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You have just finished performing in our benefit, “Soaps In The City”, and I know you have been involved so much in the fight against HIV/AIDS.


I probably have been involved for the last three years, at least. Last time, we had the east coast event at the club ”Prohibition” in New York. It’s for a great cause.


Have you personally been affected, or touched by people in your life, or in show business that have died of HIV/AIDS?


I lost many, many people… and there was a friend mine that was the stage manager from “Grease”, and then we lost another stage manager. Then, my wonderful Christopher Adler died, and this was early on. Then I lost more than 20 people that I knew, some which were really close to me. I lost my manager, and that was a tough one, because I don’t think he knew he had AIDS. Then he got pneumonia and he died. This was in 1994, and that was extremely difficult. It was a real shock because there was no time to prepare for that.


Do you feel that here in the US, AIDS awareness has been sidestepped as an issue, where globally it’s a pandemic?


Honestly, I don’t think we can ever do enough. But, I think it’s changed considerably from the 80s, for sure. I have a lot of friends living with AIDS, but not dying of AIDS. One of my very closest friends is HIV-positive and he is doing well. Of course, he is on the cocktail, and if people can’t afford the cocktail and the medications, that’s a problem. It’s changed a lot over the last 20 years, so people aren’t dying immediately. In fact, I haven’t heard of anybody dying that I have been friendly with. So, that’s a great thing!


We all know you from your portrayal of Roxy Balsom on “One Life to Live”, and
the amazing, Delia, on “Ryan’s Hope”. But now, you seem to be taking the musical aspect of you talents to new heights?


I have always sung with one rock band or the other. I have always kept it on the down- low to some degree. If people had bands, they would want me to sing with them; so I would. Then, I started songwriting a lot in the 90’s. I had written
a lot in the 70’s and then I was doing a lot of other people’s songs. Then in the 90’s I started doing my own stuff. I started writing with a great writer out in LA…
Kenny Mazur. One day he said, “You know, you really ought to start writing, because you have so many adventures and you need to get them out, and start getting your life out.” There was a song I wrote called, “No Matter What”, which was about my life, and he said, “You are on a soap, Ilene, and you need to spice this up a bit!”


Why were you so low on the radar with your great singing ability?


It’s a very big problem, and it’s kept me from doing a lot because I grew up listening to the best music you could listen to. My criteria have always been very high. I listen to Joe Williams and Ella Fitzgerald, just the great people. The way I sing, is like a Julie London- type singer, kind of smoky. I feel if I am not as good as those people, I don’t count. And then after seeing KD Lang last night, I never want to open up my mouth again. But because I am a very good actress, I am going to pretend that I am full on KD Lang. I am the feminine KD Lang. She is all boy. ilene-soaps.jpgIt’s fantastic! I think
she is so comfortable in her skin, and she came out with no shoes on and looking like a man, but she was beautiful… and the voice was the best instrument that I ever heard! You want to be up there with the really good people to call yourself a singer, and I don’t call myself a singer. I call myself, a “Thinger”. I have a “thing” and I think it’s good.


The songs you performed for us at “Soaps In The City”, please tell us about them?


This one jazz song I wrote is a combination of “Fever” and “Moondance”. Then I wrote a song called, “Rise to the Occasion”, and my first job was with the great, Johnny Pacheco. I was a dancer at nine, dancing with two Cuban guys, and that is how I started in show business. So, this song is a kind of Latin boogaloo, which was popular in the 60’s. It was written as an assignment, between Lenny Kravitz’s, “Lady” and Cyndi Lauper’s, “Girls Just Want to Have Fun”. Then when that did not happen, I changed into a different groove. I performed a song called “Flesh and Blood”, that was written for a friend of mine who was dying; the wonderful and beautiful, Nancy Addison (Ex- Jillian Coleridge, “Ryan’s Hope”). I remained close with her, and was with her every day until she died. Nancy was a wonderful friend and she died from a form of cancer. The doctors did not know the origin of it, and it was very difficult, and it took about two and half years. I started writing the song about the thought of losing someone, but knowing they will always be there with you…. and then 9/11 happened! This song came out of that, and then it really wrote itself. I knew Nancy would be dying, and I knew I would sing this song at her funeral, which was what happened. It’s a song I did not sing at my father’s memorial, but I recited the words. I have done it at other friend’s funerals. The list just goes on. I am proud of it.


Your stupendous and stunning portrayal of Roxy on “OLTL”, is so completely different than any character or actress on daytime. The scene that aired last week where Roxy pushed Adriana up against the hospital glass letting her know that she was causing her son, Rex, to basically die. That was because Adriana would not allow Gigi in Rex’s hospital room, and that was heart wrenching. Did you know those scenes were dynamite?


I knew things were real for me. The thing that is so difficult about that is, once they put up the hospital set, they will do three shows a day at the hospital set. You are so overwhelmed. You are so scared that you are going to be sacrificed, and you have to get to another scene. I felt like there was a little scene I had with the troll days, and I was not sure I was totally on my game. But then, the stuff where I put Adriana against the glass, I felt that I was on my game. With age, you are able to pull so much stuff out of your life and access it for your character. Before, when I was playing Delia on “Ryan’s Hope”, I had to do crying scenes all the time. I would have to go in back of this set, and do all this sense memory stuff. Now, I don’t have to go to that place or substitute much anymore, because of my life experience as Ilene.


How is working with John Paul Lavoisier (Rex)? We need more mother/son scenes between them.


Oh, it’s great! The audience wants more, and its short changing both Rex and Roxy, but they may get it. We got extraordinary reaction as to who is Rex’s father? That is yet untold, and they better tell it!


Will it be Mitch Laurence?


It would be great if it was Mitch, if they
tell a real story. They were about to do something when the writers’ strike happened, and then they felt it was not an important enough story to do, so they bypassed it. We waited till head writer, Ron Carlivati came back to the show. Once Ron came back, it didn’t go anywhere, but we are hoping that it does. You know, stories have to be approved by ABC Daytime and SOAPnet President, Brian Frons. So hopefully, he will see fit to give us a story. I know he likes me, but he has to like me enough to let me tell a story. The one thing I know I am capable of, is telling a good story…. even the stuff I had with Miles…. where did it go?


What about working with Erika Slezak (Viki)?


She is wonderful to work with. With Erika, this is nothing that she enforced, but she has her scenes early in the morning. So, if you have scenes with Erika, you better be on your game. First of all, she is so professional and wonderful to work with, and so generous. But, she knows all of your lines as well, and that’s a spectacular thing to do. Every once in awhile, I am on my game like that, but she is always on her game. Erika has been very, very, good to me.


