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THE JOSHUA MORROW INTERVIEW – THE YOUNG AND THE RESTLESS

josh_mic_crop.jpg

This week on “Y&R”: Nick sleeps with Sharon again, Phyllis loses it and Sharon winds up in trouble with the law,

and Nick walks out on Phyllis. Just another week in the lives of three of Genoa City’s most notable citizens! With so many “Phick” and “Shick” fans defending the partnership they believe should win out and what woman should ultimately own Nick, I decided it’s time to chat with the man at the epicenter of the controversial story, actor Joshua Morrow.

This leading man certainly had his hands full these days playing opposite heavy hitters Michelle Stafford and Sharon Case. In this revealing interview: Joshua talks about his feelings about the storyline, working with his leading ladies, and how playing the not-so-upstanding Nicholas Newman these days, may come with a price from the fans. However he clarifies that that he is relishing this hot storyline.
Joshua also offers up some insight as
to who Nick should and will ultimately
end up with, this time.

One of the most underrated actors in daytime, who delivers real and honest performances day after day, no matter what the material… here is Joshua!

Listen to the audio:

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MICHAEL:

This week Nick sleeps with Sharon again, and they went to the cabin, again and did it there, again! What is going on in Nick’s mind? I have so many “Phick” and “Shick” fans that want me to talk to the guy at the center of all of this.

JOSHUA:

Well honestly, he goes to the cabin just to find his son. I don’t think he had ulterior motives as far as sleeping with Sharon. Sharon calls to tell him that Noah went up to the Abbott cabin with Eden. They are trying to keep those two apart right now, and he literally goes up there just to find his son. When he doesn’t find his son there, then the two of them decide not to leave, which I am sure is very shocking to soap fans everywhere! (He laughs)

MICHAEL:

Is he feeling that Sharon is just falling apart and he has to save her? Or, does he really love her and knows it, and is conflicted?

JOSHUA:

I think there is story that was not finished with Sharon. Nick feels very responsible for the death of Cassie that led to the break-up of their marriage. Nick feels it’s entirely his fault. Then he helped break up the marriage by being with Phyllis, and he is really putting it all on his shoulders. It’s hard for him to let her go because he feels, “I am the one who messed this up.” Sharon has revealed to him that she is still in love with him and can’t really move on, and Nick can’t seem to let her go. With that said, he is very much in love with Phyllis. He is not like, “I have to get rid of this one to be with this one.” No, this is a sucker who is in love with two hot women, and I do not envy him.

MICHAEL:

He really is in love with two women at this point?

JOSHUA:

threesome.jpgYes. He is genuinely in love with two women and he can’t make a decision. That is causing problems for both women and it’s hurting everybody. Nick is not going into this with malicious intent to hurt these women. He does not know what to do. He can’t let go of Sharon, but he started this beautiful new family with Phyllis and he is crazy about her. He feels an allegiance to Phyllis. Nick was in a bad place and Phyllis helped him find his smile again, and let him know that life was great and
you can have a good time
again. He can’t just let her go.
Of course, there is his child,
Summer, and if he leaves
Phyllis then Summer pays
for it.

MICHAEL:

In a recent On-Air On-Soaps interview, Michelle Stafford (Phyllis) defended Phyllis’s point of view, because if you look at it, Nick cheated on her. Do you and Michelle have talks off screen about what the two of you really think of this story, and does the story make sense?

JOSHUA:

At times, we think it makes sense. I mean Phyllis is not making it easy for Nick to stay because she is doing all these stupid things that drive him crazy, which kind of is a testament to their relationship because he keeps going back to her. First, there was the Brad situation and these capers she has pulled to set Sharon up. He really does not approve of that. This story gets a little unbelievable at that point, but it’s what we do. We have to tell the stories to the best of our abilities. We don’t write it.

MICHAEL:

This week on-air Nick walks out on Phyllis!

phyllis_nick_summer.jpgJOSHUA:

I do walk out on her and I do leave, and there are a lot of things left unsaid. They kind of get to the point where they are, “We don’t know what we are going to do, and until Nick figures out who he wants to be with, we are just going to keep having this problem.” But they don’t ever have this conversation, where he
says, “I’m leaving,” till now.
He has just had it with what
Phyllis is doing. She is kind
of pushing him into Sharon’s
arms and Sharon is still
crazy! So who knows?

MICHAEL:

Um, Sharon’s a clepto!

JOSHUA:

She is crazy! Nick is genuinely concerned about Sharon’s well being. Yes, he is still attracted to her, but a lot of this stems from Nicks’ need to protect her, because he sees her unraveling.

MICHAEL:

So, when Phyllis says “Sharon is a slut,” does it not register to him?

JOSHUA:

sharon_black.jpgIt registers to him in a bad way. He does not like that Phyllis is attacking Sharon in the state she is in. She seems kind of vulnerable and susceptible to people saying things about her. So, Nick feels he has to protect her, and how many times has Nick told Phyllis to back away from Sharon? It can’t be easy for Phyllis to hear. I totally understand why Phyllis would feel this way, because Nick is not making it easy for her to accept, because what he is saying to her is that he is totally with her. But then, he is always on the phone with Sharon and always wondering about how she is. It’s really difficult. Nick is caught in the middle and it’s really hard to play him where he doesn’t seem like a total jerk. He says all of these amazing beautiful things to Phyllis, and then he turns around and is sniffing around Sharon. It’s really hard to do.

MICHAEL:

When you are faced with this as an actor, how do you not make Nick look like a complete jerk?

JOSHUA:

It’s almost darn near impossible. Michelle told me, “You have the toughest job in this one, because it’s hard to get any sympathy from the viewers if you are going about it in this way.” It’s not very believable to have people seeing him saying, “I am committed to you Phyllis,” and on the other hand he is with Sharon. It’s not easy to do.

MICHAEL:

Are you concerned about viewer’s backlash towards Nick because of the predicament he finds himself in?

JOSHUA:

I am not concerned, because my job is not to be palatable to the audience. I want to tell a convincing story. I have never been a man in love with two women. I can only imagine what that must be like.

MICHAEL:

It’s difficult enough being in love with one woman!

JOSHUA:

I agree. But if I need to look like an ass and a bad guy, so be it. If that’s what it takes to keep people interested and to tell a good story, then I will do it. I’ve got big shoulders.

MICHAEL:

I don’t think its coming off that way. I think it’s coming off as he is confused.

smile_poker.jpgJOSHUA:

Michelle said, “It’s impossible for people to hate you. All you have to do is smile.” So now I smile a lot and I am going with Michelle on this one. I am going to keep smiling, even in non-smiling situations. (He laughs)

MICHAEL:

Are you aware of the great debate between the “Phick” and “Shick” fans?

