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The Michelle Stafford Interview – The Young and the Restless & The Stafford Project

Photo Credti: Ray Kachatorian

Photo Credit: Duffimages.com

This past Friday, fans and viewers of The Young and the Restless were dealt a real blow when two-time Daytime Emmy winner, and one of the series leading characters, exited the series!  We are speaking of the one and only Michelle Stafford … and … the one and only Phyllis Summers Newman!  After almost 16 years with the CBS soap, Stafford’s Phyllis was put in a coma, and needed to be transferred to a facility in Georgia, which keeps her close to her son, Daniel (Michael Graziadei, who returned to the series to help facilitate Stafford’s exit).  While many are unhappy of the way Phyllis has been written off, it leaves the door open … if Michelle Stafford was to ever decide to return, or if the powers-that-be at Y&R decide to recast.  But as one chapter closes, another chapter begins in life, and that next chapter has started for one of the most extraordinary actresses in this medium, or any other!

Today, Michelle launched her new web series, The Stafford Project,which in many ways mirrors moments in Stafford’s own life, but with a twist, in this reality/comedy hybrid which was born out of Michelle’s real life struggles to have a child, which she ultimately did via surrogacy … and thus gave us one of The Stafford Project’s most precious co-stars, Michelle’s daughter, Natalia!  Plus, The Stafford Project, whose lead character is an actress named “Michelle” who appears on a soap opera, will also look at juggling aspects of life and the dating scene by “doing it as single chick”, as is Michelle Stafford’s mantra in her new website www.michellestafford.com, which features blogs about: parenting, men, dating, style, fitness and more! (You can also access The Stafford Project there too!)

On-Air On-Soaps chatted with Michelle, just as fans were seeing her final airdate on Y&R, to get her reaction on her decision to depart the series, and the way Phyllis was written-out, and how The Stafford Project became its own reality.  Next, we take a look back at some of the key on-screen relationships for Genoa City’s fiery Phyllis, including: Sharon, Jack, Summer, Ronan, and Nick!  And in true soap opera fashion, there are several cliffhangers for Michelle Stafford and her fans: Will we see her on another soap? Will she land her own primetime sitcom?  Will The Stafford Project become one of the most viewed and personally minted web series of them all?  While we wait for those answers to unfold, enjoy our conversation with Michelle, or shall we say, the coolest chick we know!

MICHAEL:

Last Friday was your final airdate on The Young and the Restless!  How do you feel about that when it actually came to pass?  Did you watch the episode?  Was it at all emotional for you?

MICHELLE:

Courtesy/CBS

I saw a bit of it, and she is very calm and comatose.  Phyllis is very asleep. (Laughs)  I don’t have an emotional tie to the character, I just don’t.  I have an emotional tie to the fans though, but not to the character, because I am an actress, and I want to play a bunch of different things.  And, that is what we do as actors … we create a bunch of different characters.  I am connected to what the fans care about.  It is very important to me how they feel.  That is why I did “Phyllis Friday” on Twitter and answered some questions.  I am on Twitter a lot promoting The Stafford Project, and it on the web, so you want to touch people already on the web.  I care about what they think, and a lot of them are upset about me leaving.  And, I am sure there are some that are not upset. (Laughs)

MICHAEL:

Your fans have been so upset about your departing Y&R, but support you on your new ventures, and the new opportunities that will arise for you.  At On-Air On-Soaps on the posts concerning your exit, many have written such touching words, and many telling you how sad they are that you have left the show.  How does it feel to have such a strong and passionate fan base?

MICHELLE:

It is so nice.  It was sad when I saw part of Friday’s episode.  And if you were really a fan of that character, it would be really upsetting.  I have watched soaps growing up, and I remember I watched Ryan’s Hope, and I loved Delia (originally played by Ilene Kristen) so much, and when she left the show that was it for me.  Actually, that wasn’t it.  They recast the role with another actress, and so I said, “Nope!”  And I was done.  I was really was way too young to be watching soaps at the time, but I just loved the character so much, and so it was upsetting for me.  Also on Y&R, Phyllis is in a hospital, and she is in a coma, and you want to hear from her.  You want to hear Phyllis yell at people, and fight back, and she is not doing that.  I think that would be upsetting for fans of the character.