I love that Roxy stumbles around drunk all the time. Do you think that will ever change?

Until she resolves certainly some of her issues, I think she should have a bit of a substance problem. I think when she goes to work, she really tries to do that hairdo. I know a lot of people like Roxy, who have more than slight substance problems, whether they are on Quaaludes or something else. I think Roxy was pretty coherent with the recent hospital stuff with Rex, though.


In your performances, do you like towing the fine line between comedy and drama?


Oh, yes! I like towing the line, because I feel that people need the humor, and it’s hard to play comedy on a soap. I think I have managed to do that extremely well, and better than most, and it’s my background. When I came on the show I came on right after 9/11. I felt that people needed a break, and also needed to be highly entertained. I felt people needed cushioning, especially in New York; it was like a scorched landscape. What happened was I got the job on September 10 and I only called a couple people to let them know, and then 9/11 happened. At first I thought, what is acting? What does that mean to people, after we have gone through something like this? Does anyone even care anymore? Is watching television, except for watching the news, important? And then a couple of days before I had to go to work, I got very inspired. I felt that somebody had to entertain the troops, and I really felt it was my job to do that.


Now tell me about working with the fabulous Melissa Archer (Natalie)?


I really like working with Melissa. She has had a lot of responsibility at “OLTL”. You know, once they see that you can do three shows in a row that is probably 18 scenes, they will do that and work you a lot. They will get away with doing that, and it is very difficult. One day Andrea Evans (Tina) had 100 or so pages. The Game Show episode with Rex, of “Whose Shane’s Daddy?”, we had a lot to do that day. Then the director said to us, “Not to put any stress on you, but this is going to be my Emmy submission!” Then it was like, you got to
be on!


I think you have a few good shows to submit for Supporting Actress Emmy competition for next year. Would you go for it?


I think I would. I did have scenes last year had I gotten nominated. My second year on the show I got nominated and it was a bit tricky. First of all, you have to have shows, which not only are you good in,… but the person you are working with is good, too. There is nothing worse than your doing a good performance, and the other person not delivering. I tend not to like to submit hospital scenes. I said to ’JP’, when it was the scene when I was in the hospital with Charlie and he comes in and says, “I don’t want to know you! Both of you!” I said to ‘JP’, “I don’t care what other people say, but these are the scenes you are going to submit!” In the past he has not submitted the right scenes. He has not done the right choices. I helped Renee Goldsberry (Ex- Evangeline) with her choices, and I was very proud that I could help her with that, and she had good stuff.


Now to “Ryan’s Hope”, and your iconic role of Delia Reid Ryan Coleridge. Ah, the list of married names goes on and on. Why do you think that worked so well?


The answer is, because of the show’s creators and head writers, Claire Labine and Paul Mayer. They wrote something from their heart. They had the bible on that show written extraordinarily well from day one, and what they had written for these characters always stayed in my mind. I knew what they wrote in those three paragraphs for Delia… I could get it. At the time, what was hard for me was that I was a very happy person playing a very unhappy person and that was difficult. I had just come from doing “Grease” and making people laugh, and once you have made 1200 people in a room laugh, you want to do that all the time.


So, after “Grease” you went to “Ryan’s Hope”?


I had done “Grease” for two years. I quit “Grease” in 1974 and got “Ryan’s Hope” in 1975. All of a sudden, I am playing this semi-tragic character who is crying all the time, going, “Love me. Please love me!” That was not second nature to me… being that screwed up. So, it was hard for me and difficult. Also, what was difficult, was you got these long scenes, which made it extremely potent for the audience, and addictive for the audience. You’ve got to travel with these characters when they made certain transitions. What disturbed me about the recent scenes with Adriana on “OLTL” in the hospital, was that the initial scenes with her were so short. I said to her, “Listen pipsqueak…” and the scene was over.


The soap climate now is faster, quicker scenes, than in the classic soaps presentations of yesteryear. It seems to fans that they think perhaps the perception is the actors can’t handle that much dialog.


I don’t think that’s what they are doing. When MTV came in, and I do not know what they are doing now, people got faddy or trendy. Now in daytime, they are trying to tell as many stories as possible, where Claire Labine just tried to tell two really good ones. I actually think the half-hour soap format is better. It gets you to concentrate and to be mesmerized by these people’s lives. People were addicted to the emotion of it, and not so much to flashy story. You know, I don’t know why we try to do car crashes or train crashes on soaps. Why do we do that, when “Lost” does it so much better? Why are we trying to compete in an area that we shouldn’t compete in, when people just want to be touched by a story? I think there was real value to the way “Ryan’s Hope” was done and was shot.


Can you tell me, off the top of your head, some Delia moments that you just loved?


The hysterically blind scenes when I am on a cruise with Pat. He realizes I am lying and throws the hairbrush at me and I catch it. The stuff with Roger and Sheila in the cooking lessons were fabulous, and every time Maeve would say, “Where you going Delia?” And she would go, “Oh, I’ve got cooking classes”, and the audience would go nuts.


Speaking of Maeve Ryan, tell me how was working with the incredible Helen Gallagher?


Oh my God, fantastic! She is a pure gift. Both of us were hoofers! The wonderful thing about the cast was it really didn’t matter what you paid us, we would show up, because we did not make a lot of money on “Ryan’s Hope”. It was like
hoofer pay. Helen did have in her contract, that nobody could get more than her. Malcolm Groome (Ex-Pat) Kate Mulgrew (Ex-Mary), and Ron Hale (Ex- Roger) these were great, great people.


Now to “OLTL” favorite Roxy moments?


First of all, working with Jim DePaiva (Ex- Max) was a pleasure. Our wedding scenes in Las Vegas, where he wakes up the next morning, and does not realize he married me, was during the live week. Everything shot during the live week was priceless, but it scared me.


But you perform sketch comedy, as you did here in Los Angeles this weekend at the ACME Theatre and other venues. Why are you scared, if you can do such impromptu performances on the spot? I know why, but probably most people looking in from the outside, would not figure it to be the case.


I am scared of everything. I did “Grease’ for two years and the adrenaline would be out of control. It’s all scary to me, but I guess it’s good to be scared, because you can come up with interesting work, but your stomach is upset all the time. I have been in this business so long, and I am still scared. It keeps you coming up with new creative things for yourself.


Do you ad-lib a lot as Roxy? Some of those jabs she gives to the other citizens of Llanview seem like it.


I am a great ad-libber, especially in the role of Roxy. If it’s a group scene and they need a Roxie line, they go, “Please come up with one!”


