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The John McCook Interview – The Bold and the Beautiful

Photo Credit: Getty Images

Photo Credit: Getty Images

For the past 25 years fans of The Bold and the Beautiful have witnessed the ups and down of the show’s patriarch and matriarch, Eric and Stephanie Forrester.  And now with the departure of series star and multiple Daytime Emmy winner, Susan Flannery (Stephanie) a new chapter will begin, but not before viewers, the characters and the actors themselves are put though the emotional ringer of having to say goodbye to this soap icon, and central figure to B&B’s ongoing drama.

And while Susan Flannery, and rightfully so, is receiving all the accolades for her bravura final performances, it is her on-screen partner John McCook (Eric) who has been doing some of his most subtle and heartbreaking work of his career.  So what does John think the on-screen death of Stephanie will mean for Eric?  A new lease on life?  A deep grieving process?  You will find out as On-Air On-Soaps sat down with John in his dressing room to get him to share his thoughts on the end of a 25-year plus on-screen relationship.

From Stephanie’s goodbye party to Susan and John’s final scenes, one thing is for certain; John feels a tremendous amount of respect for what Susan Flannery has meant to B&B and to the genre.  However, as one door closes another one opens.  Hopefully, this will give John the opportunity to explore new story arcs… and as he expresses, after the dust has settled… with the stunning departures and losses of both Ronn Moss (Ridge), his on-screen son, and Susan, his on-screen wife.  The series is turning the page, but not before we all have a very good cry.

MICHAEL:

John, what did you think when you found out that there was going to be an on-screen party celebrating Stephanie’s life, which for all intent and purposes was going to be the vehicle for Stephanie, and for Susan Flannery, to say goodbye on-air to all the characters?

JOHN:

Courtesy/CBS

The premise of the party was Eric wanted to throw her a celebration of her life.  Stephanie originally told Eric, “I don’t want to have a party.  Everyone will just sit around and cry.”  And he said, “No.  Not like that… a real celebration of your life while you are still here to enjoy it.”  So she decides to go for it, and then Stephanie comes up with the idea to handwrite invitations to people that she loves and that she wants to be there.  So, she hand-delivers them personally to people, which was a wonderful device for our show, that as she delivers them to different people we see flashbacks of her with whatever character Stephanie is delivering the invite to.

MICHAEL:

Have you gotten to see any of those episodes?  The one where she delivers the invite to Brooke, and the performances of Katherine Kelly Lang (Brooke) and Susan was fantastic.

JOHN:

Yes I have.  It was a great opportunity to indulge in these flashbacks, instead of just sticking them in when she is dead.  So instead of having a party where we go back and look at all of that, we do that beforehand.  Eric is kind of the host and is the ringmaster of the party.  He says to the guests, “No long faces!  No crying.  I want everyone to enjoy themselves.  I know this is a difficult thing.”  But then he sits down and serenades Stephanie at the piano with When Irish Eyes are Smiling, and then starts to cry himself.  He does a short little rendition of it, but quietly, and it’s sad.  And then Eric hired Celtic Woman, who came from far and wide to be at the celebration, and he brings them in from outside and they come in to the party and sing.

MICHAEL:

Did you know before this arc of the story that Stephanie was even Irish?

JOHN:

Courtesy/CBS

Well, I could tell from time to time with her temper! (Laughs) And, she can drink like an Irishmen! (Laughs)  Brad Bell, our executive producer and head writer, said to me one day up in his office, “You’re Irish, right?”  And I said, “Yeah. some, but I am Scottish mostly.”   Brad replies, “Good, because we are going to do this party…”   It wasn’t exactly out of nowhere, but it was. (Laughs)

MICHAEL:

Is Eric breaking inside?  This has got to be so deeply painful for him dealing with the impending death of his beloved, Stephanie.

JOHN:

He and Stephanie decided to commiserate a lot before the party.  We see them in the doctor’s office.  They heard the news that her cancer had returned.  They are mourning together.  And as a couple and a team, they decide they are not going to do that anymore.   They decide, “Let’s show everybody that we can rise above this.  Let’s be matter-of-fact about this, and try to get everybody to be as joyful as humanly possible.”  Is he dying inside?   Of course, but only very little.  It’s very important for him to have this whole thing be a celebratory thing for her and for everyone.  They want to leave the party at the height of it, and they do.  So Eric and Stephanie say goodbye, and everyone realizes it’s the last time they are going to see Stephanie, and she says, “When Eric comes back, he is going to be by himself.  You are going to need to help him.”  And, oh my goodness, we leave and we go away and she doesn’t return, and there you are.  I am very pleased by the way that Brad and the show was able to handle this, and that Susan Flannery was gracious enough to be selfish as an actress in a good way, and that is to say, she said, “I want to play this!  I don’t want you to sweep her death under the rug.  I want you to kill Stephanie Forrester.  I want to stay here and play it out, so that we have really wonderful drama.”  Brad then rolled up his sleeves and created a really terrific way to salute her character, and salute Susan.

MICHAEL:

How was it for you and the rest of the cast to step on set and film those heart-wrenching and emotional goodbye party episodes? 

JOHN:

Photo Credit: Kathy Hutchins

This was real and those feelings were real, when we look at one another in the scenes and indulge in the reality of losing our friend.  It wasn’t just the characters losing Stephanie; it was also all of these actors losing Susan as an actor and everything else she brings to work.  Susan brings a great deal to work.  She takes up a lot of room, and she makes choices and she forces you to believe what you need to believe in a scene, and you argue with her if you think you are right.  If you are right, then Susan will let you do it in a scene.  But Susan is probably one of three of four most knowledgeable actresses on daytime television for this genre.  What she knows about this type of material is more than all of us combined.  I really give her that credit.

MICHAEL:

How was the taping of your final scenes with Susan?

JOHN:

It was wonderful.  And as the two old war horses that we are, we love it when it is real.  We have years and years of manufacturing, in our way, big emotions and big love, and being actors together.

MICHAEL:

Will Eric go through a deep grieving process?

JOHN:

So far, yes.  When you lose a character like Ridge and you sweep it under the rug until you decide what to do, it’s not very fulfilling and it’s unsatisfactory.  The audience is going to mourn the loss of this Stephanie character like crazy.  You don’t sweep that under the rug.  You mourn with them, and show how Eric mourns the loss, and how Brooke mourns her loss, and how Pam mourns her loss.  These characters all of had relationships with Stephanie.

