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The Ilene Kristen Interview – One Life to Live

Courtesy/ABC

Photo Credit: Y. Perez/ABC

We all knew for the past decade that every time Ilene Kristen’s irrepressible and boozin’ Roxy Balsom would hit our television screens in a scene on One Life to Live, we were in for a barrel of laughs.  And then, over the years there have been times when the laughter turned to tears through Roxy’s drama and secrets, and attempts to help those she loves.  But nothing prepared us for the special Christmas present with a beautiful bow on it delivered to us by Kristen and the powers-that-be at One Life when they decided to pay homage to its loyal fan base, and mirror what has happened to its 43-year-old soap … its cancellation!

Over the past several weeks Roxy, played in a brilliant star turn by Kristen (that has Emmy written all over it) has led the charge trying to save Llanview’s own favorite long running soap, Fraternity Row!  After all, Roxy is the soap’s number one fan!  And in doing so Roxy, and we along with her, found out most of the members of the community of Llanview have a special hankering for Frat Row, too!

Next, in a spectacular episode that aired this past Monday, Roxy and David (Tuc Watkins) head to the set of Fraternity Row to try to save the soap, and when they get there they realize that the soap has filmed their final episode and the set has gone dark.  Roxy faints in horror and shock, and wakes up as Lorraine, the central character of Fraternity Row!  And what ensued from there was a laugh a minute spoof on the genre, and OLTL’s own storylines, magnificently played by the entire cast!  And then when the episode ended, there was not a dry eye among viewers nationwide.

On-Air On-Soaps talked to Ilene Kristen the day following the fantasy episode airshow to get her thoughts on this special love letter to the fans… the legacy of Roxy Balsom, the real-life cancellation, and then the devastation over Prospect Park’s initial decision to halt One Life’s move online, and what the future may hold now amongst all the circulating rumors and reports.  Here’s Ilene!

MICHAEL:

Monday’s Fraternity Row special episode was truly a remarkable episode with you at the epicenter!  It’s amazing that you were able to poke fun and jabs at ABC with what they did in cancelling OLTL with this entire Fraternity Row storyline … and the network never kiboshed it!

ILENE:

Courtesy/ABC

I think we got away with some major great things.  What a unique show!  We have done so many clever and interesting things from the Babes Behind Bars episode to the Live Week. I have to say these ten years have been creatively unbelievable and very bittersweet.

MICHAEL:

How did you first find out that you were going to have this whole fantasy episode centering around Roxy?

ILENE:

Frank Valentini (OLTL, EP) did come to me, and what he said was very beautiful.  He said, “For your reward for your great work, we are writing a whole episode for you, basically.”  And I went, “Oh, that’s nice.”  I had no idea really what he was talking about and had no idea of how it would come about. (Laughs) I learned not to ask too many questions. (Laughs)  Frank was an extraordinary producer and I think Frank and Ron Carlivati (OLTL, head writer) worked beautifully together.  I think the last six months of this show for me were fantastic. And once they did not have to deal with Brian Frons micro-managing everything, the show was beyond fantastic.

MICHAEL:

What did you think when you found out that it was Roxy that would be spearheading the movement to save her favorite soap  … Fraternity Row?

ILENE:

Oh, I was so happy about that, and so proud that I was really representing the fans.  I feel like growing up in New York and being on television for a long time… but also being out in the public, (I am on the subway all the time!) I kind of feel like I am a person of the people.  I felt very happy that I was representing the people, and so it was very profound to me.  And, it will always be profound to me that I got to represent all of our soap fans, who have been fighting so valiantly … and are still fighting.

Photo Credit; Steven Bergman

MICHAEL:

You were not only able to play the humor, but you brought the pathos and reality to your performance in the fantasy episode, and thus far in the entire Fraternity Row storyline.  The canceling of this fictional soap was so poignant and personal to Roxy, and almost everyone else in Llanview, and yes, it had plenty of laughs to boot!  There was such a heartbreaking and touching element to it.  Anyone that has watched OLTL on a regular basis, and/or knows what has happened, got the inside joke and satire of it all.   So when you taped the fantasy episode did the cast not laugh out loud?  How did you get through the taping?