You are in a new film called “The Manhattanites”?


Yes. We had a screening for it in New York and Aidan Turner (Aidan, “AMC”) is terrific in it. David Fumero (Christian, “OLTL”) is also in it, and Forbes March (Ex-Nash, “OLTL”) plays my competition and steals my boyfriend away from me. Jill Larson (Opal, “AMC”) was going to do my part, but it worked out better because she ended up playing a homeless woman in the movie, because she wanted to try something different.


What is the premise of the movie?


It’s all these people’s different stories and how they intersect. They are in somewhat of a community, and that gets the ball rolling. I play a real professional type. I play a lawyer. It was not a comedic character, and not a villain. I am kind of one of the leads in it.


In closing what would you
say is at the core of Roxy Balsom, if you were going to explain her to someone who does not know her very well?


Party! Party! I think she has fun, even in times of tragedy, and she will always find a way to rock.

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Mishael Morgan Talks on Her Return to Y&R and Tackling the New Role of Amanda Sinclair

So, just how did The Young and the Restless lure back one of the series most powerhouse actresses to take on a brand-new role? Mishael Morgan, who earlier this year was nominated for a Daytime Emmy for Outstanding Supporting Actress in a Drama Series for her gut-wrenching final performances as Hilary Curtis, reveals in a new interview with Michael Fairman TV, what went down to bring her back to the CBS Daytime drama.

As fans know thus far, after appearing as ‘Ghost Hilary” through the late spring and summer, Y&R’s creatives worked behind the scenes to get Morgan back on screen without tainting Hilary’s ultimate demise.  That is when they came up with the role of the sexy yet tough lawyer, Amanda Sinclair.

So, enter Mishael in a new wig and style that defines Amanda as her own character.  Question is, since Amanda is a dead-ringer for the late Hilary, are they related? And, what will ultimately be proven to be in her DNA?  In story, Amanda entered the scene as the often-mentioned Chance Chancellor’s attorney.  She shows up in Genoa City to contest the legitimacy of the late great Katherine Chancellor’s will and the fortune she left to Devon (Bryton James).  With Devon directly in Amanda’s line of fire it sets the stage for potential fireworks down the line.

We sat down with Mishael backstage at Y&R for this informative and entertaining chat as we officially welcome back this truly kick-ass performer.  Here’s what Mishael shared below.

Photo: JPI

What transpired behind the scenes to make it possible for you to come back to Y&R?

MISHAEL:  Tony Morina (executive producer, Y&R) kind of gave me a little bit of a heads up.  They called me back to come in and do the ghost episodes as Hilary, and it happened really quickly.  It was like, “Hey, Mishael, do you think you can do this?  Yeah?  Okay.  We’ll work it out with your team.  Alright.  We’ll see you tomorrow.” (Laughs) It was really, really fast.  I was hesitant for a second about the whole Hilary ‘ghost thing’, because I felt good about how we wrapped up Hilary’s storyline.  I’d only left for a couple of months, and I still felt funny about it, but I was like, “I’ll do it.  She’s a ghost … so she hasn’t returned from the dead.  So, it’s fine.”

Originally, I was concerned that they were going to have you as Hilary keep popping up as a ghost to Devon for an indefinite amount of time; when the show has already done that with Jack Abbott (Peter Bergman) and his father, John (Jerry Douglas).  Because of your previous performances, and Emmy-nominated performance for the final arc of Hilary’s story, I thought, in the end, it might detract from that.

MISHAEL:  Yes, and I think that’s how I felt too, but I agreed to do it because they said that it was going to be a max of seven episodes.  So, while I was doing that, Tony was on set watching the scenes.  Next, he just called me up and said, “Well, how do you feel about coming back?”  I was like, “Coming back?  Hilary is dead.  Like, Hilary is dead-dead.  Is this going to be an alternate universe?” (Laughs) He said, “Well, no.  You’d be coming back as a different character.”  That was really intriguing to me, because one of the reasons why I left was because I felt like creatively I’d played a character from beginning to end, and it felt like it would just be nice to go off and play somebody new.  I never in a million years thought that I could come back to Y&R and actually play someone new!  That was weird to wrap my head around when they said, “You’d play a new character,” but then when they said she was going to me a lawyer, my ears really perked up! I’ve always wanted to play a lawyer, because I have the background where I wanted to be a lawyer in real life.  So, then I’m like, “OK. Now I get to play a lawyer on TV.”  They really got their hooks in to me with that … and just hooked me in from there.  Then, I got open to the idea and the story that Josh Griffith (head writer, Y&R) wanted to tell.

Photo: JPI

Once you learned the idea of the story from Josh, it seemed that things happened very quickly!  We all found out about your return via a social media post where you got to tell the fans yourself that you were coming back … but as a new character.

MISHAEL:  It happened relatively quickly in terms of me tentatively coming back, but then they still had to write the story.  So, everything wasn’t really confirmed until a couple of weeks before I started taping again.  We were in talks for about two months, and we worked it all out.  I said, “I’d do it,” and then it was 100% confirmed around August of this year, and I was airing in September.  It was kept was very, very quiet.

Are you still figuring out what Amanda’s back-story is?

MISHAEL:  I am.  I feel like every writer is a little different, and I feel like Josh likes to keep things very close and tight to his chest so that you kind of don’t know what’s happening.  Josh gives you enough information to play a little bit of something that is coming down the pike, but he doesn’t really disclose everything.   I’ve gotten little hints, and I kind of know where we are going, but I still don’t know the whole back-story of Amanda.  I’m still trying to figure her out.  If she’d been the polar opposite of Hilary, I think it might have been easier, but if you read her description, she’s very much like Hilary: A-type, strong, driven, all of those things.  Hilary had this very malicious, unscrupulous side to her, but I don’t know if Amanda has that.  In terms of the general description of the character, they’re very similar, which I was happy about just because I like playing strong women on TV.  If they had said, “We’re bringing on this character, and she is homeless” … or somebody who was super quiet… that would pose a different set of things for me as an actress.  I think seeing strong women of all different colors, shapes, and sizes is so important right now on TV, and it is very relevant.  I am happy to be a part of that.

Photo: JPI

What was it like playing all of these entrance scenes as Amanda where your former and current scene partners had to suspend belief? There’s Bryton James, Christel Khalil, Daniel Goddard, Jess Walton, and you, and Amanda walks in like, “Hey there!” (Laughs)

MISHAEL:  We just laughed about it.  It’s one of those things that is so funny, and it can only happen in the world of soaps.  A lot of the fans said, “This is weird,” in the beginning, but the fans love the show, and they accept it, and they do suspend their disbelief, and then it becomes normal.   We just had fun with it.

