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THE JOHN MCCOOK AND JENNIFER GAREIS INTERVIEW – THE BOLD AND THE BEAUTIFUL

John-Jennifer.jpgBy Michael Fairman

Listen to the audio:

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TV SOAP:
Are you worried that Eric is being taken by another woman, like he has in the past?

JOHN:
Certainly not!  Eric is not being taken, and this is not just any other woman!

JENNIFER:
I am not just any other woman! (She laughs)

JOHN:
Eric is not being taken by Donna.  Donna is not coming after Eric the way
she had manipulated Thorne, not at all.  Eric is surprised at how open, and honest, and
vulnerable this woman is.  She is not a girl.  She opens the door, and he sees her and he
goes, “Oh, my God!”  Donna has things to offer him emotionally, that he has never been aware of.

TV SOAP:
Stephanie has perpetrated so much.  How has that affected Eric’s decision-making?

JOHN:
Stephanie walked out on the entire family after perpetrating this last
debacle, and Eric is finished.  There is an emotional void in his life now, as there is nobody living upstairs with him, either.

TV SOAP:
Jennifer, what do you think Donna’s modus opperandi truly is, in regards to Eric?

JENNIFER:
I think she is just reacting, and not in a mode, or anything like that.  She is being honest. Here this great, wonderful, talented guy comes into her life and sweeps her off her feet.

TV SOAP:
But doesn’t Donna want to punish Stephanie?

JENNIFER:
She wanted to get back at Stephanie and that’s why she got together with Thorne, and that is why she went for him.  But, it still wouldn’t have been really nice to be with Thorne, because he is really hot and nice, and everything like that.  With Donna’s relationship with Eric, it’s bigger than that.  It’s not about revenge.

TV SOAP:
So, Donna’s feelings are true blue for Eric?

JENNIFER:
Yes, she has honest feelings for Eric.  For Donna, that surprises her because she doesn’t know what that is. This is the first time in her life she has really fallen for someone.  She has just been blindsided with this new relationship.

JOHN:
It’s great!  Yes, Eric has had several love interests in the past.  What has been delicious for me as an actor, and for Eric, is that Jennifer pretty much has been an unknown quantity.  I mean, I have seen her and said, “Hi!” and we know each other, but now it’s really wonderful to open the door in the scenes of discovery.  These two characters are discovering one another, and as actors, discover one another, too. We discover what is fun about this and what is deliciously different about it. That is the fun of being an actor.

TV SOAP:
So, you were surprised by Jennifer’s commitment and ability as an actress, in regards to this new on-screen relationship?

JOHN:
She surprises me damn near everyday as an actor.  It doesn’t scare me or blow me away,  or anything.  But, she will do something and I will go, “That’s nice!”

STEPHANIE:
He surprises me, too. I will be in the middle of scene, and he does something when he acts like a little boy and gets all excited, and it’s really fun.  John is energetic, and I think seeing that in John and in Eric, makes Donna really happy.  It’s wonderful to work with that energy and spontaneity.

TV SOAP:
Do you ever think about the older man/younger woman dynamic of this new coupling?

JENNIFER:
No, I don’t think about that very much.

JOHN:
No, I have been very careful.  I have made a concerted effort not to refer to it as a May/December romance.  This is a new Eric.  He is unburdened by the negativity of his marriage to Stephanie, and the emptiness of it.  He is unburdened by it because Stephanie is gone right now, and here is this wonderful woman.  She is honest and supportive and energetic with him, and it’s pretty cool.

TV SOAP:
But the big dilemma is whether to go back with Stephanie or divorce her and win back the company from Nick. That has got to be a huge part of this.

JOHN:
I think he anticipates a dilemma when Stephanie comes back.  But, when Stephanie comes back, I don’t think it’s going to be much of a dilemma.

TV SOAP:
But Eric could fall back into old habits!

JOHN:
He is vowing not to. This is different than before, in his relationship with Stephanie.