ILENE:

First of all, our director that day, Larry Carpenter, wanted to do the whole first scene in one take!  That was the first laugh of the day!  I am like, “You want to do what?”  They had to break it down into pieces.  We are used to shooting two pages at a time in daytime now, because scenes are so short.  And, this opening scene was literally ten pages – the first people coming in, the first people coming out – it was kind of a long and crazy scene.  Actually, the day was well organized, and Larry Carpenter is very organized on how he does things.  It was hard not to laugh in certain places.

MICHAEL:

What did you get the biggest laugh out of?

ILENE:

I thought Erika Slezak (Viki) was hysterical when Gilda’s alter comes out … Matilde! That cracked me up!  I thought Roger Howarth (Todd) was funny.  I thought everybody was great.  And, we did not retake things because we were laughing; we would retake things because we would forget, like, “Where the hell am I?” (Laughs)  In rehearsals we would laugh, but I will tell you what?  The scene that was a little hard to get through, and it wasn’t the special episode day, but it was in the Blanca Morales show tape day.  That was so funny.  Tuc Watkins (David) was extremely funny, and I thought that was written really well.  I thought that was such an amazing episode.

Courtesy/ABC

MICHAEL:

Those were pretty fantastic special episodes!  I say, “Emmy!”

ILENE:

Yes, and if you put those two episodes together it’s an amazing submission. The ludicrous thing about the Emmys is; now for the pre-nomination process you have to pick a scene that is only 2 minutes, which first of all is so belittling as a judge, because I have been a judge many times.  You know, it used to be much better when you sit in a room with everybody and judge on these panels.  People have gotten so lazy.  I have been a judge many times, and even when I’m most busy, I have made the time to just sit and watch each person’s tape for however long it takes.  I want someone to respect me and my work, so I will respect your work.  And it’s gotten easier and more stupid every year! I don’t know who is making up these rules!  You can’t sit and watch reels anymore that you get in the mail?  It’s hard to take it seriously, and having said that…. I hope I get nominated! (Laughs)  For the Emmys, I gave them the scene where I go to Clint and Roxy tells him he should pick up Fraternity Row.  I did not use the Lorraine material, because it has so many people in it, and because it’s kind of an inside joke and she is reacting a lot   However, I had some very funny lines in it.  Believe me; I will put together a reel of the whole thing!

MICHAEL:

Well, you know what my favorite Lorraine moment was?   When she walked in and there were the three half-naked guys (David Gregory, Lenny Platt, Nic Robuck) all waiting for her, all wanting to bed her!

ILENE:

Oh, wasn’t that funny?  And weren’t those guys wonderful?  My favorite moment though was the play on the word “nepotism”, where Roxy thought nepotism is when you sleep with dead bodies!  And I go, “That’s disgusting” and Sean Ringgold (Shaun) whispers in my ear, and I go, “Oh, that’s what that means.”

MICHAEL:

Courtesy/ABC

Can I tell you my favorite mangled word?  And, it wasn’t on the Fraternity Row episode.  It was when Roxy blurted out, “I am done.  D-U-N.”  I was drinking a glass of water at the time, and when you said that I found it so hilarious that the water spewed out from my mouth!

ILENE:

(Laughs) Oh, I know!  Sometimes they write them brilliant and sometimes they write something and I go, “Oh, I know I can come up with something better than that!”  And so I do.  D-U-N, I think was mine.  I spell “done” like that all the time because I wrote this song called, “I’m Not Dun Wit U Yet.”   It’s a jazz song, and that is how I spell it when I short hand it.  But they do write some great stuff.

