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THE HILLARY B. SMITH INTERVIEW – ONE LIFE TO LIVE

This week on “One Live to Live”, fans have been witness to drama at its best, as Nora and Bo’s son is in a tragic car accident that leaves repercussions and a ripple effect across many lives of the citizens of Llanview.

It also affords long time viewers and new ones an opportunity to see one of daytime’s greatest actresses, Hillary B. Smith, as she takes front and center stage as a guilt-ridden mother dealing with her son Matthew’s paralysis, and seeking justice for those who caused it…which means her friend Marty’s son, Cole!

Many fans of the show are hoping the writers and producers may use this storyline as a vehicle for Nora and Bo to finally get back together. But will that happen? I chatted with Hillary about her current storyline, the upcoming return of Nathan Purdee as Hank Gannon, the
re-cast of her on-screen daughter Rachel,
and Nora losing every trial involving
Todd Manning!

Here’s Hillary…

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MICHAEL:

There has just been a huge moment on-air, where Nora learns of the car crash involving Matthew. How is Nora going to hold up through all of this?

HILLARY:

I think how any parent would be. First, there is the “Oh my God”, and then there is “OK. Everything’s OK. We just have to go through this process. What do you mean he’s numb?” And then there’s thee “What? Cole was driving under the influence? What?” And then, there is the complete loss of control because it all could have been prevented. She goes through her own anger and blame. It’s so easy to blame Cole, but basically he was still living in her house, and she didn’t notice his drug problem. In the past, Nora had dealt with her own daughter Rachel’s drug use. So there is all this stuff going on with her.

MICHAEL:

Then she finds out the tragic news of Matthew’s condition.

oltl.jpgHILLARY:

Yes. Then she finds out he is paralyzed and it enrages her and intensifies her feeling of guilt, because she was not there for him. Every mother wants to protect her child; even if it isn’t something she had no control over. You feel guilty. You feel guilty when something goes wrong with your child and you could not have prevented it, even when you have a hand in it. The guilt is overwhelming, and it eats at her, and eats
at her until she finally
explodes and arrests Cole.

MICHAEL:

Nora is all about law and order and justice, so naturally she is going to go for the jugular in this case against Cole.

HILLARY:

She is all about law and order and justice, and what is right, and making sure he does not do it again, and she is enraged. She is going to throw the book at him and nail him to the wall. But at the same time, she has these scenes with Marty when she goes to arrest him and Marty says, “Well, he is not here,” and Nora says, “You’re hiding him!” Finally, it kind of comes out in these scenes with Marty, where she says, “You know, none of this would have happened if you would have just stayed dead.” And, that’s a moment where even Nora goes, “Are you hearing yourself and what you are saying?” She finally breaks down and has this complete meltdown and she says, “I am sorry. I did not mean that.” That is when she is realizing she feels guilty and responsible that she did not notice Cole was on drugs. But she has to arrest him.

bo_nora1.jpgMICHAEL:

Does Bo feel guilt, as well? Perhaps, for letting Matthew go to the dance even though he was grounded? It was so awful seeing the kids set Matthew up at the dance, too!

HILLARY:

When you have parents that are divorced, and something tragic happens to your child, the first thing you do is look at each other and go, “Ok, I heard that. Did you hear that?” And the next thing is you absorb it the way you absorb it, and you go through your own personal process. Then you come together as a process and you function as a team. I think Nora and Bo are still trying figure that dance out. For Bo’s part, letting him go to the dance does not have anything to do with drugs or knowing someone is on drugs.

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MICHAEL:

Eddie Alderson (Matthew) has been so great; do we need “hankies” for upcoming episodes? The last couple of days on the air shows, I have been so upset watching it. It’s heavy material and very sad!

HILLARY:

I think there are no heroes and many victims. Not only does Eddie do beautiful work, but also Brandon Buddy (Cole) is spectacular because of his guilt. This was just tragedy for everyone, and Matthew is paralyzed from the legs down, and is a paraplegic.

brandon_matthew.jpgMICHAEL:

Have the actors or the show’s producers guided Eddie into how to portray this type of story, when you have no use of your legs?

HILLARY:

Everyone has given Eddie exercises and hints telling him, “Eddie, You don’t know how much you use your legs and your feet, and nobody understands how much you use them, until you can’t. So here is what I want you to do. Sit in a bathtub and hold yourself by your arms and you will get the feeling of weightlessness in a pool. Also, make a decision as to where your paralysis comes from and really try to do things by isolating those muscles.” Eddie is an athlete, so he knows how to use his muscles and I have to say he is doing a great job!

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MICHAEL:

Who do you think Nora loves? Clint? Or, do you think there is still any chance for her and Bo?

HILLARY:

This is going to be very interesting, because when you are pulled into a tragedy like this, it pulls you in different directions and aligns you with the strangest bedfellows, as they may say. I think she loves Clint. I think she has had awakenings that the man she fell in love with is not there now, so she has had to say, “Wait a minute.” But, he is still good and kind to her and her son, and I think she loves him.

clint_bo_nora.jpgMICHAEL:

But, one would hope Nora and Bo would be drawn together because of the tragic circumstances surrounding their son.

HILLARY:

I think this whole situation, with Matthew and bringing Nora and Bo back together in this realm where nobody will understand what they go through except each other, will be very interesting to see what happens. It could make them fight, because when Nora and Bo thought Matthew was doing drugs, it put them at odds. Nora had dabbled and Bo hadn’t. It just pointed out the things they didn’t know about each other and set them at odds. So, when you get down to the basics, when something you love is going to be taken away you go primal. You don’t think in the terms of you did this, and you did that. And, I think whatever hurt came between Bo and Nora gets shelved. It just comes down to Matthew needs them and they need each other.

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MICHAEL:

Fans of Bo and Nora have been rooting for a long time to get them back together. I know I have!

HILLARY:

If there ever was a chance for them to get back together, I think this scenario would be the ideal way to do it. They are both so preoccupied with the hurt of what’s going on with their child that they can’t hang onto the pain they caused each other. So, if there was ever going to be a door open to that relationship, now would be interesting and now would be the time they would be most open to it.

MICHAEL:

Now I know Nathan Purdue (Hank) is coming back and a new recast for Nora’s daughter, Rachel!

nathan.jpgHILLARY:

Yes, Daphne Duplaix. I screen-tested with her.

MICHAEL:

And what did you think?

HILLARY:

All the actresses were beautiful, and they were all talented. I had a ‘sneaker’ for her and she was just right. She had Ellen Bethea’s (Ex-Rachel) earthiness, which is a very beautiful quality and a hard one to come by.

MICHAEL:

I loved Ellen!

HILLARY:

Well, Ellen Bethea was my Rachel, and Ellen had a very centered and grounded quality and a presence about her. Then I find out Daphne has three kids and “duh”, that’s why! So, now I understand why she’s got those qualities. She’s there and present, and there it is. I have to say, I have worked with her a couple of times and I have to say, “Wow. She is a pro!”

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MICHAEL:

Will you have story with Nathan?

HILLARY:

Nathan is Nora’s guy, and he is one of all the ex-husbands she stays in touch with. I am sure she scratched her head and said, “And Why?”

MICHAEL:

Remember, she’s Nora Hanen Gannon Buchanan Hanen… and wasn’t there a Colson thrown in there at one point? (He laughs)

HILLARY:

And who knows? Maybe we can add another Gannon or Buchanan to it!

MICHAEL:

hillaryda.jpgIs Hank coming back for Matthew?

HILLARY:

He comes back to help out, but he is a professor at Georgetown now. He is a very smart man!

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MICHAEL:

Now, let’s talk about all the court stuff against Todd! Nora can never win a case involving Todd!

HILLARY:

No, not ever. I love the writers; they gave me a nod in the script: “It doesn’t’ matter how or what evidence I have. He still walks away.” That was my favorite line. At least I got him to confess, which is one of the most important things.

MICHAEL:

How is doing the courtroom material after all these years and the legalese that comes with it?

HILLARY:

It’s not as much fun as being a defensive attorney because she is now the DA. When you are the prosecutor there is a modicum of just presenting the facts, and not to elaborate or embellish. I learned this in my little research, district attorneys are very dry because they don’t want to seem that they have to embellish facts. So they are usually just presenting the facts, and the colder and more straight-forward they are, the more powerful it tends to be. Defense Attorneys can be flamboyant: “If it doesn’t fit, you must acquit, “and all that type of stuff.

trevor.jpgMICHAEL:

How about the dynamics between you and Trevor St. John (Todd)?

HILLARY:

I enjoy working with Trevor. He can be unpredictable. But my work with Trevor… he makes me think and he makes me work at it. He makes me step back and watch a scene from different directions and then come back to it, and we had these in his jail cell. I basically try to get him to plead guilty for Marty’s sake. Trevor got me thinking about it in an exciting way, and he made it a much more exciting thing to play.

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MICHAEL:

Do you miss Catherine Hickland (Lindsay)?

HILLARY:

Oh, I miss my “puss, puss”…yes.

MICHAEL:

I have to say I miss some of the Lindsay/Nora scenes, such as fighting in a trash compactor!

HILLARY:

Not having her there has been sad for me personally, and I know it’s a loss for the show, for sure. I am just hoping at some point, it’s allowing for a good set-up for her to come back and it will be more powerful.

hickland_hillary.jpgMICHAEL:

How hilarious were the recent episodes where you and all the Buchanan’s got rip-roaring drunk when you realized David Vickers knew that he was a Buchanan, and was going to kick you out of your house that Asa left you?

HILLARY:

I loved the whole Buchanan scenes with David realizing he is a Buchanan. It was a blast! The funniest was this: “Alright now, who’s DNA and we believe in this guy, because?” Man, he is a bad DNA analyst, but it was Ron Carlivati’s (head writer, “OLTL”) nod to the 1968 storyline by having Rex put in there. Did you catch that?

MICHAEL:

Yes, I did.

HILLARY:

It was his little nod to Rex, as Bo, from the ‘Time travel’ piece.

MICHAEL:

You won a Daytime Emmy for Outstanding Lead Actress in 1994 for the amazing courtrooms scenes at Marty’s Rape Trial. As you look back, what moments or storyline are you most proud of?

HILLARY:

There are a couple of things, like the rape trial and we did that for six weeks and it was hard work. There were many nights I would stay in a hotel, near the studio rather than go home and take care of my little kids, and then have to be back at work in the morning. That was tough. It was a lot of work, and I was very pleased at how it came out. I loved the blind story, and believe it or not, I did not enjoy the coma, but I did enjoy the paralysis and the stroke. I tend to be a very technical actress, so to have my mind have to deal with technical aspects, really makes me happy. I liked playing the paralysis and the aftermath of it. But I did not get a chance to do it much.

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MICHAEL:

What can we say for One Life to Live fans to watch for in March with Nora?

hillarysmith.jpgHILLARY:

I think I would have to say watching a mother trying to be there for her son, and do her job, and face the realities and that juggling. That is what I am playing. This is a woman who the odds have turned against right now and she is trying to keep a modicum of normalcy in her life, for her son sake. She wants to make sure she is doing her job and doing it well, and catching herself when she finds herself getting emotionally involved and not being a proper DA. I think the uncovering of Matthew’s condition and how it happened, and then the aftermath of that is a great journey for me, but others have a journey. Marty has a journey. The kids have a journey. It’s a terrific story!

MICHAEL:

Finally, how is working with Susan Haskell (Marty) again after so many years?

HILLARY:

It’s like getting back in your comfortable shoes. It’s like, “Oh, yes.”

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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