TV SOAP:
But, what is going to happen to Forrester Creations?

JOHN:
He desperately wants his company back.  I don’t know what is going to happen there, but I would like to see him get his company back, at any cost.  So, let’s see how that goes.

TV SOAP:
What about how Thorne feels, now that his Dad and his ex-fiancée are hooking up?

JENNIFER:
I think Thorne and Donna made peace, and we wished each other well in previous scenes… but then Thorne ends up catching Donna and Eric kissing.  I think after he sees  that his Dad is moving in, he is freaked out.

JOHN:
He freaks out!

JENNIFER:
There is a bit of jealously, and a feeling that it is kind of creepy. There is some disgust and it’s very gossipy to Thorne.

JOHN:
Yeah, it’s creepy to him and it offends him.  Eric says to him, “Stop it.  Just stop it.  Be a man here and get over it!  And let’s have a little respect here!”  Thorne is not coming at it with respect, because Dad has a new woman and it’s Donna.  It’s too fresh and it freaks him out.  Then, we have other members of the Forrester family, like Felicia… she freaks out.

JENNIFER:
Everyone is freaking out, but I don’t think Eric and Donna really care.  I think they are going to do what’s best for them and that’s being together.
JOHN:
That is something that has been very important for us to keep this going.  We deal with the other characters on the show, and when we are alone together is when we get to show each other about what this relationship means to the audience, and us, too.  And hopefully, the audience will see that.  And then they see us dealing with everything else out there, and it’s hard to deal with everything else.  But, when we are alone together we are very happy!

TV SOAP:
Brad Bell (exec. prod. and head writer, “B&B”) often changes direction in the middle of storyline and takes it off its course into another story arc.  Are you concerned about that with Donna/Eric?

JENNIFER:
Well, I hope it doesn’t change.  It would be a shame if it did.

TV SOAP:
Did you see this coming?  That after the fallout from the Thorne/Donna Wedding, that Donna would be paired with Thorne’s dad, Eric, of all things?

JENNIFER:
No, I did not see that coming.  I don’t think anyone saw that coming.

JOHN:
No!  It was a nice surprise to everybody.  Then, when Rhonda Friedman (supervising producer, “B&B”) said to me, after we were just wrapping up the wedding scenes with Thorne and Donna….

JENNIFER:
(She interrupts him)….Oh, yeah, John said to me, “Do you know what I know?”

JOHN:
And I go, “Yeah I know!”

JENNIFER:
And I go, “We are not supposed to talk about it.”

TV SOAP:
But when you first figured out that you would be romantically paired, what was your initial gut thought?

JENNIFER:
Wow!  I can’t believe we are going there.

JOHN:
Me too!  Rhonda whispers to me, “Donna falls in love with Eric” and I went, “What? Cool!”  The first thing you think of is, “Wow, this will be fun to play.”…and the next thing you think is, ”This is going to impact every other character on the show… it’s cool.”

TV SOAP:
John, what do you think is the core of Eric Forrester?

JOHN:
The core of Eric is that he is an artist and he enjoys the beauty in life, and he only wants to do that. That is what drew him to Stephanie when they were 20 years old.  That she was this business person.  She was practical about things, and the two of them sparked things in one another.  They thought that this was a great partnership, and they were right,  it was for a long, long time.  What happened to Eric is that the enthusiasm of their young time together went totally away.  Stephanie focused more and more and more on her children and less and less on Eric and the business…. and her offenses have been numerous.  She has offended the law.  She has crimes, misdemeanors and felonies for her protection of her children, and Eric has been trapped in that.  I think that it is not so much that he is weak…. because he is my Eric!  I think of him as manipulated and squashed down, and inhibited.  He’s been pushed into a corner by a relationship that has evolved into something that is not very good.

TV SOAP:
In reality, you do see many men in long-term relationships with domineering, tough, and powerful women, where they have the feeling of being stifled.  So, it is an important issue you are representing.

