Interviews
THE HILLARY B. SMITH INTERVIEW – ONE LIFE TO LIVE
This week on “One Live to Live”, fans have been witness to drama at its best, as Nora and Bo’s son is in a tragic car accident that leaves repercussions and a ripple effect across many lives of the citizens of Llanview.
It also affords long time viewers and new ones an opportunity to see one of daytime’s greatest actresses, Hillary B. Smith, as she takes front and center stage as a guilt-ridden mother dealing with her son Matthew’s paralysis, and seeking justice for those who caused it…which means her friend Marty’s son, Cole!
Many fans of the show are hoping the writers and producers may use this storyline as a vehicle for Nora and Bo to finally get back together. But will that happen? I chatted with Hillary about her current storyline, the upcoming return of Nathan Purdee as Hank Gannon, the
re-cast of her on-screen daughter Rachel,
and Nora losing every trial involving
Todd Manning!
Here’s Hillary…
Listen to the audio:
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MICHAEL:
There has just been a huge moment on-air, where Nora learns of the car crash involving Matthew. How is Nora going to hold up through all of this?
HILLARY:
I think how any parent would be. First, there is the “Oh my God”, and then there is “OK. Everything’s OK. We just have to go through this process. What do you mean he’s numb?” And then there’s thee “What? Cole was driving under the influence? What?” And then, there is the complete loss of control because it all could have been prevented. She goes through her own anger and blame. It’s so easy to blame Cole, but basically he was still living in her house, and she didn’t notice his drug problem. In the past, Nora had dealt with her own daughter Rachel’s drug use. So there is all this stuff going on with her.
MICHAEL:
Then she finds out the tragic news of Matthew’s condition.
HILLARY:
Yes. Then she finds out he is paralyzed and it enrages her and intensifies her feeling of guilt, because she was not there for him. Every mother wants to protect her child; even if it isn’t something she had no control over. You feel guilty. You feel guilty when something goes wrong with your child and you could not have prevented it, even when you have a hand in it. The guilt is overwhelming, and it eats at her, and eats
at her until she finally
explodes and arrests Cole.MICHAEL:
Nora is all about law and order and justice, so naturally she is going to go for the jugular in this case against Cole.
HILLARY:
She is all about law and order and justice, and what is right, and making sure he does not do it again, and she is enraged. She is going to throw the book at him and nail him to the wall. But at the same time, she has these scenes with Marty when she goes to arrest him and Marty says, “Well, he is not here,” and Nora says, “You’re hiding him!” Finally, it kind of comes out in these scenes with Marty, where she says, “You know, none of this would have happened if you would have just stayed dead.” And, that’s a moment where even Nora goes, “Are you hearing yourself and what you are saying?” She finally breaks down and has this complete meltdown and she says, “I am sorry. I did not mean that.” That is when she is realizing she feels guilty and responsible that she did not notice Cole was on drugs. But she has to arrest him.
MICHAEL:
Does Bo feel guilt, as well? Perhaps, for letting Matthew go to the dance even though he was grounded? It was so awful seeing the kids set Matthew up at the dance, too!
HILLARY:
When you have parents that are divorced, and something tragic happens to your child, the first thing you do is look at each other and go, “Ok, I heard that. Did you hear that?” And the next thing is you absorb it the way you absorb it, and you go through your own personal process. Then you come together as a process and you function as a team. I think Nora and Bo are still trying figure that dance out. For Bo’s part, letting him go to the dance does not have anything to do with drugs or knowing someone is on drugs.
MICHAEL:
Eddie Alderson (Matthew) has been so great; do we need “hankies” for upcoming episodes? The last couple of days on the air shows, I have been so upset watching it. It’s heavy material and very sad!
HILLARY:
I think there are no heroes and many victims. Not only does Eddie do beautiful work, but also Brandon Buddy (Cole) is spectacular because of his guilt. This was just tragedy for everyone, and Matthew is paralyzed from the legs down, and is a paraplegic.
MICHAEL:
Have the actors or the show’s producers guided Eddie into how to portray this type of story, when you have no use of your legs?
HILLARY:
Everyone has given Eddie exercises and hints telling him, “Eddie, You don’t know how much you use your legs and your feet, and nobody understands how much you use them, until you can’t. So here is what I want you to do. Sit in a bathtub and hold yourself by your arms and you will get the feeling of weightlessness in a pool. Also, make a decision as to where your paralysis comes from and really try to do things by isolating those muscles.” Eddie is an athlete, so he knows how to use his muscles and I have to say he is doing a great job!
MICHAEL:
Who do you think Nora loves? Clint? Or, do you think there is still any chance for her and Bo?
HILLARY:
This is going to be very interesting, because when you are pulled into a tragedy like this, it pulls you in different directions and aligns you with the strangest bedfellows, as they may say. I think she loves Clint. I think she has had awakenings that the man she fell in love with is not there now, so she has had to say, “Wait a minute.” But, he is still good and kind to her and her son, and I think she loves him.
MICHAEL:
But, one would hope Nora and Bo would be drawn together because of the tragic circumstances surrounding their son.
HILLARY:
I think this whole situation, with Matthew and bringing Nora and Bo back together in this realm where nobody will understand what they go through except each other, will be very interesting to see what happens. It could make them fight, because when Nora and Bo thought Matthew was doing drugs, it put them at odds. Nora had dabbled and Bo hadn’t. It just pointed out the things they didn’t know about each other and set them at odds. So, when you get down to the basics, when something you love is going to be taken away you go primal. You don’t think in the terms of you did this, and you did that. And, I think whatever hurt came between Bo and Nora gets shelved. It just comes down to Matthew needs them and they need each other.
MICHAEL:
Fans of Bo and Nora have been rooting for a long time to get them back together. I know I have!
HILLARY:
If there ever was a chance for them to get back together, I think this scenario would be the ideal way to do it. They are both so preoccupied with the hurt of what’s going on with their child that they can’t hang onto the pain they caused each other. So, if there was ever going to be a door open to that relationship, now would be interesting and now would be the time they would be most open to it.
MICHAEL:
Now I know Nathan Purdue (Hank) is coming back and a new recast for Nora’s daughter, Rachel!
HILLARY:
Yes, Daphne Duplaix. I screen-tested with her.
MICHAEL:
And what did you think?
HILLARY:
All the actresses were beautiful, and they were all talented. I had a ‘sneaker’ for her and she was just right. She had Ellen Bethea’s (Ex-Rachel) earthiness, which is a very beautiful quality and a hard one to come by.
MICHAEL:
I loved Ellen!
HILLARY:
Well, Ellen Bethea was my Rachel, and Ellen had a very centered and grounded quality and a presence about her. Then I find out Daphne has three kids and “duh”, that’s why! So, now I understand why she’s got those qualities. She’s there and present, and there it is. I have to say, I have worked with her a couple of times and I have to say, “Wow. She is a pro!”
MICHAEL:
Will you have story with Nathan?
HILLARY:
Nathan is Nora’s guy, and he is one of all the ex-husbands she stays in touch with. I am sure she scratched her head and said, “And Why?”
MICHAEL:
Remember, she’s Nora Hanen Gannon Buchanan Hanen… and wasn’t there a Colson thrown in there at one point? (He laughs)
HILLARY:
And who knows? Maybe we can add another Gannon or Buchanan to it!
MICHAEL:
Is Hank coming back for Matthew?
HILLARY:
He comes back to help out, but he is a professor at Georgetown now. He is a very smart man!
MICHAEL:
Now, let’s talk about all the court stuff against Todd! Nora can never win a case involving Todd!
HILLARY:
No, not ever. I love the writers; they gave me a nod in the script: “It doesn’t’ matter how or what evidence I have. He still walks away.” That was my favorite line. At least I got him to confess, which is one of the most important things.
MICHAEL:
How is doing the courtroom material after all these years and the legalese that comes with it?
HILLARY:
It’s not as much fun as being a defensive attorney because she is now the DA. When you are the prosecutor there is a modicum of just presenting the facts, and not to elaborate or embellish. I learned this in my little research, district attorneys are very dry because they don’t want to seem that they have to embellish facts. So they are usually just presenting the facts, and the colder and more straight-forward they are, the more powerful it tends to be. Defense Attorneys can be flamboyant: “If it doesn’t fit, you must acquit, “and all that type of stuff.
MICHAEL:
How about the dynamics between you and Trevor St. John (Todd)?
HILLARY:
I enjoy working with Trevor. He can be unpredictable. But my work with Trevor… he makes me think and he makes me work at it. He makes me step back and watch a scene from different directions and then come back to it, and we had these in his jail cell. I basically try to get him to plead guilty for Marty’s sake. Trevor got me thinking about it in an exciting way, and he made it a much more exciting thing to play.
MICHAEL:
Do you miss Catherine Hickland (Lindsay)?
HILLARY:
Oh, I miss my “puss, puss”…yes.
MICHAEL:
I have to say I miss some of the Lindsay/Nora scenes, such as fighting in a trash compactor!
HILLARY:
Not having her there has been sad for me personally, and I know it’s a loss for the show, for sure. I am just hoping at some point, it’s allowing for a good set-up for her to come back and it will be more powerful.
MICHAEL:
How hilarious were the recent episodes where you and all the Buchanan’s got rip-roaring drunk when you realized David Vickers knew that he was a Buchanan, and was going to kick you out of your house that Asa left you?
HILLARY:
I loved the whole Buchanan scenes with David realizing he is a Buchanan. It was a blast! The funniest was this: “Alright now, who’s DNA and we believe in this guy, because?” Man, he is a bad DNA analyst, but it was Ron Carlivati’s (head writer, “OLTL”) nod to the 1968 storyline by having Rex put in there. Did you catch that?
MICHAEL:
Yes, I did.
HILLARY:
It was his little nod to Rex, as Bo, from the ‘Time travel’ piece.
MICHAEL:
You won a Daytime Emmy for Outstanding Lead Actress in 1994 for the amazing courtrooms scenes at Marty’s Rape Trial. As you look back, what moments or storyline are you most proud of?
HILLARY:
There are a couple of things, like the rape trial and we did that for six weeks and it was hard work. There were many nights I would stay in a hotel, near the studio rather than go home and take care of my little kids, and then have to be back at work in the morning. That was tough. It was a lot of work, and I was very pleased at how it came out. I loved the blind story, and believe it or not, I did not enjoy the coma, but I did enjoy the paralysis and the stroke. I tend to be a very technical actress, so to have my mind have to deal with technical aspects, really makes me happy. I liked playing the paralysis and the aftermath of it. But I did not get a chance to do it much.
MICHAEL:
What can we say for One Life to Live fans to watch for in March with Nora?
HILLARY:
I think I would have to say watching a mother trying to be there for her son, and do her job, and face the realities and that juggling. That is what I am playing. This is a woman who the odds have turned against right now and she is trying to keep a modicum of normalcy in her life, for her son sake. She wants to make sure she is doing her job and doing it well, and catching herself when she finds herself getting emotionally involved and not being a proper DA. I think the uncovering of Matthew’s condition and how it happened, and then the aftermath of that is a great journey for me, but others have a journey. Marty has a journey. The kids have a journey. It’s a terrific story!
MICHAEL:
Finally, how is working with Susan Haskell (Marty) again after so many years?
HILLARY:
It’s like getting back in your comfortable shoes. It’s like, “Oh, yes.”
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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News6 days agoVivica A. Fox Exits ‘The Young and the Restless’ For Now to Film Netflix’s ‘Women Like Us’
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News23 hours agoJess Walton Memoir ‘The Young and the Rest of Us’ Set for Release in 2027
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General Hospital6 days ago‘General Hospital’s’ Braedyn Bruner Reveals Her Daytime Emmy-Nominated Scenes and How Emma is Getting Her ‘Edge’ Back
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General Hospital4 days ago‘General Hospital’s’ Bluesy Burke Marks 1 Year as Charlotte Cassadine: ‘It’s The Best Gift I’ve Ever Received’
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News4 days ago‘The Bold and the Beautiful’ Drops First Look 40th Anniversary Opening Title Sequence
Listen to the audio:
HILLARY:
MICHAEL:
MICHAEL:
MICHAEL:
HILLARY:
Is Hank coming back for Matthew?
MICHAEL:
MICHAEL:
HILLARY:











