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THE ILENE KRISTEN INTERVIEW – ONE LIFE TO LIVE

kristen-Main.jpgMICHAEL:

You have just finished performing in our benefit, “Soaps In The City”, and I know you have been involved so much in the fight against HIV/AIDS.

ILENE:

I probably have been involved for the last three years, at least. Last time, we had the east coast event at the club ”Prohibition” in New York. It’s for a great cause.

MICHAEL:

Have you personally been affected, or touched by people in your life, or in show business that have died of HIV/AIDS?

ILENE:

I lost many, many people… and there was a friend mine that was the stage manager from “Grease”, and then we lost another stage manager. Then, my wonderful Christopher Adler died, and this was early on. Then I lost more than 20 people that I knew, some which were really close to me. I lost my manager, and that was a tough one, because I don’t think he knew he had AIDS. Then he got pneumonia and he died. This was in 1994, and that was extremely difficult. It was a real shock because there was no time to prepare for that.

MICHAEL:

Do you feel that here in the US, AIDS awareness has been sidestepped as an issue, where globally it’s a pandemic?

ILENE:

Honestly, I don’t think we can ever do enough. But, I think it’s changed considerably from the 80s, for sure. I have a lot of friends living with AIDS, but not dying of AIDS. One of my very closest friends is HIV-positive and he is doing well. Of course, he is on the cocktail, and if people can’t afford the cocktail and the medications, that’s a problem. It’s changed a lot over the last 20 years, so people aren’t dying immediately. In fact, I haven’t heard of anybody dying that I have been friendly with. So, that’s a great thing!

kristen-mazur.jpgMICHAEL:

We all know you from your portrayal of Roxy Balsom on “One Life to Live”, and
the amazing, Delia, on “Ryan’s Hope”. But now, you seem to be taking the musical aspect of you talents to new heights?

ILENE:

I have always sung with one rock band or the other. I have always kept it on the down- low to some degree. If people had bands, they would want me to sing with them; so I would. Then, I started songwriting a lot in the 90’s. I had written
a lot in the 70’s and then I was doing a lot of other people’s songs. Then in the 90’s I started doing my own stuff. I started writing with a great writer out in LA…
Kenny Mazur. One day he said, “You know, you really ought to start writing, because you have so many adventures and you need to get them out, and start getting your life out.” There was a song I wrote called, “No Matter What”, which was about my life, and he said, “You are on a soap, Ilene, and you need to spice this up a bit!”

MICHAEL:

Why were you so low on the radar with your great singing ability?

ILENE:

It’s a very big problem, and it’s kept me from doing a lot because I grew up listening to the best music you could listen to. My criteria have always been very high. I listen to Joe Williams and Ella Fitzgerald, just the great people. The way I sing, is like a Julie London- type singer, kind of smoky. I feel if I am not as good as those people, I don’t count. And then after seeing KD Lang last night, I never want to open up my mouth again. But because I am a very good actress, I am going to pretend that I am full on KD Lang. I am the feminine KD Lang. She is all boy. ilene-soaps.jpgIt’s fantastic! I think
she is so comfortable in her skin, and she came out with no shoes on and looking like a man, but she was beautiful… and the voice was the best instrument that I ever heard! You want to be up there with the really good people to call yourself a singer, and I don’t call myself a singer. I call myself, a “Thinger”. I have a “thing” and I think it’s good.

MICHAEL:

The songs you performed for us at “Soaps In The City”, please tell us about them?


ILENE:

This one jazz song I wrote is a combination of “Fever” and “Moondance”. Then I wrote a song called, “Rise to the Occasion”, and my first job was with the great, Johnny Pacheco. I was a dancer at nine, dancing with two Cuban guys, and that is how I started in show business. So, this song is a kind of Latin boogaloo, which was popular in the 60’s. It was written as an assignment, between Lenny Kravitz’s, “Lady” and Cyndi Lauper’s, “Girls Just Want to Have Fun”. Then when that did not happen, I changed into a different groove. I performed a song called “Flesh and Blood”, that was written for a friend of mine who was dying; the wonderful and beautiful, Nancy Addison (Ex- Jillian Coleridge, “Ryan’s Hope”). I remained close with her, and was with her every day until she died. Nancy was a wonderful friend and she died from a form of cancer. The doctors did not know the origin of it, and it was very difficult, and it took about two and half years. I started writing the song about the thought of losing someone, but knowing they will always be there with you…. and then 9/11 happened! This song came out of that, and then it really wrote itself. I knew Nancy would be dying, and I knew I would sing this song at her funeral, which was what happened. It’s a song I did not sing at my father’s memorial, but I recited the words. I have done it at other friend’s funerals. The list just goes on. I am proud of it.

MICHAEL:

Your stupendous and stunning portrayal of Roxy on “OLTL”, is so completely different than any character or actress on daytime. The scene that aired last week where Roxy pushed Adriana up against the hospital glass letting her know that she was causing her son, Rex, to basically die. That was because Adriana would not allow Gigi in Rex’s hospital room, and that was heart wrenching. Did you know those scenes were dynamite?

ILENE:

I knew things were real for me. The thing that is so difficult about that is, once they put up the hospital set, they will do three shows a day at the hospital set. You are so overwhelmed. You are so scared that you are going to be sacrificed, and you have to get to another scene. I felt like there was a little scene I had with the troll days, and I was not sure I was totally on my game. But then, the stuff where I put Adriana against the glass, I felt that I was on my game. With age, you are able to pull so much stuff out of your life and access it for your character. Before, when I was playing Delia on “Ryan’s Hope”, I had to do crying scenes all the time. I would have to go in back of this set, and do all this sense memory stuff. Now, I don’t have to go to that place or substitute much anymore, because of my life experience as Ilene.

JP1.jpgMICHAEL:

How is working with John Paul Lavoisier (Rex)? We need more mother/son scenes between them.

ILENE:

Oh, it’s great! The audience wants more, and its short changing both Rex and Roxy, but they may get it. We got extraordinary reaction as to who is Rex’s father? That is yet untold, and they better tell it!

MICHAEL:

Will it be Mitch Laurence?

ILENE:

It would be great if it was Mitch, if they
tell a real story. They were about to do something when the writers’ strike happened, and then they felt it was not an important enough story to do, so they bypassed it. We waited till head writer, Ron Carlivati came back to the show. Once Ron came back, it didn’t go anywhere, but we are hoping that it does. You know, stories have to be approved by ABC Daytime and SOAPnet President, Brian Frons. So hopefully, he will see fit to give us a story. I know he likes me, but he has to like me enough to let me tell a story. The one thing I know I am capable of, is telling a good story…. even the stuff I had with Miles…. where did it go?

MICHAEL:

What about working with Erika Slezak (Viki)?

ILENE:

She is wonderful to work with. With Erika, this is nothing that she enforced, but she has her scenes early in the morning. So, if you have scenes with Erika, you better be on your game. First of all, she is so professional and wonderful to work with, and so generous. But, she knows all of your lines as well, and that’s a spectacular thing to do. Every once in awhile, I am on my game like that, but she is always on her game. Erika has been very, very, good to me.

MICHAEL:

I love that Roxy stumbles around drunk all the time. Do you think that will ever change?

ILENE:
Until she resolves certainly some of her issues, I think she should have a bit of a substance problem. I think when she goes to work, she really tries to do that hairdo. I know a lot of people like Roxy, who have more than slight substance problems, whether they are on Quaaludes or something else. I think Roxy was pretty coherent with the recent hospital stuff with Rex, though.

MICHAEL:

In your performances, do you like towing the fine line between comedy and drama?

ILENE:

Oh, yes! I like towing the line, because I feel that people need the humor, and it’s hard to play comedy on a soap. I think I have managed to do that extremely well, and better than most, and it’s my background. When I came on the show I came on right after 9/11. I felt that people needed a break, and also needed to be highly entertained. I felt people needed cushioning, especially in New York; it was like a scorched landscape. What happened was I got the job on September 10 and I only called a couple people to let them know, and then 9/11 happened. At first I thought, what is acting? What does that mean to people, after we have gone through something like this? Does anyone even care anymore? Is watching television, except for watching the news, important? And then a couple of days before I had to go to work, I got very inspired. I felt that somebody had to entertain the troops, and I really felt it was my job to do that.

Melissa-Ilene.jpgMICHAEL:

Now tell me about working with the fabulous Melissa Archer (Natalie)?

ILENE:

I really like working with Melissa. She has had a lot of responsibility at “OLTL”. You know, once they see that you can do three shows in a row that is probably 18 scenes, they will do that and work you a lot. They will get away with doing that, and it is very difficult. One day Andrea Evans (Tina) had 100 or so pages. The Game Show episode with Rex, of “Whose Shane’s Daddy?”, we had a lot to do that day. Then the director said to us, “Not to put any stress on you, but this is going to be my Emmy submission!” Then it was like, you got to
be on!

MICHAEL:

I think you have a few good shows to submit for Supporting Actress Emmy competition for next year. Would you go for it?

ILENE:

I think I would. I did have scenes last year had I gotten nominated. My second year on the show I got nominated and it was a bit tricky. First of all, you have to have shows, which not only are you good in,… but the person you are working with is good, too. There is nothing worse than your doing a good performance, and the other person not delivering. I tend not to like to submit hospital scenes. I said to ’JP’, when it was the scene when I was in the hospital with Charlie and he comes in and says, “I don’t want to know you! Both of you!” I said to ‘JP’, “I don’t care what other people say, but these are the scenes you are going to submit!” In the past he has not submitted the right scenes. He has not done the right choices. I helped Renee Goldsberry (Ex- Evangeline) with her choices, and I was very proud that I could help her with that, and she had good stuff.

MICHAEL:

Now to “Ryan’s Hope”, and your iconic role of Delia Reid Ryan Coleridge. Ah, the list of married names goes on and on. Why do you think that worked so well?

ILENE:

The answer is, because of the show’s creators and head writers, Claire Labine and Paul Mayer. They wrote something from their heart. They had the bible on that show written extraordinarily well from day one, and what they had written for these characters always stayed in my mind. I knew what they wrote in those three paragraphs for Delia… I could get it. At the time, what was hard for me was that I was a very happy person playing a very unhappy person and that was difficult. I had just come from doing “Grease” and making people laugh, and once you have made 1200 people in a room laugh, you want to do that all the time.

MICHAEL:

So, after “Grease” you went to “Ryan’s Hope”?

kristen-Main2.jpgILENE:

I had done “Grease” for two years. I quit “Grease” in 1974 and got “Ryan’s Hope” in 1975. All of a sudden, I am playing this semi-tragic character who is crying all the time, going, “Love me. Please love me!” That was not second nature to me… being that screwed up. So, it was hard for me and difficult. Also, what was difficult, was you got these long scenes, which made it extremely potent for the audience, and addictive for the audience. You’ve got to travel with these characters when they made certain transitions. What disturbed me about the recent scenes with Adriana on “OLTL” in the hospital, was that the initial scenes with her were so short. I said to her, “Listen pipsqueak…” and the scene was over.

MICHAEL:

The soap climate now is faster, quicker scenes, than in the classic soaps presentations of yesteryear. It seems to fans that they think perhaps the perception is the actors can’t handle that much dialog.

ILENE:

I don’t think that’s what they are doing. When MTV came in, and I do not know what they are doing now, people got faddy or trendy. Now in daytime, they are trying to tell as many stories as possible, where Claire Labine just tried to tell two really good ones. I actually think the half-hour soap format is better. It gets you to concentrate and to be mesmerized by these people’s lives. People were addicted to the emotion of it, and not so much to flashy story. You know, I don’t know why we try to do car crashes or train crashes on soaps. Why do we do that, when “Lost” does it so much better? Why are we trying to compete in an area that we shouldn’t compete in, when people just want to be touched by a story? I think there was real value to the way “Ryan’s Hope” was done and was shot.

MICHAEL:

Can you tell me, off the top of your head, some Delia moments that you just loved?

ILENE:

The hysterically blind scenes when I am on a cruise with Pat. He realizes I am lying and throws the hairbrush at me and I catch it. The stuff with Roger and Sheila in the cooking lessons were fabulous, and every time Maeve would say, “Where you going Delia?” And she would go, “Oh, I’ve got cooking classes”, and the audience would go nuts.

MICHAEL:

Speaking of Maeve Ryan, tell me how was working with the incredible Helen Gallagher?

kristen-ron.jpgILENE:

Oh my God, fantastic! She is a pure gift. Both of us were hoofers! The wonderful thing about the cast was it really didn’t matter what you paid us, we would show up, because we did not make a lot of money on “Ryan’s Hope”. It was like
hoofer pay. Helen did have in her contract, that nobody could get more than her. Malcolm Groome (Ex-Pat) Kate Mulgrew (Ex-Mary), and Ron Hale (Ex- Roger) these were great, great people.

MICHAEL:

Now to “OLTL” favorite Roxy moments?

ILENE:

First of all, working with Jim DePaiva (Ex- Max) was a pleasure. Our wedding scenes in Las Vegas, where he wakes up the next morning, and does not realize he married me, was during the live week. Everything shot during the live week was priceless, but it scared me.

MICHAEL:

But you perform sketch comedy, as you did here in Los Angeles this weekend at the ACME Theatre and other venues. Why are you scared, if you can do such impromptu performances on the spot? I know why, but probably most people looking in from the outside, would not figure it to be the case.

ILENE:

I am scared of everything. I did “Grease’ for two years and the adrenaline would be out of control. It’s all scary to me, but I guess it’s good to be scared, because you can come up with interesting work, but your stomach is upset all the time. I have been in this business so long, and I am still scared. It keeps you coming up with new creative things for yourself.

ilene-nightclub.jpgMICHAEL:

Do you ad-lib a lot as Roxy? Some of those jabs she gives to the other citizens of Llanview seem like it.

ILENE:

I am a great ad-libber, especially in the role of Roxy. If it’s a group scene and they need a Roxie line, they go, “Please come up with one!”

MICHAEL:

You are in a new film called “The Manhattanites”?

ILENE:

Yes. We had a screening for it in New York and Aidan Turner (Aidan, “AMC”) is terrific in it. David Fumero (Christian, “OLTL”) is also in it, and Forbes March (Ex-Nash, “OLTL”) plays my competition and steals my boyfriend away from me. Jill Larson (Opal, “AMC”) was going to do my part, but it worked out better because she ended up playing a homeless woman in the movie, because she wanted to try something different.

MICHAEL:

What is the premise of the movie?

ILENE:

It’s all these people’s different stories and how they intersect. They are in somewhat of a community, and that gets the ball rolling. I play a real professional type. I play a lawyer. It was not a comedic character, and not a villain. I am kind of one of the leads in it.

couch-ilene.jpgMICHAEL:

In closing what would you
say is at the core of Roxy Balsom, if you were going to explain her to someone who does not know her very well?

ILENE:

Party! Party! I think she has fun, even in times of tragedy, and she will always find a way to rock.

Interviews

Eileen Davidson, Judith Chapman and Kim Waltrip Talk Plans & Launch Campaign To Make ‘Dial Emme For Murder’ into a Series

Two-time Daytime Emmy winner, and soap opera favorite Eileen Davidson (Ashley, Y&R and Ex-Kristen/Susan, Days) is bringing one of her soap opera mystery novels to life with a proposed six-part series for the soapy and hilarious mystery, Dial Emme For Murder.

Joining Eileen in the cast will be none other than Judith Chapman (Gloria, Y&R) , Knots Landing favorite, Donna Mills (Ex-Abby), and primetime TV and film actress, Nancy Valen.  More cast members will be announced in the future.

Photo: JPI

In Dial Emme for Murder, Davidson plays actress Emmanuelle “Emme” Peterson, a successful soap star who finds herself smack dab in the middle of a  whodunit.

Now, in conjunction with the Palm Springs Women in Film and Television (PSWIFT), and its president and director/producer, Kim Waltrip, Davidson is launching a fundraising campaign to get the series made.

Photo: EDavidson

In an exclusive interview on the Michael Fairman Channel, Eileen, Judith and Kim exclusive reveal key Intel on the project, campaign and working together.  The proposed series has also launched its official website here.

About PSWIFT:  PSWIFT (Palm Springs Women in Film & Television) is a non-profit organization, founded in 2001 dedicated to promoting our members, both men and women in the Entertainment, New Media Creative arts community. In 2020 Palm Springs Women in Film & Television created and launched a Filmmakers’ Lab to teach members how to make a film, by making a film, hands-on.

PSWIFT is currently seeking donations through their non-profit – which are 100% tax-deductible – to fund the Filmmakers’ Lab’s next venture Dial Emme for Murder.  You can find out more on the different perks and packages if you donate to the project here.

Watch the interview with Michael, Eileen, Judith, and Kim below.

Then let us know, if you think Dial Emme for Murder featuring powerhouse actress, Eileen Davidson, Judith Chapman and Donna Mills, will be a must-see for you via the comment section.

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General Hospital

GH’s Maurice Benard Chats On Mia St. John’s Powerful Interview on ‘State of Mind’, Winning the Daytime Emmy & Sonny’s Future If Carly & Jason Get Hitched

Since the launch of Maurice Benard’s You Tube series, State of Mind, he has welcomed numerous guests who have opened up and shared their struggles with different aspects of mental health.  But this Sunday, July 11th, Maurice will share for the first time his powerful and emotional sit-down interview with Mia St. John; one that he reveals was one of the most moving of his series thus far.

With Maurice being a huge boxing enthusiast throughout his life, having St. John, who is a boxer, herself, on as a guest was, of course, special. However, as soap fans know, Mia is also the former wife of the late Kristoff St. John (Ex-Neil Winters, Y&R) and they shared a son, Julian.  Both men died, tragically. Julian, suffered from a long-history of mental illness, and his death was ruled a suicide, and Kristoff was consumed with grief following his son’s death which ultimately set him on a downward spiral.  Kristoff’s death was ruled accidental caused by hypertrophic heart disease; which was exacerbated by alcohol use.  In the conversation with Benard, Mia opens about her own personal struggle with addiction and how she coped with these two devastating losses. (See an exclusive preview clip below within this interview)

It’s also been a whirlwind year for Maurice. He just took home his third Daytime Emmy Award for Outstanding Lead Actor in a Drama Series during the 48th annual Daytime Emmy Awards for his moving portrayal as GH’s Sonny Corinthos, as he goes through all the stages of a child watching his father, Mike Corbin (played by Emmy-winner Max Gail) slip away due to the ravages of Alzheimer’s Disease.  Since the Emmy broadcast was pre-taped due to Covid restrictions, except for revealing who the winners actually were, Benard shares what went down when his name was called watching the show from home with his family.

 

And … things are heating up on General Hospital!  For months, Benard has been playing an amnesiac Sonny aka “Mike” who has become taken with deceitful Nina (Cynthia Watros), who knows he is alive and well and living in Nixon Falls, but fails to tell her nemesis Carly (Laura Wright), or anyone else in Port Charles.  With everyone believing Sonny is dead after his showdown with Julian Jerome, Carly and Jason (Steve Burton) find themselves having to save Sonny’s territory and go up against the five families.  So, what are the besties deciding to do? Get married! And as viewers saw, Carly recently removed her wedding rings to Sonny.  So, now the question on GH fans inquiry minds is; will Sonny get his memory back in time, and stop Jason and Carly from tying the knot?

Benard weighs-in on what the future may hold for Sonny, the difficulties he faced during the Covid-19 lockdown with his mental health, his conversation with Mia, and much more.  Here’s what Maurice shared.

Courtesy/StateofMind

Having Mia St. John on as your guest on the upcoming episode of State of Mind was quite emotional for you. What can you preview? 

MAURICE:  I can say that during last ten minutes, there’s a lot of spiritual stuff going on.  I felt it.  She’s very tough.  You can tell that she doesn’t want to hurt anymore, and with me, I don’t know for sure, but I think she felt safe and protected.  We got into Julian and Kristoff and what happened.  I’m pretty sure I asked her and said, “I’d like to get into something.  You could say ‘no’ to me.  It’s fine,” and she told me the whole story.  Michael, I know you were friends with Kristoff, you’re going to really be moved because I was extremely moved.  It really, really hit me hard, because of what I’ve just been through during the pandemic. I just felt the need to be there for her.  I mean, I have that in me anyway, but with her, I did because it seemed like a lot for someone to go through.  I didn’t know Kristoff.  I met him once, and we talked for a bit.  He seemed like a great guy.  I knew he was a great actor because I watched his work.  I do know that everybody seemed to love him, but through State of Mind, it seemed like I got to know him a little better through Mia.  I was looking in her eyes, and taking it all in, and she was telling me everything.

Throughout your series, you seemed to have become more comfortable in the role of the interviewer.  It’s quite the switch isn’t it from always being on the other end as the interviewee.

MAURICE:  Yeah, I’ve gotten better.  You know what it is with me, and somebody said it, I’ve got a curiosity that I love to hear people’s stories, and I have a way to make people comfortable.

Photo: KSJIG

Does it help you in listening to what other people have gone through in dealing with your own struggles with mental illness?

MAURICE:  Yeah, I’ve said it before.  It’s like therapy for me.  After Mia, I was drained, but in a good way.  In the beginning of doing “State of Mind’, I was just learning.  I wish I was more well-rounded in my intelligence.  I barely graduated out of high school, but as far as what it is with me, if I know something like acting or mental health, I really completely know it.  I’m into it.

How did the interview with Mia come about?  Did you ask her to come on State of Mind?

MAURICE:  I know who is involved with mental health.  I know who would be interesting to interview, and then I reach out, and I have people coming who are not in the soap world.  I have a WWE person; I have a TV critic, etc.  So, I asked her, and Mia said ‘yes’, and then we did the interview.  I’m a huge boxing fan.  So, to be able to talk to her about boxing and things that happened to her right before her fights, I was just really fascinated.

That is right in your wheelhouse!

MAURICE:  Way up my alley!  If I could have more boxers on, I would love that.  I love sports, but boxing is my one sport, so I was like a kid in a candy store talking to Mia.

How do you feel Mia is doing as she has been very open about her battle with alcoholism?

MAURICE: Any time you’ve been through that much, I think it’s a daily struggle for anyone. In addition, there is a really great organization she works with that I hope people will check out as she is trying to help others.

In terms of all of your State of Mind’s, did this one impact you in a different way?

MAURICE:  The good thing for me about State of Mind is that I learn from each person about things that I didn’t know.  For instance, coming up I have: Linsey Godfrey (Ex-Sarah, DAYS) who got hit by a car.  I mean, you could read about it, but when you’re talking to someone, things come out.  That’s what I love about doing this show.  Jason Thompson (Billy, Y&R) didn’t know anything about mental illness, personally, but he talked about mental illness more than anyone!  I said to him on the episode, “For somebody who doesn’t know anything about mental illness or didn’t have someone with it, you talk more about it,” because he had a curiosity on the subject.  Mia’s was a little more because of the boxing and how deep we went with her talking about death.  In an upcoming episode with Ken Shriner (Scott, GH), he teaches me a lot about death.  When your parents die at 16, I don’t know how you could keep going.  He taught me how.  It was beautiful.

Photo: NATAS/CBS

Let’s go back to a few weeks ago on June 25th and you win the Daytime Emmy for Outstanding Lead Actor in a Drama Series.  How did you find out you took home the gold?

MAURICE:  I was at my place in LA with my son, Joshua and my wife, Paula and we were watching the show.  When they called my name, I was very moved to watch my wife and my son get so excited, it really was sweet.  I liked my speech even though people had a problem with it, which is fine.  It’s always great if Max Gail wins or I get a win, because it’s the Alzheimer’s storyline that gets the attention.  And as I told you already, my dad has Alzheimer’s so it makes it even more personal.

And as you know, my mom had Alzheimer’s and died.  That’s why what you and Max did together on-screen together felt so real and raw and touched so many people – especially those who have a loved one going through this now, or that has passed.

MAURICE:  Yeah, it’s tough. I truly believe with this Emmy win, that it is the Alzheimer’s that really pushed it over the edge because it was a real story, greatly written, everybody deals with it, including you, including me, and you just can’t help but have a feeling about it.  You know, if I have a reel that shows me as Sonny yelling at people, beating people up, it’s not going to give you the impact.

Photo: NATAS

Was it weird coming to the stage and doing a pre-taped Emmy acceptance speech knowing that everybody else that was nominated had to do one too?

MAURICE:  Well, thank, God I didn’t have to do it in front of actors; I probably wouldn’t have been able to do it.  It’s weird, right?  I knew I had to adjust.  When I’ve won before, it’s in front of a lot of people, or semi-in front in a lot of people.  So, with this year, your energy is different.  So, you can’t act in a speech like that, because then it would seem kind of over the top, maybe.  So, I just made a speech that I thought would work for what I was doing; which is kind of acting because I didn’t want to come out and say, “Oh, my God!  I can’t believe it!”  So, I said, “Okay, I’ll thank the actors, I’ll thank Frank, and I’ll make it about Alzheimer’s.”

Photo: GFrancisTwitter

I know some fans on social media jumped on the comment you made within the speech about ‘being the star of the show’ and you did tweet out that you went to Genie Francis (Laura, GH) to make sure there were no ruffled feathers there.

MAURICE:  I went to Genie because I thought, I don’t want her to take what I said personally, and she’s like, “What are you talking about?”  Sometimes I respond to a negative comment on Twitter with an emoji which can incite people.  So, I decided, “I’m not going to do that anymore. No more responding.”  Like I always say, you want to be loved and you want to be hated.  You just want to be loved a little more. So, I stopped with the child’s play.  I’m cool with it.

It seemed that things got twisted up, because you had related in the speech, that Frank Valentini (executive producer, GH) came over to you and said you have to do the storyline, because you are the star of the show, when you were overcome in the screen-test with Max Gail. 

MAURICE:  Sometimes people love to change the narrative.  If you watch everything … they say what I said, but they don’t say that I also said ‘Alzheimer’s’ was the star, but I’ll take the hit.

Courtesy/ABC

I recently posted a clip of my interview with Cynthia Watros from the red carpet at the Daytime Emmys saying how she is so thrilled and honored to work with you.  How is it working with Cynthia?

MAURICE:  Let me tell you about Cynthia, and this is just my experience because I don’t know her that well.  We hadn’t worked together before. First of all, we tend to overlook, because of her character and the story, or whatnot, is that she is a real actress.  Let’s not forget that, I know she did Lost, and I didn’t watch her on another soap.  I know from working with her.  She can act She makes adjustments, and she listens, and I’m really happy to be working with her.  She is just stuck in a circumstance that is not her fault, but you know what, like I said today I think on Twitter to somebody, ‘but wait’.  I’ve been working this last month doing some scenes with her, and when you see that, there’s a little bit of magic in there!  I’m not saying it’s the greatest thing in the world, I’m just saying there’s a little magic!

Photo: ABC

Have you liked being “Mike “and not having Sonny’s memory because it opened up the story?

MAURICE:  I know people think this story is my idea, like I needed a break or something.  It has nothing to do with me needing a break.  They came to me and said they were going to do this story.  I said, “Let’s do this!”  I’ve been enjoying this.  It’s a different energy.  The energy that Sonny has is dark.  It’s like in third gear.  Mike is like in first gear, calm, relaxed, happy.

You’re just realizing that now?

MAURICE:  (Laughs) Well, I guess until you’ve gone somewhere else you really don’t know.  Often times, when I do movies and other projects, it’s often the same kind of energy that Sonny has. I’ve never played a character like “Mike” where it’s a whole other feeling!

Courtesy/ABC

Is it more challenging to play a character like Mike?

MAURICE:  No, easier!  Sonny can be difficult to play.  But guess what?  The audience – at least my fans – they don’t care how happy I am or whatever, they are screaming “Go back to fricken Sonny!”  I like that in a way, but I didn’t know that it was going to be this vocal from people.  It’s not that they hate Mike, they just want Sonny, and Cynthia is put in a tough situation because of her history in that character.

So, now everyone saw last week that Jason and Carly have decided they have to get married for the sake of the business with Sonny believed-to-be-dead.  What did you think when you heard that they were going in that direction with the story?

MAURICE:  Well, I was the last one to know.  I didn’t know they were going to get married until I heard about it in the makeup room.  I think the first thing I thought of was … we are all going to be having some great scenes coming up, like, “Alright.  Let’s rock and roll!  Let’s do it!  I’ll get into this character of Sonny when called upon.”  It might be and dark and the whole thing, but once I’m in there, I’m fine.

Courtesy/ABC

It would seem if Carly and Jason do actually get married, it’s not going to be an easy road to reconciliation for Carly and Sonny down the line.

MAURICE:  No.  I would say not.  The thing about Sonny is that it’s what Sonny does best, or what I do playing him best, is betrayal.  So, for him, this is not a good thing.  I would assume he’s just going to go, “What the…” and all hell is going to break loose.

Sonny’s body washed ashore and he was very much alive, while the search and rescue mission quickly became a recovery.  Once again, law enforcement in Port Charles isn’t very good! (Laughs)

MAURICE:  So, there you go.  It’s going to be a bigger fight.  It’s going to be a great fight when Sonny does return.

Photo: ABC

Fans are predicting that Jason and Carly are going to be at the altar, and Sonny is going to walk in alive and well with his memory back to the nuptials!

MAURICE:  Well, however it goes, I would say, just let them just watch the fireworks as they unfold.

But you’re enjoying this story?

MAURICE:  I’m cool, man.  I will say this, I’m glad that I have been given this last month playing Mike, and the Nixon Falls story.   I don’t know how much more we have ahead.  I just know that what we’ve taped has been really cool, and I’m glad that they gave me that.

Photo: ABC

I know that the coronavirus pandemic and its isolation was rough for you.  What can you share, and how did you find your way out of a downward spiral?

MAURICE:  Yeah, Covid was just one of those things where I was hit with a lot of different things all at once, which was …  GH shutting down production, my book tour not being in New York (although the book ended up probably doing better because of the pandemic, which was interesting) … my mom and dad moved out …  and I thought it was the end of the world.  We all did at some point, and it all hit me with a rush of anxiety that I had never felt before in my entire life, and it was four months of terror … way too long. I was shaking like a leaf, not sleeping, it was tough.  What I tell people is that when you go through these things, it will pass.  I know, for me, four months was too long, but it did pass.  You’re better because of it.  You can take one of either two roads.  You can get worse, and you can say, “I’m a victim, I’m a victim,” or you can take the other road and say, “I’m stronger now.  Look at what I’ve been through,” and then, look at what happens … a year and a half later, look at what my life is.  I have a pond here at home, and I used to run around this pond crying my eyes out, every morning crying, like I couldn’t do it anymore, and a year later, I walk around the pond like it’s the greatest thing in the world, but that’s what this is, this mental health.  You can think you can’t go on, but then it rewards you with a better life.

Photo: Noah Harmon

I was going to say, that’s pretty profound.  When you were going through the four months, did you think you were going to come out of it okay?

MAURICE:  No,   I’m going to be honest.  I finally got on Lexapro after three months.  If Lexapro didn’t work, I can’t say positively what would have happened.  It gradually made me feel better.  Like I have said, if GH had called me a month before, I wouldn’t have been able to finish the storyline.  It would have been the end.  I wouldn’t have been able to go back to work, because I was in that state of mind.  So, they called at the right time.  I went back to work and I was on Lexapro.  The thing about Lexapro is – and we always tell people to get professional help. There are a lot of people like me, and I’ve got to say, first you get professional help because you’re on the brink of whatever.  So the first five days of taking Lexapro, you feel worse than you did just before you started taking it, and that is scary because you’re like, “I can’t take this.  This is horrible,” and then I stayed on it.  It got gradually better, and just a month and a half ago or so, I weaned myself off.

How are you feeling now?

MAURICE:  Oh, let me tell you, the day that I weaned off, was a Thursday, and I wasn’t going to take it, and I was on my bed, and I felt the greatest I felt maybe, ever.  Now, I’m not saying people should go off it, whatever, because I was on it for like 8 months or something, but it saved my life like lithium for my bipolar disorder, and that’s an amazing thing that these pills could do.  What happened with me with the pandemic is that I had never really taken anything for anxiety.  I had only taken lithium, and I’d been on lithium for 30 years, but for anxiety, I never wanted to take anything, but if you’re bad, if you’re like (you know those gears I’ve been talking about) in 4th and I was like in 5th gear, you’d better get some help, man, because you can’t get off it on your own.

Photo: State of Mind

I want to conclude checking in on your dad, Humberto.  When did you learn he had Alzheimer’s, and how is he doing now?  

MAURICE: It’s been a while since I found out.  I didn’t really want to talk about it, and then I did something in People magazine with the book, and I asked him if I could talk about it, and he said “yeah”.  So, it gave me the green light, and that was maybe 10 months ago.  He’s actually doing good.  It’s slowly kind of happening but that is how the disease works.  This has been a really great conversation, man!

So, what do you think will happen with Sonny aka “Mike”? Will he return to Port Charles before Carly and Jason tie the knot?  Have you been watching Maurice’s State of Mind series, and has it helped you with any of your mental health issues or concerns? Were you happy that Maurice took home the gold this year for his portrayal in the Alzheimer’s storyline? Share your thoughts via the comment section below.

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Interviews

B&B’s Jacqueline MacInnes Wood Shares Her Emotions & Reactions On Her Second Daytime Emmy Win for Lead Actress

Last Friday night on CBS broadcast of the 48th Annual Daytime Emmy Awards, The Bold and the Beautiful’s Jacqueline MacInnes Wood (Steffy Forrester) took home the gold in the hotly contested Outstanding Lead Actress in a Drama Series category.  This marks Jacqui’s second win.

MacInnes Wood’s performance in Steffy’s opioid addiction storyline, that aired in 2020, was the ticket to victory for the talented young actress and new mom to her second son, Lenix.

As viewers saw, the Emmy telecast was pre-recorded including all the nominees taping acceptances speeches ahead of air; with the winner being revealed for the very first time on the broadcast.

 

Michael Fairman TV caught up with Jacqui post-Emmys, to find out how she felt about her speech, her emotions at having her name called for the second time in her career, and how she felt Steffy’s addiction storyline resonated with so many people at home, and obviously, the Emmy voters.  Here’s what she had to say …

Photo: NATAS/CBS

What was it like for you to do have to pre-tape your acceptance speech?  Yours, actually came off very in-the-moment, because you kind of stumbled over a word, but it seemed like you were very excited.

JACQUELINE:  Yeah!  I was very excited.  Of course, it is strange to do it that way.  I am very grateful that I was up to my nose in The Bold and the Beautiful scenes and dialogues in the week and the days before, that whole week.  I wasn’t sitting around going, “I’m going to rehearse this in the mirror.”  I just wanted it to be very heartfelt and real.  I wanted to make sure it wasn’t like last time – I truly was not expecting it the first time I won.  I think that this time I wanted to be mindful of who to thank and talk about the story, which was so important to bring up opioid addiction, and I really wanted to thank Brad Bell (executive producer and executive producer, B&B) for giving me this story, and allowing me to tell it, because it was such an important message to tell.  Even though this year’s Daytime Emmys were shot differently, I was still nervous. I was so excited to get on a stage. Last year, we were on a Zoom, so it was nice to be able to do this on a stage again.

So where were you on Emmy night?  Were you watching the broadcast at home?  

JACQUELINE:  I was at home, and I was with my friends and my family.  To be honest, it was such a fun way to do it.  Even though it was so wild the way that we shot it – they do this on RuPaul’s Drag Race.  Sometimes they’ll do it live, but everyone has their acceptance speech.  I was just happy during the Emmy taping day to be dressed up, wearing high heels, and to be with my cast, Then, I got to celebrate watching it with my friends and family.  It was so cool to find out in that moment, then afterwards we ended up going out.  We went to Ronn Moss’ (Ex-Ridge, B&B) house for a party, where Ronn was performing, and it was great to be with some of the cast and have everybody together.  So, we danced the night away, and it was so much fun.  I wouldn’t have had it any other way.  Of course, if we had been able to be at the Daytime Emmys that way would have been great, but it was nice to be able to go, “Okay, I can celebrate in my casual clothes, and dance, and not be uncomfortable.”

Photo: JMW Instagram

Were your children, Rise and newborn Lenix, with you watching when their mom won her second Daytime Emmy?

JACQUELINE:  My children were with me, and we celebrated together, and of course they don’t really understand what is going on, but they just saw all of us jumping around.  I probably scared my 4-month-old.  My mom ended up watching them.  Then, we all went out.  So, it was a good night.

Photo: HutchinsPhoto.com

Did you have an inkling that you were a frontrunner to take home the gold as Lead Actress for your work in Steffy’s opioid addiction storyline?

JACQUELINE:  Were there times when I thought I could win?  I wasn’t sure, but I knew what we did was very special.  The first time I won, I was very proud of myself knowing I had to do all of these long scenes, but I was not expecting to win.  This time, I thought there was a possibility, and I wouldn’t say that it’s all because of me.  I know it’s cliché, but honestly those days when we were filming, you could just feel the energy.  Everyone brought it.  We do film so quickly, and some performances are great, and some of them aren’t, whether it’s because you don’t sleep that night, you don’t know your dialogue that well, you don’t understand why your character is doing a certain thing, but you’re trying to figure it out.  When we were filming these scenes, I thought it was just such an important story to tell, and I felt like everyone gave it 110%.  I looked at everyone, and I knew we were all connected, and even though it was such a heavy storyline, there was something so magical those days and those weeks of filming.  I was so proud of everyone, and it wasn’t something that was like, “Here I am forcing myself to cry,” I was like, “I am just going to be in this scene and really tell this story that millions of people have gone through.” When I watched back those scenes after they initially aired, it was not only about the cast, but it was just how the audio had been added, how the directing was done (since we had to be six feet away from each other because of Covid-19 protocols) which made it all come to life.

Did you think when you came into this medium that you wind up being a two-time Daytime Emmy-winner?  Was it something that you aspired to have?

JACQUELINE:  I think yes and no.  I can’t sit there and say, “No, I didn’t.”  I have goals for myself, and you want to manifest some things, so I wanted to visualize that one day.  I’m in this industry, and I want to do the work, and I eventually wanted to have the Emmy one day, absolutely.  I’d be lying if I said, “I just want to go with the flow, and if I get an award, great.”  No.  I definitely thought about it and said, “Okay, this is something that I do want one day. I didn’t think I’d have two!  I just wanted an award, one day.  So, I think that’s amazing in itself, but I am very honored.

Courtesy/CBS

So, during the Lead Actress nominee package during the Daytime Emmy broadcast, they showed the gut-wrenching clips of yours, where Steffy admits in front of Ridge, Liam and Finn, “I’m addicted.  I’m addicted.  I have a problem.”  Do you remember performing those scenes?

JACQUELINE:  You know, you remember it sometimes as if you’re out of your body. In that moment, I remember being so in my body, but in a good way.  To say those words, to finally realize how heavy – even in talking to you right now – my body feels heavy.  I felt the weight of what Steffy was finally admitting. It broke Steffy, and it broke me.  I’ve never been in that position, but I did my research, and I looked up people who have suffered from addiction and the families, and to look over at Thorsten Kaye (Ridge) and see the heartbreak in his eyes, in Ridge’s eyes, to see what Steffy was doing to other people – she realizes in that moment, “Oh, my God. I am addicted.”  Looking back at those scenes, there is just so much truth in them, and for so many people who have been there.  It just breaks my heart that people have to go through this every day.  People sent me messages from all over the place, it was amazing.  I couldn’t believe the number of direct messages they sent me on my Instagram.  It was pretty incredible.

Courtesy/CBS

Your performance just felt so raw and real, which is why I think it registered with people who have been in that situation, and for the peer vote for the Emmy.  Whenever I talk to other actors about what they look for in judging other performers work, they always say they look for the truth. They don’t want to see a false note delivered in a performance.

JACQUELINE:  Absolutely.  For sure.  That’s why I’m so proud of everyone in the scenes because they all gave that.  It wasn’t like you look over at a cast member and went, “Oh, what’s my line?”  We were there.  It just gave me goosebumps.  It isn’t just my award.  It was everybody’s award.  When you get to really feel like you’re really alive in these scenes, living in those scenes, it’s such an incredible feeling. After this win, I am just riding the wave right now and really just enjoying it.

Photo: MFTV Inc.

Well, I’ll finish on this last question: How do you rate our Emmy photo together this year? (Laughs) We have well-documented our issues taking a decent photo together; usually because we break up laughing trying to take one.

JACQUELINE: (Laughs) I mean, okay … I am happy that we had those LED bars of light.  We have to have LED lighting around us 24/7.  So, I’ll give it a 9.5 rating   Moving forward, we need indoor, 3-4 LED lights, and we’ll be good.  Now that I have two Emmys, I’m going to be asking for that lighting moving forward … now that I’ve turned into a diva. (Laughs)

Share your congratulations to Jacqui via the comment section below … and let us know your thoughts on her winning her second Daytime Emmy – this time for Steffy’s powerful opioid addiction storyline.  But first, check out our red carpet interview with more with the eventual Lead Actress Emmy winner.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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