You’re like, “Hi, do you like my new hair?” (Laughs)

MISHAEL:  That was the thing too.  (Laughs) I don’t even think Christel even saw my hair until she came to set, and she was like, “Oh wow! I like your new hair.”

Photo: JPI

What happened when you and Christel taped the scenes where Lily sees Amanda for the first time, after the former contentious relationship of Lily and Hilary that ultimately changed the course of both their lives?

MISHAEL:  For me, it was super fun and easy because I don’t know any of the Hilary/Lily back-story.  I just play very oblivious like,“Hi, I’m just here.” (Laughs)  So, it’s very easy for me, but I almost envy a lot of the other characters who have to play all of these layers because Lily does have that back-story because she was charged for Hilary’s death, and the guilt associated with doing something like that, and also the hate that she had for Hilary.  Then overcoming that hate, and then going on that entire beautiful journey that they had together as women.  But now having that as a layer, and adding on top of it this woman who looks exactly like Hilary, but is a completely different person, is really interesting. Even for Bryton, I feel like he has a golden opportunity as well, because to have that love of your life, and then a new love of your life there in Elena, and then see a woman who looks just like your ex-wife is, I’m sure, really difficult.  Your mind would just be exploding!

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How did Bryton find out that you were coming back, and what was his reaction to the news?

MISHAEL:   Well, I came in for the ghost episodes, and I just couldn’t hold it in any longer.  I told him before we finalized this new deal.  He’s a friend of mine.  I wanted to get his opinion, and he was like, “You should do it!”  I was like, “Really?  It feels so weird because I just left a year ago, and I was so happy and content with leaving, so it feels weird to come back.”  He was like, “No, it will be fine.”  He’s like, “The fans will love you either way.  They’ll want you back.”   I was worried about how the fans would feel because it is such a quick return.

Photo: JPI

What is the feedback you’re getting from the fans thus far on your transformation from Hilary to now Amanda?

MISHAEL:  I feel like it’s pretty positive for the most part.  There are always going to be a couple of fans who are skeptical … or who don’t like the storyline … and even if they don’t like it they say, “This is kind of weird to bring her back as a different character.  We miss Hilary, but we love that Mishael Morgan is back, so, that kind of makes it all OK.”

The story that brings Amanda to Genoa City revolves around the legitimacy of Katherine Chancellor’s (the late Jeanne Cooper) will, and she comes in and says there was a counterfeit will etc.  She’s the messenger at this point and her client is Chance, correct?

MISHAEL:  Yes, Amanda’s client is Chance.

Isn’t she starting to question the legitimacy of her client?

MISHAEL:  Yes, but I think she still believes that it was Chance.  She’s kind of wondering now … because she even accuses Jill (Jess Walton).  She’s like, “It’s your grandson.  He’s all out to lunch.  He’s not getting back to anybody.”  Jill is very much in the headspace where she is like, “Well, this is probably not my grandson.”  Amanda is like, “I’m pretty sure it is.”  So, I think Amanda still thinks that it is Chance, even if he is a criminal, and even if he is doing something tricky.

Photo: JPI

How did Amanda get contacted by Chance in the first place to take this case?

MISHAEL:  It was an email, and then Amanda spoke to him on the phone …  or at least to who she believed was Chance.  He signed the papers, he scanned them over, and he forwarded Amanda the retainer. She had no reason not to believe that it was him.

So, when Amanda came to see Devon and company, she had no idea that there was this lookalike of her that was intertwined with this family?

MISHAEL:  No, but then after Devon tells Amanda about all of this, she sees pictures of Hilary online, but this is all done off-camera.

Does Amanda now suspect that she could be a twin? 

MISHAEL:  I think so.  I’m kind of playing that or keeping that there.  I’m kind of playing that as part of the reason why I want to stay in town because Amanda is intrigued by this other person who looks like her.  This could possibly be family.  I think it adds an extra layer as to why she wants to stay on Genoa City.  It is not just because she likes this person, or that person.  I think it is because she wants to figure out her connection to this person who looks just like her.

Photo JPI

We’ve seen Amanda be a little shifty.

MISHAEL:  Maybe a little bit. (Laughs)

What do you think we, as the audience, should be feeling at this point about Amanda?

MISHAEL:  I think we just have to wait and see.  Hilary had a lot going on before I left, and this is a new character who is slowly building.

I think that one of the things that daytime shows often have done wrong is that when they bring in a new character, they shove them down the audience’s throats too fast that they get sick of them.  I don’t know if that’s the tactic for the emergence of Amanda, more of a slow burn?

MISHAEL:  I feel like they are definitely doing a good job of building her character slowly and adding layers.  It’s not all coming out right away.  I feel like people should be feeling excited to try and figure out who this woman is because that is what it is eventually going to be leading to.  Right now, we are all just together in trying to figure out who she is.  I feel like everybody is really excited (and I am too) to get going, but even when Hilary came to Genoa City, it took about a year for her to catch her stride.  I think it’s going to take a while to really understand the meat of this character and how she fits into everyone’s lives.

Photo: JPI

Do you think Amanda feels badly about what is going on with Cane and Devon with the will, and how it would change both their lives forever?

MISHAEL:  Yes.  I definitely think that she feels badly about that.  In the beginning, it was very much her job.  I think when Devon is contemplating giving over his fortune, it makes Amanda see him in a different light, and her empathy for him starts to increase because she sees that he is a good guy, and that there wasn’t anything that he did that was malicious.

I think there is an attraction brewing here between Devon and Amanda.

MISHAEL:  Possibly.  I mean … Devon was attracted to someone who looked like Amanda.

Photo: JPI

Will she like him if he has no money, though?

MISHAEL:  I don’t know… I mean, Hilary definitely wouldn’t. (Laughs)

What do you think about working with Brytni Sarpy (Elena)? I see a triangle or quadrangle brewing and I see catfights in your future!

MISHAEL:  I love Brytni.  I definitely see that because Elena is definitely in the state of mind where she can’t stand this Amanda character.  The second she walked through the door, she couldn’t stand her.  I’m sure there are going to be some catfights coming.  I’m sure that it is going to be very entertaining for everybody! We’ll see.

Because you were considering being a lawyer … wait until you get into the courtroom set for some scenes!

MISHAEL:  I know, I’m excited for that!

Christian LeBlanc (Michael) always loves the courtroom monologues because he says it’s like doing a stage play.  Will you be up for that?

MISHAEL:  I think it’ll be ready for it.  I had a little one already to kind of warm up.  I won’t tell you what it was about.  I was like, “I can do this,” and I think it would have been even more fulfilling if there were an actual jury there where it feels like you’re performing.

Photo: JPI

What kind of lawyer is Amanda?  Does anyone know? (Laughs)

MISHAEL:  Well, right now she specializes in estates and trusts, but the one thing that I do know about attorneys is that technically with your license you can kind of do anything.  It is just that your experience will be in a specific area.  So, certain people may not want you to defend them, because you’ve never defended people in these cases.  I feel like it is not the same as a surgeon.  A surgeon specializes in the heart, and they don’t really do anything else, but as an attorney, you can kind of do anything.  You can defend anyone if the price is right and you feel confident.

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When you were thinking of being a lawyer, did you think of the kind of lawyer you wanted to be?

MISHAEL:  Well, when I wanted to be a lawyer, I wanted to be an international human rights lawyer.  So, something very different.  I wanted to save the world.

You know what they should do?  Maybe Amanda could have a courtroom show.  Instead of Judge Judy, it could be called Judge “Mandy”!

MISHAEL:  Put people in their places.

That’s if Amanda doesn’t get a talk show gig on the side, like Hilary did with GC Buzz! (Laughs)

MISHAEL:  With the courtroom cases, and the talk show, that would be a lot.

Photo: JPI

We talked about Hilary and taking her through everything she had gone through, and it really was the perfect ending when she passed.   Do you look back on that time and that work which we all loved so much?

MISHAEL:  Yes, I do.  I still look back on it, and I feel so blessed to have gone through that journey with her and to have created such a great character.  There are times when I’m like, “Yeah, coming back as Hilary would have been a lot of fun,” because I read the lines, and I know how Hilary would say everything, and now I have to figure out how Amanda says it – and it never feels the same, because I got so used to this being Hilary’s home.  I feel like Amanda is a little more like me, so there is a little less playfulness happening.

You want more of that which is reminiscent of Hilary, or not as much with Amanda?

MISHAEL:  I feel like naturally there is not as much now with Amanda, but I do want more of the playfulness to happen. It’s fun to play that on camera.  I feel that’s the fun of acting and pretending in that you get to be less of yourself, and more like a character.  Hilary was so different from me that it was just so fun to play her.  I feel like I’ve got to find those things in Amanda that make her unique and different that I can indulge in.

Photo: MMorganInstagram

In real-life you’re now a mom of two.  When you leave your kids to come to work, is it hard for you?

MISHAEL:  It is, but it’s okay because my husband stays at home with them.  We bounce back and forth.  He doesn’t work when I am working, and the days when I am not working, I am at home, and I get to enjoy time with them.  Then, when I am working, he stays home, and he gets to enjoy time with them.  It sucks to leave them, but at the same time it’s great to know that they are getting to spend time with their father, and I’m getting some ‘me time’.  I think that is necessary, because being a stay at home mom was a lot harder than I thought.  It is exhausting, and you are always on call.  You feel like you’re a surgeon.  It is just too much at times.

You always have the best Instagram photos with your kids and their outfits.  Are you going to have them dressed for Halloween?

MISHAEL:  Oh, yes.  They are going to dress up.   My son is going to be a firefighter, and I am going to be the fire, and my husband is going to be the fire hydrant, and my daughter is going to be the fire dog, the little Dalmatian!

Were you thrilled that you had a daughter this time, after previously having a son?

MISHAEL:  Yes.  At the time, I was okay with whatever the gender turned out to be.  I know everybody says it, but as long as they’re healthy, that is the most important thing.  I even thought about if I did have another boy, there would be that brother bond.  I grew up with sisters so to give him a brother would have been great, too.  Everybody always wants to have one of each because you want to be able to see what a boy would look like, and what a girl would look like, and their temperaments and all of that.  So, it’s nice that we got one of each.  We are happy.  We are good.  No more kids in my future.  (Laughs)  I shouldn’t say that too much because what if I do get pregnant, and my kid is like, “I was definitely an accident, Mom?” (Laughs)

We don’t know who Amanda has ties to at this point, but would you like to see her in another romantic relationship with some guy who is not Devon?

MISHAEL:  I would like to see that just because it would be something that kind of defines her as her own kind of person with her own journey and her own likes and her own dislikes.  I even feel that if she just ends up with Devon, it would be kind of weird.  We don’t know if Hilary and Amanda are related, but if they are related somehow, you would not have the same experiences, you would not have the same connections as this person.  As far as who I would want to work with, I don’t know.  I don’t know how to judge.  Well, Sean Dominic (Nate) has been awesome.  It would be kind of cool to be with Sean character-wise, because if Amanda ends up with Nate, that’s a relative of Devon, so Devon would have to see that all of the time … so that’s interesting.

Photo JPI

How is working with Sean?

MISHAEL:  Lots of fun.  He actually has the same birthday as my dad.  He’s a really cool guy, and we get along great.  That is half the battle because every now and again (and you rarely hear about it) you can’t stand the person you’re working with, and every time you get into scene work with another character, you’re always wondering, “Am I going to get along with this person?”  I love Bryton because we definitely have a special connection when we are on camera and when we are working together.  We’ve known each other for so long, and we’ve done so many amazing scenes together, and I think there is a lot of trust there.  It’s easy to just work with him.  That being said, the challenge of working with another character would be great as well.  We’ll just see where the chips fall.  Either way; I’m going to have a blast.

So, Camryn Grimes (Mariah) and you obviously have this great relationship together on-screen.  Mariah was Hilary’s dear friend.  Did you ever see her performance after Hilary died and her heartbreaking monologue on the set of GC Buzz?

MISHAEL:  Yes, I did.  It was amazing.  She’s an amazing actress.  She’s an amazing person.  I was so happy to work with her, and I am so happy to be back, because we are such good friends.  My first day back on set when I walked in, Camryn was the first person I saw.

Photo: JPI

Did Camryn know you were coming back to the show as Amanda?

MISHAEL:  Yes, she knew I was coming back.  We had a big hug and everything like that, and we were laughing about the fact that she’d come back to Y&R too as a whole different character.  So, I was like, “What pointers can you give me?” I would really love to figure out how Amanda and Mariah can work together.

The big question … I wonder if Amanda will have friends in Genoa City? (Laughs)

MISHAEL:  I think she would.  I mean, I know she is a little uptight, but I think she’ll have friends.  I hope so.  I don’t know who though. Guess everyone will have to stay tuned to see.

So, are you happy to see Mishael back at The Young and the Restless? What do you think of the character of Amanda Sinclair thus far? Do you want to see her with Nate, Devon, or someone else on the canvas romantically?  Do you think it will turn out that Hilary and Amanda were twins? Share your thoughts via the comment section below.

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B&B’s Matthew Atkinson Talks On Thomas’ Vendetta With Brooke & Playing The Manipulative Bad Boy Of The Forrester Clan

Since coming to The Bold and the Beautiful earlier this year, Matthew Atkinson is making his mark in the role of Taylor (Hunter Tylo) and Ridge’s (Thorsten Kaye) son, Thomas Forrester.  But while Matthew was a recast for his predecessor Pierson Fodé, his Thomas is quite different.  The new Thomas is a bad boy capable of horrific manipulations to get what he wants, and a young man who has caused so much suffering already for the Logans, Spencers, and the Forresters  But is there a heart underneath that often volatile exterior?

After all, Thomas went to great lengths to keep Hope (Annika Noelle) in a relationship with him and for her to be a “mother” to his son, following the death of Caroline.  So, what did he do? He covered-up and blackmailed many people to keep their mouths shut to the truth – that his sister Steffy’s (Jacqueline MacInnes Wood) little girl, Phoebe, was actually baby Beth, the child Hope and Liam (Scott Clifton) believed had died at birth!

Following the big reveal, and getting a bit of comeuppance, Thomas landed in the hospital with a questionable push from Brooke (Katherine Kelly Lang) after a fall.  After promising to change his ways, looks like Thomas is back to scheming and conniving – this time to make sure Brooke gets payback and that her marriage to his father blows up to smithereens.  Meanwhile, Thomas needs to be a better father to his little boy, Douglas (Henry Joseph Samiri), but will the Logans and the Spencers come between father and son?

Michael Fairman TV chatted with Matthew Atkinson to get his take on: the emotional make-up of his incarnation of Thomas Forrester, what his ultimate takedown of Brooke would be, and how he thinks Thomas can find a way back into the family good graces, and more.  Here’s what Matthew had to say about it all.

Photo: JPI

Thomas really has a vendetta with Brooke.  The scene where Brooke slaps him illustrated just how deep-rooted his issues apparently are with her. What did you think about what Thomas said to Brooke that came to a boiling point with the slap, and what was it like performing the material with Katherine Kelly Lang?

MATTHEW:  Katherine rocks every chance I get to be around her.  She is such a sweet human being and so fun to work with and takes her job seriously and puts a lot of work in, and I think it shows.  As far as the scene goes, every chance that I get to work with her is fun.  She’s just a great actress.  Brooke basically had this vendetta against Thomas for a while now, and she was the one who unjustifiably went a little crazy about Thomas before anybody knew Thomas was off the rails.  So, it’s kind of this interesting culmination of having that where she has built herself up to hating Thomas at this point, and she is just scared of him and what he could possibly do.  Then you have Thomas, who has hated Brooke ever since she came in and destroyed his family.  There is so much emotion there and so many levels to it.  It’s just so much fun to play around with, and in those scenes especially, it is kind of like neither one of them really has a filter.  They are both just going at each other.

He is punctuating his plan by telling Brooke that she may, “Have his father tied around her slutty little finger, but her reign of terror ends with him!”  I was just like, “Uh-oh.” (Laughs)

MATTHEW:  Yeah, and that’s how Thomas sees Brooke.  He sees her as this slutty woman who came in and kind of giggles her way into his dad’s life and flirted with him and destroyed his entire family.  Thomas sees her and all of her sisters as these air-headed women who are kind of just family-destroying kind of people.  They come in, they do whatever they can to get what they want, and he doesn’t care about them at all.  I think he has kind of gotten to this point, especially with Brooke … considering what happened with Hope and that he has this genuine love for Hope.  Brooke won’t even accept that, or think about that as a possibility with how she views him.   It’s that crazy dynamic and those scenes were definitely an emotional peak for both of them.

Photo: JPI

Thomas seems to become obsessed, and laser-focused on people like Hope, and now Brooke.  What has happened to him?  How are you playing this behavior pattern of his that we are seeing established?

MATTHEW:  Some of the most successful people in the world are people who obsess over things.  I think Thomas is like that, but I think that since Caroline’s death, his obsessive nature has been so focused on things other than fashion.  They aren’t his job and what his talents are, which is where he should focus all of that energy, but instead it’s been on his son needing a mother.  So, getting Hope in his life was key to him, and with Brooke, it’s a woman who has destroyed his entire family.  He wants his dad to be better off.  He wants his entire family to be better off.  He honestly feels that they would be better off without Brooke in their lives, and so that is what he is focused on.  I don’t think it’s necessarily a bad attribute to have when it is focused in the right direction, but for Thomas, since the death of Caroline, his focus has been on things that are a little abstract and are not necessarily objectively sound decisions.

Photo: JPI

What was interesting was that I did not know how they were going to be able to save the character of Thomas on the B&B canvas after all that he has perpetrated.  But then, there were scenes in the hospital where he is recovering from his “fall”, and Thomas is having big emotional scenes with Ridge and Steffy.  In those moments as the viewer, you say to yourself: “Oh, they’re going to redeem him,” but then they don’t.  He goes right back to a new vendetta.  What did you think of those plot twists?

MATTHEW:  The interesting thing about this character is that I don’t think this guy is a bad guy.  I think he is a guy who is doing a lot of bad things, but I think a lot of people can relate to him and the struggles that he is dealing with: being a single father and having a rough childhood with his family being broken up.  This is a guy who wants his father to approve of him and respect him and he has never really felt that way.  I think a lot of people out there know what it’s like to have a parent who they just want approval from but can’t get it … couple that with the fact that he let his sister down.  Everybody knows what it is like to think that they are making the right decision and end up making the wrong decision and possibly hurting someone in the process … and the kind of shame that you feel from doing something like that.  I think this makes Thomas an interesting character where viewers could say, “Well, he is doing bad things, and I don’t agree with anything that he is doing, but I can relate to him, and I want him to be better, and I want him to get better and become the good person we all know he can be.”  Yet, Thomas just keeps making all of the wrong decisions.

Photo: JPI

I predict that in short order, Thomas will be in cahoots with Shauna (Denise Richards)!

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MATTHEW:  Okay, we shall see.  (Laughs)  They have aligned interests; especially at the moment, when it comes to removing Brooke from that situation.  I think with Shauna, it’s fun that Denise Richards has come into this role and what she has done with this character.

Denise Richards is doing a great job in the role.