JOHN:
This is why I am very proud of Eric, for keeping Stephanie out of his life right now.

TV SOAP:
Jennifer, what about Donna’s feeling for her sister Katie?  Does she resent her?

TV SOAP:
I thought for a while Katie and Donna would have some problems, but she is my sister.  I guess if Katie would have not stopped the wedding, I would not have met Eric and been with him the way I have.  So, it is hard to be too mad at her when her actions caused me to fall in love with the man of my dreams.  I have mixed feelings with Katie. She is always a pain in my butt.

TV SOAP:
So, how are you going to play Donna when Stephanie returns to the mix?  Will you set out to get back at Stephanie through Eric?

JENNIFER:
Am I trying to get back at Stephanie?  No.  I think it’s a fringe benefit, and it’s not a cause anymore.  If anything, I don’t have vengeance in mind, but more justice in mind, because she has done criminal acts.

TV SOAP:
Who is perpetrating what on whom then, seems to be the central theme coming up.  Will it be Donna or Stephanie?

JOHN:
That is a good speculation! (He laughs)

JENNIFER:
She has been wrong before, and it’s not Donna wanting revenge.  It’s just that Stephanie needs to get the hell out of our lives.  It’s not just my life; it’s everyone’s life.  She is nuts!

JOHN:
She has offended everyone on the show with what she has done.  There is no reason for anyone on the show to let her through the door when she knocks.

JENNIFER:
But of course, her children are going to try to defend her.  If you are a woman, you should know what Stephanie did to Brooke was wrong, and stand up for Brooke.

TV SOAP:
What did you think about the recent Brooke storyline where she was raped?

JENNIFER:
I thought, “Ooh, that is going to be really hard to play.”

TV SOAP:
John, what did you think?

JOHN:
I think those things are always hard to play.  I salute Katherine Kelly Lang (Brooke), because she did an amazing job.  It is hard to imagine that and play it, and execute good scenes, but Katherine does it every time.

JENNIFER:
She did an amazing job!

JOHN:
It’s a cool story!  The thing that has happened with us is, that Stephanie has narrowed her cause in life so much in the last ten years, that there is hardly any room left for sympathy with her.  I think that the characters are more and more feeling that way.  I don’t know how the viewers feel, but as I said, I don’t even know why anyone would answer the phone for her or let her in the house.  When she comes in the front door, she is already in a tirade.

JENNIFER:
She throws Jackie off a balcony…. takes Brooke’s kids away…. gets Brooke raped….

TV SOAP:
Are there emotions or things in scripts that are harder for you to pull off?

JOHN:
Not for me.  I think the hardest thing I am asked to do on this show is to be angry, and to be in confrontational scenes, because I am not a controversial guy.

JENNIFER:
I love being angry!  I don’t know.  One time, I had to play high on heroine, cocaine and pot, in a movie.  I felt like, how I am supposed to know about heroine and pot!
That was a challenge.

TV SOAP:
What about when called upon to cry?

JENNIFER:
I kind of have to walk around miserable all day, if I have a crying scene that day.  The hair and make-up people are asking me, if I am all right?  And I go, “Yeah. I am just thinking about my scenes,” and they leave me alone.

TV SOAP:
John, is it hard for you to cry, on screen?

JOHN:
It’s hard to cry a little bit, from time to time.  That is the beauty of being on a soap opera with people for decades, when someone I love on this show, their character is dying.  Or if there is an emotional sweet thing that happens with my daughters, and when I look at them, it’s easy for me to well up.  I don’t have to go, “I am going to well up here.”  I will do it if it happens and when it’s appropriate.  We love each other here, and we have emotional connections with one another.  It’s not about the show or the script; it’s about each other.  We depend on each other so much.

JENNIFER:
But there are two types of crying, though…. there is eyes welling up, and then there is tears dropping out.

JOHN:
Tears dripping out, I can’t do.

TV SOAP:
Do you joke on the set with one another?