JOSHUA:

Yes I am. They are rabid!

MICHAEL:

Many fans feel Phyllis should have walked out on Nick before he walked out on her. Do you agree?

JOSHUA:

I do. I can’t see a scenario in real life where a woman would put up with this much crap from a donkey, like Nick has been. I am totally sympathetic to the Phyllis case. She has been through the ringer. She has put up with much more than any woman should ever have to. But Nick’s got something special that Phyllis just can’t get out of her system. (He laughs)

MICHAEL:

I see! Speaking of something special… let’s talk about sex! Nick and Phyllis are sex-personified. That is what I always see from Nick and Phyllis. Isn’t that the main basis of their relationship?

JOSHUA:

It is, and it’s probably not the best basis to have. Michelle and I constantly say, “These two people cannot keep their hands off of each other and at the end of the day they go back to that.” We play back-story all the time, where they just come into a scene where they’ve finished having sex or they are getting ready to have sex. That’s what these characters do. It’s all about sex with these two. I think the audience responds to that, and I think it’s a great story. I don’t think they show it enough.

MICHAEL:

So, you think they have should have more sex scenes?

JOSHUA:

I do. I think they should have more sex scenes. I think it’s a cool quality that these characters have; that they are so totally turned on by each other.

MICHAEL:

What do you think is the basis of Sharon and Nick’s relationship?

sharon_josh_france.jpgJOSHUA:

Sharon and Nick are each other’s first loves. It’s Romeo and Juliet. They are star-crossed lovers who literally were meant to be together. Their story was interrupted by a tragic event and that led to other events with Phyllis, and it’s just an unfinished story. They were kids when they met and they fell in love. No one wanted them together, and no one thought they should be together. They beat all the odds, and then
it fell apart. So they will
never get each other out
of their systems.

MICHAEL:

Sharon gets in trouble with the law when they find all her stolen items in her hotel room, thanks to Phyllis. Does Sharon go to jail?

JOSHUA:

Sharon wants to turn herself in and confess and Nick does not want her to do that. He is telling her, “Going to jail is not good for anyone and you are not going there. We are getting you a lawyer.”

MICHAEL:

Phyllis told Nick that Sharon slept with Billy. You kind of did not react in the scene to that. Is Nick not jealous of that fact?

JOSHUA:

As an actor, I wanted it to kind of wash over me. I did not want it to become a big deal, because that wasn’t what that scene was about. That hurt him, and I think they should have gone into it, and never addressed it with any other character. I think that would have been cool to tell, but I just wanted to color him for a second and then move on. Right now, Nick’s purpose is to keep Sharon out of trouble and to help get her healthy. What she did on her own time, even though I pretend it’s none of my business, it is. But, I am not going to let anybody else see that.

MICHAEL:

Working with Michelle, what do you think she brings as an actress to your story?

michelle_nick_laugh.jpgJOSHUA:

She is one of the best actors I have ever seen in my life, and that includes any theater and any movie. I love her unpredictability.
I never know what she is going to do.

MICHAEL:

Does it ever bother you, that perhaps, you can’t ‘ping- pong’ back with her
in a scene?

JOSHUA:

I relish that opportunity. I look forward to that moment where I have no idea what she is going to do. Michelle is a whirling dervish of energy and spunk that is unmatched around here. Now, I have had very few acting jobs. I have done some theater and a couple small movies and “Y&R”, so my experience in working with actors is just with a small pool of them to draw from. Michelle is so incredible! The moments that take my breath away are when she says nothing. She does not have to say anything to convey the most impactful thing I have ever seen or witnessed. The scenes I have played where Nick has hurt Phyllis, are crushing to me as a human being. I see how it consumes her, like no other actor I have been around, and she is amazing. I could never say this to her face because I would get embarrassed and run away, but she has taught me more about acting than anyone in the world.

MICHAEL:

Michelle told me that you are not over-rehearsed and you are very real, and that is what is so unique about your performances.

JOSHUA:

I don’t want to run lines with people and have the material so perfect that I am delivering each line and being too locked in. People who have their lines down forward and back, and spot on, tend to give a similar performance. So, I really want to know my material when I go out there and hit the set, because nowadays you get one take, maybe two, and it’s not like the old days. I want it to be real, where in normal relationships maybe you don’t always know what the right thing to say is at the moment. It’s the way I approach it, and it’s free and easy and relaxed, which is how I live my life.

MICHAEL:

What about working with Sharon Case (Sharon)? Were you happy about this turn of events, possibly reuniting with Sharon from a story perspective? Or, do you prefer Nick with one woman or the other?

JOSHUA:

josh_main.jpgIt’s kind of difficult for me to do. I had ten years with Sharon. They were ten solid great years, but I felt I was ready for a change, or I am going to fall into a pit here. I need some movement. So they broke us up at a great time and did it in a good way. Now, I am kind of ambivalent about it because I love working with Michelle Stafford. I laugh with her all the time, and laughing is one of my favorite things in the world. Look, they are going to break us up. It’s going to happen, so I feel very sad about that. The alternative is I am going to go back with Sharon. I have said this many times, and unfortunately Sharon Case has taken this the wrong way, “I don’t want to get rushed back into another ten year romance with someone, whether it be Sharon or Farah Fawcett. It doesn’t matter who it is.” That being said, I look forward to working with Sharon again. We have told some great stories. Sharon has taken this the wrong way because I had said that in the press, so to clarify: “I am absolutely looking forward to working with Sharon. I just did not want to go to a happy marriage in the tack house where we are talking about what we are going to have for dinner and some cute things the baby did.” Happy sucks! I don’t want to go back and be happy now. Now, I will go back with Sharon in a heartbeat, where there is a messy, drawn out story where there are problems. That I will look forward to.

MICHAEL:

We talked about working with Michelle; now for equal time, tell me about working with Sharon?

JOSHUA:

I have invested a large part of my real life with Sharon. The thing I take from Sharon is she gives me the most honest performance of anyone. It’s everyday, and it’s honest, and it’s from her heart. It’s totally believable, and I want to protect her and care for her in real life, and watch out for her. She is just that honest. I never see her on-screen and go “that’s acting”. For me, I see this beautiful person saying beautiful things.

MICHAEL:

I think there have been a lot of fans unhappy about Sharon’s breakdown and her actions and her sleeping around. Some are backlashing the character right now.

JOSHUA:

I think that’s unfair. I am speaking of the character of Sharon in real time. For somebody who would go through something like she has, they would tend to act irrationally. So, it does not make sense to me why people would attack this character that way.

MICHAEL:

How far ahead do you know what’s going to happen in this story?