MATTHEW:  She’s amazing, but I think that behind the thought process she has is this woman, Shauna, who is not so dissimilar from Thomas, and is willing to blur the lines of what is acceptable and morally sound to make sure that she gets what she wants.

Photo: JPI

When you were taping those emotional hospital scenes where Thomas admits he has lost his way, and reaching out to his dad to try to find forgiveness, how were playing those scenes with Thorsten Kaye?

MATTHEW:  I respect Thorsten a lot as an actor.  I just love having scenes with him because I feel like we play off of each together so well.  When we enter a scene together, we are both in it.  When you are both in it, something real happens from that, and those real moments are kind of magical in a way, and it makes you feel great about the work that you do.  Thorsten shows up, and he’s prepared, he knows what he is doing, and at the same time, there is this connection between father and son.   I think Thorsten and I have definitely done that as father and son, and Jacqui and I have done that as brother and sister.

Since the show usually has you shirtless or sneering in scenes (laughs), I was so happy that they finally let you have some crying scenes.  It was at the point that the audience was able to see you bring another emotional level and dimension to the character.

MATTHEW:  I think he is not a guy who breaks down and cries very often.  It takes something very serious (especially for him) to get to that point.  For Thomas, the most important thing in the world is family, and he has kind of destroyed his relationship with his own family with what he has done, and I think that from the inside out is what breaks him.

Photo: JPI

Speaking of shirtless scenes; in a short amount of time you have been with the show, I think you may have set a record there.

MATTHEW:  (Laughs) Yep.  It’s all the time because the wardrobe sends me mostly pants – no shirts (Laughs).

Obviously, there is the issue of Thomas’s son, Douglas … and will he lose him because Hope and Liam want to gain custody of him. Brooke wants Thomas out of Douglas’ life for good.   This poses a major obstacle for Thomas moving forward. Agree?

MATTHEW:  Sure.  However, Brooke has no legal right to stand on.  You can’t just take a guy’s son.  There’s no legal way to do that, but they can try their hardest to either sign adoption papers or sign over custody, or something like that, but there’s not a legal way they can go and just take his son.  There are a lot of people who I understandably think Douglas would be better off with being raised by Hope and Liam, but I think Thomas has a point of view too, and just because he is going through a bad part of his life at this time, doesn’t mean that he is unfit to be a father.  I think Thomas will prove that he is fit to be father and all the while, a great force to be reckoned with,

Photo JPI

But, Thomas hasn’t been so great to Douglas, either.  Hasn’t he yelled at his son, manipulated him for his own gain, etc?

MATTHEW: Right, this was kind of right before the truth about Beth came out, and Thomas was on this massive downward swirl where he wasn’t thinking clearly; he wasn’t himself. I  think in reality, you have a person who went off the rails, he wasn’t being himself, he found the person he wasn’t, and I think that the “accident” of Brooke pushing him off a cliff, the slip, kind of clarified his intention in life to be a good, standup person from here on out.  So, I think his priorities are straight now, and I think he is thinking clearly.  I don’t think he is in the same mental state that he was before, but that doesn’t necessarily mean that he won’t be manipulative and that he won’t get what he wants, because he will.  There was a time that he went through a headspace when nothing was really clear for a minute, and he didn’t really have any moral backbone, but I don’t think that moving forward you’re going to see a Thomas Forrester that would hurt his son.  You’re going to see a Thomas Forrester who will stop at nothing to protect his son.

How does Thomas feel about Hope now, especially since Hope wants to raise Douglas? 

MATTHEW:  Well, here is what I will say; I think that Thomas has always had a love for Hope. I think he respects her as a person, I think he has seen her be a mother to his child, and that is undeniable … how much of a connection that she has to Douglas, and she is incredibly important to him.  Thomas can basically discard any Logan except Hope.  Hope is kind of his kryptonite.  So, going forward, I think you’ll maybe see a guy who wants to discard Hope as a person who he cares for (her and the rest of the Logans), but he may not be able to do that, because she has got a place in his heart that he can’t compartmentalize and leave behind.

Photo: JPI

What can you say about working with Annika Noelle, because you as Thomas had been terrorizing Hope for many months?

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MATTHEW:  Well, she’s a sweetheart, but also, secondly, she is a badass.  She could kick my butt any day of the week.  So, I just had to make sure that in between takes I said, “You understand that I wouldn’t do this to you.”  She’s so sweet, and she was actually one of the first people to talk to me about taking over a role on the show, because she had been one of the most recent people to take over a role, and that was something that was really hard for me.  Coming into a character that has already been there for 30 years, you have a lot to live up to.  She was amazing from the beginning just helping me through that process.

On that note, what did you think of the epic fight scene on the rooftop opposite Scott Clifton; right before all the truth came out to Hope that Beth is alive and Thomas was lying to Hope and up to no good?

MATTHEW:  So much fun.  The shots they got were incredible.  Shooting those fight scenes was so much fun and I love Scott to death.  So, every time we get to work together it’s fun, but just getting outside and literally pretending to beat the crap out of each other is a blast.  We got to go out to Malibu, and I got to fall over a cliff.  What else can you say about that? (Laughs)

Photo: JPI

There is another interesting relationship Thomas has on B&B, and that is with his friend, Vinny.  How has it been creating the on-screen dynamic with Joe LoCicero (Vinny) as these two scheming dudes?

MATTHEW:  I like it, and I love Joe.  This dynamic between these two guys is really funny because you have this shrewd, alpha male, Thomas Forrester, who is extremely driven, and insanely smart, but also very manipulative and he has got a thousand things going on.  On the flipside, you’ve got Vinny, who is just this guy who he has been friends with for a really, really long time, who just kind of lives life.  He is living in his apartment in Venice, he sells some not so legal substances just to his friends, and he’s a decent guy.  It’s just fun when we have these scenes together, because essentially you’ve got him looking at me like I’m an alien creature, and thinking, “I don’t understand this guy.  I don’t know why he is acting this way, but who cares; I’m going to eat my Chinese food.”  (Laughs) I think it kind of grounds some of those scenes especially when you see Thomas going off that rails, and his friend doesn’t even seem to notice. (Laughs)

I know! (Laughs) Thomas has got his own sidekick.

MATTHEW: I think Vinny wants to give sound advice, but he gives all the worst advice.  He’s like, “Well, the way you described it Thomas, it sounds like a good idea, so yeah, go ahead with that,” but maybe doing a little behavioral cognitive therapy and questioning would be good for Vinny.  He just kind of goes, “okay,” (laughs) but I think that’s what makes those scenes so much fun.

Photo: JPI

Having appeared on The Young and the Restless previously you know how soaps go.  There is always this fear of: “Will they kill me off if my character has gone too far?” Did at any point in Thomas’ storyline, and as you got the scripts and read all the terrible things Thomas was doing, that the character might get murdered, kicking off a murder mystery, and you’d have to make an exit?

MATTHEW:  I’d had discussions with Brad Bell (executive producer and head writer, B&B) and I kind of knew where the character was going, so I kind of knew that he was going down a rabbit hole, but that Thomas wasn’t a lost cause.  I knew that he would at least be present for the upcoming short future that I know of, that Thomas wasn’t going to find his demise, which was very nice of Brad to give me that insight into the character to not only know what was coming up, but also know where his head is at by this point.  It helps me with the character work that I do for each scene and prep for each day; because I know where Thomas’ head is going to be at two weeks from now.

Photo: JPI

Have you had any interactions with fans, or are you checking out on social media what the viewers are saying about Thomas?  Do they love him?  Hate him?  Is there a great debate going on?  What is your take on where Thomas sits with the audience?

MATTHEW:  Oh, yeah.  I definitely pay attention.  The fans are the reason I have the job that I have.  All the feedback that I have seen is positive, and by positive, I mean that it is emotionally effective.  Now, that doesn’t necessarily mean that people are happy with Thomas because most people are not happy with Thomas.  They don’t like what he is doing, and that obviously gets them angry or sad or whatever, but that is kind of the point of the show.  If you’re watching a bunch of characters who are all great people and who all do nice things, then it wouldn’t be that much fun to watch.  You’d be watching 40 Liam’s talk to each other, and it would be like, “Yeah, it’s just another day in Happy World.”  (Laughs)  I think that Thomas especially has been such a driving force in the last couple of months and caused a lot of drama.  I think there are a lot of storylines that people have connected to in the past that are really making people enjoy the drama happening now. You have the people who hated Ridge getting together with Brooke in the beginning that are happy with what Thomas is doing now.  You have the people who are pro – Liam and Steffy.  Thomas has been a big advocate of that since the beginning.  There are some people who just can’t stand Thomas and don’t like him, and he makes them mad, but the reality of it is that there is a thin line between love and hate.  So, as long as they love me or hate me, I’m happy.

So, have you been enjoying Matthew’s portrayal of Thomas? Do you think he will rip Brooke and Ridge apart for good and succeed in his plans? Do you think he should somehow pay for his manipulations? Share your thoughts on the current B&B storyline involving Thomas via the comment section below.

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Eileen Davidson & Vincent Van Patten Talk ‘7 Days to Vegas’, Their Relationship and Y&R, DAYS & RHOBH

Today’s the day for the highly-anticipated film, 7 Days to Vegas which bows in selected theaters. The motion picture which stars Vincent Van Patten and his real-life wife, two-time Daytime Emmy winning actress Eileen Davidson (Y&R’s Ashley and former Kristen/Susan Banks, Days) is a comedic gambling romp, centering around the character of Duke (Van Patten), an out-of-work actor turned poker player who makes a prop bet that he walk from the San Fernando Valley in California to Sin City, Las Vegas in 7 days.

There are some catches to this bet that make it even more challenging  … Duke has to wear a suit the entire time in scorching heat.  The events in the movie are loosely based on Van Patten’s Hollywood Poker game nights.  7 Days to Vegas features a fictional gang of betting entertainment industry bigwigs, who are hardcore gamblers and of course, jealousy strikes.  Davidson plays Duke’s wife, KC.

Michael Fairman sat down with Eileen and Vincent at their home, and at their famed poker table for the Michael Fairman Channel, to chat about the making of the movie, their relationship and some intriguing tidbits for fans of Eileen’s work on The Young and the Restless, Days of our Lives and her time on Bravo’s hit reality franchise, The Real Housewives of Beverly Hills.

In 7 Days to Vegas, Eileen says that Vincent fashioned her role of KC after their real-life relationship adding, “They are in it together. This is a lifestyle that they both enjoy.  That is what somebody does when there is a home game; you call people up, and make sure who is going to be there.  Van Patten said, “There is a host of the game, and that is her role in the movie.”

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As to the scenes where Duke is walking to Vegas, Van Patten shared, “We shot the film in Santa Clarita, California in the hills and the mountains and all of that, and then we out five days after with a second unit shoot and shot with drones in the desert.  So, I must have walked 10 miles a day, shooting, sweating, but you don’t feel it, because when it’s your baby, it’s a labor of love.”

When asked if she would go back to daytime, Eileen shared she would be back for more Ashley on Y&R: “I am supposed to go back to Y&R in a couple of more weeks. So I am popping in and out at this point.”  Davidson also shared she wishes nothing but the best to Stacy Haiduk who inherited her roles on Days of our Lives as Kristen DiMera and Susan Banks. Eileen said she does not watch the episodes of the show anymore, because it makes her feel sad.  The roles of Kristen and Susan were so close to Davidson’s heart.

In speaking of her time on RHOBH, Van Patten shared, “I think she (Eileen) did a great job. It went by real quick. I think she did like three years on it.  I was in the background carrying her purse, going, ‘Yes, yes, here I come.”  (Laughs)  Davidson expressed: “Listen, reality TV … it’s a crazy, wild, Wild West.”  When Michael asked about the time a drink was thrown in her face, Eileen explained:  “I think Brandi (Granville) felt she needed to be relevant to be on the show, and her role was to be a troublemaker. I understand more of it now.  At the time, I was a deer in the headlights for the first couple of years.”  Vincent shared, “People always ask if this stuff is scripted, and it’s actually not, but you can spice it up”   As to if ‘Housewives’ makes up the drama, Davidson elaborated, “Before the season starts they will ask, ‘What is going on in your life?’, and maybe there is some of that behind-the-scenes stuff.  It didn’t happen with me.  I’m not saying it doesn’t happen, but it is a reality show, but it is also entertainment, and if all we did was sit around, how fun would that be?”

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Watch the full interview below with Eileen and Vincent and make sure to “subscribe” to The Michael Fairman Channel for more celebrity interview features.

Now let us know, will you be checking out 7 Days to Vegas, which will also be available on iTunes and VOD come September 24th? Do you hope there will be more Ashley on Y&R? Share your thoughts via the comment section.

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Y&&’s Eileen Davidson and her husband Vincent Van Patten chat with Michael Fairman about their new film “7 Days to Vegas”, her time on Y&R, DAYS, The Real Housewives of Beverly Hills and their relationship. Leave A Comment

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