MICHAEL:

Photo Credit: Kathy Hutchins

There have been some recent scenes between you and Alley Mills (Pam) that have been very sweet.  There was one in particular where Eric held her when she started to cry at work after Stephanie delivered more invitations to the party.  Could it be that Pam and Eric could eventually develop a romantic relationship coming out of their grief and loss for Stephanie?

JOHN:

I think Eric and Pam will continue to enrich the relationship that they have, whatever that is.  We wanted to indulge in that at the beginning when Pam first came on the canvas.  At that point, they started to write a competition between the sisters for Eric.  But then we got away from that.  Pam is very sad about losing Stephanie.  She says to Eric shortly before Stephanie passes, “Are you going to send me back to Chicago?”  And he says, “What?”  And she goes, “Well, I am not family here.  I don’t have anybody here.”  She then says, “Wait, and remember when I was in love with you?”  And Pam just does not know what to say or do at the moment.  She is like ten years old in those scenes.  She is alone in the world now having lost both her mother and her sister.  Eric says to her, “This is your family now.”  There is sweetness between them that both Alley and I want to mine. I don’t know what is going to happen down the road, but certainly they can mourn together.  My opinion is that Pam and Eric depended on Stephanie in a way that nobody else did.  They can grieve in a way that is private, and in a way that nobody else sees or knows about.  I would love for Eric to see Pam weeping on the floor at Forrester Creations, and for him to comfort her, and for her to comfort him through the loss of Stephanie.

MICHAEL:

We heard from many of your co-stars when Ronn Moss (Ridge) decided to exit the series so abruptly.  Were you shocked by his decision to leave, and then Susan’s?

JOHN:

Susan has been talking about leaving for ten years and she never left.  Of course not, she has been snarking about it for years!  But when this negotiation began, Ronn, Susan, Katherine and I went out to dinner one night after taping the show.  Ronn said at that meeting, “I am not going to stay.”  And then Susan said, “I don’t know if I am either.” But in fact in the next coming weeks when Ronn’s deal did not happen, Ronn was willing to go.  He was very excited about leaving.  That is because he had the music thing going on and was looking forward to it.  Ronn was not bitter, or angry, or anything like that.  He felt that he had really given the show a lot and he loved doing it, and that it was time to turn the page and move on.  We all said, “We respect that.”  The fact that Ronn was being so honest with us, and did not hide it from us was really cool.  Katherine was going, “Oh, my God!”  And then Susan said, “I am going to leave! But I am going to go talk to Brad and tell him to kill my character.  I will stay the weeks it will take to give my character a proper send-off.”  She did not want to just go up to the toilet and not come back down for the next three months! (Laughs)  I am very happy for what the show had done for her, and for the fans.

Photo Credit: Kathy Hutchins

MICHAEL:

Now as B&B move into the future, there are only two of the “core four” original cast members and characters … played by yourself and Katherine Kelly Lang!

JOHN:

And then there was two … Katherine and myself.   On-screen, she and I cross paths in the night.  She and I have not had scenes together about anything, about the kids, let alone our past relationship.  Things have changed around here, though.   Katherine is in Susan’s old dressing room now.  It’s refreshing for her to have a new environment.  And, it is not about “getting” Susan’s room; it’s about having a new beginning for all of us.  My dressing room has been cleaned up a bit.  I have a parking space now, and I never had one before.  Katherine has one now that is hers, too.  This is not the beginning of the end for this show; it is the end of the beginning.  We have turned the page … Katherine and me, and Hunter Tylo (Taylor) and the young couples, and the Spencer family.  That is good.  That has plugged in here very well.  Don Diamont relishes the part of Bill Spencer.  He has brought to the show a different flavor and spice that we didn’t have before.  I salute that.  And, to put Heather Tom (Katie) with Don is a brilliant move.  I am glad that Rick (Jacob Young) is back, also!

MICHAEL:

With the current battle over the top spot of Forrester Creations raging on since Ridge is now off the canvas, don’t you think Eric should step in there and take the reins over Thomas and Rick?

JOHN:

Photo Credit: Kathy Hutchins

I hope I get to be a mentor in there and a referee, and get to step in there.  We shall see. That is a very key part of losing Ronn Moss as Ridge.   Now it’s about who is going to run the business?  It’s an international fashion house.  I get that Thomas and Rick want to run the family business, but I think Eric needs to step back in.

MICHAEL:

What is your takeaway from working with Susan Flannery for these 25 plus years? Good, and or bad?

JOHN:

When I got here 25 years ago to do this show, I was armed and educated for what I needed to know to work with Susan Flannery, or anybody else.  What I learned from Susan was how wonderful it is to trust another performer and another performer’s opinion, and what it is like for years and years to be dependent on each other’s talent, preparation, and commitment.  Susan has stolen scenes from me over the years.  I have been able to do that to her, too.  When it happens, she goes, “O.K.”  When she would do it to me, I would go home and yell at my wife, Laurette! (Laughs)  I have had times when I wanted to play a scene a certain way and Susan absolutely refused.  You pick your battles.  Stephanie has been wearing the pants in the family for a long time.  I have used the expression that Eric has been in Stephanie’s shadow quite a lot over the last few years on the show.  So as an actor, I look at this as an opportunity to be, “all about me” for a minute, because that is what actor’s do.  I relish the opportunity to be out in the light, and be part of the future here for a while.

MICHAEL:

We know viewers hope to see Eric really going through the appropriate stages of grief, and the isolation of that.  Will we see that play out on-air?

JOHN:

Courtesy/CBS

We are just beginning to do that now.  We have so many viewers that are more than 70 years old, and a lot of grown up viewers.  Some of them have experienced this.  So we can’t be cavalier about, “Oh, he is going to drink too much now and start having sex with younger girls.”  I think that is kind of cliché, folks.  That is soap opera cliché.  We could do it and do it well, but let’s have Eric mourn in a real way, and be alone and feel what it is like to be left behind.  I don’t think he feels he was ready to be left behind.  Yes, your family is there for you.  However, when you are alone in your house, it doesn’t matter how much your family loves you.  At the end of the day she is not there anymore.

MICHAEL:

Clearly, you would tell fans to have their boxes of Kleenex ready as the final moments of Stephanie approach … and even past that?

JOHN:

No question about it.  People have cried all ready just at the idea of losing Stephanie.  I am going to even say, I think that would be true of any of your favorite beloved characters on any soap opera.  When one of those dies, the show needs to honor that, and go there and indulge in that loss, and show the audience that, “Yes, we know how hard it is going to be, as in this case, for Stephanie not to be there.”

