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THE KYLE LOWDER INTERVIEW – THE BOLD AND THE BEAUTIFUL

KyleLowder1.jpgBy Michael Fairman

Listen to the audio:

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TV SOAP:
Kyle, how has it been working with Hunter Tylo (Taylor) in the new budding romance between Rick and Taylor?  Did it come as a surprise to you?

KYLE:
It has been great working with Hunter.  The switch in storyline was a bit shocking for me, because I thought the characters of Rick and Ashley were going to come about, but it’s now been interesting with the Taylor situation.  The fact that she is Phoebe’s mother and Rick and Phoebe had a relationship stirs the pot.  This show, in my opinion, has been very good at taking situations like that and making them very dramatic and believable, and not out of this world far-fetched. Working with Hunter is great!  She is such a gifted actress. The scenes with her have been fun and challenging, and we have had a good time thus far.

TV SOAP:
Challenging in the way that once again Rick is involved in an older woman/younger man romantic situation?

KYLE:
Yes.  It’s challenging because again, it’s the ‘older woman/younger man’.  Eileen Davidson (Ashley) and I would have that conversation where we would say, “I have never done this before in work and in reality.”   Hunter was the same way.  She said, “This is interesting.”  It’s definitely something new for me as well.  I had a little experience with Eileen last year.  The whole younger man/older woman thing is challenging to make work, not personally because of the actors, but the story itself.  I want to make sure that Rick going to falling in love with Phoebe, to falling in love with Ashley, to falling in love with Taylor, is believable with this character.

TV SOAP:
So, to make it work you need to justify it as an actor.  Does it concern you?

KYLE:
I have to justify it, or it becomes an actor just playing this role and playing what’s on the page.  I think at the end of the day, it could be a bit unwatchable, not because the story is poorly written.  You need a character that people can become emotional attached to and not just blow him off because he is man who has no substance to him.  I want to make Rick a guy with substance and believability, and someone a woman can get attached to; otherwise, the fans are not going to take it seriously.

TV SOAP:
Did Brad Bell (exec prod and head writer) “B&B” give you any heads up that this story with Taylor was coming?

KYLE:
I had a brief talk with Brad.  But to be honest, he did not tell me any details.  But he thought of the possibility, and the seed was planted in my head.  I never gave it too much thought till I actually started seeing the scripts.  Now, I have seen what’s going to happen, and it’s well written, and it’s up to me to get people to jump on board and become emotionally involved with it.  Otherwise, they will say, “Oh God! Rick, he is such a weirdo.”

TV SOAP:
Are you at all concerned that it may appear to viewers and fans that they keep testing the character of Rick with different females on “B&B” to see what works?

KYLE:
That’s a good question and I think about it all the time.  Especially on ”B&B” where you do not have a lot of contract players, where at “DAYS” where I came from, you have an hour-long show with 40 cast members, and the possibilities are endless.  Here at “B&B” it can turn into that.  I have heard fan on message boards saying, “Oh, they are just testing chemistry.”  They are not saying, “Oh look at this story,” and “Oh, B&B is testing again.”  I don’t want it to come across that way.

TV SOAP:
How then would you ultimately like the fans to react to the new Taylor/Rick pairing?

KYLE:
In the first script, Rick shows up at Taylor’s house to give her a gift and we see what the writers want to do, and that’s great.  It’s my job to say, “How would this really happen that somehow Rick would become interested in Taylor and fall all in love with her?”   I want to turn it from a chemistry test for the fans to, “Ooh. I like this sexy, hot story with Taylor.”   Or, they have a strong feeling that its not.   I want the fans not to just look at it as a chemistry test between two actors.  That is the challenge.

TV SOAP:
What about Phoebe?  Have you had scenes yet where she finds out that her “ex” is now dating her mother?

KYLE:
I have.  They are fresh and I have taped scenes like that.  I will say, it’s definitely on my mind, like, “What about Phoebe? What happens when the three of us have a scene together?”   It’s pretty crazy though, and I cannot divulge anything more on that.

TV SOAP:
Hunter Tylo has a very unique working style on set.  She is very committed to the work and likes to take lots of notes.  How does her style mesh with yours?
KYLE:
She does take lots of notes, and it’s inspiring.  Working with her is different and her approach is, too.   Hunter is very experienced and talented.  I love her process, and she does have a lot of notes.  She takes the dialog that’s on the page, and the scene at hand, very seriously. She goes above and beyond normalcy to make the scene very believable in her own eyes.  She takes everything to heart.  It is evident when you look at her scripts.  There is chicken scratch written all over them.

TV SOAP:
Is your process similar?

KYLE:
Mentally, I am on the same page as her, but I am not as thorough.  I try to take a situation in the script, and I spend a long time seeing how it would play out.  First, I take my own reactions on how I would react to it.  Then I see how Rick would react to it, which is more dramatic and messed up than mine, only slightly. (He laughs)  I then come up with an average between the two and go with that.  The cool thing about Hunter is we recently filmed some dramatic scenes, and I give her credit.  She was so not just standing on set and really was in the situation mentally.  She is very inspiring!

TV SOAP:
How do you think the recent writers strike affected the scripts you were getting at “B&B”?

KYLE:
If I had to formulate an opinion, because the writer’s strike was a sensitive situation and I don’t want to single out “B&B”, but daytime in general kept going.  Scripts kept coming, writers were tentative, or not entirely comfortable, not experience wise, but just going to work.  My perception of it was that the writing was a bit conservative.  I am saying on the safe side.   I am not saying the scripts were bad or good.  I am just saying, because of the tentativeness of the situation, it came through in the writing a bit.

TV SOAP:
How has Eileen Davidson reacted to the defecting of Rick to a new romance with Taylor? Was she upset?

KYLE:
We had a funny talk about that.  It’s no secret that we felt there was something there between Rick and Ashley, and quite selfishly with me and Eileen, in terms of working together.  We love to work together.  We were teased around a bit when we both first came on the show.  Then the show focused on Rick and Phoebe, which was also great. Now, we come back from the holiday and think maybe something can start up again between Rick and Ashley and we find out, no, it’s Rick and Taylor.  For Eileen, and me we were laughing.  We were saying, “Just give us story!”  Then we thought could we have an Ashley/Rick/Taylor triangle?  I don’t know.  That remains to be seen, but at the end of the day, Eileen and I do have a laugh about it, like, “C’mon! Just give us a chance. One chance, to dive head first into the pool.”

TV SOAP:
So, you were both a little upset?

KYLE:
I don’t want to say we were upset, that would be a bit dramatic. We were more tongue and cheek. We were not pissed off about it.  We just felt we dipped our toes in the water, if you will, and we just wanted to dive in and see where the story would go.

TV SOAP:
Over at “DAYS” so much has been going on behind the scenes. First, with the news that the entire writing staff at “DAYS” was just fired!

KYLE:
Oh gees!  Oh dear. I did not know this.   My wife Arianze Zuker, who played Nicole Kirkiakis, is returning to “DAYS”.

TV SOAP:
That’s great to know, but you mean your ex-wife, don’t you?

KYLE:
No, we are married.  The press kind of jumped the gun on that.  We were never divorced.  Long story short, we, like many normal people in this world, we had issues.  These issues have been resolved.  Thank God!  The press jumped the gun a little bit and our personal statements leaked out and they were never official.  We are still married.  Ariane is going back to “DAYS” in March.

TV SOAP:
Have you been watching “DAYS” and all the mentions of your former character’s name of Brady all the time?  Is something in the works to bring you back to Salem?

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KYLE:
Because Ariane was returning I have been watching “DAYS” with her, and much to my surprise, I am like, whoa!  They are talking so much about Brady and it was an issue.  People have been asking me, “What is going on with that?”  It’s kind of a surprise, because in the States it’s been in Soap Opera Digest, and they posted an article, “Is Kyle Lowder coming back to “DAYS”?  And people are calling me, and I am going, “Nothing is going on!”

TV SOAP:
So, are you saying for the record, there has been no contact with “DAYS”?

KYLE:
I do not want to say there was no contact, but from my standpoint, there is never an issue as to where I was going to be.  But, I don’t want to comment further on the details.  At the end of the day, I am here at “B&B” and I want to be here

TV SOAP:
But it must be hard to watch “DAYS” knowing they are talking so much about Brady?

KYLE:
From my standpoint, quite truthfully, if I am not going to be there, are they recasting Brady?   Because they are talking so much about him, how could they not have that character return?  It’s bizarre!  At the end of the day they will recast.

TV SOAP:
How would you feel about “DAYS” recasting the role of Brady, knowing you had originated the role?

KYLE:
I don’t know.  I don’t want to be one of those soap operas cliché actors, saying, “It’s my role.” At the end of the day, it would be hard to watch somebody else step into that role.  When you invest in any business, or part with six years of your life in an area, and somebody else takes over when your hands are tied…. it is a bit hard to swallow.

TV SOAP:
But of course, you took over the role of Rick Forrester on “B&B” from another actor, so you know what it’s like.

KYLE:
Completely!  I have said that from day one, that the recast situation in this genre is a very sensitive issue because soap fans love their stories and their characters.  My first feature in a magazine, when I came on this show, was about how I looked at the recasts on “DAYS” when I was there, in particular, with Martha Madison jumping into the role of Belle on the show.  For a major contract player on the show, I was looking at it going, “Wow. I don’t envy that situation because fans get attached to the character, and the actor playing the character.”  And that’s been from day one here at “B&B”.  I am still respectful to the character of Rick and what’s been done.  It was not my intention to come into this show and do something new with the character.  I wanted to continue the work of the previous actors, and to add my own spin to it, and not to just dominate the character.

TV SOAP:
Have you spoken to Nadia Bjorlin (Chloe, “DAYS”) about the recent developments there?

KYLE:
We have spoken a bit.  We spoke a bit before she returned to the show, and we did speak right before the holidays.  Nadia received the scripts for the storylines that are airing now on the show.  She said, “We are talking about you a lot.”  And I said, “I don’t know what you are talking about?”  I will just say I find it a little intriguing… let’s just say that.

TV SOAP:
What would you like to see happen with Rick, and what are your goals moving forward with the character?

KYLE:
My goals with Rick in general, in the zany world of endless money, high fashion, high profile, and beautiful women where ever he looks… it’s a recipe for disaster!  My goal is to keep him as likeable and charming as possible, but at the same time, to keep the edge on him to keep him from being boring.

TV SOAP:
It must be tough to try and strike the balance of not being so “goody-goody”, correct?

KYLE:
You want to be charming and likeable, but you don’t want to be the “goody-two shoes”.  I want to create a balance with him.  At the end of the day, he is a chip off the old block with his mom, Brooke.  He wears his heart on his sleeve.  He is the kind of guy who leaps before he looks, in terms of getting involved in situations.  For instance, with the Phoebe situation, he was smitten with her.  He did not look at all the factors; like the age difference, the fact that he worked with her, and the fact that they thought they were related their entire lives.  Now with the Taylor situation, he is not considering the fact that this is his ex- girlfriends mother, and this is his own mother’s long enemy.   He just doesn’t think about that stuff.

TV SOAP:
Will we get to hear you sing on the show sometime soon?

KYLE:
I don’t know.  I hope so.  It’s definitely something I’d love to do, but that remains to be seen.

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Interviews

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

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General Hospital

Steve Burton Interview – General Hospital – 46th Annual Daytime Emmys Red Carpet

On the red carpet at the 46th Annual Daytime Emmy Awards, General Hospital’s Steve Burton (Jason Morgan) chats with Michael Fairman.

During their conversation, Steve weighs-in on the nominated scenes of Laura Wright’s which also featured him, and the friendship of Jason and Carly, plus how he told Maurice Benard (Sonny) that he had to submit himself in the Lead Actor category; an award in which Maurice won that night.

Later, Burton laughs as Michael reveals that in his recent interview with Coby Ryan McLaughlin (Shiloh), the actor said that he can and wants to take down the character of Jason; to which Steve rebutted here that it ain’t going to happen.

Finally. Steve talks on the success of his road show and podcast with buddy and castmate, Bradford Anderson (Spinelli)

Watch the interview below. Then let us know, do you like the scenes between  Jason and Carly? Do you want Shiloh or Jason to have the upper hand in their rivalry? Comment below.

For more red carpet and backstage interviews from the 46th annual Daytime Emmy Awards visit the Michael Fairman Channel here.

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Days Of Our Lives

Ron Carlivati Interview – Days of our Lives – 46th Annual Daytime Emmys Red Carpet

Days of our Lives head writer, Ron Carlivati chats with Michael Fairman on the red carpet at the 46th annual Daytime Emmy Awards.  Carlivati and his writing team were nominated for Outstanding Writing in a Drama Series; an award they won last year.

Ron reveals to Michael that the reels submitted in the writing category were different than those submitted for Outstanding Drama Series; with the writing submissions centering around Marlena (Deidre Hall) and John’s (Drake Hogestyn) wedding and her shooting … and then the aftermath in the hospital where Marlena’s children and John have to say goodbye to her fearing she will not pull through her medical crisis.

Later, Carlivati discusses how he has become more firmly entrenched in the land of Salem after being an ABC Daytime guy for most of his life; following writing for One Life to Live and General Hospital.

Watch the interview below.  Then let us know, what did you think of Ron’s choice for the writing award? Should DAYS have toppled Y&R on the strength of those reels? Comment below.

For more 46th annual Daytime Emmy Red Carpet and backstage interviews visit the Michael Fairman Channel here.

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GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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