Interviews
THE JOSHUA MORROW INTERVIEW – THE YOUNG AND THE RESTLESS

This week on “Y&R”: Nick sleeps with Sharon again, Phyllis loses it and Sharon winds up in trouble with the law,
and Nick walks out on Phyllis. Just another week in the lives of three of Genoa City’s most notable citizens! With so many “Phick” and “Shick” fans defending the partnership they believe should win out and what woman should ultimately own Nick, I decided it’s time to chat with the man at the epicenter of the controversial story, actor Joshua Morrow.
This leading man certainly had his hands full these days playing opposite heavy hitters Michelle Stafford and Sharon Case. In this revealing interview: Joshua talks about his feelings about the storyline, working with his leading ladies, and how playing the not-so-upstanding Nicholas Newman these days, may come with a price from the fans. However he clarifies that that he is relishing this hot storyline.
Joshua also offers up some insight as
to who Nick should and will ultimately
end up with, this time.
One of the most underrated actors in daytime, who delivers real and honest performances day after day, no matter what the material… here is Joshua!
Listen to the audio:
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MICHAEL:
This week Nick sleeps with Sharon again, and they went to the cabin, again and did it there, again! What is going on in Nick’s mind? I have so many “Phick” and “Shick” fans that want me to talk to the guy at the center of all of this.
JOSHUA:
Well honestly, he goes to the cabin just to find his son. I don’t think he had ulterior motives as far as sleeping with Sharon. Sharon calls to tell him that Noah went up to the Abbott cabin with Eden. They are trying to keep those two apart right now, and he literally goes up there just to find his son. When he doesn’t find his son there, then the two of them decide not to leave, which I am sure is very shocking to soap fans everywhere! (He laughs)
MICHAEL:
Is he feeling that Sharon is just falling apart and he has to save her? Or, does he really love her and knows it, and is conflicted?
JOSHUA:
I think there is story that was not finished with Sharon. Nick feels very responsible for the death of Cassie that led to the break-up of their marriage. Nick feels it’s entirely his fault. Then he helped break up the marriage by being with Phyllis, and he is really putting it all on his shoulders. It’s hard for him to let her go because he feels, “I am the one who messed this up.” Sharon has revealed to him that she is still in love with him and can’t really move on, and Nick can’t seem to let her go. With that said, he is very much in love with Phyllis. He is not like, “I have to get rid of this one to be with this one.” No, this is a sucker who is in love with two hot women, and I do not envy him.
MICHAEL:
He really is in love with two women at this point?
JOSHUA:
Yes. He is genuinely in love with two women and he can’t make a decision. That is causing problems for both women and it’s hurting everybody. Nick is not going into this with malicious intent to hurt these women. He does not know what to do. He can’t let go of Sharon, but he started this beautiful new family with Phyllis and he is crazy about her. He feels an allegiance to Phyllis. Nick was in a bad place and Phyllis helped him find his smile again, and let him know that life was great and
you can have a good time
again. He can’t just let her go.
Of course, there is his child,
Summer, and if he leaves
Phyllis then Summer pays
for it.MICHAEL:
In a recent On-Air On-Soaps interview, Michelle Stafford (Phyllis) defended Phyllis’s point of view, because if you look at it, Nick cheated on her. Do you and Michelle have talks off screen about what the two of you really think of this story, and does the story make sense?
JOSHUA:
At times, we think it makes sense. I mean Phyllis is not making it easy for Nick to stay because she is doing all these stupid things that drive him crazy, which kind of is a testament to their relationship because he keeps going back to her. First, there was the Brad situation and these capers she has pulled to set Sharon up. He really does not approve of that. This story gets a little unbelievable at that point, but it’s what we do. We have to tell the stories to the best of our abilities. We don’t write it.
MICHAEL:
This week on-air Nick walks out on Phyllis!
JOSHUA:
I do walk out on her and I do leave, and there are a lot of things left unsaid. They kind of get to the point where they are, “We don’t know what we are going to do, and until Nick figures out who he wants to be with, we are just going to keep having this problem.” But they don’t ever have this conversation, where he
says, “I’m leaving,” till now.