JOSHUA:

We are three weeks ahead of shooting, and I have scripts a week in advance. So all I know is one month ahead. My role on the show is clearly defined. I show up, I generally take my shirt off and say my lines.

eric_melody.jpgMICHAEL:

What did you think about your on-air parents, Melody Thomas Scott (Nikki) and Eric Braeden (Victor), not receiving pre-Emmy nominations?

JOSHUA:

They are legends. I am not a fan of the Emmy process now. I don’t know what the solution is, but I don’t know how Melody Thomas Scott and Eric Braeden don’t just have a permanent Emmy nomination stamp.

MICHAEL:

If we were to tease the audience, what’s coming up for Phyllis/Nick/Sharon?

JOSHUA:

Lots of problems! These three don’t mesh well together. It’s some crazy times ahead. The “Phick” fans are not going to be happy, and the “Shick” fans are not going to be happy. As far as who he chooses, Nick does not have a decision yet. At some point, the guy has to make a decision. I mean the story is gold, but how long can we keep telling it? I don’t want to sound ego-centric, but it’s so much fun telling it, and I know its working on TV. It’s been a blast and the most fun you could ever have.

MICHAEL:

The show is so on track right now. There was a year there under Lynn Latham (ex-head writer and executive producer, “Y&R”) where it felt derailed. Now it’s got its footing back. Did you notice a difference in the scripts with the dream writing team of Maria Arena Bell, Hogan Sheffer, et al?

JOSHUA:

Of course! The way we tell the story now fits what we did in the past. Our formula has worked for 36 years, and there is no sense to rewrite that. And Maria Arena Bell came in, cleaned it up and it’s back to telling stories like we normally do.

tobe_josh.jpgMICHAEL:

Is your wife, Tobe, rooting with you to be with Phyllis or Sharon?

JOSHUA:

Tobe does not care. She just wants me home by dinnertime to do bath time with the kids and read them books. If I can do that, it helps her with her day.

MICHAEL:

Just a final thought: What did you think about Guiding Light’s cancellation and the future of soaps?

JOSHUA:

I am not surprised. It’s a changing business and the model for some of
these lower rated shows is not like the
old days. People are kidding themselves
if they think all of them are going to last
forever. I would bet 3 or 4 might also
be gone soon.

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Jolene Beth MorganAnneLULULinda StevensKim Mathenge Recent comment authors
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Linda Stevens
Guest
Linda Stevens

I think you shoud always leave Nick in a turmoil he created this situation and he should have to live with always loving two women-Phyliss/Nick are so hot together Sharon/Nick no matter how you try to keep the scenes between them hot there’s always something missing- there’s something about phyl’nick when they are together They are totally hot. Makes me want to tune into the show.Love phyliss. Shaon is geat also but nick and phyliss are the best.But let nick run around always in Limbo about loving two totally different women

Dianne Chapman
Guest
Dianne Chapman

I love listening to Josh Morrow. Besides his sexy voice, we share the same views about many things. I love Nik 7 Sharon together, but it isn’t any fun if it isn’t “messy”!

Kim Mathenge
Guest
Kim Mathenge

What’s going on with sharon these days she shoots adam and still loves him What. love the actress/ actors but that makes nosense. She should have stayed with jack. they all lie to her who cares. Jack didn’t steal faith or terrorize anybody. 2 wrongs don’t make a right but if it’s about lying then. i prefer nick and sharon or phyllis and sharon . if phyllis is not with. it better then adam/sharon phyllis/sharon those 2 love each other.

Linda Stevens
Guest
Linda Stevens

It is kind of sad what the writers are doing to young and the restless. No storyline seems to make sense anymore.The jump so fast from scenes-its had to know what they really have in mind for the viewers-Since parting of Phyliss and Nick I do not tune in much anymore- But I would tune in ,in a heartbeat to see Josh and michelle doing theire thing together, both great actors and they do it naturally when they have scenes together-oh well just my opinion

LULU
Guest
LULU

Its just that it gets a bit irritating when the Sharon/Nick/Phillis story goes on forever.
Just make your final choice once and for all Nick! The Sharon being miss goody too shoes and Nick’s indecisiveness is very annoying.

Despite that,I think Josh,you’re a great actor.
(I totally agree with Linda Steven’s first sentence)

Anne
Guest
Anne

Well that kind of says it all. Tossing in my Shick fancard and including my JM fan card. What a jerk!!! He said something in the press that caused Phick fans to spread rumors that Sharon Case is difficult to work with and the best he can do is that? Sharon was really hurt by that and you’d think after she helped make him and the Shick pairing popular he’d be grateful. .Again what a jerk!! Michael doesn’t have a problem with her and pimps his joy at working with her all the time on twitter. JM sounds just like… Read more »

Anne
Guest
Anne

Just have to add…soo happy she doesn’t have to work with him much anymore and with a bit of luck Sharon being with Adam will end Shick forever to the point where they never have to share a scene again. JM should be happy with that.

Jolene Beth Morgan
Guest
Jolene Beth Morgan

I love Joshua Morrow and Eric Braeden and Melody Thomas Scott and I loved when Heather Tom played Victoria, the Newman clan was perfect then. Amelia Heinle is probably a very dear person and a fair actress, but Heather Tom WAS Victoria. Would love to see Heather Tom return to the role of Victoria, but it most likely will not happen since she is so popular on the Bold and the Beautiful. I also loved it when Sharon Case and Eric Braeden acted together in a romantic story line, there was alot of chemistry between them on camera. Also love… Read more »

Interviews

Y&R’s Mishael Morgan Talks Amanda’s Gut-Wrenching Scenes With Her Mother, Romance with Devon & Vice-President Kamala Harris’ Historic Moment

Since Mishael Morgan returned to The Young and the Restless as Hilary’s twin, Amanda Sinclair, it’s been a slow burn for the character.  However, recent revelations of Amanda’s childhood past have exposed the emotional wounds and the inner fight of this legal eagle, who is now poised for a romance with her late sister’s husband, Devon Hamilton (Bryton James)!

And who better to take on the challenge of trying to make Amanda and Devon a couple to root for then the talented Morgan.  In recent scenes, viewers watched as Amanda learned the harsh reality from her biological mother, Naya (Ptosha Storey), that she gave her and her sister up at birth and never really regretted it! Mishael played those scenes as you would expect for all they were worth and then some.

Michael Fairman TV chatted with the Trinidadian-Canadian Morgan, as the United States marked Martin Luther King Day on Monday – a holiday that holds a special place for her – and then the inauguration of Joe Biden and Kamala Harris as President and Vice-President of the United States on Wednesday and its historical significance.

 

While Mishael shares her thoughts on these moments of our time, we also do a deep-dive into how she created a second life in Genoa City and the challenges of playing a twin and making her unique and different, plus what fans should look forward to in the months ahead, which to us looks like it could be a love triangle between Elena (Brytni Sarpy), Devon, and Amanda.  And, as the second anniversary of the death of Kristoff St. John (Neil Winters) is fast approaching, Morgan opens up about the impact her former co-star had on her daytime career.  Here’s what Mishael had to say about it all below.