MICHAEL:

Tell me how it was to tape the tearjerker final scene on Monday’s Fraternity Row special episode with you and Tuc Watkins, where you walk off the closed set?

ILENE:

Oh, that was so emotional for me.  I thought it was beautiful.  It’s funny; it looked like Tuc and I were walking sort of fast down the studio, in my estimation.  However, when we were performing it, it felt like we were walking much slower.  I wish there would have been one more shot where I turned around and looked back. 

MICHAEL:

Courtesy/ABC

When David grabbed Roxy’s hand, and you and Tuc were walking hand in hand … I just lost it!

ILENE:

Oh, I am so glad you could see that.  This is the thing… if you put together a bunch of those shows and you were to send them to Prospect Park and say, “Look what we created here.  We want to keep this quality,” because One Life to Live looks amazing!  All the Blanca Morales stuff, and the fantasy episode … it’s an amazing story with an amazing caliber of actors.  It was classically funny, and a goof on soaps and on the medium.

MICHAEL:

At the end of the day, you must be so proud of your performance as Roxy, and the ten years you have gotten to play this fabulous part …

ILENE:

…. And that, and a Metro Card can take me anywhere in New York City! (Laughs) Look, I feel blessed for so many reasons.  I got this job September 10th, 2001.  And the next day, the world blew up.  And then I went, “What does acting really mean?”  But by September 27th, 2001, which was Yom Kippur, (and I did not say to them I would not work on Yom Kippur) I think I was the only Jew in the building.  And then I realized the truth of the matter, which was; the audience needed to have some entertainment.  And by God, I was going to entertain them.  It’s been a labor of love, and not that Ryan’s Hope wasn’t.  I have never had a continuous job for ten years like this.  Ryan’s Hope was in bits and pieces.  It has been the most unbelievable ten years of my life, and I thank God that I had it.  I am very grateful to Frank Valentini.  He kept me on the show, when sometimes I felt like Brian Frons may have wanted me gone.   I am going to stand apart from myself and say that I am one of the most entertaining things on One Life.  So if you want to get rid of me you’re an idiot! (Laughs)  I know what I do.  I entertain people. That has been my goal since the time I was 8 years old, to entertain people.  I think it’s a lofty goal.  But it’s not to prove anything to myself, because I knew I was talented as a little kid.  I liked that I could bring smiles to people’s faces. 

MICHAEL:

You had the opportunity to work for years with Melissa Archer (Natalie) and John-Paul Lavoisier (Rex) as Roxy’s kids.  What has it been like for you working with this duo?

ILENE:

Courtesy/ABC

I love them.  I watched them grow up.  John-Paul was a young adult in a way when he started, and he became a man.  He has done great work, and I am sure there is a place in this business for him beyond One Life to Live and Melissa, too.  Melissa would memorize a HUGE amount of lines in record time.  I was very hurt that the show made the decision for Echo to be Rex’s mother.  They did not tell me they were going to make Scott Clifton (Ex-Schuyler) my kid!  Then they chose to get rid of him. That was upsetting for me, and I was never notified that they were going to let Kyle and Fish go.  So major storylines that I had, I had to find out on the internet that people were let-go!  So along with every great thing along the way, there were some disappointing things, but overall it’s been a banquet and a feast to be at One Life to Live.

MICHAEL:

And, everyone would love the banquet to continue!  Do you think after the “suspending efforts” announcement by Prospect Park there is still a possibility that this show will still continue and end up online?  Prospect Park recently came out with a news item that they were still looking to make this work and resurrect the show!

ILENE:

I think Prospect Park is determined to try and do something with the One Life to Live property.  And, they can do what they want with the property because Prospect Park does have the rights for a year.  And, if they get it done by January 2013, then they have the rights for the next ten years.  I do believe there are other producing entities that are interested in doing something with One Life to Live, too, because of its entertainment value, quality, and passionate audience.  I’m sure if you talk to me in a month or so, more will be more revealed.

