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The Greg Rikaart and Elizabeth Hendrickson Interview – The Young and the Restless

© JPI Studios

© JPI Studios

If there are two young stars that break the mold from your standardized soap opera acting  style, the names Greg Rikaart and Elizabeth Hendrickson of The Young and the Restless are at the very top of the list.  As Genoa City’s unconventional, at times eccentric and flawed duo, Kevin Fisher and Chloe Mitchell, they make this on-screen duo endearing to our hearts, and yet they have the ability to break them at the same time.  Not an easy feat, but the accomplished Rikaart and Hendrickson can pull all the strings making us laugh, cry, or leaving us plain surprised on what their alter-egos reactions and behavior might be in their growing complex relationship.

Greg and Liz, who are great friends in real life, translated that chemistry on screen to Kevin and Chloe becoming great buds and roommates on the Genoa City canvas. However, fans of Y&R this past week saw pivotal episodes where their relationship took a turn, when Kevin gets up the courage and admits to Chloe that he has deep feelings for her that are more than friendship.  In another of Rikaart’s moving performances, Kevin announces to Chloe, “I’m a really good guy.  And you should want to be with me the way I want to be with you.”  He goes on to tell Chloe, “You’re smart, beautiful, my best friend…”  I mean what girl wouldn’t just melt?  Well, not exactly, Chloe.  Her reaction included walking out on him!  So, what’s a guy to do?  Have sex with your ex!  Enter crazy Jana.

On-Air On-Soaps caught up with the two Y&R scene stealers to discuss Kevin and Chloe’s burgeoning romance, how it is being good friends while having to play
high emotional stakes, and to take a look back and look ahead for their characters
as the year comes to a close.  Here’s our chat with Greg and Elizabeth!

MICHAEL:

The two of you are very good friends off camera.  How did you come to get acquainted with each other, which in turn blossomed into this great dynamic between you and has manifested itself into an on-screen relationship between Kevin and Chloe?

LIZ:

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We knew about each other.  I remember meeting Greg through my friend Emily.  I remember saying “Hi” to you at a soap event in New York.  It might even have been the Emmys years ago, when I was on All My Children.

GREG:

I guess we knew of each other, but we did not become chummy until she started working on Y&R. We did a stage reading of a one act together for a friend and we worked together a little bit in that. Then, Barbara Bloom (CBS Sr. VP Daytime Programming) had been a really big fan of Liz’s.  So when she came in to read, I remember them wanting us to read together, which is kind of funny in a roundabout way, that here we are three years later and we are finally working together.  But it was a chemistry read.

LIZ:

Yes. It was a chemistry read.  I thought you were the one they were going to put me with.   I recall I had met Barbara when I first moved to L.A.  I had a meeting with her and nothing came of it ever again.  Then two years later, I was doing this stage reading with a friend, and that is when I officially met Greg.  Barbara came to see the show and a week or so later I got a phone call that she wanted to do a chemistry reading with me at the studio, and that was with Greg. And prior to that, I was driving with AMC’s Rebecca Budig (Greenlee) and Bob Guiney, and they were looking for a house. We were coming from the dog park with our dogs and Greg was standing outside. They saw a for sale sign, and they went, “Oh look! This house is for sale.” And I went, “Oh, that’s that kid from The Young and the Restless.”  They rolled down the window and went in and bought the house!  That was the other time, except times throughout the soap world, that I met Greg.  So I am kind of responsible for your house being sold, Greg!

GREG:

Well thanks, I owe you.  It’s funny. We have been kindredly connected before we were friends, so it’s kind of nice.

MICHAEL:

© JPI Studios

Liz, what makes Greg a great friend?

LIZ:

Let’s see…Greg stealing my phone and hacking into my facebook page! (Laughs)

GREG:

I think what she means to say is…. that she loves me so much that she sub-consciously leaves her phone on the set, and then I will hack her status update and make up something… and I post it for the world to see. (Laughs)

LIZ:

From the very beginning, Greg and I have had an awesome time with each other. I think that is why you enjoy watching us on television, and thank you very much to the fans for enjoying us, but we are really comfortable with each other.  We have a very similar sense of humor and we don’t take ourselves too seriously. When I work with Greg, I tend to be more myself.  So it’s always a safe supportive place to be.  I have a lot of fun with it because I feel I can fully trust it.  And so whatever I do, I know he will always be there to catch me if I fall, or make fun of me.  And, we have an awesome banter with each other!

GREG:

That is a good way of putting it.  Liz is a great dance partner and I feel the same way around her.  The level of comfort is so easy, certainly for portraying the friendship part of the Kevin/Chloe relationship, that is a no-brainer.  So it was like, when are we going to have to start acting?  I think there was a lot of material that was scripted not too dissimilar to the way we would goof around in real life, even when the relationship starts to change a little bit.  For instance, there is something coming up next week where she does something physical to me. It was as simple as her saying to me, “Hey, this is what I am thinking of doing. What are your parameters?”  I think there is that trust and comfort.  And off-camera, I love palling around with her, whether it’s at work or hanging out outside of work.  It’s a fun relationship.

MICHAEL:

So was it your personal relationship that influenced Y&R executive producer and head writer Maria Bell and her creative team, to pair you on screen as Kevin and Chloe?  Because as you know, many times in soaps, writers will tell you that in watching the actors on set, they see something that strikes a chord for them and they run with it.

LIZ:

We were gunning for it and planted a seed a long time ago. (To Greg) Should we let him in on our little secret?  Ok, remember the holiday party…

© JPI Studios

GREG:

I will never forget.  I was at the Y&R holiday party and I said to Liz, Maria Bell is having a cocktail, so this would be a good time to be subtle and casually mention that we would be interested in working together, which Liz interpreted as walking right up to Maria and saying, “We want to work together!” (Laughs).

LIZ:

Any chance we could get, we would have fun with it.  And whether that be that I would shamelessly flirt with him in front of Maria, or make sure to hop in front of the camera so they can see us being really cute together.

GREG:

But also, my interest in working with Liz was less about that I love her as a person and more about that I think she is fantastic on the show. And from day one, I always thought she is really like a Fisher/Baldwin.

LIZ:

That is what I wanted to be when I came on the show!  All I wanted to be was a Fisher/Baldwin. (Laughs)

GREG:

You know, I think our on-screen family has all very solid actors who are all a bit off and quirky, and I think she kind of fits in perfectly.

MICHAEL:

What do the two of you think of the repositioning and retooling of Jana being the bad girl in the mix?  And, how is Emily O’Brien (Jana) to work with in this new beat of story?

GREG:

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I think it’s the most genius thing she has gotten to do. She has always been amazing, but Emily playing crazy with a lid on it, with sort of a Glenn Close in Fatal Attraction vibe, or Rebecca De Mornay in The Hand That Rocks the Cradle, is so genius. And, I think it’s amazing.  I also like that it created such obstacles within our story.  I love it and I think it’s great.

LIZ:

I love it, too. This is the first chance I have gotten to work with Emily.  I have wanted to work with her for a long time, just like I was waiting to work with Greg, because I have always enjoyed their work together.  She just takes us by surprise every time.  It is so far from who she is as a person, and so when you are with Emily on stage, you are so in it. Sometimes I find myself watching her rather than being in the scene with her, which works because it’s kind of the way you look at a crazy person. You think, “Is this real or is it not?”  Sometimes it even cracks me up, and we have laughed at the end of some tapings.  It wasn’t funny when Greg and I would later watch it back, and then I don’t remember why it was so funny in the first place.

GREG:

You know what I think?  I think sometimes the laughter comes from how uncomfortable she makes you feel.  And you think, “Ok, I am going to nervously laugh now, because I wonder if Emily is legitimately crazy?”

MICHAEL:

How are we justifying this evil turn of Jana?  Was it the countless brain surgeries that have damaged her, or do you think its kind of the more extreme version of the original Jana that was a bit of whack-job?

GREG:

I think the character of Jana, and like the character of Kevin and other characters on the show, is a rather loose canon.  I don’t think she has ever been completely rational and normal.  Even before the brain tumor, she killed Carmen Mesta… (Laughs)

MICHAEL:

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Greg, Kevin is so great with Chloe’s little girl Delia, and he has also come to the aid and defense of Daisy, wanting to make sure her baby is loved and has a father.  Does Kevin want to be a dad?  Why does he want to help Daisy so bad, after all the things she has done to his loved ones?

GREG:

I don’t know he necessarily wants be a dad just yet, but he wants to sort of protect that innocence that he sees in Daisy’s baby, and protect her from the horror that he and Ryder and Daisy went through. I think that is more motivated about him wanting to protect her then him wanting to raise a kid.  Kevin loves Delia, too.

MICHAEL:

This past week we saw some game-changing moments in the relationship between Kevin and Chloe, especially, when Kevin bares his soul and feelings to Chloe.  I feel bad for Kevin!

LIZ:

I felt so bad for Kevin.

GREG:

I do remember Liz telling me that she did feel bad for me.

LIZ:

© JPI Studios

I felt horrible almost in the way that I played it.

GREG:

It came out of that sort of build of emotions that have been happening within him, that whether he realized it or not, has been going on for a long time already.  It all came to a head when he needed to step up in some way with the whole incident with Child Protective Services. Then he really lays into Jana after that and accuses her of masterminding that, and in the midst of that, getting shot down with Chloe when she says something while Billy is there that sort of diminishes their relationship.  I think that made something in him snap and he thought, “Alright, I can’t keep this to myself anymore.”   I think at that moment he had no choice.  He thought either I am going to go crazy, or I am just going to tell her how I feel.

MICHAEL:

Liz, so Chloe really had no clue that Kevin could possibly have deep romantic feelings for her? How did you decide to play those beats of the story that just aired?

LIZ:

I think she had been through so much with guys, and even if she had feelings for Kevin, it was so deep down that it wasn’t even something she was willing to recognize.  I think that what happened between her two great loves had damaged her so much, that I don’t think she was willing to accept the fact that this is possibly what love could be like.  Having it come from a friendship and think, why would you ruin something that is so great? Anything with Chloe that started on the right foot got ruined.  Even Chance started on the right foot and got ruined. With Kevin, that is something you keep in a safe place and it’s not even something you go near because, God forbid, if I lost that person, I would have nothing.  And so, she finally finds someone she can trust and be with, and it’s not how she associates love, or how she would even think about it.  I think that begins to change the minute she sees him with someone else, and it’s like daggers to the heart.  I am trying to play the fine line because I know Chloe is getting jealous of Jana.  She was originally thinking, “Well, she is not good enough for you.”  But she wasn’t taking it as, “Well, I want to be that girl.”  I think until she sees him with someone else, it is then she realizes it is a different feeling.  I mean your heart should not sink into your stomach if you walk in and see a guy with another girl.  If she didn’t have feelings for him, she would have been able to walk in and go, “Eww! That’s disgusting. I just saw my best friend half-naked.”  And not be repulsed by the fact that his tongue is down her throat.  I think just the thought of her having to disappoint her daughter again and have another man come in and out of her life is a major issue for her. Chloe thought Kevin was there with her and Delia for a reason.  So she thinks we are going to keep Kevin in that place because this is safe. I think it appears to be almost too good to be true. When Kevin shows her the Christmas photos, it is the life that she pictures, but I just don’t think she really knows how to get it and hold on to it. I think she gets that from the last screw-up she had with Ronan.  I don’t think Chloe thinks she deserves to be treated well.

© JPI Studios

MICHAEL:

By the way, I like the Chloe/Kevin Christmas card! So cute!

GREG:

(Laughs)  I was not at the Y&R Christmas Party, but I heard they had that picture blown up.

LIZ:

They did?

MICHAEL:

Greg, be honest, was it revenge sex for Kevin with Jana? (Laughs)

GREG:

Yeah, basically. (Laughs)  The thing is, no matter what Jana has put Kevin through, he doesn’t hate her, and certainly, he’s not trying to cause her any grief.  It was totally revenge sex.  Kevin was in a pretty vulnerable place where he was feeling pretty bad about himself, and here Jana comes along and she feels for him the way he wishes Chloe did.

MICHAEL:

Why are you able to tap into Kevin’s vulnerability so well?

GREG:

I think for me, it’s not trying to manipulate the audience, but saying he is doing some bad stuff.  Having sex with a woman he has no interest in, is one of them.  If you do that it’s too black and white, and he looks like an asshole.  So you say, this is what he is going to do, so how do I make this real for me?  He is really hurt.  I think showing vulnerability gets me through the tough stuff that comes his way sometimes, where it’s like me as an ethical person might judge Kevin’s motives.

© JPI Studios

MICHAEL:

Liz, looking back as 2010 comes to a close, what was your favorite Chloe moment?

LIZ:

This has been the most fun material I have gotten to play since when I first started on Y&R.  That was fun when I was kind of being bitchy, manipulative, and taking advantage of people. The first thing that came to mind when you asked, is anytime I get to play a little comedy.  I can’t just pick one.  I just know this is the most comfortable I have been since being on the show and being able to do everything I wanted to do in daytime.  I have been able to explore them over the last few months, and that is just having those moments and just letting things pop up and happen. On the flipside as my other favorite Chloe moment, would be the reveal of Chance cheating on her. That for me was the first time I was able to connect and feel the pain of being heartbroken.  It was actually the most heartbreaking thing for me to let myself go there.

MICHAEL:

Greg, your turn. What was your favorite Kevin moment of 2010?

GREG:

One thing that comes to mind is, whatever I am getting to do, I always like getting a break from that.  So, if I have been in a heavy storyline, it’s always nice to have a comedic break or vice versa. That was what was nice about the scenes that aired this week.  Kevin and Chloe’s relationship for the last few months has been light, fresh and fun. I think my favorite moment was our first real scenes together. That is when Kevin gets really drunk at the bar and they are commiserating and he is complaining about Jana and Ryder, and it was right at the same time that Chloe was dealing with her Chance issues.  I remember those being inherently funny because Kevin was getting really drunk, but there were serious moments, too.  It was the first time Liz and I got to play around together. And I think there were scenes where Kevin walks in on Jana and Ryder at the Athletic Club.  I think while he had been suspicious and confused by her attachment to Ryder, I think that was the moment where she tells him where her priorities lie, and it was devastating for Kevin, and are some my favorite scenes, too.

© JPI Studios

LIZ:

Wait… that just took me back to when we had those first scenes together, because I am just so proud of us for that!  We used to not be able to look at each other, because we would break out in laughter and non-stop giggles.  We were getting really nervous on set, and we thought, what are we going to do?  Even those scenes Greg is talking about that he did such an excellent job with.  I think the first time we did it, I laughed at him and we had to do the scene over again.  Greg, we have come so far!  (Laughs)

GREG:

Yeah, I know.  It was like if we were even in a group scene and I looked at her and she looked at me, we would giggle.  Liz still makes me laugh all the time and Emily, too.  I have gotten quite giggly of late on set. I am sure I am going to get a talking to soon.  I have been having a lot of fun lately with Liz; it’s not the worst thing. (Laughs)

MICHAEL:

I assume you may have shared a romantic kiss on-screen, or that it may be coming at some point soon.  Is there any trepidation knowing that you’re dear friends in real life and now the time has come where you have to, or had to, have your lips locked?  Any apprehension about it?

GREG:

No, not for me.

LIZ:

You know, it’s really funny because I thought I was going to, after I got what I asked for! All of a sudden when the time was near it was, “Oh, wait. Ok. Hmmm.” And the minute it happened, Greg went, “You’re a good kisser,” and I went, “So are you!”  And you know what it totally goes back to, is the whole trust safety thing. The fact that I know that if there was ever a time I did something and I looked at him and I was not comfortable with something, I know he would go, “Ok. We will never do that ever again.”

MICHAEL:

So would you say, Liz, that Greg rates as a one of the best kissers of all your Y&R leading men?

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LIZ:

Definitely!

GREG:

I would tease her though, and say, “I am going to stick my tongue as far down your throat as I can! (Laughs)

LIZ:

I know! (Laughs)

GREG:

I would be reviewing the scenes we have to do the night before taping, and I will send Liz a text and say, “Get ready!”

MICHAEL:

As had been announced in the soap magazines for this coming week, Jana is going to try to capitalize on an invitation to Christmas dinner at Katherine’s house.  That is bound to be an uncomfortable situation for Chloe and Kevin.  As we head into the holidays, can we expect any happiness, or more sadness and conflicted feelings, for your on-screen alter-egos?

GREG:

Kevin and Chloe’s Christmas and New Year’s will be sort of affected by what you just saw happen on air this past week.  I think things go from bad to worse.

MICHAEL:

Are the two of you checking out the message boards and getting fan reaction and feedback to see if the fans want Kevin and Chloe as a “love” couple, or if they want them to just stay best friends?

LIZ:

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We are.  Look, I never pay attention to the bad press, because it makes me upset.  I have definitely paid attention and heard people at the studio say, “I like you two together.” And the fact that someone even had an opinion about it is good enough for me.  If you like it or don’t like it, that means you’re involved.  And if they are involved, that means we have you thinking about something and you are kind of waiting to see what happens next.

GREG:

The stuff I have seen and heard is mixed.  I think fans like us as friends, but I don’t know if everyone is sold on wanting us to be anything more.  If I have something big that happens in a storyline, and if and when I have time, I will go and see what the fan reaction is.  I don’t look to see if they say it’s good or bad.  I just look to see if they are talking about it. You are better off having people disagree and chatting about it versus people who don’t really care.

LIZ:

It’s the same thing of, if you hate me, that’s good.  Love to hate me; at least you’re having an opinion about something.

GREG:

The worse thing to be on a soap is boring, and I always say that. With thirty some actors on our show, it’s one of the most challenging part of the job, and that is figuring out what your niche is supposed to be, and what am I going to do that nobody else is doing. That is the other thing I like about our relationship.  There is that quirkiness factor …

LIZ:

There are no other characters on our show that are like us.

GREG:

Sometimes I wonder what came first, the chicken or the egg?  Did they have the idea to do awkward family photos for Christmas first?  Or was it, what are we going to do for Kevin and Chloe?  I think no matter what, when the idea came up of who is going to do the awkward photo, the powers-that-be thought, “Oh yeah, Kevin and Chloe.”  No one else fits that other than us.

MICHAEL:

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Do you think Kevin and Chloe could still be friends, if they embarked on a romance and it fell apart?

GREG:

It’s tricky, because you build up to this point and the whole thing is now, will they or won’t they?  My ideal situation for us would be if we can keep some sort of obstacle in our way for as long as we can, because who wants to be a happy couple?

LIZ:

I don’t want to be a happy couple! (Laughs)  I love the fact of Kevin still having a pull towards Jana. There is some sort of push and pull going on with them. I hope this goes on all year round, and we got to keep things moving, or we all are going to get boring.

GREG:

Kevin wants to get Chloe in the sack a couple of times, but living happily ever after?  I am sure Kevin would like that, but I would not like that.

MICHAEL:

In closing, Greg, what is your New Year’s wish for Kevin? What would you like to see him get involved with in 2011?

GREG:

What I like most about Kevin is the push/pull that happens in his brain, where he is like, “I want to be a better person. I want to be a good guy.”  Then it’s really easy for him to get lured into some sort of underhanded stuff.  I would like to see more of that in the New Year, and for him to continue to battle himself.  I would like to see him find some luck in love, but not too much.  And, I would love to see more integration of the fun family stuff as was in the past with Judith Chapman (Gloria) and Ted Shackelford (Jeffrey) and the Fisher/Baldwin gang.

© JPI Studios

MICHAEL:

Liz, what is your New Year’s wish for Chloe?

LIZ:

I would love to see Chloe get back to her passion of styling and fashion, and start to take over some jobs (Laughs).  I want to take someone down and replace someone, and go toe to toe with a really strong female.

GREG:

On that note, I would like to have Kevin and Chloe become allies on a caper to take somebody down… now that sounds like fun for the New Year!

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Sunshine
Guest
Sunshine

I Absolutely loved this interview! EH and GR work so well together and they have a great relationship! I don’t think either one of them have had better chemistry with someone than they do with each other! I hope to see them as a couple on Y&R because like GR said they both play Fishers really well. They are Perfect for each other! Love, love, love them! Chloe & Kevin FTW!!!

Judy
Guest
Judy

What a great interview! At this point I see them still more as friends but I’m more open to it becoming more after reading this. I guess more than anything I am afraid of having their friendship end if the romance doesn’t work and that I would miss. I’m definitely willing to give it a shot. I don’t want it all hearts and roses but rather some effort to make it work. I do think there is potential there!

Thanks for another great interview!

Robin S.
Guest
Robin S.

Great interview, Michael! Love the show and their characters. Great questions. The interview didn’t feel like the staged ones one reads in magazines. This felt like a truly intimate conversation between three friends.
I love their take on their character’s relationships with themselves and with each other. GREAT JOB!!!!!!

Yvonne G.
Guest
Yvonne G.

I absolutely love them together! Great interview. Love them as friends and have no doubt I will love them even more as a romantic couple. I hope we get to see that soon on the show.

Doe
Guest
Doe

loved the interview, Michael. These are two very fine actors who got lucky with their chemistry. They obviously play off each other extremely well. I enjoy what is happening within this triangle with Jana, Chloe and Kevin. Emily is doing a very fine job as well with all her connivings. I don’t want Kevin to go back to Jana. She is a loose canon!

Stephanie
Guest
Stephanie

This interview was amazing!! Pure gold!!

Fan
Guest
Fan

I FLOVE these two, That was a great interview. I am a huge Kevin/Chloe shipper, If the right kinda chem is between two characters/actos, I love soap romances that start as friend and lead to more. The only thing I wouldnt want is if they were to end, they stop being friends and having scenes together. I think its their fear too. They want their characters to hook up, but are afraid if they get torn apart they wont get to work together anymore. Sidenote: Jana freaks the hell outta me!!

semaj
Guest
semaj

love chloe and kevin pairing

Y&R Fan
Guest
Y&R Fan

I absolutely LOVE the pairing of Chloe & Kevin. The chemistry between Elizabeth and Greg is amazing. I have become such a fan that I literally fast forward to their scenes. Now this is the type of love story daytime needs. I FLOVE them so much! Chloe and Kevin have become my #1 favorite daytime couple to watch. Kudos to the writers.

Y&R Fan
Guest
Y&R Fan

I’ve said this numerous times and it’s been reaffirmed in this interview. There’s no two characters like Kevin and Chloe on any soap let alone theirs. Put the two together and call it a day. I’m a fan…a big fan.

Carrie
Guest
Carrie

I loved the scene when where Jana was “hot to trot”, and keeps asking Kevin for sex…When he said he was having “Gender Confusion” issues, it was laugh out loud funny, and a great excuse.
Also, the scenes in the theater with Jana and Kevin…Chloe throwing popcorn from the back rows..I loved them.
We Need A Little Humor…Right This Very Minute…
Bravo!

Peyton
Guest
Peyton

Like their friendship, but they don’t really work in a romantic sense at ALL! They are more like Carly/Jason. Chloe comes across really insecure and whiny with him.

Chloe Fan
Guest
Chloe Fan

Chloe and Kevin are awesome friends but there is no romantic chemistry at all. (IMO) Kevin is Chloe’s worst pairing by far! Chloe worked best with Ronan, I’m bitter that they dropped them like a hot potato! Now talk about passion and chemistry and a great duo! Kevin and Chloe just don’t do it for me as a couple, but great interview! Love Chloe and Liz Hendrickson!

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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Kirsten Storms as Maxie

General Hospital

Airdates: 6-2/3-2021

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