Photo: AP

Yesterday was such a historic day watching the swearing in ceremony of Kamala Harris, as Vice-President of the United States.  She is the first woman, first Black woman, first Indian woman, so many firsts to hold this office.  I just wanted to get your thoughts from watching it.  What was it like for you?

MISHAEL:  For me it was such a beautiful moment, and such a defining moment because now there is no person in America who can feel like they can’t do it all, that they can’t make it to the highest level of office, or at least one of the highest levels of office.  I think that is going to transform this country and the world in many ways because the rest of the world really does pay attention to American politics, and to what goes on in America.  I think it will really have a ripple effect throughout the entire world.  For me, it was so exciting to see this moment actually come to fruition because I think that the impact is even greater than we all could imagine.  You never know who you’re inspiring.

Photo: Hustory.com

It was really amazing, and this was also right after Martin Luther King Day and I know you produced your “I Have a Dream” Project.  How was the holiday for you?

MISHAEL:  It was funny because even though I did the MLK project, I didn’t really think that it was something I could really explain to my son.  Then, yesterday my son really wanted to know: “What was Martin Luther King Day about?  Why was it a holiday?”  It was so interesting because I had to come up with a way to explain it to a five-year-old, and what I came up with was so basic but so true.  I just said, “This was a day when Martin Luther King, a very famous man, who was famous because he stood up for everybody’s rights, and he marched to make sure that everybody can do the same things in this country as everyone else no matter how they look,” and that’s what he was.  He wasn’t just a champion for just Black lives.  I think he is a champion for equality, and he is a champion for making sure that we always remember to see each other the same.

Is that what inspired you originally to do your project?

MISHAEL:  Yes.  100%.  I remember being inspired by Martin Luther King as a child when I was learning about him for Black History Month and stuff like that, and then when all of the social unrest happened, I just remembered him again, and it was something that I wanted to explore.  When I started reading about him again, I just became so inspired by him all over again that I wanted to do something, and that’s what really inspired me to do the “I Have a Dream” Project.

Photo: Getty

I just hope that we will make strides in our country in stomping out systemic racism – it’s such a deeply-entrenched issue in our society.  A lot of people talk, but we need action to bring change to the system.

MISHAEL:  That’s the thing, I think that this moment, you can’t stop – like the moment when Kamala Harris got sworn in as our Vice-President – you can’t stop the train now because strides will be made that the next generation will look at as normal, and of what it means to be a Black woman or a woman in this country is going to change forever.  It’s the next generation that is really going to continue to move it forward.  So, I think that at the end of the day.  This will always be something that’s remembered.

Courtesy/CBS

Now on to Y&R, I wanted to tell you that these performances that you gave that recently aired were just great.  I always love it when they give you the ball.  How did you feel about the scenes and the storyline, where we learn the deep pain and hurt of Amanda’s childhood and the truth from her mother?

MISHAEL:  I was so excited to play it because for me, I really love telling human stories.  I love diving into that part of myself, and I really know that a huge part of why I am an actor is because I just have this outpouring level of empathy for every life that’s lived.  When I talk to people, and they tell me their stories, I want to take it on because I want to show that beautiful side of humanity.  So being given this story, I wanted to be very careful with it, because I knew that this is a reality for a lot of people.  I also thought about the fact that twin stories have always been done before, paternity stories have been done before, but I have to make sure that it comes from a truly honest place inside of me and a truly empathetic place.  I was excited to take on the challenge to be true to myself, and be true to my artist, and just find the beauty and the honesty in this real human story.

Courtesy/CBS

Ptosha Storey, who played your on-screen mother, Naya, was amazing in the scenes with you.  What was it like working with her and the gravity of it, where this woman is basically unapologetic that she didn’t want her children and she gave them up, and she did not sugar-coat it.

MISHAEL:  Ptosha was amazing.  I loved working with her.  We really got to kind of know each other a little bit.  She has such an interesting story about coming to LA to pursue acting, taking a break from it, (and I don’t want to speak for her), but then really going full-throttle right now when Black, female characters are being played, and she’s getting an opportunity to get back out there and do what she loves to do.  Just listening to her story was so inspiring to me. We had a true respect for each other when we got on the stage, and I think we made some art.

Photo: JPI

It was almost like watching a two-person play in those scenes.  What did Amanda feel at this point?  Was she hoping that her mother would say, “I loved you.  I wanted you?”  Was she hoping for a different outcome in her head?

MISHAEL:  I think anybody who goes into a search for their parents is hoping for a positive outcome.  I think for her, it was heartbreaking to hear that if Naya could go back and do it all over again, she would have made the same choices, and also knowing that those choices really impacted Amanda’s life in an incredible way.  I don’t think that all of it has come out yet.  I think a lot of the pain and hurt that she had to go through as a child, and the loneliness that she had to go through as a child, and hearing from a mother that she would put you back in that situation because it was more comfortable for her, and the level of selfishness is hard to take. Then there is the anger and everything that would come out of hearing that from your biological mother.  It’s funny because the way that those scenes were scripted, there was no stage direction, which to me, I love, because a lot times it will say like, “in this moment she is going to get a little angry,” or, “in that moment she is going to be sad,” but for those scenes, for some reason (and they were really juicy scenes) they really didn’t give much direction. I appreciated that because then it really allowed me to really just make the scene what I thought it was and just really live in the moment.  I know this was a roundabout way to answer the question, but yes, it was very heartbreaking because nobody expects that somebody would say that to them.

Photo: JPI

It was just so heartbreaking.  I kept thinking, “Maybe she’ll…” but no, Naya just stood her ground on it even though Amanda grew up in a foster home.  She wasn’t the “chosen” twin either!

MIHAEL:  No, and she was never chosen, and I think that’s an interesting thing that you said because she was never chosen, and I then even to this day, as a grown woman, she still isn’t chosen, and that I think is heartbreaking.  It’s an interesting thing because I do happen to have a bit of a personal experience with this.  My father wasn’t in the foster system, but he was raised… kind of farmed out to two aunts as a young child and didn’t really get to have a relationship with his parents until he was older, and with his mother, until he was in his 20s.  So, it was so fascinating watching my father.  I just remember always looking up to him and thinking he was so strong, and so powerful, and never cared about what anybody thought, and because of his upbringing, it made him a very driven person, very much like Amanda, but there was a weird sense of wanting to be good enough when his father was around, or when people talked about his father.  It was very fascinating for me to watch that.  It was like I would see my father almost turn into a child again, just wanting that love.  I think it’s because that is so organic to who we are as human beings that it just never goes away, that need to know that your parents love you, that there are two people in this world who no matter what will be there for you, and they will love you.  That’s a hard reality to come to when you realize that’s not true.  I think that’s something that’s really hard for the human spirit to let go of.