MICHAEL:

Do you think that Prospect Park had any inkling of what they were getting into when they decided to pick up All My Children and One Life to Live from ABC and attempt to move them online?

ILENE:

Photo Credit: Broadway World

I think Prospect Park has underestimated us.  I don’t think they understand what it really takes to do this kind of a show.  And, I don’t think they did their homework the entire time.  We all know how difficult this medium is, but all the actors love it.  It has been creatively fantastic to be on this show.  In daytime soaps you have to think on your feet and make split second decisions.  If Prospect Park came and watched us for a whole week, they would see what we do.  They came to the show once, and as far as I know, they never watched us shoot.  They came and made a statement that they needed us, as much as we might need them.  And, that they want us to be the anchor for their new online network, and that they need a show such as ours with a loyal and loving fan base that would tune-in every day.  That was one of the most important criteria in starting a network, they said, that you have people who are addicted to something, and who would watch every day.

MICHAEL:

What went down on November 23, 2011 – five days after One Life finished taping their final network television episode?  You got word on Thanksgiving eve that the show is not going to launch online in January as planned, and Prospect Park was suspending their efforts.

ILENE:

I had just found out about an hour before I went to Lorraine Broderick’s (AMC head writer) house.  So it was a really happy Thanksgiving eve!  She has all this wonderful food and I felt like I had no appetite.

MICHAEL:

You must have felt utterly disappointed!

ILENE:

ABC had asked us to clean out our dressing rooms by December 9th, but being the optimist that I am, I went, “Oh, this is because they have a place for us to be shooting.  We have to get our stuff out because they don’t want to rent the ABC Studios any longer than they have to.  So of course, they are going to be making the announcement before the final date.  And it’s going to be surprise, surprise, surprise!”  It was a surprise all right!

MICHAEL:

When the cast and crew finished taping the final days at One Life at ABC Studios, was there any sense of closure with all this upheaval from the Prospect Park situation, while bringing down the curtain on One Life’s time at ABC?

ILENE:

Photo Credit: Y. Perez/ABC

There was no real feeling of completion. Even when we had our party on Friday after the final taping, it still did not feel complete.  It was kind of like we are all saying, “Well, I will still see you.”  I think we are all hoping that everything would come together, and we be working together soon.

MICHAEL:

In closing, what would you like to say to the fans of the series, as we get ready to say farewell to One Life as we know it on network television?

ILENE:

I love the fans to pieces!  I think they are sophisticated, and more sophisticated than anyone gives them credit for, than the networks give them credit for.  I think that when you have an audience of several million and treat them like, “We’re done with you,” I don’t think that is a good thing.  I think the repercussions of that for ABC … we shall see … more to be revealed.  I think you have taken an audience who wouldn’t want to miss an episode, and now if they miss an episode of The Chew…who cares?

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ricardo
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ricardo

ilene kristin is a wonderful actress. enjoyed her work on ryans hope and one life to live. please someone pick up one life to live. its not to late, oprah winfrey are you listening. save the own network. please oprah i am begging get one life to live and all my children on your network it will improve your ratings. i heard rumblings that general hospital has 6 months to improve or they are cancelled. michael fairman you are great. love your podcasts and your scoop on soaps. keep up the good work michael. im you red this.

1loveabcsoaps
Guest
1loveabcsoaps

Oprah isn’t listening….. I wrote her the most thought provoking letter, detailed, and the pro’s of why she should place these shows on her network. This was a busines letter to the 10th power. What I didn’t know was when I sent the letter, she had already POST a video on YouTube telling WHY she wouldn’t PICK UP the shows. I can’t understand it myself. She definiely needs the viewership. The soap being cancelled in the same year Oprah went off the air and THEN needing a home to go to was almost like a gift to Ms. Winfrey’s network.… Read more »