MICHAEL:

So when all is said and done, John, what direction do you hope B&B takes with Eric once Stephanie is no longer on the canvas?

JOHN:

Photo Credit: Gilles Toucas

What are they going to do with Eric?  I am not sure.  I know I will be rattling around that house for a while.  Will Pam be there?  Sure.  But everybody else is going to be there too, trying to help Eric.  Is he going to have a new relationship and get laid?  Who cares!  That is not what the story is about.  What we need to do is show Eric being by himself for a while, and coming back into his work life for a while.  Just about him trying to get through the day where he is thinking to himself, “Where is my coffee?  Where is she? Where is my Martini?”  These are sad things.  It would be so funny for Pam to try to make a Martini for him, and for him to say, “I am never going to have a Martini ever again in my life.”  And for her to say, “O.K.” and then she walks away, but then all of a sudden for Eric to say, “Do you know how to make a Manhattan?”  (Laughs)

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dante williamsPeggy MillerJamesnormadavisSTEPHANIE Recent comment authors
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k/kay
k/kay

I hope they have the character of Eric and Brooke have some growth after all this I do not care to see either one jump into relationships. The one thing I would disagree with is Winsor Harmon has played Thorne the longest he should have a meatier role but maybe it is because I disdain the actor who plays Rick. The show will go on but I fear we will get back to the horrid teenybopper triangle. Mr. McCook has done some good work this last month.

CINDY MORRISON SCOTT
CINDY MORRISON SCOTT

I love the show and have been watching it since the beginning. I’m ready to carry on with the young people and see what will happen with Liam, Steffy,and Hope. I’m already seeing Katie and new baby Will back together and Dollar Bill will follow. As for Brook, don’t know maybe she will be laid back and alone for a while like Taylor. Bring back Jackie and her gang. The next few weeks or months will be something to see. Like always I will be glued to the T.V. everyday at 12:30 on CBS. Great Show!!!!!

AJ
AJ

It appears that Eric will not be supporting Thomas. He sides with his snake-of-a-son Rick over Thomas every time, which is funny because Rick can’t design a dish cloth!

Many viewers would like to see the Logans – Brooke, Donna and Hope — gone from Forrester Creations and have the Douglas/Forester clan can pull together. Thomas is the star designer and Rick is supposed to have business savvy, too bad their bad blood will not allow them to work together.

GreatFlannery
GreatFlannery

I just watched the last episode of the great Flannery. KKL and SF both made incredible performances. For me this was really the end of The Bold and The Beautiful. The show lost a lot when the late great Darlene Conley passed away, but with SF in the key role, B&B stayed alive though show’s golden years were gone (90’s). It’s extremely sad to see Flannery retiring (she absolutely deserves it!!). In the last 10 years, she has been the only reason to watch this show that has become only a shadow of what it once was! Thank God we will always have the clips from the golden days 🙂 KKL is a wonderful actress but no one can replace SF!!! Thank YOU SUSAN from the bottom of my heart for the unforgettable years. You are my true acting idol! The greatest actress of daytime!!! <3 Take care!!!

normadavis
normadavis

Iagree susan was and is a great actress,. she was in another soap years ago but i cant rember which one and she wa great in that one to . SoSUSAN COME BACK TO SEE USin spirit on occasion,like john does on y&r. thank you for such great acting it was so beliveable

Robin
Robin

GR8 interview, Michael. I just watched the final Stephanie scene and am still sniffling. It’s hard to imagine the show without her. Still miss Ronn Moss. I hope that John McCook is right and the writers give us something different than expected soap mourning. I’d love to really see Brooke and Eric mourn before jumping in bed with new relationships, and more focus put on their characters not the teeny boppers (which has gotten old fast). I find myself missing Nick, Jackie and Bridget too. Enough of preachy Taylor and her “entitled” kids. BORING.
But excellent writing here, Michael. You painted a wonderful inside portrait of what’s going on!!!!!!!
I loved Susan Flannery’s work. She was a major part of B & B. She will be so missed.

Julie Manning
Julie Manning

I have watched this show from day 1 and I love Susan and Katherine. The writers did a wonderful job with the hate love relationship between these 2 women. I cried my eyes out today to see Stephanie go but I think it was wonderful that Brooke was with her. I hope to see more exciting things for this show so that I can watch for another 25 years.

Patrick Mulcahey
Patrick Mulcahey

Nice interview, Michael. And I am one of McCook’s biggest fans.

Julie Manning
Julie Manning

I have watched this show from day 1 and I love Susan and Katherine. The writers did a wonderful job with the hate love relationship between these 2 women. I cried my eyes out today to see Stephanie go but I think it was wonderful that Brooke was with her. I hope to see more exciting things for this show so that I can watch for another 25 years. John is the back bone of this show I hope he is not planning on leaving any time soon.

Terri
Terri

SUSAN I HAVE ENJOYED WATCHING YOU ON B & B, I HAVE WATCHED THE SHOW SINCE THE VERY FIRST SHOW IN 1987, SF WILL BE MISSED, I ALSO MISS RONN MOSS, HOPEFULLY YOU BOTH WILL HAVE A GREAT TIME IN WHEREVER LIFE TAKES YOU BOTH. I WILL MISS YOU BOTH BUT THE SHOW WILL GO ON & BE GREAT AS EVER, SO MANY NEW YOUNG CHARACTERS BUT THERE WILL NEVER BE ANOTHER SF.

Earlene Cutter
Earlene Cutter

I just want to say the very best to Susan for alll the years on t.v. You are one amazing lady B&B will not be the same without you May our LORD be with you and Bless you in whatever you intend to do love you Susan and will miss you

Kimberly Reid
Kimberly Reid

Stephanie Forrester it was a pleasure watchin you on th B&B..
I wish you didnt have to leave the show, you really made my day
When i watch you on the show, you were a woman not to mess with..
Well all must come to an end.. I wish you luck in everthing you do…
You will be missed!! <3

Sharon Drame
Sharon Drame

I am so sad to see Susan leave I am glad though her and Brooke had quit feuding that was getting tiring I still dont understand why they gotr
id of Nick and Jackie they just quit showing them I wish they would bring them back. i was hoping they would do more with Deacon and Ambers characters it doesntlook like they will though,I wish I could write for them.