Photo: MMorganIG

Yes, and I think what you are saying is also true that you realize as an adult that we are so deeply affected by our childhood and how it plays into our choices, or how we perceive things that happen in our lives.  So, when you think of that, and because you’re a mom, doesn’t it make you feel even more that you want to do right by your kids? That you don’t want to do anything to screw them up in their later years?

MISHAEL:  Yes, it’s true.  It does make you want to be the best person for them and the best example, especially the best example for love.  You want them to feel accepted, and appreciated, and proud, and you want them to know that you’re proud of them.  You want to do everything you can because you think of every single person you may have met who felt like their parents didn’t love them enough, and you want to do every single thing to make sure that your child doesn’t feel that way.  I talked to one of my friends, and they’re like, “My parents never told me that they were proud of me,” and I’m like, “Alright!  Well, Niam, I am so proud of you!” Every day, “I am proud of you!  I am proud!”  It’s like every day I better make sure to tell my kids that I am proud of them, and that I love them.  I was talking to Bryton James about this because I had a disciplinary moment with my son, and you wonder if they are going to take it the way that you take it, but at the end of the day, that might get burned into his memory as “the worst thing that my mom ever did to me,” and meanwhile I thought it was a life lesson that I think he learned.  You kind of have to get rid of that fear that you are going to screw them up because I think it doesn’t matter.  You’re either going to love them too much, or you’re not going to love them enough, and you just have to do the best that you can, and you just hope that it’s good enough.

Photo:JPI

Now, you were brilliant as Hilary on Y&R and had this amazing story send-off, and then you came back to the show as Amanda, a new character.  How has it been to try to define Amanda as her own character without the ‘Hilary-isms’, or does it not matter anymore?  Do you feel you have made the distinction for yourself that they are two very different characters?

MISHAEL:  I feel like now they just are different.  It was active choices that I was making in the beginning, and it was important for me in the beginning.  That’s why, for me, when I was bringing Amanda in, I was trying to stay very steady in my tone and how I spoke because Hilary was very, very up and down, and everything was all over the place.  So, for me, that was my beginning moment, just really focusing on how Amanda spoke and how she conducted herself. I can’t change the way that I look, but I feel that the way that I speak and the way that I carry myself will naturally start to define the character.  After a while, when that becomes more second nature, I feel like more of the character comes through … more of how she is and how she takes things in.  That’s just sort of explaining a bit of my process. It’s just the weirdest situation that I never thought I would ever be in, but I definitely feel like a different character for sure!  I do feel like I know who Amanda is now.  In the beginning, when I read the script, all I heard was Hilary.  I really had to think about how I was going to say things because I didn’t want it to sound like Hilary, and now when I read the script, I see Amanda.  I don’t hear Hilary anymore.  It’s become easier for me now to lean more into the role and get more comfortable with it.

Photo:JPI

Amanda had said to her mother that she was also robbed of her sister.  How does that play into her whole psyche?  She does know that Devon was deeply in love with her sister, and now she has feelings for him too.  Did she want to meet her sister?  Does she feel robbed of that?

MISHAEL:  She feels very much robbed of that.  For me, it was very important that the time when she discovered that Hilary was her sister and that Hilary was gone, that I’m playing that loss properly.  It was important for me because if you couldn’t believe that Amanda’s heart is truly breaking for her sister, then you can’t believe anything else that’s coming afterwards.  This is a really defining moment for me as an actor playing two characters on the show.  It was really important, leaning into the fact that I had a twin, and I’ll have a connection to a person who doesn’t exist anymore, and really letting that break my heart, and break Amanda’s heart.  Once the audience believes that, then they can really believe that Amanda is a different character.  Then, our amazing fans will start to just buy into it, and they will figure it out, and they will work it out, and they will wrap their heads around it, but for me, it was that they had to believe that Amanda’s heart is truly broken for Hilary, otherwise we can’t hook them.  Amanda and Hilary have to become two separate characters in people’s minds.

Right.  So, after the confrontation with her mother, she runs to Devon, and she is torn up, and he consoles her.  This week he asked her out on a date.  She likes this guy, right? 

MISHAEL:  Yeah, I think she does!  He’s the first person that she met when she came to town, and I think she’s always been impressed by how he treated her even when he hated her, and the more that she learned of him, the more she became impressed by who Devon was, and his patience with all of this. In seeing his vulnerability with Hilary, and everything that he went through, and then seeing his heart being broken because of Elena and Nate, I think all of it together is starting to give these two characters reasons to be okay with exploring something that may seem strange to other people, but you can’t control who you love sometimes.

Photo: JPI

Hilary and Devon were such a hugely popular couple.  Do you feel pressure to hit lighting in a bottle, twice?

MISHAEL:  It’s really hilarious because we’re the same people!  Yeah, there is a little bit of pressure because you do wonder if you’re going to be able to create the same magic, especially because Bryton and I have known each other for so long, and we know each other so well now.  Looking back at some of the Hilary and Devon scenes, there is something that is so interesting about it and fun about it because I think Bryton and I were just getting to know each other at the same time.  So, wondering if we are going to be able to recreate that and just make it feel fun and fresh, I think is the worry or the challenge.  I think we will figure it out.  Bryton and I were talking, and the one thing that is missing, or the one thing that we have to get to in terms of the underbelly of Amanda and Devon’s attraction is that Amanda is more like Devon than Hilary ever was.  It’s almost like Devon realizing that the whole journey with Hilary was meant to happen just so that he could meet Amanda.

Isn’t Amanda going to be kind of worried that he was so in love with Hilary and the way that she looked…

MISHAEL:  Well, she doesn’t need to worry because Hilary is dead anyway.  It’s not like she’s coming back!  (Laughs)

Photo: JPI

Since the last time you played an on-screen relationship, Bryton is with Brytni Sarpy in real-life, and Brytni is on the show now, and there is all of that.  What has that been like working with Brytni?

MISHAEL:  Oh, I’m so Canadian!  As soon as I got back to the show, I was like, “I’m so sorry,” and she was like, “Why are you sorry?”  I said, “I just feel very sorry that I’m here.  You guys have your real-life love thing going on, and your on-screen love… I feel weird.  I’m happy to be back on the show, but I’m like breaking up the party!”  She’s like, “No!  It’s fun!  It’s fine!  Maybe we’ll be rivals!”  I’m like, “Yeah, okay it’ll be fun!”

I can see a classic soap bitch-fight on the horizon on Y&R!