Max
Guest
Max

Ilene’s a great actress, I loved the humor and variety in the role she played as Roxy. I don’t think another actress could have done it half as well. As for Oprah, huge disappointment in not helping to save the soaps. Her strategy with her new network is obviously not work, it’s not getting the viewership; she must be dumping a lot of money into a sinking ship. But, she’s doing so based on her current strategy. I think it’s time for her to take a 2nd look at reviving AMC and OLTL. The appreciation from the viewership to bring… Read more »

Doe
Guest
Doe

Michael, I loved your interview with Ilene. Her portrayal of Roxy has never dissapointed me. She is a unique actress playing a unique character. I was happy tro see her comments concerning PP and ABC, She was very honest and I liked how she was concerned about us fans. She has plenty of moxy. I would love to see her on a nightly sitcom. I think she would be an asset for any show. But, there will never be anyone better than Roxy….

david
Guest
david

If you love Roxy (and Lindsey and Nora), you will love her singing in parts 2 and 4 of the OLTL special episode Babes Behind Bars (July 4, 2001):

Part 1: http://www.youtube.com/watch?v=Q74g1FvTePI
Jailer sings Bad Girls.

Part 2: http://www.youtube.com/watch?v=x7Lq3d5mOsI&feature=related
Roxy sings Set Me Free.
Allison sings Ben.

Part 3: http://www.youtube.com/watch?v=ZWodzl0hODs&feature=related
Blair sings I’ll Never Fall in Love Again.
Starr signs The Sun Will Come Out Tomorrow.

Part 4: http://www.youtube.com/watch?v=DrMdocmq1W4&feature=related
Prisoner Tilly sings How Can People Be So Cruel.
Jessica and Roxy sing Bad Reputation.

Part 5: http://www.youtube.com/watch?v=93VBEPpnEro&feature=related
Lindsey sings I Can’t Make You Love Me.

Part 6: http://www.youtube.com/watch?v=Kr6Antu7l98&feature=related
Cast sings We Are Family.

Rebelle
Guest
Rebelle

I told you prospect park was a hoax to keep fans quiet. They are OWNED by disney WHO CANCELED our soap

1loveabcsoaps
Guest
1loveabcsoaps

What? Prospect Park made another announcement (after the Nov announcement) that they wouldn’t continue, THEN in December on the 7th and it was in print on this website and stated Prospect Park was still looking for buyer’s and was interested in going forward with OLTL. So what happened with that? I haven’t read any differently since that. It’s in print on this site (December 7, 2011 UPDATE: Prospect Park looking for partners to still bring AMC & OLTL Online) under New Soap Buzz, so what happened with that? Where are you getting your information from since the Dec 7th announcement?

1loveabcsoaps
Guest
1loveabcsoaps

How do you know that Prospect Park is owned by Disney?

Jason Eldridge
Guest
Jason Eldridge

Go Ilene Kristen for speaking for the fans!

Mer
Guest
Mer

I LOVE OLTL…this is one soap that will be a complete wrong thiing to get rid of…
The acting is phenomenal…the writing OUT OF THIS WORLD…
I have emailed ABC so many times….i have left voicemails….if everybody would do it…IT WOULD HELP…
I HAVE ALSO BOYCOTTED A B C PROGRAMS…
to all the OLTL cast…what a huge injustice you have been given, not to mention the writers, the crew & anyone else i may have left out.
I AM STILL HOPING & PRAYING FOR A SAVE….
Love alll of your work you have worked so hard to give us…

1loveabcsoaps
Guest
1loveabcsoaps

Have you DONE THIS, since you have done everything else?
Join us in sending soap bar’s to the ABC studio in NYC. PASS THIS ON….. and POST it on other soap sites, including abc.com. Let ABC see how it feels to be BOMBARDED with “soap” from Fan’s across the United States!

Eric
Guest
Eric

SO GOING TO MISS this whole cast and ESPECIALLY ROXY! She made me laugh EVERY time she came on screen!!