He has just had it with what
Phyllis is doing. She is kind
of pushing him into Sharon’s
arms and Sharon is still
crazy! So who knows?MICHAEL:
Um, Sharon’s a clepto!
JOSHUA:
She is crazy! Nick is genuinely concerned about Sharon’s well being. Yes, he is still attracted to her, but a lot of this stems from Nicks’ need to protect her, because he sees her unraveling.
MICHAEL:
So, when Phyllis says “Sharon is a slut,” does it not register to him?
JOSHUA:
It registers to him in a bad way. He does not like that Phyllis is attacking Sharon in the state she is in. She seems kind of vulnerable and susceptible to people saying things about her. So, Nick feels he has to protect her, and how many times has Nick told Phyllis to back away from Sharon? It can’t be easy for Phyllis to hear. I totally understand why Phyllis would feel this way, because Nick is not making it easy for her to accept, because what he is saying to her is that he is totally with her. But then, he is always on the phone with Sharon and always wondering about how she is. It’s really difficult. Nick is caught in the middle and it’s really hard to play him where he doesn’t seem like a total jerk. He says all of these amazing beautiful things to Phyllis, and then he turns around and is sniffing around Sharon. It’s really hard to do.
MICHAEL:
When you are faced with this as an actor, how do you not make Nick look like a complete jerk?
JOSHUA:
It’s almost darn near impossible. Michelle told me, “You have the toughest job in this one, because it’s hard to get any sympathy from the viewers if you are going about it in this way.” It’s not very believable to have people seeing him saying, “I am committed to you Phyllis,” and on the other hand he is with Sharon. It’s not easy to do.
MICHAEL:
Are you concerned about viewer’s backlash towards Nick because of the predicament he finds himself in?
JOSHUA:
I am not concerned, because my job is not to be palatable to the audience. I want to tell a convincing story. I have never been a man in love with two women. I can only imagine what that must be like.
MICHAEL:
It’s difficult enough being in love with one woman!
JOSHUA:
I agree. But if I need to look like an ass and a bad guy, so be it. If that’s what it takes to keep people interested and to tell a good story, then I will do it. I’ve got big shoulders.
MICHAEL:
I don’t think its coming off that way. I think it’s coming off as he is confused.
JOSHUA:
Michelle said, “It’s impossible for people to hate you. All you have to do is smile.” So now I smile a lot and I am going with Michelle on this one. I am going to keep smiling, even in non-smiling situations. (He laughs)
MICHAEL:
Are you aware of the great debate between the “Phick” and “Shick” fans?
JOSHUA:
Yes I am. They are rabid!
MICHAEL:
Many fans feel Phyllis should have walked out on Nick before he walked out on her. Do you agree?
JOSHUA:
I do. I can’t see a scenario in real life where a woman would put up with this much crap from a donkey, like Nick has been. I am totally sympathetic to the Phyllis case. She has been through the ringer. She has put up with much more than any woman should ever have to. But Nick’s got something special that Phyllis just can’t get out of her system. (He laughs)
MICHAEL:
I see! Speaking of something special… let’s talk about sex! Nick and Phyllis are sex-personified. That is what I always see from Nick and Phyllis. Isn’t that the main basis of their relationship?
JOSHUA:
It is, and it’s probably not the best basis to have. Michelle and I constantly say, “These two people cannot keep their hands off of each other and at the end of the day they go back to that.” We play back-story all the time, where they just come into a scene where they’ve finished having sex or they are getting ready to have sex. That’s what these characters do. It’s all about sex with these two. I think the audience responds to that, and I think it’s a great story. I don’t think they show it enough.
MICHAEL:
So, you think they have should have more sex scenes?
JOSHUA:
I do. I think they should have more sex scenes. I think it’s a cool quality that these characters have; that they are so totally turned on by each other.
MICHAEL:
What do you think is the basis of Sharon and Nick’s relationship?
JOSHUA:
Sharon and Nick are each other’s first loves. It’s Romeo and Juliet. They are star-crossed lovers who literally were meant to be together. Their story was interrupted by a tragic event and that led to other events with Phyllis, and it’s just an unfinished story. They were kids when they met and they fell in love. No one wanted them together, and no one thought they should be together. They beat all the odds, and then
it fell apart. So they will
never get each other out
of their systems.MICHAEL:
Sharon gets in trouble with the law when they find all her stolen items in her hotel room, thanks to Phyllis. Does Sharon go to jail?