JENNIFER:
That is what is really fun about this.  If there are really serious scenes, Patrick Duffy
(Stephen) and John McCook, are so funny together.  They will exit the scene and pretend to bump heads in the door.  Laughter and crying are so close, so its fun to have some comic relief.

TV SOAP:
It helps relieve the tension during a hard day’s work?

JOHN:
When you have serious scenes that day, Mr. McCook is not going to be as funny and as goofy as he wants to be.  But, I am still going to do that, because you want to blow off steam when it’s building up.

TV SOAP:
Who is the goofiest “B&Ber”?

JOHN:
I am goofy, and Ronn Moss (Ridge) and Patrick Duffy are great.  Patrick is great coming back on the show, because he worked with Larry Hagman (Ex- JR Ewing, “Dallas”) all those years.  Those people were crazy on “Dallas”.  So, it’s really goofy and fun.

JENNIFER:
All the girls are giggly.  Katherine Kelly Lang and I are giggly.  Heather Tom (Katie) is pretty giggly, too, but not as giggly as Katharine and I.

JOHN:
Heather came in with two copies of a magazine that had someone else on the cover besides Forrester.  She came in and her first line is, “Have you seen these?”  And we’re talking about PR, and she’s wearing this pretty low cut dress.  She came in and put the magazines down and said, “Have you seen these?”  (He laughs) She is such a funny girl.

To hear this audio snippet, click back to The Global sections,
“New This Month” area.

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TV SOAP:
How is it rolling around together in bed, on screen?  Is it fun?

JENNIFER:
Yeah, sure it is. Why not?

JOHN:
We have to have a matter of fact, point of view about it. You can’t be 17 years old and come in here and be naked in a tube top, and come into a bedroom scene.

JENNIFER:
I think on Monday, I got too into it.  I think I forgot where I was.

TV SOAP:
What can we tell fans to look forward to from Donna in the coming months?

JENNIFER:
Look for Donna to stand up to Stephanie, and stomp her into the ground.

TV SOAP:
And Eric?

JOHN:
Look for Eric to tell Stephanie to get a room somewhere.

TV SOAP:
Jennifer, in a few words describe John McCook.   John is…?

JENNIFER:
Funny, silly, handsome, good kisser… did I say that?  I am embarrassed!

TV SOAP:
And John, describe for us Jennifer Gareis.

JOHN:
She is a sexy girl!  I love that she has opened her creative side to playing this woman, and being touched in a different way in the character, than she has done before.  I have seen all of her stuff and she is a sexy girl, and I love what she is doing with this material.  I love what we get to do together.  She is not only sexy and beautiful; she is conscientious and working really hard on it.

TV SOAP:
What is better… being on the front burner or back burner with storyline?

JENNIFER:
Front, front, front.

JOHN:
Front, for me, too.  I want to be out front all the time.

JENNIFER:
It makes me feel anxious when I am not.

JOHN:
You go, “Oh my God, now that I am this age, am I less important to the show than I was ten years ago?”  That happens, too.  We are all children and we are afraid when we are not being used.  When I am on the back burner, it bores me.  I love to come in and work, even when I am on the back burner, if I am being cavalier about it.

JENNIFER:
I guess the thing is, being on the back burner helped me with school.  I am half way through my MBA, and now I don’t have time to continue it at the moment because of the new storyline.

TV SOAP:
In the soap world, you never really know from week to week, month to month, what direction your character may go. How do you deal with that aspect of being a soap actor, and the insecurity it can bring?

JENNIFER:
You’ve got to take it one day at a time and one week at a time.

JOHN:
The cliché is true.  If Eric is having pain in his heart before dinner; you better call your agent!

TV SOAP:
What do you think Donna thinks of Thorne/Katie’s budding romance?

JENNIFER:
I think if it hadn’t been for Katie breaking up the wedding, I wouldn’t have met Eric, so I don’t think I can be too upset.  It’s not like I really loved Thorne.  So, when you are really not in love with someone, there is not that weird jealousy thing going on.

TV SOAP:
Can you see the four of them, Katie, Thorne, Donna and Eric, having dinner together?

JOHN:
That would be an interesting dialog.

JENNIFER:
Yeah, I think it’s fine.  As long as Donna gets her way, Katie can do what she wants.

JOHN:
Once in awhile I think, “This is a silly thing for an adult to do for a living!”

Interviews

Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Interviews

Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Days Of Our Lives

DAYS Thaao Penghlis Chats on His Daytime Emmy Nomination & How He Makes Tony DiMera One of a Kind

He has been one of the longstanding cast members of Days of our Lives and certainly of Salem’s notorious DiMera Clan; and while Thaao Penghlis may be off our screens for a time and then comes back again; though the years one thing has been true, he delivers top-notch performances in a way that is uniquely ‘Thaao’.

This year at the 47th annual Daytime Emmy Awards to be broadcast on Friday night, June 26th at 8 p. m. EST, Thaao is vying for the Outstanding Lead Actor prize amongst a formidable group of other daytime favorites.  And this makes it two years in a row that Penghlis has received an Emmy nomination although this time in a different category.

As fans know, Penghlis takes the art of acting seriously, and expects other he works with to bring their A-game, just as he does time and time again; whether it be playing DAYS dashing Tony or the evil Andre or when he portrayed Victor Cassadine on General Hospital.

Michael Fairman TV spoke to Thaao to get his thoughts on: receiving the Emmy recognition and what it means to him what he thought about his nominated scenes, plus what he might be doing at home during the ceremony, and where he hopes Tony DiMera’s future is headed.   Here’s what Thaao shared.

Photo: JPI

Tell me about what scenes you submitted that landed you a Lead Actor Emmy nod!

THAAO:  Well, the week I came back to DAYS, I had 11 shows, and this material was from one show of three I did one day!  When you think of other actors doing 150 shows, and I did less than 50 this past year, my choice is kind of limited.  So, when I came across these particular scenes, which were with Eric Martsolf (Brady) and with Arianne Zucker (Nicole), what I liked about it is that usually when you see other peoples’ work, its histrionic, it’s great tears, it’s drama – and what I was able to put together had a through line and an arc from beginning to end.  It makes it very logical when somebody is following your story, and you can show a whole ebb that makes sense.  I had some lines that were really difficult to say, like, “Coming back from the dead is not easy.”  When I get lines like that, I throw it away, and because of that, it becomes humorous.  I have to say I work well with Arianne.  She was great.  I found in the past, when I have worked with some actors, they step on your lines.  I found the best way to stop that is I put my hand up, and I say, “Hey!” and everything goes silent.  They go into shock mode, and I say, “I haven’t finished,” and then I go on.  (Laughs)  So, when Kristen as Nicole starts to talk to Tony the way she does, and she says, “You’d better behave…” I thought, “This is a DiMera you are talking to,” so, I just snapped back at her.  I gave her a, “Hey!”  So, she shut up, froze, and I went on.

Photo: JPI

Would you say your reel was more comedic … or both funny and serious?

THAAO:  It is both.  There are subtleties to it.  There is a teacher I know in Australia, and she is very critical.  She said, “I want to see your work.”  I showed it to her, and she wrote back, “Oh my, God.  How did you make those transitions so readily?”  I went, “Oh.  How did I do it?”  I didn’t think of that.  I think it’s an old technique.  It’s called having to do 3 shows in one day, and you had better get your stuff right, and it’s about how do you make a scene work?  There is one director who I did a miniseries with who said to me, “Where did you get your training from?”  I said, “Daytime.”  He said, “My God.  You certainly know how to have a camera follow you,”   Well, the camera has to follow your movement.  So, when I finished a transition, I’d move to another spot, and the camera had to follow me.  So, what happened in the arc of this Emmy-nominated piece is that I took charge and controlled the scene so that it became a scene of lots of transitions. And of course, charm, I did all of what I thought Tony would be.  He is a DiMera.  I have one of those looks. I don’t know where it comes from, maybe it’s as I get older, but I’ve learned how to work the camera where I may slam something first to get your attention, and then the camera comes onto your face, and you’re going, “Oh, what the hell is he thinking?”  So, I can play the dark side quite readily, and yet in my real life, I’m not so bad. (Laughs)

Courtesy/ABC

You have Thorsten Kaye (Ridge, B&B) and Steve Burton (Jason, GH) also in your category, and these guys who are obviously been soap veterans like yourself.  What do you think about the group you have been nominated with? 

THAAO:  I never worked with Steve Burton, but hear good things.  I know Jon Lindstrom (Kevin/Ryan, GH).  He’s a lovely actor.  I have worked with Jason Thompson (Billy, Y&R).  He’s a lovely actor.  He is well-trained.  So, it is nice to see that the nominees are all vets.

Right, they are all vets.  It seems like a good group to be with. 

THAAO:  I agree, and I love that the Daytime Emmys are coming back to television.  I think it is an upswing when they think of daytime dying.  I think whoever made this happen is taking on the responsibility of taking daytime back.  It is why people love novellas.  People love the story, they love to follow the characters, and we’ve got fantastic fans.  I mean, what would we do without them?  You can’t sustain the show without them, and you pay a price, you have to know how to entertain them because once they know who you are and what you’re about, they get bored.  So, you have to be ahead of your audience all of the time.  That’s what I have always tried to do with both characters that I’ve played on DAYS

Photo: JPI

They’re doing a virtual ceremony this year.  How do you think you would dress while watching the ceremony?

THAAO:  You don’t wear a tux in your house, do you? So, I’ve invited some people for a celebratory time.  Lauren Koslow (Kate, DAYS) and her husband Nick Schillace (head of make-up, DAYS) and Leann Hunley (Anna, DAYS) are some of my great friends who have been very supportive of me through some tough times this year, and I’ve got a friend who has got  a wonderful restaurant, and he is going to cater it.  Probably it will be a group of 10.  You know, could you imagine being here on your own, in a tuxedo, with a glass of champagne? (Laughs)

I know, kind of awkward! (Laughs)  You’ll put something nice on for the big night, right?

THAAO:  Yes, you know me.  I’m always dressed.  What would you suggest?  Sweatpants on the bottom and a tuxedo jacket!  How about that? (Laughs)

Photo: JPI

Now, you have been previously nominated for Daytime Emmys, too!

THAAO:  Yes, and last year I was nominated as well for Outstanding Guest Performer.  So, it’s kind of nice to be back-to-back, and in 2008, I was nominated for Lead Actor when I played the clown in the Tony and Andre storyline.  Thank God, DAYS recently DAYS had James Reynolds (Abe) wining in the Lead Actor category.  I thought, “Wow.”  That was for years and years of good work that he’s done, and also, Greg Vaughan (Eric) wining for Supporting Actor was very nice, but we haven’t had that many wins in the acting categories over the years.

Photo: JPI

DAYS tapes so far ahead of air; that what was once a seemingly major concern has paid off swimmingly during the coronavirus pandemic.  The soap is the only show to have enough episodes in the bank for months ahead when production shut down and enough even when other shows go back into production.  Who would have thought?

THAAO:  We used to think it was ridiculous that DAYS taped eight months ahead, but look at us now! Who would have thought is right?

What would you love to see happen with Tony when DAYS does resume filming new episodes again? 

THAAO:  I’d like to go back and play the head of the DiMera family.  I’ve never been granted that, and I think, at this stage, with the way I worked with Joe Mascolo (Ex-Stefano) it would be nice to see the transition just like Michael Corleone did in Godfather.

So will you be rooting for Thaao to take home the gold as Lead Actor in a Drama Series come Emmy night?  Do you hope DAYS writes Tony into upcoming story, and if so, how would you like to see him on the canvas? Comment below.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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