CINDY MORRISON SCOTT
CINDY MORRISON SCOTT

Today was a great day for B&B. I cried and am still upset even through I knew it was coming that Stephanie would die on the show. I think Brook did a great job and I wonder if those tears were real because they sure looked real and always do when she cries. Great ending for a new beginning. Looking forward to all future shows with all the young and old . Thank you B&B . At one time I watched 2 soaps everyday but sometime way back I only tune in for the B&B and if I miss an episode I’ll turn on the computer and kick back and watch,

Syreeta
Syreeta

These last couple of weeks have been hard I have road with BB for the entire 25 years ever since they took ove the Capital spot,even though the selfish side of me wants things to stay the same,with the oringinal characters, I understand that people must move on and make room for the next generation the next chapter,but it is still sad, we the viewers forget that these actors work as we do and there comes a time when wanting to retire kicks in, be it acting ,bus driving, people want to retire,people want to experience new horrizons,I wish Susan and Ronn well on their journey and thank them both for the dedication that they have given,God Bless to you both. Afaithful fan Syreeta

ethel
ethel

excellent interview michael!

Stephanie
Stephanie

WOW!!! What can I say. I have been there the whole 25 years of the show also. I think it is wonderful that they let Stephanie & Brooke end with a good relationship. Susan will be missed so much. She was one of those characters that you had a love/hate moment with. I like watching the new actors on the show but the old ones are the best. It is hard to replace those. I would love for NBC to make B&B a hour long Soap Opera. There seems to be a down fall on the Soaps now. I am beginning to think that they are trying to do away with all of them now. My generation and the older ones were the die hard fans who never misses a episode. The generation now just don’t watch them as we have. I hope that B&B will keep Katherine & John for a long while. I know he is getting on up in age and his time will come when he is ready to retire also. I know Leslie Downs had to fight with cancer for a while and I think that is why she did not sign another contract. Also Jack Wagner and Brandon Beemer contract ran out also. There has been a lot of soap stars lately who are not signing new contracts. It seems that they are getting out of it I guess. I hope that this is not the end of my favorite soaps. There is only a few of them left on daytime TV now. So if you are a devoted fan to the soaps that are left on NBC, please keep on viewing them because if there ratings go down they will take them off like they did the other shows. God Bless Susan, may your retirement be very fulfilling. Ron I hope your next journey is very fulfilling also. I never knew that you were in that group until I read your interview. I miss seeing your face on there. If they decide to replace you on the show, I hope it is someone who favors you because it will seem so strange looking at a different person. Good luck to all the cast & crew in the future episodes.

normadavis
normadavis

bold and beautiful is on CBS notNBC

Kristina
Kristina

I really enjoyed this interview. I hope JM will get the chances to shine in the spot light again. When I watched the flashbacks and saw how beautiful his hair was I almost swooned. I remember those days so well. (He is still a handsome man but when he was salt-and-pepper he was so debonair.) The actors who have recently left will be missed, but I know that JM and the rest of the cast will make the show so interesting that we will all continue to wait impatiently for it to begin every week day! I am an Irish girl, btw, and the party scenes, and those leading up to it, were some of the most enjoyable on television during the past few years — in any time slot.

STEPHANIE
STEPHANIE

I have not seen the passing of Stephanie yet .here in Cyprus we are behind……….have watched entranced since 1987.in South Africa now here in Cyprus……………..I salute you Susan and thank you for the many many years of great entertainment i have enjoyed in my living room…will miss Ron too………Blessings and thanks to all at B AND B

normadavis
normadavis

SUSAN SPASSING WAS A WONDERFUL SEND OFF DONE WITH PASSION WARMTH AND SO VERY WELL DONE WITH GRACE AND DIGNITY. THANK YOU WRITERS.

normadavis
normadavis

MICHAEL. THANK YOU FOR THE WONDERFUL INTERVEIW YOU DID ON THE bold&beautiful.

James
James

Is Eric going to leave the show and the people on there should let him be with the woman he wants in his life

Peggy Miller
Peggy Miller

In the Sept 30th episode di John Mccook leave the show?

dante williams
dante williams

I don’t think he did, he said in an interview that he was glad to have frontburner for the first time in years. I think he just passed out again in today’s episode though.

Interviews

Melody Thomas Scott Chats On 40 Years As The Young and the Restless’ Incomparable Nikki: The Men, The Booze, The Drama

Today marks Y&R icon Melody Thomas Scott’s 40th anniversary with the top-rated daytime drama series.  While CBS plans to air a special standalone episode (Nikki is in the slammer for confessing to J.T.’s murder, and she will reflect on her life in an emotional look-back), Michael Fairman sat down with the popular and beloved star for a deep dive into four decades in the life of stripper-turned-socialite, Nikki Newman for The Michael Fairman Channel.

During the interview, Melody first addresses her sadness at the loss of her longtime friend and co-star Kristoff St. John (Neil Winters): “I adored him.  I love him to bits.  I loved working with him; such a wonderful actor.  I don’t even know if he knew how good he was.”

When discussing Nikki’s colorful past, and when Y&R planned to have Nikki strip again decades later, Melody revealed she did refuse to play it: “That’s right, and I very rarely put the kibosh on anything on this show,  I was 48-years-old.  The head writer called me and I was up in hair and make-up.  They heard me say, ‘I’m 48-years-old .. that’s just not happening.”‘

Photo: TheMichaelFairmanChannel

Over the years, Nikki has faced many battles, perils ,and demons including her addiction to alcohol which has provided many a juicy story for Thomas Scott.  As to the fans always loving to see a ‘boozy’ Nikki, Melody remarked;  “Yes!  They love it!  I have great fun with it and I think it’s wonderful.”

During a segment of the conversation, Michael shows Melody some photos of Nikki’s past loves, and gets her thoughts on why Nikki fell for those men, and what it was like working with her co-stars through the years: John Enos (Bobby), Doug Davidson (Paul), Heath Kizzier (Joshua), Wings Hauser (Greg), Don Diamont (Brad), Vincent Irizarry (David), Peter Bergman (Jack), Sean Kanan (Deacon, and of course, her longtime on-screen partner Eric Braeden (Victor).