MICHAEL:

Photo Credit: Duffimages.com

So after Sharon and Phyllis’s war of words, Phyllis falls down the stairs.  And since that point, literally scene after scene, you were just lying in a hospital bed … just lying there!  Was that ridiculous to you?  Or, did you say to yourself, “I am doing my job…etc”?

MICHELLE:

I am doing the job … and the job is for me to lay here, right? (Laughs)  I do understand that viewpoint and people have told me that on Twitter that they were very mad that I was lying there, but you know, Y&R wanted to put the character in a coma, and it was actually a pretty nice gesture on their part.  They just wanted to make it so the role is still there, if I ever was to change my mind and come back.  I don’t feel like they should be blamed.  Of course, they could have had the character leave town too, or lose her mind and leave town…

MICHAEL:

But having Phyllis exit this way provided a secret for the other characters, and kept story going, so you can see why Y&R chose to do something like that.

MICHELLE:
Yeah.  It provides more story for the people remaining on the show, and that’s true.  Also, it also provided no one knowing about what really happened …. no one knows except Phyllis.  Sharon was looking through the window and Phyllis freaked out and then that was it … and then I had my massive seizure! (Laughs)

MICHAEL:

How was you last day at The Young and the Restless?

MICHELLE:

I was nervous.  It was not an overnight decision, and there were a lot of personal reasons, that of course I am going to keep to myself.  Even if I told everyone all the reasons, they would still speculate. (Laughs)   I felt like this is it.   I went to work and I was on instagram doing a whole countdown on it, and I felt nervous like, “Am I going to lose it?”  And, I didn’t.  It was very sweet, and people were lovely.  They all wished me well, and Y&R writers Brent Boyd and Josh Griffith came to the party, and CBS Daytime’s Margo Wain came to the party.  Everybody was really cool.

MICHAEL:

Photo Credti: Ray Kachatorian

Did you feel when you walked out of the studio (after nearly 16 years of playing this one-of-a-kind character) that you had done everything you could have done with Phyllis?

MICHELLE:

For me, I feel that way.  I am sure if they choose to bring the character back and have somebody else play her, there is a whole new thing they could do, just because there is another actor.  They bring something different to the role.  It’s a tough character, and usually villains who turn nice it’s a tougher character to write for, because you are always sort of walking the line between good and bad.  I felt like that was it for me with that character.  I think that sometimes you want to do something in your life, and life presents itself, and you go, “This is the time for me to do something,” and that is how it kind of all worked out.  This is not to be taken at all that I did not want to work on the show because of the new EP, Jill Farren Phelps, and head writer, Josh Griffith.  I am a big fan of Josh’s and he was on the show before, and it was great.  I think that my sister getting sick, and the contract coming up a few months after made me realize that there is a time in an actor’s career that sometimes you think, “If I don’t jump off the cliff right now, I may never do it.”  I don’t look at the job at Y&R as being stuck, I don’t, but there were so many things that I desire to do as an actor, and so many goals that I had, that I just thought maybe now is the time to jump.  And that is mainly it.  It all sort of came together at one time, and I was like, “You know what?  Let’s just jump off, now!”   And so, I did!

MICHAEL:

Photo Credit: Ray Kachatorian

In your lifetime, you have been thrown so many things to deal with, and to overcome, and so many obstacles, and the fights you have had to fight.  So, when I saw your new web series, The Stafford Project, it made me smile, because knowing you as I do, there was a realism to the ridiculousness of the real life situations that happened to you.  I thought it was well done!  You were playing a version of yourself within these real-life moments that happened to you!

MICHELLE:

The whole situation was so intense and so insane trying to have a kid, and the doctor’s appointments and the surgeries, which I had documented and filmed in my real life.  It was so crazy, and every time I turned around it was so oppressive. Then when Natalia was born new things occurred, and I thought this was also nuts, being a single working mom to this kid, and going out and dating.  Then I talked to my friend Paige, who is one of the producers on the Stafford Project, and I said to her, “Let me pitch this to you!”  I said, “I really want to write a comedy web series in the vain of The Larry Sanders Show, where he is trying to keep it all together with the crazies around him.  I want it to be that she is just trying to keep it together, and every time she jumps off, she meets a crazy.”  Paige thought it was awesome, and wanted to get her writing partner in on it, Paige Long.  We just jumped in, and Paige and Paige’s comedy is just awesome!  I did the scenarios and I have very specific lines I wanted to use.  So I said, “These lines have to be in it, and it has to go like this…”  That is why all three of us are writers on the series. (Laughs)

MICHAEL:

And then … who knew?  Your daughter, Natalia was a scene-stealer!

MICHELLE:

Well, I did of course! (Laughs)  She was so professional.  She did not whine, or bitch, or do anything.  In the second episode of The Stafford Project, Natalia is totally improving with me.  I am like, “Geez, look at this kid!”  I have an actress on my hands.  If she wants to go down that path, I am going to have her originate it; I am not going to push it.  But if she says to me, “Hey, I want to do this acting thing,” I just feel if your child excels, or is gifted in an area, you should cultivate that.   I do see an actress in my kid … and it is tormenting to say! (Laughs)

MICHAEL:

Courtesy/TheStaffordProject

In the first episode of The Stafford Project, I loved when the reality show producer popped up in the backseat of the car with the “mulatto” line,  while “Michelle” is trying to explain about her surrogate, who was actually mixed-race or bi-racial!

MICHELLE:

Did you not almost die? (Laughs) You know all those comments that he made are comments that were truly said to me like, “Well, your kid is going to be mulatto!” I said, “Well no, it’s my egg.”  And they would go, “Oh no, well he or she will still be black!”… and other various racial comments.  And as the show continues on, the third episode is a flashback episode of what I went through, and it’s pretty cool.  As we go along, we enter more into her job and the shenanigans at the show she works at.  It’s Michelle Stafford, and she is on a soap, but we never mention the name of the show. It’s not Y&R. And, the character she plays is named “Francis”.  I make it very clear we not goofing on soap operas; we are goofing on actors, which is completely fine! (Laughs).  So we are goofing on actors, and the human condition.  There is a surprise guest in episode four, and the person is awesome and amazing, and people are totally going to dig it.  We have shot four episodes thus far, and we are going to keep doing them until people say, “Please stop doing it!” (Laughs)  I think we are going to release them every three weeks, and you are talking to the main producer here! (Laughs)

MICHAEL:

Do you think it’s hard in Hollywood for a soap actress to be considered for primetime or motion pictures roles?  Is there still the stigma?

MICHELLE:

I think it’s very hard for a soap opera actress to be many times viewed as a serious actor. There is just an idea out there … there just is!  It’s wrong, but you have to break through it like with anything, and be funny, and that is one thing I know I am.

MICHAEL:

Photo Credit: Kathy Hutchins

Would you love to have a sitcom?  Remember, when Judith Light went from doing Karen Wolek and her stunning courtroom confession on One Life to Live to becoming Angela Bowers on Who’s The Boss?

MICHELLE:

Well, yeah you could make a lot of money! (Laughs)  I loved Judith on One Life to Live.

MICHAEL:

Your new website is also very clever, and has great branding to it, especially the tag line, “Doing it as a single chick”!

MICHELLE:

I came up with that hash tag on instagram and people started using it like crazy.   People would say, “I’m doing it as a single chick too,” and others would say, “I am married and I am doing it as a single chick!” (Laughs)  Listen, I found there is such a large group of women who are on the web who are working their asses off.  They are either single mothers, or married and handling the entire household and working, and the ones who are still single are out there still dating.  It’s a lot to juggle, man.  Back in the day, just taking care of the kids in the house was your only job, and that was a huge job in itself.  That is a lot of hats to wear, but my take on it is: I am doing the same thing, but I am just making it funny.  And, the blogs will be funny on the website, and it will be a portal into my life at how I am being a hot bitch in my forties getting my groove on, and taking care of my kid, and being a mom at the same time.

