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THE JOSHUA MORROW INTERVIEW – THE YOUNG AND THE RESTLESS

josh_mic_crop.jpg

This week on “Y&R”: Nick sleeps with Sharon again, Phyllis loses it and Sharon winds up in trouble with the law,

and Nick walks out on Phyllis. Just another week in the lives of three of Genoa City’s most notable citizens! With so many “Phick” and “Shick” fans defending the partnership they believe should win out and what woman should ultimately own Nick, I decided it’s time to chat with the man at the epicenter of the controversial story, actor Joshua Morrow.

This leading man certainly had his hands full these days playing opposite heavy hitters Michelle Stafford and Sharon Case. In this revealing interview: Joshua talks about his feelings about the storyline, working with his leading ladies, and how playing the not-so-upstanding Nicholas Newman these days, may come with a price from the fans. However he clarifies that that he is relishing this hot storyline.
Joshua also offers up some insight as
to who Nick should and will ultimately
end up with, this time.

One of the most underrated actors in daytime, who delivers real and honest performances day after day, no matter what the material… here is Joshua!

Listen to the audio:

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MICHAEL:

This week Nick sleeps with Sharon again, and they went to the cabin, again and did it there, again! What is going on in Nick’s mind? I have so many “Phick” and “Shick” fans that want me to talk to the guy at the center of all of this.

JOSHUA:

Well honestly, he goes to the cabin just to find his son. I don’t think he had ulterior motives as far as sleeping with Sharon. Sharon calls to tell him that Noah went up to the Abbott cabin with Eden. They are trying to keep those two apart right now, and he literally goes up there just to find his son. When he doesn’t find his son there, then the two of them decide not to leave, which I am sure is very shocking to soap fans everywhere! (He laughs)

MICHAEL:

Is he feeling that Sharon is just falling apart and he has to save her? Or, does he really love her and knows it, and is conflicted?

JOSHUA:

I think there is story that was not finished with Sharon. Nick feels very responsible for the death of Cassie that led to the break-up of their marriage. Nick feels it’s entirely his fault. Then he helped break up the marriage by being with Phyllis, and he is really putting it all on his shoulders. It’s hard for him to let her go because he feels, “I am the one who messed this up.” Sharon has revealed to him that she is still in love with him and can’t really move on, and Nick can’t seem to let her go. With that said, he is very much in love with Phyllis. He is not like, “I have to get rid of this one to be with this one.” No, this is a sucker who is in love with two hot women, and I do not envy him.

MICHAEL:

He really is in love with two women at this point?

JOSHUA:

threesome.jpgYes. He is genuinely in love with two women and he can’t make a decision. That is causing problems for both women and it’s hurting everybody. Nick is not going into this with malicious intent to hurt these women. He does not know what to do. He can’t let go of Sharon, but he started this beautiful new family with Phyllis and he is crazy about her. He feels an allegiance to Phyllis. Nick was in a bad place and Phyllis helped him find his smile again, and let him know that life was great and
you can have a good time
again. He can’t just let her go.
Of course, there is his child,
Summer, and if he leaves
Phyllis then Summer pays
for it.

MICHAEL:

In a recent On-Air On-Soaps interview, Michelle Stafford (Phyllis) defended Phyllis’s point of view, because if you look at it, Nick cheated on her. Do you and Michelle have talks off screen about what the two of you really think of this story, and does the story make sense?

JOSHUA:

At times, we think it makes sense. I mean Phyllis is not making it easy for Nick to stay because she is doing all these stupid things that drive him crazy, which kind of is a testament to their relationship because he keeps going back to her. First, there was the Brad situation and these capers she has pulled to set Sharon up. He really does not approve of that. This story gets a little unbelievable at that point, but it’s what we do. We have to tell the stories to the best of our abilities. We don’t write it.

MICHAEL:

This week on-air Nick walks out on Phyllis!

phyllis_nick_summer.jpgJOSHUA:

I do walk out on her and I do leave, and there are a lot of things left unsaid. They kind of get to the point where they are, “We don’t know what we are going to do, and until Nick figures out who he wants to be with, we are just going to keep having this problem.” But they don’t ever have this conversation, where he
says, “I’m leaving,” till now.
He has just had it with what
Phyllis is doing. She is kind
of pushing him into Sharon’s
arms and Sharon is still
crazy! So who knows?

MICHAEL:

Um, Sharon’s a clepto!

JOSHUA:

She is crazy! Nick is genuinely concerned about Sharon’s well being. Yes, he is still attracted to her, but a lot of this stems from Nicks’ need to protect her, because he sees her unraveling.

MICHAEL:

So, when Phyllis says “Sharon is a slut,” does it not register to him?

JOSHUA:

sharon_black.jpgIt registers to him in a bad way. He does not like that Phyllis is attacking Sharon in the state she is in. She seems kind of vulnerable and susceptible to people saying things about her. So, Nick feels he has to protect her, and how many times has Nick told Phyllis to back away from Sharon? It can’t be easy for Phyllis to hear. I totally understand why Phyllis would feel this way, because Nick is not making it easy for her to accept, because what he is saying to her is that he is totally with her. But then, he is always on the phone with Sharon and always wondering about how she is. It’s really difficult. Nick is caught in the middle and it’s really hard to play him where he doesn’t seem like a total jerk. He says all of these amazing beautiful things to Phyllis, and then he turns around and is sniffing around Sharon. It’s really hard to do.

MICHAEL:

When you are faced with this as an actor, how do you not make Nick look like a complete jerk?

JOSHUA:

It’s almost darn near impossible. Michelle told me, “You have the toughest job in this one, because it’s hard to get any sympathy from the viewers if you are going about it in this way.” It’s not very believable to have people seeing him saying, “I am committed to you Phyllis,” and on the other hand he is with Sharon. It’s not easy to do.