JOSHUA:
Sharon wants to turn herself in and confess and Nick does not want her to do that. He is telling her, “Going to jail is not good for anyone and you are not going there. We are getting you a lawyer.”
MICHAEL:
Phyllis told Nick that Sharon slept with Billy. You kind of did not react in the scene to that. Is Nick not jealous of that fact?
JOSHUA:
As an actor, I wanted it to kind of wash over me. I did not want it to become a big deal, because that wasn’t what that scene was about. That hurt him, and I think they should have gone into it, and never addressed it with any other character. I think that would have been cool to tell, but I just wanted to color him for a second and then move on. Right now, Nick’s purpose is to keep Sharon out of trouble and to help get her healthy. What she did on her own time, even though I pretend it’s none of my business, it is. But, I am not going to let anybody else see that.
MICHAEL:
Working with Michelle, what do you think she brings as an actress to your story?
JOSHUA:
She is one of the best actors I have ever seen in my life, and that includes any theater and any movie. I love her unpredictability.
I never know what she is going to do.MICHAEL:
Does it ever bother you, that perhaps, you can’t ‘ping- pong’ back with her
in a scene?JOSHUA:
I relish that opportunity. I look forward to that moment where I have no idea what she is going to do. Michelle is a whirling dervish of energy and spunk that is unmatched around here. Now, I have had very few acting jobs. I have done some theater and a couple small movies and “Y&R”, so my experience in working with actors is just with a small pool of them to draw from. Michelle is so incredible! The moments that take my breath away are when she says nothing. She does not have to say anything to convey the most impactful thing I have ever seen or witnessed. The scenes I have played where Nick has hurt Phyllis, are crushing to me as a human being. I see how it consumes her, like no other actor I have been around, and she is amazing. I could never say this to her face because I would get embarrassed and run away, but she has taught me more about acting than anyone in the world.
MICHAEL:
Michelle told me that you are not over-rehearsed and you are very real, and that is what is so unique about your performances.
JOSHUA:
I don’t want to run lines with people and have the material so perfect that I am delivering each line and being too locked in. People who have their lines down forward and back, and spot on, tend to give a similar performance. So, I really want to know my material when I go out there and hit the set, because nowadays you get one take, maybe two, and it’s not like the old days. I want it to be real, where in normal relationships maybe you don’t always know what the right thing to say is at the moment. It’s the way I approach it, and it’s free and easy and relaxed, which is how I live my life.
MICHAEL:
What about working with Sharon Case (Sharon)? Were you happy about this turn of events, possibly reuniting with Sharon from a story perspective? Or, do you prefer Nick with one woman or the other?
JOSHUA:
It’s kind of difficult for me to do. I had ten years with Sharon. They were ten solid great years, but I felt I was ready for a change, or I am going to fall into a pit here. I need some movement. So they broke us up at a great time and did it in a good way. Now, I am kind of ambivalent about it because I love working with Michelle Stafford. I laugh with her all the time, and laughing is one of my favorite things in the world. Look, they are going to break us up. It’s going to happen, so I feel very sad about that. The alternative is I am going to go back with Sharon. I have said this many times, and unfortunately Sharon Case has taken this the wrong way, “I don’t want to get rushed back into another ten year romance with someone, whether it be Sharon or Farah Fawcett. It doesn’t matter who it is.” That being said, I look forward to working with Sharon again. We have told some great stories. Sharon has taken this the wrong way because I had said that in the press, so to clarify: “I am absolutely looking forward to working with Sharon. I just did not want to go to a happy marriage in the tack house where we are talking about what we are going to have for dinner and some cute things the baby did.” Happy sucks! I don’t want to go back and be happy now. Now, I will go back with Sharon in a heartbeat, where there is a messy, drawn out story where there are problems. That I will look forward to.
MICHAEL:
We talked about working with Michelle; now for equal time, tell me about working with Sharon?
JOSHUA:
I have invested a large part of my real life with Sharon. The thing I take from Sharon is she gives me the most honest performance of anyone. It’s everyday, and it’s honest, and it’s from her heart. It’s totally believable, and I want to protect her and care for her in real life, and watch out for her. She is just that honest. I never see her on-screen and go “that’s acting”. For me, I see this beautiful person saying beautiful things.
MICHAEL:
I think there have been a lot of fans unhappy about Sharon’s breakdown and her actions and her sleeping around. Some are backlashing the character right now.
JOSHUA:
I think that’s unfair. I am speaking of the character of Sharon in real time. For somebody who would go through something like she has, they would tend to act irrationally. So, it does not make sense to me why people would attack this character that way.
MICHAEL:
How far ahead do you know what’s going to happen in this story?
JOSHUA:
We are three weeks ahead of shooting, and I have scripts a week in advance. So all I know is one month ahead. My role on the show is clearly defined. I show up, I generally take my shirt off and say my lines.
MICHAEL:
What did you think about your on-air parents, Melody Thomas Scott (Nikki) and Eric Braeden (Victor), not receiving pre-Emmy nominations?
JOSHUA:
They are legends. I am not a fan of the Emmy process now. I don’t know what the solution is, but I don’t know how Melody Thomas Scott and Eric Braeden don’t just have a permanent Emmy nomination stamp.
MICHAEL:
If we were to tease the audience, what’s coming up for Phyllis/Nick/Sharon?
JOSHUA:
Lots of problems! These three don’t mesh well together. It’s some crazy times ahead. The “Phick” fans are not going to be happy, and the “Shick” fans are not going to be happy. As far as who he chooses, Nick does not have a decision yet. At some point, the guy has to make a decision. I mean the story is gold, but how long can we keep telling it? I don’t want to sound ego-centric, but it’s so much fun telling it, and I know its working on TV. It’s been a blast and the most fun you could ever have.
MICHAEL:
The show is so on track right now. There was a year there under Lynn Latham (ex-head writer and executive producer, “Y&R”) where it felt derailed. Now it’s got its footing back. Did you notice a difference in the scripts with the dream writing team of Maria Arena Bell, Hogan Sheffer, et al?
JOSHUA:
Of course! The way we tell the story now fits what we did in the past. Our formula has worked for 36 years, and there is no sense to rewrite that. And Maria Arena Bell came in, cleaned it up and it’s back to telling stories like we normally do.
MICHAEL:
Is your wife, Tobe, rooting with you to be with Phyllis or Sharon?
JOSHUA:
Tobe does not care. She just wants me home by dinnertime to do bath time with the kids and read them books. If I can do that, it helps her with her day.
MICHAEL:
Just a final thought: What did you think about Guiding Light’s cancellation and the future of soaps?
JOSHUA:
I am not surprised. It’s a changing business and the model for some of
these lower rated shows is not like the
old days. People are kidding themselves
if they think all of them are going to last
forever. I would bet 3 or 4 might also
be gone soon.
I think you shoud always leave Nick in a turmoil he created this situation and he should have to live with always loving two women-Phyliss/Nick are so hot together Sharon/Nick no matter how you try to keep the scenes between them hot there’s always something missing- there’s something about phyl’nick when they are together They are totally hot. Makes me want to tune into the show.Love phyliss. Shaon is geat also but nick and phyliss are the best.But let nick run around always in Limbo about loving two totally different women
I love listening to Josh Morrow. Besides his sexy voice, we share the same views about many things. I love Nik 7 Sharon together, but it isn’t any fun if it isn’t “messy”!
What’s going on with sharon these days she shoots adam and still loves him What. love the actress/ actors but that makes nosense. She should have stayed with jack. they all lie to her who cares. Jack didn’t steal faith or terrorize anybody. 2 wrongs don’t make a right but if it’s about lying then. i prefer nick and sharon or phyllis and sharon . if phyllis is not with. it better then adam/sharon phyllis/sharon those 2 love each other.
It is kind of sad what the writers are doing to young and the restless. No storyline seems to make sense anymore.The jump so fast from scenes-its had to know what they really have in mind for the viewers-Since parting of Phyliss and Nick I do not tune in much anymore- But I would tune in ,in a heartbeat to see Josh and michelle doing theire thing together, both great actors and they do it naturally when they have scenes together-oh well just my opinion
Its just that it gets a bit irritating when the Sharon/Nick/Phillis story goes on forever.
Just make your final choice once and for all Nick! The Sharon being miss goody too shoes and Nick’s indecisiveness is very annoying.
Despite that,I think Josh,you’re a great actor.
(I totally agree with Linda Steven’s first sentence)
Well that kind of says it all. Tossing in my Shick fancard and including my JM fan card. What a jerk!!! He said something in the press that caused Phick fans to spread rumors that Sharon Case is difficult to work with and the best he can do is that? Sharon was really hurt by that and you’d think after she helped make him and the Shick pairing popular he’d be grateful. .Again what a jerk!! Michael doesn’t have a problem with her and pimps his joy at working with her all the time on twitter. JM sounds just like the character, full of himself. But nearly 2 years down the track and good ole Nick his humping the old broad Daddy wants. Sharon the character may look like a looney tune but Sharon Case has the juicy storyline. Karma is bitch JM wallow in it
Just have to add…soo happy she doesn’t have to work with him much anymore and with a bit of luck Sharon being with Adam will end Shick forever to the point where they never have to share a scene again. JM should be happy with that.
I love Joshua Morrow and Eric Braeden and Melody Thomas Scott and I loved when Heather Tom played Victoria, the Newman clan was perfect then. Amelia Heinle is probably a very dear person and a fair actress, but Heather Tom WAS Victoria. Would love to see Heather Tom return to the role of Victoria, but it most likely will not happen since she is so popular on the Bold and the Beautiful. I also loved it when Sharon Case and Eric Braeden acted together in a romantic story line, there was alot of chemistry between them on camera. Also love Melody Thomas Scott and Eric Braeden togther.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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Yes. He is genuinely in love with two women and he can’t make a decision. That is causing problems for both women and it’s hurting everybody. Nick is not going into this with malicious intent to hurt these women. He does not know what to do. He can’t let go of Sharon, but he started this beautiful new family with Phyllis and he is crazy about her. He feels an allegiance to Phyllis. Nick was in a bad place and Phyllis helped him find his smile again, and let him know that life was great and
JOSHUA:
It registers to him in a bad way. He does not like that Phyllis is attacking Sharon in the state she is in. She seems kind of vulnerable and susceptible to people saying things about her. So, Nick feels he has to protect her, and how many times has Nick told Phyllis to back away from Sharon? It can’t be easy for Phyllis to hear. I totally understand why Phyllis would feel this way, because Nick is not making it easy for her to accept, because what he is saying to her is that he is totally with her. But then, he is always on the phone with Sharon and always wondering about how she is. It’s really difficult. Nick is caught in the middle and it’s really hard to play him where he doesn’t seem like a total jerk. He says all of these amazing beautiful things to Phyllis, and then he turns around and is sniffing around Sharon. It’s really hard to do.
JOSHUA:
JOSHUA:
JOSHUA:
It’s kind of difficult for me to do. I had ten years with Sharon. They were ten solid great years, but I felt I was ready for a change, or I am going to fall into a pit here. I need some movement. So they broke us up at a great time and did it in a good way. Now, I am kind of ambivalent about it because I love working with Michelle Stafford. I laugh with her all the time, and laughing is one of my favorite things in the world. Look, they are going to break us up. It’s going to happen, so I feel very sad about that. The alternative is I am going to go back with Sharon. I have said this many times, and unfortunately Sharon Case has taken this the wrong way, “I don’t want to get rushed back into another ten year romance with someone, whether it be Sharon or Farah Fawcett. It doesn’t matter who it is.” That being said, I look forward to working with Sharon again. We have told some great stories. Sharon has taken this the wrong way because I had said that in the press, so to clarify: “I am absolutely looking forward to working with Sharon. I just did not want to go to a happy marriage in the tack house where we are talking about what we are going to have for dinner and some cute things the baby did.” Happy sucks! I don’t want to go back and be happy now. Now, I will go back with Sharon in a heartbeat, where there is a messy, drawn out story where there are problems. That I will look forward to.
MICHAEL:
MICHAEL:











