I like. Even if the story is abysmal, and the writing is wretched, Eden seems to rise above. And when the writing is good, she soars! I especially enjoyed the days when Bianca and Kendall hated each other. Their relationship right now is so fractured and damaged, it’s sad to watch.

eden.jpgELLEN: As Portia has said, anything with Bianca in it, no matter how poorly written, I’ll watch. I love the relationship between Kendall and Bianca. And I could watch Bianca bitch slap Babe over and over again.

Do the two of you have a background in comedy writing?

PORTIA: We do now.

ELLEN: Not at all (until last week, that is). I have spent years sitting in front of “SNL” and telling people how I would rewrite certain scenes. But no one ever listens.

How did you meet to collaborate on Pratt Falls?

PORTIA: We “met” as members of the Bianca/Reese Forum. But we’ve never met in person.

ELLEN: We met in a private message inbox. We’ve now moved into an email inbox.

Many want to know if you are life-partners or just friends.

PORTIA: We are just friends for life.

ELLEN: I prefer “friendly partners in crime.” It has a nice ring to it.

When the first episode of Pratt Falls made its way to the internet and you saw the amazing feedback, because it was spot on to what many fans of Rianca and “AMC” felt, what was you reaction?

PORTIA: My reaction was: “Jumpin’ Johosephat!”

ELLEN: I believe my exact words were “By the Hammer of Thor! What the hell is going on?” And then I let loose with some expletives that would make the Imaginary Bitches crew blush.

View the video on YouTube:
http://www.youtube.com/watch?v=VjOaPGH4zZc

What would you like to see happen with Pratt Falls and animated Ellen and Portia, next?

PORTIA: I suppose Pratt Falls will continue as long as we have satirical things to say about the state of AMC. Which means, potentially forever…. I’d like to see Ellen and Portia address other absurdities currently rampaging through the world. I am endlessly fascinated by people’s ability to live with cognitive dissonance. And Silvio Berlusconi, — how is his existence even possible in the 21st century? Wouldn’t you love to hear us discuss that?

ELLEN: I think as long as we have something funny to say, we’ll keep putting episodes together. And the way “AMC” is going right now, that shouldn’t be very difficult. Plus, with Eden Riegel on the loose, who knows how many other storylines she will destroy? We’re on guard, protecting those who can’t protect themselves.

erica_gals.jpgIf you were writing “AMC” right now…..

PORTIA: Oh, please, from your lips to God’s ears.

ELLEN: I’d have to buy Susan Lucci’s pilates machine.

What changes or makeover would you give to Pine Valley in terms of story?

PORTIA: If I were writing AMC, I would institute a few basic rules: 1) Only Jesse gets to carry a gun. 2) Only one coma per character per decade. 3) Only one kidnapping, life threatening disease, and/or disappearance, per family per year. 4) Take all the minutes that Erica is scripted each episode and triple it. 5) No more blaming actors for crappy writing. 6) Casinos and hospitals are really not all that interesting, let’s stop going there. 7) No more misogyny. It’s offensive and not entertaining for our core audience. 8) If a character dies, they are dead. And they stay dead. Forever. 9) If you have Tamara Braun on contract, you use her more than 3 minutes a week. (See #4, it applies here too). 10) Bianca has suffered enough. Let the poor girl have (and keep) her happy ending already!

zach.jpgELLEN: Here I go: 1) No more sex in mental institutions, hospital beds or Ryan Lavery’s penthouse. 2) The characters should move the plot, not the other way around. 3) Erica Kane is the queen of daytime and she should remain front and centre. 4) Strong women. I am so tired of watching strong women makes fools of themselves in front of the men folk. Kendall is a Kane woman. She doesn’t need Zach or Ryan to survive. 5) Use the vets. Young and the Restless is heading into sweeps featuring a wedding between two eighty year olds, and it’s wonderful. 6) David needs to stop drugging people and twirling his imaginary mustache. 7) Jackson? Anyone? Jackson? 8) Less violence, more love in the afternoon (but not love between David and Krystal or Kendall and Ryan) 9) Where have all the sets gone? Long time passing. Where have all the sets gone? Long time ago. Where have all the sets gone? Gone to scrap heaps, everyone. When will they ever learn? When will they ever learn? 10) I agree with Portia. Bianca will now have a life of overwhelming joy. They can start heaping pain and sorrow on Miranda and Gabrielle in a few years, but lay off Binks.

How long have you been watching the soaps?

PORTIA: Since I was knee high to a grasshopper. But I don’t watch consistently. I check in every 4 or 5 years…. And I’ve never had a problem keeping up!

ELLEN: Since birth. A soap character inspired my first name. And my first crush was on Bo Brady (back when he was with Carly Manning).

How do you feel the portrayal of gays on the soaps has been, in general?

PORTIA: Mixed. Certainly some things have been done quite thoughtfully and with real sensitivity. But TBTB can’t quite seem to sustain that.

ELLEN: I feel like soaps haven’t quite figured out how to integrate gay characters into the general storylines. This is part of the reason the Bianca/Reese story went so off track. The writers obviously wanted to create some drama, but because there were only two gay characters on canvas, they went the Zach route. And it obviously came off as ridiculously offensive.

What are you expecting from the Reese/Bianca wrap-up this week?

PORTIA: I was hoping their reunion would be as intense and dramatic as their break up. But I know that’s not likely to happen. So sadly, I expect to be disappointed.

ELLEN: I have very low expectations. I know that Tamara Braun and Eden Riegel will take what they’re given and do fantastic work, but I have no faith in Pratt (shocker, I know). Maybe we’ll get a grief glance, followed by a grief high five and then a grief flight back to Paris.

View the video on YouTube:
http://www.youtube.com/watch?v=TcXtUU8FnxY

How do you feel Tamara Braun did in this messed up role?

tamaraBraun.jpgPORTIA: I think Tamara Braun deserves a soap opera version of the Congressional Medal of Honor for distinguishing herself “conspicuously by gallantry and intrepidity at the risk of her life above and beyond the call of duty” while engaged in a storyline penned by Pratt & Co. Seriously, my Fake Internet Girlfriend has had a rough time in Pine Valley, and I feel sorry for her. She spun straw into gold for “AMC”. Plus she had to put up with the scorn of BAM and Zendall fans! She must be made of steel. The more convoluted and nonsensical they made Reese’s story, the more I fell in love with Tamara, because even though she was getting screwed over, she always gave a 100% of herself. I truly felt sorry for her. Much in the same way I feel sorry for Alicia Minshew right now…..

ELLEN: Don’t forget the Purple Heart, Portia! I can’t even begin to imagine how she went to work everyday and managed to portray this character with integrity and depth. Reese is an interesting character with an interesting back-story. But her feelings and motivations changed daily, and somehow, Tamara had to make the audience believe. Pratt & Co. did her no favors when they threw her between Zendall. I am actually a fan of the Zach and Kendall pairing, but the Zendall fans are armed and dangerous. I really hope Tamara avoids soap message boards because things can get vicious. Yet, no matter what they threw at her (both on and off screen), Tamara gave her all and so I have great respect and admiration for her. And I agree with Portia in regards to Alicia Minshew. I’m very tired of hearing characters refer to women as “whores, sluts and bitches.” Enough.

When the same-sex wedding day occurred on AMC, what did you think when it was over? A landmark or milestone? Botched opportunity?

PORTIA: It was all of that. It was a landmark and a milestone and they managed to botch it. I will admit to oohing and ahhhing over the dresses, and I thought the vows were beautifully written, and, yes, I cried. But I could not for the life of me understand why it all had to be intercut with the other stories. Really, how can you enjoy the wedding when Greenlee, in her wedding dress is on a motorcycle, flying off a cliff? I think Bianca and Reese deserved better than that. Actually, I think Greenlee deserved better than that too.

wedding.jpgELLEN: I have such mixed feelings about the wedding. On one hand, it was beautiful and everyone looked smashing. On the other hand, the constant juxtaposition of crazy Annie and biker Greenlee destroyed what could have been a beautiful, memorable event. Even the fact that Kendall was not present upset me. The wedding was not about Bianca and Reese; it was about Annie’s gun wielding, Kendall’s anger and Rebecca Budig’s exit. I wanted to concentrate on the vows and the love, but all I could think about was the absurdity of Greenlee riding that bike wearing her wedding dress. The whole thing was over the top and preposterous. And on top of all that, the Reese and Zach kiss hung over the event like a dark cloud. Bianca is the daughter of Erica Kane. The wedding should have been all about Bianca. Instead, it was about everyone else.

Why is the anonymity important to you? Why did you choose Ellen and Portia??

PORTIA: We just enjoy being a riddle, wrapped in a mystery, inside an enigma, rendered in a cartoon.

ELLEN: We’re both comic book fans and I think the idea of a secret identity appealed to our nerdy sense of humor. We also want to live. And Pratt has connections with Sonny Corinthos.

Has anyone at ABC Daytime or any of the top brass from “AMC” contacted you regarding your parody and satire?

PORTIA: Not yet.

pratt_2shot.jpgELLEN: No. Although lately, I can’t shake the feeling that I’m being watched.

What can we preview for your new online fans to look forward to in upcoming episodes of Pratt Falls or Ellen and Portia?

PORTIA: We just don’t know until we start venting…. Probably more pirate jokes.

ELLEN: Definitely more pirate jokes. We will continue to fight for truth and justice.

Final thoughts?

PORTIA: We’d like to encourage everyone to visit our virtual store at http://www.cafepress.com/breesenation You can purchase authentic Pratt Falls merchandise! 100% of all sales go to “Invalidate Prop 8.” And, of course, a great big THANK YOU, Michael for your interest in our little show. We’ve enjoyed “talking” with you.

portiaEllenWide.jpgELLEN: A huge thanks for your interest and a thank you to all the people who watch and support our little show! And before we go, just a reminder that in these dark times, we all must take extra precautious for our safety. Remember,
Eden Riegel walks among us.

PORTIA: Oh, I heard bells, did you hear the bells?

READ MORE
We Love Soaps interview with Michael Fairman on his career in Soaps and Pro Wrestling!
Click to comment
Advertisement

Leave a Reply

avatar

Interviews

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

READ MORE
We Love Soaps interview with Michael Fairman on his career in Soaps and Pro Wrestling!

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

Continue Reading

General Hospital

Steve Burton Interview – General Hospital – 46th Annual Daytime Emmys Red Carpet

On the red carpet at the 46th Annual Daytime Emmy Awards, General Hospital’s Steve Burton (Jason Morgan) chats with Michael Fairman.

During their conversation, Steve weighs-in on the nominated scenes of Laura Wright’s which also featured him, and the friendship of Jason and Carly, plus how he told Maurice Benard (Sonny) that he had to submit himself in the Lead Actor category; an award in which Maurice won that night.

Later, Burton laughs as Michael reveals that in his recent interview with Coby Ryan McLaughlin (Shiloh), the actor said that he can and wants to take down the character of Jason; to which Steve rebutted here that it ain’t going to happen.

READ MORE
The Michael Park Interview - As The World Turns

Finally. Steve talks on the success of his road show and podcast with buddy and castmate, Bradford Anderson (Spinelli)

Watch the interview below. Then let us know, do you like the scenes between  Jason and Carly? Do you want Shiloh or Jason to have the upper hand in their rivalry? Comment below.

For more red carpet and backstage interviews from the 46th annual Daytime Emmy Awards visit the Michael Fairman Channel here.

Continue Reading

Days Of Our Lives

Ron Carlivati Interview – Days of our Lives – 46th Annual Daytime Emmys Red Carpet

Days of our Lives head writer, Ron Carlivati chats with Michael Fairman on the red carpet at the 46th annual Daytime Emmy Awards.  Carlivati and his writing team were nominated for Outstanding Writing in a Drama Series; an award they won last year.

Ron reveals to Michael that the reels submitted in the writing category were different than those submitted for Outstanding Drama Series; with the writing submissions centering around Marlena (Deidre Hall) and John’s (Drake Hogestyn) wedding and her shooting … and then the aftermath in the hospital where Marlena’s children and John have to say goodbye to her fearing she will not pull through her medical crisis.

READ MORE
THE GREG RIKAART AND EMILY O’BRIEN INTERVIEW - THE YOUNG AND THE RESTLESS

Later, Carlivati discusses how he has become more firmly entrenched in the land of Salem after being an ABC Daytime guy for most of his life; following writing for One Life to Live and General Hospital.

Watch the interview below.  Then let us know, what did you think of Ron’s choice for the writing award? Should DAYS have toppled Y&R on the strength of those reels? Comment below.

For more 46th annual Daytime Emmy Red Carpet and backstage interviews visit the Michael Fairman Channel here.

Continue Reading
Advertisement
Advertisement

Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

The Michael Channel

Recent Comments

  • Wanda Combs: “This actor looks like he just graduated high school and he acts like it also. Why could you not bring…
  • TVJeff: “Different people depending on the day. My guess is the day you saw, Genie wasn't on the episode so…
  • TVJeff: “And as for the music, it's fine. People want Faces of the Heart because that's GH. No, it's…
  • Gail: “I like it. I love gh
  • Loretta: “I love the slowed down pics but not the music at all. You should have stayed with the same music.…
Advertisement

Power Performance

Kin Shriner as Scott

General Hospital

Airdate: 4-2-2019

Advertisement

Popular