MISHAEL:  Brytni has been awesome about it.  That’s been great.  We don’t know where it’s going to go, but it’s going to be fun.  They’re also playing with Devon’s love for Elena still.  They still have a pull.  Devon is still looking at Elena.  So, I think it’s going to be interesting either way.

Photo: JPI

We are going to have the fan wars again for the couples!

MISHAEL:  That’s even more fun!  I always said I’d rather people be fighting for me to be with this person and that person as opposed to just always with one person because then to me, I kind of wonder, “Is it just this one actor who makes me better?”  I want to be an actor who makes everyone better!  That I can work off of anybody and get that chemistry or that thing that audiences are looking for, that’s what I really challenge myself to do.

Photo: JPI

On February 3rd, it’ll be the second anniversary of Kristoff  St. John’s death, which is hard to believe that it will have been 2 years already.  I keep remembering when I first met you.  Kristoff and you were on The Price is Right, but it was also a crossover for your characters, and you were the new girl on Y&R.  Do you still feel his presence at Y&R?

MISHAEL:  A few days ago, I had asked Bryton, who is s actually in Kristoff’s old dressing room, “Do you ever feel Kristoff in there?  In your dressing room?” and he’s like, “No, not really.  Definitely not in my dressing room, but on set sometimes.”  Even though he’s not here, it’s like he’s still with us because you still see him in pictures and sometimes that happens while you are on set doing a scene.  One time, I was on set doing a scene with Christel Khalil (Lily), and I saw a picture of Kristoff in the background, and it’s just kind of a reminder that I think he is always going to be here in terms of his impact on me and my time on the show.  He means a lot to me because I think I am the artist I am largely because of his influence, and how he really took me under his wing and made me feel so comfortable.  He was such a light, and he made acting so fun, but he always had your back as an acting partner and as friend, and I miss him a lot.

Me too.  He was just a wonderful actor too, when you look back on some of the work.

MISHAEL:  Oh my gosh, yes.

Photo:JPI

What does Amanda think of Naya’s other daughter, Imani (Leigh Ann Rose)?

MISHAEL:  She’s just irritated by Imani because she basically got to live the life that Amanda should have had essentially. To watch her be up on her high horse to Amanda, it’s laughable because the amount of hoops and obstacles that Amanda has had to go through to get to where she is standing today, somebody like Imani is just a complete joke to her! In Amanda’s mind, she is who she is just because of the opportunities that she was given and because of the family that she was born into.  It was complete luck, and it had nothing to do with hard work.  In Amanda’s eyes, everything that she is and every ounce of who she is, is because of her determination, and the choices that she made, and the obstacles that she overcame.  So, the way that Amanda looks at Imani is like she is just a person who she doesn’t even think could fathom how insignificant Amanda thinks that she is.  There is a deep-rooted resentment for Imani because I just think that Amanda has been through so much.

Would you like to have more scenes between Amanda and Naya and Imani?

MISHAEL:  Yes.I want more scenes with both of them!  Both of them are so amazing.  So, I’d love to work with both Imani/Leigh-Ann and Naya/Ptosha again.

Photo:JPI

What can you say to the fans to look forward to?

MISHAEL:  I think I would say that Amanda coming to Genoa City was a really big surprise, and I think that those surprises will continue … ff we want to be as vague as possible! I think there are a lot of things to look forward to because this relationship with Devon is definitely going, and I think it will be interesting to watch how Bryton and I figure that out, which will be fun!

Photo: JPI

Big surprises? Hmm.  Are you going to tell me that there are four of you? That Naya really gave birth to quadruplets … and you are about to take on two more roles?

MISHAEL:  Well, you never know!  That’s all I’ll say!

So, what did you think of Mishael’s recent performances where Amanda met her birth mother? Are you rooting for Amanda and Devon to wind up together, or Devon and Elena? What have you thought of Amanda Sinclair vs. Hilary Curtis Hamilton?  Share your thoughts via the comment section below.

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Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. https://members.sagfoundation.org/donate 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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General Hospital

GH Co-Head Writers Chris Van Etten and Dan O’ Connor Interview – “Soapmakers of the Year” Honors 2020

In a year which saw production of your favorite soaps shutdown for several months due to the coronavirus pandemic, everyone in daytime had to pivot.  As original episodes aired, they eventually ran out, giving way to rebroadcasts, while the audience eagerly awaited the return of the current stories.

At General Hospital, once production resumed over the summer, head writers, Chris Van Etten and Dan O’ Connor had teed-up: surprising homecomings (Dante, Britt) shocking twists and revelations, the conclusion of what will become an all-time soap classic, the Alzheimer’s storyline, dipping into the rich 57-year history of the iconic soap to tie story to the present (Laura, Cyrus, Martin), and crafting stories for its A-list cast which gave 2020 some of its finest on-screen moments.  GH became can’t-miss television again, coming back even stronger than its pre-pandemic self; which also kicked the year off in high-style with the reveal of Nikolas to his family, alive and well, and the long-awaited truth about baby Wiley.

Chris and Dan’s depiction of Mike’s heartbreaking battle with Alzheimer’s gave viewers many tears through its unrelenting and realistic storytelling, plus their commitment to air the standalone episode to honor the passing of the 19th amendment of the women’s right to vote in November.  Both were noteworthy, and illustrated what daytime can do best.

 

Each year, Michael Fairman TV gives our highest honor to a creative or creatives who most delivered to its audience and whose quality of work continues to keep us engaged, on the edge of our seats, or reaching for the hankies. That is why this year’s Soapmkers of the Year honor goes to GH scribes: Chris Van Etten and Dan O’Connor.  Shortly after receiving their acknowledgement, the duo spoke to us about some of the 2020 highlights in Port Charles, and how they work so well together to bring their stories to life.  Here’s what they shared.

Courtesy/ABC

First, and foremost, I want to commend you for the Alzheimer’s storyline  As I’ve shared publicly, my mother died of Alzheimer’s, and I have seen the progression of this disease and the effects it has on a family and loved ones, and the person afflicted with it.  You did a beautiful job of telling every beat of the story within the context of what you could do within a soap opera.  What can you tell me about crafting that and seeing it through to the end?  You never abandoned the story, which at times, can happen on daytime.

CHRISNo, we didn’t abandon it.  Soap operas have a power that I am sure we have acknowledged before, to allow audiences to really get to know characters in a deeper and more profound way than I think most other mediums do.  We get to see characters’ lives day in and day out.  For us to tell a story about Alzheimer’s, which is a disease that is devastating in so many ways, not the least of which is the fact that it can take years to develop and years to finally claim a life, we felt that among our audience, there had to be many people who had experienced this in an up-close and personal way.  So that to tell the story too expeditiously would really deny their experience and would take away from their appreciation of the show as a reflection of reality.  Of course, soap operas don’t do that in every sense on every episode, but when you’re telling a story about a disease that people experience every day, you have an obligation to reflect the real-world experience.  So, by bringing it to a close too fast and by doing it in a way that didn’t honor what at times is the horror of the disease, felt like it would be a cop-out.  We wanted to do our best within the constrictions of the medium to depict that; while at the same time, of course, not wanting to leave people so depressed as to not want to tune back in.  It was a really delicate dance.  We are very grateful to have had the support of the network and Frank Valentini’s (executive producer, GH) ingenious production team as well as a great repertory of actors who were willing and able to give their all to this story.