MICHAEL:

The blog piece you wrote on men on your website, that actually men get a bad rap, I thought was terrific. We all hate on guys a lot, and they don’t deserve it … well, not all the time!

MICHELLE:

I wanted it to be very gay friendly, too.  That can apply to my boys too, and it can apply to a lesbian too… it is all of us out there.  The guys do get shit on.  Sometimes I read these blogs, and they are so linear, and it is just for a mom who is married with a husband and has everything taken care of for her.  And I think, “Wow, you are not even writing for a chick who is single, and who works and who is trying to live her life, and you are not writing for a woman who is celebrating how hot she is!” (Laughs)  I love making women feel like they are important.  I love making people feel important.  It is a tough gig out there in life.  Everybody is just trying to do the best job they can.  I really want to give to people, and make them feel validated, and make them laugh.  I am really excited about the site.

MICHAEL:

Photo Credit: Kathy Hutchins

Alison Sweeney (Sami) of Days of our Lives has been extremely successful building her brand from first: her soap career, to hosting Biggest Loser, to her website, to all her other projects.  What do you think of how she cultivated her audience, and how she speaks to women?

MICHELLE:

Alison is a smart girl, and an ambitious gal, and she got it.  I also think she had something to say.  I think she understood, and that would attract women who had a problem with their weight too, and that is a huge thing. The blog I have on my website on weight, that is the most asked question; “How do I keep my body in such good shape?”  It’s an interesting thing that body image is so on the forefront of women’s minds.

MICHAEL:

You also talk about dating experiences in The Stafford Project, and on your website.  How is dating going for you now that Natalia is a three-year old?

MICHELLE:

I was dating this guy recently and he started spending the night, and I was really like, “Oh, my God, I am a filthy whore!” (Laughs)  I was like, “You can’t be here when my daughter’s here!  You cannot be here!”  So my mom takes my daughter every Friday.  So I suppose whoever wants to have sex with me, it’s only going to happen on Friday or Saturday when my mom has Natalia! (Laughs)  But it’s going to be really good; it’s going to be a Mardi Gras! (Laughs)  It is very legitimate question you ask.   I think I am better about it now! (Laughs)

Courtesy/CBS

MICHAEL:

As a wrap-up to your time on The Young and the Restless, let’s take a look at some of the key relationships you have had on the show.  You and Sharon Case (Sharon) have this long standing rivalry as Sharon and Phyllis.   How do you feel that relationship played out on-air?

MICHELLE:

I wish that we had more of it.  I liked it.  I think it worked.  It was really great with Sharon Case and me, because we really understand the viewpoints of our characters. When we did the scenes both of us actors knew how we felt going on into the scene and about each other.  So there is never any fear of  “I don’t want to be mean to you” because some actor will pull back with those emotions.  She and I never did that.  I am not Phyllis, you know?  I am OK screaming at you, because I am just playing a role.  I don’t mean anything by it.  Sometimes actors will back off of each other, and Sharon and I never did that to one another, and I think that showed.  It was very real to people that these two women had such jealousy of each other, and there was so much emotion born from the death of a child, and the husband leaving.  It was such a great real story.  I loved Sharon and Phyllis’ relationship.  It was vicious and very real.

MICHAEL:

How did you feel when they told you that they were going to SORAS your on-screen daughter, Summer, to 18?  And, how Hunter King (Summer) has done in the role? She has done an amazing job over the last few months!  She has an Emmy reel for next year, for sure.

MICHELLE:

Photo Credit: Kathy Hutchins

Well, they aged Summer before Hunter, and they kept aging her.  And, so we had a baby, then we had a two-year-old, then we had a five-year-old, then we had an 8-year-old, and then an 18-year-old, and Hunter.  Hunter is great, and such a little doll, and I love her.  She has a great career ahead of her.  I miss my little Hunter.  I cannot say enough nice things about her.

MICHAEL:

At the end of your run on Y&R, Phyllis was once again paired with Jack (Peter Bergman).  What were your thoughts on this duo getting back together?

MICHELLE:

Peter Bergman and I had worked together off and on so many times, and so I was like, “What can we do new with this?”  I was like we have been together more years than anyone else, or probably equal with Nick, and I wanted to find something new in it, and probably would have had I stayed on.  Of course, I love Peter Bergman.  He is a lovely and beautiful human being.

MICHAEL:

I think we all loved you most with Joshua Morrow (Nick Newman)!

MICHELLE:

I know.  It was just clearly what these two actors had in a scene together, and it was so interesting to see.  We just had so much chemistry, and they weren’t really telling sexual type of stories on Y&R then.  They were never doing things where people were just ripping off each other’s clothes.  We started writing every scene like that! (Laughs)  It was very dynamic, and I loved working with Josh.  Josh and I literally just had to say the words and it really, really worked.  It was a huge spike in ratings, too.  I am really proud of that time on Y&R.  I think it was really great.

Photo Credit: Kathy Hutchins

MICHAEL:

Jeff Branson (Ronan) and you also had some serious chemistry going on.  What did you think of Ronan and Phyllis?  And how ultimately, Jeff was written-off the show?

MICHELLE:

I thought their relationship was really interesting, but when they ended it, I guess they had him come back on, and he was totally in love with Phyllis.  I was not sure about that, but Jeff was great.  I am never a fan when they write a man totally heartbroken over a woman; I am just not a personal fan of seeing a man be like that.  I like to see men be strong.  I don’t like seeing them be desperate, and Jeff played it great.  He is a great actor, and he was let-go when Jill and Josh came in.  I said, “Jeff, you are great.  Just go do your gig and go be a star,” and he is working a lot.

MICHAEL:

Christian LeBlanc (Michael, Y&R) is your buddy.  Is it weird that he is there at Y&R, and you’re not?

MICHELLE:

I know he is sad, because it was first losing Jeanne Cooper (Katherine Chancellor) and now me … two main actors on the show.  Listen, Christian and I will always know each other, and know each other when we are 108!

MICHAEL:

Photo Credit: Kathy Hutchins

 … And you will always hijack each others interview? (Laughs)

MICHELLE:

Yes, and I will always be funnier, and he will always remind me he has three Emmys and I have two.  (Laughs)

MICHAEL:

What is the last word you would like to say to your fans?

MICHELLE:

I hope they watch The Stafford Project like 25 times each, and backwards.  If we get 50, 000 to 100,000 hits in the first week that is great, and means it’s successful.  If they are sad about Phyllis not being around, just watch The Stafford Project.

 

 

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Cathy Reese
Guest
Cathy Reese

I watched The Stafford Project this eve and loved it. Its going to do well I think.

David J.
Guest
David J.

I watched The Stafford Project last night and thought it was wonderful.

mollie
Guest
mollie

OMG…the “mulatto” comments! lol. Viewers could tell this was ripped right from Michelle Stafford’s own experiences. What some people will say! I love that Michelle sees the humor in the ridiculous, and that she shares it so sublimely 🙂

My only other comment is that I think an episode release every three weeks is much to slow…not only because I would like to see episodes more frequently, but I think the series will lose forward momentum with viewers. Just too slow a pace for interested viewers. Just my opinion.

Love it, though.

Beacon
Guest
Beacon

Nice shout out to Delia on Ryan’s Hope! I can actually see that character may have influenced Stafford’s early Phyllis who was desperate for the security of Danny by having his son, just as Delia was desperate for the security of Pat (and had an adversary in Kate Mulgrew’s Mary who was disgusted by her, just as Cricket was disgusted by Phyllis.)

SZima
Guest
SZima

I haven’t watched Project yet, but I will.

I just have a comment…that top picture of Michelle is SO wierd to me…very un-Phyllis like. Never in a million years would Phyllis be caught in a princess dress like that!

Teresa Ungerer
Guest
Teresa Ungerer

She’s Michelle Stafford, not Phyllis

Mad/hatter
Guest
Mad/hatter

Thank you so much for letting Michelle clear it up once and for all that she and Sharon Case enjoyed working together and do not hate each other I was so sick of that story being told. I think she has a flair for comedy so good luck. The show is so different now that I think she was right to move on.

Robin
Guest
Robin

OMG what cave am I living in? If not for you, Michael, and this interview I’d be wondering how long Phyllis was going to be gone lol. Great interview!!! Happy for her and wish her continued success. SO SAD for us Y & R fans. Show will not the same without her!!!!! I’m going to start my mourning process now.
Thank God I have cookies in my cupboard 🙂

Jacqueline
Guest
Jacqueline

I wished they did not get rid of Phyllis. I loved her on the show and gonna miss her. I hope she comes back and get Sharon.

cheryl
Guest
cheryl

i hope that phylis comes back and sets things right with the sharon thing,i wish you success on your new adventure, but you will be so missed on my favorite soap..i have watched this show from the beginning, love it.

Lafaux
Guest
Lafaux

I smiled all the way through! Great job! I can’t wait to see more.

Sharol
Guest
Sharol

I watched the Stafford Project and I completely loved it. It was so very funny, which really fits Michelle well. She is such a great actress and I’m sad that she left Y&R but I am loving seeing her in this project of hers. Keep up the great work and I look forward to a lot more!

Megan
Guest
Megan

Michelle Stafford’s future is just beginning. I look forward to
Her star becoming bigger and brighter everyday.

O
Guest
O

I watched The Stafford Project It was funny and I wished Michelle would had stayed on Y&R ,Phylliss would had kicked ass and loved itwhen she battled Sharon and Christine Blair> I can’t wait until she does a primetime sitcom do 2 & a half men she would be funny with Ashton Kutcher and Jon Cyrer or Mike and Molly

Teresa Ungerer
Guest
Teresa Ungerer

Oh yes! Great idea

O
Guest
O

I would love to see Michelle team up with Colleen Zenk (Barbara) and Kim Zimmer (Reva) the 3 of them could do a sitcom together

Michelle
Guest
Michelle

Not everybody liked Phyllis with Nick.

Jackie
Guest
Jackie

Loved Nick and Phyllis together, show will not be the same without Phyllis. I wish Michelle well and will be tuning in on her show

janice layton
Guest
janice layton

She left because of Scientology. She refused to work with Michael (Murphy), because he came to his senses years ago and left the cult. She is doing a web series now, with all Scientology members. Talk about mind control.

k/kay
Guest
k/kay

I heard that to but he is never on could not figure out how that could be who knows. You have any idea how much money you put into this thing I call it a Pyramid cult. Lol

michael
Guest
michael

Scientology is her belief, who are we to judge. She is missed on Y&R – she’s an amazing actress, but I love that she’s got balls and isn’t afraid of doing what she wants. I didn’t want to like the stafford project because i was upset that she left Y&R – ha! how egotistical is that!? but i love it, she and the show is hilarious. and incredibly well produced

Darling
Guest
Darling

Michelle what can I say, I hate to see you leave the Y&R but if that’s your wish, I wish you the best of luck. May you prosper in all you do; God bless you and your beautiful, little girl.

Thelma
Guest
Thelma

I love Michelle on Y&R . Hope she return if only to get Sharon lie straight. I pray your success in whatever you want to do . I know that you would be good at it.

jamie
Guest
jamie

Does anyone know if Michelle is married in real life?

Red Rivers
Guest
Red Rivers

So Phelps fired Jeff Branson too. This witch just loves to kick actors out on the street. She’s a witch.

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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Kirsten Storms as Maxie

General Hospital

Airdates: 6-2/3-2021

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