NORN
Guest
NORN

I’ve said before: The Viewer may ASPIRE to be VIKI, DORIAN or BLAIR, but The Viewer ★IS★ ROXY!

Brian Greene
Guest
Brian Greene

Go, Ilene, Go! We Love You & OLTL Very Much Here In Evanston, Illinois!! 😀 😀

granieharrison
Guest
granieharrison

I have boycotted ABC & DISNEY shows ,and products also. I cant believe OLTL was cancelled BEFORE General Hospital. GH needs to be The Sonny & Jason show. I no longer watch it, OLTL has way better actors and storylines. I cant believe some other network , CBS or NBC didnt pick up OLTL. AS for Oprah, she rather have the “Judds” and “Shania Twain” lol which is why her network is failing, and I hope it continues to do so. she has more then enough $$$ to put OLTL on her network. I think us OLTL fans would even… Read more »

barbara t
Guest
barbara t

Id like to know why oltl was cancelled and gh is staying, for how long thats another story, and your right about everything ,except, I call it the sonny corinthos show.everything in port charlas evolves around him and the same crap every day,most of the time I leave the room ,go back and theres sonny or its franco and he is painting his crap all over town,john mcbain should throw him in jail for that.oh ,thats right anyone in the mob gets away with murder on gh.because there the good guys.

Heather
Guest
Heather

General Hospital had higher ratings than One Life to Live at the time of the cancellation notice.

barbara t
Guest
barbara t

heather,I dont believe that gh had higher ratings then oltl,abc wanted us to think that .they never counted the people taping at the time its on, they didnt count soapnet and they dont give a crap about me watching, Im in the over 49 group.Ive watched gh since the beginning and I have stayed with it , the writing is terrible,I know what I watch on one life to live and general hospital, and one life to live is far better than gh .So I dont buy the ratings crap ,abc is killing the soaps because of greed .and I… Read more »

gloria
Guest
gloria

Oprah does not realize how big a hero she would be if she picked up these soaps & ran them in their regular timeslots. It would be a huge boost to her lineup! Her network is just reruns, reruns & more reruns-a few older movies thrown in. But I would watch my shows on any channel, any time, & gladly pay for the privilege!

1loveabcsoaps
Guest
1loveabcsoaps

Oprah isn’t listening….. I wrote her the most thought provoking letter, detailed, and the pro’s of why she should place these shows on her network. This was a busines letter to the 10th power. What I didn’t know was when I sent the letter, she had already POST a video on YouTube telling WHY she wouldn’t PICK UP the shows. I can’t understand it myself. She definiely needs the viewership. The soap being cancelled in the same year Oprah went off the air and THEN needing a home to go to was almost like a gift to Ms. Winfrey’s network.… Read more »

1loveabcsoaps
Guest
1loveabcsoaps

Gloria, I wanted you to read my post that I posted with Ricardo (on top) at first and then I read your’s about Oprah being a hero, so I did a copy paste for you to read it….

Mernnna
Guest
Mernnna

I would watch if it was a late show

Valerie
Guest
Valerie

As so many other One Life to Live fans have stated in so many different ways, I’m BEYOND done with ABC. With respect to Ilene Kristin, I’ve been a fan of hers ever since Ryan’s Hope was launched in 1975. I find it most ironic that both RH and OLTL will go down in daytime drama history as having aired their last episodes on January 13, and that Ilene was on board for both endings.

Serena
Guest
Serena

I do remember Kristin back in the day of Ryan’s Hope and she’s hardly changed a bit. Beautiful then, beautiful now. I have to say there were some funny things about Roxy of course but I think she should have played a beautiful intellect instead. But alas, a diamond in the rough, never moving up like so many of the beginning of people like Nat, Rex, and the others who were no one then suddently they shine with brilliance…so many years kind of killed off the innocence of the character she played on Ryan’s Hope. Keep on shining Kristin!