Courtesy/ABC

Maurice Benard (Sonny) did some of his finest work of his career in this story, and you gave him the ball to do it, and Max Gail (Mike) was amazing.  Two standout episodes included: when Mike passed and was taken to heaven by Courtney (Alicia Leigh Willis) and Mike’s funeral episode.  Did you realize when you were writing it, the impact it would have on the audience?

DANAs for the funeral, I’d say that we knew as we were writing it that not only did we want to give the characters and the audience a chance to say goodbye to Mike, but we also wanted to give the performers a chance to say a goodbye to their relationship with the actor, Max Gail as well.  Max is a fantastic, phenomenal actor, and he formed close relationships with many of our performers.  So, when we wrote the episode, yes, we did want to give the audience a chance to say goodbye to the character, but we also knew that because of the close relationships that these performers have made with each other that the actors were going to bring their all, and it was going to provide the audience with some powerhouse performances.

Did you get emotional seeing it? 

CHRIS:  Oh, personally, I cried.

Courtesy/ABC

I know you both love and appreciate the soap genre and understand that the audience often wants a good cry and is invested in these characters.  So because of that; what’s it like for you when you see these emotional moments play out that start in your mind, go to the page, then to the stage, and now are out in the world for people to see and experience?

CHRIS:  I can’t speak for any of the other writers, but I’m not crying when I’m writing it, but I’m crying when I see it realized and how the actors, and the producers, and the directors realize it.  I personally am always surprised by the nuance and the beats that they find that we, in our first draft kind-of-lifestyle that we have as soap opera writers; where we are writing six or seven episodes per week, we don’t have the time or the luxury to really sit with an episode and mine it for every single beat and every emotion. That’s why we have great directors and great actors who take these scripts and find these extra moments.  So, it is really gratifying to watch – yes, to see something that we’ve imagined be produced and personified, but then to see how the production then takes it in other directions, that’s the best.  I think that’s the most gratifying part of writing for a show, not seeing what you’ve written produced, but seeing how it was parented into life.  When you have a baby, I think you have all sorts of ideas about what the baby will be, and then the baby becomes something else as the result of its environment and of the people who are influencing and guiding it along and that may be a bit of a stretched metaphor, but it kind of feels relative.

As co-head writers of General Hospital, how do you work together to come up with long-term story?  What is your process?

DAN:  Chris and I will meet regularly and discuss the long-term stories that we are telling, and plan to tell, and maybe some adjustments that we have to make along the way.  We get to meet with our writers several days every week as we figure out the best way to tell that story in the form of however many episodes we write a week.  Chris and I also write episodes along with our great breakdown script team, and every week we figure out the best way to either stay on the path of the story we are intending to tell, or find new opportunities or new twists and turns we can take along the way.

Photo: ABC

Do you get into friendly, creative disagreements? Is one of you more protective of a certain character than the other? 

DAN:  Chris and I have known each other for close to 15 years at this point, and we are not just colleagues, we are also friends.  There is a certain amount of shorthand that we have with each other which is just invaluable in telling story.  What’s great is that we sometimes come at the story from different angles or we have a different point of view, much like any two fans of the show wouldn’t agree on necessarily everything, but in our discussions about the show’s needs, wants, and haves, and the story trajectory, we ultimately get somewhere better than where either of us could have come up with on our own.  At the same time, there are those moments where we both come to the same idea at the same moment, and that’s definitely when we go, “Okay, we’re onto something good.”

CHRIS:  I can add as a partial translation that I can get really snippy, and Dan has the patience of a saint.  So, often times, I need 24 hours to go away, and sleep on something, and wake up, and say, “Oh Dan, you were totally right about that.  I’m so sorry I was snippy the other day,” and he doesn’t seem to hold it against me.

Do you ever get a writer’s block; as has to happen often with scribes in the unrelenting medium of daytime drama, and if so, I would think having a writing partner would be an asset during those times?

DAN:  I think it’s the nature of the beast.  At a certain point, you might hit a roadblock somewhere, but that’s why having a partner is so valuable that there is somebody else that you can bounce ideas along with, and just as, if not more importantly, our team of writers are always there to sometimes give us even better ideas than what we would have come up with on our own.

Courtesy/ABC

This year you utilized and delved back into a lot of GH history.  How did the idea come about to bring back the character of Jackie Templeton and have former All My Children and NYPD Blue favorite, Kim Delaney, take on the role?

DAN:  Jackie Templeton is a character who has been an Easter egg on the show for many years now.  Whenever we needed to namedrop a famous journalist, she was always our go-to.  It always felt like the character was in the ether of Port Charles for awhile, and we were excited to bring this take-no-prisoners character back and explore her history with Robert (Tristan Rogers), and at the same time, we were finally teed up to tell the story of Finn’s (Michael Easton) falling out with his father and step-mother, and we realized we had a great opportunity to have the character serve both stories and collide with not just Anna (Finola Hughes) and Finn, but Robert as well. Those three played wonderfully with each other. When we heard that Kim Delaney was interested in playing with us, we were just over the moon.  .

Courtesy/ABC

You have also been delving back into Laura’s childhood past and her history. I love that you brought up the death of David Hamilton and her teenage years, which hasn’t been discussed for a very long time on the show while tying it into the present.

DAN:  We were always aware of the story just because we love General Hospital and we love the character of Laura, and there is nothing else like daytime drama, and one of the great things about it is that you can reach decades into the past and expand on stories and themes that the audience actually witnessed. Long reaching history is a tool in our toolbox that not many other series have.  Chris and I love honoring and using our characters’ histories to propel the show into the future with some serious momentum.

Photo: ABC

You created and brought the character of  Cyrus Renault (Jeff Kober) on to the canvas. Was it originally a case of, “We need an uber-villain to come and shake things up,” and then you decided to connect him to Laura?  It’s been an intriguing shocker for viewers.  Jeff is playing the multi-levels of Cyrus with great finesse, and whenever you give Genie something, the fans go nuts, and she, in turn, delivers every time.

CHRIS:  The story of Cyrus has a couple of phases to it.  We wanted to bring on a villain who would not only be an adversary to Sonny, but someone who we could use to really test Jordan (Briana Nicole Henry) and Curtis (Donnell Turner), and we knew going in that the first phase of this story would really hit the Corinthos family and also the Ashfords, and as we developed it, we thought about what the act two would be, and we knew that we had an opportunity to really engage Genie Francis and to expand her sphere and expand her footprint on the show, and by connecting her to Cyrus, who is not your typical face or presence for a soap, but is also not your typical person who I think Laura would encounter in her daily life.  So, we knew, as we really developed Cyrus as a villain, that for Laura to find out that this man is her brother, would really allow us to play with Laura in a different context and in a different light and really give Genie a new kind of challenge.

Speaking of Genie, what did you think when you watched back her performance in the episode where you wrote that Laura has to say goodbye to her comatose daughter, Lulu (Emme Rylan), before she was sent off the canvas to a long-term care facility?

CHRIS:  I mean to me, that’s vintage Laura.  I came to General Hospital personally in the late 80s to early 90s, so my experience of Laura really only begins with her, and Luke (Tony Geary), and Lucky (Jonathan Jackson) at the Triple L Diner.  I think that what we’ve gotten to see with Genie is really reflective of the high emotion that she is capable of delivering.  At the same time as the high emotion, you’re also seeing really small human moments that she really breathes a lot of life into.  I can speak for Dan and myself when we say that we are just really thrilled with what she has been able to bring to the screen.  Thrilled, but I guess not surprised.

Coutesy/ABC

Nelle (Chloe Lanier) was such a great interloper and threat throughout the year in story; whether it’s hatching plots to gain custody of baby Wiley, or her “death” scene and confrontations with Carly (Laura Wright).  However, through all of this, when was it decided to make Nina (Cynthia Watros), Nelle’s biological mother?

DAN:  There are very few things that are as exciting on a soap as a character that makes you wonder what they are going to do next, and Chloe and Nelle provided that role with just gusto.  The truth is, the idea that Nelle was Nina’s daughter has been a part of the conception of that character, and over the last few years, the story evolved, and we ultimately got to reveal the truth to the audience.

Courtesy/ABC

As writers, there has to be characters that are just so delicious and treacherous to write for that you have to get a kick out of it! Chloe Lanier is so good that she makes the audience want to slap Nelle when she takes the dialog and then brings it to the screen.  

CHRIS:  It is tremendous fun.  Yes, yes, we love writing for these characters who are willing to do and say anything to get what they want.  We are constrained when writing for characters who have morality.  It takes a moral character a lot of really difficult circumstances for them to make a decision that might go against the grain, but when you have a character like Nelle, who is not shackled by certain societal norms, then you really get to live out the worst impulses that a person could have, and it’s really fun, especially when you take a really great performer like Chloe and see her as Nelle unleash all of the poison that she’s capable of.  At the same time, she can turn on a dime and rip your heart out a little bit when she turns on the water works.

Photo :ABC

Ava Jerome’s (Maura West) story this year had her moving into a relationship with Nikolas (Marcus Coloma).  We, the audience, didn’t know how that was going to go – if they were just going to use each other, or ultimately fall in love.  Was that the plan all along … that they would develop deep feelings for each other, or did you want to see how it progressed and played out on-screen, and then make that determination?

CHRIS:  I think that once we saw the chemistry between the two actors, we knew we had gold. So, we wanted to take our time, especially the way that it was constructed.  These were two people who had little use for each other emotionally, and in fact, probably wanted to see one another’s downfall, and that’s what makes it so great to write – that these are people who, in a similar vein as Nelle, don’t live by the same rules as most of the rest of us, and therefore, they might do things to each other that the rest of us would not do to anyone let alone whether we like them or not.  That’s what makes Ava and Nikolas so delicious is that from one moment to the next, you don’t know if they’re going to hatch a plot against each other or fall into bed and ravish each other. That’s what I think we hope to continue to play as we go forward because they certainly have very strong, passionate feelings for one another.  When you’re talking about Ava and Nikolas, these are two people who do not have a lot of fans necessarily in Port Charles, and there are a lot of people who don’t necessarily want to see them achieve happily ever after.  Knowing that there was so much initial mistrust and suspicion between the two of them could really provide the foundation for their own undoing or their undoing from someone who does not want to see them happy.

Photo: ABC

Back in November, GH made good use of a standalone episode spotlighting the history of the women’s right to vote and the suffrage movement; just as the presidential election was happening.  What made you decide to write this special show, and how do you feel it turned out as it also spotlighted the female cast?

CHRIS:  We had long intended to honor the one hundred years of American women’s suffrage with a special episode to air on the anniversary of the 19th amendment’s passage, but we missed the date due to the pause in production.  We realized we had a second chance as the election neared.  Going forward was a no-brainer. The biggest challenge was in distilling such an epic story into one episode. We think ABC would do well to consider a spinoff: “Port Charles, 1920”

Courtesy/ABC

You have such a powerhouse cast to write for.  It’s loaded.  It’s got to be a challenge for you to construct the story for GH when you’ve got to front burner people and back burner people, and then you’ve got these huge daytime stars all in one show.

DAN:  It’s an embarrassment of riches to have a cast as talented as we do quite frankly.  We are fortunate enough that we know that we have these amazing performers that we can trust with whatever stories that we throw their way.

CHRIS:  I will say that we do have a great cast.  They’re all wonderful, and when you have a show that is only approximately 35 minutes of airtime on any day, it’s a real balancing act to make sure that everybody gets a story that really is worthy of their talents, and we’ve got one for everybody.  Sometimes it’s just a matter of which story takes precedence in which moment, which is why occasionally some characters aren’t featured on a daily basis, but you can bet your bottom dollar that they will be.  If you were to ask me, “Who are the standouts?”  I would say all of them.  You saw this year: Maurice Benard, Nancy Lee Grahn (Alexis), Maura West, Genie Francis, and Laura Wright (Carly) to name but just a few.  They’ve all done such fantastic work, and we can’t wait to give them more material to give them more moments to shine.

DAN:  A priority of ours is every week, we meet up and look (well, it’s virtual now during Covid-19) at the big board of our cast photos and we go through each character and always make sure that they have some story percolating even if it’s not on the air at the moment.

Photo: ABC

As we close out 2020, and look forward to 2021, any parting thoughts, and perhaps a tease of what GH fans can look forward to in the New Year?

CHRIS:  In general, I would just say that despite all of the challenges of the year, we are really grateful to our cast and the crew back in Los Angeles for realizing and improving the show that we imagined, and we are so excited for everything that is coming in 2021.  We hope to continue to throw a lot of surprises at the audience, and at the same time give them a lot of moments and stories of heart and love and excitement.

So, what did you think of the year in story on General Hospital in 2020? Share your thoughts on Chris and Dan’s comments and their year-end honors via the comment section below.

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