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THE KYLE LOWDER INTERVIEW – THE BOLD AND THE BEAUTIFUL

By Michael Fairman

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KyleLowder1.jpgBy Michael Fairman

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TV SOAP:
Kyle, how has it been working with Hunter Tylo (Taylor) in the new budding romance between Rick and Taylor?  Did it come as a surprise to you?

KYLE:
It has been great working with Hunter.  The switch in storyline was a bit shocking for me, because I thought the characters of Rick and Ashley were going to come about, but it’s now been interesting with the Taylor situation.  The fact that she is Phoebe’s mother and Rick and Phoebe had a relationship stirs the pot.  This show, in my opinion, has been very good at taking situations like that and making them very dramatic and believable, and not out of this world far-fetched. Working with Hunter is great!  She is such a gifted actress. The scenes with her have been fun and challenging, and we have had a good time thus far.

TV SOAP:
Challenging in the way that once again Rick is involved in an older woman/younger man romantic situation?

KYLE:
Yes.  It’s challenging because again, it’s the ‘older woman/younger man’.  Eileen Davidson (Ashley) and I would have that conversation where we would say, “I have never done this before in work and in reality.”   Hunter was the same way.  She said, “This is interesting.”  It’s definitely something new for me as well.  I had a little experience with Eileen last year.  The whole younger man/older woman thing is challenging to make work, not personally because of the actors, but the story itself.  I want to make sure that Rick going to falling in love with Phoebe, to falling in love with Ashley, to falling in love with Taylor, is believable with this character.

TV SOAP:
So, to make it work you need to justify it as an actor.  Does it concern you?

KYLE:
I have to justify it, or it becomes an actor just playing this role and playing what’s on the page.  I think at the end of the day, it could be a bit unwatchable, not because the story is poorly written.  You need a character that people can become emotional attached to and not just blow him off because he is man who has no substance to him.  I want to make Rick a guy with substance and believability, and someone a woman can get attached to; otherwise, the fans are not going to take it seriously.

TV SOAP:
Did Brad Bell (exec prod and head writer) “B&B” give you any heads up that this story with Taylor was coming?

KYLE:
I had a brief talk with Brad.  But to be honest, he did not tell me any details.  But he thought of the possibility, and the seed was planted in my head.  I never gave it too much thought till I actually started seeing the scripts.  Now, I have seen what’s going to happen, and it’s well written, and it’s up to me to get people to jump on board and become emotionally involved with it.  Otherwise, they will say, “Oh God! Rick, he is such a weirdo.”

TV SOAP:
Are you at all concerned that it may appear to viewers and fans that they keep testing the character of Rick with different females on “B&B” to see what works?

KYLE:
That’s a good question and I think about it all the time.  Especially on ”B&B” where you do not have a lot of contract players, where at “DAYS” where I came from, you have an hour-long show with 40 cast members, and the possibilities are endless.  Here at “B&B” it can turn into that.  I have heard fan on message boards saying, “Oh, they are just testing chemistry.”  They are not saying, “Oh look at this story,” and “Oh, B&B is testing again.”  I don’t want it to come across that way.

TV SOAP:
How then would you ultimately like the fans to react to the new Taylor/Rick pairing?

KYLE:
In the first script, Rick shows up at Taylor’s house to give her a gift and we see what the writers want to do, and that’s great.  It’s my job to say, “How would this really happen that somehow Rick would become interested in Taylor and fall all in love with her?”   I want to turn it from a chemistry test for the fans to, “Ooh. I like this sexy, hot story with Taylor.”   Or, they have a strong feeling that its not.   I want the fans not to just look at it as a chemistry test between two actors.  That is the challenge.

TV SOAP:
What about Phoebe?  Have you had scenes yet where she finds out that her “ex” is now dating her mother?

KYLE:
I have.  They are fresh and I have taped scenes like that.  I will say, it’s definitely on my mind, like, “What about Phoebe? What happens when the three of us have a scene together?”   It’s pretty crazy though, and I cannot divulge anything more on that.

TV SOAP:
Hunter Tylo has a very unique working style on set.  She is very committed to the work and likes to take lots of notes.  How does her style mesh with yours?
KYLE:
She does take lots of notes, and it’s inspiring.  Working with her is different and her approach is, too.   Hunter is very experienced and talented.  I love her process, and she does have a lot of notes.  She takes the dialog that’s on the page, and the scene at hand, very seriously. She goes above and beyond normalcy to make the scene very believable in her own eyes.  She takes everything to heart.  It is evident when you look at her scripts.  There is chicken scratch written all over them.

TV SOAP:
Is your process similar?

KYLE:
Mentally, I am on the same page as her, but I am not as thorough.  I try to take a situation in the script, and I spend a long time seeing how it would play out.  First, I take my own reactions on how I would react to it.  Then I see how Rick would react to it, which is more dramatic and messed up than mine, only slightly. (He laughs)  I then come up with an average between the two and go with that.  The cool thing about Hunter is we recently filmed some dramatic scenes, and I give her credit.  She was so not just standing on set and really was in the situation mentally.  She is very inspiring!

TV SOAP:
How do you think the recent writers strike affected the scripts you were getting at “B&B”?

KYLE:
If I had to formulate an opinion, because the writer’s strike was a sensitive situation and I don’t want to single out “B&B”, but daytime in general kept going.  Scripts kept coming, writers were tentative, or not entirely comfortable, not experience wise, but just going to work.  My perception of it was that the writing was a bit conservative.  I am saying on the safe side.   I am not saying the scripts were bad or good.  I am just saying, because of the tentativeness of the situation, it came through in the writing a bit.

TV SOAP:
How has Eileen Davidson reacted to the defecting of Rick to a new romance with Taylor? Was she upset?

KYLE:
We had a funny talk about that.  It’s no secret that we felt there was something there between Rick and Ashley, and quite selfishly with me and Eileen, in terms of working together.  We love to work together.  We were teased around a bit when we both first came on the show.  Then the show focused on Rick and Phoebe, which was also great. Now, we come back from the holiday and think maybe something can start up again between Rick and Ashley and we find out, no, it’s Rick and Taylor.  For Eileen, and me we were laughing.  We were saying, “Just give us story!”  Then we thought could we have an Ashley/Rick/Taylor triangle?  I don’t know.  That remains to be seen, but at the end of the day, Eileen and I do have a laugh about it, like, “C’mon! Just give us a chance. One chance, to dive head first into the pool.”

TV SOAP:
So, you were both a little upset?

KYLE:
I don’t want to say we were upset, that would be a bit dramatic. We were more tongue and cheek. We were not pissed off about it.  We just felt we dipped our toes in the water, if you will, and we just wanted to dive in and see where the story would go.

TV SOAP:
Over at “DAYS” so much has been going on behind the scenes. First, with the news that the entire writing staff at “DAYS” was just fired!

KYLE:
Oh gees!  Oh dear. I did not know this.   My wife Arianze Zuker, who played Nicole Kirkiakis, is returning to “DAYS”.

TV SOAP:
That’s great to know, but you mean your ex-wife, don’t you?

KYLE:
No, we are married.  The press kind of jumped the gun on that.  We were never divorced.  Long story short, we, like many normal people in this world, we had issues.  These issues have been resolved.  Thank God!  The press jumped the gun a little bit and our personal statements leaked out and they were never official.  We are still married.  Ariane is going back to “DAYS” in March.

TV SOAP:
Have you been watching “DAYS” and all the mentions of your former character’s name of Brady all the time?  Is something in the works to bring you back to Salem?

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KYLE:
Because Ariane was returning I have been watching “DAYS” with her, and much to my surprise, I am like, whoa!  They are talking so much about Brady and it was an issue.  People have been asking me, “What is going on with that?”  It’s kind of a surprise, because in the States it’s been in Soap Opera Digest, and they posted an article, “Is Kyle Lowder coming back to “DAYS”?  And people are calling me, and I am going, “Nothing is going on!”

TV SOAP:
So, are you saying for the record, there has been no contact with “DAYS”?

KYLE:
I do not want to say there was no contact, but from my standpoint, there is never an issue as to where I was going to be.  But, I don’t want to comment further on the details.  At the end of the day, I am here at “B&B” and I want to be here

TV SOAP:
But it must be hard to watch “DAYS” knowing they are talking so much about Brady?

KYLE:
From my standpoint, quite truthfully, if I am not going to be there, are they recasting Brady?   Because they are talking so much about him, how could they not have that character return?  It’s bizarre!  At the end of the day they will recast.

TV SOAP:
How would you feel about “DAYS” recasting the role of Brady, knowing you had originated the role?

KYLE:
I don’t know.  I don’t want to be one of those soap operas cliché actors, saying, “It’s my role.” At the end of the day, it would be hard to watch somebody else step into that role.  When you invest in any business, or part with six years of your life in an area, and somebody else takes over when your hands are tied…. it is a bit hard to swallow.

TV SOAP:
But of course, you took over the role of Rick Forrester on “B&B” from another actor, so you know what it’s like.

KYLE:
Completely!  I have said that from day one, that the recast situation in this genre is a very sensitive issue because soap fans love their stories and their characters.  My first feature in a magazine, when I came on this show, was about how I looked at the recasts on “DAYS” when I was there, in particular, with Martha Madison jumping into the role of Belle on the show.  For a major contract player on the show, I was looking at it going, “Wow. I don’t envy that situation because fans get attached to the character, and the actor playing the character.”  And that’s been from day one here at “B&B”.  I am still respectful to the character of Rick and what’s been done.  It was not my intention to come into this show and do something new with the character.  I wanted to continue the work of the previous actors, and to add my own spin to it, and not to just dominate the character.

TV SOAP:
Have you spoken to Nadia Bjorlin (Chloe, “DAYS”) about the recent developments there?

KYLE:
We have spoken a bit.  We spoke a bit before she returned to the show, and we did speak right before the holidays.  Nadia received the scripts for the storylines that are airing now on the show.  She said, “We are talking about you a lot.”  And I said, “I don’t know what you are talking about?”  I will just say I find it a little intriguing… let’s just say that.

TV SOAP:
What would you like to see happen with Rick, and what are your goals moving forward with the character?

KYLE:
My goals with Rick in general, in the zany world of endless money, high fashion, high profile, and beautiful women where ever he looks… it’s a recipe for disaster!  My goal is to keep him as likeable and charming as possible, but at the same time, to keep the edge on him to keep him from being boring.

TV SOAP:
It must be tough to try and strike the balance of not being so “goody-goody”, correct?

KYLE:
You want to be charming and likeable, but you don’t want to be the “goody-two shoes”.  I want to create a balance with him.  At the end of the day, he is a chip off the old block with his mom, Brooke.  He wears his heart on his sleeve.  He is the kind of guy who leaps before he looks, in terms of getting involved in situations.  For instance, with the Phoebe situation, he was smitten with her.  He did not look at all the factors; like the age difference, the fact that he worked with her, and the fact that they thought they were related their entire lives.  Now with the Taylor situation, he is not considering the fact that this is his ex- girlfriends mother, and this is his own mother’s long enemy.   He just doesn’t think about that stuff.

TV SOAP:
Will we get to hear you sing on the show sometime soon?

KYLE:
I don’t know.  I hope so.  It’s definitely something I’d love to do, but that remains to be seen.

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Interviews

‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

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Heather Tom

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!

Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.

Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI

Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis). 

This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.

During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI

HEATHER TOM’S DAYTIME EMMY SUBMISSION

In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).

“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”

Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”

In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI

DYLAN BROKE THE ‘GIRLFRIEND CODE’

There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.

“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”

Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”

KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND

Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.

She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird.  She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”

In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”

You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.

Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.

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Interviews

‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

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Kelly Sullivan

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).

In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.

Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI

As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”

THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN

However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”

Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.

Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”

From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI

SHARING SCENES WITH HEATHER TOM

Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.

Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”

There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.

“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI

DARCY DYLAN AND WYATT SPENCER PAIRING?

As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a  comedic sensibility, comedic chops as they said it.”

Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun.  You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”

Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.

So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.

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General Hospital

GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

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Patrick J. Gibbons

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.

However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.

Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC

FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG

Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!

Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”

MAKING MUSIC FOR GENERAL HOSPITAL

Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).

Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI

PATRICK’S ONE LIFE TO LIVE FAMILY

Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”

It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”

A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons

IT’S ALL IN THE NUMBERS

As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”

He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”

Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.

So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.

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