Later, Melody reminisces about her time working with the late great Jeanne Cooper (Katherine) and when asked by Fairman what she thinks Jeanne would say about her 40th anniversary milestone, Melody replied: “She would say, ‘I’m (bleeping) proud of you Mel!”‘

Photo: CBS

Check out the entire interview with Melody below (make sure to also subscribe to the Michael Fairman Channel on You Tube for more feature interviews), and following that the special CBS promo honoring Melody’s 40th anniversary with Y&R.  Then let us know, what has been your favorite Nikki Newman moment over the last 40 years? Share your thoughts via the comment section below,

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Interviews

Executive Producer Michael Levitt Previews The Adorable 2019 ‘American Rescue Dog Show’

Dog lovers everywhere get ready! Coming your way on Sunday, February 17th and Monday, February 18th, the good folks at the Hallmark Channel will air a two-night special event (8pmET/7pmCT) that puts a spin on the traditional competitive elite dog shows, while at the same time championing an important cause for man’s best friend.

The 2019 American Rescue Dog Show honors some of the cutest rescue dogs from around the country going paw-to-paw in categories that will tickle-your-funny-bone, bring a smile to your face, or, potentially shed a tear.  This marks the second year for this oh-so-heartwarming show, where in its first year, it beat the Westminster Dog Show in the ratings; much to the delight of rescue dogs and their families, who take these wonderful animals into their homes.

The brainchild behind the concept is the executive producer of the event. Michael Levitt (Skin Wars, Daytime Emmys, TV Land Awards), who spoke with Michael Fairman TV to give us all the inside dish and insight into why this dog show is so personally important to him, and how its goal is to create awareness about the plight of millions of abandoned dogs in shelters each year, and to inspire viewers to think about rescuing one of these loveable pups.

Levitt has a collection of notable hosts and judges along for the ride who bring this one-of-a-kind doggy competition to life from the world of TV, film, and animal advocacy.  So, for the lowdown on the competition and more, here’s what Michael shared.

Photo: Crown Media

For those who want to check out the two-night event, is the American Rescue Dog Show in the same vein as the Westminster Dog Show, where the dogs are competing? 

MICHAEL: The format of the show is similar to a fancy dog show, such as Westminster, however, on the American Rescue Dog Show, we aren’t “judging” the dog.  In our show, they all have to be rescue dogs that are spayed or neutered in order to compete, and we are not judging them based on their bloodlines, we are celebrating their cuteness in such categories as, “Best in Wiggle Butt,” “Best in Couch Potato,” “Best in Snoring,” “Best in Special Needs,” and  “Best in Senior Dog” – those are obviously some of the most important.   We have the fancy arena floor with the judges and the tuxedos.  We filmed it at the Pomona Fairplex, which is the same place that they film the Beverly Hills Dog Show.

And you have a bevy of dog-loving celebrity judges along for the ride, too!

MICHAEL: Yes, and this year we are lucky to have the support of celebrity animal advocates that include: Lisa Vanderpump, Debbie Gibson, Brandon McMillan, host of CBS’s Lucky Dog, Bill Berloni, who is the dog trainer to a lot of the dogs on Broadway, and Dirty Job’s Mike Rowe.  Our prerequisites for them to be a judge were: they all needed to be rescue-friendly.  So, they either needed to have a rescue dog of their own or support rescue in some way.  Rebecca Romijn and Jerry O’Connell are the hosts this year, along with Ross Matthews and Home & Family’s Larissa Wall, who served as co-hosts and cover all of the action ringside.

Photo: Crown Media

So, did the judges get along?  Did they differ on their top picks?

MICHAEL: The judges absolutely got along famously, but as a producer of the show, I was a fly on the wall listening to them when they were deliberating as they were picking a winner.  That was quite entertaining, because each of them had a strong point of view on the dog, or dogs that they thought should win the competition. We found ourselves throughout the filming just turning to each other and saying, “I don’t know how the judges are going to pick just one, because they are all just so incredibly special.”

How was Lisa Vanderpump? 

MICHAEL:  Lisa was wonderful!  When she was being interviewed by Rebecca and Jerry O’Connell, they asked her what she would say to a potential family that is about to buy a dog from a breeder, and it was such a profound moment, because as someone who comes from her socioeconomic level, from her privilege, to see that she has embraced rescue might be incredibly meaningful to someone who might think that rescue dogs are second-hand animals.  Lisa Vanderpump disproves that just by being there, and being a part of it.

Photo: Crown Media

How did you decide on Rebecca and Jerry as your hosts with the most?

MICHAE:  I have a long history with Rebecca from producing my show, Skin Wars, which she hosts.  I knew that she and Jerry had four rescue dogs of their own, and that she is incredibly passionate about rescue and shedding light and creating awareness about the plight of animals that are sheltered.  They were not only organic and authentic to the cause, but they were a lot of fun and clearly had a lot of natural chemistry.  They also brought their own rescue dogs to the show, as did Lisa Vanderpump.  So that was fun.

You have two wonderful dogs of your own.  So, this is your passion project!

MICHAEL: This is a true labor of love for me, because in 2011 when my sister, Jennifer was dying of cancer, my partner and I decided to rescue a dog, and we rescued a pit bull named Trooper, and Trooper rocked our world.  My sister met him four days before she died, and it’s that old adage of “Who rescued who.”  Trooper really was there for me during a really difficult time of my life. I learned first-hand how special not only rescue dogs are, but pit bulls, and that really was the beginning of my animal advocacy.  I ended up taking a year off from producing just to rescue dogs.  I realized at the end of that year, that as a rescuer, I am saving one dog at a time, but as a producer, I could do so much more to bring awareness to the plight of animals in our shelters by creating rescue-themed programming.

Pit bulls seem to always get a bad rap.  Do you feel that way?

MICHAEL:  They absolutely get a bad rap, and after we rescued Trooper, we rescued another pit bull named Nelson, and it was really the two of them who inspired me to get heavily involved in rescue and to be an advocate for pit bulls.  With pit bulls it is such a unique human-animal bond that you don’t find with any other breed.  All they really want to do is please their humans, and it is absolutely true that when you hear these horrific stories about pit bulls on the news, these are rare incidents of pit bulls who have fallen into the hands of bad people who have treated them badly.  It’s really unfair to profile and entire breed of dog, because all dog breeds have some dogs that have behavioral problems.  I have come in contact with thousands of pit bulls, and I have only met one that was human-aggressive, and that dog was severely, severely abused.  Every other pit bull I have come in contact with has been nothing but incredibly sweet.

Photo: Crown Media

So, last year’s American Rescue Dog Show is currently in the running to earn a Daytime Emmy nomination in the ‘Special Class Special’ programming category!

MICHAEL:  Yes, “Special Class Special”. (Laughs)

You obviously know who wins this weekend’s American Rescue Dog Show competition.  Were you happy with the winner? 

MICHAEL:  Yes, but you can imagine how difficult it is for the judges to pick a winner because every single dog in the competition is beyond adorable. It is really the dogs who deliver on the show, and that’s what makes the show so heartwarming.  The real purpose of the show is to inspire the viewers to rescue their next dog from their local shelter, or rescue organization, so that people who are watching turn to the person they are with and say, “Honey, I didn’t know you could get a pure-bred dog at a shelter!  Let’s rescue our next dog!”  We have really powerful segments in the show about the joy of adopting a senior dog, or a special-needs dog.  We do a segment on debunking the myths about pit bulls, and we have messaging on why it is important to spay and neuter your dog.  So, through this wonderfully entertaining program, we are also educating people and hopefully touching their heart and their soul and inspiring them to be a part of the solution by rescuing their next dog; instead of being a part of the problem by purchasing a dog from a pet store or breeder.

Photo: Crown Media

When you look at what you have to take on as a producer when you do this type of show; as opposed to any other type of production you have helmed, what are the major differences?

MICHAEL: The biggest distinction is that on this show we are dealing with living animals, so I take that responsibility very seriously.  First and foremost: is the safety and well-being of the dogs that are participating on the show.  We have to consider everything from making sure that the animals are up-to-date with their vaccinations to having veterinarians on hand, having production personal on-hand standing by with treats and pooper-scoopers. This also means that the dogs are being treated like VIPs.  So, we have a VIP room, but that stands for “Very Important Pooch”, and all of the dogs that are participating have their own dressing rooms with a star on it and their name.  There were over 130 dogs that actually participated from all over the country.  In addition, we had a gifting suite like they do on the Oscars and Golden Globes, but on this show, they didn’t get swag bags, they got “Wag Bags”.

Knowing you as I do, it seems a lot this creative from the categories in the competition, to the backstage VIP room, are very YOU!

MICHAEL:  I have an incredible team of producers who I collaborate with.  None of this would be possible without the good people at Hallmark being such incredible animal advocates.  Specifically, Bill Abbott, who is one of the few network executives in the industry who is really walking the walk and doing so much to be supportive of dogs and cats who need homes.  So, this is right up my alley, because creatively I am so passionate about it that it is so easy to come up with fun ideas that hopefully resonate with the viewers.

Photo: Crown Media

Are there any other fun moments that you can tease?

MICHAEL:  We are celebrating the perfectly imperfect.  So, we love when a dog decides to roll on his back in the middle of the arena and decide he wants to get a belly rub in the middle of the competition.  We had a dog decide that he had to go potty on the middle of a flower arrangement on the arena floor.  Those are the moments that give the show its heart and feel-good sensibility.  We had a couple of dogs in the “Best Wiggle Butt” category where one of their forever parent brings them out initially, and their other forever parent was on the other side of the area, and we removed their leash so that they can run from one parent to the other so that we can really see their butts moving, but … we had a few dogs get so excited that they ran right out of the arena! (Laughs)  They ran right through the tunnel off stage and come running back in, and the whole audience erupted into laughter.  It’s just magical.

How did you find these dogs to compete? 

MICHAEL:  We put out a call-to-action on social media, and we got thousands of responses. People submitted their rescue dogs in as many categories as they qualified for, and they submitted photos and videos. Then, we have a team of producers and rescue experts who go through all of the submissions, ultimately picking the top semi-finalists in each category who come to Los Angeles to compete.  We had a wonderful partnership with Pedigree Foundation in which they provided $100,000 in grant money for the dogs that win for the rescue that saved him or her.  So, in the ten semi-final categories, each winning dog received a $5,000 grant for the rescue that saved him or her, and then the ultimate winner of the competition, which is crowned the title, “Best in Rescue,” received an additional $30,000 for the rescue that saved him or her, again, courtesy of Pedigree Foundation.  We also had a partnership with adoptapet.com, which is the largest online resource for people to find rescue dogs in their own communities. Throughout the show, we have a call-to-action for people to go to hallmark.com/bestinrescue and look for the adopt a pet icon … they click it… then enter their zip code … and they are instantly linked to thousands of available dogs in their own community who are patiently waiting for a loving home.

Photo: Crown Media

The dog handlers are the owners of these pets?

MICHAEL:  Yes.  We call it a member of their “forever family”.  Several of the dogs on the show are service dogs now, or companion animals, working in senior homes or working with military service people suffering from PTSD.  We celebrate each and every one of them.

Is your hope to do a third annual show, and keep the dog rescue competition going?

MICHAEL:  Yes!  My hope is that this show continues to be on for many years to come and be a platform for the 8 million animals that enter our shelters each year and are patiently waiting for their forever home, and that we can continue to be a voice for these dogs that don’t have voices of their own.  Of all of the shows that I have produced over the years, this one is going to be the most meaningful to me, and is going to be my legacy, because it is such a beautiful thing that I can bring my work and my passion together to hopefully make a difference in the lives of all of these animals.  As a result of this show, we heard from numerous shelters across the country that there was a definite uptick in adoptions.  That warms my heart beyond compare.

In closing, you know what they say:  it’s easier to work with animals than humans! Thoughts? (Laughs)

MICHAEL:  Every show has its challenges, but I would much rather deal with a diva Chihuahua than a diva celebrity.  So, on that level, this show is pure joy to make.

So, will you be watching this heartwarming, creative two-night rescue dog event?  Share your thoughts via the comment section below, but first, check out this behind-the-scenes video of how the American Rescue Dog Show is put together with co-host, Ross Matthews.

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Interviews

Y&R’s Jason Thompson Talks On: The Self-Destructive Billy Abbott, Victoria, Phyllis, And Katie’s Disappearance

As February sweeps kicks in to high gear on The Young and the Restless, Billy Abbott (Jason Thompson) and his ex-wife, Victoria Newman (Amelia Heinle) are once again in each other’s orbit.  First, Billy was not too happy to learn that his nemesis, Cane Ashby (Daniel Goddard) shared some passionate kisses with her.  In fact, he went running to Cane’s imprisoned wife. Lily (Christel Khalil), to give her the lowdown.  Next, their child, Katie has gone MIA, but as viewers saw on Friday’s cliffhanger she is somehow heard singing through the walls at the Newman Ranch. Previously, Katie said she was playing with an imaginary friend, but someone is lurking around and watching the Newmans every move!

And let’s not forget, Summer (Hunter King) is back in Genoa City!  The last time she hit town she all but destroyed Billy – his gambling addiction returned, she tried to seduce him, and he slept with her as revenge against Phyllis for her having sex with Nick (Joshua Morrow), and we could go on!  After all the hurt, and the dissolution of their relationship, Phyllis (Gina Tognoni) and Billy are not seeing eye to eye on much, but saying they will try to work together.  Can they?

To fill us in on all the drama, Jason Thompson chatted with Michael Fairman TV and weighed-in on: the future for Villy, Philly, what he has learned from working on two major soaps; General Hospital, where he played the popular Dr. Patrick Drake, and Y&R, his thoughts on his recent Daytime Emmy Pre-Nomination in the Lead Actor category in what was a banner year of storyline for him in 2018, and much more.

Insightful, driven, and talented, Jason is one of the standouts in our genre.  Check out what he had to share below.

What did you think about the plot point that had Billy going to visit Lily in prison, and once there, he informs her that her husband, Cane has been kissing on Victoria!?

JASON:  What I think about it is somewhat irrelevant.  It wasn’t hard for me to rationalize it.  In the moment, Billy was hurt and pissed off.  He is irrational sometimes.  Once he got to the prison, I think he second-guessed himself.  Lily did a pretty good job of convincing him that she needs to know what is going on in order to just live in a certain amount of truth in this situation.  Billy felt that it would be worse for her wondering what was going on on the outside without knowing the truth.  I think that in that moment, he was convinced that telling her the truth was the right thing.  There was a part of him that wanted to get back at Cane, and when Billy gets hurt, he seems to lash out a bit and then sometimes he kind of recoils.  Could he have let it go?  Probably.  I think it’s an interesting thing for Lily and Billy’s relationship; to be honest.  Billy has always respected Lily.  I think that he’s always looked at Lily as someone who does the right thing, and was a good wife, and a good mother, and all of those things.  He thinks that she is in a rough place and wanted to offer her a little bit of support, and that’s the way that he did it.

Photo: JPI Studios

Where do you think the show can go now with his relationship with Cane?  They have been contentious all this time, anyway, and now this has happened.   How do you think this will resolve, or would it ever resolve?

JASON:  I think it’s one of the most interesting relationships Billy hasI don’t know that it will ever resolve.  I don’t know that Billy thinks too much about Cane either way, but in saying that,  there is still no one that can get under his skin and quickly!  In an instant, Cane can be Billy’s enemy and I think that’s great.  I always think there is story for Billy and Cane.  In our working relationship as well, I think we both get a different energy out of each other that inevitably ends up in the characters.  That’s always fun.

Photo:” JPI

How does Billy feel about Victoria now?  She’s been struggling since her relationship with J.T., making out with Cane, etc. 

JASON:  Billy does have feelings for VictoriaI think it’s a number of things that contributes to this.  I think it’s where he finds himself in his life.  He has been kind of hurt by the woman he loved (Phyllis).  He had everything for a moment that he wanted … he had the job, he had the girl, and if he had just done the right thing and had a little bit more self-control, he probably would have been in the best place of his life.  So, when all of those things get pulled away, the one constant is just when he goes to see his kids and they smile, and they don’t know what’s going on in the outside world.  I think the only people who don’t judge him are probably the kids.  There’s something really comfortable about that situation.  No matter what happens, there’s always going to be a little something with Victoria.  She’s always very supportive (not that she hasn’t been very, very upset with him, at times), but there is always something about their relationship that will keep him wondering if they should be together.  I think it will probably be like that for the rest of their lives.

Billy is still unaware that Victoria, Nikki, Phyllis and Sharon are all part of a cover-up in J.T.’s murder.  How aware is Billy in the depths of the abuse Victoria suffered at the hands of J.T.?

JASON:  There was never really a big realization about how dramatic, hurtful, and volatile the whole situation was.  It was a shock to hear all of that obviously, but he has no idea about the depths of it all.

Photo: CBS

If he found out, how do you think he would react knowing what Victoria had gone through?

JASON:  I think he would probably want to kick him again and then re-bury him. Billy has got a lot of flaws, but there is one thing that he will do, and that is always stand up for his family, and that includes Victoria.

Currently, it is just devastating for Billy when Katie goes missing.   He’s like, “I can’t go through this again after what happened with Delia,” and I know you didn’t play the Delia material, because you weren’t on the show at that time.  However, this does give you the opportunity to tap into all of that.

JASON:  Yes!  I mean, that is his biggest fear … going through all of that again.  I think that he would rather not be on the planet than go through all of that again.  What happened to Delia is never going to ever leave him.  I can’t imagine that something like that ever really does.  You just deal with it on a daily basis probably, and things come up, and you feel it all over again, and this is one of those moments.

Courtesy/CBS

I think that you being a father of two children now in your own life; really gives you a perspective when you play these things types of emotions and scenes out.

JASON:  Definitely.  Peter Bergman (Jack) and I were having a conversation about how much life and living, and trying to live a full life, really helps you with your acting.  I work really hard on my craft, but the most important thing that I can do for my work and my career is live a full life.  With the kids and everything else in my personal life, that to me is something that I can always draw upon.  It’s hard to even let myself go there sometimes, because of how scary it would be.  But yeah, I think Billy is not far off from that.  That character has a lot of life and is tied to this volcano and it’s just waiting to erupt, and that eruption is good and full of liveliness fear, and anger.  Some of that comes from hurt, and some of that comes from pain, and some of that comes from a good time, and some of that comes from addiction, and it makes it fun for me because there’s always something to play.  When I talk about what I think of a particular story line, I don’t think of it as, “Oh, I would never do this,” or “I would never do that.  That doesn’t make any sense.”  I try and make sense of everything.  That’s my job.  I just try to find a reason why Billy would be in that situation; instead of trying to find a reason why he wouldn’t be.

Photo: JPI Studios

Would you say that the situation with Katie will draw Victoria and Billy closer together?  At the end of Friday’s episode, they hear Katie’s voice in the wall, so they know she is alive.

JASON:  I think so.  One step up is often two steps back with them, but they are always connected in that way.  The kids do that, and what they’ve been through in the past, and like you said, I wasn’t necessarily there for a lot of that, but it’s in this character.  I would never say never with Victoria.

Photo: CBS

So, where is Billy at with Phyllis?  You and Gina Tognoni played that coupling to the hilt and the show separated them.  Major romances are never really ‘done, done’ on soaps.