Carol Painter
Guest
Carol Painter

I Love OLTL. I have watched for over 40 years. I have written many many posts, and letters. I never, ever in a million years ever thought anyone would cancel any of the soaps, especially OLTL. It was the most creative, well written, funny storylines…inside jokes..love EVERYONE. This is a very very sad event for me, and Millions of other people.Ilene( Roxy) is Sooo funny! David (Tuc Watkins) hysterical ! Love Roger H, Trevor too…..Everyone..Great stuff..and lots of silly storylines and a blast to watch….. The FR soaps last week were great! Sad at the end..i actually cried as Tuc… Read more »

gloria
Guest
gloria

Wow, you said it all! I feel exactly the same way. I cried like crazy when David & Roxy walked out, then she reached for his hand-it was just horrible-all too real. I love this show so much. I have watched every soap at one time or another & they kind of ebb & flow, I have had different favorites depending on what was going on at the time. But for the past 10 1/2 yrs. or so, really since Natalie, Rex & Roxie came on, I have never missed a second of OLTL. I was sick over GL &… Read more »

gloria
Guest
gloria

Forgot to say loved Roxy at the wedding too of course. I love how Rex & Natalie have stayed close to her & I love Viki’s relationship with Roxy.

Carol Painter
Guest
Carol Painter

Hi Gloria, Yes, I agree with you as well……I also feel the same way about your comment regaurding OPRAH. When she made her statement , saying NO, to picking up the soaps..I have never watched anything she has ever done since she has made that statement……I tuned into Rosie’s program..it was NOT GOOD. I was sure Rosie would be able to boost her ratings..guess not.. 9 days to go…..until final show. I may just tape “THE VIEW” on that day , even though I can’t stand watching them anymore either..But OLTL cast will be on , so I will tape… Read more »

1loveabcsoaps
Guest
1loveabcsoaps

Hi: Oprah isn’t listening….. I wrote her the most thought provoking letter, detailed, and the pro’s of why she should place these shows on her network. This was a busines letter to the 10th power. What I didn’t know was when I sent the letter, she had already POST a video on YouTube telling WHY she wouldn’t PICK UP the shows. I can’t understand it myself. She definiely needs the viewership. The soap being cancelled in the same year Oprah went off the air and THEN needing a home to go to was almost like a gift to Ms. Winfrey’s… Read more »

1loveabcsoaps
Guest
1loveabcsoaps

I feel for you.

kelly cook
Guest
kelly cook

hi my name is kelly c im going to miss the show i lookedforward to sitting down and just relaxing i cryed when i found it was going to end just when its getting good ihave one qustion what is desteny have a boy or girl i hope its a girl in fact i bet it will be a girl i just wish it wasent ending i would like to say good luck to all the good people that played on the soap im a big fan of all of you and i hope you all have a good life… Read more »

JIMMYOLTL
Guest
JIMMYOLTL

I AM VERY UPSET ABOUT OLTL..I GREW UP WITH THE SHOW ( THE CAST THE CREW ETC)) BRIAN FRONS RUINED ALOT OF LIVES HIM AND THAT THING ANN SWEENEY SHOULD BE IN STATESVILLE ITS A CRIME TO MESS WITH PEOPLES LIVES ..THANK GOD BRIAN FRONS IS GOING BYE BYE LETS PRAY THAT ANNE IS NEXT..CAN I GET AN AMEN

Carol moorby
Guest
Carol moorby

I so enjoyed the re-runs of Ryan’s Hope on soap net? I was very sad when they cancelled them. I would much rather see Ryan’s Hope re-runs Than some of the replacements. It is so enjoyable to see some of the other actors and actresses from that day on some of the newer soaps! Never realized that Anne Gillespie was in that old soap until I recognized her in 90210! Slao, the old Roger is now on G.H.. I have seen Ilene sing and she is great…….. Ilene is very good at playing ditsy roles….Does Ilene ever stay in contact… Read more »

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GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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