MICHAEL:

Are you concerned about viewer’s backlash towards Nick because of the predicament he finds himself in?

JOSHUA:

I am not concerned, because my job is not to be palatable to the audience. I want to tell a convincing story. I have never been a man in love with two women. I can only imagine what that must be like.

MICHAEL:

It’s difficult enough being in love with one woman!

JOSHUA:

I agree. But if I need to look like an ass and a bad guy, so be it. If that’s what it takes to keep people interested and to tell a good story, then I will do it. I’ve got big shoulders.

MICHAEL:

I don’t think its coming off that way. I think it’s coming off as he is confused.

smile_poker.jpgJOSHUA:

Michelle said, “It’s impossible for people to hate you. All you have to do is smile.” So now I smile a lot and I am going with Michelle on this one. I am going to keep smiling, even in non-smiling situations. (He laughs)

MICHAEL:

Are you aware of the great debate between the “Phick” and “Shick” fans?

JOSHUA:

Yes I am. They are rabid!

MICHAEL:

Many fans feel Phyllis should have walked out on Nick before he walked out on her. Do you agree?

JOSHUA:

I do. I can’t see a scenario in real life where a woman would put up with this much crap from a donkey, like Nick has been. I am totally sympathetic to the Phyllis case. She has been through the ringer. She has put up with much more than any woman should ever have to. But Nick’s got something special that Phyllis just can’t get out of her system. (He laughs)

MICHAEL:

I see! Speaking of something special… let’s talk about sex! Nick and Phyllis are sex-personified. That is what I always see from Nick and Phyllis. Isn’t that the main basis of their relationship?

JOSHUA:

It is, and it’s probably not the best basis to have. Michelle and I constantly say, “These two people cannot keep their hands off of each other and at the end of the day they go back to that.” We play back-story all the time, where they just come into a scene where they’ve finished having sex or they are getting ready to have sex. That’s what these characters do. It’s all about sex with these two. I think the audience responds to that, and I think it’s a great story. I don’t think they show it enough.

MICHAEL:

So, you think they have should have more sex scenes?

JOSHUA:

I do. I think they should have more sex scenes. I think it’s a cool quality that these characters have; that they are so totally turned on by each other.

MICHAEL:

What do you think is the basis of Sharon and Nick’s relationship?

sharon_josh_france.jpgJOSHUA:

Sharon and Nick are each other’s first loves. It’s Romeo and Juliet. They are star-crossed lovers who literally were meant to be together. Their story was interrupted by a tragic event and that led to other events with Phyllis, and it’s just an unfinished story. They were kids when they met and they fell in love. No one wanted them together, and no one thought they should be together. They beat all the odds, and then
it fell apart. So they will
never get each other out
of their systems.

MICHAEL:

Sharon gets in trouble with the law when they find all her stolen items in her hotel room, thanks to Phyllis. Does Sharon go to jail?

JOSHUA:

Sharon wants to turn herself in and confess and Nick does not want her to do that. He is telling her, “Going to jail is not good for anyone and you are not going there. We are getting you a lawyer.”

MICHAEL:

Phyllis told Nick that Sharon slept with Billy. You kind of did not react in the scene to that. Is Nick not jealous of that fact?

JOSHUA:

As an actor, I wanted it to kind of wash over me. I did not want it to become a big deal, because that wasn’t what that scene was about. That hurt him, and I think they should have gone into it, and never addressed it with any other character. I think that would have been cool to tell, but I just wanted to color him for a second and then move on. Right now, Nick’s purpose is to keep Sharon out of trouble and to help get her healthy. What she did on her own time, even though I pretend it’s none of my business, it is. But, I am not going to let anybody else see that.

MICHAEL:

Working with Michelle, what do you think she brings as an actress to your story?

michelle_nick_laugh.jpgJOSHUA:

She is one of the best actors I have ever seen in my life, and that includes any theater and any movie. I love her unpredictability.
I never know what she is going to do.

MICHAEL:

Does it ever bother you, that perhaps, you can’t ‘ping- pong’ back with her
in a scene?

JOSHUA:

I relish that opportunity. I look forward to that moment where I have no idea what she is going to do. Michelle is a whirling dervish of energy and spunk that is unmatched around here. Now, I have had very few acting jobs. I have done some theater and a couple small movies and “Y&R”, so my experience in working with actors is just with a small pool of them to draw from. Michelle is so incredible! The moments that take my breath away are when she says nothing. She does not have to say anything to convey the most impactful thing I have ever seen or witnessed. The scenes I have played where Nick has hurt Phyllis, are crushing to me as a human being. I see how it consumes her, like no other actor I have been around, and she is amazing. I could never say this to her face because I would get embarrassed and run away, but she has taught me more about acting than anyone in the world.

MICHAEL:

Michelle told me that you are not over-rehearsed and you are very real, and that is what is so unique about your performances.

JOSHUA:

I don’t want to run lines with people and have the material so perfect that I am delivering each line and being too locked in. People who have their lines down forward and back, and spot on, tend to give a similar performance. So, I really want to know my material when I go out there and hit the set, because nowadays you get one take, maybe two, and it’s not like the old days. I want it to be real, where in normal relationships maybe you don’t always know what the right thing to say is at the moment. It’s the way I approach it, and it’s free and easy and relaxed, which is how I live my life.

MICHAEL:

What about working with Sharon Case (Sharon)? Were you happy about this turn of events, possibly reuniting with Sharon from a story perspective? Or, do you prefer Nick with one woman or the other?

JOSHUA:

josh_main.jpgIt’s kind of difficult for me to do. I had ten years with Sharon. They were ten solid great years, but I felt I was ready for a change, or I am going to fall into a pit here. I need some movement. So they broke us up at a great time and did it in a good way. Now, I am kind of ambivalent about it because I love working with Michelle Stafford. I laugh with her all the time, and laughing is one of my favorite things in the world. Look, they are going to break us up. It’s going to happen, so I feel very sad about that. The alternative is I am going to go back with Sharon. I have said this many times, and unfortunately Sharon Case has taken this the wrong way, “I don’t want to get rushed back into another ten year romance with someone, whether it be Sharon or Farah Fawcett. It doesn’t matter who it is.” That being said, I look forward to working with Sharon again. We have told some great stories. Sharon has taken this the wrong way because I had said that in the press, so to clarify: “I am absolutely looking forward to working with Sharon. I just did not want to go to a happy marriage in the tack house where we are talking about what we are going to have for dinner and some cute things the baby did.” Happy sucks! I don’t want to go back and be happy now. Now, I will go back with Sharon in a heartbeat, where there is a messy, drawn out story where there are problems. That I will look forward to.

MICHAEL:

We talked about working with Michelle; now for equal time, tell me about working with Sharon?

JOSHUA:

I have invested a large part of my real life with Sharon. The thing I take from Sharon is she gives me the most honest performance of anyone. It’s everyday, and it’s honest, and it’s from her heart. It’s totally believable, and I want to protect her and care for her in real life, and watch out for her. She is just that honest. I never see her on-screen and go “that’s acting”. For me, I see this beautiful person saying beautiful things.

MICHAEL:

I think there have been a lot of fans unhappy about Sharon’s breakdown and her actions and her sleeping around. Some are backlashing the character right now.

JOSHUA:

I think that’s unfair. I am speaking of the character of Sharon in real time. For somebody who would go through something like she has, they would tend to act irrationally. So, it does not make sense to me why people would attack this character that way.

MICHAEL:

How far ahead do you know what’s going to happen in this story?

JOSHUA:

We are three weeks ahead of shooting, and I have scripts a week in advance. So all I know is one month ahead. My role on the show is clearly defined. I show up, I generally take my shirt off and say my lines.

eric_melody.jpgMICHAEL:

What did you think about your on-air parents, Melody Thomas Scott (Nikki) and Eric Braeden (Victor), not receiving pre-Emmy nominations?

JOSHUA:

They are legends. I am not a fan of the Emmy process now. I don’t know what the solution is, but I don’t know how Melody Thomas Scott and Eric Braeden don’t just have a permanent Emmy nomination stamp.

MICHAEL:

If we were to tease the audience, what’s coming up for Phyllis/Nick/Sharon?

JOSHUA:

Lots of problems! These three don’t mesh well together. It’s some crazy times ahead. The “Phick” fans are not going to be happy, and the “Shick” fans are not going to be happy. As far as who he chooses, Nick does not have a decision yet. At some point, the guy has to make a decision. I mean the story is gold, but how long can we keep telling it? I don’t want to sound ego-centric, but it’s so much fun telling it, and I know its working on TV. It’s been a blast and the most fun you could ever have.

MICHAEL:

The show is so on track right now. There was a year there under Lynn Latham (ex-head writer and executive producer, “Y&R”) where it felt derailed. Now it’s got its footing back. Did you notice a difference in the scripts with the dream writing team of Maria Arena Bell, Hogan Sheffer, et al?

JOSHUA:

Of course! The way we tell the story now fits what we did in the past. Our formula has worked for 36 years, and there is no sense to rewrite that. And Maria Arena Bell came in, cleaned it up and it’s back to telling stories like we normally do.

tobe_josh.jpgMICHAEL:

Is your wife, Tobe, rooting with you to be with Phyllis or Sharon?

JOSHUA:

Tobe does not care. She just wants me home by dinnertime to do bath time with the kids and read them books. If I can do that, it helps her with her day.

MICHAEL:

Just a final thought: What did you think about Guiding Light’s cancellation and the future of soaps?

JOSHUA:

I am not surprised. It’s a changing business and the model for some of
these lower rated shows is not like the
old days. People are kidding themselves
if they think all of them are going to last
forever. I would bet 3 or 4 might also
be gone soon.

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Jolene Beth MorganAnneLULULinda StevensKim Mathenge Recent comment authors
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Linda Stevens
Guest
Linda Stevens

I think you shoud always leave Nick in a turmoil he created this situation and he should have to live with always loving two women-Phyliss/Nick are so hot together Sharon/Nick no matter how you try to keep the scenes between them hot there’s always something missing- there’s something about phyl’nick when they are together They are totally hot. Makes me want to tune into the show.Love phyliss. Shaon is geat also but nick and phyliss are the best.But let nick run around always in Limbo about loving two totally different women

Dianne Chapman
Guest
Dianne Chapman

I love listening to Josh Morrow. Besides his sexy voice, we share the same views about many things. I love Nik 7 Sharon together, but it isn’t any fun if it isn’t “messy”!

Kim Mathenge
Guest
Kim Mathenge

What’s going on with sharon these days she shoots adam and still loves him What. love the actress/ actors but that makes nosense. She should have stayed with jack. they all lie to her who cares. Jack didn’t steal faith or terrorize anybody. 2 wrongs don’t make a right but if it’s about lying then. i prefer nick and sharon or phyllis and sharon . if phyllis is not with. it better then adam/sharon phyllis/sharon those 2 love each other.

Linda Stevens
Guest
Linda Stevens

It is kind of sad what the writers are doing to young and the restless. No storyline seems to make sense anymore.The jump so fast from scenes-its had to know what they really have in mind for the viewers-Since parting of Phyliss and Nick I do not tune in much anymore- But I would tune in ,in a heartbeat to see Josh and michelle doing theire thing together, both great actors and they do it naturally when they have scenes together-oh well just my opinion

LULU
Guest
LULU

Its just that it gets a bit irritating when the Sharon/Nick/Phillis story goes on forever.
Just make your final choice once and for all Nick! The Sharon being miss goody too shoes and Nick’s indecisiveness is very annoying.

Despite that,I think Josh,you’re a great actor.
(I totally agree with Linda Steven’s first sentence)

Anne
Guest
Anne

Well that kind of says it all. Tossing in my Shick fancard and including my JM fan card. What a jerk!!! He said something in the press that caused Phick fans to spread rumors that Sharon Case is difficult to work with and the best he can do is that? Sharon was really hurt by that and you’d think after she helped make him and the Shick pairing popular he’d be grateful. .Again what a jerk!! Michael doesn’t have a problem with her and pimps his joy at working with her all the time on twitter. JM sounds just like… Read more »

Anne
Guest
Anne

Just have to add…soo happy she doesn’t have to work with him much anymore and with a bit of luck Sharon being with Adam will end Shick forever to the point where they never have to share a scene again. JM should be happy with that.

Jolene Beth Morgan
Guest
Jolene Beth Morgan

I love Joshua Morrow and Eric Braeden and Melody Thomas Scott and I loved when Heather Tom played Victoria, the Newman clan was perfect then. Amelia Heinle is probably a very dear person and a fair actress, but Heather Tom WAS Victoria. Would love to see Heather Tom return to the role of Victoria, but it most likely will not happen since she is so popular on the Bold and the Beautiful. I also loved it when Sharon Case and Eric Braeden acted together in a romantic story line, there was alot of chemistry between them on camera. Also love… Read more »

General Hospital

GH’s Finola Hughes, Marcus Coloma & Josh Swickard Talk On 15,000th Episode Milestone

The juggernaut that is ABC’s General Hospital, is marking yet another accomplishment in its storied 59-year-history.  The iconic soap opera is set to air on Wednesday, June 22nd (unless preempted), its 15,000th episode.

As part of the celebration, General Hospital’s Finola Hughes (Anna Devane), Marcus Coloma (Nikolas Cassadine) and Josh Swickard (Chase), who all appear in the standalone episode, chat with Michael Fairman to mark the occasion.

During the conversation now on You Tube’s Michael Fairman Channel, Finola and Marcus, and later Josh, who logged on later while at Disneyland, discuss: their beginnings on GH from landing their respective roles, who in the cast perhaps most intimated them, at first, and what it has meant to be part of the legacy of General Hospital.  In addition, Finola, Marcus, and Josh reveal some of their more challenging storylines, and more.

Photo: ABC

Later, the trio each gives us a tease of what’s to come now that Nikolas has slept with Esme (Avery Pohl), what lies ahead for Anna and her love-interest Valentin (James Patrick Stuart), and Josh talks on working with his on-screen love-interest, Amanda Setton (Brook Lynn Quartermaine).

Watch for a special appearance by GH’s Maurice Benard (Sonny Corinthos) within the interview, as we do a deep-dive of being part of the ensemble cast.

We also take a moment to send out our condolences to Kristina (Felicia) and Jack Wagner (Ex-Frisco) on the passing of their son, Harrison, and how you can donate to the scholarship fund in his honor.

Check out our GH 15K interview with Finola, Marcus, and Josh below, and make sure to ‘subscribe’ to the Michael Fairman Channel for more upcoming features, interviews, and upcoming Daytime Emmy red carpet coverage.

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Interviews

Sean Kanan Talks On The New Season of His Streaming Series ‘Studio City’ and The Life and Times of B&B’s Deacon Sharpe

The second season of the Emmy-Award winning, digital streaming series, Studio City is now available on Amazon Prime. The six latest episodes bring us back into the series of an aging actor, Sam Stevens, played by soap vet, Sean Kanan, who is one of the stars of the soap opera, Hearts on Fire, in the role of Dr. Pierce Hartley.

Throughout Studio City, viewers go on the journey of Sam’s foibles through life off-camera juxtaposed with his life on-screen. A sundry of delicious characters enhances the premise of the series portrayed by the likes of: Carolyn Hennesy, Anna Maria Horsford, Justin Torkildsen, Lilly Melgar, Tristan Rogers and more, all names familiar to soap fans.

While Sean is busy promoting the latest season of Studio City, and his book Way of the Cobra, he is also continuing to appear on The Bold and the Beautiful as bad boy – trying to straighten out his life after years in prison – Deacon Sharpe.  Since his return last year, Sean has been mixing it up in stories with the likes of Kimberlin Brown (Sheila) and Katherine Kelly Lang (Brooke).

 

In this chat with Michael Fairman TV, Sean weighs-in on: what could be next for B&B’s Deacon, the struggles and the joys of continuing his streaming series, and the homage Studio City is to the soap genre and much more. Check out what he had to share below.

Courtesy/StudioCity

How challenging was it to shoot this season of Studio City?

SEAN:  When we do this thing on a shoestring, everything needs to fall into place in order for it to happen properly.  We know that everybody involved with the show was going to potentially get other projects, or do other things   One of the biggest issues we have, is that a lot of times, we didn’t know what locations we had because Studio City is the real world, and then it’s the show within a show (Hearts on Fire).  So, with the show within a show, those actors aren’t in the ‘real world’. For instance, Tristan Rogers (Doc), is only in the ‘real word’, so, if we have a location that isn’t for the ‘real world’, we can’t shoot Tristan because he doesn’t exist there.  We would have to literally decide what we were writing (sometimes the night before) based on the locations we could get.  It was just an enormous challenge.

Sarah Brown (Laurie) was not a part of the newest six episodes as well as some others cast members. Will she and others be back at some point?

SEAN:  Sarah was directing a podcast, and we kind of had to look at who was available to us, and what stories we needed to tie-up, and hopefully we are going to wind up doing another five episodes to finish up this season.  Then, hopefully we are able to get the actors who weren’t able to do the first six to come back and do the second five.

What I liked about the new six episodes is that I thought you built-in some really solid scenes for the actors.  How did you feel about the outcome?

SEAN:  We make the best show that we can make with the resources and time that we have.  I was glad that we got to develop the story a little more with Delilah (Juliet Vega), Sam’s would-be-daughter.  We always try to do something that’s socially responsive, and diversity is certainly and important issue in Hollywood, without a doubt, but I also think that you need to see the comedic side of everything.  I thought there was some really funny stuff about that with Sam doing the podcast and the scene with Anna Maria Horsford (Jolene) and Will Roberts (Dennis), where she comes in, and she’s like, “The production is too white.”  I thought that was some funny stuff there.  I loved the monologue my wife, Michele, wrote for Carolyn Hennesy (Gloria) about the soaps – that thing about how all of the soaps are dead, and Carolyn just railed in support of the soaps, about the soaps being this dependable thing.  For a lot of people, soaps are their point of emotional contact.

Photo: StudioCity

I talk to fans all of the time and for many times soaps are their lifeline.  Your character, Sam, lands a part in action-adventure film and screws that all up while on set. Where did that plot point come from?

SEAN: It came from a couple different places.  I think that there is not a male actor alive, who some part of him doesn’t harken back to when he was a little boy and doesn’t want to be an action star.  I think the funny thing about it is, of course, Sam is right on the precipice of being over the hill for it, and he’s not going to let that stop him.  Natalie Burn (Shelby Brock) is a legit action star.  She’s a terrific martial artist.  Our director, Timothy Woodward Jr. has done some action movies.  So, we sort of said, “Okay, we’ve set this thing up where Sam wants to get this film.  Let’s give him the film and have him struggle abysmally.”  Marching orders for Studio City are always to keep as much mishigas on Sam’s shoulders as we can.  You never want to see the lead of your show succeeding wildly because that diffuses all of the conflict.  I do think I’ve had some really great dramatic stuff.  I really liked the scenes that I had with Delilah in the sixth episode, and I loved the stuff with Tristan, and I loved the stuff with Lilly Melgar (Becky).  I thought it was really funny.  Lilly killed it and so did Justin Torkildsen (Jacob).  I thought Justin was great.

Courtesy/StudioCity

I thought when you utilized on-camera testimonials from the cast and the EP, that was really a hilarious piece to add to the story.

SEAN:  That was great.  I’d love to take credit for that, but it was Tim’s idea, and it was a really great idea from a production standpoint, because you can do one of two things.  You can either do a whole show where you’re using those, or you can chop them up and use them throughout different shows. From a production standpoint, we had to build some things into the show to insert those when we needed.

Courtesy/StudioCity

You also cast celebrity publicist, Anthony Turk, as a network executive in the series.

SEAN:  Yes. Way back when I created Studio City, there was a part for a publicist, and I had talked to Anthony about doing it.  We had eliminated the publicist part until Lilly became the publicist; which ended up in a completely different plot point.  I always knew I wanted to put Anthony in the series, because I think he’s a good actor. I was like, “You know, I didn’t write this part for you, but I think you can do it,” and I was really happy with how he did it.

 

Courtesy/StudioCity

I also liked the scene with Anna Maria Horsford’s Jolene where she tells Sam to keep his mouth shut while he is working on set. 

SEAN:  She is so fabulous.  I love that woman.  She is such a talent, and I was so happy when she got nominated for a Daytime Emmy last year.  I have such an affection for everybody on our show, because they really put their heart and soul in it, and it just means so much that they show up, and they support, and they do great work.

What I noticed is that the way Timothy Woodward Jr. captures you as an actor.  There is so much going on in the reaction in your eyes of what is happening to Sam.  He realizes the, “Oh, my God,” of each situation as he realizes what he just stepped into, or he finds the humor in it, or when he lets out his frustration, as he did with his daughter in the sixth episode.

SEAN:  That was one of my favorite scenes.  I wrote that one.   It was great because it’s my real-life stepdaughter, and I thought she really stepped up, and I was so proud of her.

For the first time in the realignment by the television academies, Studio City will now be competing at the Primetime Emmys instead of the Daytime Emmys, if the series receives nominations.  How do you feel about that?

SEAN: We are really excited to be competing with the big dogs now at the Primetime Emmys, and rather than being intimidated by it, we are saying, “This is the universe opening up and saying, ‘this is what you need to do,’ and so let’s embrace it.”  It’s going to be exciting.  In my 35 years in the business, I’ve never been to the Primetime Emmys.  So, we shall see.

Photo: StudioCity

Justin Torkildsen’s role greatly expanded this season.  In story, do you see Jacob attempting to thwart his Aunt Gloria and take control of Hearts on Fire as the EP? 

SEAN:  I don’t know if the goal is for him to take over for Gloria.  It certainly was a lot of fun to see what happened when he got just a little taste of power.  He’s got his own agenda, and I also love that he wants the love from his Aunt Gloria.  He’s not just a young guy trying to ascend the power ladder of the show.  He really does want his aunt to be proud of him and to love him, and she’s a tough nut to crack.

There was scene after the network executive tells Gloria, “You’re out, if you don’t fix the show.”  Doesn’t Jacob gloat in it for a minute?  Doesn’t he want payback for how she treats him?

SEAN:  I don’t know if he does.  I think he certainly does like to see when Gloria gets her little comeuppances, but when push comes to shove, I think he’s really got her back, I do.  Justin is so naturally funny.  He’s a great guy to have on set.  He’s got a great attitude, and he’s a very good actor.  I was really struck by a moment in season one where he’s coming up the stairs, and he had this abject fear of interrupting Gloria, and Justin didn’t have any lines.  He just played it beautifully with no dialogue.  I was like, “We’ve got to give Justin more to do,” and for me, it was nostalgic to work with him again because the very first scene I had on The Bold and the Beautiful was with Justin.

Photo: JPI

What can you say about Carolyn Hennesy; who often is the quintessential scene-stealer in Studio City when she appears on-screen?  Does she go with the script or ad-lib parts of the dialog?

SEAN:  She’s a gorgeous, red-haired, flaming beast.  She definitely did some wonderful ad-libbing to elevate what was on the page, and she made it her own, and that’s one of the things that I love the most about her.  I love that I can write a 20-page scene and give it to, for example, Tristan Rogers, 20 minutes before and know that he’s going to nail it.  That’s one of the things that I love about working with Daytime actors.   Say what you want, but when the chips are down, and your back is against the wall, a Daytime actor is going to be the one who can take the dialogue, digest it quickly, and give you a good performance.  With the way that we are run and gun in our style of shooting, you have to move really quickly.  I’ve worked on a lot of films, and with people who are recognizable in the business, and sometimes they get overwhelmed when they have more than a couple of pages in a day … and you know what we do in Daytime.

Courtesy/StudioCity

When you were writing the new season with Michele and Tim, was it laid out pretty definitively, or did it evolve?

SEAN:  We laid out some large arcs.  We knew the storyline that we wanted to do with Natalie and with Will.  Natalie, actually joined us as a co-executive producer.  She is Ukrainian and has family there.  So, she had a lot going on.  I just feel like she really stepped up.  She really helped the production both as an actress and as a Co-EP, and we were very fortunate to have her, and have her at a time when it would be completely understandable when her ability to even act would have been compromised, yet alone have the facility to Co-EP.  In addition, we knew we wanted to deepen the relationship between Sam and Delilah.  We had a different idea with what we wanted to do with Doc, and we wound up doing something another way than what we had originally discussed.  Sometimes, you have to make these decisions that are sort of production-based and you have to alter storyline.  Of course, we knew we wanted to continue to create the storyline that like a lot of soaps, Hearts on Fire was potentially on the chopping block.  At the same time, we really wanted to illustrate that the soaps are full of people who are talented, gifted actors, who love what they do, they work really hard, and they don’t always get the respect that they deserve.

Courtesy/StudioCity

It looks like Doc might be having a change of heart?  Will he begin chemo to save his life?

SEAN:  That’s what we are thinking, and we are hoping to bring Patrika Darbo back in, and finding out where she’s been and having some really nice scenes between, she and Doc.  I think things are going to develop between Dennis, who is the producer, and my character, Sam, and we are going to learn that all has not been revealed of who Dennis really is.

Courtesy/StudioCity

What did you think when you saw your performances in the latest six of Studio City?

SEAN:  I’m always super critical of myself.  I like the stuff with the podcast because I thought it was really organic, and I thought it was funny.  I loved the stuff with Lilly.  I always see things that I could fix and do better, but I also saw stuff that I liked, and I really liked a lot of what was going on with Juliet.  We had another take where Sam really breaks down, and unfortunately, we had a sound problem with that one, and we couldn’t use it.  That was really crushing to me, but again, you make the show that you can make. Michele and I always joke and say, “Making a 50-million-dollar movie is easy.  You want to really produce something?  Produce it when you have no money.”

Photo: JPI

What did your wife, Michele, say about how she thought the latest season of Studio City turned out? 

SEAN:  I do have to say that Michelle really stepped up this season of Studio City.  She ran the show.  She is an executive producer, but she was also the supervising producer, in charge, responsible for crewing up.  She amazes me to no end.  I couldn’t be prouder of her, and I’m so honored that she and I were able to both win out at the Daytime Emmys.  We have very different skillsets, which is great.  There are not a lot of areas where we overlap, but we compliment, and that’s why I love working with her.

Photo: JPI

You are also busy with The Bold and the Beautiful.  How has this most recent return been for you as Deacon Sharpe?

SEAN:  Oh, my God, it’s been fantastic.  The Bold and the Beautiful consistently ranks as one of the best professional experiences that I have ever had.  I love the people I work with.  I love the creative freedom that I have on the show.  I love what they write for me.  It’s just great.  Listen, I’ve done four Daytime shows, and by far and away, this has been the best experience.   It’s a great role.  I’m the only guy who has ever played Deacon, so I’m fiercely protective of the character.  I know I’m coming into a really big storyline right now, which is very exciting.  I can’t say anything about it yet, but I’m going to be working with a character who I haven’t worked with very much before, which is very exciting.

Photo: JPI

What did you think about Kimberlin Brown receiving an Outstanding Supporting Actress Daytime Emmy nomination? I believe you are in some of her submitted scenes.

SEAN:  I think it’s incredibly well-deserved. She just brought so much to it, and I’m just honored that I was able to be a part of what she did.

People are saying you’re going to get all wrapped-up in the Li (Naomi Matsuda) Sheila, and Finn (Tanner Novlan) storyline.

SEAN:  Well, I guess I already am to a certain extent.  I like to think that in his infinite wisdom, Brad Bell (head writer and executive producer, B&B) knew that Kimberlin and I would find humor in an eccentric relationship; rather than just being two kinds of ‘baddies’.  Deacon is not nearly as bad as Sheila, but rather than be two people with somewhat aligned wants and needs, I think hopefully Brad was like, “I think they’re going to come up with something interesting,” and I think we did.   The fight that Deacon had with Ridge (Thorsten Kaye), that is not something that you see on Daytime all the time.  That was really exciting and fun.

Photo: JPI

I love that Deacon’s home-away-from-home is the supply closet!

SEAN:  I was teasing Brad.  I said, “If I get a raise, do I get a Swiffer?”  I love it.  In terms of Sheila and Deacon, I didn’t know if we were going to wind up in the sack together or not, and I thought, you know, if that happens, that would be interesting, too.  By my calculations, Deacon has now been out of jail for how long, and he has not gotten any action.  No action for a guy who just got out of prison for 5 years.  So, I don’t know what’s going on in that broom closet. (Laughs)

What was it like working with Katherine Kelly Lang during the whole ‘New Year’s Eve drunken night with Brooke’ story?

SEAN:  You know, Kelly and I really were able to capture lightening in a bottle many years ago, and I think it was wonderful.  I always wondered, what was going to happen all this time later if we worked together again?  Are we going to be able to come up with something great?  I love working with her.  Poor Kelly, just broke her ankle, which is terrible, but she is a champ.

Photo: JPI

Do you think there is still chemistry between Brooke and Deacon?

SEAN:  Yeah, I do.  I try to create chemistry with anyone I work with, men or women, but don’t we do that in life?  We always want to be interesting and sexy with anyone we talk to.  Ultimately, what we are trying to do on some level, is we are always seducing as human beings.  That’s where I come from as an actor.  You’ve got a goal.  You’ve got a series of actions that you use to get the goal.  You usually fail a couple times in the scene, so you change the actions, and you try to overcome the obstacles.

Right, and seduce people …

SEAN: … And seduce.  Deacon is a very adept seducer.  I think a lot of it was from being a conman.  I think now, Deacon is finding that he can be seductive by being authentic.  I think that’s new to him.  I think ultimately, when you’re authentic, that’s a way more powerful brand of seduction than something that is some sort of a manufactured, fabricated, external seduction.

Photo: JPI

So, what would say in a tease of what’s coming up for Deacon on B&B?

SEAN:  All I can say is that I’ve been told that I’ll have an exciting story coming up, and I’m looking forward to it.  I always like when I get the ball, and you never know what another actor is going to bring out of you.  Whenever I work with someone who I haven’t worked with, I hope that they are going to allow me to tap into a part of myself that maybe I haven’t demonstrated before.  That’s what I look for, and that’s what keeps me enthused in this job.  We do have to give the same information a lot in Daytime.  That’s just the nature of the beast.  The challenge is, “How do I do this in a way that is not only interesting for the audience but allows me to stay engaged as an actor?”  If you start getting apathetic as an actor, you start doing bad work, and I can’t do that.

Have you checked out the latest six episodes of Studio City? What do you hope happens next for Deacon on The Bold and the Beautiful? Share your thoughts and theories in the comment section below.

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General Hospital

General Hospital’s Nancy Lee Grahn Chats On Her Daytime Emmy-Nominated Performance and Its Significance

When the nominations were revealed for the 49th Annual Daytime Emmy Awards, General Hospital mainstay, Nancy Lee Grahn (Alexis Davis), was recognized for her stunning work in the Alexis-centric standalone episode which honored her 25th anniversary with the ABC daytime drama series.

Grahn, is already a two-time Daytime Emmy winner.  She won back in 1989 in a tie for Outstanding Supporting Actress for her work as Julia Wainwright on Santa Barbara along with All My Children’s Debbi Morgan, and again received the honors in that category in 2012 for her work on General Hospital.

Now. she is vying for the gold in 2022 in the Outstanding Supporting Actress in a Drama Series category against other formidable actresses including: B&B’s Kimberlin Brown, DAYS Stacy Haiduk, Y&R’s Melissa Ordway, and her GH castmate, Kelly Thiebaud.

Michael Fairman TV caught up with Nancy to talk about her decision to enter the Emmy race this year, her powerful and moving scenes, why this nomination is significant and important to her, and her take on some very important social issues of our time.

Always candid, insightful, combined with great humor and wit, here’s what Nancy had to share below, and make sure to check out GH this week when sparks fly between Alexis and Gregory (Gregory Harrison). Will he turn out to be the new beau in Alexis’ life? Stay tuned.

Courtesy/ABC

Congratulations on the Emmy nomination.  How do you feel about being in the running again, especially with the material from your 25th anniversary episode?

NANCY:  You know, I don’t submit myself if I don’t think I have something, and I didn’t last year.  This year, I had the one show, and the first reason I submitted myself was I had the episode that was worthy of the competition. These judges have to sit, and watch this stuff, and very often, it’s hard to watch soap opera scenes.  It really is, unless you’re in it.  It’s a different kind of material that most primetime people aren’t used to watching.  So, it’s tricky business.  I don’t want to put them through anything too awful. I don’t want to torture them and I’ve judged before. It can be a bit tedious. So, for me to submit myself, I thought, it has to be something that isn’t going to torture another human being. The second thing is, older women get marginalized the older they get, and they get diminished very often, and every time we get nominated, it means something different to me.  This time, to me, I want it to somehow be symbolic, or a shoutout to women who are still producing, who have been doing their job for a long time and are still doing it good enough, and that it’s still worthy of respect and recognition.

When we were at the GH Convention back in March, I played the scene on-stage for the fans in attendance of when Alexis goes over to the corner of Kevin’s office and heals her younger self.  You saw the reaction just from the fans.  It’s such a beautiful moment within the story.  What did you think about how the standalone episode was crafted?

NANCY:  It was a different experience for me because GH co-head writers Chris Van Etten and Dan O’Connor, and script writer, Scott Sickles gave it the attention, but even more to that, they allowed me to participate in the creation of it.  They allowed the director, Phideaux Xavier, to participate.  We all sat in a room.  They said, “You know what?  Make it how you’re comfortable with it.”  There were so many people who gave it time and effort, and Phideaux gets a lot of credit because he came up with a lot of ideas.  So, the little girl in the therapy room wasn’t initially a part of it.  That was Phideaux’s idea, and they let us alter things, and they allowed me to write some words that meant something to me with the character.  Our producers, Michelle Henry and M.K Weir, who I both adore, were also a part of this.

Courtesy/ABC

That is great to hear that you were involved in the collaborative process of the creation of the episode.

NANCY:  We read through the whole script, and we worked it like you would on primetime. We went through it like, “Does this moment work?  Does that moment work?  Does this make sense?  Does that make sense?”  We never do that in soaps.  We don’t get to that.  So, it was a gift to me.  It really was. Chris and Dan, and Scott and Phideaux, and the two producers, generosity in gifting me that experience and making sure that it was to everybody’s liking, was really very special to me, and it meant a lot.

Did you come up with the key lines which summarized Alexis as a person and her journey: “I’m Alexis Davis, and I’m a fighter, and an idealist and an advocate?”

NANCY:  No. They designed it, but we were allowed to enhance and contribute creatively to it, and, we don’t normally have the time to do that.  They don’t have the time to – and you can’t allow people to do that with every episode, to be creatively participating, because it would turn into madness with everybody.

Then, when it came down to choosing the scenes from your anniversary episode to include for your Emmy submission, was that a challenging process of which moments to go with?

NANCY:  I just told a little story with it with the time that I had, and so, I edited it with a friend of mine.  I did a sort of pre-edit on it, I’m good at that, and handed the timeline to our editor, who nicely put it together. It took very little effort.

In my humble opinion, I think that episode featured one of your all-time best performances.

NANCY: Thank you. There was a nice effort from everybody, from the lighting to everybody else, and all the effort Phideaux put into it.  He worked so hard on that!  It was fun for us.  It was like the old days where you really got to work something out.

Photo: ABC

It truly harkened back to everything we knew up to that point about Alexis and her past as well, and included a montage of scenes over the years.

NANCY:  I think it was M.K. who put that together, but when you’re working at the pace we’re working now, to have to sit and put together a montage of twenty-five years, that’s not an easy feat.  Nobody has time for that anymore, but they did it, and like I said, it was really, really appreciated.  My only thought with it is that I wanted it to be relatable to other people.  I didn’t want it to just be some, you know, self-indulgent Alexis episode. I knew that by bringing in the little girl and talking about people being hurt in their childhood and how that makes somebody feel that it was probably relatable to many people, and so it became meaningful to other people and not just me.

Do you think you’ll attend the Daytime Emmys? I know the last time you won you were not present.

NANCY:  Yeah, I’m planning on it.  I mean, barring anything happening! (Laughs)

Does it feel nice to be recognized by your peers?

NANCY:  Of course, it does.  It always does, and way too often, women who are still producing well in their jobs, don’t get the respect and the acknowledgment for it.  So, that’s why I’m saying, this is no small thing, and that I want other women to know that I know that, and that I wish for them the same thing.

What was the reaction of your daughter, Kate and your fiancé, Richard, when you told them you were Emmy-nominated?

NANCY:  Richie goes, “What is this?  Your 18th nomination?” (Laughs). You know what I mean?  It was just kind of like, “Yeah, sure, why wouldn’t you be?” It wasn’t like, “Oh, my God!”  It was like they kind of expected that.  That was nice!  I’m glad they feel that way.  I’m glad they weren’t surprised.  They were like, “Sure!  Of course, you would be.  Why wouldn’t you be?”  I said, “You know, it doesn’t always work like that!”

Photo: JPI

Now comes the part of having to find a dress and all that goes with it for the red carpet.  Do you enjoy that part?

NANCY:  No, I hate that part.  That is my… oh ‘boohoo’, you know?  I mean, I have to find something to wear.  Also, the older you get, that becomes so much less important, and the more makeup, and the more hair, and the more foofy, the more ridiculous I look. I start looking like Whatever Happened to Baby Jane.  You’ve just got to keep it simple.

You were talking about women and ageism.  Do you not feel that also exists for men?

NANCY:  It exists for men, but it’s not at all on the same par as women.  I mean, men still get paid more than women, and men still are valued more than women.  I mean, there are exceptions, but if you look in any place of employment, even the soaps, you will typically find the men making more money than the women, and the older the women get, the less they get.  Life’s not fair right now.  It’s fairer than it was, but still the equality game is not won yet.

Photo: JPI

I know how much all of this means to you in terms of equality for women, and people being run out of their jobs because of their age.

NANCY:  It’s just a reality.  It’s not something that I’m hopeless about, but I have a story to tell.  I’ll tell it when the time is right.  It’s life!  It happens in every field everywhere.  When my mom was 70, she was still producing the exact same way she was producing when she was 30, and she got run out, and was replaced by a man who was 40 or something, and there was no particular reason for it.  It was just, “You’re done.  We decided you’re done,” but like I said, it happens everywhere, in every line of work, and that’s why I just wanted to give a shout-out, when you still, after 36 years, can be recognized or shown respect or acknowledgment for what your do.  It’s a very big deal that I am appreciative of and grateful for.

So, rooting for Nancy to win the Outstanding Supporting Actress prize? Happy she was nominated for her work in the the milestone episode devoted to Alexis? Share your thoughts in the comment section below, and to tune-in to the 49th annual Daytime Emmy Awards on CBS and streaming on Paramount+ on Friday night, June 24th.

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Cameron Mathison talks with Michael Fairman on taking on the role of GH’s Drew Cain, the latest developments in Port Charles for Drew. his busy career outside of soaps and the loss of his mother and his public battle with cancer.Leave A Comment
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Cynthia Watros as Nina

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Airdate: 6-3-2022

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