JASON:  I mean, it only gets worse with Phyllis.  I’ll say that.  They’re not in a good place.   We have gone through some changes behind the scenes.  So, I have no idea what is happening as far as storyline.  I think there is always going to be something unresolved with Phyllis, but that’s the good thing about this kind of stuff.  You can put these two people together when you have two actors who kind of embrace it, and work at it, and have a natural chemistry, which in turn helps the characters have chemistry.  When Gina and I talk about what we did and accomplished with our characters, to be honest, it’s a little bit of a bummer that they are kind of apart right now, because we had a lot of fun.  We really enjoyed working with each other.  We felt like there was a lot more there to continue to explore, but like you said, it’s never over.  As far as the way that he sees Phyllis … it’s interesting.  I think as an outsider, he kind of looks at her as a selfish person who is going to get and grab whatever she wants, but I feel like he does understand her differently than other people do.  I think he’s looking at Nick and Phyllis and shaking his head like, “You can’t be serious.” (Laughs)

Photo Credit: JPI

You have had quite a gold mine of leading ladies in your daytime career from: Kimberly McCullough (Robin) to Kelly Monaco (Sam) while you portrayed Dr, Patrick Drake on General Hospital, to Gina and Amelia at Y&R.  I have to say that of all of the leading men on daytime, I think you’ve had consistently some major romantic kickass scene partners.  What are your thoughts on that?

JASON:  Yeah, I have been very fortunate.  I can go back thirteen years now and talk about how much Kimberly helped me out in the beginning, and how patient, and impatient (laughs) she was in a lot of ways.  Kimberly taught me a lot about how the business is, and to hold onto your values, and that it is very important to collaborate with your directors, and your writers, and your producers, and with other people that you work with.  You then see new things.  I’m constantly seeing things in other characters where I’m like, “That would be really interesting to shine a light on.”   I think there’s something really interesting about Sharon (Sharon Case) and Billy.  I think Billy could bring something out in Sharon that somebody else can’t.  That’s what is exciting for me as an actor – trying to find something different and trying to bring life that is not necessarily there yet.  I have had a lot of trust from writers, from producers, and from networks.  I have been very fortunate in that way.

Hunter King has returned to Y&R as Summer.  She played havoc in Billy’s life her last go-round.  I know now she is currently after Kyle (Michael Mealor) and not after Billy, but does Billy blame her at all for his spiral back into his gambling addiction?

JASON:  Realistically, if  Billy were really being dead honest about it and trying to really work soberly in his life, he would say there’s nobody to blame but himself.  There’s definitely that conversation that could be had between them about the situation that they found themselves in.  They both hurt each other pretty badly, and the people surrounding them.  I think there is probably a little bit of blame that can go around on both of them, but I don’t think he really sits back and blames her for falling back into addiction.  She might have been one of the triggers, but I think that he was really responsible for that.

Congratulations on your Daytime Emmy Pre-Nom in the Lead Actor category!  It’s quite a talented group of ten actors that made it through to the final round of competition. You certainly had a stellar year of material!

JASON:  I had a ton of great storylines last year, and it just kind of kept going, and kept going One thing I will say that really helped me out is my relationship with Mal Young (Ex- EP and head writer, Y&R).  We got along really well.  He helped me out by letting me know six months ahead of time where we planned on going with the story.  So, I was able to understand and slowly build the depths of hurt, and the gambling, and how it got further along, and the lies.   I was able to understand where we were going and the plateau that we needed to get to, which was very helpful for me. I worked with amazing people constantly; every day was like something different.  The hard part in this next round of voting is trying to find something that represents the whole year.  When I look at that list of pre-nominees, I’m proud of the work that daytime actors do … everybody from a little bit of a younger guy like Billy Flynn (Chad, DAYS) to icons like Eric Braeden (Victor, Y&R) , and Maurice Benard (Sonny, GH).  What Maurice brought to my life as an actor and still does has been wonderful, and on the other side of that you’ve got Peter Bergman, who is like a real brother to me now, and we’re really close.  It’s a nice comradery between everybody in the category.  It’s a great group of people to be included with, and aside from the competition part of it, that’s the really cool part.

Photo Credit: JPI

So, let’s talk about your on-screen, mom, Jess Walton (Jill).  I’ve heard you say publicly how much you really like working with her, and she with you.  What can you say about when you do get some scenes with Jess, and get to play that mother-son relationship?

JASON:  That’s another one that you can loop in with all of the other women I’ve worked with.  It’s a different kind of relationship, but talk about a soap icon! Jess Walton is right up there.  She’s a pro, and she’s got this little girl inside that is the sweetest thing alive, and her little giggle.  I can say that relationship is just there with her.  I would love for her to be there more.  If there’s one person that can tell Billy to just, you know what, she’s somebody that can give him a little whipping, and he’d be like, “Okay mom, you’re right.” (Laughs)

Photo: JPI

Finally, you are on this juggernaut of a show that just celebrated yet another milestone, 30 years at #1.  You go from a historic show like GH, to another here at Y&R that keeps celebrating these milestones that nobody will ever overtake.  All of this has to be a ‘pinch yourself’ moment for you?

JASON:  Yeah, I definitely pinch myself.  I think at this moment, all four soaps that are left are having monumental anniversaries and celebrations, because the truth of it is, it’s really incredible what soaps have done in our history.  With playing Patrick on General Hospital, I still look back on that time and that character, and am just so grateful that I was able to bring him to life.  Every once and awhile I wonder what Patrick’s doing.  On the other end of that, to come over to Y&R with a show that is now 30 years at number #1, and the pride that they have, and the support that they have from the network, there’s a real kind of challenge that we have in order to keep that up.  It is not about the slogans, or the glitzy ad campaigns in the magazines that say, “Hey!  We are #1 for 30 years.”  While that’s very important, what’s more important are the people who have gotten us there for the last thirty years.  We have to show them respect by doing the best that we can and continue that. That’s what drives us. You can feel it in the building.  To take on a character like Billy, who has been a part of that for a very long time, there is a pressure that comes with that, but at the same time, there is an excitement of taking on this character and continuing to make him relevant, and a part of this great soap’s history.

So, do you want Billy to end up with Victoria, Phyllis, perhaps Sharon, or someone else? Who do you think has got Katie and is watching the Newmans?  Are you rooting for Jason to receive a Lead Actor nomination for his work on Y&R in 2018?  What do you think about the other sentiments shared by Jason in this interview, and what was your favorite part of our discussion? Share your thoughts in the comment section below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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Kate Mansi as Abigail

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